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torpublishinggroup · 2 years

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Last Exit to Playlist

By Max Gladstone

I wanted to write a road novel. I wanted to write a book about friends grown apart, a book that drew on memories and dreams and journals of bouncing around the country all summer in the back seat of a Plymouth Voyager, a book that understood space and could chew time. So, I needed a mixtape.

I used to do this for every road trip. There was a different art to it when you had to fit your vibe into a forty-five minute A side and a forty-five minute B. Poets know: constraint breeds creativity. You start to understand why radio singles used to have long outros, which lets the DJ choose the right moment to crossfade, and fit the tune to their set. I loved the challenge, and the music would set the tone for the trip. So: why not make a mixtape for a road trip into my own imagination?

This wasn’t a playlist for the process itself, the actual word-by-word writing. In the flow, I drift between ambient albums, chiptunes, soundtracks, games music, jazz. I find tracks that have the right vibe or rhythm and drop them into a giant “writing music” folder, where live ancient OCReMix tracks based on the Morrowind title theme or the Chrono Trigger soundtrack. I do whatever works. But this wasn’t a playlist to write by—this was a playlist to help me think through what I was thinking through. And the road, for me, is songwriter country.

Good Man - Josh Ritter, The Animal Years

The Animal Years was my first Ritter album. I played it again and again in my bedroom in southeast China late at night as the Iraq War kept on being bad. The Animal Years casts a prophet’s eye on America—clear, visionary, angry—and any three of its songs could have made it to this list, but the album resolves on this note of tired, broke-down grace. Even in its earliest iterations, I knew the book that turned into Last Exit would start after what felt like the end—after the breaking point, when the young kids who thought they could save the world tried, failed, and broke up. None of them have yet reached the promise this song holds out—of rest, of, at least, friendship—but it gave me, and them, something to steer toward.

Tangled Up in Blue - The Indigo Girls, 1200 Curfews

I’m a Dylan fan, but—something magical happens when you give Dylan songs to someone else. Jimi Hendrix’s All Along the Watchtower is the iconic version. And the Indigo Girls’ cover of Tangled Up in Blue takes this raw and wry tale of wandering around the country, wondering what the hell happened to your generation, and layers in passion and mourning. In Dylan’s version, the narrator feels resigned—of course it all went down like that, it couldn’t have happened any other way, people are just like that and you have to understand. Here, the narrator cares. She misses what she’s lost, and even though she’s getting through, she’s angry about it. That gave me the right touchstone for Zelda, for my main character: memory and loss, regret and anger, and a worn-down determination.

Democracy - Leonard Cohen, Live in London

Speaking of prophecies. “It’s coming with the feel that it ain’t exactly real, or it’s real, but it ain’t exactly there.” In this version, gravelly and terrifying, Cohen unsettles. It’s Democracy by way of The Future, and you feel the hope, but you have to concede—it is murder. In earlier recordings, this song can feel triumphant, but by Live in London, you can’t tell whether it’s a prophecy of salvation or of Armageddon. Maybe both.

Galahad - Josh Ritter, To the Yet Unknowing World

I heard this song for the first time live, and I went home and listened to it a dozen times in the next day. I love that walking-beat drum, like a cane echoing on a marble floor. I love the sly and vicious sense of humor. I love how virtue twists in this song—how nothing’s quite what it sets itself out or up to be. You have to look under the surface. And the King Arthur mythos, as slantwise as we see it here, really speaks to me in an American country/folk/blues setting. It’s the one you read in Steinbeck’s The Acts of King Arthur, or in Tortilla Flat. Kings and knights in a land without knights and kings.

Tear My Stillhouse Down - Gillian Welch, Revival

Gillian Welch is one of those songwriters who leaves you certain you’ve just heard a song that’s a hundred years old.

