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#there are so many good characters to come out of comics. its just SO HARD to get into.
give-grian-rights · 3 months
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can someone tell me why im being abnormal about a character i've barely touched the content of. like yay yippie i watched like 20 hours of you. there's fucking 80 years of content get me OUT OF HERE?
#yeah this is about nightwing. yes im a freak about him no i don't do well with comics#shout out to duke thomas in the we are robin comic i've had in my browser tabs for three weeks now#sorry king.#i mean i guess it makes sense because theres So many characters in media that you can't even get 20 hours out of . but. BUT ITS NOT FAIR.#i want to read comics so bad. i try to. i have. i've started several#blue beetle 2009 nightwing 2016... superman & batman world's finest#i was able to finish teen titans world's finest but that was only. like. six issues#comics as a medium just has this thing where. you're dropped in and it kinda expects you to know what's happening#and leaves you feeling like you started on the wrong page. like blue beetle. loved you but man that was not the greatest first comic to rea#wait i forgot i read hawkeye 2011(?) and that also had the same issue. but more so each installment like#felt like it was starting on a point AFTER something happened like i was meant to be reading another comic before i got to that issue.#i got. like. idk 18? 19? comics into that one. and 12 into nightwing. nightwing wasn't as bad but it just. gah. like several-issue long#stories carried across batman and nightwing and its like.OUGH.#i know im mutuals with a comic person. hi. i know you're cringing.#there are so many good characters to come out of comics. its just SO HARD to get into.#rn i dont have an excuse with We Are Robin. just that i've been infected with needing to play the sims for 8 hours a day.#mika-posts
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gatorbites-imagines · 4 months
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Hello!
I've been getting very into DC again, from all the comics I had in my attic.
So i would like to request a "meeting the batfam" like think.
Being Bruce's new boyfriend and meeting the kids and how would they react.
Have a nice day! (You're the only think keeping me from commiting a crime/jk)
Bruce Wayne x male reader
Headcanons
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Ive been on a kick lately of making half-god characters, so reader is the son of a god, hehe ^^
You were the son of Ares, a half god, and the son of a god most feared, and that the Justice league had fought many times.
So, by relation, many people didn’t trust you when they learned about your parentage. Had you been any crueler of a person, that might have driven you down a path where you followed in your fathers’ footsteps, but you weren’t.
You ended up inheriting many of his powers, even gaining his clairvoyance and precognition in dreams. Said dreams had been your first sign that you were more than just your average person, as you foresaw many of the larger disasters around the world.
There ends up being a sense of duty in your heart as your dreams keep warning you about an invasion of earth, becoming more and more detailed every night. It reaches a point where you think you are going mad.
As a last-ditch effort, you end up in Gotham, where you spend days trying to find any of the bats, just trying to find somebody to believe you. In the end, you stumble across Bruce, who probably thinks you are on something because of the less than put together state you are in.
That is until you spill everything you have been dreaming about, and how its all happened, and how this dream keeps haunting you every night.
Bruce of course listens to everything you have to say, and takes you as seriously as anything else he would. He keeps your warning in mind and gets prepared, and when your precognition comes to pass, he is ready.
From then in, Bruce passes by your place every now and then, as you end up moving to Gotham as Batman is the only hero you feel takes you seriously.
Hes the one to help you figure out your true parentage, and gets you in contact with some people who can help you deal with your new developing powers. You two end up bonding a lot, and over time, fall in love.
You both make each other feel like a full person and like you are understood. The relationship is kept quiet on Bruces end, not because he doesn’t trust his family or anything, but because he just wants to keep it to himself for a bit.
It does get a bit hard to hide the hand shaped bruises on his hips or torso when your godly strength slips out, but Bruce has lived with worse aches and bruises in his life, so its not something people notice.
You never went out of your way to become a hero, even with your godly powers. You are happy living your life and being together with Bruce, much of your stress gone since you know Bruce will believe you when it comes to your dreams.
When the day finally comes where you go to meet his family, you can’t help but feel a little nervous. Sure, you’ve met them in passing as their vigilante alter egos, when they’ve followed Bruce during his meetings with you, but this will be as Bruces lover.
Bruce is endeared by how hard you want to make a good impression, how you fuss with your hair and your clothes to be most presentable. When you ask him if you need to bring a gift or something, he just laughs a little and kisses your forehead, telling you to stop worrying as he’s sure they’ll love you.
The family all know Bruce is bringing his lover that night for family dinner, but they all don’t know who it is, even Alfred is in the dark.
They are all a bit on edge, as Bruce doesn’t have the best track record when it comes to partners. And since he didn’t tell them a name, they assume its not the people he’s normally been with, like Selina or Talia.
Imagine their surprise when Bruce arrives with you on his arm, from your civilian clothes to your sheepish smile, to you looking downright nervous to meet them as you clearly want to make a good first impression.
It might take a bit for any of them to recognize you, as only a few of them might have met you in passing, but you probably end up telling them during dinner when they ask how you and Bruce met.
I can’t see them being against you more than they would any other partner, especially when you go out of your way to use your dreams and abilities to help as many people as possible.
Cass is most likely the one to warm up to you first, as she can easily read that you are a good person who loves Bruce very much, and Cass’s approval makes the others become less tense and more open to the idea of you.
Alfred is also happy that Bruce has found someone who isn’t a criminal or assassin for once, even though they all know you could punch a guy to smithereens if you wanted too, thanks to your godly strength.
But your personality makes it clear that’s not something you want to do, so that gives you extra points in their books. They most likely use their knowledge from Diana and her parentage when it comes to you, incase you end up doing something a little too godly without realizing.
They’ve all been around many different kinds of people and beings, so I don’t think anything you do put them off. They’ll all just need time to warm up to you, and see with their own eyes that you truly do love Bruce, and that Bruce loves you back just as much.
It would take a while, as they were all trained by Bruce and are all suspicious of anybody and take forever to trust. It starts to make you think they’ll never like you, even when Bruce tells you they will, they just need time.
You know you’ve gained their trust when they start showing up in your apartment, be it after patrol, during the day, or any other time, they’re likely to just appear. This also means you end up learning a lot more first aid than you thought you’d ever need.
The last to trust you is Damian, but you can tell you scored a win when he demands you learn self-defense, as your form is horrible, and he drags you down to the cave to walk you through the basics.
Bruce feels like his heart could burst with love when he sees his family accepting you, and he couldn’t be any happier. The batfam is pretty damn happy too, as Bruce starts taking care of himself because of you.
Can’t have a date if he hasn’t slept in days, or if he’s covered in bruises or has broken bones. You probably end up spending a lot of time at the manor too, since Bruce can’t just go into town to spend time in your apartment during the day, or else the paparazzi would find out about the relationship almost immediately.
So, all in all, his kids would like you quite a lot after they got enough time to learn what kinda person you were, and what your morals were. They might even start seeing you as a safe person to go too when they need someone to talk too or just need some company.
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steventhusiast · 5 months
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STWG daily prompt 9/12/23
prompt: barbie
pairing/character(s): steddie, stobin
transfemme!stevie has my heart ngl
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Stevie's been out to Eddie for a few months when her birthday comes around. And she's anticipating a... Depressing day, if she's honest.
The only people that know are Eddie and Robin. To everyone else, she's still a guy. So she anticipates all the masculine gifts; cologne, clothes she won't wear, gag gifts from the kids about her being their dad.
And that part of her birthday is depressing. She sits through a lunch-time barbecue with the party and Eddie holds her hand out of view of everyone else so she can squeeze it every time something is said that makes her want to bawl her eyes out. Like how Mike keeps making jokes about how her hair's starting to be too long to look good, and Dustin keeps asking why she's wearing so many layers in July, and everyone keeps calling her the birthday boy, and son, and Steve-
She's happy to go home, is the point. Expects to spend the rest of the night curled up on the couch with Eddie who will no doubt spend the rest of his night feeding her words of affirmation about how she's his girl and other ooey gooey feminine phrases he knows quell the knot in her stomach some.
What she doesn't expect is for Robin to be sat on the couch she wants to curl up on, a comically huge blanket in her hands and an equally comically large pile of gifts towered in front of the couch.
"Rob, what-" Stevie starts, eyebrows raising involuntarily. She looks to Eddie, who has a small, proud smile on his face.
"Happy birthday, dingus!" Robin cheers. A party popper seems to have materialised in her hand out of nowhere, and Stevie can't help the laugh that's shocked out of her when it pops loudly.
"Go get changed into something more Stevie, okay, my love? It's time for your real birthday." Eddie says into her ear.
A sudden well of emotion builds up inside her at the words, at how lovely her boyfriend and best friend are, at the thought of how much they must have spent to buy her these gifts. She sniffs harshly to keep tears from falling, nods, and goes to her and Eddie's room without a word.
She considers getting straight into sweats in case she falls asleep in the living room, but knows she needs to feel feminine right now. Needs to see who she is reflected on the outside as well as the inside so she doesn't feel so... Wrong for the rest of the night. She slips into a comfortable pink day dress with a wrap front (an incredibly willing donation from Robin's closet) and doesn't give herself any time to scrutinise her figure in the mirror. Just brushes her hair out of its more masculine style of being pushed back, and into something softer that frames her face.
When she reenters the living room, Robin is still sat on the couch with the blanket, and Eddie is crouched down by the pile of gifts, murmuring to himself as he picks through them. Robin's laughing at him, and Stevie's chest feels warm in their presence.
"Hey! There's the birthday girl." Eddie grins when he sees her, and then looks back down at the gift pile to select a box-shaped one that's wrapped in purple polka-dot paper.
Stevie sits next to Robin, and tilts her head to rest on her shoulder as she watches her boyfriend make a sound of celebration when he holds up the gift.
"I was gonna save this gift for last, but after that shitshow I just- here, babygirl." He holds it out to Stevie with a softer smile on his face (Robin calls it his Stevie Smile), and Stevie takes it with gentle hands.
"It's from him and me, by the way. Don't let dingus 2 take all the credit." Robin adds on. Eddie just rolls his eyes and nods, and then starts to talk as Stevie carefully tears the wrapping paper. She's trying to preserve it as much as she can. Wants to keep as much evidence of her first birthday as herself as she can.
