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#it’s such a fascinating foil
seeminglyseph · 11 months
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Karna just being deeply, deeply attracted to Deli and like any time he does violence is so fun to watch.
Lou just describes a fucking rad action sequence and it just cuts immediately to Aabria giving the best reactions possible. I love this. Thank you for making what I know will ultimately be a tragedy a fucking delight just the same.
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poorly-drawn-mdzs · 1 month
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The girls are here!!!
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jellieland · 1 year
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A week or two after the games, Grian will usually check in with the victor.
It's a habit that's probably more for his own benefit than anyone else's. But it is, he thinks, a good habit nonetheless.
After all, as fun as it all is, things can get a bit... intense, towards the end, and it's good for his peace of mind to make sure the last one standing is ok with how things shook out.
Nothing much has ever really come of it before; they're all pretty resilient. He doubts this time’ll be different. Except- well.
Something about it all itches at the back of his mind, and he hasn’t been able to work out why. There was the actual ending, of course, but also Grian may have been whispering in Martyn's ear about how boring that final showdown was turning out to be, and how narratively satisfying it would be if he just betrayed the other two and got it over with, so.
If nothing else, it feels like he's got no reason to break with tradition.
There's just one more concern.
Martyn seems to have made it almost impossible to contact him.
It's not... unheard of, for players to keep to themselves most of the time, especially when it comes to those they don’t share a server with. It seems a little uncharacteristic of Martyn, but the last time Grian saw him outside the games was before they even started, so maybe he does things differently these days.
There are certainly a great many reasons why that could be the case, most of which are perfectly sensible.
But Grian's never been able to resist picking at a puzzle put in front of him, whether the puzzle likes it or not, so he is going to talk to Martyn. And he can just see what happens, and worry about any consequences if and when they appear.
Luckily, he already has a way to do just that.
He doesn't usually need to do this - although it is very funny to startle Scar or Mumbo with it sometimes when they're concentrating. Honestly it's usually less effective than communicators, with how much effort it takes.
But he does have a way. The same way he used to whisper in Martyn's ear very recently, in fact.
He reaches out, away from his home, away from his body, and it feels a little like simultaneously overextending himself, and putting his foot down on a step he thought was flat ground.
That is... not how this usually feels.
It's odd. Rather unnerving.
But it works.
He finds Martyn. Watches the vague shape of him solidify into something more real.
He’s still wearing his red life outfit, for some reason. His eyes are closed. Around his head, the coral curls like a blood-red crown.
“What do you think you're playing at?” Asks Grian.
Martyn blinks his eyes open slowly, looking less confused than Grian would expect for someone hearing a disembodied voice out of nowhere. “Oh good.” He says dryly. “You again.”
He squawks indignantly. “Hey, what's that supposed to mean?”
There is silence for a few seconds.
“...Hey.” Martyn says, and as flippant as he suddenly sounds, he looks as thrown off balance as Grian feels. “Not sure who this is, but I think you might have the wrong number!”
“I think that's unlikely.” He deadpans. “Where are you? I haven't been able to get hold of you.”
“Uh-” There's a short pause as he looks around at wherever he is right now. “Falling into endless nothingness, looks like. Same old, same old, am I right?”
Grian rolls his eyes. “Yeah, ok. Well, I suppose you don't have to tell me.” A part of him makes a note of Martyn’s wording, though. Just in case.
“...Hm. Well, not gonna lie, I do appreciate the change of pace, but I would love to know what exactly you want from me. You know, just on the off chance that you feel like giving me any clues.”
It's at this point that Grian remembers: one of the main reasons this method of communication is good for messing with people is that it makes him sound, um. A little different. And while he can see Martyn, it’s not as if Martyn can see him.
...Best to just pretend that hadn't slipped his mind.
“You do realize this is Grian, right?” He asks, as though it ought to be obvious.
“Riiight, yeah, sure.” Says Martyn. “And I'm also Grian, did you know that?”
“Oh for- what, do you want me to tell you some secret only the two of us would know, or something?”
“Nah.” Says Martyn. “That wouldn't work.”
“Elaborate.” Says Grian, through gritted teeth.
“You know what? I don't think I will!” Replies Martyn brightly.
Grian takes a deep breath in through his nose. “I'm beginning to wonder why I bother.” He grinds out.
Martyn snorts. “Tell me about it.”
There's a short silence.
“But- ok.” He continues. “Just suppose for the sake of argument that you are Grian.”
