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#i probably also wouldn't be the best person to write it because i project on Dick too much
seventeenpins · 9 months
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bad girl
pairing: joel miller x f!reader
word count: 4.1k
summary: you're staying in your hometown for a couple of months with your mom and relatively new stepdad. he walks in on you masturbating, and is surprised at the sort of porn you've been watching. no outbreak. very smutty. 18+
warnings: ooh god where to begin??, reader is kind of a detached menace but in a fun way?, masturbation, porn watching, infidelity, choking, pussy slapping, pussy eating, unsafe piv, dirty talk, big dick, daddy kink, bit of breeding kink, age difference (unspecified, but reader is late 20s, joel mid-40s or whatever you like really), begging, slight dom/sub vibes, readers mum is a ho, somewhat degrading language (probably other warnings????)
a/n: honestly don't know what happened here. one minute i was working on what i intended to be a lil daddy kink drabble and then it turned into a whole other beast. also--i'm a recently out nb person but feel most of my writing has focused on fem readers. any nbs out there who'd want smut more tailored to us??? doesn't come up in this fic, but in my heart joel miller is bisexual and would make for some gr8 gender play ahhhh
you had only met your stepdad twice before he married your mom, and only a couple of times since, and you could never quite get a read on him. he seemed quiet and gruff. upsettingly hot with his salt and pepper hair, and his biceps, and his little bit of tummy, but seemingly entirely unattainable (how your mom pulled him, you'll never know). your mom didn't have the greatest track record as far as not cheating on her husbands, and you didn't know how much or how little he knew about her past, but you were incredibly curious how long this one'd last.
he's polite. enigmatic. a man of few words. he had two kids, who you hadn't actually met yet, but they were a few years younger than you and away at college--one daughter from a previous marriage, the other adopted when he was a single dad.
you'd only been staying here for a couple of weeks, usually only home for two months out of the year to do some freelance work and catch up with friends, but since your mom got remarried (again) you're adjusting to the new dynamic. you didn't have the best relationship with your mom, but you didn't argue. didn't fight. didn't have enough interest or passion to try and make her angry. you had a mutual understanding--you'd stay here for a couple months of the year, rent-free, and you wouldn't get into it with her about how her four husbands and a dozen boyfriends in between them in the nearly thirty years you'd been alive had simply made you impassive towards most men, knowing they'd never be able to stick around, and instead you took what you wanted and then ditched them before they could ditch you. to say you had daddy issues was just the tip of the iceberg.
there's only been one family dinner night since you've been back, but calling it awkward was an understatement. you were sat in almost total silence, as your mom scrolls on her phone and joel scoops up some mashed potatoes and slaps them onto his plate.
"so, uh-," he begins, clearly not sure how to start a conversation, "how's your work been going? guessing it's pretty slow these months since you're able to take the time away? your freelance stuff going well?"
"sure," you agree, "it does get slow this time of year. freelance has been good. got a couple of projects i'm enjoying working on."
there's another silence.
"your momma said you'd been dating someone you met at your work? how's that been going?"
you laughed, thinking back to one of the only guys you'd mentioned to your mother, less out of a closeness to him and more because you wanted your mom to get off your case, "honestly, that ended a while ago. he was a pretty terrible lay."
joel clearly wasn't expecting that, and you smirked at him as he choked on the beer he was sipping, coughing and trying to cover up any spittle. your mom gently pats him on the back, still staring at her phone, not even listening. typical.
not sure how to follow this up, joel just shrugs and puts on a stoic face. "sorry to hear about that, sweetheart. what a shame."
you'd be lying if you said that didn't make your heart flutter just a little.
you've attuned to the general framework of home again. you've noticed a few other things, too. first, your stepdad seems to be taking a whole lot of evening shifts. second, your mom seems to be out when he's out, too, but always manages to slip in just before he gets home. finally, if there's one thing you know about joel, it's that if he's working an evening shift, you can pretty much guarantee that he's gonna be at least an hour later coming home than he says he'll be. more often than not, two. you've been here for sixteen days, and in the eleven days he's worked late, he's been late late. and this morning, joel said he wouldn't be home till at least 9pm.
it's only 5pm, so you think absolutely nothing of it when you pull up your favorite porn site, careless about keeping your bedroom door closed.
sometimes it takes you a long time to decide on what porn to watch. sometimes you want the release, and just need something that'll get you there quick. and then there are some days where you know exactly what you want. you know exactly how you want it, and you know just where to find it.
you've got an incognito browser up as you scroll through the page till you find the section you're looking for. click open a couple of videos in separate tabs. skip the ads.
place the laptop beside you, choose one to start with, and watch as the scene unfolds.
you need this. it's only been a couple of weeks since you've gotten laid, but you and your most recent fuck buddy have more or less broken up and you are extraordinarily horny, with no outlet besides your hand (and, technically, your trusty magic wand, but you forgot to bring your charging cable and she's only got so much life in her).
you focus on the scene, slowly dragging your fingers along your pussy lips, your other hand pinching and twisting at a nipple. you listen to the moans on screen as you tease yourself, dipping a finger into your tight, wet heat, and then adding another. the friction begins to build, and the pressure you're putting on your clit is just right.
"fuck", you let out a breathless moan as you start finger fucking yourself in earnest. your hips are stuttering and you feel it building so deliciously and you absolutely don't hear the knock on your door and the slight clear of a throat.
and then you register it, a couple of moments later.
you look up from your laptop screen and towards your door and you see your stepdad, cup of coffee in hand, and he's staring at you with an expression you can't parse, one eyebrow raised.
you buffer, taking a moment more for you to react to him, and you manage it in the worst possible way.
"fuck!!" you shout, slamming the laptop shut and practically flinging it away from you, pulling your hand from under the sheets and not-so-subtly wiping your slick on your duvet, and pulling your top back down over your tits. it's all done in a split second, and it was neither low-key nor quiet. you know your face is growing more flushed by the moment, and you can swear joel is actually smirking.
you stare each other down before you finally speak, "what are you doing home so early?"
"i live here," joel shrugs, takes a sip of the coffee, and then realises he might sound like a bit of a dick. "just- uh. just found out some... shitty news. decided to take the day off."
you almost forget the situation, quick to voice your worry--"are you okay joel? what's going on?"
he snorts. opens his mouth and closes it, as if he's decided better of it, and then opens it again. "just found out your mom's been stepping out on me. well. thought it was true for a while, but my brother just saw her with some guy. guess that's all the confirmation i need." he laughs, wryly, and his smile is dangerous.
"well shit," you say. it doesn't surprise you in the least, but you're not sure if it'd be better or worse to acknowledge that, and then you immediately remember your newest stepfather just caught you masturbating and you're deeply self conscious again.
"i'm really sorry, joel, but you've clearly-" you clear your throat, "caught me at a bad time. is there something i can help you with?"
he looks you up and down for a moment, and you can swear he's looking at your mouth for a second longer than you'd expect.
"well," he says, "i'd come up to see if you wanted anything for dinner. i was gonna order takeout."
there's a long pause.
"but now i'm curious about what i interrupted."
your eyes widen.
"let me see your computer. i wanna know what you were watching that you're so embarrassed of."
you immediately grab your laptop close to you and shake your head. this is something joel cannot see. "absolutely fuckin not," you tell him, and his smile gets sharper.
"i wasn't askin', sweetheart."
there's something dangerous about him now, and even though it frightens you, it's somehow exciting, too. commanding. persuasive.
he puts his mug down, and you barely think about what you're doing when you hand him the laptop, type in the password, and turn it around towards him.
you can't bare to look at the screen at the same time as him. it's fucked up and weird and he'd have every reason to avoid you forever after this, but there's a small (but persuasive) part of you that's telling you that this is a line he's willingly crossing, and there's a charge beneath it, and maybe you could get from him exactly what you want.
you study his face as he scrolls down the page. you hear him click, but no sound starts playing--he must be looking at the other tabs.
his eyes widen, and you can hear your heartbeat pounding as you watch his face.
you want him to say something. you need him to say something.
he hits play on one of the videos and the room is immediately fills with the sounds of slick flesh and moans and cries of "oh, daddy, oh daddy please--"
it's only then that he looks at you.
"well aren't you a filthy girl, hmm?" joel ridicules, "and don't think i don't notice the trend with these little videos of yours."
it's humiliating. you almost expect to die out of embarrassment right on the spot.
"look at some of these titles," joel continues, "stepdaughter gets fingerfucked by stepdaddy, stepdaughter's pussy pumped with daddy's cum ASMR, jesus christ girl-" he laughs, incredulous, "letting my stepdaddy breed my little hole".
joel's staring you down and you still haven't said anything, and that just won't do.
"these the usual kinda thing you like to touch yourself to? or is this a new subject now that you're home, spending time around your stepdaddy?"
"i-" you start, "i don't know, i-"
it's not an act, you're pretty fuckin frazzled, practically cocooning yourself in your covers and you shrink back in shame, and this seems to amuse joel to no end
"how's this, sweet girl," he says, and you realise he's been getting closer and closer to you and now he's seated only inches from your bare legs and pussy, still covered up with your blankets, "you tell me to stop, and i'll leave this room right now and close the door and we can pretend i never saw anything here-"
"no!" you cry out, and then slap a hand over your mouth, eyes wide at yourself while joel starts to chuckle.
"or," he continues, "you can let your stepdaddy make you feel real good."
"yes-" you cry, and not a moment later, the blankets are being pulled back and he's stroking two thick fingers along your cunt.
"there's a good girl," he says, and actually groans as he dips into you, collecting your slick, "so fucking wet for me. it is me you've been thinking about, ain't it?" he asks.
"yes joel," you say, because it's the fucking truth. you've been thinking about him nonstop for a while now, thinking about how his muscled arms look in those stupid threadbare t-shirts, thinking about the sigh he makes when he's had his first sip of a cold beer, thinking about the silver of his hair, the brown of his eyes, and the mere idea of what his cock might taste like. "i've wanted you to fuck me since i first met you."
he lets out a fuckin growl and presses his fingers into you. "such a cute little pussy, already dripping for me, huh?" he moans, and it's two digits pressing into you, but you've been working yourself up for a little while now and you're already swollen and wet and they slip right in. he finger fucks you for a moment before turning back to the laptop.
"which one's your favorite?" he nods at your screen, "which one do you watch and wish it was happening to you?"
you swallow and click back to another tab.
"letting my stepdaddy breed my little hole?", he snorts, "you really are a dirty girl, aren't you? get up off the bed." he commands.
you obey, standing up and kicking off the panties still around your ankles.
"and take that top off," he commands, and you do, pulling your top up over your tits and melting at the sound of his groan at seeing you bare for him.
he sits down on the bed with his legs spread, jeans still on. "you come sit here by daddy's lap," he says, and you do, sitting in between his thighs, inching back ever so slightly until you could feel his hard cock straining against his pants.
he runs his fingertips down your body, down your breasts and torso, dipping into your bellybutton, before drawing little circles on your hips.
'hit play," he says, and you grab the laptop next to you and resume the video.
he copies the video, rubbing one hand along your pussy and the other holding your thighs open.
"that's it," he coaxes, "keep those legs open for me, yeah?"
you're about to agree, when he starts stroking little circles around your already stimulated clit and the ability to speak leaves you. all you can do is focus on trying to keep your legs open, but your thighs are already almost quivering and he only chuckles.
"barely even touched you and you're already stupid."
you tried to nod and let out a sad whimper, tipping your head back and resting on his shoulder. he keeps his thumb pressed on your clit while he pumps his middle and index fingers in and out of you. it's so wonderfully, deliciously wrong. it feels addictive.