"I hope we got the right one. It was kinda hard to find, but I went to a bunch of flea markets and I remember you talking about how when you were younger you wanted it but your mom wouldn't let you and-"
Eddie cuts himself off when Stevie finally tears enough wrapping paper away to see the beginnings of the Barbie logo and gasps. Tears are already brewing in her eyes, and maybe one or two drip onto the precious wrapping paper as she manages to slide it off to reveal-
"Ballerina Barbie." She whispers, staring down at the doll. Her hands are shaking a little, and she feels so incredibly wobbly and warm.
She can't believe Eddie remembers what she said about the moment she knew she wasn't a boy the way she was supposed to be. How her mom had snatched the toy out of her hands in the toystore and replaced it with a car set.
"Is it the right one?" Eddie asks after a moment, and Stevie lifts her head to see him chewing nervously on his lip.
Instead of speaking, she wordlessly gestures for him to join her and Robin on the couch and promptly throws an arm around each of them for a much needed cuddle.
"It's perfect." She says to both of them, and gets twin squeezes to each side. A couple more tears slip out as she looks at the pile of gifts she still has to go through, "I can't believe you guys did all this for me."
"We love you, Stevie-bee." Robin says simply. Like that explains everything. Like it makes perfect sense.
"Yeah, we gotta treat our girl the way she deserves." Eddie adds on.
And Stevie thinks that maybe it does make perfect sense. After all, she'd go the same length for either of them.
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genericpuff · 3 months
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ok listen right
please don't take the implication of what i'm about to say the completely wrong way, there's a point i have to make here
there's this gross thing that happens in LO that's been definitely talked about numerous times (by many people) where fashion is used to label a character's like, "alignment" between "good" "bad" "pure" "tainted" etc. this is something that comes up a lot when discussing Minthe and Persephone because there are a LOAD of double standards in how Minthe was treated and viewed for dressing like a "slut" but then Persephone wears the exact same fit and suddenly she's a queen-
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(image courtesy of @anoldplace on Instagram, I'll be showing a couple of their posts in this because they show off a lot of the great - and frankly disturbing - parallels in LO, whether intended by Rachel or not)
-but can we talk about how the "bad ending" version of Persephone where she ends up with Apollo slaps WAY FUCKING HARDER than anything we've seen her dressed in since she got with Hades ??
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fucking hello?? where's THAT fit ??
you're telling me this girl is queen of the underworld and the best she can do in the fashion department is looking like a color-swapped version of Hera ???
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and I WANNA MAKE THIS PERFECTLY CLEAR, this isn't me trying to say "Persephone would have been way cooler if she got with Apollo", that is FAR from the point, more so just pointing out the pattern of Rachel aligning "bad" with "dresses with more flavor than an extremely out-of-touch conservative boomer". Even when she tries to draw Persephone in more "out there" clothing it just comes across as ... tacky? And only at her own detriment?
Like, how the fuck is this supposed to be Persephone being drawn through a literal male gaze (Apollo):
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And THIS is supposed to be Persephone being drawn from a female gaze (her own because she dressed herself):
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Like literally how? How does this happen? Especially when the latter is STILL being framed from a male perspective (the green guy behind her, "Jeffrey") but we're supposed to believe it's some "boss babe" moment for Persephone to just be walking down the street while getting oggled inappropriately by a male onlooker? How could these scenes be any more different and yet more alike? She's still being objectified for the characters around her and the audience, but we're supposed to believe the second is better than the first one because... she chose to wear that?
Sure, one could argue that at least she dressed herself and that definitely gives her agency, but it's really Rachel telling on herself where her priorities are in trying to write a "feminist comic" that she had Persephone dress herself and then STILL have its only purpose be for men on the sidelines to stare at and objectify her. When you just know this same outfit would have undoubtedly been used to slut shame characters like Minthe or Thetis or Leuce.
I don't even know, man. The intentions in LO's writing are so confused, contradictory, and ultimately pointless. It's trying so hard to be "feminist" and a "deconstruction of purity culture" but then it turns around and reinforces all that same shit it's claiming to be fighting against anyways. Persephone would be an evil slut if she was with Apollo, look at her outfit! But not here, not the banana purse dress being oggled by strangers on the sidewalk, not now that she settled down with her old rich husband who she only knew for a couple weeks before being separated for 10 years but their love was just so strong and the thirst for dick so real that she and him loyally waited for one another until she was old enough to make it "not be creepy" anymore for them to hook up, but only after marriage. She's definitely not a gold digger like Minthe or a vapid slut like Thetis or a homewrecker like Leuce, nah.
I just wish she'd dress herself, for the love of god. Let her dress herself with her own input and not the influence of the people around her or the tone of the comic's own internalized misogyny that demands "woman must always be objectified for better or for worse, that is The Rule!"
Of course she can't "dress herself" though. She's an extension of Rachel and Rachel herself writes like an out-of-touch boomer who will and has gladly gone about how men are just clamoring at the bit to stare at her and get to her... but then claims she "didn't realize sexism was all that bad" until she started working on LO.
Sorry, this post got very long and very mean, I initially just wanted to make the comparison in a very silly haha "wild how bad ending Persephone has way more visual personality than good ending Persephone" way, but then I thought about it too long and pissed myself off LMAO
And no, I don't want to go back to beating the dead horse of "banana dress bad" because honestly, I think in any other context or comic, sure, it would be very cute to see her walking around in an outfit she chose herself even if it's "objectively" not a great outfit, it shows agency and not caring what other people think which is VERY freeing. But we're not reading that comic, we're reading LO, where a woman's worth and value is only determined by how the men around her react to her and only Persephone is allowed to be empowered by wearing outfits that would otherwise be treated as "slutty" if worn by anyone else.
I don't want the message to be "Persephone looks like a dumbass bimbo" or, on the flipside, "Persephone looks boring and out-of-touch", I want the message to be "Persephone is valid for dressing how she wants, just like how the women around her are valid for dressing how they want regardless of whether or not they're protagonists or antagonists."
Quit using women's fashion as an alignment chart, quit using these "not so sly for a misogynist guy" dogwhistles as a way to "other" the women around the power fantasy main character. Women deserve to dress how they want without shame or objectification - all women, not just the women you like.
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meruz · 1 year
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sorry if this has been asked before, but i wanted to ask about your lineart! the weight and line economy are just so nice, i get stars in my eyes looking at your lineart and doodles. could i ask what your approach to lineart is and what tips you might offer?
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Wow I love these questions - Line is so interesting!!! It's a really big topic so I feel like any tips I give will be just barely scratching the surface. It's like deceptively simple...any given line drawing is essentially taking all the information we glean from seeing something irl ie light, shadow, dimension, texture, perspective, etc and boiling it down to the simplest possible visual information.
I think most commonly my line is informed by light source so like. thicker more continuous lines face away from the light and thinner more broken lines towards. and a lot of my spot blacks r simply cast shadows.
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here's a more extreme example
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BUT like everything to do with art there's no hard and fast rules. I use blacks when I think it'll be effective or interesting and I leave them out when I don't need em. umm couple things I find myself doing a lot... using spot blacks to make the separation between characters clearer. I like casting shadow in between characters so its easy to separate and read their silhouettes even when they're mashed together.
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u can go even further to purposely create a silhouette like
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to draw attention to a finger or tongue LOL. There's some comic book artists who are absolute masters at this type of stylization. Alex toth and his spiritual successor Chris samnee come to mind for me right away.
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(toth)
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(samnee)
I feel like I'm also often using line weight to separate planes receding in space
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im naturally a really heavy handed and scribbly drawer(...?) draftsman. and im nearsighted so when i see things i percieve and break it down into big shapes over thin contours. so stuff like spot blacks and shadows came easy to me, the tricky part was making the rest of the lines lighter when they needed to be so the blacks could actually have impact LOLL. a lot of effective visual communication is about balancing contrasts. like I had to really train myself to press less hard on the pen. I think this is actually really evident if u go back in my archive to older sketches LOL
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I actually feel like a lot of how I trained my hand to tackle line weights was thru stuff like hand lettering where you rly have to focus on being sensitive to that kind of thing.. contrasting strokes etc.
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also exercises like figure drawing will have you flexing those muscles constantly
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I'm starting to just regurgitate lessons from freshman year of art school so I'll stop here with the demos but yeah...I hope this was helpful!? I love line!!! I want to get even better at line work so I can feel confident posting work that's only line no color or value... I'll leave you with a bunch of artists who I think have particularly expressive and beautiful linework (not including toth and samnee who I already mentioned and who's work I love so much). You can probably learn much more from them than you can from me...!
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Charles dana gibson LOL
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Matias bergara
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tonci zonjic
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naoki urasawa
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Daniel warren johnson
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shiyoon kim
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michel breton
also yoji shinkawa, tomer hanuka, leo romero, I feel like I'm gonna post this and think of so many more. there's so many good artists...!
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frownyalfred · 8 months
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if you feel like it (and if this question even ends up making sense lol), would you mind talking about how you feel about bruce being jewish? not like the idea of jewish bruce wayne, i mean the fact that in 2011 or so he was retconned kind of accidentally into being jewish. i ask bc i, as a jewish person, have a lot of mixed to negative feelings about the whole thing, and you seem not to. i really hope this doesn't come out as like judgy. i don't think you should feel negatively about it. i'm genuinely just interested in your thoughts and feelings about this. two jews, three opinions, lol
It's not judgy! As you said, two Jews, three opinions -- there's no right answer here.
As I mentioned in my Jewish Bruce post, the likely accidental ret-con of Bruce to likely being Jewish is a tricky subject. It's simultaneously a good moment for Jews who want to feel represented, and a bad one for those who think Bruce's story is not an adequate or appropriate vehicle to convey Judaism.
The reality is, Bruce isn't visibly Jewish now, nor is he practicing or displaying overt cultural, ethnic, or religious influences. He's Jewish by halacha, which is its own mess of significance for Jews.
Personally, I feel that Bruce's emergence as a Jew by halacha, and not by practiced religion or culture, is an important discussion to be had in our modern, interfaith, assimilating culture.
Barring the Orthodox communities, the number of young observant Jews is dropping. Jews are increasingly marrying into other faiths, assimilating, and raising their children outside of the faith. When Jews do stay in their communities, they tend to stay in more "liberal" ones such as Reconstructionist or Reform congregations. You can read more about this at the Pew site.