The Hobo Song - Old & In the Way, Old & In the Way

A track about being lost at the end of your part in the American story. Old & In the Way is a tremendous project—Pete Rowan, Jerry Garcia, David Grisman on mandolin, John Kahn, and of course all-star Vassar Clements’s elegant, barn-burning fiddle. I could have a dozen of their songs on this playlist. Speaking of which…

Panama Red - Old & In the Way, Old & In the Way

I’m honestly not sure what this song is doing here as opposed to, say, Land of the Navajo which has more of the cosmic vision I aimed for in Last Exit. Maybe it’s just that Panama Red is a great name. Maybe it’s that cowboy vibe. Maybe the tape needed a moment to breathe.

Wagon Wheel - Old Crow Medicine Show, O.C.M.S.

You too, perhaps, have heard this one at every bonfire you’ve attended since the mid year-zeroes, and I hope that when you did, you had the fullness of heart to join in and sing. It’s had a lot of play, and it’s probably been used to sell some SUV somewhere, and that’s fine, but for me when I hear this song, it’s late at night, I’m in the middle of the People’s Republic of China, far away from anyone and everything I grew up beside and especially from the Cumberland Gap and Johnson City, Tennessee, and a visiting buddy has just handed me a thumb drive with some music on it, and—well. I worked out the fiddle part that night.

I Hear Them All - Old Crow Medicine Show, O.C.M.S.

The world is a hard place and there are lots of people hurting, and all that pain is a bright and fearful light. We close down in the face of it. David Rawlings, Gillian Welch’s guitarist collaborator, has a great version of this song, too, which could be on this list, but the O.C.M.S. version is the one I heard first.

Walking in Memphis - Marc Cohn, Marc Cohn

Look, okay, look. Just…look.

Silver Thunderbird - Marc Cohn, Marc Cohn

You’ll have noticed a lot of doubled artists on this track list, and to be honest, some of that’s because I took out the album looking for one song, saw the other, and couldn’t resist adding it. In this case, I couldn’t pull out the Mark Cohn album without adding Walking in Memphis—”She said/ Tell me are you a Christian child?/ And I said ‘Ma’am I am tonight’”—but Silver Thunderbird was why I got the album out in the first place. It’s a haunting, brief song about being a kid, about your parents, about shoes you can’t quite grow into—and about a car. I’ve never been a Car Person, and maybe because I’m not, I don’t have the contempt familiarity can breed. For me, a few cars have a mythic heft. The Thunderbird is one, and so’s the Dodge Challenger, which features in Last Exit. I can’t say quite what it is about the Challenger. It’s a haunting design. It’s the car that idles at the corner, as if waiting for something. It’s the car that the man in the hat drives when he comes to town.

Pancho and Lefty - Townes Van Zandt

I could write whole essays on Townes Van Zandt. He’s a tradition all to himself. Every one of his songs is a vision.

Across the Great Divide - Nanci Griffith, Other Voices, Other Rooms

It’s hard to write this entry now—I started and stopped and started and stopped again—because I haven’t come to terms with Nanci Griffith’s passing. Artists exist in strange ways. A writer you’ve never met remains as alive to you in their books as they ever were. We put on an album, and the ghosts sing to us. John M. Ford once wrote: the train stops, but the line goes on.

The Queen and the Soldier - Suzanne Vega, Suzanne Vega

In college, I was fortunate to take a class from John Crowley, and in an offhand way as he was trying to make another point in a lecture, he touched on the way certain words gather and hold power—ring, or cup, or sword. I’ve often wished I could go back in time and replay those five minutes of lecture—I knew I was hearing something important, but trying to hold it in my mind felt like trying to hold a river. This song is about that power, I think, and it communicates in those words—the dream we have of the world, and the distance between that dream and the world. There’s something young about the magic of those words. For a kid, the dream that a word like sword suggests can be clear and bright, even (especially?) because of its distance from the world we know. Do we ever look for the truth behind the dream? What happens when we do? Can we bear to leave the old world behind? Even as it strangles us?

Jack’s Crow - John Gorka, Jack’s Crows

This is a drifting dream-song for me, not so much the storm as the darkening on the horizon, that feeling in the air before things change. It’s autumn: not as the season of mists and mellow fruitfulness, but as a season of coming darkness, as a season of threat and prophecy. For me this is a song for long stretches of road, for weeds and roadside gravel. It’s magic seeping out of the shadows. Calling us.