"you're doing so good, sweetheart, fucking on daddy's fingers like that," he praises, and it sends another spark of electricity building in your centre. encouraged, you start rocking your hips towards him, meeting each thrust of his fingers. "ready for another one?" he asks, and you nod vigorously.
he takes a moment to hold open your pussy and lean over you to look at it, stroking his fingertips along the outer lips, gathering some of your arousal, and prodding back your hood to get a little direct contact with your clit that leaves you writhing and gasping. he's smirking again, and presses a third finger into you. he curls them upwards, fucking the digits into you so nicely, and you enjoy the sensation as your arousal builds and builds and builds and-- as you come, you white out for just a moment, and as you come back into reality you can hear him speaking to you, "oh you're clenching so tight on my fingers, messy girl, look how you're dripping so nice down my fuckin' wrist. you're a nasty little slut, just like your momma huh? but i know you're gonna be a good girl for daddy, ain't ya?"
you continue to grind on his hand as his fingers stay buried in you, as you ride out the rest of your orgasm. only when you still does joel pull his fingers out of you.
as if hypnotised, he examines the arousal coating them. then, quick as anything, he pops his fingers in his mouth and sucks off your slick, immediately looking sheepish as though this was the only line he'd just crossed.
as quickly as he had become shy, he switched back to overt confidence. "y'just taste so good, sweetheart," he says, and then starts stroking your pussy again. "you're gonna let me have a proper taste, aren't you honey?"
you nod helplessly. it's so fucking good, it's too fucking good.
he scoots out from behind you and you buckle a little, toppling back onto the space he left. he's in front of you now and presses your thighs apart again, dropping to his knees on front of the bed's edge. he runs his tongue up your inner thigh, chuckling at your whimpers as he bites and nips at the sensitive skin. he takes a tentative lick, drawing his tongue towards your clit, circling it gently, and then dipping back before pulling off you for a moment.
"y'taste so fucking nice," he breathes, and his exhale on your slick pussy is exquisite. "i could just drink you up."
he presses the hood of your clit back once more, leaving his thumb there, applying perfect pressure as he flicks his tongue directly on that bundle of nerve endings and you feel like you're on fire.
"fuck, joel, yes-" you cry out, but he pulls back and shushes you.
"shhh," he says, "you don't call me joel right now, baby."
"i don't-?" you say, taken aback by the sudden lack of contact. then it clicks. "daddy-"
he smirks, "that's a good girl, sweetheart. wasn't too hard, now, was it?"
"no, daddy," you agree, and he's already diving back in, pressing his tongue into you in long strokes, letting you grind against his nose, his lips, the scratch of his cheeks, every movement he's making is so fucking perfect.
as he devours you, he presses his fingers into you again, and then you can't help yourself. you rut up on him, totally unable to practice anything resembling self restraint. in between strokes of his tongue, he pulls back and tells you, "i'm gonna need at least one more from you, baby, before you even get to think about sitting on this cock."
you let out a crazed whine, feeling joel's chuckle as he dives back in, eating your pussy like he was made to do only that.
he continues to build you up and up and without warning, you reach your peak again and come all over his face, your wet pussy drenching him and he closes his eyes and eats you through it like a man starved.
"fuck, baby," he says, "you taste so damn good, i could do that all day long."
you're splayed out, totally bare, the slick on your thighs cooling with the lack of contact. joel's looking you up and down, admiring your flushed body as he starts to undo his belt and drop his pants, your stomach flipping at the soft thunk of his belt hitting the floor.
you could feel, through his jeans, that his cock wasn't small, but you sure as fuck didn't anticipate just how thick and heavy it would hang between his wonderfully muscled thighs.
"you'd better get over here and fuck me, old man," you tease, and he snorts, before pulling you towards him by your ankles and landing a smack on your bare pussy.
"watch your manners, girl," he sneers.
"fuck!" you cry as you ride out the sensation, and he moves to slap you again, but your thighs are so slick his hand slips when he makes contact and accidentally presses you just right on your overstimulated clit, and to the surprise of both of you, you come again instantly.
he watches you, wide eyed, as you scream and your pussy clenches around nothing.
"you're just too easy, sweetheart," he laughs, "can't believe that little boyfriend of yours was such a bad lay when you're so goddamn easy. barely have to touch you and you're coming again and again for me."
"he'd just put it in, give it a couple thrusts, groan, and roll over," you snorted, loving the way joel's jaw clenches at your words, "besides, i prefer an older man."
"that's a damn shame, honey," he growls, "but i'm sure we can get ya taken care of."
you both realise at the same time that the video is still playing, as some particularly loud moans come through the speaker. you look over, and you swear you can see joel's eyes dilate as he watches.
that's a good girl, the man in the video croons, taking all of daddy's dick. wanna breed you full of me, fill you full of daddy's cum, you'd like that, huh?
you swallow and look back at joel. he looks ravenous.
"you love watching such dirty shit, don't you, baby?" joel asks, and starts teasingly rubbing your swollen clit again with his forefinger.
"yes daddy, please-" you agree, trying to chase the sensation, "please, i need your cock daddy, fill me up just like that-"
he lines himself up, notching the head of his thick cock at your entrance, and you're practically vibrating with need. it's not a want, it really is a need, if you don't have his cock right now you're probably gonna die and you need it you need it you need it so fucking badly
he laughs, and you realise you said all of that aloud, but you don't even have the capacity to feel truly shameful right now, you just need to feel him.
"c'mon, jo- daddy," you whine, "gotta feel you-"
"uh-uh, sweet thing," he chides, "i think you need to beg for it. you've got no manners, and knowing it's your momma who raised you it's pretty clear why, but you need to learn how to be a good girl. daddy's gonna teach you how to behave right here and now. got it?"
you let out a sharp exhale. "yes daddy."
"now beg."
two words shouldn't have such an ability to wreck you, but they do, and before you know it, you're rubbing your drooling pussy up against his cock head, rutting against him, begging and pleading-
"please, daddy, please fuck this wet pussy, you know how wrecked you've made me, turned me on so good, made me drip for you, made me come again and again on your fingers, i just wanna make you feel good, wanna take that cock, take everything you have to give, fuck me hard and fast and please, daddy, please--"
he cups your chin for just a moment, stroking a thumb along your jawline.
"that's better," he soothes, "what a good girl," and then he's slamming into you.
good fucking god he's huge, and you can swear you can feel every ridge, every vein, the swell of his shaft, the notch of his head, he's stretching you out deliciously.
you tilt your head back, leaving your throat bare, and let out a rough plea of, "choke me, daddy," and he doesn't need to be told twice, wrapping his hand around your neck and putting pressure in exactly the right spot. you can already feel the haziness building, and his thrusts keep coming fast and deep and you can feel the head of his cock brushing against your cervix.
"jesus christ, girl," he whines, and his thrusts start to falter a little, "you're gonna be the death of me. letting daddy use this nice little pussy just so he can feel good-"
his words begin to tip you over, and you know what you want-
"come inside me, daddy," you choke through the pressure around your throat, "fill me up, make yourself feel good, give it all to me-"
that does him in, and he lets out a strangled moan, coming inside you right as you come one last time, walls clenching tightly around his throbbing cock.
he releases your throat, and you both lay there for a minute, both totally fucked out.
after a minute, joel gingerly pulls out of you and lets out a weary groan.
"gonna be the death of me, woman," he snorts, and walks to your bathroom to clean himself up. he comes back a minute later with a cloth. you're expecting him to wipe you up, but first, he takes a moment to examine the cum that's dripping out of you.
"look so pretty like this, sweetheart," he smiles, presses his cum back into you, and then wipes down your slick thighs with the cloth.
"shit, joel-" you say, "who'd have thought you had that in you, old man?"
he rolls his eyes but he's still smiling, and then you sit together for a minute in comfortable silence. joel stands up after a while and grabs his coffee mug. takes a sip that you know must be cold by now, but he seems unbothered.
before he can leave, you stop him. "so-" you ask, "is this a one time thing, or?"
he shrugs, seemingly indifferent. "no reason i need to let your momma know what i know yet. and i reckon there's a lot more fun we can have before that happens."
you let out a breath you didn't know you were holding, and your shoulders relax.
"good." you say, and joel smiles.
"good," he repeats. "now, i know i've worked up quite an appetite and i'm guessing you might have, too. you pick the takeout, i'll go pick it up."
"thanks, joel." you smile, and you're already thinking of the next time as you scroll takeout options on your phone.
that's it. you're fucking addicted, and goddamn you can't wait for your next hit.
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mywifealhaitham · 2 months
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pre release boothill relationship headcanons!!!
a/n: I'm fiending off crumbs... I've wanted to read some x reader of him but theres none so I gotta write it myself. I hope the other 4 boothill fans enjoy
warnings: gn!reader, like 2 gendered pet names (pretty girl/boy), most of this is written with bias because we don't have alot to go off, obviously written prerelease, when we actually get content of him I'll definitely be rewriting
LEAKS AHEAD!!!
bc: Valentine_DD_ on twt
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- Boothill is described as a righteous person if his bottom line doesn't get crossed, so he definitely treats you good. probably more on the protective side when it comes to you, he's probably not afraid to use his gun if someone is threatening you.
- and believe me he's intimidating. from his overall tough and "unruly" cowboy look to his mechanical body it leaves enemies just a little challenged. he lowers his voice too and probably has a more fierce look in his eyes too. after any threats have been delt with he probably turns to you and turns into the sweetest thing ever, a wide grin across his face and his hands on your cheeks peppering you with small kisses.
- Its said he's a bit sophisticated due to his experiences so I'd like to imagine sometimes he charms you with facts and details about other planets or just genuinely sharing some tips and tricks he's picked up from other cultures. he's also a person who can get along with others pretty well but he can easily give strangers an impression he's selfish and is a bad person.
- again this kinda feeds into he's basically you'd guard dog... but I mean who wouldn't want to be saved by a handsome and sweet cowboy. despite his unpredictable personality and looks he's a huge gentleman for sure. always opens doors and pulls out chairs for you, makes sure your behind him and okay if any danger approaches and practically listens to your every command (lowkey giving off my girl and I don't argue she tells me to shut up and I do)
- one part I'm so excited to see is what they mean by he's illiterate and using metaphors. it's probably just him using slang but it's still kinda cute. I feel like his cheesy and strange metaphors turn into pick up lines when talking to you. perhaps he'll pull a "did it hurt when you fell from heaven?" or something cheesier. Definitely a huge nickname guy, almost never uses your real name. I'm guessing he'd use stuff like doll, sugar, baby, pretty girl/boy and more teasing names. heavy on doll and sugar and just imagine him saying it in a deep southern accent... 😍 kicking my feet. also I imagine he loves making you giggle by not cursing (because he literally cant) and normally he'd get pissed if someone laughed at him like that if it's you he doesn't mind at all.
- that's pretty much it for like analyzing the leaks I saw but now the stuff up ahead is just bias yapping because I always project
- HE DEFINITELY IS A HAND KISSER. greets you by getting on one knee, holding his hat to his chest and kissing your hand. makes eye contact with you too and does that toothy smirk of his IM SWOONINGGG
- maybe he's a dancer! pulls you into his arms and places his hat on your head when a good song plays in taverns. even if your clueless on any type of dances then he'll pull you along to the beat whispering Instructions in your ear.
- gets so lovesick when drunk it drives everyone mad. any folks he's sitting with at a bar gets a whole speech on his wonderful beautiful darling who he owes his live and would happily die by their hand. and may God save you when you come pick him up because he'll be all over you. Immediately he wraps a arm around your waist as he slurrs his hello as he proceeds to tell you he loves you like 40 times. besides the mass amounts of kisses you'll receive once you both reach a private spot he let's some feelings that he might be too shy to share normally, holding your face as he calls you his pretty girl/boy and how he's so lucky to have you.
- honestly not the best for cuddling however unfortunately he needs to cuddle you to sleep so goodluck! his metal body isn't completely uncomfortable it's just cold alot. he tries to get around this by literally preheating himself with blankets before you go to bed.
very bad boothill brainrot atm... only a few more weeks until we get official content 😭 everyone hold hands we got this
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here's the actual leaks if anyone is curious ^_^
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aingeal98 · 4 months
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I think there's a misconception among some fans who mostly get their characterisation from ao3, that the reason Cass and Jason wouldn't get along is that Jason kills people and Cass hates murderers. And like. You're 50% right but the key context being ignored is that Cass would literally fight to defend the right of a serial killer to live and change like she believes desperately in second chances no matter how far gone the killer is. She'll knock a man out and break his hand so that he can never shoot and kill someone again but if she sees someone feel bad about their kill or even like. Hesitate to hurt a child. She is all over that like she will fight the world just to save this one kind of shitty assassin and give them a second chance at life where they can do better.
