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weirdmarioenemies · 4 months

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Name: Mino

Debut: Tetris

Tetris is all about blocks! You know that! Did you know that those blocks are called Tetriminos? Maybe you did! Geometrically, they are tetrominoes, shapes formed from four squares connected at the edges. "Tetrimino" is the official spelling of the ones used in Tetris specifically, which is a little confusing, but it's ok. Don't worry about it unless you are making your own game about tetrominoes! If you do that, be careful.

But what about the little blocks that make up the Tetrimino? These are geometrically called monominoes, but in Tetris, they are simply Minos! Humble little things. The game is named after Four, so what place does a measly One have?

If you ask me, they have all the place, because they are all over the place! There are no Tetriminos without Minos. Together, Minos are powerful, some of the most iconic and recognizable shape clusters in the world! Even in the form of a plush, The Tetris Company almost ALWAYS ensures that the individual Minos are visible. It is a part of the Tetriminos' designs at this point! The only exception I can think of is in situations unable to use their distinct colors, where other design factors are used to distinguish each. In this case, all but the I Tetrimino have their Minos visible, while I is just a solid color. Come on now, I. The most universally beloved Tetrimino, and you can't show some appreciation for the little guys who made you who you are? Sheesh!

While yes, Minos are a bit overlooked, they do indeed get the spotlight every once in a while! In game modes with items, you can expect that there will be one that turns all of your pieces into Minos, allowing you to instantly fill in gaps wherever you like. They are not particularly powerful, only able to clear one line at a time, but they ARE very convenient and easy to use!

Tetris Friends, my dearly beloved and departed Tetris Friends, uses Minos as the base for most of its avatars! I have already talked about these specifically, but I just want to point out these VERY default ones, each a piece of one of the classic Tetriminos, based on color... until the end, where we get what appears to be a Domesticated Mammal Mino! What are the implications of this? Have members of an intelligent species selectively bred the most docile of Minos together? Do Minos reproduce? Am I way off the mark, and is this Mino actually made of cookies and cream ice cream?

Finally, the reason I've been thinking of Minos in the first place! Here is a photo of the Tetris board game, with a single gray square in the Matrix. That's right! A Mino! In my opinion, this game is the most special Minos have ever felt. In this version, Tetriminos are dropped straight down into columns in the Matrix, and so they aren't as maneuverable as virtual ones. They can't be rotated while falling, and can't be slid into place to fill in any little notches.

This is where Minos come in! They are a sort of compensation for the lack of extra control, and can be placed to fill in extra space before dropping a Tetrimino. This is especially useful if you start with a Z or S block, since in this game, dropping one on a flat surface would leave a space no matter what! With a Mino, you can make a nice little ledge for your block to land neatly on.

This game's use of Minos really stood out to me! They're a major gameplay mechanic, they are explicitly named in the instruction manual, and, most importantly, they get their own PIECES. Physical, officially licensed, single Mino objects! They even get their very own color! A humble gray, not flashy like the rest, but distinct among all the others, and practical. A gray not to indicate a lack of interesting qualities, but instead, great potential!

There is no "official art" for Mino, so I just made the post's top image by editing some official Tetrimino art. Also, I have distinct memory of SOME official Tetris game, possibly Tetris Friends, referring to them as Tetrimonos. Does anyone else remember this? Please tell me if you do!

With that, we have reached the end of this post. But this is not the end of my fascination with Minos. In a way, it's only the beginning. In my Mino research, I have discovered some truly incredible things. Look forward to reading about them next week in Minos post part 2!

#mino #tetrimino #tetromino #monomino #tetris #tetris friends #not mario #funky friday #mod chikako

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commodorez · 4 months

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What is the appeal of vintage computers to you? Is it the vintage video games or is it the programs? If so, what kind of programs do you like to run on them?

Fair warning, we're talking about a subject I've been passionate about for most of my life, so this will take a minute. The answer ties into how I discovered the hobby, so we'll start with a few highlights:

I played old video games starting when I was 9 or 10.

I became fascinated with older icons buried within Windows.

Tried to play my first video game (War Eagles) again at age 11, learned about the hardware and software requirements being way different than anything I had available (a Pentium III-era Celeron running Windows ME)

I was given a Commodore 1541 by a family friend at age ~12.

Watched a documentary about the history of computers that filled in the gaps between vague mentions of ENIAC and punch cards, and DOS/Windows machines (age 13).

Read through OLD-COMPUTERS.COM for the entire summer immediately after that.

Got my first Commodore 64 at age 14.

I mostly fell into the hobby because I wanted to play old video games, but ended up not finding a ton of stuff that I really wanted to play. Instead, the process of using the machines, trying the operating system, appreciating the aesthetic, the functional design choices of the user experience became the greater experience. Oh, and fixing them.

Then I started installing operating systems on some DOS machines, or playing with odd peripherals, and customizing hardware to my needs. Oh, and programming! Mostly in BASIC on 8-bit hardware, but tinkering with what each computer could do is just so fascinating to me. I'm in control, and there isn't much of anything between what I write and the hardware carrying it out (especially on pre-Windows machines)! No obfuscation layers, run-times, .dlls, etc. Regardless of the system, BASIC is always a first choice for me. Nova, Ohio Scientific, Commodore, etc. I usually try to see what I can do with the available BASIC dialect and hardware. I also tend to find a game or two to try, especially modern homebrew Commodore games because that community is always creating something new. PC stuff I focus more on pre-made software of the era.

Just to name a few examples from a variety of systems: Tetris, terminal emulators, Command & Conquer titles, screen savers, War Eagles, Continuum, video capture software, Atomic Bomberman, demos, LEGO Island, Bejeweled clones, Commander Keen 1-3, lunar lander, Galaxian, sinewave displays, 2048, Pacman, mandelbrot sets, war dialers, paint -- I could keep going.

Changing gears, I find it funny how often elders outside of the vintage computing community would talk about the era I'm interested in (60s-early 90s). [spoken with Mr. Regular's old man voice]: "Well, computers used to be big as a room! And we used punch cards, and COBOL!" I didn't know what any of that meant, and when pressed for technical detail they couldn't tell you anything substantial. Nobody conveyed any specifics beyond "that's what we used!"

I noticed that gaps remained in how that history was presented to me, even when university-level computer science and history professors were engaged on the subject. I had to go find it on my own. History is written by the victors, yeah? When was the last time a mainstream documentary or period piece focused on someone other than an Apple or Microsoft employee? Well, in this case, you can sidestep all that and see it for yourself if you know where to look.

