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#i like the characterisation
booksandwords · 1 year
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“I figured if I was ever in bad enough shape for them to have to call whoever I listed, it wasn’t like my boys or my sister were going to be able to do shit about it. You, on the other hand, shit goes sideways and I get screwed… I’ll bet any day on your ability to stick your nose in the middle of it and do your Mars thing.” “I’m not sure whether to be flattered or appalled,”
Reestablished 2024 by @lodessa
Veronica gets a surprise call from the emergency room...
This is just soft WeeVer fic. I appreciate someone playing with the soft side of their potential rather than going full spice. 
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dirt-str1der · 6 months
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I cannot believe this. Kim was designed to find harry funny ??? Like you ... like yeah. Sorry yeah he was , and it shows. He really does.
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mabbbish · 11 months
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wonderful day to remember ninjago has a canon highschool au
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torvagatai · 10 months
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Firstprince + textposts
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officialspec · 1 month
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hi! i love your brisbane meshi au and saw you mention that you headcanon senshi as japanese-iranian. genuinely curious, is there a reason why?
a lot of the reasons i read him as japanese are most likely little bits of cultural influence from miss ryoko herself but i still think its fun to tack them onto his characterisation (like the type of food he makes and his quiet, self-sufficient style of masculinity)
the iranian part mainly comes from how hes drawn in modern au sketches/with his helmet off hehee i was reading the ddh volumes in between chapters and it rly struck me how much he looks like a very beautiful middle-eastern man LOL
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imadhatt3r · 7 months
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You know what? That one line from that Phantom Liberty ending where V can call Johnny a "big ol' softie"? They're right. They're absolutely right.
Johnny is a softie. He goofs off on multiple occasions in V's field of view despite knowing that nobody can see him, probably to his own and V's amusement. He screams on the rollercoaster and grins like crazy at V. He adores Nibbles. He wanted to check on Kerry when he heard that he was suicidal. He finally took Rogue on that car cinema date and can flirt with her in a goofy way straight out of his favorite "Bushido" movies. He has fun on the reunion concert and gives Kerry his DeLuze Orphean as a goodbye gift. He narrates that one quest like a noir narrator just to mess with V. He understands Barry's grief over his tortoise. He's respectful when watching Joshua's crucifiction. He's nice to Spider Murphy and calls her "Spider". He sheepishly apologizes to Alt in "The Sun" ending. He puffs up his chest when Denny says she misses him. He's fuming over the kids in "Talent Academy" being treated like products, probably because it reminds him of how he was treated in the military. He feels for Solomon Reed because he sees himself in him. He feels for Songbird because her circumstances remind him of V's.
And speaking of, he really loves V. He just loves them so much; He's always on watch for any danger and does his best to give them advice. He promises that he will do everything he can to cure them. He will encourage them to take a break if they're feeling sick. He will attempt the most dangerous stunts to get them to Mikoshi. He promises V to let them wipe him from the Relic and he keeps that promise. He will realize that they're his only loved one left and will ask for the last chance, and when he gets it he does everything he can to make them proud and happy. He accepts their decision no matter what it is, because it's their body and life. His worst fear is getting to live again, but without his friend/partner/soulmate/beloved (depending on interpretation) with him. He's proud to be able to call himself V's friend. He's proud of them. He's sad that he won't be able to see how V will change. He choses to stay calm and positive before he will be innevitably killed so that his beloved V will live to keep them calm and comfort them.
That whole hardass, asshole act? It's a ruse, it's a front, it's a persona he had to put on due to bad childhood, PTSD from being drafted as a teenager, seeing other teenagers die horribly around him, losing his limb and being branded with the Arasaka logo he did his best to scratch out and being tossed into a rockstar life of drinking, drugs and fans when he was likely not much older.
He might fight it, but he will never be the detached, emotionless action hero he wants to be, because that's not at all who he is! I think that his slight grin when V says it is one of relief, that he was able to show his most vulnerable, tender and gentle side to the one person he holds dear and not be punished for it, playfully teased but with clear sympathy on V's part. After decades of struggle with who he is being so different from who he wants to be, he can finally be seen for who he is, and who he would be if his life went oh so differently.