Whereas Jason believes that sometimes there are bad people that are simply too far gone, too much of a force of evil hurting and draining actual innocents. And the best way to deal with scumbags like that is a bullet. He feels that some people don't deserve to live, and he's comfortable ending their lives. Judge, jury and executioner. Because no one else is going to kill these people and they deserve to die so that they can never hurt any victims again.
Of course all of this is kind of irrelevant in current canon since dc basically skipped over the reconciliation and development and went yeah Jason is a batfam member and he doesn't kill anymore. So currently in canon none of this conflict of ideals is likely to be addressed. But a lot of people are interested in writing fics that actually detail the steps of reconciliation which is great and I love those fics. I've just also noticed a trend of fumbling a little when it comes to Cass.
Because the root cause as to why they wouldn't get along is not just because Jason kills people. If Jason was a random crime lord Cass would probably try to help him get free of Gotham and start over somewhere else. Killing people and having conflicting emotions about it is the easiest way to get Cass willing to be your number one sponsor at murderer rehabilitation anonymous. It's Jason being someone personal to the family, and someone who believes that some deaths need to happen, as long as the person is sufficiently repulsive enough to Jason. Or even just as a means to an end to prove a larger point, if they're pathetic and evil enough. That's what would make Cass see red, because she projects herself on every single killer and Jason dismissing the possibility of redemption for them, writing them off as deserving of death, clashes fundamentally with not just everything Cass believes in, but also her whole sense of self. Of course it's not that deep for Jason like he's not going to believe Cass should die because she killed someone as a child. But for Cass is simply IS that deep and you throw in the fact that they're both Bruce's kids and yeah. They can maybe be civil in a room together with the family right up until one of them actually talks. Because like 99% of what they could say is guaranteed to touch a nerve for the other.
It's like: Damian says something hilarious and rude towards Jason and Jason jokes about that time he shot him and Cass immediately connects that with him not feeling bad about shooting Damian and starts grilling him as to why. Because Damian's Bruce's son? Or because he's a killer? Or just to get to the rest of the family? And Dick, Duke and Tim are so tired like Alfred cooked a nice meal can we all just eat pie for one night without having to listen to you two go at it.
Tim: I've literally shot you before do you think maybe we can cool it on fighting about Jason's personal ethics tonight. Because generally that ends with me in pain even if I do nothing but sit here.
Cass: You shot me with consent. Different.
Jason: How are you even more obnoxious than Bruce? Do you ever get tired of being so exhausting to be around with your bullshit righteousness?
Cass: If you're tired I can knock you out. Nice nap for you and fun for me.
Dick: And that's ten minutes in a room together before any threats of physical harm start flying around! Great job you two, a new personal record.
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factual-fantasy · 8 months
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24 asksss :}}} ⭐⭐⭐
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@ardent-38
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You are my favorite person
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@wolfie-777
Cassie does not exist in my AU. But hypothetically-
If Roxanne found this lost child she would report it to Vanessa and have her help Cassie. As is the protocol for children that are found on the premises after hours.
If Roxy found her while she had the "bug" in her system? She would have attacked and maybe even killed Cassie :x
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Had to google what that was, <XD It looks beautiful! And I image that he has seen it before yeah :)
As for their favorite songs, I'm not sure :0
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That's.. actually a really good idea.
For a long time I never went back to the comic because the writing I did was awful. Everyone was acting out of character, it was SUPER dramatic. I wrote Peso's character all wrong. Uhg, awful awful awful.
And then I was kept away from going back because people would not stop asking me to finish it. "Why did you abandon this comic?" "Are you gonna finish it?" "Why did you stop drawing it" "Go back and finish the crab comic" Like, it was so frustrating.
...Buuuuutt,, rewriting it? Hmmm... I'm way too wrapped up with projects to start this anytime soon. But I wont lie this ask really got me thinking about it-
Also thank you so much! I'm glad you like my art!! :DDD
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@smilegirl64 (Post in question)
Thank you! I'm so glad you noticed! That was my favorite detail to add XDDDD
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@elegysonnet
I dug into the series a bit and took a look around the fanbase. And I decided that it just wasn't really my thing.
Although I did love the character designs and I think they'd be really fun to draw, I didn't think I'd get along with the fandom. I can see myself huddled in my own little corner with all my headcannons and stuff, and I wouldn't really want to interact with anyone else. :/
Also my favorite character is probably Julie or Howdy XDD
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I use an XPPen Artist 13.3 Pro. Its a tablet with a screen! :))
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As for my drawing program I use FireAlpaca. Its free and really good for beginners and pros! Highly recommend if you're just getting into digital art. Also thank you!! :D
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@baokim80
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@burningmusicfunnygiant
I disagree actually. The "bug" aside, they are in no way programed to hurt anyone. They are programmed to have full obedience to staff and Managers.
They could try to stop them, and they could physically stand in their way. But you wouldn't see Freddy straight up punching an employee to keep him away from Bonnie.
Now with the bug in their systems? mmm.. Okay yeah they would. BUT ONLY WHEN THEY'RE NOT IN THEIR RIGHT MINDS-
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@cudlycorncornsworthcoberson
XDD Offended Bibi noises can be heard in the background
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@curiousskelekitty
<XD I'll do my best!
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I feel that my responsibility as an artist on this platform is to tag my art appropriately. Tag it for blood, gore, injuries, things like that. So that people who are disturbed by those subjects don't have to stumble upon it and have their day ruined. :(
What is NOT my responsibly is to prevent little kids from seeing my bloody Octonauts artwork. That's the parents job. XD THEY should be keeping an eye on their kids and making sure they're not browsing sites like Tumblr XDD
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Tangle and Lolbit are not a part of my AU actually.
But Mangle? Just because she hasn't made an appearance of any kind yet, doesn't mean she wont in the future.. 👀
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Thank you! :DD
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Thank you! I'll try to not rush through my projects so much <XD
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Thank you for respecting that! :D
Also uhg. I hate pinterest. I would rather people just never found out about me then find me through a pinterest post with my stolen artwork.
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@whereismycupofcoffee
YEESSS!!! I always love it when people decide to give Octonauts a try :))) Its a really neat show!
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THANK YOU SO MUCH!! :DDDD
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XD My first thought was Peso or Shellington for some reason. They're just too polite to make a fuss XDDD
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@kymbird
Wanna know a good place to start if you genuinely struggle with that? Make 1 character that is based off of you. And then make a second character that is based off of someone in your life that you have 0 romantic interest in what so ever. Like your Mom, or your Dad, siblings, Uncle, dog literally anyone. It should be impossible to twist those 2 characters together because they are modeled after you and ur mom. You should look at them and say "thats me and my mom" or "thats me and my brother" Those 2 should then be characters that are 100% protected from becoming a ship. :0
This actually reminded me of my transformer ocs. I modeled the characters after the drivers/owners. And people wanted to ship them together and I was like "for 1 they are my OCs so thats kind'a odd but 2 those two characters are based off of siblings. They absolutely should not- in ANY universe, be paired together"
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Personally not a huge fan of the bright blue color he has. Seeing his Bonnie Bowl artwork everywhere I expected him to be his usual purple..
As for my Bonnie I think he'd get along pretty well with his Glamrock counterpart! But when it comes to the Bowling ally they'd be rivals. >:)
Also thank you! :DD
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@trains-of-thought
aaaa thank you so much!! :DD I'm so glad to hear that you've liked my Mario artwork!! And that you read the info aaaa!! I spent a lot of time writing all that so I'm glad to hear that you read it! As for your questions,
1: Yes! My Peach, Daisy, Wario and Waluigi are all the same species, which is not human. They are this incredibly tall elf like species that closely resembles humans and has many biological similarities.. but ultimately they are very different species.
2: Its hard to say.. I've been known to change my mind a lot so maybe? Honestly I hope that someday these feelings towards fanart will vanish and I will be able to engage with my fans more. But for now,, noooo fanworks :(
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OH MY GOSH I LOVE THAT FNAF VIDEO XDD Very well animated and funny! Here's the link in case anyone is interested!
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I drew it myself! :)
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levmada · 1 month
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hello! how r u doing?
can u write something angsty with either no comfort or comfort at the end (whatever u want). basically, reader has been having a pretty shitty week and has been working nonstop, and is the type to not about what's bothering them until they can't contain it anymore or they're calm enough to talk about it because they know they can get snappy and say some very sharp words that can be very hurtful. levi of course knows that, because he is our observant pookie, and leaves the reader alone, just acts normal. one night, let's say levi maybe says something snarky or whatever, that the reader has been some pretty bad attitude which is unlike them, and usually reader wouldn't take his words seriously and know that he's perhaps trying to help them open up. this time, it doesn't go the wau it's supposed to, and reader just fully snaps at levi and say some very harsh, petty and hurtful words to him. the rest is up to u!
and thank u btw, i love ur content❤️
yes, yes i can. ty for such a detailed rq :) this became angstier than intended😭but it's ok bc it was 10x more painful to write being mean to levi.
reader/us also has a distinct personality kind of built off the way you described, so i hope it's what you expect😅
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➥ pairing: Levi x gn!reader
➥ c/w: college!au, Levi pov, Levi not realizing he has trauma for 1400 words, apologizing, selective mutism...?, heavy hurt and some comfort
➥ wc: 1.4k
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If ever he ranked cleaning activities in his mind (which he has), organizing isn’t very high, but it doesn’t occur to him not to help you out with the little things when your week has been poisoned with the dual evils, shitty and exhausting.
Ever since you got back from class, you’ve sat there at your desk. He’s kept you in the corner of his eye, and that same scowl from an hour ago is still there, illuminated by the light of your laptop. You’ve paid it more attention than to anything else—which is not at all, even to your basic needs. 
It’s best to give you space when that look is on your face, and has and will continue to, but not when it comes to eating and-or sleeping. Other than that, he’s content in the background. Whatever he does to help out, you always notice, and tell him thank you with a weak smile, but not today—today when you look particularly like you’re at your wit’s end.
When he finished organizing the apartment (including the fridge), he bypassed your desk and sat on his computer playing solitaire for a solid half-hour. Inevitably, he gets bored, and he’s giving you as much time as he’s willing to before he drags you out to eat something.
Unsatisfied without the job completely done, he rolls up his sleeves and starts at the end of your desk by emptying your pencil sharpener, making a face at how full it is.
To his satisfaction, your focus hardly wanes. Which is good, but he knows how you like everything anyway. With an undistinguishable but distinct fondness, he notes your quirks; even the way you hold your pen melds with your existence in his mind. 
Or no, maybe that’s wrong. You’re a part of him; not a visitor, or even a resident, of his heart and mind.
“Levi, I need those pencils; leave them there.”
You’re referring to the plastic tin of a few colored pencils in his hand, which sat near the middle beside your computer. He looks at you, but you’re definitely serious about it, so he sets it back down.
“If you say so.”
You say nothing and go back to your work. Skipping the tin (which he wants to wash because of all the gross graphite smears and shavings at the bottom), he takes the pencil case beside that, and pops it open. An eraser found its way into a sea of colored pencils somehow somehow, as well as crayons—probably Hange. Not too long ago you had them over working on a class project. He starts picking out these imposters.
“Levi,” you huff, your expression severe as you look daggers at him. “Just leave it alone.”
“Tch, you’re kidding. You’d rather I waste my time sorting the bookshelf in reverse alphabetical order instead? That’s stupid, so why?”
He always gets ‘Are you okay?’ wrong, but this time you turn towards him with your fist tightly curled over your notebook. He doesn’t look startled, but he barely catches the beginning of your revile.
“Stop messing around!—I just told you to stop fucking with it, so quit being a fucking idiot and get out of my space!! This is so stupid, do you not see I’m busy!? ‘Cuz you clearly can’t listen!”
Ironically the angrier you sound, the less emotion shows on his face. Only at the end—you already look guilty—amidst silence like a bomb’s fallout, he wears the scowl of a frightened animal.
He waits until your lips start moving to turn around and leave. 
