Microsoft is putting its foot down when it comes to unauthorized controller use. The company has begun banning any third-party Xbox controllers and accessories that aren't part of the "designed for Xbox" hardware partner program.
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Wow, what a great move, microsoft... I bet all the disabled people out there who rely on custom-made third-party controllers will just looooove this change...
Or the fighting game community who like to custom build their own fighting pads...
Or the hardcore racing game players who build custom steering wheel setups and whatnot...
Or just the people who can't afford to dish out $70 for an "official" controller.
Or pretty much anyone who doesn't use one of your controllers for whatever reason...
Well anyway, in conclusion:
Go fuck yourself, Microsoft
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Actually I'm still thinking about it. Another interesting way in which RvB is anti-war is the way that the Director fills the role of a villain and antagonist (especially in the Recollections trilogy, where he's a faceless villain we never see but is responsible for everything that happens).
In his memos to the Chairman, the Director emphasizes his sense of duty and obligation to the military- he becomes irate for the first time when he feels that it's being implied that he was derelict in his duty... or that the work he did out of that duty is being criticized for being against the military's interests. He also talks about Allison's death in a way I find... interesting.
"You see; I never had the chance to serve in battle. Nor did fate provide me the opportunity to sacrifice myself for humanity as it did for so many others in the Great War. Someone extremely dear to me was lost very early in my life. My mind has always plagued me with the question: If the choice had been placed in my hands, could I have saved her? [...] But, given the events of these past few weeks, I feel confident that had I been given the chance, I would have made those sacrifices myself... Had I only the chance."
The idea of sacrifice is central to the way he talks about his wife's loss, to the way he talks about the war in general. He talks of sacrifice with a sense of veneration- that it's something he aspires to do, that he longs for. There's a few ways we can interpret "I would have made those sacrifices myself"...
-That in Allison's place, he thinks he would have laid down his life too.
-That if given the chance, he would have given his life to save hers.
But most interestingly...
-That he would have sacrificed Allison's life for the continued survival of humanity, if that was what duty called for.
...And personally, I think all 3 are true.
In most war media, the Director's perspective on sacrifice is very common. Sacrifice is glorious and heroic- to die in battle is an honour- and it's the only way to ensure the group you serve survives. This is a tool of propaganda- nobody wants to go to war just for the sake of it, you have to give them a reason that the risk of dying or being permanently disabled isn't just acceptable, but desirable. Beyond that, most people don't want to do things they think are immoral- you have to convince them it's important, a necessary lesser evil. You teach them to sacrifice their morals, too.
The way they train soldiers to follow orders and to kill, is to convince them that they, and the people around them, and the people they care about, will all die if they don't. It's drilled into your head from day one. It's the way they ensure their commanding officers won't shy away from sending their men off to die. The message is constant- sacrifice is your duty, and duty ensures your people's survival.
In the Director's eyes, the damage Project Freelancer caused was his sacrifice. He never got the opportunity to sacrifice himself during the war- so he sacrificed others, as military brass do. The Freelancers- including his daughter. The countless sim troopers. Any people he considered "collateral damage" on missions. And when the opportunity to do so presented itself, he sacrificed a copy of himself- Alpha- and he sacrificed a copy of Allison- Tex.
The very thing that derailed his life- the loss of his wife- he made it happen again. He put her copy in dangerous situations, let her exist in the position of constant repeated failure, created the circumstances that would eventually lead to her death. He put their daughter in deadly situations that nearly killed her repeatedly, provided her with impossible expectations leading to self-destructive behaviours in the name of duty, implanted her with two AI knowing they could cause her permanent harm. He was confident he "would have made those sacrifices himself" because he did.
The Director is the embodiment of the military war machine. As an antagonist, he is a warning against buying into the glorification of sacrifice. He's a condemnation of the idea that one should be willing to do anything to win a war- that duty to the military is the thing that ensures survival... All the messages that are pushed to ensure recruitment and obedience of soldiers.
He's a reminder that swallowing the propaganda leads to you doing terrible things... and in the end, you're a broken man left mourning the losses that you suffered even as you repeated them, convinced that it was all necessary.
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wip wednesday, mwah
hi, friends 🫶🏼 pls have a very late, semi-horny snippet from my 5+1(+1) fic
Shutting his eyes, Eddie tucks his face in the hollow of Buck’s throat and breathes in Buck’s sweaty, sleepy-soft scent. He hooks one of Buck’s legs in the bend of his arm, reaches down to grip the base of his length, and rubs the head of his cock against Buck’s slick, swollen hole before shoving all the way inside in one go.
Buck takes him easily, eagerly, wet and warm and fingered loose enough Eddie could’ve fit his whole fist if he tried. He arches up with a pretty sigh that hangs in his throat, raking his fingers through Eddie’s hair and grabbing tight to bring Eddie’s mouth down to his.
The kiss is dirty, deep and wet and messy. Eddie frames Buck’s face with his elbows, sucks on Buck’s tongue like it’s his lifeline, and Buck gives over a rush of perfect mewls that make Eddie’s tummy boil.
Fuzzy yellow light filters through the tall windows of their bedroom, warming Eddie’s back and ass and legs. He shivers, comfortable and held tight, held close, wrapped all up in Buck he’s not sure where either one of them begins and ends.
Smiling, Eddie pulls away from Buck’s dirty kiss. “Hey, pretty boy,” he whispers softly, licking away the string of spit stretching between their mouths. Buck’s so cute when he’s full of cock, cross-eyed and slack-jawed and a little stupid with pleasure, like he’s good for nothing else except getting fucked. He shifts his hips back and fucks forward, hard, just to watch the way Buck’s lips part on a sigh of his name.
A little grin stretches across Buck’s lips because he knows how perfect he looks when he’s taking it. “Don’t have to flatter me,” he says, looping his arms around Eddie’s shoulders. “I’m a sure thing.”
“Asshole.” Eddie laughs, leaning into Buck’s touch. He’s warmer than the morning sunshine on his back. “You piss me off so much.”
“And yet you can’t keep your dick out of me.”
Eddie nuzzles along Buck’s cheek, across his chin and up, till he can kiss the tip of Buck’s nose. “Keep it up,” he says, pinching the back of Buck’s fat thigh, “and I’ll withhold my dick for a whole month.”
“Liar. You can’t resist me.”
“I can so resist you.”
Buck snorts, rolls his eyes, and pulls Eddie back down for a giggly, goofy kiss.
it's so late so, but i was tagged by @watchyourbuck, @jesuisici33, @wildlife4life, @wikiangela, @exhuastedpigeon, @eddiebabygirldiaz, @try-set-me-on-fire, @honestlydarkprincess, @loserdiaz, @callmenewbie, @daffi-990, and @ladydorian05 🫶🏼
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