SO. i was able to figure out the general structure of the script JLH leaked.
[explanation under the cut]
in order for all this to make sense, the first thing you need to know is that in north america all screenplays (scripts) are written in the same format
knowing this, we can deduce the general structure of the scene and even the length of some of the words
first we need to address the big question everyone's been asking:
are they talking about Bobby or Eddie?
screenplays are always typed in courier font, and in courier the capital letters B and E are identical at their left sides.
so while i enjoy people trying to figure out if the blurry letter in line 24 is a B or an E, the answer is it could honestly be either
where we really need to look is line one. the screengrab is blurry so i've outlined the word "going" and circled the area we should pay attention to
at first, the last letter of the prior word looks like an undistinguishable blob, but there is actually one key thing we can discern from it: the letter can't be y, it doesn't hang low enough
there is a chance that the word is not a name and is "he" which would not rule out Bobby or Eddie. however, that would mean the conversation goes on for at least 14 lines without mentioning "him" by name which is (heavily) frowned against in screenwriting. so chances are they're talking about Eddie
also, with what we know about the characters it's most likely Eddie. can you really see Bobby not talking to Buck because of... well, anything? and we already know that Eddie has a difficult time communicating. so i've decided to go with him for this script but haven't 100 per cent ruled Bobby out
moving on to the actual script itself, anything not highlighted in red is something i'm confident is either the exact wording or something similar. the red sections are the parts that i'm less confident in or know are incorrect somehow
Maddie's first dialogue block is the part i had the most trouble with. with context from the following conversation i figured that she probably asked something along the lines of when [Eddie] will be back at work. the main issue with this section is that the top line is actually six letters shorter than what i have written. this also means that the word that follows "going" has to be at least eight letters long. i tried messing around with the dialogue a bit but couldn't come up with something that would fit the appropriate letter count so for now i just wrote a line similar to what i think the actual line probably is
line six has to be either 12 or 13 spaces long and the first word has to be at least four letters long so i used "really soon" as a place holder, but i'm not completely confident in it
for line eight i initially had "Oh, that's good." but the line was one space short so i changed the "Oh" to "Hey" instead. i don't feel too poorly about this one but it still doesn't feel right to me. if the actual script says "Hey" i wouldn't be surprised if JLH changes it to something else or forgoes the exclamation completely
the final line is just a rough guess of what it could be. i'm not sure how formal the 911 writers are with action lines so i just took a random guess. some writers are extremely formal with action lines while others are more comedic with it (Neil Gaiman is a great example of this). i'm guessing the 911 writers are more the former but i honestly have no clue
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And another rise hunger games chapter! Wow, just training and interviews to get through, and then the real fun begins. First person to correctly guess who the president is gets a prize or something idk
tag list! as always, let me know if you’d like to be added or removed. 💚 thank you to everyone who reads and interacts with my stories. I definitely wouldn’t be updating as often or as eagerly without you guys.
@boots-with-the-fur-club @theonlybrightowl @dandywonderous @dandylovesturtles @elijah-doodle @fredquinn @sady-is-secretly-an-alchemist @heckitall @beannary @brightandfullofglory @purplepixel @pomelined @imagionationstation @daughterofskylark @eb177 @lilysplash @burritello3000 @midwesternvibes @justchillininthebackground-06
The roar of the crowd is deafening as they emerge into the City Circle. Donnie doesn’t drop to his knees and cover his ears, no matter how much he may want to. Kendra presses herself subtly closer to his side, making his skin crawl as she tests her weight slightly against his arm, and once she’s confident that he isn’t going to let her fall, she lifts both arms high in the air in a dramatic flourish that has the crowd going wild.
Well, that just won’t do. The competition for attention (and for their lives, though he’s trying not to think about that right at the moment) has begun, and Donnie has been a middle child for far too long to let someone else win. With a hand still bracing her, he lifts his free hand high to call attention to himself, then sweeps into a graceful bow as he uses that hand to flip the train of his costume and show off the way the scales shift and change with his movements. The excitement that gets him makes Kendra elbow him hard, digging into the leftover bruises from when Kendra had tackled him. Despite the slight sting, he turns to smirk down at her, smug as she glares back. He’s grateful for the distraction. It makes it feel a little easier to ignorr the ever increasing urge to start screaming.