At the door, he stops again with his hand clutching the knob, and glares at you over his shoulder. When your lips go to form his name, he slams it harder than necessary.
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This is so stupid.
That was far from the first time someone has yelled at him in his life, and besides, is getting yelled at not an experience absolutely everyone’s had?
Even so, he can’t seem to make himself do fuck-all besides quietly sit, sit in your dark kitchen at the dining table, his legs folded to his chest. He feels like a gargoyle—odd, ancient, and unthinking. 
Maybe he just never expected you would ever lose your temper, which is naive of him.
He doesn’t know what to do, until, your voice speaking softly makes him bolt up straight. 
“I’m sorry, can I turn this on…?” you ask softly.
For now, your profile is merely a black shadow in the doorway, with your back illuminated by the one in the tiny hall. The switch you’re gesturing to would light up above the oven, rather than the whole room.
He opens his mouth to speak, but nothing comes out. But it’s not a no. 
Despite the nature of turning on a light, it feels so slow.
He must’ve sat a while, because he even cringes, blinking feverishly. Before his vision even adjusts, the guilt etched into your expression is almost painful for him to look at, like a cavernous gorge shoveled into the earth miles wide and deep. You’re holding something to your chest.
“I’m so sorry for snapping like that. You didn’t do anything wrong at all. I’m so sorry, Levi. I’m never, ever too busy—fuck, I was frustrated and I never should take it out on you, not in any way, ever. I’m the one who’s an idiot.”
As you speak, you come until you’re by the table, standing like a magnet constantly being repelled from it. 
Then you set what you were holding down in front of him—one, an expensive piece of paper (the kind that bends, not tears) with a drawing of some sort he doesn’t want to look at right now, and a rice cake wrapped in clingy wrap. 
His favorite. 
“I’m so so sorry,” you continue apologizing profusely. At this point your eyes are wet, but they keep darting away, with your nails surely leaving half-moon-shaped indents in your knuckles. You pray very quietly, “I’ll do anything ‘cuz you’re everything.”
Wide-eyed, he can’t seem to respond except for a raw sound in his throat after you say that. An instinct seems primal, as much as pumping blood is, that if he says anything, the likelihood that you’ll leave him will increase an unknown amount. 
Normally he’s so calm under pressure, and he didn’t say anything before either—you’ll get the wrong idea. The best thing he can think of is to robotically slide the offerings closer.
You’re still trying not to cry when you go. 
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He stays there, just as he was, for another little while. He’s not really feeling anything, but at the same time, he’s running out of breath from the effort to calm down. 
Ugh…
The way you clearly felt is probably what you get, but he doesn’t want that for you anyway. Even if you did mean any of it.
But you didn’t.
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It’s midnight or so—too early for Levi to usually be asleep but very late for him to be coming to bed—when he taps the bedroom door open with a few fingers and slinks inside. To prevent from waking you up, he did most of his business in the bathroom in the dark. 
It now helps him make out the shape of you under the covers on your side of the bed. He comes like a wraith, so much that he’s near-silent crawling into bed beside you, and using the edge of the covers to slip under.
Your back is in front of him. He wants to make sure you know it’s okay… but he doesn’t know how. He closes his eyes and rests his forehead right between your shoulder blades and the thin material of your tank top, the only place you’re touching. You’re warm, you smell good. 
By the slight hitch in your breathing then, you know he’s here. 
After a while, he brings his hand up to your waist, or rather a bit before it. It’s not long before you gently rest your fingers on top of his. He lets them slot in-between.
His eyes are heavy. He doesn’t bother opening them as he reaches around, bringing you his way, with your head nestled in his chest. That’s the only time you make a move, since he made it clear it’s okay for you to.
He holds you tightly and breathes you in. You both relax.
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Levi masterlist | main masterlist
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shihalyfie · 26 days
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I've alluded to tri. having some very troubled production behind the scenes, and among everything that apparently went on back there, there seem to have been at least two major bottlenecks: 1) the fact that the director (who, based on his own statements about deliberately not consulting source material, most likely didn't even watch Adventure to begin with) kept asking everyone to make things more "mature" without being clear on what that actually meant, and 2) the fact they ran out of budget and had to rewrite the entire plot halfway into it. Even the most brilliant of creators probably wouldn't be able to work at their best under such conditions.
But conversely, this also means that there were some excellent people involved in production whose efforts probably haven't been as appreciated as they should be! So I want to take a moment to spotlight some people I want to give props to:
Ayana Yuniko and Nakanishi Yasuhiro: These two scriptwriters were childhood Digimon fans who were thrilled to be on the project, and their enthusiasm clearly shows in every interview they were in. Ayana even made keen observations like noticing that the Adventure kids aren't as super-tight as people tend to make them out to be (something I've pointed out myself, and something that generally only tends to crop up among fans who have studied the series closely), and Nakanishi stated that she would slip him detailed notes about the characters and their relationships.
Both of them stated they were trying to portray the Adventure characters in a character-accurate way but kept getting their scripts rejected for not being "mature" enough, leaving them unsure about what they were supposed to do. Their roles on the series were also limited; Ayana was on parts 1, 2, and 4 while Nakanishi was on part 4 only, and they were sharing the scriptwriter role with multiple others (even within a single movie). But if I were asked to pick who on the staff list I would want to see come back for another Digimon work, it would absolutely be these two.
Kakikara Yuuko: The one in charge of overall writing for the series. tri. had a total of five scriptwriters and could have up to four(!) on a given movie, so because of that, her statements on the series and its story direction have been a bit difficult to tell whether it was her idea personally or whether she was delivering the writing room's discussion result. But one of her final statements on the series basically amounted to "I'm grateful if you even came to watch it to the end at all," and she was quite humble about saying she felt things could have been done differently; considering it sounds like she had a hard time keeping everyone and everything in order, I can only imagine she went through a lot trying to make sure everything ended safely. Incidentally, her writing portfolio is also quite respectable (and even includes kids' shows).
Suzuki Takaaki: The person with the job of "setting researcher", i.e. the one with the job of looking into the lore. Sadly, it seems like most of his ideas didn't make it into the final series (possibly because of the budget loss-induced rewrite), but his one solo interview indicates that he put quite a bit of conscientious thought into how Digital World lore works, including the idea of an EMP weapon that would affect Digimon easily but not humans (an idea that doesn't pop up among fans as often as you'd think, and took up until last year to make it into actual Adventure material via Takeru's 02TB in-universe fanfic).
Sakabe Gou: The person in charge of the series BGM. We haven't heard a lot from him, but the little we have indicates that although he also had difficulty understanding what the director was asking for when he wanted "mature" music of some kind, he himself put some very thorough thought put into the composition. In particular, he went into detail regarding the music used at the beginning of part 4, which seems to be a fan-favorite track from what I've seen (it's also my favorite too!). Sakabe also has an extensive and respectable portfolio outside Digimon; in particular, he's very highly regarded in Kamen Rider circles, so if you have a friend who's a fan, it might be a good idea to ask them about it!
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radioisntdead · 1 month
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Good evening folks! Thank you tuning in!
I'm supposed to be finishing up a request right now but It's six am, I was missing my dog and this popped in my brain, Alastor who hates dogs and a reader who has one
and I can NOT write anything else until I get this out of my brain, I may be projecting a little bit here.
Alastor x reader with a dog headcanons + a drabble thing? in the middle [Romantic]
Warnings!
Brief mention of your dog passing on [it's implied from old age]
all dogs go to heaven but yours wanted to stay with you even if you ended up down below, Alastor being mean to dogs, also once again Alastor may be OOC or leaning into fanon, Apologies for any grammar mistakes!
Okay so it's pretty well known that Alastor doesn't like dogs because they were involved during his death [I think, I can't remember if that's canon or fanon but we're keeping it for this]
I don't think he's scared of them, he just thinks they're one of the worst things created, especially the hellborn ones, not hellhounds [to be fair he probably hates them too]
You know the dogs that fizzarolli has in Helluva boss? The tweaked out lookin' ones? Yeah Alastor hates em' if he saw one on the street he either moves away from em', moves them aside with his staff while giving the owners the stink eye, he doesn't go out of his way to do anything to them usually.
Point is dude doesn't like dogs and if he can help it doesn't interact with them, and I see him more as a cat person CURSED CAT ALASTOR
Unfortunately for him he somehow gained romantic intent for someone who ADORES their funky lil' dog.
You have no idea why your dog was in hell with you, they weren't a bad dog, they were a good one! The very best on fact!
Sure they had tried to murder your best friend by trying to suffocate em' in their sleep, several times, but they were a dog, a sweetheart and they knocked off the murderous intent if you gave em' a snack plus if anyone knew anything was that all pets, Dog, cat, raccoon, hamster they all went to heaven! So you had no idea why your lil' buddy was in eternal damnation with you!
You died so close together, it was maybe a month or so from their passing to yours, you couldn't wait to see your lil' elderly buddy again but you didn't think it'd be so soon! You still had a life to live and you knew that they'd want you to live on!
You woke up in hell alot nicer then other folks, with your dog sitting on your chest licking you awake,
A golden ring around their furry neck, they looked a little different then they did when they were alive with you, but you knew that this was your dog, there was just that feeling when you looked in their eyes.
Maybe everything wouldn't be too bad with them here, You could get through with them by your side after all.
It was hard the first few years but you managed, getting used to the chaos around, finding a decent job and having to carry around a weapon just in case some psycho decided they wanted to kill you that day, and respawning was a whole hassle and you had your lil' buddy waiting for you at home!
You got a Job at a local diner near your apartment complex, your manager sucked, as did some of your coworkers but the pay was decent and you got along well enough with the coworkers that didn't suck plus you got to take home meals and share with your lil' buddy, They didn't particularly like the hell dog food so it was a fair way to feed em' without breaking the bank
You had met Alastor there somehow, it was fuzzy in your memory, you think he came in for coffee or maybe it was to make a deal with some poor unfortunate soul, all you remember is that you had managed to catch the Radio's demon eye,
Looking back you were pretty sure he was trying to get your soul only for the two of you to end up courting.
You had neglected to tell him about your lil buddy until he came to your apartment for the first time, after maybe the fourth date for coffee,
it wasn't quite his style but it was nice, and he particularly liked the vintage radio that stood on your kitchen counter, he was having a pleasant time chatting with you before you went into the kitchen to make the two of you some coffee and some snacks, as you went into the kitchen he looked around your living room his smile straining slightly as he found a dog staring at him with the rage of twenty-five grown men, Alastor simply turned to the kitchen where you were making a charcuterie board for the two of you
"My dear, I fear you have a rat problem,"
Alastor said gesturing at your lil' buddy who continued staring at him, the murderous intent of 'who is this man and why is it in my home?' was clear
You looked up from your charcuterie board confused until you see your lil' buddy death glaring Alastor
"Pardon? What do you- Oh! Yeah that's my lil' buddy, I'm sure I mentioned them once or twice, don't mind em' they're mostly harmless."
"Ah."
And from there came a rivalry, Alastor came to your apartment? That lovely lil' pooch of yours would sit between you on the couch, Alastor would move them away with his staff thingy,
He wanted to dance with you with soft jazz playing in the background? Your lil' buddy lacking fear was running between your legs trying to grab your attention, only for it to backfire when you tripped and Alastor catched you effectively taking your attention
He straight up mocks your dog, your lil' buddy is too short to get on the couch? Bully time, doesn't matter how big your dog is they're getting called a rat, rodent or a mutt by Alastor, if your lil' buddy earned their wings they're getting called a winged rat,
I imagine he's probably more tolerant towards smaller breeds like Corgi's or Pomeranians for example and less inclined towards dogs typically breed for hunting.
He asked once if your willing to re-home the lil' buddy, and you probably almost stabbed him because the audacity of this man?
Definitely was a rough patch in the relationship.
He gets a lil' nervous now when your holding very very sharp knives outside of the kitchen and upset
Your lil' buddy definitely tries to bite off Alastor's ankles.