“...Yes?” Asks Grian warily.
“I have a question for you.”
“...Yeeees?” Asks Grian, even more warily.
The silence stretches for several long moments.
“What's up?” Asks Martyn.
“Yeah ok, this isn’t worth it, I'm leaving now.”
“Wait! No, I'm serious!” Under the amusement, there's a note of something that sounds almost like nervousness in his voice. It's uncharacteristic. Unnerving.
“What are you talking about?” Asks Grian, trying very hard to keep his voice at least mostly free of annoyance.
“Oh, you know! What's going on, what's the deal, what'd you want to talk to me for?” There's a slight hesitation. “You need help or something?”
“I- ok. That's actually sort of relevant. It's really nothing too complicated, Martyn.” He says, grumpily. “All I wanted to do was make sure you're good with what happened at the end of the last game.”
Martyn blinks, and goes very still.
There is a long silence - long enough that Grian starts to feel concerned.
And then Martyn laughs.
It's not a nice laugh.
“Good, huh. You want to know if I’m good with it. That sure is an interesting choice of words.”
“...How so?” He asks, guardedly.
“Grian. Grian, I’m not sure if you remember this, but I won. I won this one, Grian.” Every word he says, however restrained, sounds like it’s had to claw its way out of him. He glares at nothing. “And guess what? It's just like the others. I don’t really care enough for any of it to matter to me, anymore, and that's fine by me.”
Now that's... a lot to unpack. “You- I'm sorry?”
“Well that makes one of us then, doesn't it?” His voice is coated with scorn.
“What are you talking about?”
“Do you actually think I’m going to explain myself to you?” He asks, looking half-amused. “You, of all people?”
“Well unfortunately, Martyn, I can’t exactly put Ren on the line, so I’m afraid I’m all you’re going to get.” He snaps, and instantly regrets it when he sees the look in Martyn’s eyes.
There is a short silence.
Grian shifts uncomfortably. He’s not going to apologize, obviously. But. Well. “That... ok, maybe that was a bit much.” He says.
“...Little bit, yeah.”
There is another silence.
After a while, Martyn speaks.
“I would’ve betrayed him too, you know.” He says coolly.
“What, Ren?”
“Yeah. At the drop of a hat. Soon as it was convenient.”
“I mean sure, I suppose?” Says Grian, caught off guard. “You didn’t, though. Did you? When you had the chance.”
“Eh.” He shrugs, as though that’s an irrelevant detail. “It would’ve been more dramatic later. You know how it is.”
...There's no real way he can justify saying no to that, is there? “Yeah.” He says. “I guess I do.”
He tries to picture the King, betrayed. The Hand, triumphant.
“I dunno, though.” He says, thoughtful. “I don’t think you ever could’ve done it, to be honest. Not in the first one. Whatever it was you were planning, it was just never how that story was going to go.”
“That’s not true.” He says it just slightly too fast. “I know that’s not true.”
Grian scoffs. “You know thinking about something isn’t the same as doing it, right?”
“What, no, really?” He rolls his eyes. “You don’t say!”
“What I’m saying,” He lets his voice turn biting, “Is that you’re being stupid.”
Martyn lets out a startled laugh. It’s surprisingly genuine. “Wow. You’re really bad at this, dude.”
Grian bristles. “Well why am I the one who has to do it then? Why don’t you talk to someone else, if you hate talking to me so much?”
“I mean…” He makes an unconvinced noise. “Obvious problems aside, when do you even expect me to do that? We usually have other things to worry about.”
“I don’t know, maybe at literally any point between the games?” He sighs exasperatedly. “There’s no way you’re that busy.”
“Between the games?” Martyn asks incredulously, and Grian suddenly feels as though something dangerous is hovering over their heads, just about to drop. “What do you mean, between the games?”
“I mean between the games! Like- now! What do you think this is, right now, if it’s not between the games?” He snaps.
“This right now?” He looks nonplussed. “I think we’re usually asleep for most of this bit. Or possibly we forget about it. As you can probably imagine, it’s hard to know for sure.”
“Now I know that’s not true.” He says firmly, ignoring the unease trying to creep up on him. “I know I do stuff between games, and I know I don’t just forget about it. That makes no sense.”
“I mean, I don't necessarily mean everything between the games, more just this specifically.” He gestures around at nothing. “That gets more complicated, though. But you- hm.” He looks curious. “That’s interesting. Where even are you, then, at the moment?”
“I’m at home! Which is where I thought everyone else was too!”