White and yellow chrysanthemums rain down all around them, carpeting the streets and getting crushed beneath the wheels of the chariots. Donnie sputters as one nails him in the face, and when Kendra tilts her head back and laughs, he forces himself to do the same, all too aware of the eyes and the cameras trained on them. Kendra plucks it from where it had fallen to his shoulder and tucks it behind her ear, grinning at him with a gleam in her eyes before turning a bright smile towards the cameras. More cheers, and suddenly the flowers raining down around them feel a lot more intentional. Oh, she is good.
There’s not much room in the chariot for them to do much more than wave or bow, or make a few subtle gestures at one another as they try to disguise jostling and thrown elbows as incidental closeness. Every time either one of them does a little half-twist or bows, the crowd goes crazy as their costumes ripple and change in a complimentary dance of beautiful colors. For one stupid moment, Donnie can almost forget what’s at stake; this just feels like hassling April or his brothers over the last piece of a birthday cake or for their dad’s attention. It is stupid and childish and all the meanness without any of the malice. It’s almost nice.
And then the feeling of a new set of eyes on him sends a prickling up his spine. This gaze is different. It is not the attention of the thousands of cheering fans, or even the grave watchfulness he can almost imagine he feels from the District people settled in their homes, watching the proceedings on their holoscreens. It is cold and dangerous and close.
Donnie snaps upright from his latest sweeping bow, careful to maintain his facsimile of a smile as sharp eyes sweep the crowd for the source of the gaze. He knows that it is foolish to actually believe that he can pick out or even feel a single glare amongst a crowd of over one hundred thousand, but he doesn’t know how else to classify the sudden creeping, choking sensation that has crawled up his spine and circled his neck like a noose. Alarm bells are ringing inside his head, drowning out all other sounds.
He scans the crowd, taking in the gleeful smiles and hungry excitement, before his eyes finally settle on the massive raised platform that they are barreling towards. The presidential mansion looms above them, bright and beautiful and utterly sterile. Lights are projected onto its side, fake fireworks exploding over the bone white surface in a colorful facsimile of true celebration. Standing high above them all, the president stares out with an expression that Donnie can only think of as regnant. He is impassive as he watches the proceedings, and indifferent to the fact that he holds so many lives in the palms of his hands. He is completely confident in his control of the situation and the people as he stares down at 24 soon-to-be killers. The distance between the procession and the presidential manor is still far too great for Donnie to delude himself into thinking that their eyes can meet, but he still shudders when that cold gaze passes carelessly over him. He knows where that sense of danger is stemming from now.
Though his features are wizened and long greyed with age, the president still cuts an imposing figure. He has not let power make him soft. The cushion of Capitol living hasn’t done anything to dull his sharp edges.
Not that Donnie is surprised, really. The man has been in power since before papa was born; an impressive feat, considering the immense power struggle that had occurred after the first rebellion failed. From what papa has told him - and what the cobbled together and highly sanitized history lessons have conveniently left out - there were an impressive number of assassinations during that time. He would have had to be sharp to survive. Unless, of course, he was the one ordering said assassinations in the first place.
Donnie narrows his eyes as they draw closer to the man who has created an age of prosperity for Panem, and has kept the Districts crushed thoroughly beneath his heel. He’s always looked minatorial during every holoscreen appearance he’s made, and papa used to warn them all of his propensity towards cruelty in hushed, fearful whispers. Donnie had never questioned his father’s words, but he hadn’t realized before now just how accurate those statements had been.
He keeps the smile in place, even as the lump in his throat grows and threatens to stop his breathing. He can’t tear his eyes away from the platform, or the figure standing atop it, flanked by his counsel. They watch the procession with a detached interest, like the children they are sending to their deaths are nothing more than pawns to be moved across the board.