Later on in the relationship let's say when you and Alastor wed, your dog is your best man, maid of honor, flower girl, ring bearer whatever it's one of those and Alastor has to put up with it,
Rosie likes to tease about how Alastor gave your lil' buddy the stink eye as they waddled behind you as you walked around during your wedding activities,
Alastor specifically had Husk hold them during your dance, and the majority of your wedding after,
Husk thankfully was spared from the rage of your lil' buddy by giving them some of whatever dinner was served.
Now let's move on to house life once y'all are moved in and everything.
Alastor does NOT want them on the bed, he'd rather they be in a whole different room but if you truly desire it aka if it's the hill your willing to die on
He'll invest in a dog bed, or crate, and you can put it in the corner, FAR from the bed you share,
If Alastor falls asleep with you and your lil' buddy is in the room,
They are out for BLOOD, Alastor's in particular if he doesn't wake up immediately he will wake up with a dog on his face,
He can't do anything to harm the dog with you nearby but he can kick them out of the room, or pop's em' into doggy prison he locks them out of your shared room
He does somewhat agree to a truce with your lil' buddy after a few years
Alastor would take the lil' buddy on walks and make sure they stay safe and not attacked by any sinner with a death wish, after all you would probably go on a revenge filled bender and while he'd adore to see it because you know he's a murderous radio demon who likes despair,
he'd rather you not be upset over losing your beloved pet even if he thinks they're a disgrace.
Maybe if he's in a good mood he'll toss a piece of venison to your lil' buddy, and your lil' buddy would not try to smother Alastor in his sleep, or trip the two of you dancing as often as they did before.
Now when Alastor just dipped for 7 years your lil' buddy missed him,
For about three days at most
Your lil' buddy was happy to have ALL of your attention again and they got to sleep in the human bed! And had full reign of the house.
They held very little loyalty to Alastor.
And for good reason!
They were very displeased when the two of you moved to the Hazbin hotel and they spotted Alastor just smiling there, like he didn't just leave for seven years, the audacity!
Let's hope you have a quick reaction time because your gonna have to stop your lil' buddy from chompin' off Alastor's ankles, because how dare he vanished for seven years? Who does he think he is?!
You and Angel dust probably bond over Fat nuggets and your lil' buddy, a very small Pet parent club was formed, Charlie's in it.
Vaggie was probably a lil' concerned about the fact that your dog has a whole adjusted halo as a collar but that's the least concerning thing in the hotel.
If your lil' buddy is big enough Niffty rides em' like a horse,
She has to be watched when she does so.
If you like to dress up your lil' buddy dress em' up as Alastor and he is either flattered by it or your pet is getting a outfit change immediately,
you and Angel have your lil' buddy and Fat nuggets dress up in different outfits sometimes matching if they get along well!
Imagine if we bring cursed cat Alastor into it, I can see it doing two ways
Either Cursed cat Alastor is 100% worse, like Alastor doesn't like your dog but he's not actively trying to eliminate them like Cursed cat Alastor is, radio noises and growls can be heard if you don't separate them, like they are both getting injured, both have murderous intent and just feral time, it is NOT fun.
OR
They team up, Alastor is just trying to eat his deer carcass? Not anymore they are double teaming to steal his breakfast, cursed cat Alastor just appears and starts vibrating while your lil' buddy is trying to drag the carcass off the table,
It never works and often ends with the both of them getting picked up by the scruff's of their necks and getting unleashed outside to wreck havoc on the others unless you find them first.
Thank you for tuning in and reading folks! Reader's lil' buddy is heavily inspired by my own dearly departed dog
hence the murderous intent your lil' buddy has and the tried to kill your best friend bit at the beginning
Also a little tidbit I was thinking was that your lil' buddy was your guardian angel for the time until you passed and then they just followed you down, their lil' doggy halo slipping from their head to around their neck like a really flexible collar, and the earned their wings comment, Alrighty goodnight folks!
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r0ckgoblin · 1 year
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Would that I- bella ramsey xreader
“true that i saw her hair like the branch of a tree”
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summary: bella is a person of many trades, your favorites just so happen to be when they play guitar and sing. you have always admired this about her, as any friend would. b/c you and bella have always been supportive of each other’s interest, they always come to you first when he’s written a song or learned a new one. why would this time be any different?
a/n: idk how to write summaries… but anyways enjoy:) (p.s. hc wise, i think they listen to hozier…yea she definitely does)
warnings: unproper grammar(maybe) how i've passed all my lit classes i will never know. probably not fully proofread, i miss the smallest things smh
*all pronouns for bella used*
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you wiggle the key into the stubborn door of bella’s apartment, eventually winning the fight against it. opening the door you’re met with the sound of guitar strings being plucked and you smile softly. setting your bag on the kitchen counter you begin wandering around looking for your best friend.
“hey bels?” you call out.
“in here” he says from the sunroom.
you laugh softly grabbing a small throw blanket from the couch.
"hi" you smile, bending down to hug her, finding it a little difficult due to the guitar in their lap. the smell of old spice wonderfully clouds your sense of smell as they reach up to hug you back. the two of you gently sway for a few seconds before you pull back to adjust yourself next to him on the small couch, covering your legs with the blanket.
"how was your day?" he asks smiling over at you.
"it was good, slow, it was just a lot of cleaning up some scenes" you exhale recalling your most recent project, a movie you had been working on for the last few months, one only the people a part of it and the people closes to you knew about. acting was stressful sometimes, but the final project was always worth it, and that's something you and bella could both agree on.
"those days are inevitable, but i believe in you." they say as the lean back to rest their head on your shoulder. this caused you to blush a light pink color, luckily, he couldn't see your face at the moment. you didn't know what it was but lately you've been feeling certain ways about your best friend, and you were scared you wouldn't be able to hide those feelings for much longer. the only thing stopping you was the incessant fear of losing her friendship if they didn't feel the same way.
after moments of peaceful silence bella breaks it be jolting up excitedly. "oh! i learned a new song!"
"really? show me!'' you smiled mirroring her excitement. for as long as you've known bella your favorite thing about them has been her ability to play guitar and sing. they were so good at it, and it seemed to be a big passion of his as well.
"of course! you're going to love it, it's a hozier song" they beam at you holding eye contact waiting for your reaction, which didn't take long because you immediately grinned so big.
" you learned another one? which one?!" you question with giddy.
"you'll have to guess."
"c'mon that's no fun" you whine putting on a fake frown.
"you'll live" she jokes.
"okay, fine go." you pout resulting in a laugh from her.
she plucks some cords before playing, listening to them intently. you just stare at him in awe. before you know it, you're hearing the first notes of hozier's "would that i". you gasp in amazement, and they let a small laugh leave their mouth, somehow without losing focus. as if it couldn't get any better, he also starts singing the words along with the music.
you feel your eyes water, you have no idea why that would be happening. was it the emotional toll of being in love with your best friend, someone who you've watched grow into a beautiful and talented human being? the fear that if you were to express how you feel, it could all turn against you, and you lose the one person who means the most in the world to you? or maybe it's just because the song is so beautiful? its defiantly the song.
you got so lost listening to his voice and the way the sun setting through the window made their skin glow and made his hair shine like honey. shit you were head over heels.
by down you had drowned out her voice due to your staring that you didn't even realize they had finished. not until they're talking directly at you. you blush a little realizing you 100% got caught staring.
"so what do you think?" she ask not making eye contact.
"i loved it," you smiled,
"thank you so much." he grins, and you swear you see faint pink on their cheeks.
"i, um-", you go to say something, but you stop yourself.
"what was that?''
"i uh... i should get back to my hotel.''
"just stay here'' she says but its more of a begging question.
"no, i can't, ive got an early morning and we both know i'm not quiet in the mornings, i wouldn't want to wake you that early.'' you try and lie.
"y/n please'' he begs, grabbing your hand giving you those big brown puppy eyes.
"i'm sorry.'' you shake your head.
they tug you closer, your chests touching. they stare you in the eyes, you notice her give a quick glance to your lips. you in return look to theirs.
"there's something uh... i've mean meaning to tell you," they exhale nervously, "and i really need to get it off my chest. this um..." they swallow hard, "this is harder than i thought."
"shut up" you say with a fake serious tone.
"what i haven't even gotten to what i wanted to say." they knit their eyebrows in confusion.
"you don't have to, if it's what i think it is, i already know," you smile, "because i want to tell you the same thing."
"y/n-"
"i like you, like REALLY like you okay!"
"i-" they were speechless. you two just stared back at each other, waiting for the other to speak.
"i like you two, like reeaallyy like you." they smile wide.
you smile and release a breath of relief, resting your forehead on theirs. you two stay like that giggling back and forth.
"can i kiss you?" they speak up.
"of course." you smile.
she then softly presses their lips to yours, grabbing your face, she deepens the kiss making it more passionate but soft. his hands travel to your hair gently brushing it while your hands find the small of their back caressing softly. this goes on until your both pulling away for air, laughing breathlessly.
"so... stay the night?"
you laugh hugging them as they spin you around like something out of a movie.
the rest of the night you spend cuddled on the couch watching your favorite movies until you're both passed out in each other's arms.
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a/n: AAAAHHH LETS GOOOO!!!! so BAHAHAAHAH this took longer than i wanted and it's not even as long as i wanted it:( anyways here it is, i hope you really enjoy it. there will hopefully be more in the future:) feel free to request, also let me know if my replies are off bc i clicked on one of my post and it says my comments are turned off??? idk, but my asks should be on:) love you! have a great day/night!🫶
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panlight · 1 month
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not sure if you’ve touched on this before hint i’ve been curious lately: does edward actually like alice and bella or does he just appreciate their gifts? i’m not quite sure how to explain it but the more i think about it, the less alice seems like the kind of person edward would like. she seems to be more self-interested and cunning than the saint-like characters edward typically reveres. i’ve been wondering if their bond is less about a genuine like for each other and more about an understanding of each other's gifts.
i know edward's attraction to bella as a person vs her silent mind has been discussed before. do you think edward would've fallen for bella if she were more like characters like rosalie and jessica? for instance, assuming her mind were still closed off to him, would edward still have found bella fascinating if he perceived her to be vain and materialistic?
This is part of why I'm less interested in the gifts stuff that a lot of other people. I think it does muddy the waters with things like this. Like, are Edward and Alice actually compatible as siblings/friends or is it just like "you're the only one who understands because our author gave us these specific gifts?" And at the end of the day maybe it doesn't super matter; they DO have those gifts and it DOES help them understand one another so what it would be like without them only really matters if you're writing some All Human AU that removes the supernatural. In their world, compatibility with gifts is a thing, and probably just as valid as other kinds of compatibility and sympathy.
It is interesting that Edward thinks Rose is selfish and vain but loves Alice, when you know if it were Rosalie spending all this money on clothes they only wear once and throwing parties he would see it as another sign of her poor moral character. But part of it may be that Alice and Edward are different enough that they don't annoy each other in the same way Rose and Edward do. Both of them are more melancholy, more negative, more judgmental. Alice is more fun and happy and extroverted so Edward probably doesn't see his own flaws in her the same way he does in Rose (although they can be similar, too, in their sort of manipulative "I know best" dealings).
With Bella I think the gifts thing is even more of a factor. I mean if he could hear Bella's thoughts he'd be getting a lot of "Edward is SO hot" because that's what her narration is in the book, and I don't know that he's find that any different than how Jessica or whoever thinks about him. But because he can't read her mind, he's able to project on her, and also interpret her choices and actions in flattering ways rather than negative ways as he does with most people. And like I get it. I certainly think things I wouldn't say or do. I'm very patient and helpful at my job at the library, for example, but in my head when I see certain people coming and asking for help I'm like "ugggggh not THIS person" and "why can't you do this yourself?!?!" so if Edward were reading my mind he might be like "oh she's not as nice as she seems, she's two-faced, what a scoundrel!" when it's really just . . . being human?
If Bella's behavior was more like Rose and Jessica but Edward couldn't read her mind, that would be interesting. I guess if she also still smelled delicious he might fall for her, and then make up flattering explanations or excuses for the behaviors he doesn't like in others. "She just moved here/she's lonely/she misses her mother/she will grow out of it/whatever" when he's not willing/able to extend that same grace to Jessica because he can read her mind and judges her on her thoughts.
