#i feel like this one has a lot of unrequested stars | Explore Tumblr Posts and Blogs

journalxxx · 3 years

Text

By Hook or by Crook (5)

“What do you make of all this?” Toshinori asked, when they were finally alone. They’d momentarily parked the kid in the hallway with a cup of tea while the hero had followed Tsukauchi in his office as he took care of the last bureaucratic dregs of the questioning.

“As I see it, there are two major possibilities we ought to consider.” Tsukauchi said without taking his eyes off the monitor of his computer. “The first is that Midoriya’s quirk is just a mutation, and he is in no way related to All For One. His father is likely a government official whose position grants him knowledge of enough confidential files to make him fear negative repercussions in case his son’s quirk was publicly known, and has therefore enforced silence on the matter. We aren’t looking at any outstanding crimes here, although this man isn’t going to win any Parent of the Year awards any time soon.”

Toshinori grimaced. Wouldn’t that be nice? “And what are the odds of this being our case?”

“I wouldn’t bet my next paycheck on it, for sure.” Tsukauchi typed something on the keyboard, and checked his phone at the same time, before sighing and leaning back in his chair. “The other possibility is that Midoriya is indeed related to All For One, maybe even his son. He’s been fostered to a trusted associate of his and kept in the dark about everything.”

That option could be more statistically or genetically likely, but it still didn’t sit right with Toshinori. “That doesn’t sound like something All For One would do though. Why not raise him as a successor, or even just an underling? Surely another All For One wielder would have made for an important asset to his schemes.”

“You forget that Midoriya’s quirk manifested only two years ago. It is possible that All For One may have planned to do so, but lost interest when the child was deemed quirkless.” Tsukauchi scratched his head pensively. “As for why he didn’t keep the kid close since his birth… we can only assume it was out of caution. Fourteen years ago you had already put a significant dent in All For One’s syndicate and influence. Maybe he was already taking precautions against his own downfall, and didn’t want his potential successor to be involved in case things took a turn for the worse too quickly.”

“... I guess that makes sense.” Toshinori nodded. As per habit, he sent a quiet thanks to his lucky star for accidentally baring his secret to a damnably honest and capable member of the force such as Tsukauchi, God knew Toshinori himself wasn’t exactly cut out for fine deductive work. “In this case, the boy’s father…”

“...Is a former subordinate of All For One’s currently employed by the government, yes. Not a pleasant scenario to work with.” Tsukauchi waited for the printer to regurgitate a disproportionate stack of documents that made Toshinori instinctively recoil. The detective flipped through the paperwork quickly before sprinkling his signature on just about every odd sheet. “Regardless of which of the two hypotheses is true, I definitely want to look into this Hisashi Midoriya. He is by far the most suspicious aspect of the boy’s account.”

“Yeah. He doesn’t visit his family for a decade and a half, he doesn’t talk about his job, he doesn’t follow basic legal procedures, and you can tell he had more of an active role in encouraging Midoriya to hide the quirk than the kid lets on... It doesn’t exactly paint a reassuring picture.” Toshinori sighed. “This isn’t going to be easy for the boy…”

“It never is, when a family member is involved in criminal activities. But the fact that their relationship seems rather distant may make things a little less traumatic for him.” Tsukauchi checked his watch as he tidied up some stationery and turned off his computer. “Well, I guess I’m not too unforgivably late for my other meeting since we don’t have to question Mrs. Midoriya.”

“...Sorry about that. And for springing this on you all of a sudden.” Toshinori said with an apologetic grimace and his utmost sincerity. “You’re a saint.”

Tsukauchi’s small smile implied that he was well aware of the fact. “I’ll drive Midoriya home while I’m on my way to the city hall. Do you need a lift? Or do you want me to let you on the rooftop for a smoke?” That bit of code speak would never not be tragically ironic, Toshinori thought.

“No, I’ve already finished my shift for the day.” All three, scant, scattered hours of it. Japan’s finest, most dependable hero, ladies and gentlemen.

“Then thank you for your hard work.” His friend gave him a quick look and a brief, firm squeeze to his shoulder before heading to the door. No pity, no unrequested sympathy, no disingenuous praise, just straightforward respect and understanding. He really was one of a kind.

Midoriya was exactly where they’d left him, busy fiddling with his phone. He perked up when he saw them return. “Uh, my mother just texted me back. She says she’ll be home in about an hour. If you still want to talk to her.”

Tsukauchi hesitated. “It’s a little too late for me, I’m afraid. I’m expected somewhere else, but…”

“I can wait.“ Toshinori immediately volunteered. “It won’t be as thorough or official as if you interviewed her yourself, but if it can lighten your workload just a little…”

“...Well, I don’t see why not. Hop in the car with us then.”

The return trip was silent. Toshinori glanced at Midoriya a couple of times from the rearview mirror, and he always caught him in an ill-concealed state of unrest. Fidgeting with his phone, picking at the seatbelt, gazing nervously out of both car windows. Toshinori didn’t like that. Why all that agitation, now that the worst of the ordeal was supposedly over?

The boy eventually locked eyes with him. “...Oh. Uhm.”

“Something on your mind?” Toshinori asked.

“Uh, well, I was wondering…” His gaze dropped to his knees. “Are you going to tell my mother about my quirk?”

“I’m afraid so. She is bound to find out anyway, eventually. The police will issue an update on your quirk registration, as per the norm in such cases.”

“...Ah.” Oh boy, now he looked like a kicked puppy. That was just depressing.

“I don’t necessarily have to be the one to break the news to her though. If it makes you feel any better, you can tell her about the incident in your own words.” Toshinori offered, hoping to soften the blow.

“I… I think I would prefer that. Thank you.” The boy quietly acquiesced.

Tsukauchi shot Toshinori a pointed look. All right, maybe that wasn’t the most proper way to go about it, maybe standard procedure demanded the officer in charge to keep mother and son separate during the questioning and explain things personally in the most objective possible terms. But Toshinori wasn’t an officer, he was a washed-up alter-ego of the Symbol of Peace acting in semi-official consulting capacity, and he’d be damned if he didn’t try to make things a little less humiliating for the forlorn child in the back. He condensed that whole argument into a meaningful glance of his own, that Tsukauchi couldn’t hold for more than two seconds lest he drove them all straight into the back of a truck. Toshinori took that as unspoken permission to proceed as he saw fit.

“I’ll be leaving this in your capable hands then.” Tsukauchi said as the two stepped out of the car. The man had a veritable talent for conveying irony while maintaining the straightest of faces and the driest of tones.

“Your trust is deeply appreciated. Drive safely!” Toshinori shut the door of the car decisively and waved him off with a dazzling smile.

“Uhm. Okay.” Midoriya said, his eyes darting between the hero and the speeding car with obvious perplexity. “Mom won’t be here for at least another forty minutes. I can fetch that photo you wanted in the meantime. I think I know where it is… probably...”

“I’ll take you up on that, thank you.” Toshinori followed him across the parking lot and up the stairs of the apartment complex. The boy’s eagerness to please was a sight for sore eyes in this cold, self-serving world. “You really did something commendable today, you know? Not many people would be so ready to relieve the pain of those who hurt them. That villain owes you more than he’ll ever know.”

“Oh…” The boy fiddled with his keys as a light redness tinged his cheeks. “It’s nothing, really. It isn’t my place to judge anyone... let alone steal from them. I just hope he’ll get better soon.”

“I’ll keep you up to date on his condition, if you want.”

“Oh, you don’t need to! It’s fine!” Midoriya’s instinctual politeness clashed against Toshinori’s no-nonsense availability. It was a fierce battle, but one didn’t become the number one hero without developing a certain skill in staring people into reasonableness. Midoriya surrendered with a small smile. “...I-It would put my mind at ease though.”

“Then I shall.” Toshinori claimed with finality. “Honestly, I wish I could have done more today for you and Tsukauchi. You two took care of all the heavy lifting and data collecting while I just stood around doing nothing the whole time.”

“You did, didn't you…?” Toshinori’s eyebrows shot up in surprise. Well, he hadn’t been expecting that candid a confirmation of his uselessness. Midoriya flinched and started flailing about in obvious distress as soon as he realized he’d voiced that thought aloud. “N-No! I mean- I don’t mean that you were- What I’m saying is that you didn’t really need to come. But you did anyway! F-For my sake, I get that. Because you promised you’d help me out, even if you surely have better things to do with your time, and… I truly appreciate it. Really.”

Toshinori laughed softly. Yes, ‘truly appreciative’ was indeed the boy’s default mood whenever he was graced with the barest amount of consideration, as far as the hero had witnessed in their short acquaintance. He didn’t think it was some sort of hero-worship-related response either, the kid just seemed that sensitive to it. “Don’t worry about it. It’s part of the job.”

“Is it?” Midoriya finally opened the door and they stepped inside. He let out a small chuckle of his own as they removed their shoes. “I guess I have new insight to add to the online speculation about All Might’s decreasing workload. I guess it is to be expected if yo- if he’s taken to follow up on all his cases so thoroughly.”

Toshinori had to fight back a traitorous cough. “W-well, there is really no need for me to overexert myself nowadays as I used to do in the past.“ He started, automatically supplying his PR-certified response to any inquiry on the topic. Goodness, people really did notice, didn’t they? It was hardly a new concern, but still… “The crime rate has been decreasing steadily, and the industry is so saturated with heroes that there’s someone ready to intervene almost at any place and at any given time. And those heroes could use the money and exposure way more than me…” Toshinori trailed off as they made their way to the living room. The boy was regarding him with unnerving attention, as if memorizing his speech word for word. “There are other reasons too, of course…”

Midoriya cocked his head to the side curiously, expecting further elaboration. Then it clicked, and he fleetingly glanced at the hero from head to toe with open contrition. “O-Oh! Of course! Your… Sorry, I forgot.”

That simple sentence confused Toshinori so much that he couldn’t help but gape back. The silence grew very awkward very quickly. “...Uhm. So, that photo of yours?”

“R-Right! I’ll go look for it! Make yourself comfortable! Be right back!” The boy bolted fast enough to leave metaphorical dust clouds behind him.

Toshinori wandered to the nearest chair with small steps. He forgot. That was quite the feat, while literally standing in front of the sad, wrecked husk that Toshinori had become. Or maybe the kid hadn’t realized that his appearance was a relatively recent development. That seemed more likely. Perhaps he had interpreted his vague answer about his quirk to mean that the number one hero had always been just that, a sickly, overachieving twig in a bodysuit keeping his own skeleton in the closet for nearly forty years.

Toshinori let out a sigh. Quite the uplifting impression he was leaving with this young one.

His circling thoughts were interrupted by a yelp, and the thundering noise of some heavy objects crashing just outside the living room.

“Midoriya?” Toshinori called, jumping to his feet. The second unanswered call had him by the source of the noise in a moment.

“I’m here! I’m fine!” Midoriya’s voice finally answered, from behind a half-closed door conspicuously marked as ‘Izuku’ by a familiar blond-banged nameplate.

“What was that?”

“Just… some stuff that fell down...” Toshinori approached it and peeked inside. Even from his limited perspective, he could see the boy sitting on the floor and rubbing his forehead, next to a tipped-over chair.

“And did that stuff happen to include you?” Toshinori deadpanned, inviting himself in... and pausing on the threshold. Taking in the interior of the boy’s bedroom. Which wasn’t the priority right now. He willed himself to ignore the star-spangled elephant in the room assaulting his senses and knelt down beside Midoriya, gently peeling his hand away from the sore spot. “Are you hurt?”

“No, no, it’s just a bump.”

“You should put some ice on it.” There were no cuts or outer signs or damage, which was a good start. Toshinori’s eyes fell on the bottom half of the toppled piece of furniture beside them. “...Did you seriously try to climb on a rolling chair?”

“I do that all the time. It’s steadier than it looks!” There was no appropriate reply to such a claim, but Toshinori’s judgemental glare was enough to make the boy squirm. “I’m fine, really-”

“Ice.” He pointed sternly at the corridor. Maybe there was still a minimal chance of preventing an oversized lump on Midoriya’s forehead from outing to Tsukauchi and other responsible adults the fact the boy had nearly cracked his skull within five minutes of being left in Toshinori’s charge.

“All right. Just a second.” Toshinori kept an eye on the kid, making sure he wasn’t struggling to keep his balance, as he made his way out of the room. Room that Toshinori was now free to observe in all its embarrassing magnificence.

A soft All Might carpet. All Might-themed bedding. Walls plastered with All Might posters. All Might-patterned curtains. Shelves and shelves and shelves of All Might action figures and books.

It was always… humbling to be reminded of how much passion and care people from so many different walks of life could put in something as trivial as collecting hero merchandise - his hero merchandise, more often than not. Popularity and revenue were Toshinori’s very last priorities when it came to his job, but, despite merchandising being exactly about those, he wasn’t opposed to the practice in principle. It did help cement the reassuring image of the Symbol of Peace in the collective mind, which was definitely one of his lifetime goals. It brought a sizable influx of wealth to the agency’s treasury, which he largely redirected to charity and assorted emergency relief funds. It did seem to spark genuine joy and entertainment in both children and adults. And, when none of these arguments were enough to wash away the vague sense of guilt that came with profiting off the love and admiration of Japan’s fine citizens, Toshinori reminded himself that there were much worse, self-destructive indulgences people could waste their savings on. Alcohol. Tobacco. Drugs. Troll 2 DVDs. The like.

Midoriya reappeared nursing an ice pack against his temple. “Sorry about that. The photo should be in one of those boxes.” He gestured towards the wardrobe that sported a brown cardboard box on the top, and then towards the floor, where its twin lay sideways after a presumably rough landing. They cut through the tape of the latter and, after Midoriya emphatically assured him that he didn’t mind him browsing through his personal belongings in the slightest, Toshinori joined the kid on the carpet in their quest for the photographic Holy Grail.

“I probably slipped it inside one of these…” The boy said, pulling out small piles of notebooks and publications. Toshinori confined his perusal to dated magazines, comics and books that didn’t seem likely to invade Midoriya’s privacy. The first box yielded no result.

“Maybe it’s in that one. Let me get another chair- oh.” Toshinori only needed to raise his arms and strain slightly on his toes to comfortably reach the top of the wardrobe and retrieve the second- crap, that was heavy. How the kid planned to pull it down himself while standing on wheels was beyond him. “Thank you.”

Toshinori was sitting cross-legged and flipping through an old gossip magazine lavishing pages and pages of speculation on the meager information they had managed to scrape together on his association with Dave - ah, those were the days… - when Midoriya finally let out a triumphant Aha!

“Found it!” He regarded his prize with joy, but his expression quickly morphed into concentration and then confusion. Toshinori held out his hand expectantly, and the boy deposited the photo into it while indicating a specific spot. “It’s, uh… my father’s this one.”

Toshinori looked at the man in question.

And froze.

“He doesn’t…” He heard the boy say distantly, as if from kilometres away. “He looks… a bit different from the picture in the police file…”

Toshinori coughed. He was different, all right. Subtly, cunningly so. Both men had short, snow-white hair, both had relatively plain features and pale complexion, both had faintly-colored eyes that could pass as blue under the right light. They were similar enough that they could be mistaken for one another, when described verbally. But the man in Tsukauchi’s file was a stranger to Toshinori. The man in this photo wasn’t.

“This-” The hero managed, between small bursts of coughs that he couldn’t restrain. “This is the man that- told you to keep quiet about your quirk-”

“Y-Yes.” Midoriya was gawking at him with obvious concern, and it only got worse when the hero’s words sank in. “I-I mean, he didn’t- he just- we sort of agreed that-”

“And the-” Toshinori covered his mouth with his hand, already tasting iron on his tongue as he patted his trousers to find some tissues. “The last time you spoke to him was…?”

“A little less than a month ago.”

Something inside Toshinori just gave up on trying to hold it together. He erupted into a brutal fit, vicious enough to shake his whole body and squeeze his eyes shut. He heard the boy asking something in alarm, and he felt warm blood trickling down his chin before he finally got ahold of a handkerchief to press against his lips. He hacked and spluttered for an interminable minute, his throat and chest tight and sore from the effort. Eventually it died down, and he found himself hunched over and bracing himself against the floor, wheezing and struggling for breath as something shuffled beside him. He turned to check on the noise, and saw Midoriya tapping on his phone.

“Don’t.” Toshinori rasped, swallowing down the remaining blood coating his mouth and reaching out to gesture at him dismissively with his clean hand. “I’m fine.”

“N-no, you aren’t.” The kid looked on the verge of fainting himself. Toshinori followed his horrified gaze, only to notice he’d sprayed plenty of little crimson stains on both the photo and the carpet, not to mention his own clothes. Damn, that was a mess even by his standards. “B-But- it’s okay, I’ll call an-”

Toshinori unceremoniously plucked the phone from Midoriya’s grasp, made sure that he hadn’t dialed any number, and tossed it on his bed. No need to make the situation even more headache-inducing than it already was. “I mean it. It happens. Don’t worry.”

Toshinori cleared his throat as he contemplated the ruined piece of evidence anew. At least he hadn’t marred the spot containing ‘Hisashi Midoriya’. Despite the less than optimal angle, there could really be no doubt. There was no mistaking that face for anyone else’s, it had been seared in Toshinori’s mind by more than three decades of pain and regret.

...Shit.

Shit.

Toshinori collected the picture from the floor and stood up to drop it on the kid’s desk, where it sat innocently surrounded by dozens of pieces of licensed All Might memorabilia.

“...So this is your father, and he’s alive and well.” He stated it aloud and with scorn, because he felt it was important for the universe to hear that its sense of humor didn’t fly with everyone.

“Ehr. Yes. Do you-”

“All right. Okay. Fine.” Toshinori turned on his heels and headed for the door. “Excuse me, I have to make a phone call.”

“...To your doctor?” Midoriya asked apprehensively, visibly starting to doubt the hero’s mental as well as physical well-being.

“No.” He almost stamped a huge, bloody handprint on his slacks before remembering that he still looked like he’d just slaughtered a pig and devoured it raw. “Can I use the bathroom?”

“Second door on the left.” The boy muttered, too stunned by now to object to any of Toshinori’s tangents.

Toshinori washed his face, neck and hands, and rinsed his mouth. He decided he couldn’t bother to do anything about the state of his clothes. He took care of scrubbing the sink too once he was done, making sure he didn’t accidentally leave any red smears on it. He dried his hands and fetched his phone.

“Tsukauchi? Sorry, can you make it back to Midoriya’s house? Yes, as soon as you can. ...No, but we found that photo. You need to see it, it’s… it’s him.”

He closed the call and stared at his reflection on the mirror. His brain didn’t produce a single coherent thought. He walked back to the kid’s room.

Midoriya was peering at the picture intently, even though he hadn’t moved it from where Toshinori had left it. The man’s eyes fell on the scattered blots on the carpet. In his experience, there wasn’t much hope of removing them completely, but it seemed rude not to try, at least. “Got any cleaning supplies?”

Midoriya blinked at him owlishly. “In the bathroom. Under the sink.”

One short trip later, Toshinori was back with paper towels and rubbing alcohol. He waved the boy off when he made to kneel down beside him to help. He handed him the ice pack that lay forgotten on the floor, and the kid pressed it back on his forehead mechanically as he sat on his bed. Toshinori could benefit from only a couple of minutes of silence before Midoriya spoke.

“You know him.”

“...Yes.”

“You’re upset.”

Toshinori wondered if it showed on his face, or if it was just an educated guess based on the half-baked spontaneous hemorrhage he’d just displayed. He didn’t reply, his attention ostensibly focused on dabbing lightly at each smudge.

“Why…” The boy’s voice faltered. “W-Why is there a photo of another man in the police records?”

Toshinori couldn’t hold back a deep exhale. He wasn’t sure he was the most qualified person to have this conversation with the boy. He surely wasn’t the most eager to.

“All Might.” He felt compelled to raise his gaze. Midoriya was pale, his eyes wide and shiny with unshed tears. His expression was heartbreakingly imploring. “Please.”

He was going to find out anyway, at least the bare bones of it. Kindness was one thing, cowardice was another. Denying him an answer at this point felt more like the latter.

“I know him because he is known to the police. He’s a villain.”

“...A villain…?” The information bounced right against Midoriya’s shock. Toshinori gave him a curt nod. “No… no, that’s… not…”

Toshinori could track the gradual, painstaking process of acceptance the poor kid was going through from the aborted expressions quickly blurring into each other. Horror, fear, confusion, disbelief. Tears rolled down his cheeks, and he clamped a hand over his mouth to stifle a sob.

“A-Are you sure?”

Toshinori hesitated. Was there any other possibility they weren’t considering? “Are you absolutely certain that that’s the person you’ve been talking to?”

“I… I’ve never met him in person. B-But mom has, and she’s been talking to him too. She said it’s him.”

“...Then I’m afraid there can be no mistake.” It felt like dropping a boulder on the child’s chest, and the way Midoriya crumpled onto himself, cradling his head in both his hands, reinforced that gut-churning impression. Toshinori made no effort to conceal the sympathy in his whisper. “I’m sorry, kid.”

“H-He said…” The rest of that thought was swallowed into distraught silence.

“He told you he worked for the government?”

Midoriya took his time to answer, and he did so with a half-choked snort. “He… he never did, actually. I thought… He said things that… made me think…”

Toshinori grit his teeth. Figures. That silver-tongued demon wouldn’t spare even a child from his precious little mind games. “I can imagine.”