Those cold eyes settle upon their chariot, raking over the beautiful costumes and sparkling gems, assessing the Tributes encased within. The president doesn’t seem impressed. He turns his attention on to the next set quickly, and Donnie feels tension prickle across his muscles as their chariots begin to slow, raising goosebumps across his bare skin as each one settles upon its predetermined spot before the presidential mansion.
The crowd falls silent as the president steps closer to the podium, the slight electronic feedback of his microphone enough to have the entirety of the Capitol holding its breath. Donnie does his best not to wince at the sound as it needles at his skin and scratches uncomfortably inside his brain. The president’s eyes sweep over the gathered tributes again, slow and thoughtful. He does not smile, but he does incline his head at each chariot, as if acknowledging each individual District.
“We gather today, to welcome our tributes,” he says, his deep voice soft but commanding the attention of the crowd with enviable ease. Donnie can almost feel each onlooker sit up a little straighter. “We salute each of you for your courage and your strength.”
The crowd erupts into applause, more subdued now than the previous raucous cheers and screams, but no less enthusiastic. The president smiles, just the slightest tick of his lips, and his gaze moves slowly over the crowd before snapping back towards the gathered tributes once again.
“We honor our tributes,” he says slowly, as his eyes come to rest directly upon Donnie. “—and their families. We recognize the sacrifices made for the sake of peace and prosperity. We thank you.”
His gaze moves on, but the feeling of it lingers. Donnie stays frozen, fingers digging hard enough into the handrail that he can almost feel the flimsy metal warp beneath his grip. His heart is pounding. The lights are too bright. Everything is so loud.
He just wants to curl up in the familiar comfort of his own bed, tucked beneath the weight of his blankets. He wants Mikey to sit on his thighs to to provide much needed pressure while he hides away in the darkness of his covers. He wants Raph to hum and rub careful, comforting circles on his back. He wants Leo—
Well. He just wants to be home. He wants his family.
“We wish you all a happy Hunger Games,” the president says serenely. “And may the odds be ever in your favor.”
The crowd cheers. Fanfare plays. The fake fireworks pop and explode all across the walls of the mansion, painting it bloody red and fire orange. Donnie stares at the bursts of color, wishing the fires were real. The president stares back, eyes narrowed like he knows the thoughts inside his head.
The chariots begin to move with a lurch that nearly sends Digi and Gizmo stumbling off the back of theirs, and has Kendra clutching at his arm to keep her balance. He can almost feel that chilling gaze lingering as they ride away. Kendra bumps him gently with her shoulder, and when he turns to look at her, she gestures for him to lean down. He obliges, mostly out of the desire for a distraction from the creeping unease.
Her lips brush the shell of his ear as she whispers, “That speech was total bullshit, huh?”
His smile feels a little more real all of a sudden.
.
There is a stranger waiting for them when the elevator doors slide open to reveal their fourth floor apartment. He is seated primly upon the pristinely clean and stupidly shaped sofa, ankle crossed over his knee, hands folded in his lap, head held high. He is invading the only marginally safe or private space afforded to them within the Capitol, and it rankles how much he looks like he belongs within this stupid fancy apartment.
He assesses them as they pile off the elevator, Donnie and Kendra both shuffling awkwardly forward as they clutch at the trailing fabric of their costumes to keep it from getting caught in the elevator door. They each keep a wary eye on him, suspicious of the interloper in their apartment. Atomo goes silent when she sees their visitor, her excited chattering about their Chariot Ride and the burgeoning sponsor interest cutting off with a sharp gasp. Donnie glares at the stranger, who surveys him with an expression that he has no idea the meaning of in return. He looks…excited, maybe? But that doesn’t quite fit. Certainly not upset, but not happy either. There’s a strange shininess to his eyes as they focus on Donnie’s face. He wishes Mikey or Leo were here to tell him what that expression means.
The stranger doesn’t stand until papa steps out from behind the cover of their small crowd. His eyes light up, yet his lips pulls down into a frown. He smoothes the fabric of his skirt and crosses his arms, muscles bulging in a way that even Donnie can tell must be purposeful. Yikes and gross. Talk about desperate.