Experiencing the history first hand to really convey how computers got from point A to B all the way down to Z is enlightening. What's cool is that unlike so many other fields of history, it's near enough in time that we can engage with people who were there, or better yet, made it happen! Why do you think I like going to vintage computer festivals?

We can see the missteps, the dead-ends, the clunkiness, the forgotten gems and lost paradigms, hopefully with context of why it happened. For the things we can't find more information on, when or documentation and perspectives are limited, sometimes we have to resort to digital archeology, and reverse engineering practices to save data, fix machines, and learn how they work. The greater arc of computer history fascinates me, and I intend to learn about it by fixing and using the computers that exemplify it best, and sharing that passion with others who might enjoy it.

#commodorez #retrotech crew #computer history

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onepiece-polls · 7 months

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One Piece Shipping War - Grand Finale!

Propaganda under the cut.

Propaganda for Franky x Robin:

Do I really need to explain?

The old married couple who's healthy, Enies Lobby (and all their appearances) are their propaganda really.

It’s all about the maturity!

Their dynamic is perfect and their pasts are so similar. I love the chemistry between them as well as their introduction that helped build the connection and shared history they already have.

they are THE t4t bi4bi ship | franky telling robin "existing is not a crime" immediately puts this at number one for me | they are opposites (bright and loud + quiet and goth) but also they're both so eccentric and silly <3 | THEY WEAR MATCHING OUTFITS

Mom and dad Straw Hat

They are STILL the Mom and the Dad of the Straw Hats, this is the one thing I don't care what Oda says <3 Also their interactions in Enies Lobby and Thriller Bark are amazing.

In my eyes, they are married. Some of my favorite character interactions in the manga/anime and in official art.

Oda had Franky call Robin his wife at least once

Your honor they’re married

I'M GOING TO PUT LINKS IN MY EXAMPLES (Mod note: I linked to the whole post, the propaganda was going to get too long otherwise. But I will copy this line:...) They immediatly clicked in Enies Lobby, Franky saved Robin with both words and actions ("Your existence is not a sin!"), and then she grabbed his balls.

The duality of two kids who were just trying to chase their dream and having circumstances outside their control (the government) take everything they love away from them, but one choosing solitude and the other adopting every other person in a bad circumstance??? I love them. Plus they literally had couple moments from the first interaction.

The ultimate t4t couple idk what else you need theyre iconic

A wholesome ship of a woman who feels the need to be constantly on edge trying to relax and a man who is a 110% himself from the moment we see him. the joy of frobin is the causal domesticity, in many color spreads and especially post timeskip we can see them casually enjoying the others company.

Remember when Franky was in Chopper's body in Punk Hazard and every time he spoke Robin was like "Franky. Stop talking. Do not talk while you're in Chopper's body."

idk like. he's obsessed with her. she's his weird Goth gf and he's her himbo. they have matching outfits. I love them.

Look. It's Franky and Robin. Literally the only two characters that make sense to ship on the Sunny. Their arcs are inextricably intertwined (water7/enies lobby). Also LOOK AT THEM interacting, both during their arcs, but also thriller bark, or post time skip. I love them. Also robin crushed frankys balls.

funny big robot man & analytical smart research lady power couple... silly x smart... himbo x researcher... augh... so good

They are the ship for taxpaying adults your honor I LOVE them they’re literally freak4freak and they share such a fucking powerful arc together (Water 7).

that moment she let him sleep on her lap in punk hazard was sooo cute <3 -- The matching thigh highs and bottoms in film z can NOT be understated. -- Strawhat mom and dad -- Let's not forget the way robin convinced franky to join ( ͡° ͜ʖ ͡°) -- she also indirectly called his balls "treasure" so,,, -- the way their stories are so closely intertwined...they were both keys to destroy the world...the way they instantly connected over that...the soulmate-ism of it all...

they . them. girlboss and malewife. that's it.

She grabbed his balls. He totally liked it.

He's so silly and she loves it. She's so scary and he loves it. She grabbed his balls in public.

They will be endgame trust me. Franky doesn't treat any other girl like he treats Robin. There dynamic in Water 7 and Thriller Bark was and always will be one of the best in all of OP.

Propaganda for Nami x Vivi:

Yes, Nami has a new girlfriend on every island, but her heart belongs to Vivi. Vivi in turn refuses to marry, because her heart belongs with a pirate ❤

THEY’RE LESBIANS! IN LOVE! another point: my friends who are watching OP for the first time came to me and asked “so Nami and Vivi… they’re gay right?” So it’s pretty apparent to even newcomers

I just think they’re neat! And in love. Nami gave up money for Vivi that’s True Love

Anyone who saw them can just tell they’re gay. Like Nami gave up money for her

They're one of the rare lesbian ships in op, they care for each other so much !!

Lesbians

They were so gay that Luffy offered to share food to cheer Nami up when they were separated.

i dare you to read Baroque Works through Alabasta without shipping them. the way Vivi and Nami are so affectionate with each other, and Vivi putting saving her nation on hold to get Nami healthy again ???

Lesbians

Let’s go lesbians!!!!! Ok but actually, I think Nami saw a lot of herself in Vivi (ha) especially when Igaram “died” and then throughout their journey together Nami really encouraged her to open up to the crew. Nami showed Vivi it was ok to ask for help just like Luffy showed her.

Vivi was Nami's gay awakening and you cant change my mind. Nami was in love with Vivi and Vivi def had some kind of feeling for Nami. They were so close and they were more then just 'gal pals'

Lesbian Pirate Supremacy! they clearly care a lot about each other and considering when nami meets vivi she is probably one of the first close female friends she gets to have.

#one piece #frobin #NaVi #namivivi #op shipping war #grand finale #tournament poll

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oleanderfox · 8 months

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Palia Tips

Some things I have learned that might help others. 🩵

Game Controls

You can put away your tool by pressing X.

If you get stuck, type /unstuck in the chat window and you’ll be teleported to the nearest stable surface.

Right clicking with a tool equipped will let you switch between different types of ammo (for bug catching and hunting).

You can cancel without wasting ammo after entering "aim" mode by pressing the Shift key or right mouse button (h/t @sharky857 ).

You can climb ivy in addition to cliffs. (Like inside the lighthouse..!)

You can cancel climbing/drop from a cliff face by clicking X. (h/t @lazyadmiral )

You can jump (space bar) while climbing cliffs to climb faster.

