The thing I love about Pearl in the Life series is that she delights in the game of it. Not in the same way others might, but you can see her having fun constantly. She knows it’s all a game, that she’s being watched, and she plays it like a champ. Pearl got the last boogey kill in Last Life, one that was ultimately pointless but it was flashy and she’d planned it for so long that she never regretted it. Pearl effectively gave the group one more enemy and she giggled about it. I mean, even in Double Life where she was very lonely and hurting, she laughed when people were scared of her antics. She played up the “harbinger of doom” thing, you can just hear a big smile on her face when anyone else runs from her in fear. Pearl was in Evo too, she knows about the Watchers, she’s probably somewhat aware they’re behind the Life games, so she makes hers a game worth watching
934 notes
·
View notes
team "there's nothing WRONG with that ship per se but i've constructed a non-canon sibling dynamic between those characters in my head so seeing them be shipped is so fucking jarring to me" represent
377 notes
·
View notes
I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
157 notes
·
View notes