I’m from New Jersey - John Gorka, Jack’s Crows

To be honest, I like to end on a note of contrast. You can’t stay in grim prophecy all the time. I’m not from New Jersey originally, but my dad is, and we did some growing up in Ohio, so a line like—”I’m from New Jersey/it’s like Ohio/but even more so/imagine that”—I can’t resist it. But listening to it again now, I’m struck by the opening and closing line, which is more true than I expected to Last Exit, in its totality: “I’m from New Jersey/I don’t expect too much/If the world ended today/I would adjust.” The end of the world is coming. So: what can we do?

This isn’t the only playlist I could have made for this book—entire Mary Gauthier albums should be on here, for example, and Anais Mitchell’s Young Man in America, and there’s no Alabama 3 (which I think we’re now required to call A3 in the States for trademark reasons?) only because I was listening to them a lot at the time and I wasn’t sure how I felt about including a British project even if they have such intense Americana energy on projects like M.O.R. Tenacious D’s The Road belongs on here for pure contrast and humor purposes—I can imagine more than one character in Last Exit saying, “Why can’t I stay in one place for more than two days? Why??”

The music I wrote to, in the end, was silence, and the Mad Max: Fury Road soundtrack, and Makaya McCraven, and, in revision, the truly wild The Comet Is Coming album called Trust in the Lifeforce of the Deep Mystery. But as a mission statement, as a call to adventure, as a map—to the thematic territory, or just to the wall I meant to bash my head against—it did the job. It mapped a few of the cracks in the world. It gave me a cowboy and a car and it gave me loss, and absent friends.

And it left me looking for a tape deck.

╔═══════ ❀•°❀°•❀ ══════ ❀•°❀°•❀ ═══════╝

MAX GLADSTONE is a fencer, a fiddler, and the winner of the Hugo and Nebula Awards for This is How You Lose the Time War, co-written with Amal El-Mohtar. A two-time finalist for the John W. Campbell Award, he is fluent in Mandarin and has taught English in China. He is also the author of the Craft Sequence of novels—a Hugo Award finalist, a game developer, and the showrunner for the fiction serial, Bookburners. Max lives and writes in Somerville, Massachusetts.

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to2llynottoby · 1 year

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And so it is until we meet again And I throw my arms around you You can count the gray hairs in my head I'll still be thankful that I found you

John Gorka - Love is Our Cross to Bear

#John Gorka #I Know #80s #folk #contemporary folk #wistful #love songs #acoustic #to2lly not tunes #Spotify

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nerdypixel · 2 months

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#tma #the magnus archives #tma gabriel #tma the piper #nathaniel thorpe #callum brodie #diego molina #albrecht von closen #tma cook #hezekiah wakely #karolina gorka #jordan kennedy #mike crew #john amherst

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i-am-church-the-cat · 8 months

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when you see this, share a random line or two from your latest wip

The three interviews he had after the race were all the same: are you done? Is this your best? Are you finished pretending to be worthy of a seat in Formula 1 when you have former teammates that have shown they deserved it more? Well, they were much nicer than that, obviously, but it was all Logan could hear as he forced himself to smile at the never ending line of cameras.

When it was finally finished, Logan let himself slump down onto the couch in his driver room, officially done pretending like he wasn’t moping. In a family full of pessimists (“We’re just realistic, Logan”), Logan prided himself on being the optimistic one. Too bad he didn’t feel very optimistic now.

#logan sargeant #formula 1 #f1 rpf #i thought about doing the less angstier part but eh #this wip is mainly about logan’s self worth so if you want to see that lmk #it’ll motivate me to finish it #also if anyone cares #the wip is based on the song up until then by john gorka #wip #my writing

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bob-the-movie-man-film-reviews · 1 month

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Cabrini (12): Barbie in Black! The Extraordinary True Tale of a Woman Battling Discrimination and the Patriarchy.

#onemannsmovies #filmreview of "Cabrini". #cabrinifilm. An extraordinary true story of an amazing woman. 5/5.