You can hold down the mouse key when mining, tilling, and chopping down trees rather than clicking for each chop.

Camera & Photos

Press K to enter camera mode.

There’s a 🔁 button in the corner if you want to swap to a front-facing camera/“selfie mode”.

If you want to see your photos while in the game, you have to save them to the album. However all photos taken, even if you don’t do that step, will be saved to your computer’s hard drive.

To find your photos, open Windows Explorer and enter %appdata% in the location bar. From there navigate to %AppData%/Local/Palia/Saved/Screenshots. You should be able to pin this folder to your quick nav/favorites to find it again easily.

Time

One hour of real time = one entire day in Palia. That means an hour in Palia passes in only 2.5 minutes of play.

You only get "credit" (for building friendships) for chatting with villagers once per villager per day.

Many bugs, fish, and plants can only be found at certain times. Time in Palia is divided into: ‣ Morning: 3-6am (rooster crows at 3) ‣ Day: 6am-6pm ‣ Evening: 6pm-9pm ‣ Night: 9pm-3am (owl hoots at 9)

Time in Palia is the same across all servers. Midnight (a new day) will always be on the hour in real world time, so 6am in Palia is at X:15, noon is at X:30, and 6pm is at X:45.

6am is a "new day" for crops, but midnight is a "new day" for chatting with villagers. Midnight also seems to be when the furniture in Tish’s shop refreshes.

Gifting runs on real world time, not Palia time. You can only give a villager one gift every 24 hours in the real world, and "Weekly Wants" are valid for one real world week. The week currently resets on Mondays at 12am Eastern.

Once you get a villager's key, you can talk to and visit them even when they are "asleep".

Mail is delivered and picked up (shipping bin sales) at 6am and 6pm.

To find rare spawns, arrive in the area 15-30 Palia minutes before the start of its catch period and clear all the common critters/plants. This will make it more likely your rare will spawn when the clock chimes.

Inventory & House

Furniture does not take up inventory space!!

A gold star on an item's icon means it's "star quality." Starred items fetch higher sales prices and are required for some quests.

Starred items will not stack with normal items.

Only star quality food can be placed in your house/lot.

More storage chests = more storage slots, but you are capped at 8.

You can hang items on the exterior walls of your home - including wallpaper!!

When in placement mode, you can rotate items using Q and E. You can turn off “grid mode” by pressing z, which allows more flexible item placement.

Leveling

Your character level is a combination of your level in each of your skills.

Eating food increases your "focus," which applies a percentage bonus that will make you level faster.

You can increase that bonus by visiting the Dragon and Phoenix shrines and spending Renown to increase the percentage (Phoenix Shrine) and the amount of focus you can accumulate.

You can only "carry" 1,000 Renown at any time. If you're not spending it, you're throwing away Exp.

Renown is also needed to expand your housing plot (by buying "Writs").

Event

You can get "displayable" food from Reth and Delaila, but it's based on RNG. Just keep buying the item until you get a star quality one.

The quickest way to get Chapaa Chase tickets is by completing the Achievements; some require you to party with others.

The drums are not obvious, but you only need to go back and forth between a pair of them interacting as they light up. Eventually the big fireworks will trigger and you will get the achievement and reward. (Do this 2 more times for the second achievement!)

The event achievements are on the Event tab, not the achievements one.

Skill-Specific Tips

Fishing: If you don’t click in time and the fish disappears, don’t panic — the same fish will keep trying again! And if you change your mind, you can pull your line in/cancel and you won’t spend any bait. This means you can wait to be sure you’ve hooked the fish you want before reeling it in so you don’t waste all your precious glow worms! The one caveat is that sparkle pools (and the guaranty of a star quality catch) disappear if you don’t catch the fish on the first nibble.

Hunting: The Proudhorn Sernuk can teleport and the Azure Chapaa can make an illusion of copies of itself that disappear when shot. They're both very difficult to hunt until you learn to make Dispel arrows. If you’re still struggling to have enough resources for everything, learn the lowest quality arrow that can kill something in one shot and hunt with those. (Kilima chapaa can be killed with a makeshift arrow while regular Kilima sernuk require a standard arrow. Bahari chapaa need at least a standard arrow while elder sernuk in Bahari will cost you several fine arrows.)

Looting: For hunting, mining, and chopping down trees, everyone who gets one "hit" in gets loot, and the loot is not diminished by sharing. So working together to find pallium nodes or hunt rare critters rewards everyone. :) (Note that you need to have the required equipment quality to be able to share, though - if you get a message saying “sorry, you need to upgrade your equipment” then you won’t get any loot.)

Mining: On the topic of Palium, it’s not as rare as you think. It has very specific spawn points, which it only shares with stone - you’ll never find palium where you found iron before. This means you should mine all the stone sharing those points to encourage palium to spawn for your next visit. Palium can be found in the caves hidden around the perimeter of Bahari and in the Pavel mines.

Foraging: Purple glowing trees are flow trees, and require more than one player to chop them down. Again, everyone gets "full" loot, no matter how many people get a swing in. For small trees, let them heal after each hit if needed to make sure everyone present can get a hit. If you’re looking for a specific resource, say, sweet leaf, look up what it shares spawn points with (in this case, morels) and pick three as well so sweet leaf has a chance to spawn. Also, brightshrooms are typically found in ruins right up against the structures so they can be easy to overlook or mistake for glowing bugs at night.

Cooking: You can find recipes in villager's homes, by fishing them up in bottles, lying around the wilderness, and completing quests or bundles in addition to buying them from Reth.

Cooking together: Like with looting, everyone gets the full reward, even if you don't contribute any ingredients.

Lore & Fun Stuff

There is a mysterious beast in the Elderwoods.

The mine's haunted.

Sooo much queer rep: All the romanceable characters don’t care about the player’s “body type.” Sifuu, the Duchess (Kenyara), and Eshe are canonically wlw. Chayne was raised by two dads. The former lighthouse keepers in Bahari Bay were a gay couple. 🏳️‍🌈

Critters that have been mentioned but don't have in-game models or released concept art yet so we just have to speculate: ‣ Kitsuu: Sacred companions, according to Hassian. There is a kitsuu constellation which has "floppy ears" and horns. Possibly the "fennec fox with antlers" creature drawn in the Vault of the Waves? (Confirmed by the official Discord emotes!) No longer unreleased as of 0.3.6. :) ‣ Peki: Palian version of chickens, or at least they lay eggs and have feathers, and according to Nai’o “there are at least 72 unique color and pattern combinations for peki breeds.” ‣ Riffroc: Palian mounts. Nai'o has a beloved one named Sugarfoot; Kenyatta’s is named Sundrop.