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beastwhimsy · 5 months
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this would happen
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cowboysmp3 · 8 months
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it is always under appreciated how secretive phoenix is like he’s very breezy and hard to nail down. i feel like it’s bc he’s often seen in the context of his relationship with edgeworth but like. edgeworth isn’t cagey. if anything he’s somewhat willing to share a moderate level of personal details if he’s able to, he’s just awkward and very formal and task oriented. phoenix is snarky and impersonal but everyone allows it cause he gets deemed as harmless and goofy. kind of a slay
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bugflies00 · 2 months
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OKAY so what ive been thinking about for ages is ctommy and being soft vs quiet . because i feel like it's one of those things in his fandom characterisation that sparks the most debate and in my opinion theres a huge difference between the two but i keep seeing people mix them together.
ctommy is soft but he's not quiet, and to disregard either of those things is what makes him less believable in fanworks imo
because on one hand, of course he's not quiet, that's the most obvious and i think one of the most commonly accepted qualms that we have with general fan interpretations of him. he doesn't just lie down and take shit, he's always committed to being an annoying shit, he's straight up rude so often, and even just. vocally. man's loud as fuck. i think that's pretty easy to establish .
but then what i find is that sometimes we veer into the other opposite, by completely denying that ctommy is also very soft sometimes. and by this i don't mean he turns into strawberry shortcake or starts being polite or whatever, but it's the fact that he's not just crass and rude. he's very considerate a lot of the time, he just shows it. uh. in his Own Way let's say. he cares for animals so so much, he's always so apologetic when he thinks he's hurt one of them, for fuck's sake he sung to the FLOWERS. he's very soft with nature, with things he's attached to, with things he perceives as weaker than him and needing protection.
the complexity of ctommy and what makes him so hard to grasp is that he's loud, he's brash, he is NOT a perfect quiet victim who suffers in silence, he asks for help, he's rude, he steals stuff, he's annoying as shit; but he's also soft, and incredibly empathetic, and he has no shame in showing that softness for animals or nature or his friends.
ctommy, and this is very much because cctommy himself acts like that a lot, is constantly vacillating between someone with the maturity of a thirteen year old boy who shouts and swears and pretends not to give a shit, and a boy who will stop everything he's doing to look at the sky or a flower or an animal (which does contrast his stereotypical rude teenager persona, because lots of aforementioned thirteen year old boys Would be embarrassed or whatever to do that).
he does BOTH. he's not just quiet and nice and sad and lonely; but he's not just rude and loud and """uncaring""" (if there is one thing ctommy is not i think we can all agree its UNCARING).
and i think this is why a lot of debates around "woobifying" ctommy (who remembers the july 2021 trenches . the butterfly clips.) tend to point any ctommy design that portrays him as soft, cozy, or even leaning into his feminine side as the be-all end-all of reducing his character.
in reality i think that misses the mark a bit because while there IS something to be said for sure about people turning ctommy into Blonde Anime Child #249824 and stripping him of his Very Vibrant character, i don't think that putting him in butterfly clips and skirts erases him in the same way. i think he could very much lean into that kind of thing . as long as he's still flipping off the camera we're all good
TLDR : fans strip ctommy of his loud-and-annoying persona but in avoiding that some forget that he's a character who's not afraid to be soft
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lesbianshadowheart · 3 months
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the crucial difference between the poor meow-meowness of Astarion and Shadowheart is that while being attracted to Astarion clouds your judgement and makes you unable to interpret his character accurately, the only way to fully get Shadowheart is to be in love with her. To the untrained eye this might sound like a ‘double standard’ but the academic name for this is actully The Lesbo’s Burden
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communistkenobi · 5 months
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saw someone argue that the central defining feature of fanfiction is its attention to proper characterisation. man I don’t think you’ve read very much fanfiction
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apixrl · 4 months
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i think about how tfp starscream saw a rabbit and thought it was a human at least once a day honestly
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tomurakii · 5 months
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I like bloodweave. Okay. But I DON'T like the version of them in fanfic where Astarion is a dick and Gale is like. Whining and pleading for him to be emotionally vulnerable (or just. Nice to him) prior to the relationship being established. Because that is just not accurate. Gale needs the player to express interest in him during his weave-teaching scene before he even considers hitting on them properly. Gale is entirely resigned to his fate and needs someone else to pull him away from it. Gale only starts being sweet and romantic and devoted after you accept his love confession and give him hope for the future. Gale says fuck all and then slinks away to cry privately if you break up with him.