The silence that followed was only broken by the boy’s quiet sniffles, and it was so long that Toshinori believed the kid to have exhausted his reserve of bravery for further questions. He’d resumed his ill-concealed procrastination via blood-cleaning when the next inquiry dropped.

“What did he do?”

Oh, man. What didn’t he do? “He’s been involved in a variety of criminal activities, both directly and indirectly. He’s… quite the nasty customer.”

“Since when? How long for?” Midoriya gripped his head even more tightly, his fingers digging deep among his curls.

Toshinori had the distinct feeling that his well-meaning honesty was now trespassing into inadvertent cruelty. “We should wait for your mother before discussing this any-”

“Please.” Midoriya’s head snapped up, and the weight and emotion of those emerald eyes pierced through him like a blade. “Please, just tell me.”

Fourteen years of lies. Toshinori couldn’t bear to add even one more to the heap. “...Since long before you were born.”

Midoriya’s head dropped anew. Toshinori got back on his feet, unsure whether a kind word or a pat on the head could possibly ease that burden even slightly-

The ring of the doorbell made them both flinch, bursting that odd bubble of private desolation that had enveloped the boy’s room. They made their way out of the room, Midoriya quietly trailing behind the hero as the man opened the front door.

Tsukauchi opened his mouth to greet them, and froze. His eyes immediately homed in on the blood liberally splattered on Toshinori’s clothes, and on the melted ice pack Midoriya was still absently pressing to his temple.

“...What happened?”

Inko Midoriya had the same dark green hair as her son, styled in a way that made something inside Toshinori’s chest ache with nostalgia and familiarity. She had the countenance of a demure, quiet, respectable housewife that valued stability and her loved ones’ well-being above all, and would never even conceive of starting a family with anyone any less sensible than she was.

That was why Toshinori was thrown for a loop when, upon being informed that her absentee husband was a criminal, she simply closed her eyes and bowed her head with a sigh and a resigned “...Yes, I am aware.”

Toshinori let Tsukauchi lead the questioning, as usual. Inko had met ‘Hisashi Midoriya’ (under a different alias, at the time) when she was twenty-six, working as a secretary at the main branch of Detnerat. The man had been introduced to her as a representative from another support item company doing some preliminary checks on Detnerat for a potential merger.

This was unusual, but not exceedingly so. In the nearly thirty years he’d spent meticulously dismantling All For One’s organization, Toshinori had gathered evidence of him personally handling certain aspects of his schemes with surprising regularity, even relatively minor tasks or dirty deeds that could easily and safely be entrusted to his subordinates. He hardly ever found any specific reasons for All For One’s direct involvement. Toshinori strongly suspected that the bastard simply didn’t enjoy the lifestyle of the cooped-up, invisible puppeteer, and sometimes just felt like wrecking some havoc with his own diabolical hands.

Inko had been charged with supplying him with quite a sizable amount of rather sensitive data, but since the CEO in person had given the authorization, she had performed her task diligently and unsuspectingly.

Now, Toshinori had been expecting the worst to emerge while questioning the circumstances that had led Inko Midoriya to her current marital status. Without exaggerating, the very worst. Any sort of revolting account of manipulation, coercion, even human experimentation, there was no low All For One wouldn’t stoop to. They had confined the boy to his room before starting for that exact reason.

But apparently the universe wasn’t done throwing curve balls at Toshinori that day, and what they’d gotten instead was the succinct description of what seemed to be, by all accounts, a perfectly ordinary and unassuming workplace romance. One instigated mainly by Inko herself, no less. Toshinori’s strained mind didn’t quite know what to make of that baffling information, so it promptly repressed it.

“We didn’t keep seeing each other after he stopped coming to the company, but I did reach out to him when I found out I was pregnant. That was when I became aware that there was much I didn’t know about him.”

“How so?”

“He told me.” Inko replied simply. “He was... forward about it, in a way. He said that he couldn’t settle down in any given place, nor spare the time for being part of a family. He offered to let me join him in his activities, but… the way he worded it made it clear that he wasn’t talking of any sort of legal business.”

“Did he mention any details about what his ‘business’ entailed, in general or in that specific time frame?”

“No, not at all. But considering how we met, I assume he must be involved in industrial espionage.” Grief, brief but intense, shadowed on the woman’s features for a moment. “I… I resigned from Detnerat as soon as I found out. He had been asking rather sensitive questions about the inner workings of the company, and… even though I never technically shared confidential information, I felt like I had exposed it to too great a danger because of my irresponsible conduct. And, honestly… I was afraid of what could emerge if I kept working there in my condition.”

Toshinori rubbed his hands in his lap uncomfortably. No job, a son on the way, a presumably disreputable partner to deal with… What a wretched situation to find oneself in.

“You said he offered you to join him? In what way, exactly?” Tsukauchi asked from above the pages and pages of notes filling his notepad.

“...I am not sure. I didn’t ask, I had no intention of getting caught in that sort of environment. Nor did I want Izuku to grow up embroiled in dubious activities from an early age.” Inko’s brows furrowed, and her fist clenched slightly. “...I didn’t want him to feel abandoned either though. I didn’t want him to grow thinking his father had deserted him. I asked Hisashi to grant us that, at least. Financial support and the decency to call, once in a while.”

Toshinori couldn’t hold back a sharp cough at that. Inko regarded him with a mix of concern and suspicion.

He couldn’t blame her for it. He had accidentally caused her a fair share of grief when, her son having forgotten to warn her to expect guests upon her return, she’d opened the front door and found a freakishly tall, gaunt, haunted-looking, bloodied stranger looming in her hallway. Toshinori had waited in a conveniently secluded corner of the living room, trying to make himself look as small and non-threatening as possible, while Tsukauchi delivered the proper introductions and deflected the few concerned neighbors her terrified scream had attracted. Not exactly brilliant, as first impressions went.

“And he agreed to that?” Toshinori croaked.

“Yes. I was expecting some resistance, but… he agreed almost immediately.”

Toshinori gaped at the remissive-looking, soft-spoken woman who had once been capable of browbeating All For One into exercising a modicum of fatherly commitment. This whole Midoriya case was getting more and more unbelievable by the hour.

Tsukauchi cleared his throat pointedly. Toshinori scraped back together what little dignity he had left and tried to soldier on.

“Please continue, Mrs. Midoriya.” The detective encouraged.

“There isn’t much else to say, I think. I didn’t hear from him for months after that. I contacted him a few days after Izuku was born, and we’ve kept in touch ever since.”

Tsukauchi tapped his chin with his pen for a few moments, his expression deeply focussed. Then he looked Inko straight in the eye.

“You are being… unexpectedly forthcoming about all this, if I may.”

Inko let out a deep sigh. “I was never under the impression that we could escape the consequences of Hisashi’s actions forever. As soon as Izuku was born, I decided that I would never subject myself or my son to undue duresses just to keep my husband’s secrets. I told Hisashi as much as well.”

Toshinori had to stifle another wet cough with his handkerchief. How on earth was this woman still alive?

“And he had no qualms about this declaration?”

“No. It rather amused him, actually. He said that any mother worth her salt would put her offspring’s safety above that of their parents. And… something about natural selection and survival of the fittest…” Inko’s eyes flickered upwards briefly, like those of a very normal wife exasperated by the very normal idiosyncrasies of her very normal husband. “He does go off on such tangents.”

“So you aren’t concerned about any possible retaliations on your husband’s part because of your cooperation with us?”

“Oh!” Her eyes went wide, almost shocked by the mere suggestion. “Oh no, I really don’t think he’d be capable of something like that.”

Oh, how very wrong she was. Toshinori frowned, admittedly perturbed by the level of trust All For One had managed to establish within the family without ever even deigning to step in their household. Precautions would have to be taken to protect the Midoriyas from the tragic fate that usually befell all those who were deemed traitors by the Symbol of Fear.

More and more questions followed. With his habitual thoroughness, Tsukauchi pursued a multitude of topics and leads that hadn’t even occurred to Toshinori, at least not so readily. Timing and means of communications, occasional postal deliveries to and from the family, details about the sums of money regularly deposited in the family’s account, and so forth. Toshinori was rather out of his depth here, but he tried his best to help Tsukauchi sort through the reams of documents, receipts, records, and diverse paperwork Inko produced at the detective’s request. By the time Tsukauchi declared to be satisfied with his preliminary inquiries, he had earned himself two plastic bags bursting with evidence, and Toshinori had developed a burgeoning migraine.

As they finally made their way to the entrance, Toshinori glanced at the door to Midoriya’s bedroom. Amidst that cascade of new revelations, they’d barely touched upon the topic of the villain attack and of Midoriya’s quirk with his mother. Toshinori felt genuinely sorry for the difficult conversations that were sure to follow between those two.

He hadn’t realized how late it’d gotten until he stepped outside the Midoriyas’ apartment. Sunset had come and gone, and the lampposts and the bright squares of the neighbors’ windows were the only sources of light in the moonless night of that unassuming residential area. As the door closed behind his back, squeezing into nothingness the rectangular glow framing him and Tsukauchi, Toshinori felt the darkness weigh on his shoulders and seep in his bones almost physically.

He felt, suddenly, extremely tired.

“I’ll drive you home.” Tsukauchi’s wasn’t an offer, so Toshinori didn’t refuse.

“Thank you.”

They walked to the car as his friend made a couple of quick calls to instruct some agents to watch the house until the next morning. The fresh night air would have felt like a small bliss to Toshinori on any other day, but in that moment it only rattled whatever unpleasant manifestation of his unease had lodged itself in his lung earlier that afternoon and hadn’t left since. He coughed a few times in his fist, then a few more on purpose to make sure he got most of the discomfort in his throat out of his system before he settled in the passenger’s seat.

The drive was quiet. Toshinori gazed absently out of the window, letting the new awareness sink in his mind like a stone in a pond. All For One was alive. All For One was still alive, somehow. Toshinori couldn’t fathom how. They had never retrieved the body, that was true, but there was precious little they had managed to retrieve from the location of their fight back then. It was nothing short of a miracle they’d found Toshinori himself quickly enough to lend medical assistance. The only reason why they’d been able to keep the public from learning of the accident was because it hadn’t happened on the mainland, and the tiny, uninhabited island that hosted it had all but been wiped from the maps. That his foe may have survived that disaster, considering the damage he’d sustained, was almost inconceivable. Toshinori was pretty sure he’d actually caught a glimpse of the man’s exposed brain after landing the last-

“Are you all right?” Tsukauchi asked quietly.

The corner of Toshinori’s mouth twitched upwards. “I’m never going to defy New Year’s fortunes again. Moving away from Tokyo was a terrible idea.”

“This is a good thing. If you hadn’t, All For One would still be out there, and we’d be none the wiser.”

Hell. Five years. For five years they’d been none the wiser. How much strength had All For One regained in five years, while Toshinori’s own slowly went down the drain? How much of his criminal network had he managed to rebuild? How many unnoticed, unreported atrocities had he been plotting and executing, unbeknownst to all? The mere notion made Toshinori’s skin crawl.

But Tsukauchi had the right idea, there was no point in brooding over the current situation. Things could have turned out a lot worse. If Toshinori had already chosen a successor and exhausted One For All’s embers, by now he’d be powerless and useless, and the burden of facing his revived nemesis would have fallen entirely on the new, inexperienced wielder. That truly would have been a worst-case scenario. But as things stood, he could still rely on his quirk for a decent amount of time. He could still tie this dreadful loose end himself before passing the torch, and he’d spare no effort in the endeavor. He’d pursue the monster to the ends of the Earth if he had to, even if it meant wearing himself down to nothing for the rest of his life.

Or meeting his gruesome, bitter end in the process.

Toshinori shivered.

“So,” he heard himself say, “where do we go from here?”

Tsukauchi gave him a stern, silent scrutiny, then he told him.

#my hero academia #boku no hero academia #All Might #Toshinori Yagi #Naomasa Tsukauchi #deku #izuku midoriya #inko midoriya

21 notes · View notes

hawkland · 3 years

Text

Dear Smut4Smut creator

Letter for the 2021 Smut 4 Smut exchange

My AO3 profile: sidewinder

Thank you for writing or creating art for me! I know I’ll be thrilled with whatever you come up with for any of my requests. (And if I babble on or have more prompts for one ship than another, don’t take that as any kind of preference. Some I just am more specific in the kinds of smutty scenarios I’m requesting/wanting at this time, but I love them all the same.)

Please consider the requested tags all the “prompt” you need if so inspired, if none of my suggested scenarios and ideas inspire you. Also, of course, feel free to combine them or use only one as you see fit!

General Likes

Non-penetrative sex (especially in first-time scenarios). I love extended kissing scenes, frottage, mutual hand jobs, characters so turned on and overwhelmed that they come from barely being touched/before they can get all their clothes off, etc.

Romantic smut more than really kinky smut (though a bit of light bondage/restraint can be fun!)

That said, I have a definite weakness for wing!kink and tentacles... where appropriate :)

Generally stoic/repressed/strong characters breaking down and needing comfort/hugs/acceptance of their vulnerabilities

Inverted relationship power dynamics - in the sense of a seemingly older and/or more powerful character actually being less experienced in sex/romantic relationships, or having more doubts & insecurities, and needing the younger/less powerful character to take the lead or reassure them.

In art - I really love all styles of fan art and just seeing how different artists interpret my favorite characters. Seriously, and that’s not just a cop-out because I’m crappy at coming up with art-specific prompts.

General Do No Wants

A/B/O dynamics, mating heats

animal abuse/death

anything related to pregnancy/childbirth

formalized BDSM relationships

non-canon gender identities and/or sexual orientations except gay/bi/pan for requested ships/characters

scat/watersports

unrequested alternative-universe scenarios such as high school/genderswap/coffee shop/etc (however, canon-divergent AUs completely fine!)

Supernatural-Castiel/Dean Winchester

Fandom-specific Do Not Wants: Bad ending/unhappy-ever-after, Sam-bashing, any suggestions of Wincest

I confess I am a very new Destiel-shipper/SPN fan, having only gotten into the show late last year (post-finale.) So while I know there are mountains of stories already written about this ship, sometimes it’s nigh impossible to dig through it all to find stories that scratch the specific fic cravings I have. Hence all the prompts/ideas for them here, some of which I’m sure have been done to death already...but please humor me :)

Long Prolonged Make-Outs

Kissing All Over

Frottage

First Time Sex is Non-Penetrative

First Time with Partner of the Same Gender

Experience - Experienced/Inexperienced

Experience - Experienced Partner Lets Inexperienced One Explore Them

Playful Sex

Morning After (Incredible Sex the night before)

I love everything about newly-human!Cas in season 9 (and Cas’s hedonistic tendencies in general). I have to imagine that, as a human, he just feels things with an intensity that angels just don’t feel, as if with human lifetimes so condensed, their senses are intensified to make up for it in a way that would be overwhelming for a hugely powerful/nearly immortal creature like an angel.

So give me any story about Cas’ exploring and fully embracing the sensual pleasures of sex (with Dean). I love Season 9 canon-divergence fics where Dean lets him stay in the bunker. Perhaps after his first taste of sex with April, Cas wants to add to his experiences by having sex with a male-bodied human/someone he deeply cares about (ie, DEAN). Dean may still be struggling with his own internalized homo/bi-phobia but it’s hard for him to resist Cas with his insatiable curiosity about how the human body works, having no filters/no taboos and just wanting to taste/touch/experience until he/they both are completely overwhelmed.

Wings as Erogenous Zones

Wing Kink

I love wings and true-form Cas as well. In fact I’m totally okay with canon-compliant, post-finale fic in Heaven if it means Dean can finally see/experience Cas’s true form (or at least glimpses/parts of it) without dying (because, you know, already dead and all that.) Otherwise, I’m always up for AUs where Dean can sense/feel/see Cas’s wings (if Cas wants him to) and they are an incredible erogenous zone for the angel. Maybe even his most powerful one.

Touching All Over

Touch-starved character overwhelmed from seemingly innocent touches

Touch-starved

Awkward First Times

Trauma Recovery

thank god you're/we're alive sex

Tender Sex with Lots of Eye Contact & Barely Repressed Feelings

Tender Sex

Shame in Sexual Desires

Room-Wrecking Sex

Reunion Sex

Characters mutually pining finally get together and have amazing sex

Desperate Sex

Sex gets paused to deal with PTSD then maybe returned to

I’ll take all the Cas-is-back, ignore-the-finale fics that are possible. Give me touch-starved Cas after his rescue from The Empty. (Dean can be fully into immediately satisfying his needs or, for angst, still struggling with/unsure of his feelings/sexuality.) It’s tender and healing, or maybe it’s explosive with all those years of pent-up desire and needs. You tell me, I love it all!

Sex While Washing Off The Blood of Their Enemies

Sex While Covered In The Blood of Their Enemies

sex under the stars

Outdoor Sex

Car Sex - on the hood of a car

Car Sex - in the back seat

Hotel Sex

tender making out in a car

sex after a long car ride

For these tags, I’m thinking canon-divergent future-fic where Dean is getting older (maybe Cas is too, if he’s lost his grace), yet they still go out on hunts together on occasion to relive the “glory days”. (Sam’s happily settled down and out of the hunting life with Eileen). They enjoy post-hunt sex in the outdoors or in/on the car, or seedy motel, reveling in the adrenaline of the kill, reaffirming their need and love for each other. Yum.

Supernatural - Endverse Castiel/Dean Winchester/Endverse Dean Winchester

Desperate Sex

Threesome - M/M/M

Threesome - Character/Crush/Another Version of Crush

Turned On By Violence

One last fuck before you die

Drugs - Drug Use

Time Travel - Sleeping with older/younger version of someone you know in your own timeline

Time Travel - Sleeping with older/younger self

Pairing-Specific DNWs: None here. Go as dark as you want, since it’s Endverse.

Um, yeah. Pretty much what the tags suggest. Dean knows its freaky as hell but maybe he catches his future self and Cas having sex and they invite him in. Maybe he sees it as a chance to be with Cas (even this very different Cas) like he can’t in his own time. Castiel is totally messed up over seeing the man he had fallen in love with (and fallen from grace for) as he had been, back then, and can’t contain himself now that he’s gone so deep into carnal/hedonistic pleasures.

The Orville - Gordon Malloy/Ed Mercer

thank god you're/we're alive sex

"We Lived" Kiss Reveals Feelings

Stranded - On Another Planet/World With No Way Home

Huddling For Warmth Leads To Sex

on the run together

Desperate Sex

One last fuck before you die

Fandom-specific Do Not Want: No Kelly-bashing.

I’d love something set in the alternative universe/timeline of “The Road Not Taken”, where the Kaylons have won, leaving Gordon and Ed on the run together. Just, any kind of desperate situation where they know they could die at any moment, so they might as well seek whatever comfort, love and tenderness they can find being with each other.

Laughter During Sex

Awkward First Times

Friends to Lovers

First Time Sex is Non-Penetrative

Frottage

Something Made Them Do It

Drugs - Experimental Substance Has Weird Sexual Side Effects

Casual Sex while Secretly Pining

Laughter During Sex

Something fun and silly (and sexy), please, using any of these tags! The show just screams out for tropey “something made them do it” scenarios, be it due to aliens, alien food or drink, whatever. Otherwise I’d love a story where they realize they do have more serious feelings for each other than their (up til then) casual relationship has allowed.

The Good Place - Michael/Eleanor Shellstrop

Tentacles - Tentacle Sex

Tentacles

Xeno - Nonhuman Partner is Ashamed of Their Body

Experience - Experienced/Inexperienced

Awkward First Times

Laughter During Sex

romantic sex

Tentacles - Gentle and Tender Tentacle Sex with Lots of Caresses and Cuddles

Fandom-specific Do Not Wants: No Chidi-bashing (but also, no Chidi/Eleanor endgame references/suggestions).

The ship/canon where I will eternally want tentacle smut! Michael seems so ashamed of his fire-squid demon form. I want him to find out that Eleanor actually finds it kind of a turn-on and would love to find a way she could...experience it. Since we know Michael can create simulations/realities (like he does in “The Trolley Problem”), maybe he can create one where Eleanor can see/experience a version of himself that won’t, you know, destroy the entire neighborhood or burn her to a crisp?

Otherwise I’m good with any kind of first-time scenario in one of Michael’s “reboots” (or later on when they’ve figured things out and are in Michael’s Neighborhood Improvement Experiment). Awkward Michael figuring out his human body’s reactions to Eleanor, them having fun and romantic sex, would definitely make my heart happy.

#dear creator #smut 4 smut exchange #exchange letter

1 note · View note

miss-m-calling · 3 years

Text

Chocolate Box 2021 letter

Dear writer,

Hello and thank you for writing for me!

I’m Miss_M on AO3. For all requests, I am asking for fic.