There are, and will continue to be, many people who find themselves cut off from Judaism and either halachically or ethnically Jewish in the next few years, with little to no connection to the religion, ethnicity, or cultural traditions.
So in this respect, Bruce being cut off from Judaism by nature of his family structure and abridged childhood is good to see, because it's representative of a new generation of Jewish children or interfaith families. Or it will be?
But. There are many Jews who do not identify with this at all -- who grew up in the community with strong ethnic, religious, and cultural ties, who see Bruce's (accidental?) ret-con to Judaism as rushed, dissatisfying, half-hearted, a million other words.
I don't want to assume what you or other Jews are thinking about this, but I can guess. It's not fun to see your religious identity thrown around somewhat flimsily, especially when there remains such a deep and consistent Jewish influence throughout the DC comics.
Why Bruce? Why not Hal? Why hint at it, or make him somewhat Jewish? Why not have a fully-Jewish character? Why not have a character who embraces Judaism as a belief system?
I think the mixed feelings over Bruce's ret-con highlight the growing divide within the Jewish community over who is, and isn't Jewish, and by which standards we judge those who are peripheral to the community.
Having worked with many converts and patrilineal Jews, I have deep sympathy for those cut off from the Jewish community, especially when it is by halachic rule. How can someone who was raised by a Jewish father, who is 50% Ashkenazi, who had a Bar Mitzvah and attends shul regularly, not be as Jewish as someone who was born to a Jewish mother and rarely, if ever, practiced the religion?
We make conversion to Judaism a tricky, difficult, and conditional process. Reform marriages and conversions are questioned by Orthodox rabbis and not considered valid by others. Some people are Jewish in one synagogue and not Jewish enough in another. It's so hard.
So yeah, in my other post linked above I think I called this a happy accident, which is how I'm trying to view it. It makes me happy to have a character to push Jewish headcanons and fic ideas into to, and to tease out the themes of community and what it means to truly be Jewish from Bruce's story. But I don't expect that to be everyone's else's experience at all.
I'd be curious to hear your, and anyone else's, thoughts on this. Again, two Jews, three opinions -- nobody is right here, and we all change our minds a LOT.
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finsterwalds · 1 month
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Got my hands on the script of Anatomy of a Fall, and I couldn't help but compare it with some scenes from the movie because that's how deep I am rn :'D Anyway, here are some of my finds and things I personally enjoyed. I'm sure there are more things to dig out but these are what I wanted to share with the world. The order of my finds will be chronological, for the most part, but keep in mind that sometimes, some scenes were edited to show up later, or earlier than originally intended. Spoilers for the whole movie obviously so you've been warned!
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Takes place when Vincent first visits Sandra to discuss Samuel's death. In the movie, Sandra stops Vincent and cuts him harshly, saying "STOP, I did not kill him". Vincent then says a line that I think is pretty iconic in the movie, a sarcastic : "That's not the point. Really". His line is much harsher than on the script, where he's a bit softer. "You don't need to tell me that" implies that he has some deep, loyal faith in Sandra, while "That's not the point" cuts any further discussion. He really doesn't wanna know if she actually did it. Comes from a wish to remain blind still, but with less innocence and a lot of denial. Oh, Vincent.
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In the movie, his last line is way better imo, he says "No one's gonna believe that. I don't believe that." I like the emphasis on his opinion rather than the fleeting and impersonal "it's really hard to believe". Truly hits way harder and puts Vincent back in the position of a lawyer.
The rest will be under the cut because I think it's gonna be a wall of text I apologize guys...... This movie does things to my brain.
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There's a scene that was cut where Vincent phones Nour while still at Sandra's, which I would have enjoyed a lot but I'll admit it's a bit filler-y. Doesn't add a lot and kinda cuts the serious tone of Sandra's confession, imo, as they discuss the judge's antics in a pretty comical manner. I just love Nour so I'm based......
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Another, REALLY long scene that was cut where a medium comes into Sandra's house to feel Samuel's ghost and foreshadows Daniel poisoning Snoop with aspirin. I had a good laugh at that one, honestly. It feels pretty out of place with the tone of the movie, and the personality of the characters even... I can't picture Sandra calling a medium. I'm glad they removed it because the foreshadowing was unnecessary too. It's still interesting that they had planned it however.
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This takes place after Vincent finds out about the tape. Interestingly, his whole line was cut after "before he died". In the movie, he never comments on Sandra's affairs/sexuality. He never really asks much about her life at all. He truly is blinded by his wish to shield himself from her inner demons, in order to maintain his undying loyalty towards her. To see what he wants of her...
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Another scene that was completely cut (a flashback, I believe?) where Sandra makes Daniel pose for a german photographer to make some money, which Monica dislikes, and then they argue. I think it really frames her as too unsympathetic, so I'm also glad it was cut.
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Okay, so now, here comes The Big Change. The scene where Vincent and Sandra drink together after the first trial was heavily altered, because its tone in the movie is pretty tense when compared with the lightheartedness of the script. In the script, they laugh and reminisce together about the past and even kiss at the end of the scene. In the movie, none of was I screenshot happens : instead of playing along with the 'firing Vincent' suggestion, the scene ends with Sandra scolding Vincent for judging her in his head. Vincent backs off and the scene ends. Another instance of him not pressing emotional depth to shield himself.
There are other scenes I liked (many that touch upon Sandra's books) but I'll stop there. Hope you'll enjoy that... I might draw some of these so stay tuned... This movie has absorbed my soul but it feels good to be alive, thank you Justine Triet.
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barrenclan · 18 days
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(gestures to that one panel in the new issue) you see you can tell their family because of their matching eyebags
in all seriousness you are making me soo insane. i barely even touch tumblr but every once and awhile ill come check “new patfw updare? new patfw update?” like a lil parrot and i reread different pages so much i just. my brain chemistry has been altered. outside of the story and all that i love how you format the whole thing. ive never seen a comic formatted like this in my life with like the. the. the text outside of explicit dialogue still there you know but it scratches a little itch for me and you utilize it SO WELL. like i feel like if you were to switch patfw to any other format, outside of the effort itd obviously take to make it itd just be. really hard to get right if that makes sense. its just… so tied to its strange little format its great. if i may ask like. stupid question but is this just like a type of formatting you just decided to use or did you see it somewhere else beforehand? bc like it may be common or smth i dont read many comics man
weird tangent aside i love the characters, story all that too of course! theres just. so much to talk abt there i wouldn’t know where. To Start. youve done admirable job of fleshing out so many characters to some degree in the time youve had. some of barrenclan may be assholes but theres something to be said about all of them. beeface isnt mean all the time etc, you know? they dont feel static in the sense that they feel like they are living their kitty lives. slug family in particular just scratches a little itch for me i could go. on and on. i miss asphodel. if you kill any more of them i wont. do anything but i would be very sad.
i cant imagine the type of dedication and effort it would take to keep smth like this going and just. yeah!!👍 good luck with ur silly kitty comic solider
Thank you so much for all your kind words! I'm so glad you like the comic! I've had a lot of fun making it and the response has been truly flattering.
The "style" is not my own creation; it is inspired by one of my favorite webcomics, Paranatural, which transitioned out of traditional comics into this format a couple years ago. :] Like so:
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That is what it's based on! And I've seen setups like it in other places before, though none come to mind. However it's not very common in webcomic spaces - although my friend haw does have a new comic @pipjackal which uses a similar setup! Read Pip Jackal, please, for me. And Paranatural.
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la-imp · 1 year
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AVATAR RECOM HEADCANONS - INTRO
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Recoms!Deja Blu Unit - Science"Puke"! Reader
This is my first headcanon series and I am incredibly nervous because there are so many good ones out there already. I have read quite a few amazing headcanon series by various blogs who practically carry the whole Avatar Fanfic scene, which I am really grateful for! I know these sorts of scenarios have been done a lot by now, but I wanted to get one out and put my own spin on it. I hope to write more and update this series as well as take in requests, one-shots, etc, expanding on the characters as much as I can. I hope you enjoy! Avatar has consumed my life, lol...
Disclaimer: I do not own AVATAR, nor do I own its creative properties and original characters. I do, however, own the 'reader' character as well as other created figures that do not appear in the Avatar films, video games, or comic books. Characters involved: Miles Quaritch, Lyle Wainfleet, Alexander Ja, Mansk, Zdindarsk aka Z-Dog, Zhang, Lopez, Fike, Warren, Walker, Prager, Brown - mentions of Jake Sully
Plot Summary: The story takes place during the events of TWOW, right before the great reef battle. I won't spoil any crucial plot details (for those who haven't watched the movie yet), so I'll end it there. The reader is a militant medic with a biochemistry background, now assigned special care to ensure Project Phoenix's success. As their body chemistry is quite different and unique from that of humans, they require some help getting used to their new vessel. This is where you come in... and boy... you were not prepared for this. A bunch of Na'vi Human hybrids at the peak of their prime, fuelled by hormonal rage, primal instincts, and a knack for vengeance, they sure as hell turned your daily life topsy turvy. To them, you were nothing more than another science puke here to bore them out of their minds,  even though you had some military training as well. It is up to you to show them otherwise. To earn a place in their ranks.
Will (y/n) be able to handle this task or eventually fold like the others?
Warning(s): Cursing - Mild bullying - Negging - Foul language - Playful flirting
Content: SFW (Minors DNI) The reader is human and female. I plan to write specific headcanons for each individual character, but this was just a very long and detailed starter in order to get the ball rolling. Also this is not proof-read, so take this with a grain of salt. Happy reading! (also English is not my first language, so please bear with me) ______________________________________________________________________________________________________________________________
Hailing from a gentle background of academics and artists, you've decided to take a completely different route from what your family had destined for you. Going against their wishes and dissapointing a few members here and there was a price you were willing to pay in order to fulfill a lifelong dream. The prize of independence. Or perhaps you were tired of people telling you what you could and couldn't do. The idea of an adventure, exploring new worlds and galaxies, far far away from home was far more attractive than spending your years trying to fix a dying planet. But you also had a knack for helping and aiding those in need. Being a healer with a vast background of medicine and herbs only came natural to you. And as you graduated top of your class, you sought a new challenge. So you joined the space force. Military training was hard but you managed adquedately.  And as you finally becamea full-fledged medic, you signed a contract with the RDA to be shipped off to Pandora.