Like he isn't chasing after people lmao. He isn't dropping to his knees and crying about anything much less this dickhead he met a week ago. He is overwhelmingly passive about literally everything personal to him up to and including his own death (provided there are no casualties/there is a good reason) until after the player expresses that they care about him. Astarion is not doing that in any of these fics.
Like Gale is friendly and a dork and doesn't wanna get murdered but he fully has a suicide plan. He thought the artefacts would help him survive but he didn't believe he'd ever truly live again. If Gale confessed and Astarion said/did like one (1) mean thing afterward Gale's romance is closed off forever. He's wandering into the forest to cry. He's killing himself immediately. His fragile ego and self worth can't take it. You have to understand that when we joke about him being pathetic it's not bc he's like. Sopping wet and chasing people down and begging for a scrap of attention. It's because he craves affection but would literally rather die than ask or even hope for it until someone else forces that hope back into his serotonin-deficient tadpole brain.
#i feel like u can tell when a bloodweave fic is written by an astarion stan vs a gale stan lol#because the astarion stans are just using gale as a vessel for like. their sopping wet meow meow#who screams and cries until astarion becomes emotionally vulnerable with them#which gale would not do. realistic bloodweave is astarion tries to fuck him in act 1 and he refuses because of the orb#and then astarion is like “boo what the fuck. change of plans” and gale is like “okay” and they never speak of it again lol#anyway#please god the gale characterisation in this place. half of you make him the soppiest most pathetic loser and the other half make him evil#he's not ACTUALLY a loser. when i joke about it the reason its funny is because its not true#hes just a regular guy with depression lol. hes not out here debasing himself begging for some old twink to care abt him#bg3#gale dekarios#bloodweave#gale of waterdeep#does this make sense. i havent slept#i just mean that if you want gale to be sappy he needs to have like. prior assurance that his feelings are reciprocated#because if he doesnt have that and astarion is a dick to him he WILL just give up on the relationship#like hes not hunting people down after they deliberately upset him. i see so many fics where they create tension by lime#*like#having astarion openly fuck someone else after establishing a sort-of relationship with gale. for the drama#like hey. gale fully dumps you if you do that in game!! you have no way to convince him not to. he will dump astarion for that permanently
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A study/fake screenshot of this panel from the Ninjago comic series, Destiny of Doom (in full here).
(This comic legitimately has some of the best characterisation for Garmadon and the team's early dynamic I've seen from the entire franchise, and I would highly recommend giving it a read!)
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wyrmswears · 6 months
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i finished aai2 (one of these is not like the others)
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stevebabey · 1 year
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ok brain whipped up this concept & would NOT leave it alone today so here. have this. this is like ‘started making it. had a breakdown. bon appétit’ in a steddie post for me but alas <3 cw: talks of past sexual coercion
Eddie is mad at Steve.
Which, honestly, might be the worst thing in the entire damn world for all Steve cares. The whole world feels just a little bit off kilter when Eddie’s mad at Steve — because Eddie just loooves the silent treatment.
He’ll usually make a show of it. Pout and stick out his bottom lip, cross his arms, maybe even give a stamp on his big booted feet. Doesn’t say what’s wrong, just glares sulkily. It’s a bit childish, they both know, but Eddie likes to be doted and Steve loves to do the doting — and it hasn’t caused any proper fights yet.
This time, however, he can tell Eddie is more mad than usual, because this time he hadn’t thrown the usual fuss. Instead, he’d just gone quiet. All glowers and glares. Not even a pout, and certainly not a peep.  
And it’s just the worst because the version of Eddie that Steve knows best is a chatterbox. Can’t shut up, won’t shut up. Steve normally loves it.