Martyn seems to consider this for a few moments, and then he frowns, and then his expression goes blank. “…Oh.” He says. “Yeah. No, that… makes sense, actually. Yeah. You’re probably right.”
“Wha- what do you mean? Right about what?”
“Everyone probably went home. Or, at least, they thought they did. And hey, what’s the difference, when you get right down to it?”
“...Ok, I’m going to ignore the second part for now, I already got past that little existential crisis after Ren and Doc’s whole… thing… in season eight- if you think everyone went home, why are you- what was it you said- ‘falling into endless nothingness’?”
There’s another pause.
“...You’re really gonna make me say it, huh? That seems cruel, even for you.”
“Wait, no, what do you-”
“Where else do you think I would go?” It sounds less like an admission and more like an accusation. “What ‘home’ do you think I have left, Grian?”
“Look.” Snaps Grian, feeling vaguely tricked. “It’s not my fault that you-”
“Yeah, it never is, is it?” He glares into the darkness. “It’s always a tragic inevitability with you, never a choice you’re making. That way you get to stab people in the back and pretend to be sad about it. Best of both worlds, huh?”
Grian splutters for a few seconds. “Why are you being so rude to me??”
“Because you’re you and I’m me.” He smirks. “Don’t know what you expected, honestly.”
“Oh yeah? Who’s hiding behind inevitability now?” Grian retorts, perhaps a trifle vindictively.
“I never said I wasn’t a hypocrite, sometimes. Also, I never said I felt bad about it.” He replies levelly, and all at once, they’re talking about something else.
“You didn’t need to say it.” Snaps Grian. “You might be good at lying but you’re not perfect. I could see in your face that it hurt.”
He narrows his eyes. “It felt good, actually.”
“Wow, good for you.” He says, almost amused suddenly. “You didn’t say I was wrong, though.”
His expression twists into something unreadable. “I know you, Grian. Like recognizes like.” He says, voice low and dangerous. “You’re a liar.”
Grian shrugs, despite the fact that Martyn will not see it. “And you’re a coward. Your point?”
“I don’t need to justify myself to someone who refuses to admit that he could have chosen to be better, if he’d ever wanted to.” He spits out.
“Hey, at least I don’t try and convince myself I’m a monster just because I want to survive.”
That one strikes something tender; he can tell. “Right, yeah, and you’re just a blameless angel and everyone you cut down had it coming, I’m sure.”
“I didn’t say that. But since you bring it up… how many people did you give up your time for, again?” He grins. “Is it less than one? Because I think it is. I think I’ve got you beat there, Martyn.”
“And where did it get you?” He snarls.
“Home, in the end.”
Martyn flinches back as though he’s been struck.
“Did you forget about that part?” Asks Grian.
There’s a long pause.
Martyn fidgets with the end of the banner he wears around his waist, pulling at where the white threads are coming undone. He stares out into the darkness. “Yeah.” He says. “I guess I did.”
The satisfaction of winning the argument feels less potent, suddenly.
“You’re right.” Says Grian, after a while. “I’m really bad at this.”
Martyn laughs quietly. “To be fair, I’m not exactly helping.”
“You’re really not.”
He sighs. “You know pulling the knife out just makes the wound start bleeding again, don’t you? That’s all we’re doing here. That’s all we’re going to do to each other. We’re too alike to do anything else, unless we just don’t do anything. And hey, we’re not great at that either.”
“Hmm.” Says Grian begrudgingly. “I’d say something about inevitability again, but I honestly don’t think you’re wrong.”
“We both just enjoy pushing buttons too much to be particularly good at not pushing them, I guess.” Martyn sounds half-amused, half-resigned.
Grian makes an irritated noise. “Yes, alright, I don’t need another reminder of the whole button debacle.”
There is more silence.
After a while, Grian speaks again. “There’s something I was wondering about, actually.”
“Oh yeah?” Martyn raises an eyebrow.
“What’s the reason?” He asks.
“You’re gonna have to be more specific with that one, mate.”
“‘This is a death match for a reason.’” He says matter-of-factly. “That’s what you said. So- what is it? What’s the reason?”
Martyn blinks, then lets out a short, harsh laugh. “You think I know that?”
“No, not really. That’s why I wondered what you meant when you said it.”
“It- look. I don’t know if you’re expecting philosophy from me, or something. It’s a death game. People die, and it doesn’t have to mean anything. It doesn’t have to be special, it doesn’t have to be honourable, it doesn’t have to be fair. That’s what I meant.” He frowns. “You know that.”
