Giancarlo Stanton is back and kicking ass!! He hit that ball perfectly, and he stood there watching it go before he started waking to first base. When you hear the sound of a baseball connecting to a bat with that kinda clarity, you know it's outta there. Welcome back, my friend!!! There's no stopping him now. Maybe this year, the Bash Brothers will become the Thrash Triplets with the help of Juan Soto!!! I can't wait to find out. Let's go Yankees!!!!
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at some point i will figure out how to write the post-canon, post-empire edelgard autonomy fic of my dreams. it just feels like a very big task and maybe like with playing the dane, i’m simply not old and traumatized enough to manage it yet.
but my vision is thus: it’s set years (realistically, decades) after the end of crimson flower, when everything has gone as right as it can possibly go. fódlan is thriving. the social reforms have taken effect. the nobility system is nearly eliminated, if not entirely so, with titles made merely symbolic. social mobility, welfare, and prosperity are high. there’s an explosion in arts and culture and technology. brigid and duscur have gained independence; relations with sreng and almyra are much improved; heck, maybe they've even figured it out with dagda. in my most idealistic version, leicester and faerghus would eventually be ceded back to become autonomous regions, essentially disbanding the adrestian empire. rule is no longer hereditary, but merit-based. there's a roadmap for the future, and everything is on track—and more than that, people at all points on the power spectrum have already seen it bear fruit. with or without edelgard, it will be pursued. there's buy-in. they believe.
of course, it's not perfect—nothing can be—but edelgard's vision has been fulfilled. the people are empowered. humanity is free. fódlan has healed.
and somehow, she's had enough time to resolve her goals outside of politics, too. those who slither in the dark have been eradicated. edelgard and lysithea's second crests have been successfully removed, allowing them to live if not full lives, then substantially longer ones than they would have with their twin crests intact. who knows—maybe she finally gets around to having that wedding.
point for point, every item listed in edelgard's manifesto has been checked off. the ghosts of her past have been laid to rest. she can finally take off her crown. she can finally pursue the quiet, humble life she's wanted for so long. she can finally breathe.
... but can she?
edelgard is nothing if not driven. her intelligence, vision, and sheer willpower allowed her to plan and execute a revolution against two countries and the most powerful institution on the continent, all while she was still a teenager. as royalty, her life was never truly hers even before she became heir to the adrestian throne, with all the additional baggage of survivor's guilt and the desire for vengeance and her need to ensure nothing that happened to her can ever happen to anyone else, ever again.
so what happens when that drive has no outlet? what happens when someone who has been constantly in motion, constantly working and planning and preparing every spare second of every day since she was fourteen years old, suddenly has to stand still? what happens when someone whose hands have been bound for so long—first literally in the dungeons of enbarr, then by the weight and responsibilities of her crown—is set free?
being edelgard, she would step away from the throne, no matter how hard it was for her to give up control. she's always been focused on the endgame, and she knows that if she doesn't let go, she'll be setting the wrong tone for fódlan's future. she's too devoted to that endgame to cling to power much longer than she needs to, though i could see her making some excuses and trying to iron out just a few more things to buy herself some more time to mentally prepare before she's done for good.
but who would she be then? who is the woman without the crown? what becomes of a machine once it is no longer needed, when it has made itself obsolete? what about when that machine is a person with legs and arms and an innate unwillingness to gather dust on a shelf?
what happens when you get everything you want? what happens when all your wanting has been for others to thrive, and now you have to want only for yourself? how do you discover who you are when you've spent decades being everything for everyone else? how do you find meaning again? how do you find purpose?
after a lifetime of devotion and passion and movement, how do you learn to sit with yourself, and be quiet, and be still?
gosh, i would love to meet her. i would love to pick her brain. but boy, i do not envy the work that girl has to do.
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Poppy has arrived in Chains of Heart!
Look at the smug bastard looking delicious in his villain era. Poppy always looks so damn fine in a suit.
I still have no idea what is happening in the second episode of Chains of Heart, but it remains visually delectable.
Even when depicting death, it's beautiful!
Chains of Heart is serving looks not answers.
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THEY'RE FUCKIN BACK! JOHN AND THE TEAM ARE BACK!
I'm honestly so damn hyped to see the funny British man again. I can't wait to learn how the system is fucked through depressing clips and funny jokes. And I haven't watched it yet, but I bet the writers are back with full force with their amazing skills. Couldn't be more happy to have them all back, especially now of all times.
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I'm so obsessed with gortash AND I'M NOT EVEN OUT OF ACT ONE
I won't see this man for another month or so!!!
and yet here I am, absolutely in love with this maniac of a man
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it’s really quite concerning to me how many people are black and white about bruce’s no killing rule (esp in recent years) bc i don’t think there’s a full cognizance yet of how easily that insistence upon all killing being the same and equally deplorable can facilitate the white supremacist rhetoric that believes killing oppressors is equivalent to killing the oppressed, anti-racism is equivalent to racism, etc. it’s why it’s always odd to me how mike w. barr is such a frowned upon batman writer for depicting a bruce who will not necessarily go out of his way to kill but will not save certain villains either bc he understands the egregious of their crimes and inflicted harm upon humanity. it’s a “gray area” that’s necessary to explore esp when taking into account the harm inflicted upon marginalized communities at large, and even then barr wasn’t free from falling prey to the rhetoric that all intentional violence is equivalent regardless of which race or class of people it was perpetuated by. obv i agree with most people that in context of under the red hood bruce is right to not use his vigilantism as an excuse to play god and decide who lives or dies, and i always make the point that bruce originally was intent to kill the joker only to be stopped from doing so by other people. but i wonder now if the conclusions to under the red hood and jason’s depiction thereafter inadvertently allowed for the facilitation of that white supremacist rhetoric i mentioned earlier bc jason being written by a white writer didn’t allow for a proper contention with the topic of marginalized communities and their relationship with violent resistance. the complexity of the no kill rule and whether it enables oppressors (even in cases where bruce is more lenient and willing to allow villains to die despite not pulling the trigger himself) is something that needs to be addressed by nonwhite writers specifically, and it’s no wonder that the potential for really potent social commentary with it is all but absent in the modern day considering main batman titles have never been written by anyone other than white men, not to mention the genre is alarmingly christian dominated now despite its jewish anti-fascist origins
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