Bug Reporting, Suggestions, and Help

Report problems here.

Give feedback and request/suggest features here.

If you're stuck on a quest or where to find an item, there's an "Official" wiki and an "unofficial" wiki.

#palia #palia open beta #palia tips #hey s6 please please please please please let me romance hodaddy okay thank you

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fuckyeslilkim · 9 months

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Lil Kim's Squat Pose Is Iconic. Its Photographer Discusses it for the First Time

In a rare interview, Michael Lavine discussed the day he shot Lil Kim’s Hard Core cover, the booklet, and that feisty, nearly 30-year-old poster we just can’t get enough of.

Even though Michael Lavine has photographed OutKast, Ghostface Killah, JAY-Z, Missy Elliott, Foxy Brown and many others, he didn’t start out capturing larger-than-life rap acts. Like multiple moments throughout his career, he just fell into the next phase of artistry, which was deifying a generation of Black storytellers.

Lavine’s interest in photography goes way back. He led his high school’s yearbook committee as the head photographer. Soon after, at Washington’s Evergreen State College, he studied traditional street photography in the style of Robert Frank and Garry Winogrand. While in Washington, he befriended the group responsible for the record label that became Sub Pop, and documented a then-emerging sound that, to this day, continues to inspire chart toppers. He wasn’t interested in being married to any particular genre or group though, because boxing yourself in isn’t the move. “I just never felt comfortable kind of being pigeonholed in anything to my own detriment. It's not good for business to do that,” he said. “You're supposed to kind of dive in, not pull away. But that's just how I was wired. I wanted to do my own thing.”

After fostering the trust of music industry greats (“I started working for Rick Rubin. He was one of my first clients and he hired me to shoot a bunch of his Death American acts because he was starting to do metal at that time,” Lavine recalled) and becoming a Black Book highlight, he fell into shooting some of the biggest rappers on the scene. His knowledge of capturing Black talent helped. “I was very good at skin color and doing warm skin tones and lighting people,” he said. “For some reason, I think there was this problem with white people who didn’t understand how to light Black people, which was just ridiculous.”

In short, he came, he saw, he snapped. Legacies were cemented in the process, most notably with an image of one of the greatest female rappers that has become one of hip-hop’s most beloved and recreated photos — Lil Kim’s iconic squat seen ‘round the world.

Below, the retired photographer gave Okayplayer a rare interview where, for the first time, he discussed the day he shot Lil Kim’s Hard Core cover, the booklet, and that feisty, nearly 30-year-old poster we just can’t get enough of.

This interview, which took place over multiple conversations, has been edited and condensed for clarity and length.

When did you first meet Lil Kim?

The date was 7/30/96. The anniversary just passed.

What was your first impression of her?

My impression overall was she was not like she is, as in the present. She was very quiet and under the thumb of Big Un. Remember Big Un?

Are you talking about Lance “Un” Rivera?

Yeah. He was there. He was the man in charge of her and was kind of in control of the shoot. Kim didn't say a word. I don't think I spoke to her once about anything, but we had a nice rapport in front of the camera. She was great and we made a lot of pictures together, but I felt like there was this circus going on around us and it was just me and her. You get this intimate bond with your subject a lot of times. She's in her lingerie and rolling around on a bed. So, I was trying to be my normal, respectable self, and being professional and making the images with her in tandem.

I would direct her like, "Let's try this. How about coming over here? What if we lean this way?" There were a lot of sets. We had rented a brownstone in Manhattan probably. It was a couple floors. It might have been two floors. So there was a bedroom, a little balcony, a fireplace, and those big doors.

I interviewed Kim last year and she told me she just kind of dropped into the squat pose naturally.

It was very spontaneous. When you're doing photo shoots, at least when I was working, it was an organic process and you let things happen. It's like a creative flow. Whenever you have a creative director there holding out a [composition] like, "Here, do it like this," it just was always bad and kind of nothing. It was like the safest way to get whatever it is that they had in their minds. But to make a great photograph you have to let things happen. You just have to go with it.

There was no layout for her to do that pose. It just was natural. Part of it, I spent a lot of time low angle, meaning I was always kind of lying on the floor, crouching down myself. So, it's possible that one of the reasons she did it was because I was probably sitting on the floor looking up at her because that's kind of how I do. My style was based on the hero, meaning my job was to make people look like heroes with iconic style.

My style was based on making people look cool and giving them lots of options. So, we would take a lot of different kinds of photographs. I used different kinds of lighting. We moved very quickly. A lot of things happened and it was very much an exciting experience. Somebody had a set prop person there bringing flowers. For the cover shot, we had all those flowers in front of the fire, and the bear skin rug we brought that in. It was a normal hip-hop shoot. I was intimidated. It was a very hard day. Everybody was being kind of tough and intimidating, and nobody would talk to me.

Were you scared?

I was never scared, but they all had guns. It's not that I was scared..scared is not the right word. It's more like I felt kind of out of place a little bit. I didn't even speak with Kim. I was dealing with Un mostly, and Un had a lot of ideas. So we were trying to do all the things. I was getting coverage for him. He wanted to have her hold the honey bear. Remember, there's a shot of her holding a honey bear on the black satin sheets? We had a lot of props. I had a props guy. His name was Jerry Schwartz. He was very good and we had brought a bunch of stuff.

So, for example, I remember Puffy came in for a shot and I did one shot with Puffy and Kim together. And Puffy, I worked with him many times. He didn't even say hello to me.

I was just like, “Really? Do you have to be that way? You're so cool you don't want to embarrass yourself talking to the photographer, actually acknowledging him?”

I never really felt at home around Puffy. I think at that time, because I don't think he's like this anymore, but at that time he was — and I know this happened to several other people that I've witnessed throughout their careers — they're really striving. It's very hard at the beginning and they'll push, push, push. They're just about their thing and they don't care about you. So, he was yelling at everybody all the time.

On set that day?

Not that day. Other days.

Oh, just in general?

Just in general. Barking orders. But that day he came in briefly and we did the shot and then he left. There's one shot, I don't know if you've seen it, of them together on a wall. I don't even know why he was there. I can't remember. He had something to do with the record, I guess.

"There was no layout for her to do that pose. It just was natural," Lavine said of the image.