And this isn't me badmouthing Edward; I'm sure it WOULD be genuinely hard NOT to judge people when you're hearing what they are thinking all the time. That's going to flavor your perceptions of people in a major way. But I do think it's not really a fair or accurate view of a person, because what we DO and SAY matters more than what we think. We can have bad thoughts and re-direct them. We can think something mean and choose not to say it. We can internally grumble but do the Right Thing anyway.
I also think having the first two people he spent any time with being the uncommonly "good" Carlisle (super compassion!) and Esme (unconditional love) probably didn't help Edward get a realistic picture of what most people's thoughts are like. Judging a teenager's developing brain against a centuries-old compassion-motivated vampire doctor isn't gonna be a fair comparison. "Carlisle would never think like that" sure but he's also been actively choosing to fight baser instincts for hundreds of years, and Jessica's a 17-year-old navigating social cliques and history exams. They are not the same.
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heavyhitterheaux · 7 months
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Axle, just so you know, that's my woman you have there, so you better act right to her
Thank youuu to my Blanca baby for giving me an idea for this! @hoodharlow 🥹💕
"Uh mom, no. That doesn't sound right."
"How come it doesn't? What's wrong with it bubs?" You asked while looking at him dumbfounded.
Axel has asked you for help for his senior project for school and since the triplets all go to an elite performing arts school, he knew he had access to the two best people to help him which were his parents.
"It sounds a little outdated in a way?"
"Well you let me know what kind of sound you want. This is your project and I'm just here to help. I'm so excited for you." You said while smiling at him. You and Jack had always given your kids the choice of what they wanted to pursue and never pushed them to go into music or performing arts. It just so happened that Autumn liked to write, Ivy liked to act, and Axel loved music and making beats.
Everything that you had suggested so far, Axel didn't like and didn't hold back with telling you how he felt about it either. You always wanted for them to express how they felt.
"I just…."
"You just what? I'm trying to make this sound unique and different but you don't like anything I'm suggesting."
"Maybe I should have asked dad." You couldn't help but to roll your eyes and right at that moment, Jack peeked his head in while eating one of your mini sweet potato pies that you tried to hide from him, but it was clear that he found your hiding spot.
"Asked me for what?"
"To help me with this."
All Jack did was give him a blank stare.
"You already have the best of the best in front of you so I'm not really understanding." He said while fully coming into the studio.
"I don't know. I just feel that me and you would vibe better." All you did was stay quiet and Jack saw the look on your face.
"Axel, if it wasn't for your mother my ass would probably still be buttering buns at Chick-fil-A so you better get it all the way together and put some respect on her name and stop downplaying how talented she is. My career definitely wouldn't have turned into what it did without her help. Last time I checked she won a Grammy for songwriter of the year and you definitely don't have one and she offered to help you which she also didn't have to do."
"I…."
"See this is the shit I was talking about. Women not being respected when it comes to the music industry and I've taught you better so you need to stop before you start to piss me off. I guarantee you would get an A on your project if you let your mom help you. But now because if it was me and I heard you say all that, I would make you do it yourself but because of the mother that you have, she's still going to help you because that's the type of person she is."
"I wasn't trying to downplay her. I know she's talented. I just want it to sound good."
"Hmm, it didn't sound like it. Baby, why did you try to hide these from me knowing that I was bound to find them?"
"Ivy told you where they were, didn't she?"
"Maybe, maybe not."
"Sorry mom, I didn't mean for it to sound like that."
"It's okay, bubs. Still want to help you."
"Hmm, my answer would have been fuck them kids."
"JACKMAN THOMAS!"
"Oh, did I say that outloud?"
"I swear you are my seventh child." You said while shaking your head.
"I mean we can go and make one. I'm not opposed."
"Ew, can we get back to the project please?" Axel said while looking between both of you.
"Axel, just so you know, that's my woman you have there, so you better act right to her. You never too old for me not to kick your…"
"Okay! Jackman, he gets it."
"Step outta line one more time and I will mop the floor with you. I'm coming back, but going to get another pie."
"You were really out here buttering buns at Chick-fil-A though?"
"Yeah, when I wasn't buttering your mother's." Jack tried to quietly say, but of course you heard him, and so did Axel.
"JACKMAN, OUT! Right now, GET OUT!"
"I…. I see why she calls you unserious all the time."
All Jack did was wiggle his eyebrows at you.
"Me and you have a date later."
"Oh goodness." Was all Axel said while you were trying not to laugh.
"Can't wait." You answered as Jack leaned down to kiss you.
"Okay, enough. I don't want to throw up my lunch."
"I… don't you have a girlfriend?" Jack asked and Axel's eyes went wide as you looked at him confused.
"DAD!"
"Oops. Well, it looks like it's a good time to tell your mom."
Axel turned to you while smiling to see your arms crossed.
"So what had happened was…."
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mydearzero · 2 years
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i'm not sure if you write chubby! readers, but if you do, could i request a gender neutral chubby reader where they feel insecure because they can clearly see that someone much thinner would look better with eddie, but he reassures reader that he only loves them and says that he actually likes their chubbiness? like he loves their chubby cheeks, love handles etc. i'm chubby myself and there's no stuff like this with eddie really, so i just wanted to request this if that's okay :>
As a chubby person myself I love this request! But as someone who has a past with ED I do want to want to preface this with a trigger warning because I might've been projecting a little (a lot) this was kind of hard to write lol
All The Pretty Parts | E.M. x Chubby!GN!Reader
Masterlist
Summary: You didn't understand how Eddie could be with you when there were people so much skinnier than you who he could date. Eddie wanted to make sure those thoughts were left far behind.
chubby!gn!reader. no pronouns or descriptions used.
Angst to fluff
906 words
Warning: Probably triggering for EDs and other body image related issues.
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Nancy Wheeler was a subject of your thoughts more often than you'd like. She was one of your best friends and cared for you, like she did all her friends. But you just couldn't help it. You couldn't help but have feelings of resentment. Jealousy. 
Whenever she stood next to Eddie, it was impossible not to notice how nice she looked next to him. It made sense. She was so much smaller than him. Smaller than you. 
You didn't know what Eddie even saw in you. How he had it in him to look at you and not be disgusted. Did he not see how much better he'd look with someone like Nancy by his side? 
You could feel it as you cuddled with him at night. You saw it when he walked by your side past a window. Saw it in the polaroids adorning his room. Fat. 
You couldn't help but be conscious of every bite you took. Be aware of which clothes hid you the best. How to style your hair to make your face less round. Anything so Eddie wouldn't see. 
But Eddie saw. You noticed how he'd watch you when you were eating. He'd be watching when you covered yourself up. 
Eddie always noticed you when you were trying your best to hide. 
Eddie also noticed how you tensed when Nancy talked about anything. Clothes, hair, make-up, hell, Wheeler could be talking about how her shit looked in the toilet and you'd be hanging onto her every word. He knew you weren't always interested in what she was talking about, so how come Nancy was better at holding your attention than he was?  
Until he realised why. You were comparing yourself to anything and everything Nancy did. At first, he didn't understand. What was so remarkable about Nancy? Sure, she was nice, and a good friend, but so were you. 
But then he remembered how you'd cover up instinctively whenever someone even dared to spare you a glance. How you'd poke around the food on your plate, but never quite finish. The smile in pictures that never quite reached your eyes. How you tried to make sure Eddie's hands were never touching your stomach as you were cuddling. 
You were comparing yourself to Nancy because she was skinny. 
He'd known you weren't always the most comfortable in your own skin. But until now, he hadn't thought much of it. Now he'd noticed he couldn't fucking stand it. It was consuming you. Leaving you as a shell of your former self with every dark thought that crossed your mind. Eating you alive. 
Eddie wanted to assure you he loved you for you. He liked you exactly the way you were. But he knew if he were to right out say something, you'd never accept it. So he had to show you just how much he loved you. 
He'd grab your cheeks randomly and kiss them until they were rosy. "I love these cheeks so much. They're so freaking adorable." Then he'd walk away as if nothing had happened. 
When things were getting heated, he'd slowly trail his hands down your sides to rest on your love handles. You'd try and hide, but he'd kiss your neck, holding them and telling you how incredibly sexy he thought they were. 
You were surprised to see Eddie take up the habit of making you breakfast. He was the exact opposite of a morning person and definitely not a good cook. He still made you breakfast every day regardless and didn't let you leave until you'd finished every crumb of slightly burned toast. 
When your legs were on his lap, shirt ridden up while watching a movie, he'd trail his fingers over your stretch marks. You'd try and stop him. Tell him it tingles, because why the hell would he do that? "Just like 'em." He'd shrug. 
And it was working. You were opening up. No longer watching Nancy like a hawk. Eddie knew there was a long way to go before you'd accept that he loved you, even if you weren't skinny. But he had a feeling there'd be time. So much time. 
"I wanna grow old with you, you know." He'd dropped on you on a rainy Sunday afternoon. "Can't believe you're mine sometimes. You're just so gorgeous." 
"Eddie, stop! You don't know what you're talking about." You laughed. But Eddie was dead serious. 
"I do, sweetheart. You are the most beautiful specimen I've ever laid my eyes on. Don't you ever dare break up with me, because I don't think I'd survive." 
"You're serious? Eddie, you could do so much better than me! You're so attractive it drives me nuts. If either of us doesn't deserve the other, it's me."  
"Drive you nuts? You drive me nuts. Those phenomenal thighs? Those adorable cheeks? You wanna know my favourite part? Your stomach and hips, it feels so nice to hold them at night when you're snuggled up against me. And don't get me started on the rest of you because I'm very comfortable sitting here and frankly feeling way too lazy to get turned on right now." 
"You really mean it? You actually like those parts about me?" You were stunned as Eddie one by one pointed out your insecurities. All you got in return was a love-filled gaze. 
"I told you, I wanna grow old with you. I like those parts and then some." 
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ostrichmonkey-games · 2 months
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Hi! I would like to try my hand at making my own ttrpg, but I have NO idea where to start, tbh.
Do you have any tips? Do you know of anywhere to discuss designing this stuff?
Hey that's super exciting! TTRPG design is a ton of fun and can be super rewarding!
So some general advice, based on what I've learned and also have heard from others.
Start small! Smaller than you think! Diving straight into the deep end with a big ol' fantasy heartbreaker is the road to never getting anything done. So scope out something that you know you can finish. Maybe that's a new class or playbook for a game you already like! Maybe it's an expansion or set of new subsystems! Maybe it's an adventure (though adventure writing can be it's own can of worms, but don't let that stop you hahaha)!
If you want to go bigger, maybe look at hacking a system or engine you like! I'm a huge fan of LUMEN as a fun to pick up and experiment with engine. Also, the LUMEN SRD (system reference document) is a very nice set of "how to do LUMEN games", which is very helpful. There's also other open systems/engines/SRDs like 24XX, Caltrop Core, and Breathless that could be great to look into. Powered by the Apocalypse and Forged in the Dark are both fantastic engines/systems to design in, but are also much harder to really get the hang of (and while Blades in the Dark does provide an SRD, it's a good rules reference, but not a great "how to" reference).
If at the end of all that, you decide on making your own bespoke system, go for it! See what happens! Try and figure out the focus on what you want your system to do (generalist games are always harder to make, imo), and then really dig into that. But I think starting with SRDs/hacks/expansions is going to be a way better start than trying to do everything from scratch.
Make something and don't worry about ever sharing it! This is also just general artistic/creative advice, but the first things you make prooooobably won't be your best and that's okay! I have loads of early design material and scraps that will never see the light of day, but working on them I learned a lot! If you do want to share things, it's fine to just share it with friends, you don't need to worry about publishing or any of that. Just remember to stay focused and work towards finishing something, because then you can start on the next thing. And the next thing after that! TTRPG design is a skill that takes practice. You can try focusing on one design idea in one project, and then work on a different design idea on the next to build up your skill set.
Play, read, and run a lot of different games! It's like with writing, the more you read, the better a writer you can start to become. You learn a lot about ttrpg design by interacting with ttrpgs. If you don't have regular groups to play/run things with, then try and read a lot of different games of all different systems and styles! All that you're absorbing is going to give you fuel for your own designs, and sometimes you learn something really cool from unexpected places (like, I could not have imagined the impact that learning about a lot of OSR design stuff would have on my own design, even though I don't consider myself a strictly OSR designer).
