the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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Thing about just clicking with someone and not having to put in the work is finding not making and those relationships - whatever form they take rarely last or manage to develop past a surface level.
Buck is such an all in or nothing kind of person that has had to fight for pretty much everything (when it comes to relationships of any form) he just cant comprehend that other people experience various levels of friendships or relationships more widely.
We see it in his training of Ravi, it comes out in his father son reltionship with Bobby, it’s part of the underlying reason the lawsuit happened and stems from his childhood abandonment issues. We even saw it in the other sneak peek where he’s with Tommy - he’s trying so so hard to make a friend that he comes across as slightly intense and focused. And while the worthwhile people will stay (the fire fam, his sister, Eddie) those who can’t take that level of focus will pretty quickly drop away, Abby and Ali are prime examples of this and even Taylor to a certain extent - she just didn’t care enough to be bothered by it.
It’s one of the reasons he’s oblivious to the fact his relationship with Eddie is different on multiple levels and it’s part of what makes Buck so interesting and why so many of us think he’s neurodivergent.
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Just saw your vanilla extract cake video! It was kinda surreal getting correctly gendered by a million sub youtuber lol
Hello! I will take this opportunity to thank u directly for your service to the tumblr chaos gods. That video would probably not exist if not for your post!
I made sure to check your bio (and that of anyone else I mentioned in the video) for correct pronouns.
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the quiet tragedy of verin being the one who never quite made it out.
for most of their lives, essek was the one who was entrenched in expectations, in the politics of their den. while verin was stationed far from the heart of the dynasty, ostensibly free from the eyes of his elders, essek was sitting beside their mother in court and speaking before the queen. and it made sense, because essek had always been better at all of it — the posturing, the sweet-talking, the ladder-climbing. his brother the black sleep was still his brother the prodigy; his brother the heretic was still his brother the shadowhand.
but then, essek meets new people and they get through to him and change him and make him softer, make him better (and why them? what is it about them, that they could do what verin never could?) and he runs. he gives up the title and the status and the power and leaves it all (leaves verin) behind.
suddenly, verin is the lone newsoul of den thelyss, the one with all eyes on him, with the expectations meant for two brothers falling squarely on his shoulders and only his in the absence of their other target. he is still the youngest of his den, the one they all watch and wait to be disappointed by, but there is no one to share that burden with anymore and all at once it becomes painfully clear that distance never really was freedom.
essek has a family, then — not a den but a family, with love and trust and care and warmth and all the things essek once called verin childish for craving — and a welcoming home to go to with someone who loves him waiting there and a garden in the front yard, and verin is left still fighting demons under the banner of a god (of a family, of a home) he only half-believes in.
and maybe they see each other more often then. maybe bazzoxan is remote enough that it’s safe for essek to visit in disguise. maybe essek’s friends come too and are kind enough to offer a taste of what essek has now and verin can almost believe it’s his too. maybe essek doesn’t even fight it anymore when verin insists on hugging him. but how much can that really fix? how much can it really change?
an unloved man leaves no one behind when he finally makes a better life for himself, but essek was never an unloved man. not really.
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