if you could leave the facility, Binah would like to go for walks when it snows. it's cold and white and utterly silent, her cloak standing out like a drop of ink against the icy landscape. she doesn't seem chilly- she never does- merely holding your hand as her breath comes out in small puffs. perhaps you have cuts, tiny slivers from hours of work, and she simply watches when a drop of ruby-red blood falls and dots the snow before raising your hand to her mouth and lightly kissing the wound
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hello everyone sorry for not posting much recently but I’m once again art fighting…..choosing between vampires and werewolves is a very hard decision for me so I haven’t picked a team yet. i might just let random chance decide for me
my artfight is also chalkrub, or alternatively you can click HERE……I can’t be bothered to make one of those fancy information sheets everyone else makes but I attack YOU and I attack indiscriminately. above, you can see some of my guys that you can attack if you so desire
i'm soooo very excited!! <:^) feel free to drop your art fight usernames in the reblogs/comments/etc and I'll check em out and maybe bookmark some characters
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nico robin and her smile
hiiii ok has anyone else ever thought about the person robin was before joining the straw hats? like who she was when she was at her worst? because i do. a lot. so go along with me here
from her introduction, robin has this very small smile that feels cunning and is seemingly meant to taunt luffy and co. it creates a sense that there's a canyon's depth of difference in power between her and the others.
robin's is a subtle character in her expressions compared to most other major characters in the series. and i think it fits her background of having to work in subterfuge. (???)
she maintains this expression throughout multiple scenes. the same shape of her smile that is so exact that it has to be with intention. this is the face of ms. all sunday. this is the person robin had to be in order to survive.
and yet each one still has it's differences and that's robin being not so perfect at hiding her true feelings (which btw i love that robin will always be exactly who she is). she's stressed or even strained at times. while also feeling perfectly at ease, but still performing a role.
i think for the most part. robin didn't mind what she had to do or who she had to be. because she's pragmatic, but she was definitely bothered by vivi and the strawhats. they're the ones who cause robin to show anything other than that static smile. notably when she is faced with vivi and luffy's determination.
and i've rambled about it once before robin is a kind woman at heart and who has a soft spot for the crew + vivi. their earnestness breaks through her own desire/need to not care for the effect her actions have on the lives of others.
notably the only times robin does seem to genuinely smile is in small sudden outbursts around luffy when something he does makes her laugh.
and throughout the rest of the alabasta arc. robin's clearly uncomfortable with facing the real destruction of alabasta at crocodile and her hands. later revealing that she never planned on helping him obtain the poseidon weapon. she never once smiles, instead dropping everything to focus on getting to the poneglyph.
after that though? she does her miss all sunday smile one last time when she asks luffy to join his crew. it's a famous panel, we all know it, we all love it.
the longer robin was with the straw hats. the more she began to genuinely smile. it's well established that being on the crew brought back joy and laughter into robin's life, that being with them gave her a reason to live again. but it was a slow start until we got to see this robin more often and more freely who is cheered by everyone's bright youth and excitement in being alive in a ways that she never had been allowed.
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today i woke up and chose art
this doodle is basically what i think would happen if the potara fused the outfits like they're supposed to, ain't no way Vegito's not getting Vegeta's armor if he fused while wearing it
why the royal insignia if Vegeta's armor doesn't have it anymore? because it makes sense to me that the Prince of All Saiyans has his mark of royalty despite everything that's happened to him in his life
i think Vegeta would care enough to keep his people's culture alive as long as he can, even going as far as letting Bulma document all of it (or at least, all the stuff he can remember; especially all the stuff regarding royalty); Bulma eventually taking it upon herself to recreate the royal emblem from scratch based on Vegeta's descriptions because of how much of a Big Deal it used to be
tangent aside, it took a while to figure out the colors on the boots, Goku and Vegeta's outfits are harder to fuse together than i thought they'd be (except the gloves and wristbands, that was the easiest part)
i also felt like making an alt color version, so here's that
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Listening to the original cast recording and watching some pro-shoots of Cabaret and Fräulein Schneider is just everything? She sings a whole song to Cliff about how she's weathered everything she's lost in her life by settling for what she still has, and then two seconds later the Jewish guy next store offers her fruit and a little schnapps and Cliff watches her absolutely melt over it. Clings to outdated ideas of propriety in relationships even when it's heavily implied she had a long-term sexual relationship with a man outside of wedlock. Has a mean and hypocritical streak, particularly with Fräulein Kost. Considers herself the most practical person she knows but takes a total of thirty seconds to agree to marry Herr Schultz when he spontaneously proposes. And a good Schneider will both look at and sing to Schultz like he's the fucking sun.
And you want to hate her for ending the engagement after the brick goes through Schultz's window, but you just can't. She represents all of the people who hated the Nazis but stood by and did nothing, who abandoned the Jews in their time of great need, but how can you resent her for choosing the only way she knows how to survive? You die for love, you're still dead. And she gets the best song in the show, the Brechtian gut-punch of What would you do? that stands in front of the audience and asks them if they really would make a different choice.
You may come to Cabaret for the Emcee or Sally Bowles, but in a good production? You leave with Fräulein Schneider.
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