My requests this year are: American Gods (TV), The Marvelous Mrs. Maisel (TV), Starred Up (2013 movie), Witchblade (TV), and Бeсa ǀ Besa (TV)

General likes:

-pre-canon, canon, post-canon, canon-divergent, and missing-scene stories

-character-driven as well as plot-driven stories

-fics which mix humor and angst/serious business (when this fits the canon)

-characters at work and play

-group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples (new lovers/first times as well as long-term/established couples), UST-ridden couples who are not just UST-ridden but connected in other ways too

-irony, snark, humor, angst -- all arising from the characters rather than the plot crowbaring it in

-linear, non-linear, and 5+1 stories

-hopeful endings, happy endings, bittersweet endings, “everything is awful but you’re here and maybe I don’t entirely hate that” endings

-worldbuilding

-spiky characters who keep their jagged edges and spikiness in adversity as well as when their lives are going well, square-peg-in-round-hole characters, tough characters with (maybe not so well) hidden vulnerabilities, characters who are their own worst enemies, characters who manage to get over themselves when the occasion calls for it, characters with conflicting values which may or may not be reconciled/resolved, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other, characters who may not be exactly friends and may well irritate one another but manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise/reluctance/discomfort), characters who just cannot get along with each other or find common ground

-workplace stories (this can mean anything from an actual workplace/casefic/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters get to be competent

Shippy and smutty likes:

-(where it fits the characters) banter

-competitiveness or antagonism shading into attraction (this tension need not be resolved)

-”oh god why did it have to be you what did I do to deserve this“

-”come here and say it to my face/do that again/kiss me, you motherfucker”

-bickering yet loving couples

-characters who are serious about their romantic interests

-characters who think they are much better at flirtation than they actually are

-characters forced to work together only to prove much more compatible than they initially assumed

-fics which mix an exploration of characters’ professional and everyday lives with shipping

-characters who are incompatible in some important way (they are ideological enemies, cop and criminal, spies from opposite sides, or there has been betrayal!!!), and while they love and/or want each other, they’re not willing to change sides or abandon/compromise their identity/beliefs for the other’s benefit

-I don’t know how better to phrase this than: smut which fits the characters; how does their canon dynamics spill over into hubba hubba stuff?

-sexual scenarios that subvert expectations a little and surprise the characters themselves

-sexual scenarios that contain an element of competition or antagonism

-"this is a bad idea but we’re going for it hammer and tongs”

-not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not

-characters getting way more into the sex or being more affected by it than they thought they would

-quick and intense sex, slow and intense sex, rough yet willing sex (when it fits the characters), unexpectedly emotional and/or tender sex

-masturbation while thinking of the other half of the ship (or not wanting to think about them only oops there they are in the fantasy!)

-first time sex

-established relationship, we-know-each-other-so-well sex

-”we’ve both wanted this and now we both know it so here we go diving in headfirst” sex

-for het and/or slash, oral, vaginal, anal incl. pegging, manual (ifyouknowwhatImean) -- all is good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” or “clit” sexy.

Ship/smut DNWs:

MPREG, A/B/O, knotting D/s, formalized BDSM, painful sex, hard kinks (holding someone down playfully, hair pulling and such like, the odd spank are a-OK) scat, watersports knife/gun/blood play incest deaging/infantilization, mommy/daddy kink under-16yos in sexual situations humiliation body distortion/horror (feeding/weight kink, come inflation, vore, etc.) unrequested ships/pairings soulmates and soul marks pregnancy and children (can be mentioned if canon, just don’t make the whole fic about them) wedding setting/theme secondary characters shipping the main pair like it’s their job xeno, tentacles, bestiality noncon/dubcon

Other DNWs:

torture and abuse (this and noncon/dubcon can be mentioned, but please don’t dwell on it in loving detail or subject any of my requested characters to it) descriptions of vomit, shit, and piss (”He pissed up against a tree” and the like is fine), toilet humor lots of gore/blood (mention it, yes; lovingly describe it, no), cannibalism, serious illness or injury character bashing genderswap/genderbent characters, characters as kids/young teens issuefic, gender/sexuality/race/ethnicity/religion/ability/identity headcanons death of requested characters hopeless, unrelenting gloom/angst/horror RL holiday setting/theme, RL religions as a major theme (invented fictional holidays and rituals are fine) reference to RL current events 1st and 2nd person POV unrequested crossovers or fusions AUs which have nothing to do with canon fic written in lapslock

FANDOMS:

American Gods (TV)

Laura Moon/Mad Sweeney

I ship it. Yes I do. They had me at “gimme-my-coin-dead-wife”-flicks-him-into-wall. The snarky road trip was the best thing I never knew I wanted until it happened, and I adored every second of it, not to mention the upped shippiness in S2. They’re both such assholes and so fascinating, even if they start to mellow toward each other a bit, and all the gods/magic/resurrection stuff swirling around them begs to be explored further. Also I love love love how their dynamic is about equal parts spikiness, pathos, and humor (they’re funny! and the canon doesn’t shy away from putting them in ludicrous situations), and it weaves seamlessly between those three. Plus she’s half his size yet can and does beat him up with literally one finger, and then there’s the angst of he having killed her, feeling really guilty about it, and then bringing her back. And the way that their New Orleans adventure makes clear they have feelings for each other but neither wants to admit it. And and and… yeah, I just love them.

Even if some of my prompts are about stuff that’s addressed or hinted at in canon, feel free to diverge – canon divergences and canon-adjacent stories are my jam, as are missing scenes and post-canon stories! Also, I’ve read the book, so feel free to riff on that if you want.

Canon-specific DNWs: Laura as Essie or Sweeney's wife's reincarnation/descendant or lots of comparing her to them, Sweeney staying dead, any S3 spoilers.

Exception to blanket DNW about blood/gore/bodily fluids: describing the physical decay of the living undead (undead? there but for the grace of magic coins dead?) is fine!

Prompts:

-Laura discovers (how? you decide!) that Sweeney gave her back the coin after their accident – whatever happens next, some punching may be involved.

-Wednesday’s big war finally comes, and “don’t you dare die on me [again], you asshole” is a line either Sweeney or Laura (or both) might say to each other.

-Laura asked “What does Wednesday have to lose?” and the answer is…? (Yes, give me that sweet poetic justice. One possibility, though not remotely the only one, but as of S2E3 Laura is technically a god-killer...) Or later when she straight-up says she’s going to kill Wednesday, but is warned to bring power with her when she does, how does that work? How else might she damage Wednesday or ruin his plans, just in case she can’t actually kill him?

-At the end of S2, Laura hoists Sweeney’s dead body over her shoulders and strides off, seemingly leaving Cairo, Shadow, and all of it behind. Tell me what happens then – does she use Baron Samedi’s potion to bring him back, and whose is the blood filled with love she uses (does she still bleed? You could get creative here, worldbuilding is also my jam)? Does her/his coin play a part – and how come the coin still “powers” Laura despite Sweeney’s death? Does she bring him back another way, maybe figuring out how to keep herself around and be able to give Sweeney back his coin? Does he come back like she did, more undead than alive, or does his godhead, however depleted, help with that? That still leaves Laura to be fully resurrected too… Or does something completely out of left field happen – surprise me!

-Possible divergences from “Treasure of the Sun”: Sweeney manages to kill Wednesday, and then Laura rolls up, and then…? Or Laura rolls up and makes like Mama-Ji told her – destroys some motherfuckers? Or Sweeney gets killed temporarily but Laura brings him back, or brings herself back, or does something else with the Baron’s potion, and is Sweeney’s blood the one filled with love, or can we interpret voodoo spells in a non-literal way? Or what happens with Gungnir hidden in Sweeney’s hoard? And definitely how do they deal with each other once they meet up in Cairo, given how they parted in New Orleans?

-Or how about a wild divergence from the last several episodes of S2? Sweeney and Laura manage to settle their differences (ahem, more fucking, on this plane of reality, might help) and don’t part ways before leaving NOLA. Or they roll up in Cairo separately but at the same time, and confront Wednesday together, and neither of them die (or die more, in her case). Or they’re there together when the police nearly raid the house. Or they have Wednesday (the ultimate cause of Laura’s death) and Ibis (a death deity) and Bilquis (a love/death/life deity) on hand, surely they can concoct some kind of resurrection thingamajig for Laura, and if they have to twist some divine arms then so be it. Or or or…?

-Wednesday told that luckless cop that Sweeney had been against the big gods’ war from the start, and while Wednesday lies, what if Sweeney decided much sooner to say to hell with Grimnir and his war and his having Sweeney kill random people? I’m guessing Sweeney too drank three glasses of mead so he can’t back out without dire consequence – but he does have a fierce, dead woman in his corner.

-They go to some as-yet-unnamed old god (feel free to bring in whatever mythology you want) in order to bring Laura back to life. Between Sweeney’s mouth and temper, and Laura’s mouth and temper, it doesn’t go well. Now one or both of them are in big magical trouble with a pissed-off deity and have to get themselves/each other out of it. Speaking of other deities, I really enjoyed their brief canon interactions with Ostara, Anansi, and Mama-Ji, and I’d like to see more of that, especially Ostara’s polite yet over-it attitude, Anansi very obvious over-it attitude and his dramatic flair, or Mama-Ji being one of the few capable of giving Laura pause.

-All the petty, ridiculous ways in which Sweeney’s bad luck manifests itself make me laugh (can’t help it, won’t even try), and I’m down for more variations on that theme.

-Sweeney and Laura fighting together, like they did on Mr. Town’s train of torture. Whether it’s a bar fight of their own making, or the big gods’ war they find themselves embroiled in, or something else entirely.

-Things happen and Laura finds herself in the position to throw Sweeney under the bus but also help/save him, and while he knows it’s only karma (he did kill her way back when), he can still be pissed off about it – how do they navigate this?

-Related to that, the Baron said: “In death is her true love, but she betrays him also.” If that meant Sweeney, or can mean Sweeney in the future (I don’t like destiny-wills-it stories, and they’re definitely not there yet, but they could maybe get there at some future point, and even then It Would Be Complicated), was the betrayal Laura rejecting him after the loa ‘fuck them,’ or is it something that hasn’t happened yet, and if so, what?

-Laura gets fully alive again, but traces of her (un)dead state remain – what are they, how does she cope, what price did she/he/they have to pay for her resurrection, and how does their relationship change? I’d especially be curious how it would work if they’re already a sorta-maybe-item and then she’s alive again and it’s weird in a new way.

-For reasons I’ll leave up to you, Sweeney and Laura have to stay put in a single place for a while and end up essentially cohabiting, regardless of what their relationship is at that point. Take “cohabiting” as literally or as creatively as you want – in any case, I’m sure it will be marvelously disastrous and amazing. If the place they have to stay happens to be NOLA, all the better, I find everything about that city fascinating. Or, if you wanted to use book canon, Laura and Sweeney (rather than Shadow) are the ones who have to spend time living in Lakeside and deal with its creepy Norman Rockwell-ness and with Hinzelmann.

-Slight or major AU from the opening of “The Ways of the Dead”: Laura has hitchhiked with Sweeney instead of going off in a huff with Wednesday, or she otherwise gets to New Orleans sooner, and she and Sweeney tear up the town together. Maybe they even cross the paths of some loa and it doesn’t get all angsty. They were actually getting along nicely in those first couple of scenes in NOLA, only ribbing each other a little while still being their grouchy selves, before they got to Le Coq Noir. I wouldn’t have minded seeing some more of that.

-AU from the end of “The Ways of the Dead”: they still have their big fight (which was amazing as well as painful) or some variation thereof, but they don’t split up. (Maybe the reason is as mundane as Sweeney refusing to get left behind or they have a shared ride out of town, or maybe the more time passes the less Sweeney can afford to be far from his coin – or maybe the coin needs him close by to work at full capacity.) And then what?

-All the old gods hide their true appearance to an extent. A situation arises in which Laura sees Sweeney’s true, or at least old, self. Or Wednesday’s war ends in victory, meaning the old gods again get belief, worship, and sacrifices. How does Laura, the ultimate skeptic even when she’s on the other side of the mirror, react? How does this new knowledge and new reality change her opinion of/attitude to Sweeney? Or to flip that around, if Sweeney were again relevant and believed-in, would that actually change his bad attitude and fix his issues (my guess is it would be complicated)? On that note, Sweeney’s decline from Lugh to king to leprechaun was more sketched in than really explored in canon, ditto I didn’t really get why he couldn’t seem to remember his own history except in snatches (the curse that made him a bird/madman of the woods?) – I’d love to see more about it and his (not) dealing with it, or with a reversal of that decline. Eorann told him long ago to adapt and change with the times – but what does that mean after humpteen centuries in a rut and becoming used to always feeling angry and unappreciated?

-The power of names, since they never use each other’s in canon: for all his “dead wifeing,” there comes a time when Sweeney (has to) call her by her actual name, and that’s a tricky moment for them to navigate. Or, Mad Sweeney is not his actual name, and true names have great magical power and so must be kept secret; Laura discovers or learns his name, from someone else or from himself; what does she do with that knowledge? Or, Sweeney gets to say “cunt” in a situation (sexual or otherwise) where, not only does Laura not peel his lips from his gums, but she finds that she can’t object, even though she knows that he knows that he’s getting away with it.

-They’re both so complicated and contradictory and spiky, but they also start to care and rely on each other - and react really badly when they (think the other one) betrayed them. I would like to see those nuances explored some more and/or to see Laura and Sweeney get to a point where they trust each other and rely on each other, and know it and accept it, however difficult the getting there and being there may be for them.

-Sweeney and Laura get drunk and wake up married. Or some sex and/or blood resurrection spell results in basically an unbreakable marriage bond, whether it also secures resurrection or not. Or marrying the dead keeps them (sorta) alive. Or being married makes it possible for them to share magical/supernatural abilities. They’re both pissed about it, but secretly having to make it work may not be the worst thing that’s ever happened...

-My perfect AG spinoff would basically be Sweeney and Laura tooling around America, looking to get her resurrected (whether they succeed or not is up to you), stealing ever more ridiculous vehicles, arguing/fighting and having those pesky moments where vulnerability and genuineness creep in – and fucking. So yessiree I’d be down for porn, including “it’s technically necrophilia/zombiesex” porn, including a canon-divergent first time, or their second time, or all the later times after they had their first time in NOLA in canon.

-If you wanted to throw in some worldbuilding, maybe something exploring living death. Magical bargains. What kind of favor did Sweeney do for Ostara that would be worth her bringing someone back to life as repayment? What other powers might Sweeney have – or have left from when he was Lugh? How long can a dead wife keep going before she’s “soup”? What other superhuman abilities might dead!Laura have? Can the dead do magic? What even are the rules governing and the limits of different beings’ magical abilities? For example, why can’t Sweeney just take his coin back, or why does Laura gain super-strength as part of her undead package deal? Is the hoard in the same space as the behind-the-scenes accessed through the merry-go-round, or it’s a different place? Why does the coin seem to start to “run down” the longer Laura has it? Why did Wednesday need Laura to kill Argus when he killed Vulcan himself just fine? What happens with Gungnir now it’s in the hoard – can only Sweeney get to it, has it been transformed somehow (it’s now the treasure of the sun), etc.?

The Marvelous Mrs. Maisel (TV)

Lenny Bruce/Miriam “Midge” Maisel/Susie Myerson

Lenny Bruce & Miriam “Midge” Maisel & Susie Myerson

Lenny Bruce/Miriam “Midge” Maisel & Miriam “Midge” Maisel/Susie Myerson

I’m here for Midge’s adventures in the intoxicating, foul-mouthed, and often-frustrating world of comedy, so her dynamic with Susie and Lenny is where it’s at. Shippy or platonic, I just love the interactions between these three, and between every pair combination among them: Midge and Susie bantering and swearing and tits-upping even when they irritate each other, Midge and Lenny bringing the pathos as well as the humor, and Lenny and Susie both being hardened old pros with still a little glimmer of starry eyes. I am good with L/M/S or L&M&S or L/M & M/S – so, if you go the shippy route, either a V-shaped triad or hey, Susie (whom I absolutely read as gay) might find a way to be good with a full-on triangle… If you want to keep it platonic, True Companions all the way, always there for each other, even when they want to strangle each other. And as much as I like the comedy inherent in the characters, I also love that they’re all three, each in their own way, messed up people and dysfunctional to various degrees. So yeah, I just want Midge to hand the kids over to her parents, ditch Joel once and for all, marry (interpret that as literally or as loosely as you want) both Susie and Lenny, and for the three of them to ride off into the sunset to make comedy history.

Canon-specific DNWs: explicit sex (so nothing above M rating for sex), pairing any two as a / couple with the third as a & hanger-on, Lenny can still be his RL messed-up, drugged-up self – albeit the gentler version the show gives us – but I don’t want him dying if your fic is set in 1966 or after.

Prompts (most of these are from before S3 dropped, feel free to work with canon or diverge however you see fit -- I am all caught up with S3):

-Does Susie manage them both? Does Midge open for Lenny on tour? Does he open for her??? Or they become equal stars on the comedy circuit?

-Maybe Lenny joins Shy Baldwin’s tour, or they run into him while touring Europe or the US, or after Shy fires Midge, Midge and Susie cobble together a Midge-only tour of America and keep crossing Lenny’s own touring path, and they all tool around, and yes I would love as much period detail and geography porn as you can throw at me. And while Lenny and Midge have seen the world, Susie hasn’t – her reaction to different foods, languages, customs, landscapes would be spectacular to witness. Especially if “different” is someplace as close to New York as Jersey or Connecticut, or someplace as far away and different as, say, Japan.

-If they do go to Europe, somehow or other they also tour the Soviet Bloc. Cue culture clashes, getting followed (or thinking they’re being followed) by the secret police, getting hammered on vodka and herring and pickles, and then when they get back to the States, the Feds grill them. It’s all dead serious, and Midge and Lenny refuse to take it as seriously as they should, while Susie is trying but the whole thing is really pissing her off…

-Lenny’s burned out, and Midge is just getting started. This dissonance may or may not find some sort of resolution. One thing’s for sure: Susie has limited patience for both Lenny��s depression and Midge’s need to make everything pretty.

-Instead of going to Joel for a no-way-is-that-closure fling after the Steve Allen Show taping, Midge goes to have a drink or seven with the two people who have, in their own ways, always been there for her and never let her down.

-Midge goes on TV again, this time as the star: longer set, prime time slot, dressing room, the works. She’s dying of nerves. Lenny and Susie coach her through it.

-More radio work to make ends meet in between gigs: hilaribad period ads, hilaribad radio drama, running all over town to be on time, getting paid in all kinds of dubious merch…

-Midge and Susie head out west to make it big and stay with Lenny once they’re in Los Angeles, and it’s marvelous (ha ha) and disastrous in equal measure.

-More of Susie being the hypercompetent manager we saw especially in S3! (And please don’t dwell on her gambling problem, I was not a fan.)

-They all three get drunk, maybe with a hint of sadness if it’s the holidays (you can ignore my DNW about holidays, but please let that be just the background, not the lynchpin of the story) or someone’s birthday, and there’s a bar fight, running from the cops, eating greasy food at ass o’clock, and possibly kissing, not necessarily in that order.

-One or two or all three of them get arrested/have court appearances all over America and have to bail each other out, or find someone to bail them all out, or secure legal counsel – you get the drift. Or all three of them are trying to explain to a single lawyer what happened, talking over each other, the two pros not being able to resist landing zingers and Susie not being far behind, and the lawyer just getting more and more confused.

-They get in trouble some other way – offended patrons, surly management, shitty hotels, tour bus breaks down in the middle of Wyoming – and have to have each other’s backs because no one else will.

-Three-person road trip or tour, and only Susie knows how to drive. So Midge decides to learn, right then and there. And Lenny… Lenny may or may not be too lazy/hungover/lying about not knowing how. There’s supposed to be a rotation so everyone gets to stretch out on the back seat for equal lengths of time, but you know the system doesn’t work too well in practice. Also, they play games in the car to while away the time, and they do it their own way of course: I spy, cows on my side, yellow car, never have I ever, 20 questions, or riffing on whatever’s playing on the radio…

-They sit down to watch the moon landing (you can move it up a bit so it’s not happening a whole decade after S2) – by which I mean, Midge is all gung-ho about the moon landing, and Lenny and Susie are like whatever – and things don’t quite go to plan, but a good time is eventually had by all.

-It’s Yom Kippur again, and Midge wants to do the whole production: synagogue, breaking fast, the lot. Lenny and Susie would rather eat glass. Midge gets her way, of course. Does she decide to bring Susie and Lenny home to meet – or meet properly – her parents??? I bet Abe and Rose’s reactions would be something to see. (This too is an exception to my DNW about holiday settings – I just want stuff to get as crazy as it did the two times we saw Yom Kippur celebrated on the show, and for everything to still somehow turn out relatively OK.)

-Midge and Lenny have cheered each other up when the going got extra rough. I want for Susie to be especially down in the dumps – maybe her boozehound of a mother died and Susie took it worse than she does in canon, maybe some asshole told her she’s a shit manager and got her right in her insecurities – and Midge to rope Lenny into trying to cheer her up. And for Susie to fight them every step of the way but still be glad they care enough to try.

-Inspired by Susie’s brother looking just like her, by which I mean she and he and their sister look nothing alike, and by Lenny’s “she’s my mother” quip about Midge at the TV studio and then his “let me introduce my wife or maybe my sister” in Miami – Midge, Susie, and Lenny pretend to all be blood relatives, or mafiosi, or spies, or something else they’re not, while out in public, say in a restaurant. Just to be assholes and see how long they can keep it going before they break character or people figure them out, or call the cops, or something. There’s totally a bet on who corpses and breaks character first. Or, nice hotels ca. 1960 weren’t very big on letting unmarried couples, let alone threesomes stay in rooms together – pretending to be family might make that easier; forgetting what they’re meant to be to each other, or mixing up their backstories might make it harder. This could also work platonically, if they’re trying to save money by only getting one room, there only being one free room in the hotel, or for any other screwball reason you can invent.