“I do.” He admits.
“Then why ask?” Martyn looks around as though this time, somehow, he might be able to find Grian’s face in the dark.
He doesn’t.
“I just-” Grian sighs. “What do you want?” He asks. “What do you actually want, Martyn?”
The question sits heavy in the darkness between them.
“What do you want me to say?” Martyn asks. He sounds more tired than Grian’s ever heard him.
“I want you to tell the truth.” Grian says. He needs to know. He needs to know.
“Now, Grian.” Says Martyn, voice gently chiding. “Have you met me? You know I can’t do that.”
“Pretend it’s a lie, then.”
Martyn’s grip on the banner he wears tightens, slightly. There is a long, long silence.
“Or how about,” Says Grian, eventually, “You say something, and I won’t know whether it’s a lie or not.”
There is another pause.
Martyn frowns at the red of the fabric in his hands, as though it might offer him something.
As far as Grian can tell, it does not.
He’s just beginning to give up hope of ever getting an answer when Martyn speaks, so softly he almost doesn’t hear it.
“I want it to be warm again.” He says.
It’s quiet.
For a moment – just a moment, no more – Grian remembers bloody, aching fists. He remembers burning heat.
“Well.” He says. “That makes one of us, then. Doesn’t it?”
“Yeah.” Says Martyn, voice low. “I guess it does.”
There’s another short second of silence before Martyn speaks again, sounding cheerful. “So, suppose I’ll see you in the next one, huh? If that ever happens.” He grins. “Wanna take bets on how hard Scott’ll have to try not to win it? I’m gonna go with very.”
Grian snorts. “I’m not taking that bet. That man is infuriatingly good at surviving.”
“You’re not wrong! You are not wrong.” He gestures into the void. “And don’t even get me started on Timmy’s whole thing, I think we both know how that one’s gonna go. Unless you want to bet against him being gone first next time round?”
“You’re not Scar.” Says Grian. “There’s no way you talk anyone into taking that bet in a million years. Except maybe Timmy.”
“Fair, fair.”
There’s a short pause.
Grian hesitates for a moment before he speaks – almost, but not quite, reluctant. “Why do you keep looking back?” He asks. “There’s nothing left for us there. You know that, right?”
“I mean, let me know when you find a better place to look.” He tilts his head to the side slightly, curious, and frowns. “Do you really never want to go back?”
“No.” Says Grian. “Never.”
Martyn opens his mouth, and then, uncharacteristically, closes it again. “Yeah.” He says. “Me neither.”
Grian is tempted, momentarily, to tell Martyn to take the banner off and let it go. Let the darkness take it. Prove it.
But just like Martyn, he lets it drop.
Mutually assured destruction is a potent thing.
Now all he has to do is the hard part. The part he’s dreading most of all.
The main concern is phrasing it correctly. Making it sound just how he wants it to sound.
After some thought, he thinks he’s found the words he's looking for.
He could always be wrong, though. He’s usually more one for incredible violence than smooth talking.
“Martyn?” He asks cautiously, casually. “Do you want me to help you?”
The expression that crosses Martyn’s face is unreadable.
He processes the question for a few moments, before he answers.
“Nah. I’m good.” He says, voice guarded. “Don’t worry about it.”
And that’s the rub, isn’t it.
Because now Grian has to decide whether he’s going to let Martyn lie to him or not.
Whether he’s going to pass the test that’s been set before him, or not.
...
Grian’s not a monster.
He’s just realistic.
There's nothing he could do, anyway.
“Well.” He says levelly. “Just let me know if that changes.”
(Martyn would do the same to him. It’s not a justification, or an excuse. But he knows it to be true.)
Martyn stares out into the darkness. His eyes are almost, but not quite, resentful. “Sure thing, man. Why wouldn’t I.”
It’s not said like a question, so Grian doesn’t answer it. “Well, you know I can’t stay here forever.”
“I do know that.”
“Any messages you want me to pass on to any of the hermits? I know you haven’t seen Mumbo in a while.” It’s not really a compromise, or a peace offering. Hopefully, however, it’s close enough to one or the other of those to act in their stead.
Martyn closes his eyes. Breathes in. Breathes out. Opens his eyes again. “If you were Grian, then maybe.” His gaze is cold. “But I think this hypothetical has gone on long enough.”
...It’s a lot easier for both of them, if Martyn believes that.