Save to say, the six years of light-year travel did take a toll on your body. It was often emphasized that dreams do not occur during cryo sleep. Yet, your case was the opposite. Over and over you saw visions of a lush, prehistoric forest that almost looked magical and foreign. Due to overpopulation and pollution, nature seized to exist altogether back on earth, so thinking of what this mythical Pandora may look like, sparked a fire in the pits of your stomach. You began to wonder if these dreams held any meaning to them... or if it was just your brain chemistry running haywire during the cryogenic sleep. The closer you got, the giddier you grew - excited and electrified at the idea of setting foot on one of the most precious planet known to man. Perhaps in the entire universe.
After your space shuttle finally docked at the RDA's space station, you were quickly briefed on your assignment by the announcers, guiding you to the nearest secretary. The secretary looked over her glasses and tossed you an illegible glare before sighing with a shake of her head, handing you your paperwork. "May God have mercy on you," she mumbled before calling for the next candidate. You took the papers hesitantly, brows furrowing in confusion before your eyes cast down on  on these said documents. Your eyes widened as your heart nearly sank. You were assigned to assist military Avatar personnel? You looked back up at the lady who was now grinning at you, a glint playing in her gaze. "Fresh meat for the grinder. It's a bit crass they decided to assign a small girl such as yourself to help these beasts," You slowly nodded, an awkward semi-smile forming on your lips, "I guess I like a challenge," you said, tone matching her sarcastic one. You have studied them for three years now, after all. You were prepared.
A few labcoats accompanied by a good portion of cleanroom suits were helping you find your way before passing you your exopack mask. It was the first time you'd ever seen one of those from up close. The concept of not being able to breathe the atmosphere was somewhat daunting. But it was something you had to get used to if you wanted to survive Pandora's 'Adapt or Die' rules. Wasting no time, you quickly strapped them on and secured the clasps, allowing the small piece of machinery to flood your nostrils with fresh oxygen. Impressed, you found it was much clearer and cleaner than that of Earth's... sadly enough.  You then remembered the comment from the secretary earlier on, echoing in your mind over and over again until it festered in the back of your subconscious. Anxiety began to take a hold of you, shaking your confidence ever so slightly.
Inhaling and exhaling deeply, you then issued a curt nod to your superiors who lastly gave you a clipboard, detailing all of your duties and rank among the Recom unit members. "Ready, greenhorn?" Dr. Vasquez piped up, drawing you from your trance. You blinked at him with a wide-eyed deer-caught-in-headlights look, lips parting, "Y-yeah." he chuckled in response to your nervousness before slapping a hand on your shoulder in confidence. "Don' worry, they may look very scary at first glance, but you will soon realize they are professionals just like us, alright?" You nodded, swallowing the lump down your throat before clamping the board beneath your armpit. "Alright then kiddo, let's rock'n'roll," he said with a smirk before punching in a security code to unlock the doors to the decompressors.
The air was filtered to fit the atmosphere of the recoms. Which was in turn, extremely toxic to humans. Unconscious in twenty seconds - dead in four minutes. The prospect didn't sound like very glamorous death. As the door opened, a hiss emitted from the pressure, giving way to the bright light of the sun peaking through the glass windows. Vasquez marched forward before beckoning you to join him. Upon entering, the energy of the room immediately shifted. It was almost palpable to the touch.
A good part of your confidence was chipped away once you laid your eyes on your future teammates. Breath nearly caught in your throat. To say they were tall was a big understatement. They were huge - as a matter of fact - larger than life! Nothing could've prepared you for this. Most of them stood at around ten feet and nearly scraped the ceilings if they hadn't been adjusted to meet their physiology. You continued to saunter forward, one tentative step at a time, eyes still glued to their physiques without so blinking an eye. Their bodies were even more strange, striking you with awe. Slender, graceful, svelte, yet powerful. The complexion was a deep cyan or darker powder blue, decorated in interesting patterns and luminescent dots, all accompanied by a long prehensile tail that idly swung from side to side, giving them a more animalistic edge. They were all broad-shouldered, even the women, as you scanned the room with all the blue-skinned individuals lurking about, their poise signifying a certain strength and fortitude that of a warrior. They could easily toss a person across the room and break every single bone in their body with one blow if they wished.
Eyes were striking like molten gold peering from the shadows, intensely following your every move. Their previous chatter immediately died down as their eyes glued to you and the other scientists. Vasquez took his position next to someone who seemed much more commanding and authoritive compared to the rest. He stood slightly taller and wore a khaki tanktop, exhibiting a set of toned, muscular arms placated on his hips. You caught a glimpse of his tattoo on his left arm. A black eagle. A remnant of his previous life? Or something to distinguish himself from the others, perhaps?
The way he walked with a certain swagger, taking a stance next to Vasquez, sharp yellow eyes peering into the hall, had you nearly choke on your own saliva. He was an intimidating man,  "As you all know, we are sent here to accomplish a mission that we couldn't last time. To hunt down and terminate the leader of the Na'vi insurgency, Jake Sully.  And in order to ensure our success, we have been assigned our personal medical officers who specialize in Na'vi physiology. They make sure none of us step out of line and patch us up during missions. Treat 'em with respect, ya hear? They are as much our responsbilities as we are theirs," his tone was a low, commanding drawl, hinting at his possible origin back from Earth. He also sounded a tad older than his bio stats suggested.
"Wait, we're going to have these science pukes tag along?" Someone groaned in the background.
Doctor Vasquez nudged you with his elbow before whispering something into your ear. So he was the colonel. Colonel Miles Quaritch. The leader of the first recombinant unit Deja Blu, the first Avatar squad produced by Project Phoenix. Vasquez then nodded and brought you and another male medical officer. Thankfully you weren't alone. And as you peeked into the crowd, practically feeling their eyes rake over your forms in a very scrutinizing manner, you wished there were more human scientists to accompany you. "Listen up Recoms," Vasquez announced, matching Quaritch's energy. Which you had noticed, was now glancing at you over his shoulder with a lazed stare. You quickly turned away, hating that all of their attention was on you now. Just great. "Those are your new medical officers," he gestured to both you and your counterpart, earning him a few whispers and hushed conversations between the Na'vi hybrids. The heavily tattooed individual grunted loudly, expressing a clear distaste at the fact.
You watched as the one with the camo cap began to chuckle before leaning over to the tattooed female with the mohawk, gossiping something into her ear. Your eyes narrowed at her, hoping to God they weren't talking shit about you. The male medic next to you semed quite nervous himself, almost glistening with a faint sheen of sweat whenever the light hit his complexion. Oh man... what a great start. "This here is Mr. Ryan," Vasquez said confidently and clamped a hand on his shoulder before pulling you to his side with a toothy grin, "And this is Miss (y/n). They're going to do a quick checkup on your vitals before we make land on Pandora. Their status reports will affect your mission. If you have any further questions regarding any of that, feel free to ask them. Good luck and have fun," he said before departing, giving you a two-finger salute before vanishing out the door.
For a moment, you wished he hadn't abandoned you so soon, but as you stood there, again with the hundred yard stare, you instantly began pulling out your clipboard, training your eyes on the papers rather than the giant soldiers around you. Quaritch cleared his throat before stepping forward, closing in on your proximity. The heat practically rolled off of him. Almost radioactive in a sense. "Right. Welcome to the crew," he said as a deep rumble of chuckles resonated within the hall. You flicked your attention back on them, seeing as their expressions turned from scrutiny to amusement. The one with the hat flicked his chin toward Ryan, "So you get to touch us all around?" Ryan nodded cautiously, "Yes, in a sense. We need to do some physical checkups to make sure your bodies haven't mutated or caught any diseases on the way here and-"
"So you're gonna be cupping my big blue balls, too?" he said, making an obscene gesture as the team burst out in synchronized laughter. Mr Ryan pursed his lips in frustration. You felt his pain, it was nearly palpable.
You were so not ready for this... "Shut your horny mouth, Ja!" one of the female recoms hollered, smacking him on the back of his head.
Judging by the 'joke', you came to the conclusion that they were full-blooded jarheads. You sighed before ticking something off your clipboard. "And what about her? Is she good with her small hands?" At this your eyebrows twitched before you began searching for the miscreant of this statement. Seeing as the one with the bandana had crooked a finger at you. "Man, she does look cute tho... tiny lil thing. What's good, mama?" their banter continued, slapping and fist bumping each other, having the time of their lives. What a fucking farce - you thought to yourself begrudgingly. The behavior reminded you of teenagers experiencing the surge of hormones for the first time. You couldn't believe Vasquez had vouched for their professionalism. Perhaps he was in on the joke as well. "Shut your pie holes. They're here to help, not entertain you, you fucking lowlifes. Treat'em with respect or I'll have your ass handed back to the infirmary, you get me?!" Quaritch's voice boomed, immediately silencing the lively chatter among his subordinates.
Looking over at the colonel, you saw his hardened, chiseled features directed toward you with an unreadable expression. His pointed ears were tucked back against his head as he issued you a small nod. You repaid him with the same respect and inclined your head in acknowledgment before moving on to your first patient. "Brown?" you said, louder than originally intended before you flicked your gaze around the room, searching for any response. "Steven Brown?" you repeated with a bit more clarity. The mohawk lady merely snorted with arms folded, watching you as you searched for your first victim. Suddenly a blue hand lifted, alerting you of your designated recom, seeing that he looked a little less grim and intimidating. Although equally large, he seemed a bit more approachable, in your eyes at least. With that being said, it wasn't exactly a joyride pushing and squeezing yourself through, as some of them actively made an effort of staying rooted to the spot, entertained at your slight struggle. You could have sworn hearing someone wolf whistle at you but you pushed those thoughts aside when you reached your destination.