Don't worry about what other people are making! This is just the "two cakes meme", but even if you find out someone is working on something similar, it is always worthwhile to pursue your own vision.
This is getting long, so I'll wrap up that section and move on to the second question.
I think there's a pretty solid community of TTRPG designers here on tumblr these days, so you can try getting discussions going here! I also do a lot in various discord groups. I personally really like Plus One EXP which is very friendly to newcomers and has pretty active design discussions (I also publish some stuff in print through Plus One, full disclosure).
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If you're looking for more spaces, asking around there probably wouldn't hurt either.
I'm also always super down to discuss TTRPG design at like, the drop of a hat. So feel free to shout in my inbox anytime!
Best of luck on your journey, and can't wait to see what you do!
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tygerbug · 9 months
Text
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BARBIE (2023) - Toward the end of writer-director Greta Gerwig's Barbie, America Ferrara (as Gloria) gives a speech about the tightrope that women must walk, the impossible and contradictory standards that a woman must navigate in order to be taken seriously in society and seen as a person. It is an overtly feminist moment but also serves as a metaphor for the film itself, which has to balance very contradictory tones in order to please several very different and contradictory audiences and owners. Is Barbie a fish-out-of-water comedy about two fashion dolls traveling to the real world? Is it a serious feminist statement about growing up in a patriarchy which does not value women enough? Is it Blade Runner? Is it a toy commercial? As Will Ferrell's character might say, "Yes." It is all of these things and a lot more, and in the hands of a less capable director that would have been a bigger problem than it is.
Like Barbie herself, Barbie the movie is expected to be everything all at once, to all people. Some of the things this movie is expected to be contradict each other pretty heavily. The film is trying to do a lot, and there's a lot of evidence of roads not taken. So much is unexplained or left hanging, and so much of what happens is silly and frivolous. This is a very smartly-made movie, which at times seems very dumb or makes dumb decisions, partly because what it's trying to accomplish as a film is nearly impossible.
It is possible to imagine a better version of this film, one which explains itself better, leaves less characters unexplored, leaves less plot threads hanging, goes to darker places, and does not make so many compromises. But I can't imagine that film getting funded as a $145 million toy commercial from Mattel, with an extra $150 million spent on marketing. Under the circumstances it's impressive that the film is as good as it is. That imaginary version of the film would be more coherent, and probably Oscar-worthy, but you'd have to call it "Malibu Stacy" or something, as The Simpsons did, and it wouldn't be one of the biggest hits of this year. What we have instead is a very complicated gymnastics act to satisfy many different audiences and the demands of corporate capitalism. The film sticks the landing, and comes out of all this looking as beautiful as a doll-sized Margot Robbie. But it's also full of moments which are out of place, underwritten, confusing and weird, like a doll-sized Kate McKinnon.
The toy company Mattel has been trying to get into the movie business for some time, as Hasbro already did with "Transformers" and "My Little Pony," among others. They've been trying to crack the code of a Barbie movie for adults for years. (And apart from Barbie, the idea of Mattel getting into movies is mostly a bad idea.) At Sony, up until 2017, Diablo Cody was writing a more ironic, deconstructionist version to star Amy Schumer, as a Barbie who didn't fit in. (Cody has said that the more traditional Barbie was not seen as feminist enough at the time, and that they struggled with comparisons to The Lego Movie.) Anne Hathaway was attached to a version written by Olivia Milch (Ocean's 8) until the project reverted to Mattel, and moved ahead at Warner Bros.
Greta Gerwig's Barbie feels like a film rewritten over the scattered corpse of a worse film, or many possible worse films. It walks the tightrope of being both an ironic deconstruction of the character, and an unironic celebration of Barbie which shows her in the best possible light. This film has a lot to say about Barbie's place in pop culture, as an ideal that little girls want to be like, which also saddles them with unrealistic expectations that can be very harmful. Since this film is also a toy commercial by Mattel, Barbie the movie can't interrogate these issues too negatively, but it goes farther than you'd think. It starts a conversation about what Barbie has meant to girls and women since 1959, which gives the film much of its meaning. The film raises some basic questions that it's not actually allowed to answer, while ignoring others. The chaotic script feels like the product of extended battles with Mattel, where the filmmakers are allowed to say certain things, and get away with certain things, only in specific scenes and in specific contexts.
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Consider the rebellious teenager Sasha, as she meets Barbie for the first time. Sasha believes this is just a woman pretending to be Barbie, or that this is a crazy woman believing herself to be Barbie. Sasha and her entire friend group unload on Barbie about the negative effects that Barbie has had on society, to the point of calling her a fascist, without quite explaining why. This is a strange scene, because they've just met this woman and have very little reason to see her as "the real Barbie," or a representation of Barbie. They have barely been provoked to unload on Barbie like this, and we don't really hear this kind of talk from Sasha (or the movie) afterward. But the scene is written this way because that's where Sasha and Barbie are, at this point, as characters, and so this is the scene where Sasha is allowed to say these things, and where by extension Greta Gerwig is allowed to raise these questions, without openly agreeing or disagreeing with them. By the end of the film, Sasha will be saying stuff like "Barbie, you got this!"
Or consider Will Ferrell, as an executive in charge at Mattel. While we meet him in the "real world," he is a whimsical and comedic character, whose motivations are concealed behind several layers of irony. We are supposed to read him as "a Will Ferrell character," perhaps identical to his character in The Lego Movie (something that Barbie was compared to often, in development). He could also be Buddy the Elf from Elf, or George W. Bush from SNL. We know who this characters is, because he's played by Will Ferrell, but it would be very hard to explain his character otherwise. That's because this character has been forced into an impossible position, and gets around it by being several contradictory things at once. Will Ferrell, vaguely, occupies the space of an antagonist or villain for this film. He represents the real-world corporate patriarchy that Barbie is really struggling against, and his ostensible goal is to capture Barbie and restore her to factory settings. But he also represents Mattel, in a movie produced by Mattel, so at no point can he actually be the villain. Will Ferrell coats the role in several layers of irony and comedic schtick that make him hard to pin down. He plays the role with a wink. When his men are chasing Barbie, he is doing schtick rather than seriously trying to capture her. He forgets or changes his motivations quickly, while still pursuing Barbie, and most of his lines afterward are about how he's a nice guy really, and the son of a mother. He does that with a wink too, making his character hard to explain generally. He occupies the general space of a villain or antagonist, but also has to assure you that this is not the case in any serious sense. The daftness of the character papers over any holes in the story by assuring you it doesn't matter.
This is equally true late on, for the exact same reasons, when (spoiler alert) Barbie struggles with the Kens. The Kens can't actually be the villain in any serious sense, despite the serious real-world threat they represent, because this is a toy commercial for Barbie and Ken. When the Kens go to war, it needs to be as serious as possible, and as silly as possible, at the exact same time. Tonally, this film always needs to do everything backwards in high heels. It's a tough tone to hit. Ryan Gosling distinguishes himself as Ken, whose job is just "Beach." Gosling must convince us that he's both the generic, harmless (and stupid) Ken doll, and a character with much deeper psychological issues that he's working through, without the one overshadowing the other. Ken becomes a cautionary tale about how someone who is missing something in his life can easily become radicalized into something much darker, but not to the extent that he is irredeemable and can't be Ken anymore. This is a film which puts its actors in a very contradictory position when it asks anything of them, although the other Kens and Barbies are not explored deeply as characters. The film must have it both ways. It tackles toxic masculinity in a way which is both deeply serious and unserious. There is a very cutting remark, at one point, about a recent superhero film, which must only have been allowed because Warner Bros also owns that film, and which could also be very loosely interpreted as saying it appeals to its desired demographic. At one point in the film, Ken tries to figure out the rules of the Real World, and whether the opportunities he wants can simply be given to him. This opens a few questions about the many layers of societal gatekeeping - of wealth, class, race and so on - which makes opportunities harder to attain for the unconnected. Unfortunately these are also questions that are well beyond the scope of this movie. Despite a diverse cast, race and sexuality don't enter into this as themes.
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Another thing the film doesn't- and can't- mention is that Barbie was not an original creation of Ruth Handler, but was based on the German "Lilli" doll, based on a sexy comic strip for adult men. The doll caught the attention of little girls precisely because it wasn't initially meant for them. As Helen Mirren's narrator notes, Barbie seemed much more exciting than dolls of little babies. She seemed to open up a world of adult possibilities, precisely because she was originally an adult fantasy. Ruth Handler is played here by Rhea Perlman, with probably a bit less gravitas than the role calls for, although she gets in a few good joke lines about Ruth Handler's real-world issues with financial fraud, yet another thing I'm surprised Gerwig got away with referencing here. (The contributions of Jack Ryan, and his troubled personal life, are not referenced.)
Margot Robbie holds the movie together as Barbie, also known as "stereotypical Barbie," the Barbie you think of when you think "Barbie." While there is a diverse cast of Barbies and Kens played by familiar faces, they're not cast to be "Barbie and Ken" in the way that Robbie and Gosling are. At one point in the film, at Ken's urging, a Nobel Prize in Horses is given out. For her part, Robbie seems to be trying to win an Academy Award in Barbie. Once again, this role carries a lot of contradictory expectations with it. We all know about Barbie, and her perfect, silly, fake little world, where everything is pink and plastic, and about 23% too small. Robbie gets laughs by parodying the doll Barbie, but also embodying her unironically as if it's the role of a lifetime. This is a silly, frivolous, comedic character, which also requires extremely serious dramatic acting, and the one side informs the other. This is both the fashion doll "Barbie," and a real person who is having a nervous breakdown, either because she's becoming a real person, or for other reasons which are only barely explained, and arguably outside the scope of this film. (America Ferrara's "crazy drawings" and parental angst are only hinted at, as is whatever magic connects Barbie to Mattel.) Margot is good enough as an actress that you never question it. She brings some serious drama to scenes which aren't otherwise filmed like serious drama. It is also fun to see Barbie wear all her little outfits, an energy which she also brought to the worldwide premieres of the film, with a different Barbie outfit at each event. I believe the SAG-AFTRA strike meant that we missed out on some of her final Barbie looks, and this thought will haunt me. Margot Robbie fulfills one of the requirements for playing Barbie in a film like this, which is that you should be a little too attractive to be playing someone as bland as Barbie. This is something that Mattel understood when they turned the adult property "Lilli" into the kids property "Barbie." Even Helen Mirren's narration points out, at one point, that Margot Robbie has difficulty playing Barbie as "ugly," even when "ugly crying." She has no such difficulty playing Barbie as a cultural monolith, or with a wink as she floats downstairs as a Barbie girl in a Barbie world.
That song, Barbie Girl by Aqua, parodied the character in a way which got them sued by Mattel, and which would still be inappropriate in this film if played in full. But audiences would also notice if it wasn't played, so once again the film is put in an impossible position, and tries to have it both ways. So the end credits have a song which features portions of "Barbie Girl." The intro also features Lizzo, discussing Barbie's pink world in a way which gives it a little more street cred. And there's a sad ballad by Billie Eilish which better reflects Barbie's identity crisis- and the film's.
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I wasn't left wanting more- the film does not call for a sequel- but I was left wanting more clarity on what we got. What have we really achieved, at the end, for the Barbies and Kens, and does it matter? What have we achieved in the real world, and does it matter? Does this journey only really matter for Barbie herself? What does it even mean to have Barbie in the real world? Okay, that's better left unexplained, probably. Like most of our journeys it's about growing up, learning how the world works, and realizing you actually can't go back home again. Even Barbie never really had a choice. The connection between the real world and Barbie world is probably best left unexplained, although the transition is handled well with rear-projection backgrounds. it does raise the question of how "real" Will Ferrell's character even is, as he acts almost like an escaped Ken. How "real" is the real world when it also has magical elements and exaggerated characters? What is Barbie's connection to the ghost of Ruth Handler, who only sort of created Barbie anyway? Why is "Barb" from "Barb and Star" here? Is that to make the movie more "Barb"-y?