-Lenny and Midge do a (comeback) tour of the Borscht Belt, and all the Steiner Mountain Resort guests (especially the gossipy old hens from the beauty salon) and staff go to see them – and heckle.

-Stuff happens and they end up performing at some hole in the wall place where no one knows who they are (or no one believes it’s really those people they’ve seen on TV) – tough crowd, but a good workout for the two comics, and if Susie gets to threaten to rip off someone’s head, all the better.

-Lenny and Midge honing their routines – and maybe developing a double act – and Susie being all “oh my fucking god, what the fuck!!! … They’re actually good. I’m so proud.”

-Sharing a bed with two other people is an ongoing project: who sleeps (or refuses to sleep) in the middle? Who gets up during the night and why? Who starfishes across most of the bed? Who snores, and how does this get handled? If alcohol or pot have happened, how does that affect the sleeping arrangements? Also, Susie and Lenny witness and react to Midge’s beauty routine, ‘nuff said. Or, for various reasons one person after another ends up decamping to another room/bed/couch, but it doesn’t help them get much sleep or even stay there very long (this is inspired by my love of Shirley Jackson and her short story/humorous essay “The Night We All Had Grippe”). If you prefer to keep it platonic, most of this would work if they’re just sharing a double bedroom on tour (I leave the reason for why Lenny is bunking with the women up to you).

Starred Up (2013 movie)

Oliver Baumer/Eric Love

Yes I do ship it, I do, I do!

Ahem. Don’t get me wrong, I liked what the movie did with the father-son relationship and its influence on both men’s character development – but I really wish they hadn’t got Oliver out of the action before the story’s climax (not like that!). The final denouement with Love father and Love son was great, as was the hint at the end that Eric learned something in anger-management group and has a support network that will help him a lot. But. I would have wanted to see more of the intriguing dynamic between Eric the intelligent, semi-feral, yet not-incorrigible, young thug and Oliver the educated, dedicated, kind yet aware of his own potential for violence (what was he on about with “I need to be here”?), slightly older counselor. They had me at Oliver’s “I want him” and Eric later telling his father that Oliver’s a better man than Love Sr. Also the not-flirting and the push-pull in the scene when Oliver picks up Eric from his cell - yowza!

Exception to blanket DNW: dubcon is a-okay! If you decide to go there, my preferred flavors of dubcon for this canon are: power differential makes it a bad idea but they do it anyway; “I know you want this”; “if the answer’s no/you’re only doing this for a dare or to prove a point, then why are you enjoying this so much [as am I]?”; no no yes a.k.a. starts as dubcon (or one of them thinks they’re dubconning the other), becomes enthusiastic consent.

Also, if this is relevant or makes you nervous about writing for me, Eric would be 18-19, and Oliver is maybe 10-12 years older – and I like it!!! (The actors were 22 and 31 when the movie was made, FWIW.)

Prompts:

-I would love to see Oliver return to holding his group in prison, so the two of them can interact more, either in the movie’s immediate aftermath or years down the line, as it’s implied that Eric will be serving a long sentence. Give me more scenes from anger management or the ribald, honest, free-flowing conversations in group, either with the other men present (I liked Hassan and Tyrone especially, among the group members) or a one-on-one session.

-An oblique or open-but-undramatic admission/declaration that they both know there’s something there, even if they don’t know what to do with it. Or, one or both of them knows exactly what to do with it, and the push-pull that would result from that.

-Dirty talk: used for arousal, as a defense mechanism, as a form of flirtation. Eric using slurs to assert dominance, and Oliver not letting him hide behind profanity, when he can use colorful language to express emotion and/or sexual interest. There could definitely be some verbal taunting/flirting about who wants/is eager to do what or is good at doing something. There may be some sniping comments about logistics and (lack of) condoms and barebacking and what men get up to in prison. There probably wouldn’t be deep discussions about sexual identity.

-An emergency in the prison requires a lock-down, so Oliver gets temporarily stuck in Eric’s cell or another room with only Eric for company. Things get porny and/or emotional.

-Eric is eventually released (you can handwave this so it happens soon after the movie or have it happen years later) and crashes with Oliver while he adjusts to the outside world. You guessed it: things get porny and/or emotional.

-How do they get to the point where both can cross that line from friends/whatever the hell they are and become, to lovers? (There’s Eric’s personal history and general discomfort with vulnerability, plus all the ways prison sex can be or make things complicated, and if it helps, I headcanon Oliver as either gay or bi and at least somewhat closeted, at work especially.) Who initiates and “directs traffic”? How does their always-contentious dynamic shift during and after sex? Is the sex an isolated (series of) occasion(s), or a progression/escalation over multiple encounters (how would I love especially an escalating series of encounters, let me count the ways)? Eric might seem like the logical initiator and/or dominant partner as well as using the possibility of sex to manipulate and exert control, but then Oliver might (or might not!) surprise him and is definitely the one more in touch with himself as well as aware of his custodial duty toward the men in the group.

-At some point in their intimate relationship (probably not right at the start, and probably not in prison, though if you can make it happen in prison, more power to you!), Oliver decides he’s going to take his sweet time and make Eric fall absolutely apart with pleasure, while using dirty talk to both arouse and empower Eric to own his desires – by that point, Eric is in a place where he can let that happen and enjoy it, even if he still talks tough.

-Or how about this: Eric gets out, relationship happens or is in the process of being negotiated, and while physical intimacy is a whooooole neeeeeew woooorld, you know what else would be cool? Phone sex. Yep. Or even, Eric gets himself one of those secret prison burner phones (preferably hidden somewhere that’s not someone’s arse), and… phone sex after lights-out and lock-down. Maybe nothing (much) has happened physically (yet), so phone sex can be a building block to that or one facet of that deepening intimacy.

Witchblade (TV) Sara Pezzini/Danny Woo

Sara Pezzini & Danny Woo

I used to love this show back in the day, and loved it again in all its hokey gloriousness when I rewatched it recently. Sara figuring things out and being a principled badass, but maybe out of her depth with the Witchblade, and her dynamic with Danny, whether he's a ghost or alive, it’s all catnip to me. Sara is not extremely quippy, she has a job to do dammit! and don’t look at her vulnerable side, just don’t look at it!, and I love that about her (she’s much harsher in S1, after Danny’s death, than in S2); ditto that Danny is somewhat softer than she is, but still can hold his own thanksverymuch (well, when the plot doesn’t require him to get nabbed by bad guys) and has a bit of a deadpan snarker side too. I’d love something that plays around with their canon dynamic from either season, or uses canon as just a starting point. Gen is good, shippy (incl. porny) is good. Some of my prompts lean dark or horror-y, so don’t be shy about going there; I’d also enjoy a story in which the Witchblade itself ends up not being very significant (say, they start to investigate a possibly mystical case and then nope, plain murder). BTW I really like Conchobar too, so if you want to include him (that means also Conchobar Lives AUs), his relationship (current or past) with Sara, or his canonical death somehow, go for it!

Canon-specific DNWs: Irons and any version of Nottingham appearing (you can mention them if you need to).

Exception to blanket DNW: dubcon is fine (see first prompt).

Prompts:

-The Witchblade is more parasitic than symbiotic, and instead of Sara learning to control it, its feeding on Sara affects her more and more over time. Or, the visions and dreams ramp up into full-blown paranoia and/or disassociation. The Witchblade's POV, maybe (it is sentient)? Asking for help is the hardest thing for someone like Sara, but what are (more than) friends for? I’d also enjoy a dubcon scenario where Sara really shouldn’t be having sex when her head is all messed up by the Witchblade’s influence, but… well… they do. The Witchblade canonically enjoys violence and bloodshed perpetrated by its wearers, so it stands to reason that it might lower other inhibitions too.

-Witchblade v. mythological monsters. In S1, even with everything else that's going on, Sara absolutely scoffs at the possibility of vampires. So of course I want: Witchblade v. vampires! The scarier and more feral, the better. Or, it's implied that the Witchblade was forged from a meteorite, so it's basically an eldritch artefact from outer space. Yes, please lean all the way into the Lovecraftian tropes! (The moon is turning red, the Old Ones are back, it’s the end of the world as we know it, but Sara’s got her partner by her side.) Or something from Chinese mythology, so Danny can kick extra ass. Or, for a silly take on Chinese culture: Sara and Danny in the world of Big Trouble in Little China (another old fave of mine, the entire plot of which revolves around… a woman with green eyes and an unwanted connection to the supernatural).

-The Witchblade has a reputation for abandoning its wearers just when they need it the most. True to form, it slips off of Sara’s fist, leaving her and Danny to save themselves with good old-fashioned guns, fisticuffs, martial arts, and of course having each other’s back.

-More of the psychedelic-ness in many of Sara’s fight scenes, where now she’s a woman in a leather jacket with a gauntlet on her arm, now she’s a knight in armor! Now her opponent is human, now he’s a wolf-shaped spirit of evil and hatred! Playing around with the characters’ senses and perceptions – yes!

-Instead of seeing only Danny and needing him to play intermediary for Sara to talk to other ghosts, the Witchblade makes Sara see ghosts all over the place, and it's getting to her. Ghost!Danny may or may not help with that. Or, ghost!Danny is basically always around, whether Sara can see him or not. He manifests when Sara is masturbating, and you can't really feel guilty if the ghost of your dead partner whom you’ve always had a thing for helps you out, and anyway you’re probably going crazy and none of this is real, so it doesn’t count anyway... right?

-Case fic/stakeouts and banter. Flirting/ribbing/joshing to pass the long and stressful days at work.

-Quick and guilty sex because Danny's married. Slow and intense sex if handwave he's not married but “oh noes we’re partners, we shouldn’t be doing this, but somehow we keep doing it anyway.” Hooking up in the car. I've always headcanoned that they had a thing pre-canon which ended for Reasons, but they both kinda wish it hadn't, hence the hand kissing, and the “I can’t even touch you,” and the coffee bringing/stealing, etc. So feel free to play around with that.

-Undercover as married, undercover as a gangster and his moll (LOL at Sara as a moll, or have Sara as the gangster and Danny as her arm candy), undercover as “they think we’re fucking, better fake it real good for the people listening in, oops shit got real fast, careful don’t say each other’s real name or you’ll blow your cover.”

-More timey-wimey shenanigans with the Witchblade. Maybe it allows Sara to manipulate time more than once. Maybe she starts doing it way too often, throwing the continuum out of whack (something non-linear would be very interesting). Maybe she and/or Danny remember some or all of what happened in S1. Something about all the multiverse versions of them, possibly splitting off from a dramatic moment. Time loops and feelings are a combustible mix.

-Apart from the pretty obvious shippiness, what I like about S1 especially is how Sara rolls with the weirdness the Witchblade has brought into her life, instead of reaching for rational explanations. More of that (I can't think of a better way to put it), and double extra brownie points if alive!Danny figures out at least some of what's going on with Sara's bracelet and somehow gets in on the action. Maybe a Danny saves the day divergence? Or how about a loophole that allows a man close to the Witchblade's wearer to wield it temporarily, but There Is a Price to Pay.

Бeсa ǀ Besa (TV)

Dardan Berisha/Petrit Koci

Skënder Berisha & Petrit Koci

Teuta Berisha/Petrit Koci

Divna Dukić/Petrit Koci

Petrit Koci/Marija Perić

Petrit Koci/Uroš Perić

My longest of long-shot requests! If you already know and like this canon, yeeees come sit with me. If you don’t know it, here’s a quick intro: this is a crime drama, one 12-episode season so far, produced in Serbia and created by Tony Jordan of “Hustle” fame. Set in (and with a cast including actors from) several ex-Yugoslav states, the story follows three main characters: a Serbian family man and regular joe who accidentally kills the daughter of a major Kosovar Albanian crime boss in a car accident; said Albanian crime boss who coerces his daughter’s unwitting killer to start working for him as an assassin; and a half-Albanian, half-Serbian Interpol agent (Petrit Koci) who’s after the crime boss but starts investigating the regular joe turned assassin as well.

The show has a twisty plot, gritty and handsome visuals, excellent performances, and a great through-line of deconstructing Balkan machismo and patriarchal culture. All three of the main characters have an image of themselves as MEN who Provide and/or Take Care of Business and Put Family First, each in their own way, and all three end up compromising on all their principles by season’s end. The women in the show’s ‘verse sometimes become collateral damage but also assert themselves in unexpected ways, which is great. The title refers to the Albanian (but more broadly, Balkan) cultural concept that one’s promise/vow/word of honor has to be kept and carried out no matter what, at peril of losing face, dishonoring both oneself and one’s family, even death. This gets deconstructed five ways from Sunday too, and it is awesome.

If you glance at the pairings I’m requesting, I think you can guess who my favorite character is. :-) Koci is so committed to being the “good sheriff” and carrying out his professional duty regardless of whom he has to piss off along the way, but is also often quite ineffectual because the local police forces with which he has to cooperate tend to resent both his attitude and his ethnic background – not to mention that when everyone’s corrupt and compromised, the man who refuses to play the game makes lots of enemies. He’s also a real hard-ass who made a conscious choice long ago to have nothing in his life but his work, is a bit of a bastard, has a huge blind spot about gender which comes back to bite him, and ultimately is driven by a desire for personal vendetta more than an abstract commitment to justice (I love a character who is super focused on their goal and presents themselves as invulnerable, yet whose insecurities and traumas are always just beneath the surface of what drives them). And yes, by the end of the season he’s presented with a Faustian bargain and gets a huge target on his back. There’s a lot to unpack there!

I will eat up any local color you want to throw in. Ditto, the canon is super intense, but if you find a way to bring in some vintage Balkan pitch-black humor, I’m here for it. If you wanted to include some dialogue or phrases or hey write the whole fic in any variation of what used to be called Serbo-Croatian, I’m here for that with bells on! (Unless you’re writing smut – I just can’t with E-rated prose in Slavic languages, sorry.) Alas, I do not read Albanian, but if you want to include dialogue/phrases in it, go for it, so long as you tell me (in parentheses, in footnotes, whatever works) what’s going on.

Canon-specific DNW: soapboxing about Balkan history/conflicts/ethnic relations (the characters can clash about this, use stereotypes, etc. – I just don’t want the fic to be an excuse for the writer’s hot takes, ‘kay?)

Exceptions to blanket DNWs: RL current events being mentioned + dubcon *but* for M/F ships I want both characters to be motivated by anger/revenge/general existential bleakness/whathaveyou instead of or as well as lust, so just no M/f dubcon, please!

Prompts:

-Any of my requested pairings in any kind of casefic, either a divergence, something pre- or post-canon, or a side investigation spinning off from the canon’s central plot. Anything that requires Koci to again traipse all over former Yugoslavia, butt heads with everyone, interrogate people, and do that soft-spoken “you don’t want to give me what I want but you’ll do it anyway” thing he does along the way.

-Something that requires Koci to use his knowledge of Albanian language and culture even more than in canon. I love how the canon depicts the existential discomfort of never fully fitting into – or being accepted by – either of the cultures/communities to which one has a connection, and how a person can become antagonistic and volatile as a result. Leaning into that would be wonderful.

-Koci has devoted his whole life to bringing down the Berisha clan. With the help or hindrance of any of the other requested characters, he finally gets his wish. Now what?

-Maybe the other character has to turn to Interpol for help/becomes a material witness/gets arrested/enters witness protection, or otherwise has to do teeth-clenched teamwork with Koci. For / pairings, the shippiness doesn’t have to be overt -- antagonism, barely finding common ground, something that reads more like gen or shippy gen than explicit shippiness is fine! If the relationship turns porny, the antagonism (I keep using that word because it fits!) and complicated dynamics and maybe a reluctant recognition that they’re not so different would perpetuate themselves in the porn too, and I’m here for it.

-A few words about the other characters and how they (could) fit with Koci:

Uroš Perić – the regular joe turned assassin, who gets multiple chances in the course of the show to seek Koci’s help and doesn’t because he gets in deep and wants to be the guy that protects his family and takes care of everything himself. I keep thinking back to their very first scene, when Koci gives Perić his calling card and tells him to get in touch, and Perić could have done that before he committed his first murder but… didn’t. And then at the end, there’s that huge spoiler setting up S2. Despite becoming a murderer several times over, Perić is a much softer character than Koci, but he doesn’t like getting pushed around either. How would they work together, how would they clash?

Marija Perić – Uroš’s Croatian wife, who has the thankless role of being married to the guy who’s keeping her in the dark about major plot developments, but makes up for it with how she reacts to the hints she gets of Uroš’s continuing troubles as well as getting on Koci’s radar. She’s scared and out of her depth, but she’s also angry and, yep, antagonistic when she thinks Interpol is harassing her for no reason. I love the scene where Koci interrogates her and she lashes out and won’t give him an inch even when he blindsides her with evidence of her husband’s activities – more of that kind of thing, please! Or what if she decided to protect herself and her kids by cooperating with Interpol, or maybe thought she could help Uroš by turning on him?

Divna Dukić – Koci’s Interpol colleague and maybe the only character that likes him. Their dynamic is both very professionally respectful and yet… “flirtatious” may be too strong a word. They pretty obviously have a little thing for each other but choose not to act on it for a whole mess of reasons (he’s an emotional disaster area, she has enough on her plate as a single mom with a shitty ex, they work together). Also, I have a theory that Divna, while seeming loyal, may take her marching orders from one of the criminal elements or maybe from the more corrupt parts of Interpol or the Serbian police. I would love any or all of that to get explored more.

Dardan Berisha – the grieving crime boss and main target of Koci’s obsession (even though it was actually Dardan’s old uncle Skënder who had Koci’s father killed decades earlier). They’re both such hard, intense men, in part because they’ve had to be, and the narrative sets them up as mirror images of each other (while Uroš Perić is more a study in how someone becomes hard when circumstances push them to it). Yet while their conflict underpins the whole show, they rarely share a scene. Put them together more; let them fight or y’know *waggles eyebrows*.

Teuta Berisha – Dardan’s wife, who first loses her daughter, and by the end of the season her family is totally blown to smithereens, in part because of how she chooses to assert her agency within the super-patriarchal context in which she lives. She was ambivalent about her marriage before we meet her, and I love how canon events bring out her anger, grief, and quiet steeliness. Also, that moment at her daughter’s funeral when Koci gives her his condolences really hit me – they know they are enemies, but there’s that moment of standoffish respect between them. What if somehow they had to work together? Or what if she took over as the head of either the Berisha or the Sokoli clan (or both!)? A divergence from the end or any part of S1 would be very welcome.

Skënder Berisha -- Dardan’s uncle who still wields enormous influence in the Berisha clan and was behind the assassination of Koci’s father decades earlier. I only want this as a & pairing, but the character dynamic is still one of difficult shared history, knee-jerk antagonism, goading humor, not being at all intimidated by each other, and yet recognizing something familiar in each other. One of my favorite scenes from the whole show is their conversation at the hospital, in which they cover both present troubles and the past. Skënder is one of the few characters who can and does consistently run rings around Koci, and I want more of that as much as I want the tables turned.

#chocolate box 2021 #chocolate box fic exchange #dear author letter

1 note · View note

laughingpinecone · 4 years

Text

Yuletide letter

I am laughingpineapple on AO3

Hello dear author! I hope you’ll have fun with our match. Feel free to draw from general or fandom-specific likes, past letters, and/or follow your heart.

Likes: worldbuilding, slice of life (especially if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and similar formats, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, magical realism, established relationships, future fic (when in doubt, tell me what’s happening to them five, ten, twenty years in the future!), hurt/comfort, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic, dreams and memories and identities, tropey plots that are already close enough to characters/canon, outsider POV, UST, resolved UST, exploring the ~deep lore, leaning on the uniqueness of the canon setting/mood, found families, characters reuniting after a long and/or harrowing time, friends-to-lovers, road trips, maps, mutual pining, cuddling, wintry moods, the feeling of flannel and other fabrics, ridiculous concepts played entirely straight, sensory details, places being haunted, people being haunted, the mystery of the woods, small hopes in bleak worlds, electricity, places that don’t quite add up, mismatched memories, caves and deep places, distant city lights at night, emphasis on non-human traits of non-human characters (gen-wise, but also a hearty yes xeno for applicable ships), emphasis on inhuman traits of characters who were human once and have sort of shed it all behind

Cool with: any tense, any pov, any rating, plotty, not plotty, IF, unrequested characters popping up.

DNW: non-canonical rape, non-canonical children, focus on children, unrequested ships (background established canon couples are okay, mentions of parents are okay!), canon retellings, consent issues, actual covid (fantasy plagues are okay)

Les Cités Obscures: any

This is a very general “please, anything in the style of canon, just maybe with less thoughtless sexism” request. I want to lose myself in these cities again, and in the strange lands that connect them. I’d be happy to follow any of the known characters and/or OCs, or eschew characters altogether and write about the cities themselves. What caught your imagination in Brüsel, Xhystos, Taxandria, Alaxis...? The history of some cool building that was only marginally featured in one of the stories? Or an OC city! If you’ve got a favourite European city that doesn’t already have its obscure counterpart, please tell me all about it! Go big, go wild! What strange and classically surrealist happenings take place within its walls? Or even... outside Europe... Nerding out about architecture is of course very welcome. I would also love to read a story based on any Schuiten illustration, contextualizing it as if it were part of this ‘verse. Here’s a bunch of them, for example!