And alright— maybe Steve deserved it for not picking him up after one of Eddie’s gigs. Especially because Eddie had specifically asked him too as well, considering his own van was in the shop.
But it’s not like Steve could control when his parents decided to waltz back into Hawkins!
They always seemed to run on their own timetable, or on what seemed like an entirely different orbit. Yet, they had no trouble roping Steve back into their routine, stuffing him back into a place, without any regard to his opinion on the matter. Which was exactly what they had done that evening.
But that didn’t really matter, Steve thinks with a sigh, because he knows it’s not really just because he didn’t pick Eddie up. It was because of what Steve said.
Gareth’s mom had swung by and while Eddie had gotten an eyeful of that suspicious look that followed him everywhere since the events of the Upside Down, Eddie had gotten home safely. Majorly annoyed but safe which was what mattered most.
He had then released his said-annoyance onto Steve.
But see, Steve was already tired from the prodding and lecturing of his parents. They’d been awfully disappointed to find he had yet to move on from his job at Family Video and worse, had badmouthed his choice of friends. Had brought up Tommy and the likes, asked pointedly why Steve hadn’t been seen with them in a few months.
Steve had bit his tongue to not spew out the fact he hadn’t been seen with Tommy for years and that was unlikely to change any time soon.
So, yeah, he was wound up. And Eddie was too. A bit too impatient, a bit too cut that he’d been on the receiving end of yet another scathing interaction because Steve had been so careless to forget to pick him up.
He’d said as much, jabbing a finger and dramatically reenacting the tense conversation he’d had to have with Gareth’s mother.
It had led to a spat, which led to an argument. Steve sat on the bed in Eddie’s trailer and toyed with a loose thread as Eddie pacing before him.
“You should’ve been there.”
“I know.” Steve ground out the words, eyes on the floor, feeling too much like he was still back home, still being lectured by his father about his good-for-nothing son. The thread was coming looser in his fingers with all his fiddling.
“You know? Is that all you’re gonna say?” Eddie asked, exasperated, but the moment Steve’s lip part to respond, Eddie had steamrolled on. Gareth’s awkward smile and his mother’s tight bunched up shoulders were still fresh in his memory.
“Great! That’s just fantastic, Steve. You knew and you still didn’t show up!”
Steve’s head shot up, brow furrowed. “That’s not what I meant.”
Like a kettle coming to boil, Steve could feel some bitchy comment lurch up his throat with his growing frustration. It was easy to think of things to say to hurt Eddie, to lash out, to make it so Eddie was the one with his head bowed, voice quiet.
Steve had learned that the hard part in these moments, is biting his tongue. Swallowing back mean comments. He doesn’t want to be vicious. Loathes the idea of falling back on snarky comments to win a fight, least of all with his boyfriend.
But... old habits die hard.
So, when Eddie had got all up in his face, firing himself up, and said, “Oh, pray tell then Steve what was so important that made you fucking forget your boyfriend.”
Steve had snapped.
“Fuck, do you ever stop? You are so much sometimes!”
The words had flown out in a harsh sneer and they hit their mark exactly as intended.
Because Steve knew all about that strange bubble of fear that lives inside Eddie— the part that didn’t care at all what strangers thought of him, but cared so much about those he came to trust. The part that worried that being big and brash all the time would be too much for people. That the reason they originally liked Eddie, would become the same reason they’d eventually dislike him for.
Steve had once told him he couldn’t ever get enough of him— let alone too much. It’s why he’d known where to strike.
Eddie’s expression has flinched, his eyes going from simmering to hurt in a few seconds flat. His fists unclenched at his side and Steve had felt the regret curdling up in his gut, a terrible sour feeling that had him shooting to his feet in an instant.
“Eddie, wait, I—”
“Leave.” Eddie said, voice dangerously low. There wasn’t room to push it. Nothing left to argue.
But still, Steve had wavered, swaying as a tidal wave of shame burned hot up his neck. He wanted to fix it. He needed to fix this.