He’s positive Martyn knows that.
Just this once, perhaps he can manage to not look a gift horse in the mouth.
“For what it’s worth,” He says, looking away, “I moved on from the Bad Boys when it got too expensive to keep them alive.”
“It’s not worth a lot.” Says Martyn flatly. “And it would be worth even less coming from Grian.”
Grian sighs. “Alright. Fine. I’ll see you around, Martyn.”
“I know.” Says Martyn. He closes his eyes.
After a few moments, Grian does too.
When he opens them, he’s home.
Oh, that doesn’t feel good.
It really doesn't.
He could dwell on this. It wouldn’t be hard. He could drown himself in guilt over what he’s done, or not done, or will not do.
But- well.
Grian never really saw the point in letting someone else drag you down with them.
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cashmere-caveman · 1 month
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ned little voted most likey to get dealt a big losing hand 1845-48 (more terror text post memes)
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minnieposting · 7 days
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2 things ive noticed about sunday and robin bc i can no longer subject my poor best friend to paragraphs on paragraphs and I want this out of me
1. Designs
Sunday features dull, muted colors and has a lot of sharp edges. He's also got darker colors in general. Robin is so much brighter, bouncier, and has a lot of rounded/organic shapes in her design.
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2. Sunday constantly in the shadows, Robin always in the spotlight
Goes hand in hand with their designs tbh, which I find cool
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He's just always in the back!!!!!! Pretty much speaks for itself...
I'm so curious to know their deal in just a few days, because this has been killing me this week, on top of their baby trailer 😭😭
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Idk if this is going to make any sense, but I always feel like there's something missing when I read thoughts about sskk and it really is the impact Kyouka has on them.
Like, a lot of it is "look at the impact Atsushi and Akutagawa have on each other" and "they are so similar at their cores" which is true! And essential for any bsd partner dynamic! But Kyouka also has commonalities - she has Atsushi's general wonder, simple wants and joys, and desire to be helpful and kind, but also Akutagawa's laser focused objectivity, initial lack of questioning orders, and straightforward ruthlessness when required.
But a lot of the external influence on sskk I see mentioned is Dazai and Chuuya's... which I get, because they're the previous double black, but also Chuuya is very minorly involved by proxy only, and while Dazai undeniably is at the heart of sskk conflict (and it's good to analyze in depth!!!), I feel it's understated how much it was actually Kyouka who kickstarted the development between them - Atsushi was brand-new to the Agency, but saving Kyouka cemented his mindset of proving his worth and also gave him someone to look out for - his position became less fragile from that point on and more permanent. Her mix of kindness and darkness also forces Atsushi in the Guild arc to reassess the idea that people are either "good" or "bad". (He's working on this still, but his judgements are becoming much more nuanced than at the beginning.) And as for Akutagawa... I have a lot of thoughts on their dynamic and how I really don't think there's a whole lot of bad blood there anymore after my all-time favourite scene where they fight in Cannibalism arc - but all I will say is that he legitimately thought what he was doing would make her strong enough to survive, and both Kyouka and Atsushi telling him this is wrong, that people can't live being beaten down like that forces him to reassess his own situation in the Hawthorne and Mitchell fight. (He still has a ways to go, but I seriously hope he eventually realizes that his treatment by Dazai was horribly unnecessary and cruel.)
But what's great is that Atsushi and Akutagawa influence her development too! I don't even need to get into Atsushi's: he believes in her potential and sees her as the young girl she is - not a weapon but a person. She starts off pretty much attached to him and only him, but as time goes on, she starts to adopt a more positive mindset and becomes more confident making decisions as a result of his faith in her. With Akutagawa, she is, like Atsushi, forced to reassess others, especially after he tells her he's glad for her having found that will to live. Kyouka is unable to continue fighting him after that, and I get the sense she saw him as a person there, instead of only the man who harmed her. I also find it really interesting that she has no shame or concern about her mindset aligning much more closely with his, to the point where she'll work with him if necessary.
This is a bit of a mess but really it's one long-winded ramble on how I loved these three working together in Dead Apple and would love to see them working and fighting alongside each other again. I know, I know, this is probably not going to happen because it's supposed to be about sskk as a duo but consider:
They are a trio in my heart.