Ghost Trick: Cabanela

You know.. him. Dazzlingly OTT, untiring, rock-solid self-esteem, loyal to a fault, following a rhythm of his own, flawless intuition until it fails and it all burns down… him. I just want to see more of him doing stuff! The way he’s chill and open toward new people (like Sissel and Missile in ch15) makes him perfect to throw at most other characters and see how they react to the sparkles… I’d love some focus on how ridiculous his aesthetic is, half Saturday Night Fever half hardboiled detective half bubbly preteen (for a total of 150%) and yet he makes it work. Or how ruthless he can be, possibly for the sake of the people he cares for. The quote “The intimacy of big parties”. Him and Alma in the new timeline bonding over knowing (once Jowd has spilled the beans) but not remembering that terrible timeline. Some tropey scenario on the job. Snark-offs with Pigeon Man, by which I mean PM snarks and it bounces off him like water off a spotless white goose’s back.

Ship-wise it’s only Cabanela/Jowd whenever it’s not infidelity, Cabanela/Alma in what-ifs also if it’s not infidelity and Cabanela/Alma/Jowd for me (and Lynne/Memry and Yomiel/fianSissel on the side). There are a bunch of shippy prompts in all my past letters - I would however reiterate here that Jowd. is. the worst tease. always. Like, just saying, but assume he’s pining big time and Jowd and Alma figure it out - they’d make a national sport out of excruciatingly protracted teasing.

Conversely, Cabanela/Lynne and Cabanela/Yomiel are NOTPs especially from Cabanela’s side. So while I appreciate the thick tension of a good Yomiel VS Cabanela confrontation like everyone and their cat, and also really appreciate a roughed-up Cabanela, and I do love Yomiel in his own right… I don’t want Cabanela being into it. Adrenaline junkie he may be but this hurts and his coat’s a mess and there’s no perfect winning scenario so he hates every second of it. (JOWD being super into Cabanela being roughed up is another matter altogether and he should probably mind his own business. ...incompatible kinks, truly tragic. they’ll have to find some other common ground. they’re smart, resourceful, playful fellows, I’m sure they’ll manage)

Kentucky Route Zero: Donald kentuckyroutezero

I love everyone in the cast, all acts and interludes, and I am extremely into all the themes this incredible work of art ended up exploring. Agreeing with the overall doom and gloom up to Act IV, I was blown away by Act V’s strong affirmation of the importance of the arts and of the bonds we make and of carving up spaces for ourselves in capitalism’s wake. Donald was, indeed, not a part of any of that. Even the final interlude updates us on Lula and mentions Joseph, but the big guy is nowhere to be seen. So, you know, there’s fanfiction! He’s so static, defeated. I am fascinated by the chain of metaphysical spaces that goes surface -> Zero -> Echo -> Dogwood and even within that framework, the hall of the mountain king is like a hopeless dead end. Dude’s terminally stuck. So - once again, in the spirit of transformative works, how could he get... you know... unstuck? Did Lula’s momentous appearance in Act III shake him? Having a functioning Xanadu again, perhaps? How could he interrogate that oracle, what recursive wonders would it show him? If he decides to leave, what does it feel to be on the surface again after so long, or on the river perhaps? Maybe he is forced to leave by the flood, if not this one, the next... Having him meet any other character would be amazing. Past or future time spent with Weaver... seeing Conway again, changed... programmer guy chatting up musician androids... did he know Carrington from his college days or was Carrington only a friend of Lula’s?

As for Lula herself and Joseph too: “Flipping through the pages, Conway is able to gather that it’s a story about three characters: Joseph, Donald, and Lula. It’s something like a tragic love triangle, but much more complex. Some kind of tangled, painfully concave love polygon.” 😔 I ship them as a full triad, if you can nudge them in that direction, good. But I’m very open to non-romantic resolutions as well, going past their messy feelings to find each other as friends after so many years maybe. Or... a start. idk.

I’d be interested in fic that leans on the game’s adjacent genres: wanna go full-on American Gothic? Dip into surrealism? Take a leaf from Twin Peaks with tulpa / split narratives to explore the characters’ issues? I’m also open to AUs, real or through Xanadu. This also feels like a good place to stress that I really, really like caves.

And now for something completely different: FAQ: The “Snake Fight” Portion of Your Thesis Defense is in the tagset this year. I’d say that the crossover with the snake portion of Here and there along the Echo writes itself, but it would not be correct, as in fact I would like you to write it for me. Feel free to not feature Donald if you focus on this crossover instead!

Uru would be a fun crossover too, for Donald specifically. He’s very DRC-shaped in how he tilts at doomed projects which just so happen to be deep underground.

Pyre: Volfred Sandalwood

This is a Volfred solo, Volfred&literally anyone or Volfred/Tariq, /Oralech or /Tariq/Oralech request. I adore everyone in that Blackwagon+Dalbert+Celeste, so if you want to add a Nightwing or two to any prompt, please do! I also love all the Scribes and find Erisa a compelling tragic figure, while out of the other triumvirates, I’m “love to hate them” for Manley, Brighton, Udmildhe and Deluge and would not like to see them featured in sympathetic roles. fwiw I also enjoy Jodi/Celeste and Bertrude/Pamitha a lot!

I feel deeply for all of Pyre’s main themes - literacy, degrees of freedom, the fragile time that is the end of a historical cycle, nobodies rising up to the occasion, building a better society, and of course found family, “distance cannot separate our spirits” and all that jazz, and Volfred is squarely rooted at the center of all of them. I really really love everything he stands for, even if he’s overbearingly smug in standing for it. Just please tell me things about my fave. His relationship to the Scribes (as a historian, a some kind of vision, via *ae or once he’s a star himself)? A ‘forced vacay’ Downside ending where he looks at the Union from afar and keeps living in this strange transformational place? Life in a cramped Blackwagon that was meant for like 5 people tops and is currently eight Nightwings, a herald and an orb? Since he picked him for the job to begin with, does he respect and cherish Hedwyn as he dang well should? What does it feel like to try and Read a herald? Was he ever in danger, in the Commonwealth or in the Downside? What daring act of resistance did he and Bertrude pull off at some point in their past? It’d be cool if one of his old pamphlets came up at some point. Does he puff up as prime minister because he’s nervous, and who can see past his hyper-professionalism and lend a hand? Please roast him big time about the votes he assigns to the various Nightwings in his planner? What’s his attitude toward the flame’s purification (what with being a tree but mostly like, as a general concept. He did nothing wrong!) (well he definitely said some things wrong and sometimes oftentimes the ego jumps out, but his intentions did nothing wrong)? When did his calculating approach fail him? Something with Pamitha along the lines of that edit that goes “Can we talk, one ten to another?“/"I am an eleven, my girl, but continue”? Dude could easily be voted sexiest voice in the Downside - how much is he aware of it? Does he sing? I love how he bears his ‘reader’ brand proudly. And speaking of scars, I have to wonder, looking at Manley for comparison, if the shape of his head, with that massive crack, isn’t also due to injuries.

As a refrain from my general likes: emphatically yes xeno to both shippy interactions at all ratings and to gen explorations of what a Sap is like… I’d love to read all your headcanons.

Ship-wise, I enjoy him with Tariq as this kind of esoteric connection of minds, guarded words full of secret meanings, long contemplative walks together (is any external pov watching...?), Volfred’s Reader powers brushing against Tariq’s mind and getting weak in the knees at the starlit expanse he finds there, so unlike mortal thoughts. Tariq finds his individuality learning from him; Volfred presumably gets a transcendent glimpse of the Scribes. And I enjoy him with Oralech as pretty much the opposite of that, Oralech is so very mortal compared to him, such a precious, fleeting, burning life especially after his fall. Oralech’s idealism is very dear to me, it was their plan, their shared revolutionary spirit, I find it deeply moving. And I am very interested in seeing them rebuild their connection now that Oralech is back, changed, and in some ways he can learn to let go of his misconceptions and slowly open himself to Volfred’s love again, but in other ways that’s who he is now, with this deep-set anger, and what does it even feel to realize that you’re the symbol of the end of an era (the end of the Rites, the fading of the Scribes). I’m interested in both topside and downside endings for all of them, as long as they end up on the same side, the revolution was peaceful and they don’t angst too much about the side they ended in. Tariq can ‘find his way home’ in the near post-canon somehow or even be summoned again, as a different aspect of the same ‘moonlit vision’ that once inspired Soliam Murr.

Strandbeest: any

https://www.strandbeest.com/

I would just like words to go with these, please and thank you so very much. Worldbuild to your heart’s content! Specifically: I’m fascinated by the premise that the strandbeest are living creatures that evolve and adapt to their ecosystem. A world where life is just wind stomachs and sandy joints, and the tide that can catch you unaware. I would like a story that feels distinctly inorganic. The wonder that is the existence of these creatures. Their unique struggles. Weird and experimental if you like. With a mechanical focus, maybe?

I nominated four critters as a selection of the different cool things they can do - Percipiere Excelsus is huge and has the hammer mechanism, Suspendisse’s tail senses the hardness of the sand, Uminami is my fave caterpillar and the caterpillars overall feel like a new paradigm after a mass extinction event, Ader straight-up flies... but they’re all wonderful. If you want to focus on different strandbeest, please do!

Twin Peaks: Lucy Moran

Case fic but they don’t find out jack shit, someone disappears, David Bowie was there, it’s complicated. Fragmented, shifted, mirrored identities. New Lodge spaces. The risks of staring into the void for too long. Gentle illusions. Transcendence. The moon. Static buzzing. Any title from the s3 ethereal whooshing compilation used as a prompt, actually. Whatever goes on on Blue Pine mountain or the even more mysterious things that go on on White Tail mountain where exactly zero canon locations are found. Twin Peaks is all about the mystery to me, the awe of mystery and unknowability and the human drive to look beyond and the risks of getting a peek, and about shared consciousness and trauma taking physical form in an uncaring world. Go wild with the ethereal whooshing! But I also love the human warmth at the heart of it all, and sometimes it’s enough to anchor these characters and let them have a nice day. A fic entirely focused on some instance of coziness against the cold chaotic background of canon would be great too.

For Lucy specifically, a big draw for me is how canon (...s2 need not apply) empathizes with her way of processing the world. Not just Peaks, but On the Air’s protag who is basically a Lucy expy also gets the narrative completely on her side and that’s great. And I love how in s3, her focus on the small things around her is always echoed by bigger, climactic events beyond her horizon (bunnies / Jack Rabbit’s palace, chair order / Garland’s chair, her first scene talking about the two sheriffs / doubles everywhere...). It feels to me like some kind of off-kilter mindfulness and I love it. She’s also got a loving husband and an amazing son, which, in this economy and also this canon? Damn. The one functional family, imagine that. I am not interested in focus on family dynamics, but singularly, either Lucy/Andy or Lucy&Wally are great - in particular, I’m interested in how strange they are and yet they make it work. With the ruthless critique of traditional family structure that’s all over canon, maybe they make it work specifically because they’re not doing any of that. A bit like the Addams family... but... not goth...? Anyway. I’d love to see Lucy interact with and maybe strike a friendship with any character she’s never shared a scene with in canon! In the tagset, there’s Diane for some secretaries bonding, Audrey because??? why not?, Albert because it’d be an epic enemies to friends slowburn, some version of Laura in the future, if we’re feeling really daring maybe even some version of Coop in the future, still fragmented... or anyone you want! Outside the tagset I’d be curious about Hawk, Margaret and maybe Doris in particular, I think, and Phil, and Nadine and the Invitation to Love fandom in general (Frost says it still airs - did it get as weird as TP s3 did?), but if you have an idea with someone else, absolutely go for it!

Canon-specific DNWs: any singular Dreamer being the ‘source’ of canon, BOB (let alone Judy) being forever defeated in the finale, Judy being an active malevolent presence in the characters’ lives, clear explanations for canonical ambiguities, ‘Odessaverse’ being the reality layer, the Fireman’s House by the Sea being the White Lodge, whatever Twin Perfect’s on about, Cooper/Audrey, Cooper/Laura

#letter

2 notes · View notes

lostinthewinterwood · 4 years

Text

Crossworks 2020

Hello friend!

Right, so, ah… sorry this is late. Got incredibly caught up in other exchange nonsense—I’m sure you know how it is, unless you have reasonable decision-making skills and executive function, in which case can I have some too?

…anyway.

Some of these have way more rambling/commentary than others but I am desirous of them all, don’t worry.

If you’re browsing for people to treat, 1) thank you, you’re awesome; 2) I will gladly accept treats in any medium :D

General DNW

Rape/non/dub-con; non-canonical major character death; heavy angst; hurt no comfort; graphic depictions of deliberate and methodical self-harm*; graphic depictions of suicide; anything E rated; smut; gore; heavy gender dysphoria; grimdark; complete downer endings; character bashing; incest; cringe comedy; a/b/o; mpreg; graphic eye trauma; graphic and/or permanent hand trauma (unless the setting can provide a more-or-less fully functional prosthetic or equivalent); issuefic; unrequested identity headcanons; a focus on unrequested romantic relationships**.

*I don’t include things like, say, punching a wall in a fit of emotion under this. however, something like cutting would not be appreciated.

**canonical levels of canonical ships are perfectly fine; background non-canon ships that I haven't dnw'd are okay too, unless otherwise specified in a request.

General Likes/Other General Info

So, since most of my requests are for fusions, I should probably lay out what I tend to consider a fusion—it’s a little broader than the official Crossworks definition, I think, which is “A work in which characters of one canon are treated as if they always belonged in another setting, or their world has always had elements of another canon.” All of that falls under my personal definition, as do fusions that are basically Characters A playing out the story of Canon B, even if the setting is still mostly that of Canon A. For the one crossover I’ve requested, as noted in that prompt I really don’t care how that crossover comes about, just that it does.

Generally—as you could maybe, possibly, tell from the theme of many of my requests—I’m a total sucker for fairytale fusions; I haven’t really elaborated on all of those combos, just know that I adore characters I know and love playing out a fairytale plot; if you’ve matched on that, I don’t really know how you could go too far wrong.

Other general likes I think are most relevant for this exchange include:

– I really like plotty fics

– Secret identity and disguise shenanigans, the more layers to them and more absurdity the better.

– Found family; families of choice

– Character studies

– Worldbuilding

Specific Requests

Superhero Fairytales

Miraculous Ladybug, Rapunzel's Tangled Adventure (Cartoon), Østenfor sol og vestenfor måne | East of the Sun and West of the Moon

Fic/Fusion

request-specific dnw: breaking up Rapunzel/Eugene, romantic Rapunzel/Cass, romantic Varian/anyone else from the main cast (unless you age him up/them down)

Would love to see Rapunzel et al as Miraculous holders, or the Miraculous kids with the Sundrop and Moonstone and all that goes with that, or the characters from either series facing the plot of East of the Sun and West of the Moon.

For the comparison of ML and Tangled—there’s a lot to explore, I feel, with the creation/healing vs destruction/decay powers that the series both have going, along with the idea that if united the power becomes much, much greater, and far more dangerous.

As a side note: I’m very not up to date with ML; the last episode I’ve currently seen is Chameleon. I know some spoilers, and I’m not super concerned about them overall, but if you write a fic that relies on an intimate knowledge of events post-season-two I will be lost.

Time-Travelling Imposters

Mother of Learning - nobody103, Rigel Black Series (Harry Potter fanfic) - murkybluematter, Tam Lin (Traditional Ballad)

Fic/Fusion

request-specific dnw: romantic Harry/Archie, explicitly breaking up canon ships fandom-specific exception: as long as it doesn't violate another dnw, if you do a Tam Lin fusion, the ship it's for (platonic or romantic or somewhere in between) is up to you.

Mother of Learning/Rigel Black Chronicles: I think it would be interesting to toss the RBC characters into the world/plot of MoL--who's the time traveler? who's the tagalong? The noble/nonnoble distinction in MoL and the Splinter Wars and the Weeping would be very interesting to warp into the RBC setting/plot, I'd expect, what with the pureblood/not!pureblood things and the Fade. (i'm not really requesting this, obviously, it's not in my fandoms, but if you're at loss for the angels--or indeed the faeries for a Tam Lin fusion--i always delight in the Tortallan gods showing up in RBC fic)

RBC/Tam Lin: don’t have too much to say here, but I think that RBC has plenty of relationships that you could fit into the dynamics here.

MoL/Tam Lin: in a weird way, MoL already has its characters in the roles they need to be in for a Tam Lin fusion, though the structure is of course very different--what is Zach if not a sacrifice against Panaxeth's release? What is Zorian if not the one who fights nigh-impossible odds to save him from that fate?

Fairytale Gamer Kids

Hanging Out with a Gamer Girl (Manga), Fairy Tales & Related Fandoms

Fic/Fusion

Fandom-specific DNW: sexualization of Kaoru’s crossdressing, full justification of Kaoru’s fears re: Nanami’s dad request-specific note: romantic Kaoru/Nanami is okay here if you want to fuse with a romantic fairytale; I'd equally enjoy such a fairytale being made more platonic or more ambiguous.

So, if you put the kids into the fairytale—who are they? What fairytale are they in? Can you work in the initial identity confusion, the ongoing ruse?

Superhero Gamer Kids

Hanging Out with a Gamer Girl (Manga), Miraculous Ladybug

Fic/Fusion

request-specific DNW: sexualization of Kaoru’s crossdressing (or equivalent character's, if you fuse it the other way), romance between Kaoru and Nanami beyond light shiptease à la canon, full justification of Kaoru’s fears re: Nanami’s dad

I'd love to see Kaoru and Nanami as Miraculous-holders; Marinette and Adrien as slowly-getting-less-reclusive gamers would also be fun, and there are some interesting parallels you could make with their family lives.

There are so many things you could draw from HOwaGG to make parallels to ML; is it that Ladybug is apparently a boy but Nanami a girl, and Chat Noire apparently a girl but Kaoru a boy—does that help them keep up their façade?

In terms of other parallels, there’s also Nanami and Marinette both being the only children of two loving parents, and Kaoru and Adrien both being the only children of distant/absent fathers and (seemingly) dead—and certainly absent—mothers.

Star Wars Fairytale

Star Wars Rebels: Servants of the Empire - Jason Fry, Østenfor sol og vestenfor måne | East of the Sun and West of the Moon

Fic/Fusion

I don't have anything very specific here, at least not right now, but the idea of the protagonist questing to a near-impossible place to rescue a loved one is a parallel that I think it'd be interesting to draw out—in some ways the situations are utterly dissimilar, but they’re surprisingly alike in other ways.

Superheroes Galore

僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia, Super Powereds - Drew Hayes

Fic/Crossover

fandom-specific dnw: non-canon ships

I'm very interested in the similarities and differences between these two superhero worlds--there's the Powered vs Super distinction in Super Powereds that's absent in bnha with its quirks, the wildly different (but both still formalized and structured) paths to becoming a hero, even just how common powers are in the different worlds. I'm not sure how well trying to wrangle both of them into the same world in the same era would work, but more power to you if you manage that, or maybe it's dimension hopping or time travel shenanigans that bring them into contact with each other--I really don't care on the mechanics here.

Also, the first time I saw Izuku my brain immediately went "hey, it's tiny green Vince!" and I think seeing them meet, at any point in their respective journeys, would be pretty funny and/or interesting.

I'd be into the other characters too—there’s also a comparison to be made, I feel, between Izuku as both powerful and analytic, and Roy and Hershel who are kind of the same but More and also split apart.

Anyway, that’s probably enough rambling from me for now. Good luck with the writing!

#exchange letters #crossworks #requested: miraculous ladybug #requested: Rapunzel's tangled adventure #requested: east of the sun and west of the moon #requested: mother of learning #requested: rigel black chronicles #requested: tam lin #requested: hanging out with a gamer girl #requested: fairytales #requested: star wars #requested: star wars rebels: servants of the empire #requested: my hero academia #requested: super powereds #requested: crossovers #requested: fusions

1 note · View note

els-writes · 5 years

Text

Some unrequested, unoriginal, and possibly unpopular Kingdom Hearts 3 thoughts - putting them here because I need to vent, sorry if this isn’t the content you’re looking for from me! XD

After sitting on this game for nearly two months now, I think I’ve finally sorted my feelings into intelligible thoughts. So here we go.

Sorry again this is so long and not my usual post, but I needed to vent, and I’m kinda interested to see what other people think! I know the DLC is hinted to expand on the endgame, but that feels like a cheap way of fixing the criticism.

I love Kingdom Hearts. Like love it. I’ve been playing these games for years - I got a PSP purely so I could play Birth By Sleep. I gave UnionX a shot back when it was Unchained, and I even forced myself to watch through all of DDD, even though that game ignites a kind of hatred I didn’t even know I was capable of feeling.

Kingdom Hearts 3 was great. I enjoyed playing it. It was so much fun, and I’ve never wanted to complete a game more. But it wasn’t the game I hoped for. Perhaps I expected too much, or perhaps the game devs built too many plots and overestimated how easily they could put into a single game and tie it all together with a neat bow, but it wasn’t the game I waited years for.

To clear up my thoughts before I get to my main point:

Gameplay: great.

Combat: great, if a little easy, but it was fun as hell.

Pixar levels: holy shit amazing.

Graphics: so beautiful no game plays the same.

Music: still got the OST on repeat.