But Eddie couldn’t look at him, eyes fixed on the ground and despite how much it had pained Steve to go, he knew he couldn’t fix it, not then and there. The door had hit him on the way out.
That had been two whole days ago. The guilt of it makes it feel like it was hours ago, still fresh as ever.
Steve had been diligent in giving Eddie his space to cool off.
The call Steve made the morning after never got picked up, just rang endlessly until the voicemail kicked in. Even though Eddie was always home Wednesdays. It told Steve well enough that Eddie was still well and truly mad.
Which was fair enough. Steve had been an asshole. Let himself fall back on old habits and stab a weak spot he only knew because Eddie trusted him, then twisted the knife as well.
But it’s like he said — silent treatment from the guy who usually can’t keep quiet is discerning to say the least. It itches uncomfortably at Steve who finds himself unusually eager to apologise.
Because, damn, if Steve doesn’t hate apologising.
Apologising means pulling out the stops, means admitting shamefully everything you’d done wrong, means having to prove how sorry you were.
It had been like that living under his father. When he was seven, Tommy had accidentally pitched a baseball through one of the windows. It had smashed right through, completely shattered. Steve had taken the fall.
He’d said sorry, head bowed, even though it had been an accident. And after he’d made Steve repeat his apology til it was a rigid phrase in his mouth, Richard Harrington had said; ‘Well, why don’t you prove how sorry you are, Steven?’
He’d ended up being his father’s personal beer boy for that week. Fetching them ice-cold from the garage at his father’s every call, from the moment he was home from school, to prove the apology was legitimate.
It had worked— after a week of doting, extra effort into keeping his room clean and to keep his father happy, Richard had permitted his son a rare smile and ruffle of his hair. ‘See? I know you were sorry now.’
Steve had learnt quickly in his childhood to go to lengths to avoid trouble with his father. To avoid the tumultuous apologies he’d have to perform, jumping through hoop after hoop for forgiveness.
But even then, Steve couldn’t escape them with friends, and especially not with girlfriends.
Tilly had been like that too. She’d been Steve’s freshman girlfriend, eyeshadow baby blue and lips always glossy. When Steve did things she didn’t like —spent Saturdays with his other friends, was late to dates— she’d pout her glittery lips and bat her eyes. ‘Aren’t you gonna make it up to me?’
Steve had — had pulled out the stops, emptied his pocket change to buy her flowers, went to second base because she really wanted him to, all to prove his apology. Until Tilly was back to her sugary smiles and fluttering hazel eyes.
It had even been like that with Nancy, though not quite to that extent. Forking out his savings to buy the nicest bouquet he could find, prepared to make it up to her, even if he wasn’t quite sure if it was him who was supposed to be apologising. But she’d gone silent treatment on him, so…
So, Steve hates apologising— but even more than that, is how much he hates Eddie’s quiet. So, when his boyfriend calls the Family Video on Friday midday, when he knows Steve’s soloing, and invites him over, Steve prepares himself for the grovelling to come.
The mixtape he’d already made sits in the gearbox of his car, carried around with him since he finished it. Upon hanging up the phone, Steve’s eyes catch on the florist across the street. His mind spins with all his knowledge of Eddie’s favourites — should he get those sour candies Eddie loved so much as well?Would it be too much?
Steve scoffs at the irony of his worries, considering what he was apologising for. Besides, it was never too much. There were never enough things to show he was sorry.
And Eddie couldn’t exactly be bought — not that was what this was. But Steve knew his boyfriend preferred all things in the manner of touch. That Steve’s affection was a far higher currency than anything bought with money.
That’s fine. Steve can do that.
He’s got a whole speech planned, honest. The smudged bullet points scrawled on his palm are testament to that, there to keep him on track and Steve checks them over religiously as he drives over after his shift.
It all goes out the window when Eddie opens the door, because Steve’s heart hiccups, splutters, soars forward in his chest.
Eddie looks just the same, his usual ripped jeans and dark shirt with a band Steve doesn’t know and yet— yet.
Steve is overcome by how much he missed Eddie.
Overcome at how those two days felt like two weeks to him. His mouth opens and the words burst out, “I’m sorry.”
part two.
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