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tofixtheshadows · 2 months
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People who read Dungeon Meshi tend think they're so smart for reading it, because Dungeon Meshi is a smart manga, and they Understand Its Themes and its symbolism, but the way the majority of you talk about Kabru is like. Oh, I see. The narrative held your hand through a nuanced topic and you still didn't get it. </3 Somehow it's really hard when it isn't a white character. ):
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thyandrawrites · 17 days
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It's all about Nagi living alone in a tiny one bedroom, one bathroom apartment with zero personality and Reo having a whole floor for himself but still living surrounded by tacky-expensive home decor with no apparent traces of his actual personality, either. It's all about how Nagi's parents haven't visited him in 2 years nor taken an interest in his life since, while Reo's are content to live floors apart from their teenage son, only taking an interest in what value he can bring to Mikage Corp but being otherwise uninvolved in / dismissive of his actual life. It's all about them being surrounded by people and still not knowing how to form a meaningful connection with another person before meeting each other. It's all about them being so starved for genuine human warmth to combat their bone-deep loneliness that they both treasure memories of tiny, inconsequential moments where they were spending time with their parents. Something something it's this line,
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and how it describes them both despite being said about Reo. It's them being awkward 17-year-olds who had never before had an equal who would just respect them as they are and unconditionally look their way. In this essay I will-
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distant-screaming · 8 months
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I've been rotating Nick in my head for a hot minute but @ranchthoughts helped me straighten out my thoughts, so here's a little brainworm I had.
I think Nick reads as a voyeuristic character, not just in terms of the character itself but also as a narrative device - he acts as a sort of close proxy to the viewers. Nick goes through Boston's phone the same way we (as viewers) would be able to go through his phone by virtue of peeking over his shoulder, he wiretaps the car and is able to hear Top + Boston the same way we are, he's privy to Sand + Ray's private moment just like the viewers are - and it's almost like Nick seems to have full agency in the story but still doesn't manage to affect the plot in any significant way (thus far, at least!).
It's also very interesting because despite Boston's need for control and Mew's idea of being in charge, the character with the most information and cards up his sleeve, so to speak, is Nick. I wonder how that's going to play out.
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sweetie-peaches · 2 months
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I’ll get off my soulfire posting in a minute but how different do you think it would be if they didn’t hold back, if tubbo loosened his hold on bads leash, if they weren’t afraid.
Speaking of that actually, I wonder how much tubbos duel with etolies in the beginning changed things. Idk how to describe it but I think loosing that fight made a big shift in his character (it was also such a cool moment, a fight in a desert. No one else around, honorable and equal) like it changed his perspective on things
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cycle-hit · 1 month
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0610 is so funny because mahiru is determined to be a housewife/maternal figure and kotoko is determined to parallel all the other prisoners' shitty fathers. both of them having the traits of "parental figures" that is a mold/box to be shoved into in and of itself which shows the traditional/black and white aspects of their own families. mahiru is determined to be full of love and give others that same love and kotoko pretends she doesn't love at all and bares her teeth whenever you show her love. mahiru has sun symbolism and kotoko has moon symbolism.
and then instead of ever acknowledging the absolutely insane character foil toxic yuri between those two at all, milgram refuses to let them interact ever again except for one interaction from four years ago at the very beginning and kotoko beating the shit out of mahiru. like. thanks milgram. if YOU wont do anything with your very interesting character foils that can also fall into classic "romance tropes" (which mahiru is obsessed with, cough) with their personalities/stories i guess ill do it myself.
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Emma 2020 is like what if. You were trapped in a house in a dark with a father only you can manage. What if you were constantly told about a woman with accomplishments you frankly can't achieve because in so many things valued for young women you're just mediocre, you have no special talents other than being charming and likeable and you can't even do that all the time. What if you just wanted to do something that meant something but you didn't even realize that's what you wanted.
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poorly-drawn-mdzs · 3 months
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The girls are plottinggggg
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#poorly drawn mdzs#mdzs#wen chao#wang lingjiao#Realizing she was supposed to have an upper lip mole was a cold slap in the face. So sorry ma'am. I won't forget again.#They are evil dumbass 4 evil dumbass and I think we are all missing out on the sheer potential of the comedy between these two.#They have way too much power and are using it for the wrong reasons - which makes them truly great villains.#And when things don't go their way they become piles of whining sludge.#Wang Lingjiao is forever fascinating to me even though we only get crumbs about her.#She's a servant girl who's greatest asset is her beauty and her attractiveness.#Meaning she's had a life being in the gaze of people with significant positions of power over her.#I can't help but read her childishness and petty tantrums as someone who has finally been given the chance to not feel powerless.#If she was a more virtuous type we might 'like' her more but honestly...I don't think she would have survived to this point.#WLJ has only known power hierarchies her whole life. Probably accused of seduction before she even understood what that meant.#I love contrasting her with mianmian because they have similar(ish) backgrounds but different approaches to moving forwards#But WLJ's story is about flying too close to the sun and mianmian's is about going too close to the water.#Like the sea mist dragging her down into complacency - all the sect powerplays are mandatory to 'go along with' if she wants to climb-#-the social ladder. Yet she is the cautionary tale (and a foil to JGY as well) she leaves before sacrificing her own morals.#Mianmian flies away with her wings only slightly plucked while those who sacrificed everything to reach for the top crash and burn.