The image came out as the poster, “Lil Kim Coming Soon.” When you're there that day, you have no idea what images are going to stand out. Zero. There's just no way anyone could know. It isn't until there's time to contemplate the session when you edit it and you start to live with the images. And the graphic designer who, I can't remember who it was. Maybe you can find that out.

Maybe.

Let's see if there's a name on here. I don't know. Big Beat records? I don't know who that would've been. Atlantic maybe? I think it was Atlantic Records, no?

Lil Kim was [signed to] Atlantic.

It was Atlantic? Maybe it was, I don't know who it was. Liz Barrett? There were a bunch of people in the Atlantic art department at the time. I could probably look at the invoice.

Do you still have the invoice?

I don't know. Let's see if I do. '96...

If you do, you're the best records keeper of all time.

Yeah, there's Kim and Puffy right there. I have the whole job here. Ed and Carl were my assistants. The location was 24 West 10th Street. That's where we shot it. Here's something for you. Ready for this?

Yes.

So, these are notes from my conversation with the manager. "Little Kim. Female. She's the other woman, somersaults in bedroom, not raunchy. Doorway of bedroom, satin sheets. Blouse, undone. Honey in hair, on bed and on phone. Down pants. Unbuttoning pants. No whips and chains. Classy, sexy, lush, lustful. Candles in the background. Fruits and chocolates." There you go.

The notes Lavine was given prior to the Lil Kim shoot.

So, those were the notes that you were given before the shoot?

Yep. Those were the notes I was given before the shoot.

"Not raunchy" really stands out because I think you conveyed that.

"Not raunchy" — peekaboo, sexy shit.

Oh, man. Well, you did it. You accomplished the goal. And that actually flows really well into my next question, which was what do you believe they were trying to convey with the shoot?

It was funny that they hired me because I was known for not exploiting women in my photos. That was one of the reasons I didn't ever shoot women because back in the day, you were expected to shoot women with clothes off. I refused to do that and I never did it. I think this crouching picture was the raunchiest picture that I had ever done. Actually, that's not true. I did one once. But it was not my normal style, shall I say.

But also, it's an empowering image. I just generally felt uncomfortable sexualizing women throughout my career. That shoot was uncomfortable for me because I had to do that, and I think she was a little unclear as to what she was doing herself. I have no idea. I didn't talk to her. I'm not sure what she was thinking. Years later, I talked to her because we were both well complaining about this image being bootlegged.

She did mention that during our interview. That people were making t-shirts and making their own memorabilia.

It's completely illegal what they're doing, and it's got to be the most bootlegged image of mine. It's like whack-a-mole, you can't stop them. You send out your lawyers and then they just shut down and open with a different name. I could probably go out, spend some time and sue them all and she could, too. Who has time for that? If you have a lawyer and you have a lot of money, you could do that.

That sounds like a lot.

I mean, it's unfortunate. But she was talking about trying to do some merch of her own. The smart thing to do would be to get a deal with Merch Traffic or somebody that does merch, and then they would take care of trying to squash the illegal competition. But I thought that she was going to maybe have that happen this year, but I haven't heard from her.

But the image is just getting more and more famous. It's funny, you never know what kind of resonance an image is going to make and impress upon the culture at the time when you make it. It's rare that there's an instant classic. It's very hard to have that kind of impact these days just because of the nature of social media. Back then, there was a poster and that poster was the only poster. There was no other place to see it but the poster.

Now, it's everywhere.

That image really stands the test of time. Very few images stand the test of time like that image that I've worked on. It's one of my more recognizable images and I have a lot of them.

You do.

So, what can I say? It was a perfectly nice day. She was lovely. We had a nice rapport. The pictures came out great. I continued to work for many years after, and I'm retired now.

What made you jump into hip-hop photography?

Well, that's a funny question because I think my whole life, until recently, has been me falling into things that I wasn't planning on. I was driven to do photography so I was on that path. But if you would've told me my senior year, my fifth year of college, I was going to be shooting rock bands for a living for the rest of my life, I would've said, "Really?" I would've had no idea. But that fifth year [of college] I got a job to shoot a rock band and it just turned into —

The rest of your life?

It turned into the rest of my life. I never said, "I'm going to be a rock photographer." I never said that until I was one. Then, I had no plans on shooting hip-hop. It was an up-and-coming market at the time. I didn't know anything about it. I was friends with Kurt Cobain hanging out at rock shows, and really was unaware of a lot of hip-hop.

I did some hip-hop jobs early. I shot De La Soul, who I loved. I shot a few bands and hip-hop acts that were popular around that time. I got to know a lot of people in the business over time because I worked in it for so long. I was really close with Groovy Lou, who I loved as a stylist. June Ambrose. A lot of people.

But this was a defining moment. That shot, that poster when it came out, it made a lasting impact. It's still gaining speed. At that time, nobody knew who she was.

Did you know who she was?

I might've heard her name but not really. I just got hired on jobs. That's how I learned about people. I listened to the record before anybody else heard it. I got it first. But a lot of people were that way — I would learn about them on the job. That's how you learn because if I'm shooting 100 jobs a year, I don't have time to do anything but the job that's in front of me.

Did you listen to the album before the shoot?

Oh, I'm sure, of course. I don't remember the exact moment I listened to it but I always did. But that was part of the job, and we listened to it all day long during the shoot because that's what we did.

When did you realize that photo was really making waves?

Well, I think it happened over time. Obviously, the poster immediately was like, “OK, that's intense.”

Was it everywhere? Was it all over town?

It was everywhere. And when the poster came out it was powerful. It was a dramatic statement and it sent shock waves immediately. It was clearly influential at the time, I will say that. It was shocking and effective. It put her on the map.

Do you think it put her on the map more so than the cover?

Oh, yeah. The cover, who knows what the cover looks like? Nobody does.

#lil kim #lil' kim #rap #queen of rap #rapper #hip hop #queen bee #female rapper #female rap #hiphop #fashion #90s #squat

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adrithebride · 4 months

Text

How to install "Haunted Dark Bridal" on your PC - eng ver

Good morning, good afternoon and good evening to everyone reading this, my name is Adri and I will be the host of this short tutorial. Firstly, I would like to apologize in advance for my terrible English, this is not my first language so I'm sorry if some things may seem confusing, i would like to thank everyone for reading this too.

Without further ado, let's get to the tutorial:

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Emulator Installation ->

Before downloading the game, you will need the emulator. The Diabolik game will need the assistance of the PPSSPP EMULATOR to run in the pc, this emulator can be found in here: PPSSPP

Clicking in the link, you find yourself in this page:

Click in the "download" with the blue icon by his side, this part will depend in the kind of pc you have.