Gummi ships: burn in hell.

Tangled world: kind dull but pretty.

Frozen world: why the fuck are they singing.

Pirates world: I have no idea what’s happening, if I wanted to play Assassins Creed black flag I would have.

But even the negative aspects weren’t bad enough to make me dislike the game (even if I cried in anger at one point during Pirates and I had to leave the room during the songs...)

There were two key problems that kind of ruined the game for me, in a way.

The pacing, and the treatment of the characters.

And that’s not a new opinion on the internet from what I’ve seen, but if the pacing had been fixed, if they hadn’t tried to summarise ALL the tiny plots together, if they hadn’t tried to rush through bringing everyone back at once, I think it would have been everything I wanted. Hell, I would rather they had split it into more games! Yeah, I said it! Give me more, fleshed out, singular plot driven spectacular games like BBS and we would’ve been great. They didn’t need to set up the black box plot here. Maybe teased at it, but not had it so thrown in everywhere, only to go no where. Waste of time, and waste of our old villains. Most of the bad guys didn’t really serve a purpose in the Disney worlds - honestly, most of the Disney worlds felt like they only served to level grinding to me - they had no real impact on the overall plot. Disney worlds are always a little thrown in, granted, but no game has had them serve no real purpose whatsoever to the main plot.

Hard core KH fans have followed these characters through a ridiculous number of titles for this series. These characters are amazing and loved and so incredible. All I wanted was for there to be some decent emotional pay off for them. And honestly? I think they did most of them a massive disservice.

To start with: I didn’t necessarily want everyone to come back. Some characters (like Roxas, Xion, and Namine) had returned to their ‘whole selves’, and as much as I loved them, I could understand. I was happy that Sora’s story was focused on bringing Roxas back, it felt sweet, like a very in-character thing to do, and I was looking forward to seeing how they would do it. But most of the time, they didn’t have Sora do anything to move towards that goal? He just ran around Disney worlds, and sometimes mentioned Roxas in the cutscenes inbetween?

The plot barely moved for 30+ hours of my gameplay through the Disney worlds as I tried to complete each one before moving on. As we reached the Keyblade Graveyard, I was excited that things were starting to move forward, thinking it was mid-game. Nope. It was the start of a 2 hour mad dash to the finish line. It was messy, it was rushed, it left me feeling completely unsatisfied and unable to savour the return of most of my favourite characters.

The scene with Lea/Axel commenting on how confusing everything was was funny, but it felt like the devs making an excuse to not spend time making the most of Ventus and Aqua’s return. I could kind of forgive them for that, since they were in a rush to save the others, and they did try to give the pair a little bit of time. But Terra? Roxas? Xion? NAMINE? They appeared last minute - some of them, Xion and Roxas especially, not even making sense when you think about plot holes. When they did appear, we didn’t get the emotional payoff and reunion of our trios and old friends that I was waiting for, we got quick comments and ‘ironing out plot points’ off screen? Even Roxas and Ventus meeting was completely anticlimactic (yes, I know they were in the middle of a fight, and they probably didn’t have time, but they’re literally twins, a bit more than just a confused glance and then forgetting it was surely needed).

So overall:

Roxas: my favourite, appeared without real explanation, barely got time with Axel. And then we still played Sora to fight? When really, Roxas deserved that fight.

Xion: how did she come back? She was in Sora again? Like... explain?

Terra: had to rewatch a few times before I understood what it was all about, but his return was half decent once I understood it. Also Lingering Will? Hello?

Namine: she doesn’t even speak (aside from in star form) and is just introduced in the ending? I might forgive this, as she wasn’t really needed, if they hadn’t rushed the reintroduction of EVERYONE.

Seasalt Trio: a momentary hug, the only thing that made me cry in the game, that was cut short and then dealt with off screen.

Wayfinder Trio: No where near enough emotional payoff. None.

Kairi: Wow. Nomura must really hate her?

So, yeah. That’s all I have for now. The more I type it, the more it annoys me to think about. I’m disappointed in how it all played out in the end. It was rushed, hurried through, gave no payoff, and didn’t make sense a lot of the time.

The game was incredible. Truly. Wonderful game. But the story? As an end to the massive series that I’ve invested so much time into? It wasn’t enough.

Also no to the ending. Just no.

#kingdom hearts #kingdom hearts 3 #tagging because I genuinely am curious as to whether people feel the same way or not #the more i think about it the more upset i get #gaming

8 notes · View notes

littlehastingsliar · 7 years

Text

Hunted- Pack imagine- Part 2

A/N: OMG IT’S A PART 2. It’s been around 2 years, I never thought I’d post this but here it is! Unrequested but I know some people wanted it  I just home I do it justice xxx

part 1 is here

Words: 1687

It was not as dark inside as it was outside, somehow the moonlight seemed to refract to enter every corner of the room. You were stood in a hallway, a grand staircase hugging the edges of the wall as it slowly spiralled up to the first floor.

Your eyes followed it upwards, noticing the faded red carpet, the shoots and vines growing out of the cracks in the wooden panels. Everything seemed neglected and old. A chandelier hung from the ceiling, cobwebs coating the majority of it. It looked a dull gold, fitting with the rest of the room. You couldn’t help but wonder what this entrance had been like when it was in use. Stiles walked a little further ahead towards the light switch. He flicked it a couple of times. Nothing happened.

“I don’t think it works” he stated with his eyebrows raised, his finger still moving the switch up and down.

“I wouldn’t expect it to, everything is so old.” You replied. Even the wallpaper had faded, peeling of the wall in various places to reveal the plaster underneath.

Your head shot up as small pieces of dust fell down from the ceiling. It wouldn’t have surprised you if the dust wasn’t accompanied with a low thud.

“hello.” Stiles called out, making his way to the stairs. Grabbing his arm, you pulled him into you.

“Are you crazy?!” you hissed, your voice only a bit louder than a whisper. He ignored you, slipping out of your grasp and jogged up the stairs. You felt the hairs on the back of your neck stand up. You felt like you were being watched and you weren’t about to find out why, so without a second thought you followed him.

It was a lot dimmer when you made it to the top where stiles was standing. He seemed glued to the spot, his eyes focused on something at the end of the corridor. You peered over his shoulder, noticing a small flickering yellow light seep through the bottom of one of the doors.

“Do you think there’s someone in there?” he asked, trying to sound less scared than he actually was. Nodding your head, you walked in front of stiles.

“You better get your baseball bat ready.” You ordered, as your fingers curled around your pocket knife. You placed your ear against the door, yet silence was the only thing on the other side. Reluctantly, stiles opened the door, his bat raised behind him, ready to swing.

With wide eyes you stepped in wielding the pocket knife defensively in front of you. Rattled, you spun around, checking every possible area of the room. It was empty.

“I don’t understand.” Stiles spoke in a low hum, his stance returning to normal. You held a finger out, silencing him. Just because you couldn’t see anything didn’t mean nothing was there, you told yourself, deciding it was better to be extra cautious than vulnerable. You opened every cupboard and checked every possible hiding place. Nothing. As you made sure it was clear, stiles had begun searching through the scattered notes that lay on a writing desk by the window.

“Look at these.” He called to you, holding up a photograph. The photograph was of a stern young couple dressed in Victorian style clothes. “I doubt they still live here.” he smiled quirkily. You took the photo from him, holding it up to the old oil lamp that was the source of light in the room. You tilted the page, noticing how it was indented. Someone had written something down with this underneath it.

“There’s an indent.” you notified stiles. “I can’t make it out in this light, it’s too dim.” Stiles rummaged through the desk while you flipped the card over. “But there’s writing on the back.” Stiles perked up, stopping what he was doing, urging you to carry on.

‘Dear-

We’re writing to inform you of the death of your son. His death was quick and peaceful. We’re sorry for your loss.’

“It’s a bit morbid.” You commented, taking a deep breath in.

“Just a bit. ‘writing to inform you of the death of your son’… maybe those gloomy people on the front killed him.” You gave stiles an unimpressed look. The situation you found yourself in was not the right time to make jokes about death. But you brushed it off, continuing your search.

“Someone had to have been in here. Maybe even the person who was by our tents” you leant over the writing desk and looked out of the window, the glass too dirty to see clearly through.

“Yeah oil lamps don��t burn for years. It had to have been lit recently and it wasn’t one of the pack.” Stiles agreed. You used your sleeve to wipe the dirt, giving you a clearer view. You could see the faint outline of a hill, most likely where stiles first saw the house. “Nothing here looks recent.” He concluded, giving up the search. You stared out the window a second longer, like you were on the lookout for something. You swivelled around to look at stiles who had paced over behind you. You leant against the desk, your eyes trailing along the edges of the room.

“It’s not dusty.” You said to yourself. Stiles folded his arms, asking what you meant. “The rest of the house is covered in dust. The window was dirty but everything else in here looks reasonably clean.”

“Reasonably used.” He added with a worried expression. You looked at each other for a few seconds, the unnerving feeling that sent shivers down your spine was back. “Shall we go? I think we should go. Yeah. Now. Let’s go now.” He urged, frightened, he gripped his baseball bat so tightly his knuckles turned white, dragging you by the sleeve of your top behind him. When you made it out of the room he closed the door gently. You scowled at him, opening you mouth to speak when he continued to drag you. Except he didn’t drag you back to the stairs, he dragged you down the corridor, straight past the stairs into another room.

“Wha…”

“Sshh” he whispered. You listened out intently, shaking you head when there was no sound. However you could see the sheer terror in stiles’ eyes and decided to comply. You must’ve been stood there for five minutes. Maybe ten, you didn’t know. Finally, stiles decided it was safe enough to whisper. “I saw someone out of the window. They were by the trees. I don’t know if they saw us.”

Wide eyed, you let out a shaky breath. Your throat became dry, an ache radiating down your neck as you swallowed. You lifted your head up, rubbing your forehead.

“Are you sure?” you quizzed in disbelief. You wanted to be one hundred percent sure before you made a break for it.

“I wasn’t imagining thing.” Stiles feigned offence.

“I’m just making sure. I mean we’re tired and things are happening and it scary.”

“I saw someone y/n.” you could hear in his tone of voice that he was getting annoyed. Stiles was hardly ever genuinely annoyed with you. You nodded your head, believing him. ‘We have to be cautious anyway’ you told yourself. Another few minutes flew by and reluctantly you both decided it was time to leave, not knowing where exactly you were going. You just knew you wanted to get away from this place.

You crept down the stairs until you reached the bottom. There was no sign of anyone. The entrance was more open and there were patches of mud on the floor that weren’t there when you entered. You both noticed and sprinted out of the front door.

“Let’s go round the back and as far away as possible” you panted, already headed down to the side of the house.

And so you kept running through the woods, until you had to break for air.

“I think… that’s far enough.” Stiles gasped, crouching on his knees. You nodded tiredly, the moon hanging low in the night sky. The stars were vividly lighting up the sky, no light around to block the view.

“It’s beautiful” you admired, the first time you’d felt calm since you woke up.

“It is. That’s a positive thing I suppose.” He grinned at your optimism during the situation. You were glad you got paired off with stiles, even if you could’ve been going around with a heightened sensed, strong, fast werewolf.

“There has to be some other buildings nearby. Who lives in a house miles away from anything with no roads or paths.” You had caught your breath, your heart thumping less violently behind your ribs.

“Maybe there was a path. I mean it was dark. Who knows? Let’s just head as far away as possible. We have to come across something sooner or later. Plus the others could follow our scent.” Stiles struggled to catch his breath, the adrenaline still pumping fiercely around his veins.

“Back at the house...” you began, thinking more clearly now than you were before. Stiles nodded at you to continue. “It’s entirely possible we dragged in that mud when we entered.” Stiles chuckled, shaking his head.

“I like that. Let’s go with that. That’s better logic than I was going to go with.” You started to laugh too. Maybe it was the lack of sleep or the sheer terror of the night that had sent you into hysterics. “Fingers crossed the others smell us out soon.”

“Well only Scott and Liam. Unless Kira and Malia are running around here somewhere.” Your face dropped as you came to the realisation that anything could’ve happened to Kira and Malia.

“I completely forgot. So much has been going on. We have to find them.” Stiles’ expression turned sour as well, guilt evident in his eyes.

“We need to keep going forward, maybe the others have found them. Maybe we will find them ahead. They can defend themselves. They’ll be ok.” You were trying to convincing yourself just as much as you were trying to convince stiles.

“forward it is.”

59 notes · View notes

syrupwit · 7 years

Text

Letter for Trick or Treat 2017

Hi there, assignment match! Thank you for taking the time to read this letter. I’m sure that whatever you choose to create for me will be wonderful.

This letter may become more polished later, but for now it’s just in list format.

General Items

DNWs:

Noncon

Major character death

Gore/guro

Harm to animals -- ETA: offscreen animal death or reference to the past death of a pet is fine, especially if you’re writing one of the ghost animal prompts! I just don’t want onscreen or graphic/explicit animal harm. Sorry, I should have realized this might conflict with other parts of my letter.

Underage sex (aged up is fine)

M/f D/s

General likes:

Drabbles and short pieces

Cute things, cute art, cute art of cute things

Gen, slash, femslash, and het (though requested pairings are preferred over unrequested ones)

Ghost stories

Cats

Appetizing descriptions of food

Genres: humor, atmospheric horror, romantic comedy, action/adventure, slice of life, casefic, crack treated seriously

Pining! I love pining, particularly the kind that’s seemingly mutually unrequited or that hinges on one character just assuming that the other would never be interested in them because they’re totally out of their league or whatever. I eat it up with a spoon.

Unassuming/awkward/dweeby characters with hidden expertise

More powerful characters protecting weaker characters and showing respect/loyalty towards them

Characters standing up for each other

General Dislikes:

Issuefic

Character bashing

PWP unless requested

Romance/sex involving aromantic or asexual characters

Romances where one character becomes a ghost over the course of the story (it’s fine if they start out a ghost)

Specific Fandoms

Castlevania (Cartoon) - Fic, Trick or Treat

I just finished watching this cartoon! Woohoo. Asshole protagonists usually leave me cold, but I found myself reluctantly charmed by Trevor Belmont. As far as Castlevania games go, I've only played Aria of Sorrow, but if you want to bring in lore please go for it.

Prompts:

Sypha Belnades & Trevor Belmont, Treat or Trick: Sypha and Trevor fight new monsters from the family bestiary. Trevor confidently instructs Sypha how to deal with each one, and she starts becoming a little annoyed to find him proven right most times... until they encounter a monster only known to the Speakers, or a foreign one entirely.

Sypha Belnades, Trick: Sypha's journey into the catacombs of Gresit.

Sypha Belnades & Trevor Belmont & Alucard, Treat or Trick: Team building exercises.

Alucard/Trevor Belmont, Treat or Trick: Trevor keeps provoking Alucard, even when it no longer makes sense to do so. They've reached a truce, they're sort of becoming friends, they've even started having sex on a regular basis -- why does Trevor keep pushing?

Alucard/Trevor Belmont or Alucard & Trevor Belmont, Treat: Alucard charms everyone they meet and it irritates Trevor beyond belief.

Alucard/Trevor Belmont, Treat: Sexy blood drinking. That's it, that's the prompt.

Rogue One: A Star Wars Story (2016) -- Fic, Trick or Treat

This is another canon I've just recently seen! I haven't read the tie-in novel, which I've heard provides a lot more backstory for the secondary characters, so please feel free to disregard contradictions or inaccuracies.

As may become apparent, the part of the movie that interested me most was Jedha. Chirrut is my favorite character, and I'd be happy to read about him doing almost anything.

Prompts:

Chirrut Imwe & Bor Gullet, Trick or Treat: A young Chirrut goes looking for the Bor Gullet.

Saw Gerrera, Trick: Saw tells someone a ghost story. Saw knows a lot of ghost stories.

Saw Gerrera & Bodhi Rook, Trick: Saw has some words of comfort for Bodhi after his experience with the Bor Gullet. How reassuring they may be is up to the observer.

Baze Malbus & Bodhi Rook, Treat or Trick: Baze and Bodhi have met on Jedha before, though neither of them remembers it.

Baze/Chirrut, Treat: Celebrating a holiday in happier times.

Baze/Chirrut, Treat: Three times Baze saved Chirrut and three times Chirrut saved Baze, or something along those lines.

Original Work -- Fic or Art, Trick or Treat

The tagset for Original Work was particularly engaging this year, but when it comes down to it I'm all about the ghosts. Love 'em. Feel free to just use the requested characters as prompts if you're so inclined, but if you aren't, here are some more detailed prompts.

Prompts:

Fic or Art, Ghost Cat, Treat: A lonely Ghost Cat finds a loving home.

Art, Ghost Cat, Treat: Ghost Cat curled up with a living cat.

Art, Ghost Parrot, Treat: Ghost Parrot takes a bath.

Art or Fic, Ghost Jellyfish: Ghost Jellyfish haunt the deeps.

Fic or Art, Treat or Trick, Part-Time Ghost Exorcist & Catboy Who Sees Ghosts (& all/any other requested characters): Scenes from a ghost-hunting business. Or maybe Part-Time Ghost Exorcist has to deal with the biggest ghost infestation they've ever encountered, an endless bombardment of seemingly random ghosts, and only Catboy Who Sees Ghosts can help them.

The True Lives of the Fabulous Killjoys (Comic) -- Fic or Art, Trick or Treat

It's been a while since I read this comic, but it would be fair to characterize the extended Danger Days/Killjoys universe as one of my forever fandoms. I'd love anything that expands on what we've been shown in canon, preferably with an emphasis on lore and the supernatural. Or maybe just some cool art of desert rebels in flashy clothing wielding rayguns.

#optional detailed letters for exchanges tag

0 notes

echoslammin · 6 years

Text

Press Start 2018 Letter

Dear Press Starter, Thanks so much for checking out this letter! Video games have been my favorite hobby for as long as I can remember, and I’m super excited to participate in an exchange revolving around them.

General Information: DNW: Body waste kinks, futa, bestiality, character bashing, inflation kink, vore, unrequested pairings as the main focus. Likes: Any kind of AU, friendship, worldbuilding, smut, canon-appropriate pop culture references, humor (all kinds - characters poking fun at each other or snarking, running gags, memes, etc. Seriously, if you've ever wanted to experiment with bizarre crack, I'd be happy to be your guinea pig). I also *love* metafiction and nods to quirky game mechanics and canon in-jokes. Most of my favorite works tend to be character studies and fluffy romance, but I definitely enjoy darker stuff as well. If you have an idea that doesn't exactly match with my likes/prompts, please feel free to go with that! Art likes: High contrast, portrait-style, characters posing in different outfits or showing off abilities, couples being cute together Video likes: Shipping montage, parody/humor - fake trailer, meme vid etc. (I would prefer it if you used in-game footage only). Defense of the Ancients (DOTA) - Any Character You can probably guess from my username who my favorite hero is! That said, you definitely don't have to force yourself to make something about Earthshaker or any character in particular (I like everybody in the tagset). I would definitely appreciate worldbuilding for this request, especially if it references abilities, item builds, or strategies. I'm more familiar with the Allstars version of the game, but I do play DotA 2 as well, so if you're more familiar with that, feel free to go by the new lore. Some of the changes did weird me out a little, like how Rylai and Lina became sisters and Mirana went from "priestess" to "princess." Other than that, I don't really mind. Prompts: -Shipfic for any of the following: Crystal Maiden/Invoker, Crystal Maiden/Drow, or Drow/Mirana. For the first two pairs, I imagine there could be some sort of common ground given their shared proficiency in ice magic, and for Drow/Mirana I like the idea of a contentious rivalry between two skilled archers. -Something meta-ish about the teams squabbling over how to spend resources at the beginning of the match. (Of course Crytal Maiden still gets stuck with buying the courier). -Anything referencing some of the weird mechanics of the items in this game. Ex: How the heck do Tangoes work? What does a tree even taste like? -Anyone remember the song "DOTA" by Basshunter? Anything referencing that song or the music video would be hilarious. Dungeon Fighter Online - Any Character

youtube

I originally started playing this game as a part of my ~research~ for a King's Avatar fanfic, and now I'm seriously hooked. Playing it really makes me feel like a kid again and makes me so nostalgic for old school 2D dungeon runners like Diablo 2 and Ragnarok Online, and I absolutely love the dozens of subclasses and their flashy skills. (I am a big fan of ridiculous rainbow-colored animations that take up your entire screen).

Prompts: -I love the idea of a female slayer interacting with a female priest. They both have a history of abuse at the hand of authority figures (the slayer by the De Los Empire and the priest by the False Prophet) and have some parallels in the theming of their subclasses. It would be really cool to compare and contrast the Slayer as a Dark Templar or Demon Slayer with the Priest as an Inquisitor or Mistress.

-Any kind of worldbuilding about Arad and Empyrean would be cool as well as any exploration of the backstories of the main player characters/NPCs. What does the daily life of a dungeon fighter look like? Are they actually having fun running into Hell all the time or is it just a terrible grind? (Yeah, I love meta stuff).

I generally like player characters to be referred to by their class only (as in being called just "the slayer" or "the priestess") but if there are specific names you prefer, feel free to use them. Master X Master - Any Character RIP dead game. This was basically NCSoft’s version of Blizzard’s Heroes of the Storm, and boy was I sad when the servers closed down in January. Flashback to last summer: The English version of MXM debuted with mild hype, and everyone's guild was named after one of the teams from The King's Avatar. This was a really fun MOBA with some very cool characters concepts and mechanics. So much lost potential :(

Prompts: -Anything Lua x Sizuka! These two were everyone's starter Masters, and it really amused me how they played off of one another in story mode with Sizuka's seriousness contrasting with Lua's overeager attitude.

