so when are we gonna start appreciating undertale AUs for fueling a metric fuck ton of the creativity and longevity of the fandom because if i see one more person calling them the cringiest part of the last 8 years i might lose it
related ramble: genuinely if the part of decked out that appeals to you is "incremental progress in which the players must learn the map bit by little bit and also understand when to turn around and bail to learn more of the map later in another run", you don't mind games that are hard, and you like rpgs. please play etrian odyssey. please they're such good games and no one ever talks about them. please,
Like obviously the whole "they're just doing [x] for attention!" is completely asinine because humans are social creatures who need attention to some capacity, but also... in your narrative, does everybody do things specifically for your attention? When somebody does something drastic or shocking, is it not because they're desperate for help but just because they crave your attention specifically? Does the sun rise and set at your command as well?
I promised myself I wouldn't get mired in the weird moral chaos that is bg3's fandom, but I have a legitimate question: for a lot of fans, is this the first time playing with Choose Your Own Adventure stories?
The writing seems to be classic CYOA in the epilogues, at least with the evil post-game companions I've experienced. If you roleplay someone happy with your choices, the game generally reflects that those choices were satisfying in the exact way you'd expect. If you roleplay someone who regrets your choices or has doubts, it usually reflects that you should regret those choices. Either way, the "reader" is given a predictable response in order to fulfill their desired narrative.
Don't believe me? Go through the epilogue and try to play a character who both likes and hates every companion or where they ended up. Some changes are subtle while others are more dramatic. A few quick examples, all from a single save:
Playing a character who hates Halsin, though you romanced him, your conversation is short, civil only because Halsin is too mature to rise to your insults, and stilted. He's a distant companion that you've pushed away successfully.
Playing a character who loves Halsin and romanced him, the conversation between you is extraordinarily long and sweet, and you are written as dear to each other. It includes, potentially: sharing stories and teasing him about his more salacious ones, talking about his love of children (and them loving the bear), learning how he's settled into his new life, hearing about him finally finding happiness, being welcomed into his community, welcoming him to share in drinks, and even joyfully adopting an owlbear. This image is just the very beginning of it.
Playing a character who disapproves of Shar but encourages Shadowheart to follow Shar anyway, you get a zealot's lecture about how you're being naive, thinking that Shar's exploiting people, likely confirming your feeling that she's a lost-cause cultist now. The happiness in the conversation is one-sided (from Shadowheart).
Playing a character who is fine with Shar and encourages Shadowheart to follow Shar, you get a short, sincere thank you, and she immediately starts trying to bond with you. The tone of the conversation remains upbeat as she expresses how pleased she is with the church despite its difficulties and how she'd do everything again in a heartbeat.
Playing a character who doesn't like being an immortal consort, but ascended Astarion and agreed to it anyway, gives you an Anne Rice-like fight between bitter eternal lovers. You also get some petulant dragging of your friends.
Playing a character who loves being an immortal consort and ascended Astarion gets you the dark fantasy of all-powerful monsters in love, gleefully ruling and exploiting the world (along with your friends and probably each other) together.
These are all valid endings to the exact same story with very different implications for the future. It's easy to muddy the potential narratives if you try to hold all the unique, mutually exclusive dialog options together.
Remember, at the end of the day, this is written as a linear experience. Everyone's epilogue choices are self-contained in their own story, even if it's possible to reload and choose a different final page. Have fun fishing for unhappy endings if the drama gives the flavor you enjoy, or seek out happy endings if you want to feel fulfilled by your choices. Just know that not everyone will experience or want to experience the same ending for an otherwise identical set of choices in game. That's the cool part of getting to choose your own adventure.