A One Mann’s Movies review of “Cabrini” (2024). When my two Flickering Dreams colleagues, Andy Godfrey and Scott Forbes, BOTH gave “Cabrini” an unusual 10/10 score, I made it my mission to find a showing. Not easy, as it seems to be on very limited release. But I found it on show in “Everyman” and was so glad I did. Extraordinary stuff. Bob the Movie Man Rating: Plot Summary: In a remarkable…

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jordankennedy · 6 months

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I would LOVE to know what other characters you think are autistic cause sure everyone talks about jon autism but tax guy from the taxidermy shop autism??? I desperately need to know your takes

mikey jordankennedy’s all-time autistic magnus archives character list

- jonathan sims

- tim stoker

- gerard keay

- graham folger

- agnes montague

- oliver banks

- natalie ennis (mag 25)

- the anatomy students

- alexander scaplehorn (mag 54)

- tessa winters (mag 65)

- karolina gorka (mag 71)

- adelard dekker

- sebastian skinner (mag 87)

- mike crew

- dylan anderson (mag 103)

- dexter banks (mag 110)

- lorell st john (mag 122)

- gregory cox (mag 123)

- manuela dominguez

- neil lagorio

- gary boylan (mag 144)

- hezekiah wakely (mag 152)

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dreamofbecoming · 3 months

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thinking about how my dad graduated high school in 1984 and went to college in boston, and he used to stay up late to snag free tickets on the college radio station to basement shows with like. the cars and fuckin. john gorka and shit. and how he used to hang out at coffee shops and bars and listen to tracy chapman play right before she made it big.

thinking about steve and eddie visiting nancy at emerson and catching a coffee shop open mic. thinking about how fast car would probably hit them both like a truck, for similar and also different reasons.

just thinking.

#my dad’s music tastes are. let’s call them eclectic #lots of folk lots of dad rock but also throw some punk and early grunge in there #and some broadway soundtracks for good measure #i grew up on tracy chapman and the indigo girls and steely dan and the pixies and the talking heads #and something about him being the same age as steve and eddie makes all my steddie musings feel v personal #like whatever dumb 80s teen shit i imagine my blorbos doing is also stuff my actual father was literally doing #i should ask him questions for fic research lmao #anyway. steddie. fast car. it would be a thing #failed love abandoned dreams never getting out of your small town ending up like your parents #you can’t tell me that wouldn’t fuck them both up to high heaven #i’m right you know i’m right

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typewriter-worries · 2 months

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anyways, here's a list of songs i wish i wrote:

cannock chase by labi siffre

by the time i get to phoenix by glen campbell

harvest moon by neil young (lord huron's cover is my favorite)

fourth of july by sufjan stevens

love letter from the sea to the shore by delaney bailey

bless the telephone by labi siffre

house song by searows

love is our cross to bear by john gorka

you are your mother's child by conor oberst

devil on my back by chrissy

anthems for a seventeen-year old girl by broken social scene

waverly by samia

the louvre by lorde

andrew in drag by the magnetic fields

paper bag by fiona apple

every other freckle by alt j

#tried to find as many links that don't have ads! sorry if you still come across them :(#these are a few of my favorite things #labi siffre #sufjan stevens #glen campbell #john gorka #delaney bailey #searows #neil young #samia #lorde #the magnetic fields #fiona apple #alt j #broken social scene #chrissy #conor oberst

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the-yugioh-theorist · 1 year

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Tag people you'd like to get to know better!

Tagged by @agirlinsearchof (thank you!)

Favourite colour: Red

Favourite flavour: Salty/savoury

Favourite genres: Sci-fi, fantasy

Favourite music: Alternative rock, video game OSTs or my Christmas playlist

Last song: Christmas Bells by John Gorka, from A Winter's Solstice III

Last movie: Guardians of the Galaxy

Currently reading: The God Key by Simone King

Currently watching: Yu-Gi-Oh! GO RUSH!!, The Owl House, The Orville, Dead End: Paranormal Park

Working on: Applying for a college program in video game design, starting a Twitch livestream

Tagging @ina-bon @friendlyphantom @violent-kurumi @xxcureangelxx @lilbreck @edgytrashvamp @melancholicdesire @purpletsuki @yuzukimist @pendulum-sonata @pendulum-summon @curiositybox @lost-in-horrorland and anyone else who wants to!