He was slightly shorter than the rest, not that you could tell right away as he was seated on one of the benches slightly hunched over, his posture overly lax. Much like the others, he sported that classical short military haircut and fade. "Alright doc, whaddya got for me?" he drawled with a certain bite. You decided not to overanalyze everything, as you were already extremely nervous. You meanwhile scribbled down all of the data before setting the clipboard down, looking him in the eye. He remained there, sitting there in silence, monitoring you with a peculiar glint playing in his topaz irises. "Alright, Mr. Brown, could you please stretch out your right arm? I need to take some samples and check your haemogram if that is alright with you," you explained as you flashed him a polite smile while the convos in the background resumed.
Brown simply nodded and muttered a small 'sure thing' before complying with your wishes. Once he extended his appendage, you got a chance to examine it closely - realizing just how large and sinewy his arm was. The texture was interesting too, differing not much from human skin, save for the lack of arm hair. "Finding a vein shouldn't be a problem," you jest before pulling out a small device for blood sampling. It was not a syringe, but a highly advanced gadget that locked down on the skin cell before drawing a bit of blood. "Alright, just let me disinfect this real quick..." you continued before wiping the spot with a small disinfectant wipe, clearing it from any bacteria. The feeling of his skin was curious, smooth yet somehow rougher to the touch compared to human flesh. Pandora's rough climates had evolved them to become perfect survivors as even their skin was harder to penetrate.  Brown tilted his head to the side, ears swiveling curiously when you placed the blood-letting machinery against the crook of his arm. A small pinch broke through his flesh, extracting only a few tiny droplets. "There we go, that's about it-" Before you could continue, however, you caught Brown sending you a mischievous wink. "Didn't hurt at all, doc."
"Got what ya need, Miss (y/n) or... did I get that right?" you felt blood rush to your cheeks, heating your face altogether. They were trying to rile you up on purpose now... "(Y/N) right, but just call me by my first name. No need for being formal," hoping it would somewhat diffuse the awkward tension between you and the recoms. However, things did not go as planned when Brown's brows lifted for a short moment before his ears rotated in your direction, more attentive than before. "Well good to know, (y/n), looking forward to working with ya," your breathing became heavy to his deliberate teasing as he allowed himself to lean forward. You nearly jumped at his sudden intrusion "So (y/n), what does my blood test say?" just then the analysis was completed, giving you a clear stats report on his bloodwork.
"So far so good... bloodwork looks normal. Cholesterol is in the green and.... well..." His face faltered a bit, "What?" "be sure to consume fewer sugary drinks or sweets but other than that, you're fine. Wouldn't want you to be the first adipose soldier on Pandora," his features continued to crack "You calling me fat, doc?" he said before warming up to a smirk. You leaned away from him to avoid his sudden boldness. "Nah, just reminding you to be on your best behavior if you want to keep up with the rest, alright?" Brown scoffed with a shake of his head as you took your clipboard with you, writing down all of the info as well as checking a few boxes. "I'll get back to you later, just need to do the same with.... uh.. Wainfleet?" you asked, squinting your eyes to spot someone a bit taller and a tad bit more athletic looking. He lacked hair, like some of the others as he wiggled his fingers at you flirtatiously, a crooked smile plastered on his lips. "The one and only," you grunted in affirmation, feeling some of the dread returning before you headed over.
A sudden ticklish sensation and force tugged at the crook of your knee, having you to stumble and nearly fall flat on your face. Walker clicked her tongue with a roll of her eyes, "Come on Kevin, leave the poor girl alone already!" Quaritch's nostrils flared when he caught Brown fucking with you. A move of his tail that hooked around your leg in order to trip you. "You better secure that shit, Brown before I clip that thing off, capiche?" He growled, causing Brown to stiffen immediately. Eventually, he lowered his head and ears ".... yes sir... sorry,"
You managed to calm your thundering heart as you eyeballed Brown with a mix of irritation and embarrassment. What an asshole. Is that how it was going to be all the time? Good lord... how much you began to regret signing up for this particular unit. "Mr. Wainfleet?" you said softly, approaching the man cautiously as he eyed you up and down with that same grin on his face.
"Call me Lyle, sweetums. Only my mother calls me Mr. Wainfleet. So.... here to check the goods? Or maybe even get a feel?" Lyle chuckled before flexing his built physique, making you watch his biceps bulge and swell. The action made your throat dry out like the Sahara desert. Just what in the world have you gotten yourself into...
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pointless-discourse · 1 month
Text
homestuck characters as related to trans stuff
head canon
JOHN EGBERT
closeted repping tgirl who will likely not realize she's trans until after 16
avoids mirrors, unhappy with appearance but tries to avoid looking at it
gets dressed in the dark
once she comes out she's gonna dress like the most hideous anime girl for the first few months
like goes HAM
her fav nerd shirts paired with a weird fucking skirt but eventually it looks really good just because of how much time she spends on it now that she likes how she looks
DAVE STRIDER
cool cis guy that will respect the pronouns
will treat people the same regardless of transness
goes down the transfem nonbinary any pronouns route in mid 20s
unfathomably chill
JADE HARLEY
divisive subject. either cool nerdy tgirl or closeted trans guy
tgirl jade puts a lot of effort into dressing for the sake of mirrors
doesn't necessarily look GOOD (ultranerd furry island social recluse) but she looks intresting
however tgirl jade doesn't voicetrain and not only is her voice kinda clocky but also very hoarse from lack of use
closeted transguy/transmasc nonbinary jade is very online and performative feminine stuff until he realizes in his late teens he's trans
does not learn what trans is until late teens, very in sheltered parts of the internet despite being very online
was out online years before he came out irl
third option: chill cis girl who, during
ROSE LALONDE
terf
no hate to rose she is one of my top three characters in all of homestuck but she is very terf vibes
she spends a lot of time "debating" with trans people online (harassment) and frequents a lot of terf forums
i think that after a few years of earth c and maybe meteorstuck she grows past it and eventually to her it's not a fight she's proud to be the lead general of but a phase she's really embarassed of, much like her other silly 13 year old traits
i also really like tgirl rose, not for character basis but i think its cool and i (obviously) love trans headcanons
KARKAT VANTAS
i am very divided between ftm and cis guy.
cis guy karkat is cool, he's very much just some guy who's comfortable in his "girly" hobbies and, while isn't really tied into his physical appearance, isn't dysphoric and is just a little insecure
however: humanstuck karkat will always be trans in my mind, just for the persecution bit, although i would also buy ethnically-middle-eastern adopted into a white american family karkat
he'd be a truscum or just kinda shitty to nonpassing trans people i think, we've seen how many alternian empire boots he licks so conforming to the status quo as a pick-me minority is not above him
again i think he would grow out of it in his later teen years/early 20s (like in the comic) but i don't ever see humanstuck karkat escaping the eternal shame that kind comes with being trans
ARADIA MEDIG0
ily weird unnerving tgirl aradia she is like so that to me. she reminds me of the boymoder NEET memes i see chronically online trans girls on reddit posting
but also i do equally enjoy weird girlboss cis girl aradia
either way she is far too etheral to be bothered with gender stuff
like you could come out to her with sixteen hard to pronounce xenos, pass so badly you unearth masculinity/feminity so prominent it burns to the touch, and she would not give a single fuck. and she would never mess up with pronouns and shit
tAVROS nITRAM
i see her as a hardcore deep deep in the closet repper tgirl as like a core part of my interpretations and yet i can never imagine her coming out
like i just see her boymoding forever
not really? like i think it would happen eventually i just can't visualize it
hypothetically i could see her being one of those cool goth girls named lilith but it seems very removed from the original starting point
2OLLUX CAPTOR
repping tgirl or amab nonbinary or just plain cis
either way still horrifically greasy and that will never change
there is no self reflection that will even vaguely incentivize sollux to maintain his hygeine
:33< NEPETA LEJION
cis girl
maybe comes out as ftm in 20s? if trans, i could also see nepeta repping till death
like just a weird cis girl who is like "oh, you're trans? just like in my warrior cats rp discord server!"
again, gives more of a fuck about gender than aradia but it is close
she just cares if you will listen to her talk about her ships and art
nepeta is the type of person where it might take her a while get the new name and stuff right
"HER PRONOUNS ARE THEY/THEM!"
but she would be your staunch defender
KANAYA MARYAM
eh? nothing strong here, i don't really have a hc for her
but there is a lot of mtf symbolism in the comic and i do enjoy that
like a socially awkward youngshit who's not out to many people because she can't really bring herself to correct people in public but still has a really passing voice even after first coming out
bad facial dysphoria
do like her as intersex. feels right
TEREZI PYROPE
nonbinary
no genders, all the genders, new genders, old primal genders, everything
both simultaneously afab and amab but not intersex?
the living embodiment of androgyny
probably has a very long list of neos/xenos but is any pronouns
you cannot misgender her. hes too cool.
VRISKAAAAAAAA SERK8!!!!!!!!
transgirl transgirl transgril
literally not even a headcanon at this point vriska is a trans girl and that is that!!!!!!!!
if you disagree im kickng your ass so hard it comes out of your mouth. your days are numbered and that number is 0. (not 8 :( )
EQUIUS
option one: cis gymbro chaser.
he sleeps with trans men to steal their t shots
in the streets he'll occasionally say the weird shit but i know he'd be crankin his hog to futa/cuntboy shit by night
option two: trans girl
never comes out because of insecurity but indulges in long hair and the occasional skirt in private and then feels really bad about it
option three: insane roided trans man
t gave him big muscles and big sex drive
option three poiont 5.
racist sexist homophobic nonbinary
like drops the most despicable shit in conversation and finsihes it off with "my pronouns are actually they/them), like one of those nazi femboys
GAMZEE MAKARA
does not gaf
cis (? idk) guy who is fine with any pronouns and crossdresses for fun
i guess not technically cis? but still identifies as a man when it comes down to it. like barely guy
FEFERI PEIXIES
cis girl who is a little infantilizing
if you're transfem she will give you makeup tips
but still a little hugboxy
"oh no you totally pass even though you're 8'100 and have a full beard! women come in all shapes and sizes!" (not shitting on the made up trans girl here, passing is fucking hard and it has no bearing on personal worth)
JANE CROCKER
jane is a repping/closeted trans man and you can pry this from my cold dead hands
the mustache? the projection onto only male figures?