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so here's the thing. Cass's favorite brother is probably Tim. he's her little guy, her sweet cheese, her good time boy. they're both very similar to Bruce in a lot of ways, but more than that, they find it easy to be around each other. Tim is more quiet than the others, which Cass appreciates, but he's also fascinating to watch because there's constantly a thousand things going on beneath the surface of him. Cass and Tim are masters of parallel play, but only and primarily with each other. Tim is quiet when Cass wants to be quiet or talks when she needs to talk, and if she doesn't have the words for something he never so much as bats an eye (even Dick bluescreens sometimes trying to figure her words out), he just helps her find the right ones. Tim can read her almost as well as she can read him, just slower and not trained into him, it's just how he is. he looks at her and tries to figure out how she works, the way he does with everyone, a way most people don't. it makes her feel seen the same way she sees, and that's valuable to her.
another thing is that Tim is also, in all honesty, Jason's favorite brother. like it's almost counterintuitive considering how they first really met, but hey — brothers forged in blood, right? there's some wild poetry to it and they Get each other on a level the others don't really bc they're the middle children, 2nd and 3rd and always afraid of being rejected. but they've got each other. Tim is Jay's favorite because he's so incredibly forgiving (to be welcomed back to the family by the kid he nearly killed? the kid he hated? INSANE.) and because he doesn't judge. (Jay is Tim's favorite bc he's chill when Dick or B can be smothering sometimes. Jason isn't the one who lost a brother and a son, he's the one who was lost, so he's not quite so afraid of losing. yes, he's protective, but not overwhelmingly so.) they have an instinctive kind of brotherhood where they balance each other out, tempering each other's worse tendencies and bolstering the better ones without having to talk about it.
the third thing: Cass really does not like Jason. she has the no-kill rule in her heart even before she had words to explain it, and it's different than with Bruce because she's lived it. she's lived the reason why they have that rule. and Jason has too, but come out on the other side, what Cass considers the wrong side of a worldview completely different than her own. Jason kills, he breaks the law written in her soul and in their adoptive father's, and no one stops him. she can't comprehend it, and she will never accept it. she rarely uses his name, rarely interacts with him at all if she can help it because much as she wants to start a fight, it would hurt Bruce if she did and she doesn't want that. she just calls him Hood, most of the time. if they absolutely have to work together, she does what needs done and leaves.
so. Cass hates Jason. and Jason hates being hated. as far as the principle goes, he can get why Cass doesn't like him, but she's loath to even be around him and that bothers him. she's just this side of being actively hostile, meanwhile Jason is honestly trying his best not to tick her off but it's really hard when he gets glared at by possibly the most intimidating Bat every time he's at home. the same way there's a difference between Bruce and Batman (they put away masks at home, or at least they try to), there's a difference between Jason and the Red Hood. but Cass, determined, rock-solid Cass, refuses to accept that. it's not a good situation, especially when Tim gets in the middle of it, because both Cass and Jason love Tim but hate each other and Tim is just tired and wants his siblings to get along and see, this is why he prefers one on one time to family gatherings.
because at some point something happens and Tim gets hurt, maybe captured or outnumbered (as capable as he is, even a great strategist and skilled fighter can be overwhelmed at times) while out on patrol, and Oracle, sitting in front of her computer array, sighs and rubs her temples and opens up a communications channel to the only two Bats available to assist — Red Hood and Black Bat. she tells them what's up, gives them Red Robin's location, and then dips back out of the channel because she is not going to spend the rest of the night listening to palpable silence from Cass and increasingly frustrated questioning from Jason. she's not paid enough for that.
so Cass and Jason HAVE to work together. HAVE to team up to save their mutual favorite sibling (who, for what it's worth, has no clue he's ANYONE'S favorite). and neither of them is pleased with this turn of events, on multiple counts — 1, Tim is hurt. 2, Cass hates/at least strongly dislikes Jason. 3, Jason has tried everything to make peace with her and is honestly feeling a little bit desperate about it at this point because he has tried EVERYTHING, so now he's just right back at aggression. it's a situation that really can't have a good outcome for everyone, because Cass and Jason's mutual dislike for each other is at odds with their mutual love for Tim and both of them arrive at the same conclusion: all they can do is work for the best outcome for their little brother.