-I loved Lorraine and her flashbang camera! Something about her combat paparazzi Master abilities would be awesome.

-For Vita, I would be amused by anything referencing "Upside Down" (aka MXM's meme song that people played on the lobby jukebox nonstop)

Liar! Uncover the Truth - Any Character

I'm a huge fan of this mystery/romance app with its feisty heroine and the quirky Liars she has to unmask before finding her Mr. Right. If you're interested, I maintain a sideblog dedicated to it over @whoistheliar (Warning for spoilers at the link). Kazumi and Haruichi are my favorite love interests, but I would definitely be happy to receive something revolving around other characters. I love how MC isn’t a blank slate and is very much her own character. She can be quite a mess at home and has a lot of insecurity about her humble background, seeing as she’s originally from a small country town (IIRC one of Joe’s side stories mentions that she’s from Akita prefecture).

Prompts (just suggestions - please feel free to go with your own ideas!):

-Scenes from the Ayumi/MC route that Voltage is never going to give us.

-Out of all of the Liars, I felt that #8 was the most outright malicious. I wasn't convinced by the ending of his Lover's Route, and I would be curious to see something showing his mindset and feelings towards MC at the end of the game.

-It seems that people are really divided when it comes to the guy who ends up being "Mr. Right." Some see him as the most precious cinnamon roll, but I've also had people tell me that he comes off as a creepy stalker. I'm pretty sympathetic towards him myself, but I'd love to see your own take on him, whether romantic and sentimental or super dark.

-I really feel like the 9th Liar got the short end of the stick in the main story. His interactions with MC kept getting interrupted by unnecessary drama, and it felt like they never got the chance to really get to know each other. Fix-it fic with them ending up together would be great. BTW, I would love it if Rumi showed up - she was truly the savior of his route, imo.

I generally prefer for MC to be left nameless, but I do feel kind of bad for being so demanding about it in the past, so if there's a name you prefer, please feel free to use it.

Liar! Office Deception - Any Character

I love the Liar! sequel every bit as much as the original game. Workaholic MC is amazing, and you can bet that I'm super thrilled that Voltage is going to be releasing Office Deception Lover's Routes in the future.

-Post-game or redemption story revolving around any of the Liars, with the exception of the 2nd, 3rd and 5th. Ideally, this would end on a positive note with them being able to have a reciprocal friendship/romance with MC.

-Office Battle! I was so amused by the Star Wars parody that kept popping up throughout the story and how everyone seemed to be totally into it except for MC, who's just completely out of the loop. Maybe one of the Office Liars tries to teach her about the series or something like an Office Battle AU that's basically Office Deception in space?

-Narration of some part of the game from James' POV. I love MC's cat and found it hilarious how she kept spoiling him at home while being so disciplined at the office.

-The 9th Liar did some horrible things to get what they wanted, even putting the 8th Liar in the hospital. I’d like to see something that shows some of their inner conflict once they realize they're hurting someone that has actually become a friend to them.

Thanks so much again, and hope you have a great exchange experience!

#exchange letter #fandom exchange

0 notes

laughingpinecone · 4 years

Text

Trick or Treat 2020 letter!

I am laughingpineapple on AO3

Hello dear author! I hope you’ll have fun with our match. Feel free to draw from general or fandom-specific likes, past letters, and/or follow your heart.

All requests are art or fic - for art, the stuff I like is the kind that depicts the characters doing something. I’ll always be happier with a very simple drawing of two characters walking together or sharing a cup of coffee than with an ambitious composition that looks like an Avengers poster. I also enjoy seeing them wear different clothes, getting a feel of what their fashion sense is like beyond their canon outfit(s).

Likes: worldbuilding, slice of life (especially if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and similar formats, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, magical realism, established relationships, future fic, hurt/comfort or just comfort from the ample canon hurt, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic, dreams and memories and identities, canon-adjacent tropey plots, outsider POV, UST, resolved UST, exploration of secondary bits of canon, leaning on the uniqueness of the canon setting/mood, found families, characters reuniting after a long and/or harrowing time, friends-to-lovers, road trips, maps, mutual pining, cuddling, wintry moods, the feeling of flannel and other fabrics, ridiculous concepts played straight, sensory details, sickfic, places being haunted, people being haunted, the mystery of the woods, small hopes in bleak worlds, electricity, places that don’t quite add up, mismatched memories, caves and deep places, distant city lights at night, emphasis on non-human traits of non-human characters (gen-wise, but also a hearty yes xeno for applicable ships), emphasis on inhuman traits of characters who were human once and have sort of shed it all behind

Cool with: any tense, any pov, any rating, plotty, not plotty, IF, nerdy canon references, unrequested characters popping up.

DNW: non-canonical rape, non-canonical children, focus on children, unrequested ships (background established canon couples are okay, mentions of parents are okay!), canon retellings, consent issues

Final Fantasy Crystal Chronicles: Hurdy

I love the game’s world and all the little stories and legends that fill it. Great atmosphere, great lore, so if you feel like getting a little worldbuildy and indulging in the scenery and its story, please do! A focus on the sense of camaraderie in a caravan would also be great (like people could do on Gamecube.....). Hurdy’s a bit of an odd duck for that theme, but maybe he hitched a ride at some point? With whom? Amidatty or De Nam maybe, among the nominated characters? I love the whole cast so anyone goes. Do they travel together enough for them to cotton onto the weirdness of the whole Gurdy situation? Got any run-in with Lady Mio? Or what’s his status after the miasma is lifted, can he go back to Tipa, can he/they begin to heal? What does healing even look like for him and Gurdy?

Ghost Trick: Cabanela

You know.. him. Dazzlingly OTT, untiring, rock-solid self-esteem, loyal to a fault, following a rhythm of his own, flawless intuition until it fails and it all burns down... him. I just want to see more of him doing stuff! The way he’s chill and open toward new people (like Sissel and Missile in ch15) makes him perfect to throw at most other characters and see how they react to the sparkles... I’d love some focus on how ridiculous his aesthetic is, half Saturday Night Fever half hardboiled detective half bubbly preteen (for a total of 150%) and yet he makes it work. Or how ruthless he can be, possibly for the sake of the people he cares for. The quote “The intimacy of big parties”. Him and Alma in the new timeline bonding over knowing (once Jowd has spilled the beans) but not remembering that terrible timeline. Some tropey scenario on the job. Snark-offs with Pigeon Man, by which I mean PM snarks and it bounces off him like water off a spotless white goose’s back. Dreaming Sissel but he’s strange... and wrong?

Ship-wise it’s only Cabanela/Jowd whenever it’s not infidelity, Cabanela/Alma in what-ifs and Cabanela/Alma/Jowd for me (and Lynne/Memry and Yomiel/fianSissel on the side). There are a bunch of shippy prompts in all my past letters - I would however reiterate here that Jowd. is. the worst tease. always.

Conversely, Cabanela/Lynne and Cabanela/Yomiel are NOTPs especially from Cabanela’s side. So while I appreciate the thick tension of a good Yomiel VS Cabanela confrontation like everyone and their cat, and also really appreciate a roughed-up Cabanela, and I do love Yomiel in his own right... I don’t want Cabanela being into it. Adrenaline junkie he may be but this hurts and his coat’s a mess and there’s no perfect winning scenario so he hates every second of it. (JOWD being into it is another matter altogether and he should probably mind his own business)

Kentucky Route Zero: Carrington, Cate

Act after act, intermission after intermission, I somehow didn’t see the arts rising to such a dominant theme in KRZ and it’s stuck with me since the ending finally hit. It’s great and moving. So! Who better than good ol’ antler man to linger in those feels! Carrington’s playwright adventures or Carrington&anyone you fancy, either way I’d listen to him ramble for a week and I would like to know more about his big dramatic plans. Or maybe him helping someone, more or less accidentally, by offering his unique takes? Overriding my “no canon retellings” DNW for a hot second, did he ever figure out what was going down in the Death of the Hired Man (or Nap of the Hired Man as the case may be) interlude?

For Cate, I’m mostly interested in two things: life on the river and mushrooms. Maybe both! The Echo river ecosystem is intensely fascinating to me as opposed to life on the surface and life on the Zero, and yet all these environments are permeable. So what’s a moment in her daily life that encapsulates the river? Someone they picked up on the Mammoth, a strange island that popped up at some point? Cate&Will bonding extremely welcome, I’m love Will. And then there’s the mushroom hunting. I don’t know much about mushrooms, but I do know that they’re cool. Cate seems to agree, so if you’ve got a story or pic in you about her and them mushrooms, I’d love to see it.

Pyre: Volfred Sandalwood

This is a Volfred solo, Volfred&literally anyone or Volfred/Tariq, /Oralech or /Tariq/Oralech request. If &Manley or &Brighton, I am not interested in more lenient takes on their characters than canon’s. fwiw I also enjoy Jodi/Celeste and Bertrude/Pamitha a lot!

I feel deeply for all of Pyre’s main themes - literacy, degrees of freedom, the fragile time that is the end of a historical cycle, nobodies rising up to the occasion, building a better society, and of course found family, “distance cannot separate our spirits” and all that jazz, and Volfred is squarely rooted at the center of all of them. Just please tell me things about my fave. His relationship to the Scribes (as a historian, a some kind of vision, via *ae or once he’s a star himself)? A ‘forced vacay’ Downside ending where he looks at the Union from afar and keeps living in this strange transformational place? Life in a cramped Blackwagon that was meant for like 5 people tops and is currently eight Nightwings, a herald and an orb? Since he picked him for the job to begin with, does he respect and cherish Hedwyn as he dang well should? What does it feel like to try and Read a herald? Was he ever in danger, in the Commonwealth or in the Downside? Does he puff up as prime minister because he’s nervous, and who can see past his hyper-professionalism and lend a hand? Please roast him big time about the votes he assigns to the various Nightwings in his planner? What’s his attitude toward the flame’s purification (what with being a tree but mostly like, as a general concept. He did nothing wrong!) (well he definitely said some things wrong and sometimes oftentimes the ego jumps out, but his intentions did nothing wrong)? When did his calculating approach fail him? Something with Pamitha along the lines of that edit that goes “Can we talk, one ten to another?"/"I am an eleven, my girl, but continue."? btw that ‘emphatically yes xeno’ from my general likes is only applicable here I guess so: emphatically yes xeno to both shippy interactions at all ratings and to gen explorations of what a Sap is like...

Shenmue: Qiu Hsu, Xianzi Bei

Cormorants... kung fu... cormorant kung fu. They turned out to be my faves in a very likeable cast and I’d love to see either or both of them slice-of-life-ing it up in Niaowu, or anywhere up or down the river. The rest of the cast is welcome to join! Did Ren end up at Liu He Hall for whatever reason, or did Shenhua chat up a cormorant, as she does? Id love to see a spookier mood too! Ghost story time in Liu Jiao shrine maybe?

The Silver Case: Catherine, Kodai Sumio, Kuroyanagi Shinko, Kusabi Tetsugorou, Macalister Edo, Morishima Tokio

I‘m all for the surrealism, big things being introduced and never picked up again, Rashomon’ing it up with six explanations for the same thing where no single one can be true, people dying and then popping up again like nbd... maybe the thing I like the most is characters transcending their humanity and looming over the dystopian world like ominous avatars. Correctness’ first ending had me swooning, that kind of mood is unparalleled. I have played TSC, FSR and 25W so far and have vague memories of K7. I’m aware of the “everything’s connected” readings but that’s not my main interest in these games. Mainly I see Lospass as a real island but also a metaphysical place of transformation first and foremost, where strange things happen that don’t make sense elsewhere, but I’m good with anything that works for your story! There are a few & prompts for these fine folks in my Press Start letter [here].

For Catherine, I’d love to see something along the lines of her YAMI appearance, on Lospass on her own or hanging out with another character of your choice (or Tokio again). Sumio leaves me at a loss for words... if you’ve played 25W, maybe an expansion of his [intense ethereal whooshing] moment? He’s a gust away from vanishing from existence altogether... &Sakura and/or &/Tetsu if you want. Or his time in prison or a return to Lospass or whatever’s going on with that one, really. For Shinko I’m itching for different team-ups! Throw her at anyone you like and see what happens! FSR-era Tetsu could be cool, or off-the-grid Tetsu, or Tetsu&anyone... as for Edo, I’d be curious to see his pov on anyone and anything! WAS the Flower Sun and Rain the friends we met along the way? And Tokio... oh Tokio. Something about older Tokio and his gaggle of tulpas (Slash and whatshisface from YUKI who looks suspiciously like YAMI Tokio himself?)? Any...thing...about any part of his life from Lifecut onwards? Any portentous encounters?

#here we go again!#letter

1 note · View note

lostinthewinterwood · 4 years

Text

Gen Freeform Exchange 2020

Hey friend!

I’m looking forward to whatever you’re going to make for me—if you want to take what was in my sign-up and run with it, go right ahead! But if you’re looking for more inspiration/ideas, keep right on reading.

If you’re not my assigned person, and are instead a generous person looking at this letter for treating purposes, I’d be happy to get treats in any medium.

General DNW

Rape/non/dub-con; non-canonical major character death; heavy angst; hurt no comfort; graphic depictions of deliberate and methodical self-harm*; graphic depictions of suicide; anything E rated; gore; heavy gender dysphoria; grimdark; complete downer endings; character bashing; incest; cringe comedy; a/b/o; mpreg; full setting AUs (canon-divergence is fine); graphic eye trauma; graphic and/or permanent hand trauma (unless the setting can provide a more-or-less fully functional prosthetic or equivalent); issuefic; unrequested identity headcanons.

*I don’t include things like, say, punching a wall in a fit of emotion under this. however, something like cutting would not be appreciated.

General Likes

– I really like plotty fics

– Secret identity and disguise shenanigans, the more layers to them and more absurdity the better.

– Crossdressing for whatever reason and gender disguises, also for whatever reason.

– Time travel and time loops are always fun, especially as a fix-it. I have a general preference for Peggy Sue style (aka, an older character getting put back in their younger body at an earlier point in the timeline) over the character’s physical body stepping back in time, but either one is good.

– A focus on family and/or friendship, especially characters realizing they’re not nearly as alone as they think they are, and just generally characters who like each other and enjoy spending time together

– Found family; families of choice

– Character studies

– Worldbuilding

All of my requests have way too many tags to relist them here, but if you’re at a loss for what to do, anything in a given request’s tags is obviously fair game; don’t feel bound by them either, since I’m definitely interested in more things than just those which appear in the tag requests.

Fandom-specific prompts and DNWs

Mother of Learning

Fandom-specific DNW: physical parental abuse within the Kazinski family, significant exaggeration of canonical emotional neglect/abuse/general family dysfunction, any implication or presence of romantic and/or sexual Zach/Zorian, either Raynie or the rest of her tribe being portrayed as Absolutely Right And Entirely Justified in all of their actions

Neoluma-Manu Iljatir & Zach Noveda

Solo: Zach Noveda

Zach Noveda & Zorian Kazinski

Fanfiction

I’d generally prefer something set at least in part after the time loop begins, but beyond that I don’t have a strong preference for where in the timeline this might be set. Maybe something from before Zorian got looped in—maybe one of the iterations where Zach and Neolu just went off across the country having fun the whole month? Zach doing whatever, possibly very early on, or maybe him freaking out a little because what the hell, time travel is supposed to be impossible, and yet—what did he do in the start? Some canon-type shenanigans with Zach and Zorian together because there aren’t lasting consequences to their actions?

Or for post-canon, I’d really like an exploration of Zach, who’s got the lived-time of a middle-aged man and the body of a teenager—how does he relate to his classmates/other people in the real world, where everyone’s growing again? Maybe something about his lawsuit against his caretaker, or just a little thing with him, Zorian, and How Do You Live Normally, Again? This Is Hard, or some such thing.

One tag I like especially—though obviously if you didn’t match on it you needn’t include it—is “Character expected to die but didn’t and now has no idea how to live anymore,” since Zach definitely didn’t fully expect he would get a chance to live through the rest of his adolescence/adulthood, and something delving into that would be really interesting!

Raynie & Raynie’s Tribe

Raynie & Kiana

Fanfiction, Podfic

I love Raynie, and I love the little glimpses we get into her character and her past in canon!

For her I was thinking maybe something after the invasion, maybe her going home again. I’d love to see a reconciliation between her and her tribe, and a settling of the issues and problems that led to her being sent away.

If I’ve got my timeline right, her brother should be old enough to have reasonable interactions with; I’d really enjoy something dealing with the tension between them, letting them reconcile and build a better sibling relationship.

Alternatively, if we’re going for pre-canon, I’d really enjoy something dealing with her initial arrival in Cyoria and befriending Kiana.

Cikan Kazinski & Kirielle Kazinski

Solo: Kirielle Kazinski

Nochka Sashal & Kirielle Kazinski

Zorian Kazinski & Kirielle Kazinski

Fanfiction

I’d really like something focusing on Kirielle here—she is, after all, the uniting factor in this set of requests.

I’ve got a few ideas for what could come of this!

-- Kirielle and her mother. For this one, I’d rather it not be anything where Cikan can be described as “winning” a confrontation—I’d much rather have it be a confrontation where it either ends neutrally or in Kiri’s favor, or a reconciliation when Kiri’s a bit older, coming to understand each other better. I’d be down for Cikan realizing that Kiri is her own person, and can forge her own way in life, if you can get a story there, but I’m not sure if there’s an in-character way to do so, given how she still relates to Daimen, a successful adult in his own right.

-- Kirielle and Nochka. They’re adorable and I’d love a further development of their friendship, especially getting to see it grow and develop over the months and years after the invasion.

-- Kirielle and Zorian. I love their dynamic! And again here I’d really enjoy seeing their relationship developing in real time, rather than a constantly looping world. I think it would be great to see either of them defending the other to their parents—and maybe Zorian ends up with custody of Kiri, there’s definitely things to explore there.

-- Kirielle. I’d be here for any sort of character study of Kiri, really, but I’m gonna prompt a few specific things anyway.

---- She grows up a little, and becomes a student mage—what’s that like for her, especially having received Zorian’s tutelage?

---- She grows up a little, and doesn’t seriously pursue magic—does she devote herself more seriously to art? Do something else? Get away from her parents, and get to just be a kid for a little longer than her siblings?

---- By some mechanism, Kirielle gets pulled into the time loop, whether with Zorian, instead of him, or in some utterly unrelated incident. What’s it like to grow older and older in life experience while your body remains stubbornly nine? How does this change the story? If you go this route I’d rather looper!Kiri not be erased in the timeline of the fic—ending the fic before it becomes an issue or letting her escape back to the real world are what I’d rather see.

---- For some reason—there’s actually a fair amount that’d have to change here, but shhh this is my ridiculous self-indulgent prompt—Kirielle is the Controller. How does she react to being in a looping world, with no one else looping she can possibly compare notes with? What does she do with her time? Why did the angels choose her? How does this impact canon—is Jornak even a problem, does the whole Sovereign Gate affair pass much as it was meant to rather than the debacle that became of it in canon?

Solo: The Ghost Serpent

Solo: Quatach-Ichl

Fanfiction, Podfic

So, these two are just… they’re old. They’re very old; QI, the younger, is still a thousand years old, and they’ve just seen so much?? I’d love some sort of exploration of the world’s history through either of their eyes.

For the Ghost Serpent, I’d be very interested in what it saw the other Branded Ones do that put it off of them so badly.

For QI, I’m interested both in the world history around him and also how he became what he is—why/how did he become a lich in the first place? Who was he before? Why did he get a divine blessing? What did he think of the gods falling silent? What was the Necromancer’s War like?

For this prompt, I’d be down for an in-universe document or legend/folktale/fairytale about them, rather than an ordinary narrative. I’d also definitely be down for something like an epic poem or story-song, if you feel so inclined.

Star Wars Rebels

Alexsandr Kallus & Garazeb “Zeb” Orrelios

Fanfiction

I’m a total sucker for the enemies-to-allies redemption arc that Kallus and Zeb have going and really, anything exploring that dynamic I’d be down for. Post-Honorable Ones is probably better—there’s a bit more to work with there—but mutual respect/grudging acknowledgement from before that point would be great too.

That being said, I would also be super down for one or both of them mentally travelling back in time and whatever ridiculous shenanigans emerge from that—honestly most of my tags can be interpreted as prompts for that, if you squint at least.

Star Wars Rebels: Servants of the Empire

Solo: Zare Leonis

Solo: Dhara Leonis

Zare Leonis & Dhara Leonis

Fanfiction

These poor kids, god. I love them and I love their siblingship and I just, I want more. A lot of the freeforms I’m asking for are geared towards the aftermath of Secret Academy, and Dhara’s recovery and her relationship with Zare throughout that. Do feel free to bring in their parents, too, though it’s by no means necessary.

Other things I’d be interested in include various types of role reversals and how that changes things—maybe it’s Zare who’s older, with a Force-sensitive little sister in Dhara, or the ages are the same and the Force sensitivity is flipped, or maybe Zare’s Force sensitive as well as Dhara, or the ages and Force sensitivity are flipped, making Zare Force sensitive and older and Dhara not force sensitive as well as being younger.