also i think its fun with jane's ties to the girls-only fuchsiablood club that he ends up a dude
also st4t janeroxy my beloved
DIRK STRIDER
gonna be honest here no strong leanings
i am a firm believer that estrogen would save her but i dont really think of dirk as anywhere on the gender spectrum
maybe just cis dirk? i could buy cis dirk
JAKE ENGLISH
one one hand i would like the transmasc rep being not restricted to hairless twinks and i would enjoy ftm jake that way
transmasc nonbinary jake is an insane concept to me but i do find myself intrested
a little iffy on the trans headcanons (especially transmasc) because a big part of the concept of jake english is that he's a big strong man who takes on the literary role of an objectified girl character and having him be
ROXY LALONDE
ex twinkhon femboy now BDD gigapassoid
literally one of the most gorgeous trans women you will ever meet
creating e substitutes in her laboratory since age 12
again not even those most immersed in trans culture and the ways of clocking would be able to tell thats how good she is
her speaking patterns hail solely from those cutesy minecraft/unboxing youtubers she religiously watched as a small child
however she is fully convinced that she doesn't pass for shit so she believes that every genuine complement and people treating her like a woman is just them being nice
she'll attempt to boymode and go "stealth" in scenarios where she doesn't want to be visibly trans but it fucking backfires because everyone assumes she's ftm
DIRK STRIDER
trans man with literally no basis because my dirk-themed friend is also a trans man
4channer transman robotics nerd dirk my beloved
DAMARA MEGIDO
transfem ig? or cis woman
very girl adjacent
idk i dont think about the dancestors much
RUFIOH NITRAM
cis man
MAYBE trans man
i am also cool with that
MITUNA CAPTOR
cis man
MAYBE transfem nonbinary
KANKRI VANTAS
trans man because very few cis men were tumblr "SJW"s
and he reminds me of of some chronically online trans guys i used to hang around
also hes very fuckign petite and girls and feminend and twinky dinky and im just projecting my dysphoria onto him sorrie kankri fans
MEULIN LEJION
cis fujo girl
when she discovered trans men she was like 'YAAAAAS MPREG'
will respect your pronouns and shit but is VERY HORNY
lowkey chaser that will also date cis people
PORRIM MARYAM
two choices: cool goth transbian or lesbian terf
cool goth transbian is the nice one. first off, she looks a lot like some transfem transition goals ive seen online.
second, cool feminist could also be trans rights and trans people are kinda forced into being political
third, being flat as a board could also be interpreted as her just not having tits (tho she does seem like the type to DIY HRT)
TERF porrim (correct): first, a lot of "feminists" turn out to be bitchy to trans people
second, her activism for groups she's a part of and groups she likes is good, but she really infantilizes kankri, and considering that's the beforan equivalent of hemoracism, if trans people didn't fit her motto she would not hesitate to shit on them
LATULA PYROPE
cis girl. maybe she/they
ARANEA SERKET:
trans girl serkets trans girl serkets
would also buy cis girl that makes you wonder if she's actually a repressed ftm because some of her actions are a littttttttle suspicious
HORRUS ZAHHAK
cis man who ends up hanging out with a lot of trans women anyway due to shared intrests in hyperpop and furry stuff
again very respectful, very small chance that he's chaser-y
KURLOZ MAKARA
i honestly do not know and this isnt because i dont really care about his character, it just evades me
transcends gender
could be cis woman, fuck if i know. i'd buy that
all and neither a gender above our human comprehension
CRONUS AMPORA
trans man that proves tboys are real men because they can be just as creepy and awful as cis men
thinks him being trans means he's immune to all types of discrimination
uses it a pity point/to get out of stuff
MEENAH PEIXIES
maybe tgirl? idk
may just be cis
possibly transmasc nonbinary
tho i lean mostly towards cis woman whos gnc and actually cool with trans peopel (be aware she will still groom them tho)
equal opportunity grooming
CALLIOPE
technically transfem anyway because her body isn't sexed so shes kinda intersex
but even if she wasnt a cherub she would still be transfem anyway
chronically online transgirl who spends most of her time in internet spaces with cis girls of her same age
warrior cats fan
humanstuck calliope hung around the warrior cats girls since elementary and never left
CALIBORN
evil trans man
transmasc for same reasons as calliope
humanstuck caliborn avoided all female socialization because he didn't socialize and instead spent his formative years on 4chan
the nature of the /lgbt/ board probably gave him some shame about being ftm
DAD EGBERT and crocker as well, very similar people
cis man who is a staunch ally
MOM LALONDE
cis ally
she's trying? can't say anything more
will occasionally and unintentionally say some out of pocket shit about trans people she knows when drunk
will mess up the pronouns a lot because very scatterbrained
GRANPA HARLEY:
cis man who lowkey fetishizes trans people
straight but fucks non-passing transmen because he doesn't see them as men
trans women are some exotic fetish
if jade came out he would repair his ways tho
NANNA EGBERT
transphobic
not even a terf because she has beef with feminists
but again if john or jane came out she would badger them at first but her love would win out and she would change her views
BRO STRIDER
personally i see him as a cis man but i think trans man bro strider is cool and also an icon
DIRK'S BRO:
cis bisexual man who is cool with trans people
ROXY'S MOM:
cis woman who is in a fucked up evil messy situationship with a transgirl
will trans rights
GRANDMA ENGLISH:
either a. elder trans woman
or b. cis woman (a little nonbinary) who is accepting
does not know the terminology
"oh so you want to live as a woman now? alright, i suppose. i had a friend like that back in college"
HIC:
evil elder trans woman who has an illegal diy hrt empire
will sell out the trans community if it benefits her
grifter
LIL CAL
i dont know it s scary
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marciaillust · 1 year
Note
Heyooo! It’s me again (i hope i’m not bothering you by asking questions like these) I started making a comic and I’m struggling with the typography
Any tips or recs to look? I really like your work and that’s why I am asking :)
Heyo!
I can dish out a few tips but they aren't really hard rules so take them with a grain of salt and artistic freedom.
The most important thing imo is the presentation of the text on the page. The shape and number of speech bubbles will be registered way before any of the contents so it needs to looks the part. 
The first tip would be generally avoid the speech bubbles being overly thin and long. The example below is pretty tame but believe me, I’ve read comics with the wormiest of speech bubbles and they tend to not look good.
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Sometimes the automatic alignment of the text will look closer to a square (especially if there are many short words in a sentence) so feel free to go in and move the text around via the enter key so it looks more like the rhombus. You won't always be able to achieve it especially if the first word in a sentence is long (e.g. the word "hypothetically") but a rhombus should be the goal.
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While we're on the topic of speech bubbles I like mine to have really short "tails" (the bits that indicate who is speaking), unless I REALLY want to make sure the reader knows who is speaking in a scene.
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 Also I always make the tails point directly towards characters mouth unless it would make the scene confusing (for example if two characters have mouths really close to each other or something, I might make one tail point a bit higher/lower/to the left/right to differentiate between the two speakers. But that’s like a super specific problem and could be avoided with proper frame layout.)
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And like, never skip the tails unless its the same character monologuing at length. Nothing breaks emersion more than when you have to stop and turn into an investigator to determine who is speaking in a scene.
Now for the fonts themselves, in my opinion the size of text should be unified between speech bubbles and across pages when it comes to a single font. Example, all casual speech - arial, 14; all thought bubbles - Calibri, 15. 
That is of course unless there is artistic merit to changing the font and/or font's size. Making someone yell, suggesting a threat or sarcasm, indicating a playful tone or something akin to that -  lean into what you're trying to communicate visually.
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All fonts are not made equal and sometimes you will have to adjust things manually e.g. letter spacing or line spacing. Generally I try to keep the spacing the same regardless of the font, e.g. "yay exciting" had massive gaps between the lines which I've shrunk to make it look more visually cohesive with the rest of the dialogue. Same with these ones:
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At the end of the day typography and everything pertaining to speech bubbles is design work and what designs do is communicate a message and serve a function. I’ve had this picture saved on my pc for years now (reverse google search doesn’t tell me who made it but it’s like the bible to me so I will share it, I am almost certain it was made by tryinghuman but I might be wrong):
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Really every part of a speech bubble can be “designed” down to a single word. The position of text, fonts, the shape of the bubble etc. And every change will culminate in an effect and the goal is to have that effect reflect what you’re going for.
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Make it legible or illegible, make it see-through, capitalise one word, cover speech bubbles up with other objects, make them crack or fall apart. Not every speech bubble needs special treatment! But once in a while it’s nice to throw something different in to spice things up.
Also, and this is a rule that was bestowed upon me during a graphic design class, don’t use more than 3 fonts per page (again, unless there is artistic merit to it like e.g. purposefully trying to communicate a sense of chaos. Otherwise it just looks a bit unprofessional. In my opinion anyway.)
And the last thing I will say, and this mostly applies to comics in English, is some “speech” fonts include capital “I”s both with and without serifs. The serif I should generally be reserved for the pronoun “I”.
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There is so much more when it comes to text in comics like the flow of bubbles across pages, splicing text across bubbles for communicating speech patterns or intentions of the characters, and there are tutorials about it out there but I wasn’t able to find my favourites on command............. sorry................ But I’m peppering this in just so you’re on the lookout for all the other cool things that go into comic making :)
Hope this helped!
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nerves-nebula · 10 months
Note
Hello. I have never seen an "teenage mutant ninja turtles" show, comic, or movie. The characters however, appeal to me. If any one show or movie would suffice, where should I begin? Other sources have not been helpful.
OHHH GODDD OK WELL. OK SO. the thing is that different iterations are SO different i'm not entirely convinced that comparing them to each other is very ?? helpful?? a lot of people these days get into tmnt through the 2018 animated show Rise of the Teenage Mutant Ninja turtles. HOWEVER, that show only has like 2 seasons and is not the end all be all of the tmnt universe.
it's kind of hard for me to advise you to watch or read any one specific piece of tmnt media to get into it, because I kind of just already knew about it the entire time growing up?? like i never really actively watched it but i was generally aware of the concept for my entire life.
and i'm not sure exactly ABOUT the tmnt characters interests you, so i wouldn't know where to point you.
with all that as a disclaimer here's some of the more popular film/tv shows (I'm about as lost as you when it comes to the comics to be honest)
ROTTMNT/rise of the teenage mutant ninja turtles. it's the newest series as far as i know and it has fantastic animation. it's very funny and lighthearted most of the time and the boys even get magic powers (eventually) it's the one that really got me into tmnt. this one kind of switches around the roles of the characters. Usually you'll see Raph being depicted as the rash one, or the one with anger issues who strikes out on his own (and i still think thats true to an extent in rottmnt) but he, as well as Leo, are definitely portrayed in a different way than normal in rottmnt. which i like tbh it's fun. (i could write a whole essay about how their characters are different but also kind of the same in rottmnt vs other media but that would take all day)
TMNT 2012 series. The 2012 series is very influential as well, and heavily beloved by many. I haven't seen all of it yet, but it's biggest drawbacks (to me at least) is its very 2010's american childrens show style of comedy which can come off as uncomfortably cruel/annoying if you aren't ok with it. it's also an early years CGI animated show, so sometimes things don't look as good as they could. STILL it's definitely interesting and i like the dynamics between the brothers there so I'd give it a chance.