If you have Windows (like me), just install the first of the blue options, "Download PPSSPP Installer", the download may give an error notice, saying that the file is harmful, but you can install it just fine since it will not actually harm your pc.

After installing, it will create a file with the name "PPSSPP setup" on your computer, click on it with the left button of your mouse. The next part is very simple, the program will just ask for authorization and then start downloading the emulator, you can chose the language that the app will install on.

When installed it will appear like this in your list of apps:

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Game Installation ->

Now the best part! Installing the Haunted Dark Bridal game, this part is very simple.

You will get the game link in this site: Diabolik Lovers by Naoki (link obtained from the channel fumicia)

The link wil direct you to this mediafire page were you be able to install the file.

When you install it, a zip file will be created on your computer (you will need Winrar for this part, but I believe most of you have the program, if you don't have it, send me a message on PM and I will teach you how to install it correctly) , extract the file to a folder of your choice.

After extracting the file, it will create a folder called "Diabolik Lovers", which is where the game will be.

Returning to PPSSPP, open the app.

I already have the game installed, but it won't appear on its own in the emulator. To open the game for the first time, click on the part written "Load…" ("Carregar"... in the print above).

Double click on the "Diabolik Lovers" folder

Click on the file named "dlovers" and that's it! The game will automatically open to the beloved opening of Haunted Dark Bridal!

The game is completely in Japanese, but there are many accounts on Tumblr that have complete translations of the chapters, the one I personally use is the Dialovers Translations.

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Controls Guide ->

The emulator is a little difficult to use, as it is based on the Nintendo controls,but it has a controls guide:

To access it, click on "esc" on your keyboard, go to settings, controls and control mapping, you can reconfigure the keys the way you like.

For a little tutorial:

The "space" on your keyboard is the "start" of the game, where you can skip the scenes at the beginning of the game such as introductions and the beginning music.

The "X" is the select button, it is where you will click when you need to select something like the "start" button that appears at the beginning of the game, as well as where you will click when you skip the frames during the game.

The "Z" is the cancel button, which you will click if you want to return to the home screen or pause the game.

#diabolik lovers #anime #diabolik lovers oc #diabolik lovers headcanons #diabolik lovers games #sakamaki #sakamaki shu #sakamaki reiji #sakamaki subaru #sakamaki ayato #sakamaki laito #sakamaki kanato #haunted dark bridal

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lakesbian · 1 month

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OH have you finished all of animorphs then? Any general wrap-up thought on the characters n their arcs if so?

oh boy okay that's a big ask because the lack of specificity means i'm inclined to be comprehensive. i'm gonna force myself to be brief

jakey: very coherent arc from "i'm not the leader why are you guys saying i'm the leader stop saying i'm the leader" to "Subhuman. Flush 'em." it's good. i also like the chain where he's like. initially invested for saving his brother > tells marco he can't make calls about his mother because he's too close to the situation and is frankly an ass about it while hypocritically insisting he can handle the yeerk controlling his brother trying to murder his father, relieved when the animorphs take the difficulty of having to make the choice away from him but still views it as an indictment of his leadership capabilities > during the evacuation of the families he almost like...overcompensates w/ under-prioritizing himself and his loved ones, irrationally prioritizes everyone else's families being moved out first despite the fact that it would have made more tactical sense to do his first > he loses his family over this and it breaks him

rachel: problem w/ rachel is that, unbeknownst to me when i started reading, multiple of the books for her just had no idea what the hell or fuck they were doing, and were wildly out of character. ignoring the books that were fake and didn't happen, her arc is good. the thing is that "we might have to do something terrible, too. get rachel" is the crux of her Issues and the ghostwriters didn't need to do any of that other shit. the fake and true rachel books would've been served better by exploring the fundamental divide btwn her and cassie as people i'm sure you know what i mean

marco: probably the most consistent/strong arc? it's good. reading the end part was like

marco: i haven't seen jake in a few months. i still worry about him of course, just...from my hot tub me: that seems not true marco: okay so he hasn't seen ME in a few months but i have been continuously accidentally-on-purpose spying on him, and also sometimes i turn into a lobster in my fountain to cope me: okay yeah that's true

i like his fundamental internal conflict of. Being a person who is very capable of seeing, as per his iconic monologue, the bright line from a to z, and also continuously kicking the part of him that's horrified & upset by how that line impacts himself/the things personal to him under a rug. and despising when people pity him or acknowledge that he's upset/hurt because it reminds him he's got all that shit under the rug and distracts him from the bright clear line. really really good character writing how he's completely okay with constantly yelling and crying about how he's the most scared and afraid boy ever because fear over physical things is pragmatic, but he can't tolerate having it acknowledged when he's upset by something he knows to be necessary, because that's Not pragmatic. it adds flavor

cassie: i think it's funny how some of the other roles on the team are "the leader" "the lieutenant" "the axe-man" (<- not to be confused with the ax-man) etc and she's The One With A Continuously Functioning Moral Compass, Nerd #2, and The Emergency Lisa*. i've been told that the cassie books are either some of the strongest in the series or absolutely nothing but the thing is that i like the absolute nothing ones because i think the shenanigans are fun. so overall she's got great books. the struggle of a character who finds the moral compromises she's forced to make while participating in a war genuinely psychologically intolerable but still keeps being sucked in further is good & a nice sort of foil 2 some of the other morphs. i do have. And this has to be said despite being somewhat tangential. i do have the firm opinion that. rachel and cassie v much come off like they should be the classic "people who were bffs as kids and start becoming distant/incompatible as teens but are ignoring it and will be insisting on hanging out/calling each other bffs for several more years until something causes a bigger schism" dynamic & it would add a lot more if the text was aware of this fact and did something about it. but that's a longer post for a later time

tobias: his stomach flipping over while he tries to deny that the hawk-boy form of himself ellimist is showing him is him is perhaps one of the most stark scenes in the entire series and i think we should all be drawing it more. it's nice they put an abused autistic kid who doesn't feel like a human person in animorphs so that various children reading could have their brains rewired. i like how he's got a very heavy internal life. he's always Pondering. the torture plotline is a bit weakly written i think, his strongest moments are when he's doing an identity crisis thing. his dynamic with rachel is really good and the end of his arc does feel fitting. i think with how aximili is always going on abt how tobias is his shorm aka soulmate it would've been good if we saw more of the convos they were having or they had a more clearly Besties bond going on. although i DO like that aximili almost never shouts, someone (jake?) explicitly notes that when ax Does yell it means you'd better fucking listen, and to my memory the only call-caps moment aximili has is yelling "TOBIAS!" when he thinks tobias is critically wounded. more of that shit please. i would've also liked more tobias books in general bc he has one of the strongest narrative voices out of the gang