“Draxum,” Yoshi says, his voice low and full of a quiet rage that Donnie rarely gets to hear. His hands flex at his sides before curling into tight fists. Donnie steps to the side, train dragging in his wake and shimmering even in the dim apartment lights, intent on keeping both of them in his sights. As if sensing the brewing danger, Kendra and Atomo both hurry to join him, standing a few feet back like they hope he’ll act as a buffer.
“Yoshi,” the man returns, sounding more amused than angry, which tells Donnie all he needs to know about who holds the power between the two of them. The stranger’s eyes narrow as they move slowly up and down Yoshi’s body. It’s something that he’s seen done to his father before, but it makes Donnie’s skin crawl worse than usual this time. “I see you are as pathetic as ever. Maybe even moreso than usual, considering the…special guest this year.”
Donnie stiffens as those sharp golden eyes drift towards him once again. Draxum’s lip curls, and if he didn’t know any better Donnie might have said that it almost looks like a smile. He stares back, too exhausted to bother trying to force even the barest hint of emotion into his expression. His papa hisses between his teeth, sharp and deliberate, and Draxum’s attention snaps back towards him immediately.
“What do you want?” he snaps, and though Draxum has a significant height advantage, he somehow manages to look down his nose at him in the way only someone who knows their own strength can. This time, the twisting of Draxum’s lips can only be a smile, small and cruel as it is.
“There has been a report that your son requires medical intervention,” Draxum says, slow and soft, and Donnie feels his stomach drop at the way those words make his father’s face go all twisted and pale. He really doesn’t want to deal with this right now.
So he won’t.
“I’m going to shower,” he announces, refusing to meet any of the eyes that snap towards him. “If you’re still hanging around when I’m done you can look at my back then.”
And then he turns and stomps away, ignoring the voices that call after him as he goes. It feels good to slam the bedroom door behind him, and as silence falls over the room he finally feels like he has a chance to catch his breath. Leaning against the door just in case anyone decides to follow him, he takes a moment to just try to breathe. His eyeballs feel hot and his chest feels tight. He can hear the blood rushing in his ears as his heart pounds, echoing the dull throbbing at the base of his skull. There is an uncomfortable tingling in his fingertips.
Thankfully, no one tries to follow him. There is no pounding at the door or jiggling of the knob. He’s not sure what he would have done if someone did try to get in, but he’s sure there would have been blood. Exhaling slowly, Donnie steps towards the bathroom, mindful to stay close to the wall and out of the range of the camera’s ever watchful eye. Glittering gems trail in his wake, silent as they fall to the carpet. The sting as they’re pulled from his skin feels good. It feels real in a way very little else has today.
He leaves the beautiful, glittering gown in a heap on the bathroom floor. His hands are steady as he turns the faucet, water gushing forth and filling the air with steam almost immediately. For a long while, he sits on the side of the tub and just watches the water as it circles the drain, breathing in the steam and the lingering smell of the shampoo he used when he last showered.
The water burns when he finally steps beneath its strong spray. His back tingles at the heat and the pressure, but it does not hurt. He thinks about the stranger in the living room, and wonders what he plans to do during the so-called medical intervention. His hands do not shake even though his lungs feel too small inside his chest. He takes his time. Thankfully the Capitol never runs out of hot water.
When he leaves the quiet sanctity of the bathroom, he’s not surprised to find Draxum in his room. The man is standing by the floor to ceiling window, which has been made clear again, and is staring at the city beyond. There’s something thoughtful and fond in his gaze, though Donnie couldn’t begin to guess at what he might be thinking as he looks out at the glittering expanse of white and silver. He clears his throat, impatient to get this over with, and Draxum turns slowly to face him.
“I’d rather this be fast,” he says simply, arms crossed tight over his chest, refusing to look Draxum in the face.
“It should be a simple matter, as long as you haven’t caused any undue damage to yourself,” Draxum concedes with a tip of his head. Dark pink hair cascades over his shoulders with the movement, silky and long. Teal lines his eyes and lips, a strangely vibrant pop of color against his dark skin and dull grey clothes.
“Close the window.”