Tim, who has only been lightly stabbed and could have probably gotten by with just one person for backup instead of two, let alone THESE two, is both exasperated by the turn of events, and just plain glad that someone came for him. he's bleeding and hurting and watching from the alley floor as Cass stares (glares) at Jason, who's trying to figure out how to get a shot in that will give Tim a way out without, yknow, shooting his brother in the process.
and then Cass just swoops down and between her insane skills and the intimidation factor of a bat with a full-face mask the entire situation is diffused before Jason has a chance to shoot anybody, which is a better outcome than Tim expected. Jason grapples down as Cass is finishing up with the last few bad guys and she turns around and starts glaring through the mask again. the problem is, she loves Tim. he's her favorite brother, the one most like her and most like their father. but Jason loves Tim too, and Cass can see it as soon as she looks, really looks to see it. and it's so, so obvious when she sees Jason's bloodstained, scarred hands carefully bandaging Tim's (slight) stab wound and the fact that Jay pulled off his helmet as soon as it was safe to and is talking and grinning and keeping a steady eye on Tim because everyone knows that Tim plays down his injuries often and you have to watch him, because he's smart enough to hide things unless you really know him. and Jason knows him. and Cass can see that. and as much as she doesn't like Jason, as much as she's possessive of Tim, she softens for just a minute.
not that she'd ever tell anyone, and Tim was too distracted and half-foggy from blood loss to see it in her at the moment. Cass still doesn't like Jay. Jay is still utterly frustrated by the fact that she won't give him a chance. Tim is still annoyed by all of this and complains to Babs about it (bc Steph just laughs and says all three of them need to suck it up and move on, which is TRUE, but unhelpful) any chance he gets.
it isn't until an Arkham breakout, not the worst they've seen but obviously not good news, when Jason gets badly hurt and Tim (who was with him at the time) gets Really Scary, like full-on not moving a muscle, staring down the man who did it with such intensity that it feels like he could kill with only his masked eyes, sharp and suddenly absolutely terrifying to anyone who doesn't know him, that something really clicks for Cass. because she slips in as Tim coldly, calculatingly shatters the guy's kneecaps just as thoroughly as Jason's bullets would have done and then his rigid intensity falls away and he's a kid terrified that his brother is hurt.
Cass sees the way Jason is with Tim and she can't quite reconcile that caring with all his killing but she knows, because she can SEE it, that Jay cares about Tim much the same way she does. and then she sees how Tim acts when Jason is hurt, the scary sharp side of her little brother that only comes out when he's very, very afraid and very, very determined, and she sees the way he loves his older brother and... she can't deny that either.
and maybe Cass will never LIKE Jason, maybe there will always be some tension between them, but. she doesn't call him only "Hood" all the time, anymore, and Jason is capable of recognizing that tiny detail as her version of a peace offering. Tim is just glad they're not yelling at each other (or Cass's silent staring version of yelling) all the time. maybe it's a whole mess, but hey, they're working on it. as long as there's love, somewhere, there's something. (there's family)
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cosmicallydivine · 11 months
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thinking about how every character in bare has their own motif except for matt. thinking about how he almost got a motif during auditions and then jason sang it instead. thinking about how he brings the auditions motif back during promise as he thinks he’s finally taking control. thinking about how he slowly realizes what he’s done and the auditions motif never appears again.
thinking about how the only true solo motif matt has is jason’s eulogy.
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utilitycaster · 1 year
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My theory is actually that just as Ludinus is incredibly jealous of Ruidusborn, Imogen is to a similar but far lesser degree jealous of clerics, who have some degree of agency in their power - the fact is, the gods are more willing to let people live their lives in peace than Predathos is. FCG and Deanna are tasked with a quest only during an active crisis.
I think she's also kind of jealous of the aeormatons, who are also, like her, by their inherent nature, intended to carry out the will of someone else, but who are more comfortable expressing their anger about this and who are already in the era of their new start whereas she's in the thick of it.
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