aximili: I was so mad about his very last book in the series being a shit ghostwriting moment. So mad you do not even want to know. entire plot of, like, book 8 all over again, except this time he's casually considering endorsing genocide for some reason. anyway i think there's a lot of interesting things going on in his head but his arc doesn't really wrap up well & there are a few ghostwritten books where he feels poorly done w/o having a rachel-type Really Iconic book that makes up for it. he works better early and mid series. he's also just a fundamentally hilarious character concept which is great. i'm sad that people lied to me about him being autistic compared to other andalites (he's not) but i like when he has axtism moments anyway. i would like to see 100 drawings of axmini get cinnamon roll now please

#ask #animorphs lb

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iconsfinder · 3 months

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yamcha-universe · 11 months

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Yamcha cheated on Bulma or the bad script that I never believed

Let’s be honest: Akira Toriyama knows how to create iconic characters and moments, but he is weak creating narratives and scripts. Concerning to Bulma and Yamcha, it’s simple. They didn't have much in common. Bulma is smart, beatiful and decisive girl (who wouldn't like to be like her?) who at the same time is volatile and a bit rude, while Yamcha is shy, cheerful and a warm person (in every sentence -come on! He's hot-) who, at the same time, is a free soul with a bit of submission to the persons he found in his way.

It is a lie that "opposites attract", because there must always be things in common to grow as a couple (not only the gang, age, wanting a partner,...). That's why Bulma chose Vegeta: both are explosive, tough, ambitious and have a great passion for what they do. Easy.

Many times, Bulma consciously or unconsciously used Yamcha's own virtues to limit him: His loyalty (she would throw tantrums at him so he wouldn't go away so long to train, something she has allowed without restrictions with Vegeta), his kind heart (he didn't want to be rude to the girls who followed him but Bulma used this to say that he cheated on her while her hormones betrayed her and made her fixate on any new hottie that came along) and his submissive character (Unlike Vegeta, Yamcha was looking for ways to support himself and not live at his then girlfriend's expense, however, she didn't like that and the few times he wanted or was able to grow up were undermined by her control. This changed somewhat in Z).

It doesn't matter where you come from, if someone cheats on you over and over again and, you are an intelligent person (like Bulma) you would never want to have contact with that person again. But, as we can see, they are still good friends after all.

My opinion? Bulma and Yamcha spent 16 years together (as a couple and friends, and they got to know each other very well) and perhaps they managed to see that they were definitely not right for each other and that their chemistry was more that of siblings than a couple, which would explain the closeness and complicity they maintain after having broken up for good (like the fact that Yamcha consoles Bulma when she learns of Vegeta's death, or the affection with which he tells Trunks how his father was driven mad by Cell's actions).

So, my humble conclusion is, Yamcha never cheated on Bulma.

Image credits: WAYA

#yamcha #dbz yamcha #bulma #dbz bulma #bulma briefs #son goku #dbz vegeta #vegeta x bulma #prince vegeta #akira toriyama #dragon ball #dragon ball z #dbz #dbz trunks #dbz goku #dbz krillin #dbz gang #manga

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seriesluticons · 2 years

Text

like or reblog if you save. ♡ credits @speaksnw on twitter

#icons #control z #control z icons #ana valeria becerril #yankel stevan #michael ronda

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heartsforsserafim · 8 months

Note

May I ask for CEO Kazuha x female reader secretary?

On your body

genre ; kind of smut , fluff

pairing ; CEO!kazuha x secretary!femreader

cw; small mention of mature content

You and your boss Kazuha have worked together for years, she was always so kind to you. Flashing her iconic puppy smile, each time she saw you, during lunch sometimes she'd even asked you to come with her.

You've always liked the way Kazuha was with you,but you knew you could never date her due to the rules. Although her father owned the company, it'd still be wrong for you two to date.

That led you here, back against the wall in a heated makeout with the girl, "Do you think he might find out?" you asked worriedly when she stared into your eyes, "If he does, then he'd make a huge mistake by firing us" She kissed you again, but it was softer, her eyes softening again.

"I really like you Y/nie" "I like you too Nakamura" "No," she laughed before continuing to speak. "I have a crush on you Y/n" your entire being froze, you couldn't register what she said. You couldn't even speak, she looked at you but you never replied she just smiled while tears were threatening to come out, "You know, actually it's fine. I was joking anyway" she smiled a bit before leaving, you still not being able to register but you followed her.

You two made it to her office, and she turned around, "Go back to your desk. We shouldn't be seen together." She said, cold, your heart broke but you stayed there. she had turned around but once she didn't hear your footsteps going the opposite direction she turned back around and you kissed her. She closed her eyes, automatically melting into your kiss. You broke off for air, and stared into her eyes, she was, calm. "Thank you y/n" you felt guilty and explained yourself, "zuha the reason i didn't say anything back there is because i was shocked i didn't know you liked me too"

She smiled so big finding this out, and picked you up spinning you around. She kissed you once again, reminding you to return to your desk, and that you did. She was gonna take you out after work and so you were excited. The day felt like it was so slow, but you still waited until work was over.

Kazuha took you to a fancy restaurant, "Are you sure here? Isn't it too expensive?" You asked, "What no, it's not enough money if anything, you deserve something better" Kazuha you and your words, "Alright, well let's go in" You decided to hide what she said made you flustered and went and ate the food.

After eating, you two went to a park nearby and enjoyed the sunset, "The sight is so beautiful" "It really is, but you know something else that's beautiful?" "You" You said to kazuha, her cheeks turning a light pink tint before she put her head down smiling.

You two went back to her place, having a few glasses of wine and well all you could remember is waking up in her bed, with just your bra on.

"Zuha?" "Yes?" she said as she walked back inside the bedroom, dressed in just grey sweat pants and a sports bra, "Uhm how did i get here?" "You asked to spend the night and i agreed. Here eat up, I'll get you something to put on darling" Kazuha said, giving you your food and disappearing into the closet.

Kazuha returned by the time you were finished eating, "the bathroom is to the left, i'll take this" she grabbed your plates and cup.