I’m not saying he’s not staying longer than planed but with Oliver you have to also take his interviews with many grains of salt. Like love him to death but he also says things like this about every possible LI he gets. Just look at the last few interviews from season 6 where he was going on about the future of Buck and Natalia and how excited he was is to see it play out in season 7 and explore their dynamic etc. and then we all saw what happened with that lol.
to be fair, when he said those things, Fox hadn't cancelled 9-1-1 yet & ABC hadn't picked it up. for all he figured, Buck & Natalia could've been something in s7 had it been on fox and things didn't play out the way they did. & I don't blame him for saying things like this about every LI cuz I'm sure he prob hopes at least 1 will stick around for some time. Buck has certainly drawn the short end of the stick as far as LI's go, but Tommy is incredibly different than any of his past LI's and, frankly, whether you like BuckTommy or not, it'd be stupid to just brush him aside when this pairing allows for a ton of new, rich storylines that they can tell.
And isn't getting Buck off that hamster wheel Kristen put him on in seasons 5 & 6 the entire point of this?
So. I love this. The way Yuri snickers at Flynn showing his real self. The way he, without hesitation, says "yeah" to the idea that he would die in Flynn's place.
But the most important part of this entire thing, which was changed in the dub, is how Yuri specifically jokes that Flynn is trying to abandon him, and Flynn returns and tells Don he had no intention of abandoning Yuri.
Yuri does not hear this. Flynn knows that. But Flynn uses the exact same term Yuri used earlier, as if it's his answer to Yuri and saying no, I would never abandon you.
For reference:
Personally I just... love the weight of it. How Flynn will say something about Yuri that Yuri won't hear, but he still speaks it out into existence because it's how he really feels.
Just because Yuri won't hear it doesn't mean he won't say it, and in a way that's even more powerful. He's not looking for the credit of saying it. He's not looking to be recognized for saying it. He's not only expressing how he feels about Yuri somewhere that Yuri himself will hear him.
They're just his real, honest feelings, and he'll admit them even if Yuri's not within earshot.
when i first started this blog it was going to be for random shitposts, groupchats once in a while, and mostly tokrev analysis but i was so scared of discourse that i just chose to do the funnier stuff 😭. when tokrev was at it's peak i'd be reading 20k+ words of analysis and it was so fun!! but i felt like i couldn't word what i wanted to say properly so that discouraged me but i wish i'd ignored that because there would have been at least one person who understood what i was saying yk?
On the train of your last ask, what are your thoughts on dragons sexuality?
Personally I think he’s Demi something (more attracted to personality than looks or gender)
Honestly because we don't know that much about the guy it's kind of hard for me to form an opinion, and if Crocodad Real then we're going to find out his orientation eventually (since we gotta find out if that was a contributing factor to the Dragodile Divorce (assuming they're divorced)) so I'm kind of okay with not forming any headcanons, since the headcanon could get thrown out the window
If anything, what interests me is how Dragon's orientation could impact the story-- like when I've discussed the Dragodile Divorce I have mainly focused on speculating how Crocodile would've felt about it, but how Dragon felt about that is interesting too
Because if he's straight then yeah that probably contributed to The Divorce, but how did Dragon feel about it? Learning that the love of his life is now happier than ever before after transitioning and being happy for him, while also losing the version of Crocodile that he fallen in love to begin with? No longer feeling thet draw to him because of the thing that has brought him so much joy and comfort? Knowing that even if they did take down the WG the family Dragon had hoped to have would never come to be, because their relationship would now end? And that it would be on some level his fault, because he's not attracted to Crocodile anymore?
Like even if Dragon took things well and the divorce happened "on good terms", it would've been sad for Dragon too.
But then there's a slightly juicier option, because what if Dragon was bi, but the Divorce happened under unpleasant circumstances (be it Dragon lashing out or things getting violent because he couldn't recognize Crocodile) and he didn't figure it out until it was too late?
Because you'd still have Dragon going through some if not all of those previously mentioned feelings, of having to come to terms with the version of his significant other whom he had fallen in love with no longer existed, the family had pictured in his mind would never become a thing, that those things were be kind of his fault and that he had hurt Crocodile deeply in the process.