TMNT 2003 series. honestly i havent heard a lot about this one, but i really like the style and ive watched a few episodes of it, and it's definitely solid, sorry i can't say much more than that.
TMNT 1987 series. also can't say much about this one but it is hella goofy from what i've watched of it. it's also the original cartoon series i believe, airing as a sort of "saturday morning cartoon" situation.
TMNT 1990 movie. this one is part of a trilogy of tmnt movies, but i've only seen the first and a half movies. I really enjoyed the first one, it was a fun time and kind of campy, and the guy who plays casey jones is cute. this one is live action and the turtle costumes can look off putting to some people, but personally i liked them.
im sure people in the replies/reblogs of this post will add their opinions too haha
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spotlightlowlife · 3 months
Text
Blitzø vs. Charlie
why the little guy comes out on top.
We have two stories set in the same universe with two different leading characters who have both not long started up their own business.
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Yet they're so different.
Blitzø is highly animated, obnoxious and aggressive with little regard for personal space, combative and sarcastic but dismissive too. It's easy to see him as mean spirited, annoying and an attention seeker, but for many attention seekers, attention is attention, good or bad, question is why are they like this?
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What makes him arguably so likeable is that he's allowed to be annoying and make mistakes, as overbearing as he is its undeniable how much he wants his team and found family around him, his examples of compassion, support, good leadership and how hard he works to make thing work even at his own expense are clear. Then there's the major trauma that continues to unfold. He's also comical.
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Blitzø has numerous connections and can place himself anywhere he doesn't belong. He has history in many places and gets around.
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Blitzø and fellow lead Moxxie have the classic buddy cop setup. They're two very different people, Blitzø being the overbearing torment leader and Moxxie being the nervous, shadowed and more professional one, what elevates this common dynamic is knowing more about the characters, both are working hard at this new business, they take lives and enable angry sinners, Moxxie is doing what he knows dispite feelings often being mixed and Blitzø is in a position where this idea has to work, nothing tells us that this is his dream job, he gives off the impression of self employment seeming the only way forward at this point, something many may relate to.
We didn't need to know Blitzø's backstory to see that his desperation is a driving force. His business is entirely dependent on a reluctant exchange of sex for a temporary key to the door, an arrangement that was awkwardly made because what was the alternative? Blitzø placed himself between a rock and a hard place.
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Though the plot digresses it has leeway to as Blitzø has to pull stings in order to run his business, he has little power but he does have a clue and knows how to shortcut his way up, however how far is up when sitting at the bottom of the social pyramid?
Charlie is nice. She's is friendly, quirky, isn't 'bossy' and she has the resources to be accommodating, she's a princess who believes there's good in everyone, they just need a break? That's why she set up her business? That or she wants to deal with injustice? Both work yet she seems to lack a clue, work ethic or fighting spirit. There has been no tough decision making and Charlie shoots down her own attempts at being assertive then moves on as if nothing happened, so if she did step up to someone, everyone's a dbag and she isn't so good for her, she can't go wrong. She is shallow but not to a fault, it's just a bit of dizziness, but she's not particularly naive.
Neutral doesn't equal grounded.
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Charlie and Vaggie lack chemistry, they also lack content. They could be flatmates or coworkers because there's little to tell us that they're even friends other than Vaggie playing the role of the sensible one in the group, a role needed since Charlie is far from that. Little tells us that they're girlfriends, we don't see any leisure time between the two of them, intimate or wholesome, no casual chat, no known shared interest. The backstory given to Vaggie and her first meeting with Charlie offer a kind landlord and greatful resident dynamic.
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Charlie doesn't appear to have any connections, it's like she, like the sinners, manifested one day, though we know this not to be true down to her having parents. The relationship with her parents is fine as much as the series has tried to place angst there and we have yet to meet anyone from her past, she seems like an adult (her and Vaggie go back years) and she's nice a d outgoing enough, where are her friends and what was she doing prior to the hotel?
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Charlie having what may seems a pipedream and being able to set it up without challenge or sacrifice because she's privilege takes away from any progressive journey, though privilege doesn't have to be a take away, it is in Charlie's case because everything is layed out already, she sets out to rehabilitation sinners, yet she barely interacts with her targets.
Again with the landlord dynamic, there's barely any reason for any of these apparent acquaintances to hang out, had she been seen working to try to rehabilitate those in her hotel, good, but no.
The plot digression is immediate and there is a lot going on, so much so that it renders Charlie's work a sidenote. The leading challenges she faces are her own cluelessness and 'stubborn old people' disagreeing with her, rather than the countless less fortunate she could and frankly, taking into account the plot, should be helping.
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Different is good, yet both of these seen to stir in a matching direction
Both attempted to set up an underdog and sympathetic protagonist
one is achieving this pretty well.
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genericpuff · 11 months
Text
On today's episode of "Rachel exaggerates things to make herself sound cooler-"
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Soooo this is a lie.
No seriously, this has to be a lie. I don't make these kinds of accusations willy-nilly. This has to be a lie.
First of all, if her file sizes are truly 11GB for each episode, that would mean her file resolutions would have to be stupid high, and I just ain't buying that when so much of her art comes out looking like fried chicken.
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But again, look at the backgrounds. Crystal clear. Which supports my theory that Rachel has her assistants draw the characters flat and exports them as PNG's so that she (or another one of her assistants) can slap the backgrounds in afterwards which is why when they pinch and zoom, the backgrounds look fine (as they're added in afterwards) and the characters look like they've been drawn with chalk. The shading itself isn't deep fried though, which is, again, because Rachel adds in the shading in post after her assistants have sent her all the flats.
Anyways, moving on from that, if her file sizes are actually 11GB per episode, that would mean her resolution would have to be STUPID high and that would mean there's no excuse for panels to look like this. This is not a Webtoons compression problem, Webtoons does compress images for you if you don't do it yourself but they don't result in specifically deep fried textures like this, that's ALL happening on Rachel's side. If it were a Webtoons' problem, the entire comic would look like that, not just select panels.
This is also what the panels tend to look like in book form. The book art is clearly very compressed and blurred from being too low of a resolution for print, which means either the editor is not being provided the root files, or the root files weren't ever that crisp to begin with. Either one is plausible and either one isn't good.
But of course, I'm not going to make these claims without my own proof. So here's the file sizes for Episode 12 of Rekindled, the longest episode in the series so far by panel count and page length, clocking in at 42 panels and an average of 25 layers per page (and that's including the text layers which adds a good chunk on its own, the actual art layers are like, half of that).
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Also, here's what a pinch and zoom panel in Rekindled comes out looking like:
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You can still pick up on some fuzziness, but the lineart doesn't look straight up chunky like it does in LO.
Meanwhile, one of my longest episodes of TIME GATE: [AFTERBIRTH] has a file size that honestly shocked me with how small it was.
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Guess how many panels that episode had?
Go on, guess. Take a second. Compare it to the file size of Episode 12 of Rekindled, take your best educated guess. Time Gate: [AFTERBIRTH] is also a full color webtoon with full shading and rendering that I used to upload once a week. Go ahead, I'll wait.
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Ninety-seven.
Ninety. Seven.
Not only is that more panels than what LO dishes out on a weekly basis, but its overall file size doesn't even come out to be 10% of what Rachel is claiming LO's file sizes to be.
This is what Time Gate: [AFTERBIRTH] looks like, by the way:
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(don't mind the blurriness that's working against my point, that's Tumblr, not me LMAO)
But, let's face it, I didn't want to just use my own examples as a comparison, because that seems unfair. I'm not an Originals creator, I just put myself under similar pressures as one because I'm an idiot who tries too hard.
So I asked one of my Originals pals. I will not disclose their name, but they are someone who works for Webtoons Originals and has similar panel requirements and deadlines. They also work with a similar flatting + shade workflow as LO, they have cel-shaded colors and bold flat coloring.
When I asked them how big their file sizes were, they said that at 2500px width - similar to what I draw at, 2400px width - and 200-300k pixel length (again, they're drawing an entire episode on one canvas) their episode file sizes come out to roughly one gigabyte, very rarely much bigger than that.
Rachel is full of shit. This is some Tommy Tallarico level shit, exaggerating stupid things that don't matter to try and make herself seem impressive. It isn't impressive. It makes her look like an unorganized dunderhead at best, and at worst, makes her look like a flat out liar who needs to prop herself up on the dumbest shit to make herself look good. File gigabyte size isn't impressive or indicative of anything, you can achieve high quality art without your file size amounting to 11 GB, and let's face it, Lore Olympus is not high quality art. You're telling me art like this:
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amounts to 11 GB?
Now the only way I can see this happening is if maybe, maybe she had like, a bajillion layers full of garbage-
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Oh. Oh no. Lore Olympus. Is a sprite comic.*
(*edit for clarification: I've had people confused over what I mean by sprite comic because LO clearly isn't made with 16/8 bit sprites. Sprite comic was a term universally used back in the day for comics that reused the same body parts, heads, expressions, etc. much like how sprites are designed, often keeping an entire file full of different layers made up of these assets to make for easier development. This technique was utilized in comics like CTRL + ALT + DEL. LO is definitely not literally a sprite comic but the way its layers are designed feel very much like something that's being cobbled together like 'sprite' comics were. I'm old.)