You went into the bathroom, taking your shower and began to wash your hair. Closing your eyes and you began to remember last night

"Z-zuha ah fuck i'm cumming" she was eating you out like crazy, her fingers stimulating your clit. "mommy's good girl" she said and you came.

Your face turned red, and you hurried out the shower, trying to find the latter.

"Well look at soon to be mrs.nakamura" Kazuha said, she grabbed you one of her friends shirts, (its yun's guys) and a pair of shorts.

"Zuha can we talk, about last night" her face went red, her ears too "I-i'm sorry i got out of control" You laughed a bit, "It's fine baby" you kissed her cheek before getting up, grabbing your bags.

"Where are you going?" "Home, i have a dog there zuha-" "A puppy?! Let me go with you, please please pleaseeeee" Kazuha said, jumping off the couch to you, "Sure, but hurry because i will leave you here" She bolted upstairs grabbing her coat and wallet.

You laughed at her cuteness, knowing you were lucky for her to be yours.

#kpop #girl group smut #kpop smut #le sserafim smut #kazuha

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quonit37 · 2 years

Text

Clip Studio Paint is Moving to Subscription, so...

I think now is a good as time as ever to tell people about the best art program that you’ve never heard of.

Sketchbook Pro was previously owned by Autodesk, who supported it for years before selling it to another company that only gave out the free crap version of the program. For years, there was no legal way to obtain the Pro versions. But recently, the original developers rebought the program and are once again actively supporting it and giving it updates and frequent blog posts!

Lets start with this image:

Every single component can be moved around. The bar at the top, the layer menu, the toolbar, the color picker, EVERYTHING YOU SEE ON SCREEN CAN BE MOVED. And also closed.

The top bar has most major tools artists need, giant red and green undo buttons so that it’s actually faster to tap those than reach for Ctrl + Z on a keyboard.

Magnifying Glass

The magnifying glass is the BEST MOVEMENT TOOL I’VE RUN INTO WITH ANY ART PROGRAM. With other art programs you get the scroll wheels on the bottom and sides of the screen that you have to individually control and a magnifying glass where you need to specifically switch between zoom in and zoom out mode, and the options to tilt the canvas are either limited or not there. Here it’s just. press. Drag. Press. Drag.

Select Tool

The select tool is basic with most of the options an artist might need or expect, all the different shape tools, a bar for the magic want to increase how intense it is, the option to add more to your selection or remove parts, an invert button, and the deselect buttons.

Cropping

The cropping tool automatically fits around your selection, which can be useful if you’re trying to make things like emojis where you want as little free space as possible. All of the edges and corners can be dragged, there are options to type in your own numbers, and the link bar to make it so your cropping stays the same shape when you move it, and the cancel and accept buttons.

Move Tool

The move tool is very similar to the magnifying glass, with the same method of movement and zooming and tilting. The move tool has extra things though like easy stretching, and if you have something selected it automatically tries to move that.

Transform Tool

The transform tool has a lot of options you can see in the gif. The circle in the middle makes it so you can move stuff in the middle.

Lagoon

Every single one of the options here is drag and drop. There are a total of 50 things you can just drag and drop for, and they are all assignable. You can customize putting any function in those 50 drag and drop slots. I highly recommend putting the flip canvas/flip layer options in there (there are vertical options as well!)

Layer Menu

The layers are as excellently straightforward as everything else in the program. Multiple one or two tap ways to do everything you need.

New layer? tap the + button, or drag up on the layer you want a new one on top of.

Want to delete a layer? drag.

Want to hide a layer? tap or drag.

Want a lower opacity? drag in either two areas.

And the layer menu is large enough you can actually SEE what’s on the layer! It’s not microscopic in some hidden corner!

Toolbar

The tools are highly customizable, have large icons, there are LARGE downloadable libraries of custom ones (that you don’t even need to leave the program to some website to download), and it’s really simple to make anything you want in here.

I’ll make a separate post of the tools I’ve made + a download. Here’s a link to that post

Color/Brush Pucks

There are two pucks, the color and brush puck. They are both drag and drop.

With the brush puck, drag left or right for a smaller or bigger brush, and up or down for a lower or higher opacity.

With the color puck, drag left or right for more saturated or more de saturated colors, or up and down for lighter or darker colors.

You can also tap the color puck for a more limited color menu! The eraser button makes your brush go invisible. Which. Is so helpful. You can erase with any tool.

You can access the same limited color menu from the layer menu’s background button.

Color Editor

Extensive color wheel

optional pallet for you to save colors to

the eraser and eyedropper tool

an option to put in numbers if you like

a randomize option which is VERY VERY CUSTOMIZABLE and I use it for so many drawings (particularly pictures of space)

Paint Bucket

The paint bucket will color what you tap it on, or fill a selection if you have one.

It has a flat fill, two different gradient options.

When you have a gradient, the color puck gets a new menu for saving gradients to

Every single color is editable and movable. You can drag it.

Option to reverse the direction the gradient is going

a strength meter

an option for it to see other layers or just the one it’s on

Text

The text option is admittedly pretty limited, but it does its job. All the fonts are just the ones you have installed in windows

RULER AND CIRCLE TOOLS

many movement options

I have no idea what the use of the french curve is but it’s also there and similar

Perspective Tools

There is a robust perspective system but I don’t know it well enough to explain it. someone who actually uses these tools can lol

Symmetry Tool

Can be moved easily

Has option for cutting the screen horizontally rather than vertically

option for both at the same time

option to be able to go over the lines or not

option to hide it

option to stop yourself from moving it

Struggle with smooth lineart???

Steady Stroke makes it so that you drag your cursor rather than just draw, so you can get smoother lines. Easily increase how large the drag is

Predictive Stroke corrects your line after you make it, and you can change how much it tries to correct it. REALLY USEFUL FOR CIRCLES.

Conclusion

I barely even use buttons with my tablet because of how accessible this art program is. Why press undo with the button on my tablet when I can move my cursor a few inches? Why go through two different submenus to create a new layer when I can just drag upwards? Why create a mirror canvus button when I can just drag???

This art program is really obscure but I struggle to even imagine using something else. PLEASE give it a try if you’re struggling with your program and want to experiment with something else

<<FREE DOWNLOAD HERE>>

<<20 DOLLAR PURCHASE HERE>>

REBLOG TO SAVE AN ARTIST

#art help #art tutorials #clip studio paint #quo rambles #quo's tutorials

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