At one point an FBI agent calls in, tracking Barbie. This is never mentioned again- I believe that those tracking Barbie afterward are Mattel employees, and not a lot of them. Is Gloria connected to our Barbie because she works at Mattel, and played with a discarded Barbie? Were her "weird drawings" really all that weird? Can we assume that the Barbies reflect the dreams of the girls playing with them, including a doctor played by trans actress Hari Nef, and a President played by Issa Rae? Wouldn't there be a lot of Barbie Lands in that case, with this little town just standing in for all of them? That sounds too complicated. Does it matter?
If this is a current Barbie lineup, without "discontinued" dolls, why are the retro pair of pregnant Midge and rainbow-shirted Allan present? We never see them together either, so what is Allan? Is "Allan" its own gender entirely? What would it mean to be Allan-gender? (Allan appears to be, simply, Michael Cera, no more and no less.) What is Allan's motivation? Is it enough to say that "Allan is Ken's Buddy" and that "all of Ken's clothes fit him?" Probably! Would it fix the Kens' problems if they figured out whether any of this is a gay thing, or not? Is "Weird Barbie" (Kate McKinnon) a gay thing? Isn't she "weirder" in the real world than she is in the "Barbie world?"
I believe we never hear about Skipper, Barbie's younger sister, in the film until hearing that a Skipper once escaped into the real world. Two Skippers, including the bizarre "Growing Up Skipper" (with growing bust) appear as discontinued Barbies later. It is clearer, for this film's purposes, to just refer to a lot of Barbies and Kens when setting up this world. But I'll bet there was a draft setting up Skipper. There have been a lot of animated Barbie movies where Barbie has a family and other continuity, but this film is more interested in a personal experience of Barbie rather than any of that corporate lore. I've heard that some of the animated Barbie Dreamhouse content is jokey and meta.
Basically none of the male characters have motivations that make very much sense or are explored in any detail, which I think was a good choice on the director's part.
And that's just the stuff that seems to matter, until it doesn't, like the entire plot. There are a lot of throwaway moments and details which will make you say, that was kind of weird. Or, I have questions about that.
There's a few jokes in the film about "guy movies," and it seems significant that Christopher Nolan's Oppenheimer, which was originally tracking to open to much smaller audiences than Barbie, has been very successful in piggybacking off of Barbie as a double feature. For one thing, this is Ken behavior. For another, the online reaction was sometimes very toxic. People excited about going to see Barbie on social media were often harassed with all kinds of slurs. Even by itself this supports the very basic point about what women have to put up with. The opening was a huge success for both films, with Barbie surpassing $200 million and Oppenheimer crossing $100 million between Thursday and Tuesday or so, opening weekend.
I was reminded of how Barbie's trailer sets this movie up as really something special, which the movie itself delivers on. The movie has something to say about Barbie, and about the world we live in. It's visually beautiful and funny. It calls back to classic films of the 20th century, such as 2001: A Space Odyssey, Grease, golden-age musicals, The Matrix, The Wizard of Oz, and the work of Jacques Tati. When I saw Barbie, on the big screen, it was preceded by some of the worst movie trailers I've seen in my life. Often movies based on toys and familiar IP, with nothing interesting to say, saying it in the most obnoxious way possible.
Barbie is a silly toy commercial comedy that also manages to, for the most part, be a meaningful piece of cinema with something to say, crafted masterfully by the director. It does what a "guy's movie" would do backward in heels, making an impossible situation seem relatively effortless. There are things that this movie does not accomplish, but under the circumstances I wouldn't expect it to. Barbie is a concept by which we may measure ourselves, if we so choose. It is the start of a conversation, asking questions that it is not at all prepared to answer. For the Barbies and Kens, nothing needs to be resolved. For us in the real world, nothing ever can be. Barbie does not have the answers. In its desire to please many different kinds of audiences, as well as its corporate masters at Mattel and Warner Bros, there is something inevitably missing at the heart of the film. This Barbie is a gorgeous piece of plastic, but it is also, in the end, inevitably hollow. And in that missing space in the middle, it is inevitable that audience members will insert themselves. That is true whether you see yourself as a Barbie, a Ken, a Gloria, a Sasha, a Greta, whatever Allan is, or something else entirely. This Barbie has more personality than other Barbies have, and I think this movie could be very meaningful to people, but that's going to depend on what they, personally, are bringing to this movie as viewers. I hope, in the end, you too realize that you are Kenough. More reviews: https://letterboxd.com/garrettgilchrst/films/reviews/by/release/
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peachirambles · 5 months
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heya! i love your writing so much (you get the cast so well!) and i was wondering if i could request step 2 tama + qiu with an mc who is just tired all the time? i wouldn't say mean or cold, but an mc that just lacks the energy they should have for anything (totally not projecting what i was like at 14 lol what). have a wonderful day!
Thank you so much, you guys have been so sweet with these compliments!
And as someone who was very much low energy during a good chunk of highschool, I completely get it. Shit was Rough during those times!
Hope you enjoy!
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Qiu understands the MC on a fundamental level considering they also don't have a lot of energy either in step 2, if anyone is going to get the MC here it's them
Qiu Lin
A majority of the time the MC and them hang out is simply hanging out at either Qiu's house or the MC's house in their rooms, mostly the MC's house since from what it looks like, Qiu doesn't get along with their parents in this step
If the MC is into video games or games in general, I can imagine Qiu playing games with them to pass the time while they chat about miscellaneous things
What's important to note however is that they probably let the MC nap if they get tired, I can imagine their chilling on the couch and the MC starts to drift off and Qiu uses the excuse of being cold to throw a blanket over them and the MC
There probably has been a pretty good amount of times Mrs. Lin or Opal caught them napping together, none of them really bring it up so the two don't get embarrassed. Mr. Lin definitely has taken pictures though to savor the moment. Can't exactly blame him cause it's cute
I do think during school if they have any classes and the MC is about to pass out and they are in the same class together, they make sure to wake them up with a little tap. Qiu might not be good at school and not give a shit either but the MC might
Tamarack Baumann
Tamarack tries to be a lot more considerate, she might not be able to understand because she has a lot of self esteem issues that drive up her anxiety but she wants to be there first and foremost
She probably has a lot of snacks and small food items in her bag just so the MC can eat something to regain some energy throughout the schoolday
I can imagine she lets the MC nap at her house while she practices the cello, she even tries to play soft music just so the MC can fall asleep sooner. Is the MC any wiser to her ploys? Absolutely not.
There has been many impromptu sleepovers because the MC fell asleep at her house and Tamarack begging Opal and her grandparents to let them rest
At school though, if the MC accidentally fell asleep during class, she would 100/10 give the MC her notes to copy so they don't fall behind. She doesn't mind one bit.
Also... she is quite possibly the best person to snuggle next to during a nap and I am so serious. She gives the best hugs, it all checks out. She's warm and soft like mashed potatoes. Also she can cook and bake! She can probably make some banger ass cookies that make the MC pass out cause it made them full and comfortable
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sgiandubh · 7 months
Text
Whereabouts
Instead of hijacking @wildfernflower's excellent reblog of this post (https://www.tumblr.com/bat-cat-reader/728749633773404160/cait-looks-hot-happy-and-content-both-her?source=share), I decided to write my own.
But first, I have to quote @wildfernflower, because she is damn right:
'There is a lot of time in his life, far away from his socials, filled with stuff we'll never know about. People read his post one day, learn what he's currently doing or where he currently is (or rather where he wants people to think he is), they're impatiently waiting for the next post that comes e.g. in 2 or 3 days, and have an illusion nothing happened in between. They put these posts one after another on a fictious Sam’s timeline they create in their minds. In reality, these 2-3 days in between is a significant time gap, yet it miraculously disappears.'
You might find me insolent, but: this whereabouts obsession is one of the original sins of this fandom. Where are they right now? And with whom? Alone? Together? When did he/she went online last time, in which time zone and to do exactly what?
Let's face it: we wouldn't do that with our best friends IRL, perhaps and I would not do that with SO or my child(ren) if I had that privilege, which I don't. I remember my mother calling me at 7AM on a Sunday with that question and I also remember my very insolent answer - she understood very quickly it was not a good idea and never tried it again. So while I can see why this online timelines game was cute at the start, I can't, for the life of me, understand why it still apparently is a big deal and why some keep on playing it on behalf of two strangers? Especially when they know, by now, everything he posts is either a) advertising of his own projects and b) latergrams and also that she was never an enthusiastic poster (oh, yes: the banter - that is, I am afraid, long over, now).
This is the surest way to feed a never ending obsessive cycle and this is way above and beyond fandom behavior. This is also why I think timelines always have an agenda, especially when they pretend to explain a context in all its complexity, to a very thirsty and easily bored audience.
Take for example what Miss Marple called The Zanzibar Saga. At least fifty pages of multimedia content, with an almost frame-by-frame découpage and the proper identification of about 20% of the people on that damn boat. All of this in order to cover events that probably unfolded in the space of eight to ten hours tops of a single day.
In which world is this normal and in which legal system is this not stalking? Why is this happening: to feed the Fandom Beast or to further discredit a B-list actor, allowing all sorts of innuendoes, among which the a) high-functioning alcoholic, b) cheap womanizer and c) closeted gay are all 'possible', depending on each faction's (not fraction, Geachte mevrouw: that's algebra) POV? How is that evidence of anything else than an inordinate, obsessive and somewhat worrisome interest for that person?
This is OL. Not The Truman Show:
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PS: In case you wonder, I will always stand up if what I consider to be red lines are being crossed, no matter who the person (cast or blogger) is. Yesterday/early morning today (timezones) it happened again and while I admit my reaction was uncharacteristically strong, so was the troll's message.
Next time, it could be anyone of us. Think about it. And next time, I will stand up again in solidarity, no matter who you are or what your shipper/believer take on SC is. And no, I do not expect anyone to do the same for me. It's not how these things work.
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mixelation · 6 months
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#5, #12 and #39 for the first askgame
get to know your fic writer
5. Do you like constructive criticism?
Talking about "constructive criticism" is often a trap, especially in fic circles, because everyone likes using this term but no one knows what it means. The word "constructive" implies utility to the writer and the writer's goals for their story; it does not mean the reader just says whatever they want "improved"/changed, no matter how nice or "helpful" you are about it. You cannot give constructive feedback to a writer unless you understand the context in which they wrote their fic and what their goals for it are. In other words, it is impossible to give "constructive criticism" unless the writer has actively communicated to you what they specifically want out of feedback. You must also then respect what the writer wants; giving feedback based on what you as a reader want out of a fic is unlikely to be useful to the writer unless their goal is to be as appealing as possible to your tastes (which.... don't assume that, jfc).
Many people in fandom cry "constructive criticism!" when they want to make demands from a writer to cater to their personal preferences, often with a little side of harassment. So, I might ask a question to readers with the hope of someone giving me actual constructive feedback, but no, I don't like "constructive criticism" in the way fandom at large uses it.
Also, sometimes the stuff I post was written on my phone on a bus, for my own entertainment. Why would I want constructive criticism on that?
12. How does receiving or not receiving feedback/support impact you?
I mostly write for my own entertainment. Sometimes the idea that someone will say something nice to me motivates me to push through on projects. Like, if I were 100% writing for myself, I would probably just not write a lot of otherwise "boring" scenes that are necessary for flow or info. But a lack of support probably wouldn't stop me from writing.
39. Share a snippet from a WIP.
from chapter 19 of Plasticity:
The filling of the first onigiri she bit into was incredibly spicy. She did her best to pretend it was totally normal, even as her sinuses started to run. The second onigiri was also spicy.  “I seem to have made a mistake,” Obito said, and then made an exaggerated noise of sucking snot back up into his nose.  “Why do you keep doing this?” Tori asked. “You know I like spicy food. It’s not going to work.” She was, actually, in tears. She shoved another bite into her face. She wanted to go buy more tea, but that would be admitting defeat.  “That’s why I keep doing it. Eventually it will work,” Obito replied, and he was close enough to her that she could see the rims of his eyes were red. “Russian roulette isn’t a fun game.” “Well, you’re playing it wrong.”
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