Draxum arches an eyebrow at being ordered around but thankfully complies, and the late evening sunlight is dampened as the window goes opaque again. Donnie grits his teeth and stands by the foot of the oversized bed, wishing there was a chair or a desk or something besides a bed in this stupid room. He feels vulnerable. He hates it.
“Shirt off,” orders Draxum, and the cold clinical tone he uses is actually almost enough to soothe some of the nerves sparking inside Donnie’s chest, screaming that this situation holds the hallmarks of both stupid and dangerous. Donnie shrugs his shirt off, but keeps it clutched tightly in his hands. Draxum slips on a pair of gloves, not looking at him. “Turn so I can examine your back.”
There is no gasp of shock as he takes in the scarred expanse of flesh and the metal exo-spine. He doesn’t even hum with interest or ask how a boy from the Districts could have come into possession of such a piece of technology. All he does is press forward, far too close for Donnie’s comfort. He can feel each of the man’s cool breaths on his back and feel the press of latex covered fingers as he examines the seam where skin and metal meet. Donnie grits his teeth and tries not to snap.
“You don’t seem surprised by it,” he says instead, eyes trained on the ceiling, trying to take deep breaths to calm himself. Draxum scoffs, and his fingers press a little harder, almost to the point of pain. His gloved hands trace the metal spine, and Donnie feels his legs tingle. He hates it he hates it he—
“Why would I be surprised?” Draxum demands as he prods at one of the keloid scars on his shoulder. “I made it, after all.”
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Explaining the differences between FMA (2003) and FMAB cause why not
with no explicit spoilers for events, storylines, characters, etc.
Why are they different?
FMA 03 and the manga were coming out at the same time and FMA 03 was in danger of catching up to the manga. When this happens animes create filler to put some distance between the manga and anime but the FMA production team basically went Nah, imma do my own thing.
Which is exactly what they did bc instead of adding fillers they just straight up deviated from the manga.
This is why both animes while sharing the same cast and world, are so different.
How are they different?
To summarize these differences:
FMA 03 is a lot darker than FMAB
FMA 03 expanded on a lot of scenes, characters, arcs, and storylines
FMA 03 added characters, arcs, and storylines that weren’t in the manga
And FMA 03, you know, changed shit.
With the most notable being, the ending.
FMA 03's last episode isn't the conclusion. The 2005 movie Conqueror of Shamballa is
FMA 03 is DARK
I know I mentioned that FMA 03 is dark but holy fuck it’s a lot darker. To the point where if you asked someone the differences between FMA 03 and FMAB it’ll be the first thing they mention after the ending.
FMA 03 is a pretty dark anime don’t get me wrong but part of the reason why FMA 03 is seen as so dark is because in comparison FMAB is a lot more lighthearted. Now don’t get me wrong FMAB doesn’t shy away from its dark themes but FMA 03 not only embraces it but it delves deeper into them.
FMAB also has these comic relief moments to lighten the mood that FMA 03 just doesn’t have. FMAB is a surprisingly lighthearted anime, especially considering what it’s about.
How is FMAB's adaptation different?
FMAB, unlike FMA 03, stuck to the source material. It’s considered to be a completely faithful adaptation, which isn’t entirely correct.
FMAB was made with the thought that the viewers were fans of FMA 03, and were already familiar with the world and characters.
That’s why FMAB’s first episode feels like a recap and lore dump because that’s exactly what it is. Its purpose was to refresh the older fans' memories and reintroduce them to the world and characters.
This is also why FMAB feels so fast-paced for the first 15ish episodes. It’s bc they’re trying to get past the material they already adapted to get to the content that was never animated.
Though doing this means that FMAB just completely cut things out or trimmed them down.
For example, the Mining Town never got a proper adaptation in FMAB and they completely cut out the Train Battle but both of these were properly adapted in FMA 03.
That’s why FMAB tends to throw people off when Yoki appears later in the anime. The cast acts familiar with him but that part of the story just wasn’t adapted so viewers didn’t even know he existed until then.
So yeah, FMAB did stick to the manga, I just wouldn’t call it completely faithful.
I think that about sums up the differences without going too deep into it. If I forgot something or if you have any questions please let me know.
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