Even with these pics for proof, with 600+ layers on one canvas, if there's barely anything on those layers, then it still wouldn't make up that 11GB file size because the amount of layers doesn't necessarily add to file size on its own, at least not by that much, unless they're actually filled with stuff. And again, Rachel's art in LO doesn't scream "highly detailed with many layers". It only had many layers because for some reason she insists on working that way even to its own detriment.
From the looks of it, Rachel's importing all of her assistants' PNG's as separate layers and adding all the shading and the extra details on their own separate layers and basically dividing everything up into tiny bite sized pieces. That's the only clear explanation I can come up with. But if so, that means she's being INCREDIBLY inefficient with her workflow that it's amounting to SIX HUNDRED+ LAYERS AT 11 GB PER EPISODE. THAT IS ABSURD. THIS COMIC IS WAY TOO LOW QUALITY TO JUSTIFY THESE FILE SIZES AND LAYER COUNTS. RACHEL DOESN'T KNOW WHAT THE FUCK SHE'S DOING-
She's also very clearly using the cloud as a way to backup her work and work with her assistants. God knows how much she's spending on cloud space because of her own incompetency.
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Honestly, at this point, as I sit here playing the Photoshop equivalent of Cookie Clicker, clicking the 'new layer' button over and over and over again with my mouse to truly understand what it would feel like to operate at 600+ layers per episode of a webtoon, I'm more inclined to believe she's just lying. Capping. Pulling shit out of her ass. Straight up making shit up. It wouldn't be the first time she's done that. But also because the alternative is a lot more grim - the #1 best selling webtoon on the platform is being operated like the world's worst group project and still coming out on the other side looking like deep fried garbage despite its stupid high file size.
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aragarna · 3 months
Text
Zorro Vive
And vive bien!
So, I've finished Season 1 of the new Zorro show (available through Amazon in the US and most Spanish and Portuguese-speaking countries), and I really enjoyed it!
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Without spoilers, I'd say that its main qualities are that it's fun and earnest and more cosmopolite in its retailing of the old story. It doesn't take itself too seriously, there's plenty of little homages to previous adaptations. There's many interesting and well-developed characters - of all genders and ethnicities.
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It's (literally) colorful, with a comic/pulp feel that suits it well. There's been a true care brought to the action scenes, and OMG the night scenes are damn well lit. It's rare enough nowadays so points for that. Generally, the show is quite beautiful.
More spoilery thoughts under the cut.
I honestly wasn't sure what to expect from a new show. It's always hard to bring new canon to something so established and so iconic. And even though the Disney show is *not* the original canon, for a lot of people, it is.
But as a principle, same as for book adaptations or remakes, I'm not opposed to variations or changes. As long as they're good changes.
And I have to say, the vast majority of the changes in the new Zorro show, to me, were actually good changes, or necessary improvements for today's audience.
The most obvious is giving back a real voice to the Natives and not sugarcoating the colonization aspect. There's tension there. Natives are angry. But as years passed, people born there consider themselves "true Californians". Natives aren't just background characters or peons anymore. They're a driving plot force. They're shown in their own environment, with their own rites (I don't know enough about Natives of this area to know how accurate it is, but it felt a lot more authentic and respectful to me than other versions).
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I do like the idea that the Zorro character comes from the Native culture, and that it's been passed on from one person to the next. Though it also brings my one big issue with the show: Diego becoming Zorro reads a lot like "a white dude steals a Native heritage." And yes, it's symbolic, and yes the fox spirit chose him, Diego didn't pick him, but still. Given that the audience is meant to support Diego (who really is a sweet guy!), that the narrative keeps showing us that Nah-Lin is wrong and should accept it, given the colonization context of that story, it's sitting a bit wrong with me.
This aside, I do like the exploration of revenge vs. justice, violence vs. a more measured response, in the face of adversity. When a few months back, the tagline "revenge is personal, justice is for all" appeared on the first poster, I wasn't sure what to think. I don't like revenge-driven characters. It's cliché and wrong. But the fact that the show precisely explored that, both with Diego and Nah-Lin, was actually quite interesting.
Diego, as I said, is a decent guy. A sweet boy really, vaguely immature originally but having to mature really fast, as the death of his father, the business of the rancho, the Zorro thing and Lolita's wedding are all dropping on him at once. Miguel Bernardeau is a clear departure from most of the previous Zorros, who were played by older actors, giving a more "adult" vibe to the character, but given he's supposed to be fresh out of college and out of his element, Bernardeau's more juvenile features fit the character well.
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Nah-Lin is a lot angrier, and while in the context of the story, she's shown to be going at it the wrong way, all that anger *is* justified, and not something that can just be brushed off. Peace can't come easy when you anger people that way.
And you know who else I really liked? That damn Capitan Monasterio! Who would have thought LOL No, but seriously. Not sure why they named him that way. He was actually more of a Sergeant Garcia (or Mendoza from the 1990 show) than a Monastario. Obviously without the comic relief and cutely incompetent side of the character, but as the character who is a decent guy stuck between a rock and a hard place, serving a tyrannic boss and chasing a heroic outlaw that he may not hate that much.
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I also really liked what they did with Lolita. An opinionated young lady that throws away all the corseting conventions of her time is always very relatable to me. Also, I just love her fashion sense. I wasn't sure what they were going to do with that impossible love triangle (I thought for a long time the wedding wouldn't actually happen). I wouldn't have thought they'd have Lolita figure it out, but I'm glad she did.
I'm glad they kept Bernardo, the mute confident. And I love Mei, too. The dynamic between the three of them (with Diego) is great!
Also, it's great to finally have a Spanish-speaking production, and have the characters speaking in Spanish, instead of having American actors put on fake accents.
I may have a couple of minor complains: namely that I didn't care about Samael nor Alejandro's first love. Not sure planting so early something that they're keeping for S2 is a right move. Feels like a waste of screentime. Also, I'm not particularly found of secret societies trying to rule the world, but it seems to be mandatory to any Zorro story... And the finale episode didn't actually wrap up that many plotlines - every major villain escaped! So that kinda made it look like Zorro didn't accomplish much, apart from breaking Lolita's heart, and his. But none of this prevented me from having a good time watching the show. I just really hope there'll be a S2 cause it'd be a shame to leave things there!
How about you guys? What did you think of it?
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Text
'You're reading too much into ATSV.'
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[aka meta analysis is good for the soul]
I often get told on this blog that I'm reading too much into plots or scenes or things in general.
And honestly, fair point. I do the most.
And as a writer, I will say that I do it out of pure respect.
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[actual photo of me reading the script and going for my 'reading too hard at ATSV notebook']
Movies take years to write.
People spend months of their lives genuinely toiling over these characters, often times creating more work than what can ever be reasonably used. Months of revisions and scraping work.
For weeks, about a dozen people probably went to sleep dreaming or thinking up what Hobie would wear, what Gwen would say, what emotional cues Jess will have.
A lot of people dedicated years of their lives and creative labor into that story.
To me, it isn't at all bizarre to take an hour out of my day to sit and consider the story they spend a lot of time trying to tell.
Compared to the labor they have given me, multiple 40+ hour work weeks for years - an hour or two is literally nothing lol
It's literally the least I can do.
As a writer, I feel like its only right to sit back and look deeper into a story.
To analyze the writer's intentions, or examine their storytelling tactics and abilities.
We are taught to consume media so quickly and rapidly that to offer time to critically analyze a piece of work is considered bizarre, too much work, or pointless.
As if there's nothing to read into. Or as if speculation and meta analysis is helpful to no one.
If someone spends five hours drawing fanart that is accepted. If someone spends two hours writing fanfic, this is expectable behavior.
But I spend the same amount of time to look deeper into the work of the writers, and often times I'm met with surprise or treated as if I'm overly uptight.
It's like snickering at a person who asked there was deeper meaning behind a painting. While standing in an art gallery.
When streaming shows drop all in one day, it becomes about the Easter eggs and watching it as fast as possible as not to be spoiled.
Then at the end of it, you wash your hands of it and wait for the next big release.
People spend years, decades of their writing career trying to write realistic characters with layered motives. Or stories with complex themes.
Comic Book and Screenwriters included.
I myself try very very hard to do so - to provide foreshadowing, and emotional insight into the characters, their motives, their faults.
If I heard someone say that the piece is not worth looking that far into, all the work I've done as a writer gets overlooked.
Writers cannot grow if people are consuming their media without caring enough to look critically at it as the work of a storyteller.
So yes, I'm looking too far into it. Cause writers can write that far into it. And that deserves to be examined, acknowledged, and praised.
To assume less is too assume lesser of the writers who put everything into the media you enjoy.
This year of all years, we should be appreciating the work Screenwriters put in.
I guess what I'm trying to say is - I'm not being an asshole (well, not trying to be).
I'm looking at writers as vital parts of a movies production. Because they are.
We look deeply at the art style, or the animation, or the music. Writers are not shadow figures. They're people with careers. And them and their work deserve to be spoken about and acknowledged as a work of effort just the same as CGI artists or editors, or directors.
I implore you - Read more into it.
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If you're a writer yourself, doubly so.
Read FAR into it. Build your analyzation skills, come to your own conclusions. Break the story down every which way and look at the characters from every angle.
It's fun, it's free, it makes the characters so much more real.
So many people on this website hope to one day become published writers. One thing they do to help you achieve that in college, is by racing things like scripts, and looking critically.
Meta analysis is good for you as much as it is the writers.
If you don't think you're cut out for it, or would have nothing to add, still try. Not for the brownie points, but to feel closer to the characters and the story.
If you've seen ATSV (or any Fandom media) and haven't ever really sat and thought about it - everyone's moral stances, why they want what they want, why they've made the mistakes they've had, where you stand on it all - I highly recommend it.
You might come away with some surprising conclusions about characters or even yourself.
Think about your favorite characters, and what might happen to them in the next movie.
There's really nothing wrong with reading that far into it.
Fifteen minutes of thinking, or an hour of writing is nothing compared to the months of work that went into this absolute masterpiece.
Trust me, the first time you catch some shit that makes you go
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ITS LIKE A HIGH I TELL YOU.
Touch grass? Nah bro, touch your local library card. Go there right now. Take out this book.
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There's gonna be a discussion tomorrow in class.
If you read this far heyhello I think you're rad as hell.
Here's a Hobie for the road because he's a great companion.
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Bye.
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