Another interesting thing would be exploring Zare readjusting to a civilian life; he’s quite conditioned into being so careful and military in his dress and his living space—does he keep that going? Let it fade? Deliberately reject it?

Solo: Lieutenant Chiron

Zare Leonis & Lieutenant Chiron

Fanfiction, Podfic

I love Chiron, he’s such an interesting character, and I am Big Sad that he doesn’t appear in any fics on ao3 as of yet. He strikes me very much as a good man who doesn’t really know most of the bad things his government is doing; he cares about Zare and he cares that there’s abuses of power and murder going on at the academy; he truly, genuinely wants to make the galaxy a better place.

I would love to see a story where he lives through the climax of Secret Academy and, however that happens, is thus forced to question his government from that, since I’m also Big Sad that he died before he had that chance; failing that it would be interesting to have a fic exploring his past and how he came to be part of the imperial war machine, I think.

For him and Zare post-canon, assuming an AU where they both survive, I’d be down to see them rebuilding the relationship they had before and regaining some sort of trust/regard for each other.

Original Works

Fandom-specific DNW: the word “queerplatonic” being used to describe relationships (writing something that you’d normally consider it is fine! I just don’t really like the term), fics that are All About Being Trans And/Or Disabled, neopronouns, nondysphoric trans characters.

Archmage & Apprentice

Failed Chosen One & New Chosen One

Girl Who Killed The Dark Lord & Her New Inherited Minions Who She Would Like To Be Less Scared

Fanfiction

I love fantasy, including space fantasy, and so many of its associated tropes: magic, destiny and fate and the subversion thereof, people being fundamentally human whilst caught up in something far beyond them…

This one’s a bit harder to prompt for, but looking through the tags I asked for should give you a decent idea for what I like; see also the general likes section above.

Thank you for creating for me!! I’m sure whatever you make will be lovely, and I’m looking forward to seeing it :D

#gen freeform exchange #genfreeformex #genfreeformex2020 #exchange letters #requested: mother of learning #requested: star wars #requested: star wars rebels #requested: star wars rebels: servants of the empire #requested: original work

2 notes · View notes

laughingpinecone · 6 years

Text

Yuletide letter 2018

AO3: laughingpineapple

Hello dear author, I’m glad we share one of these wonderful little fandoms and I hope you’ll have fun writing for it. The sections aren’t all of equal length for one reason or another but I love them all so much, from the classics I’ve been requesting since I started doing Yuletide (can’t have enough of those!) to this year’s shiny new findings. I tried to leave both specific and non-specific prompts for each canon and, again, I wanna see the farfetched postcanon scenario just as much as the vague one-word prompt and my general likes. Pick whatever works for you, or mix and match!

Likes: worldbuilding, slice of life (doubly so if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and similar formats, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, established relationships, future fic, hurt/comfort or just comfort from the ample canon hurt, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic, dreams and memories and identities, canon-adjacent tropey plots , outsider POV, UST, exploration of secondary bits of canon, leaning on the uniqueness of the canon setting/mood, found families, characters reuniting after a long and/or harrowing time, friends-to-lovers, road trips, cuddling, wintry moods, flannel, ridiculous concepts played straight, creating a dynamic between characters who never spoke in canon, sensory details, sickfic

Cool with: what-ifs, AUs, any tense, any pov, any rating, plotty, not plotty, gen, shippy, IF, nerdy canon references, unrequested characters popping up

DNW: non-canonical rape, non-canonical children, unrequested ships, canon retellings, consent issues

Ghost Trick: Cabanela, Jowd

General: platonic or romantic, loyalty kink here we go, in any shape and form. Night time and secrets. Out of town. Knitwear. Twenty years from now. Size difference. UST. Cabanela’s scarf being in the way sometimes. Cabanela’s legs being in the way sometimes. I have Final Fantasy on my mind a lot recently so any FFIV, VI, VII, T, IX, X, XII or XIII reimagining would be fantastic (Monk Jowd, dancer/red mage Cabanela...?), or indeed The Last Remnant, but also regular fantasy, space opera, sci-fantasy… anything fancy!

Canon-specific dislikes: Sissel not being Jowd’s cat in the new timeline (which ofc doesn’t shut out Yomiel’s unbreakable bond with his cat – as the saying goes, Sissel has four paws...), infidelity

Cabanela&Jowd or Cabanela/Jowd: I love Cabanela being fierce and dazzling bright and determined and loyal to the very end, dancing to his own rhythm, so sure of himself and of his ideas that he doesn’t even need to prove to anyone that he’s right. Too sure of the wrong idea, once, and everything crashed and burned. And I love Jowd being the immovable object to Cabanela’s unstoppable force, a self-depreciating asshole with a penchant for gallows humor that grows more morbid by the hour, and also incredibly smart (both jerks figured out Sissel’s powers better than Sissel did) and athletic and with an unsuspected talent for stealth.

I ship them dearly, as part of a triad (or Jowd-centered V...? Has it been explored?) with Alma with all the fun possibilities of the third party sneaking into the marriage and negotiating that relationship. Or adjusting to a life together with Kamila in a no-reset scenario or a what-if in which Alma was never around (please no breakups or noncanon deaths if you don't want her around). But I also want to read all the best friends fic with the corniest, most intense found family dynamics you can muster!

Alternate scenario where it’s Cabanela who keeps his memories, not Jowd: how does that change their dynamic in the new timeline? Or what if Cabanela stays dead in ch15 like he wished he could, joins the rest of the gang as a ghost and goes back 10 years with the others and so both of them keep their memories? (with my apologies to Yomiel, whose ch16-17 redemption has just been made a lot harder by the added stowaway)

Jowd knowing how much Cabs did for him and remembering him broken and bloodied is A Lot. especially if he’s a lil into it (and mr spotless is. not really on the same page.)

Casefic! With ghosts! There could be a new ghost created by Temsik’s shards or even by some unfortunate soul dying on top of the buried meteorite. Or with their own ghost, teaming up with Sissel! There’s so much potential for tense, death-defying situations! (with make-outs afterwards, if that’s your thing)

Deathfic, until it’s reverted. Jowd dying in Cabanela’s arms or the other way round, but one of them knows about Sissel and the other does not…

Jowd’s loyalty to Cabanela being tested for once, as a change of pace.

More detailed prompts for a few FF fusion AUs: FFX, Summoner Jowd and reluctant Guardian Cabanela. Any moment of their pilgrimage could be fun (and/or tragic and/or intense), or if you like a more detailed prompt, would Yunalesca’s truths be the tipping point of Jowd’s conviction? Would Cabanela manage to drag himself and his Summoner to safety before she killed them? What would life look for them afterwards as survivors bearing forbidden truths, would they stay away from Yevon? FFTA or XII, viera Cabanela and nu mou or bangaa Jowd. I’m sure there’s a poignant plot about magic-endowing extraterrestrial rocks and political backstabbing somewhere at the intersection of Ivalice and GT. If you can see it, I’m here to read it. But I’ll be honest here, the real point here is bunny Cabs. Please consider bunny Cabs. (viera, nu mou, bangaa visual refs for non-FFTA players who might wanna do a regular fantasy AU instead?) FFVI, Cabanela faked defecting to the Empire and is a magitek-infused officer while Jowd has Blitz and... Sketch somehow? And they meet again in the World of Ruin and things are very emotional?

The Last Remnant: Any (Pagus, Maddox, Sibal, David)

General: characterization based on battle quotes, red bubble dialogues, and even their unique stat (‘authority’ is a natural fit for David but ‘romance’ tells me something new about Sibal!) Character interaction. Bit of worldbuilding. What’s another festival they celebrate? Do they erect something else instead of the Valeria Heart? Any fun discoveries down in Siebenbur? Where the hell IS Veyriel, anyway, do they go look for it and if so what do they find out? End of an age. Old bonds.

Canon-specific dislikes: strong narrative emphasis on game mechanics. Stuff like mentioning that a character leads a unit is fine, but for example listing the materials they need for their weapon upgrade would take me out of the story.

The Qsiti bunch: just give me the deets on Qsiti worlduilding and I’ll be a happy camper. I ship these three very much but I’m also invested in their friendship and in each of them as a singular character. The fact that Pagus is a goddamn catch is one of my favorite things, and he can be a smart cookie with any of the other smart cookies in the party, or be a history buff with Glenys, or tutor Yuniver. Proud, paranoid chatterbox Maddox entrenched in his cover-up stories, finding it hard to stop being a spy and relax, maybe spending time with someone very simple, like Sheryl, or a very different kind of fellow veteran like Roberto. Self-assured Sibal who probably knows a lot about the mysteries of the underground world and is also the most romantic soul out of the entire cast, talking volcanoes with Paris or discussing the Rainbow Bond with Haruko? If you also like all three of them, either as old friends or as a ship, who of them comes up with what excuse to reconnect again now that Remnants are no more, or do they drop all pretenses and admit they just want to make up for lost time? And what do Qsiti cuddles look like?

David: Post-canon, adjusting to a life without remnants - how did it feel to be bound to one or two of them anyway, and what’s it like without, and suddenly knowing you’ll be the first Nassau in who knows how long who’ll reach old age? - and without Rush. Finding support and friendship even outside his trusted Generals. I’d be interested in seeing him get closer to any unique leader you might like, I can easily see half the characters absolutely adoring him sooner or later. From the Duke of Ghor to Roberto, to sweet Zolean who knows what it’s like to lose someone dear and hope he comes back, or Rhagoh & Remnant Kate, or Paris or Jager or, eventually, even Allan… David/Rush prompts: focus on Rush’s supernatural nature, how he was a strange boy with a good heart (Things Unchangeable meant so much to me!) who ignored human social conventions because he was not in fact human. Reunion fic more than a decade into the future, showing how David has changed and with emphasis on Rush’s Remnant nature.

David & Qsiti: basically a mix of the other prompts. David is close to all his Generals but what’s his dynamic with Pagus specifically? Is he a mentor, a friend, did Pagus stop David once when he was about to do something very stupid? And what can David learn about his dear General from people who have known him since long before David was born?

Myst: Yeesha, Jeff Zandi

General: The oddest of friendships. Road trip. Desert sunrise. Desert bird shenanigans, be it with actual roadrunners speeding by or cartoon ones. Descent. An oddly shaped rock. Strangers. Shooting stars. Any line from Words.

Canon-specific dislikes: please no Yeesha bashing?

Yeesha & Jeff: He’s definitely Team Yeesha and she could definitely do with a friend, the year is 2018 and I still want fic about this unlikely duo.

How much can he really say he gets her? When did they meet? Was it when a younger Jeff was exploring D’ni with his father Elias, did that create a rift between the two?

What do they do when they hang out? Has he played the Myst games – heck, has she? Does he play Magic the Gathering like his RL counterpart?

Do they set out on a road trip because she needs to chill for a hot minute and experience for herself that whole ‘you shall seek the journey’ thing? Late night driving and liminal places could be cool. Or does she link him somewhere cool with no travel time needed?

Do they agree to meet by his camp fire once a month or something like that, and one time Yeesha doesn’t show up? What happened?

Does he get to hang out with bahro thanks to her, in the depths of the Cavern where the DRC will never be able to reach, and what’s that encounter like for him (and for her, and for the bahro)?

Maybe some relaxing time can take place after End of Ages. He’d notice that something has changed, she’s somewhat less of a depressed wreck that she used to be...

Speaking of End of Ages, was Jeff chosen by the Tablet? If so, how did he fail his quest? I appreciate Esher a lot so if you go for an EoA plot feel free to use him too.

Anything based on Uru history is great!

The Secret History of Twin Peaks: Tammy Preston

General: Character dossiers that involve Tammy more directly. TSHOTP themes being used front and center. Owls, figurative and otherwise. Tammy Fashion™. Tammy Freeform Infodump™. The risks of staring into the void for too long. Gentle illusions. The moon. Static buzzing. Any title from the s3 ethereal whooshing compilation used as a prompt, actually. AUs and fusion AUs are great for this fandom! I have Final Fantasy on my mind a lot recently so any FFVI, VII, T, IX, X, XII or XIII reimagining would be fantastic (what would Tammy even be... scholar, fencer, mystic knight...?), or indeed The Last Remnant, but also regular fantasy, space opera, sci-fantasy... anything fancy!

Canon-specific dislikes: Gordon being a harmless, fun dad or conversely having the worst intentions. Clear explanations for canonical ambiguities.

(my Twin Peaks canon-specific likes and dislikes in the next section may also apply)

Tammy: what I find fascinating about Tammy’s positioning in the narrative of the books (and of the show, but not as markedly) is that there is this whole narrative of trauma, and the circularity of trauma, even within Blue Rose and the organizations that came before it, and she stands at the end of it and learns about it all without being directly involved. She can learn from it in a sheltered position. Maybe when her turn will come, she’ll know a little better. Her name’s anagram is Praemonstrata, “Having been guided”. She’s the new Archivist, in a way. She’s the future of Blue Rose, last woman standing as soon as Albert and Gordon retire and/or vanish (and after the show’s finale, I can’t see either of them lasting long). What does it all mean, in the context of the book’s overarching theme of secrets VS mysteries and the cost of knowledge (and the show’s connections between trauma and the fragmentation of the self, and TFD’s doubling down on the general concept of shoveling oneself out of the shit, and her moving final considerations)?

What could be a test for her, something that would involve her personally and make her risk losing her way? What makes her tick - would she cross to other worlds, how, and why?

I don’t know much about aliens, but I really enjoyed how the book wove it all into Twin Peaks lore. If you want to do the same with some other bit of UFO trivia and have Tammy draw her connections, I’m interested!

The books show that she’s not only Albert’s spiritual successor as the only other rationally-inclined soul in there, she also knows Albert personally to some extent, for example that he’s a jazz lover. Have they ever gone drinking in cool (LGBT…?) clubs with fancy live music? Are they jazz buddies or what kind of music is she into (and what does he have to say about her tastes)?

What other characters or pieces of TP history would she look into? What about that Diane dossier, for example? What about Lucy? (If you have her look into Diane, please be empathetic toward her and her tulpa)

Twin Peaks: Harry Truman, Lucy Moran, Chet Desmond, Garland Briggs

This one is an OR request – feel free to only write about some of these people and completely ignore the others. There were just too many good characters in the tagset and I couldn’t choose so, you know, to hell with matchability. The prompts are for the characters on their own or with some nominated canon mates but if you have an idea for Ruby&Lucy, Garland&Albert, Harry&Naido or any other odd combo, go for it!

General: the mystery of the woods, obviously. How do they relate to the woods, what do they gain and what do they lose in the woods. Case fic but they don’t find out jack shit, someone disappears, David Bowie was there, it’s complicated. Fragmented, shifted, mirrored identities. New Lodge spaces. Still any title from the s3 ethereal whooshing compilation used as a prompt. When in doubt, add Margaret. AUs and fusion AUs are great for this fandom! I have Final Fantasy on my mind a lot recently so any FFVI, VII, T, IX, X, XII or XIII reimagining would be fantastic (paladin Harry, dancer Lucy, fighter Chet, sage Garland...?), or indeed The Last Remnant, but also regular fantasy, space opera, sci-fantasy... anything fancy!

Canon-specific Dislikes: any singular Dreamer being the ‘source’ of canon, BOB (let alone Judy) being forever defeated in the finale, Judy being an active malevolent presence in the characters’ lives, ‘Odessaverse’ being the reality layer, the Fireman's House by the Sea being the White Lodge, Naido being nothing more than Diane but since she was nominated as her own character I'm hopeful here

(my Secret History of Twin Peaks canon-specific likes and dislikes in the previous section may also apply)

Harry: Bookhouse Boy Harry both in the sense of avid reader Harry promoting literacy and vague bastion against the evil in the woods Harry. Harry getting a sword out of a pond in the woods like he was meant to but , like, in a way that’s less random kitsch and more meaningful magical realism. Harry and Frank as actual brothers but also Frank as a projection of Harry’s insecurities. Harry, Ed and Hawk as friends. Harry finding some sense of belonging somewhere, somehow.

Lucy: Kimmy Robertson said she would like to be the color blue in Lynch’s palette, if the prompt works for you. Lucy taking her time to understand and organize the world around her. Lucy with Andy (the one functional couple in all of canon, bless), with Wally, with Maggie Brown and the rest of the new sheriff’s station cast. Lucy with people who don’t usually appreciate her (both sheriffs and Albert come to mind) but have to come to terms with the fact that she’s amazing. I also like that Hawk is a first-class gossip, apparently, and so is Lucy, so if THAT prompts works for you… last but not least, she seems to have some sort of connection with the symbolic weave of reality (picking chairs when a very important chair is introduced, wondering about bunnies and Jack Rabbit palace will be relevant, Robertson said that Lynch said that Lucy perceives a lot and needs time to sort it all out) and I’d love to see it explored one way or another. If you wanna go wild with meta Invitation to Love shenanigans, Lucy could be a good POV character.

Chet: What’s his deal? Empirically, new canon draws a hell of a lot of connections between personal troubles and being jettisoned out of reality. So why did he? A friend recalls that he was named after Chet Baker and Norma Desmond, so that could be a starting point. I like to think that he manages to pull himself together at some point and make it back – how? Does he find any familiar faces beyond the curtains, like Phil? Finally, like all Blue Rose and Sheriff’s station characters, when all other prompts fail: office shenanigans. Please. Now that they’ve all been blatantly retconned as a merry gang who coexisted at some point, please give me Chet bouncing off literally any other named character in there.

Garland: He’s a good bean, almost naive compared to Doug Milford & co in TSHOTP, and I wish him the best wherever he is... the metaphysical adventures of Garland’s floating head could be a fic (maybe Bill Hastings and Ruth Davenport could tag along). Or back when he was alive, weird occurrences at Listening Post Alpha up on Blue Pine mountain. He wasn’t born in town, so what’s HIS relationship with the woods? Or an encounter with some of the federal cast, like Gordon and Phil or a very young Albert. I’m also intrigued by his s3 narrative but I have a very negative view of The Plan(tm) so I don’t really know what to make of it. If you also think that the Fireman’s hints only ended in tragedy and that Blue Rose’s search for Judy was a monumental act of hubris, and you have a good spin for Garland’s role in all of this, I’m listening! All I got is something like "he gave his last fuck... now he's free....." (not that Garland is legally allowed to say fuck, I mean)

Albert/Harry: my main headcanon is that they got together in the aftermath of Coop’s disappearance, holding onto each other in his absence not unlike James and Donna did with Laura. Then... did they last? Or was it a terrible moment to get together (...not unlike James and Donna) and they had to go their separate ways for a while before finding each other again? Does this sad time last up until the end of s3, when Albert can finally quit the castle of lies that was his job and stay with Harry? I am also, however, open to other timelines for these two. Emotional reunions are great and so is domestic fic with a dash of surrealism. What would Harry do for Albert? For example, when would he take his side in a heated dispute with someone else? What would Albert share about his past? What could they do in town? Or do they take a well-deserved vacation somewhere else? Do they team up for a small investigation? Old men taking care of each other is very much welcome, especially after Harry gets through the worst of his treatments.

Dale/Harry: Harry seeing his Coop again... somewhere, somehow. Maybe he perceives him in the woods, maybe Coop isn't all human now. Monster cuddles very welcome. Could be canon divergence but could very well be post-s3. Harry getting closure for waiting all that time in front of Glastonbury and never giving up on Coop... they can live in the woods together...

Harry&Lucy: what could make them spend some time together outside of work (is it donuts)? Does he ask for relationship advice since she and Andy are literally the only people in town who could make it work? Does she feel loyal to him and Frank or is it just a job to her? Does she go visit him after s3 and does he tell her that she was very brave? What about Wally - Harry is the boy’s godfather after all, I don’t usually read kidfic but I can make all sorts of exceptions for my beloved Wally (maybe when he’s more of a teen than a kid). Are they all fans of Marlon Brando?

Chet/Sam: reunion fic! Chet’s been AWOL for years, Sam has fallen through the cracks, how do they find each other again and why do they choose to remain off the grid? I would also like to read about them in the present day-ish, handwaving the return and reunion. Maybe they made a new life for themselves. If Sutherland were to play Sam again, Sam would be... notably more buff. What caused that change, was it traveling with Chet, what kind of person is he now? Could they be in Buenos Aires, investigating on their own whatever that shrinking box was?

Chet&Dale: In which ways are they both real boys and in which ways are they aspects of each other? How do they work together?

Chet/Albert: whatever passes for an uncomplicated office romance around those parts, where they both know very well that they’re not the other’s One True Love, but they have a good understanding - except when Albert’s pacifism clashes with Chet‘s readiness to throw down 24/7. But then again Albert is also ready to throw down 24/7, only with words instead of fists, so there’s fertile ground for conflict and unexpected agreements. Also they’re hot.

Garland&Harry: they’re both good dogs living in a cold and cruel world, with their own partial experiences of other worlds beyond this tangible reality, and I think they should be at least a little friends. Maybe Harry found himself at Garland’s observatory one day without even knowing how he’d gotten there, maybe they chatted at the RR. Then there’s Mfrost spitballing some connection which, given how Garland ‘died’ literally on the day after s2, can only be read as Harry passing his info to Garland when Garland was already beyond this world. I’d read that in a heartbeat.

#letter #yuletide

2 notes · View notes