But then he'd be looking at some news article of Crocodile's most recent heroic stunt, seeing his handsome face with that usual, unbothered expression, and realizing he still loved him? That he still wanted to be with him, wished they were together, even now that Crocodile was a far more handsome man than he was? And then the realization that he's bi hitting him like a fucking truck
But it's too late. The divorce already happened. He already hurt Crocodile too deeply. Knowing Croc, he had probably already moved on. There was no fixing it, the relationship was over. At least for now, trying to go see Croc could be dangerous due to the WG and not wanting to risk the WG finding out about them and The Kid and Croc would probably be furious if Dragon even risked that at this point, after what he had done.
Oh, and then Crocodile killed thousands of innocent people attempting to usurp a country by manufacturing a civil war. Something Dragon can't forgive. (Not to mention, hearing he had been taken down by their own son... Oof)
But what if despite all that, and not knowing the full circumstances behind what had happened (like the fact that Crocodile didn't know who the hell Luffy was), Dragon still loved Crocodile? What then?
maybe it's because I'm in the "I'm so obsessed and hyperfocused on my little guys I will make any song seem like it's about them even if it couldn't be any father from actually relating to them at all" stage of my Theon and Asha hyperfixation but like...
I feel like 'I bet on losing dogs' by Mitski is about them.
it's about Asha and her relationship with Theon.
he's her baby brother. the baby brother who looked up at her smiled when she had gone in his room, intent on strangling him to stop his cries. he's her losing dog. the dog she keeps fighting for when no one else will. she never gives up on him, not truly, even when he is so clearly doomed, because she loves him, she won't give up on him.
and Theon is, in so many senses, a dog. he's been passed around from owner to owner, home to home, trained and beaten and domesticated, made to behave how his owner at the time sees fit. he's a good dog, a good beaten dog.
and now, in a way, he's Asha's dog. she doesn't want him to be her dog, she wants him to be her brother, and Theon's trying, he really is trying, she knows he's trying, but part of him will always be doomed to be a dog waiting to be hit, waiting for a command, waiting to be trained.
he's her losing dog, she knows it, knows he's doomed, deep down, there's little hope, he'll die a damned dog, but fuck it she doesn't care, he's her blood, her baby, he will be by her side no matter what. she'll always go back for him, she'll always fight for him, she'll always tell him to stay, she'll always give him a chance, she'll always try.
why the fuck did i write about birds this fucking sucks. i just found out birds only sleep for a few minutes at a time, hundreds of times a day. do you know what this is going to do to my structure? the logistics of their road trip? this is already like three days late and i've been fighting for my life to get A Plot Like Any Plot That Makes Sense out and now the birds fucking sleep for 5 minutes at a time.
i'm just saying there comes a point at which you have to think long and hard about the situation(s) you have found yourself in. the reason why you think i'm the common denominator across all of your failed relationships is because you are still obsessed with using me as a scapegoat for all your problems despite having zero evidence to suggest it's true, and because it's easier than admitting you have not changed in the past two years. perhaps you should look at yourself and your own actions
IDW1 must take place on an alternate Earth where no one has ever heard of ACAB and everyone wears "thin blue line" merchandise because there's literally no other way that a single Autobot killing a USAmerican cop in self defense would be such worldwide news that even Mexican journalists would go "OMG???? You like, killed a cop?!?!?!?!?!?!!?!?!?" and it wasn't even framed as like, "you killed a human," the phrasing every time any character talked about it was very specifically "he killed a cop".
The cop was also threatening to shoot a group of surrendering/not-attacking/injured Autobots btw which is just the icing on the cake honestly lmao
two of my blightkings done! Icterus Kanker and Spleen Mulch, the knights representing Choleric Yellow Bile and Melancholic Black Bile respectively. the warband is based in Shyish, where the Humors are tasked with returning the undead to their rotting graves and bestowing Nurgle's gifts on the living. they're a roving band of knights doing their grandpas work with pride :)
anyway glad to finally get a proper start on painting these guys! im really happy with the little details, like Mulch's oozing black goop and Kanker's maw. im colouring each of their bases with their respective colour for easy recognition and just because I think it looks fun