#get to know you posts #get to know me #tag game

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krispyweiss · 2 years

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Janis Ian with Tom Rush at Southern Theatre, Columbus, Ohio, May 18, 2022

If going out at the top of your game is the goal, Janis Ian is the victor.

The folkie is pulling off the road after her tour wraps in November. But judging from Ian’s riveting, May 18 performance inside a two-thirds full Southern Theatre in Columbus, Ohio, this is for personal, rather than professional, reasons.

At 71, Ian can still hit most of the notes that informed “At Seventeen,” which appeared late in the 13-song, career-spanning set, a solo-acoustic performance running 75 minutes. And her harmonics-laden guitar playing is as fluid as ever - Ian even stepped to the lip of the stage to show off her blues chops against chorus of foot stomps of her own and the audience’s making on “Bright Lights and Promises.”

She slapped the body and strings of her axe to coax reverb and percussive effects on 2020’s “Resist” and boldly reminded concertgoers the fight for equality - which she first sang of on 1965’s “Society’s Child” - is a continuing battle.

Put her in high heels, so she can’t run/carve out between her legs so she can’t come/get her a dress, for easy access/tell everybody that she’s just like all the rest, Ian sung defiantly.

Ian is calling her farewell Celebrating Our Years Together and acknowledged the fans who’ve stuck with her as she evolved from teenage wunderkind to veteran folkie, saying: “All I ever wanted was this, so thank you.”

Opening act and long-time friend Tom Rush joined Ian on the sparse stage - two Persian rugs and black backdrop - for her encore to perform the anthemic “Better Times Will Come.” Ian wrote it during quarantine just after John Prine’s death and passed it on to John Gorka; his rendition caught fire online and it’s subsequently been recorded by some 800 artists around the globe.

This version was the picture and sound of juxtaposition - the tall, lanky Rush alongside the compact Ian; his baritone under her soprano as they declared: When this world learns to live as one/oh, better times will come

While Ian is retiring, Rush, 81, is on his first-annual retirement tour and says he’s learned to use the phrase most-recent, rather than last, album to describe his latest work. His 40-minute solo set was a mix of funny originals (“Making the Best of a Bad Situation”) serious covers (a languid rendition of Joni Mitchell’s “Urge for Going,” a song he recorded before its author), existential originals (“Voices”) and uptempo, down-and-dirty blues, including Sleepy John Estes’ “Drop Down Mama” and a frenetic mashup up of “Who Do You Love” -> “Hey Bo Diddley” -> “Who Do You Love.”

There were a few bum notes and Rush stopped mid-song at one point - “Sorry,” he said - to find his place. But there are reasons he’s been around so long and why he’s revered by people like Ian. And Rush brought many of them with him to Columbus.

Grade card: Janis Ian with Tom Rush at Southern Theatre, 5/18/22 - A-/B

5/19/22

#janis ian #tom rush #2022 concerts #john prine #john gorka #joni mitchell #sleepy john estes #bo diddley

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webtable · 7 months

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AVATAR WRESTLER ROSTER

every entity has a set number of avatars that can operate underneath/fight for them at any given time. this number varies depending on the strength and dangers of the entity, along with demand.

the current roster is as follows under the cut:

THE BURIED:

Laura Popham -- Betrayed the Dark

Karolina Gorka

Vincent Yang -- Betrayed the Lonely

Dominic Swain -- Betrayed the Vast

THE CORRUPTION:

John Amherst

Jordan Kennedy -- Betrayed the Desolation

Jane Prentiss -- Previously in a tag team with Oliver Banks

Joshua Galen -- In the process of turning people away from their entities to worship them (has: Matthew Irving)

THE DARK:

Natalie Ennis

Manuela Dominguez -- in the Daedalus Crew

Matthew Irving -- Set rivalry with Augustin Choudhary | torn between Joshua Galen and the Dark

THE DESOLATION:

Agnes Montague

Jack Barnabas -- Recently proposed to Agnes in the ring

Jude Perry

Diego Molina

THE END:

Oliver Banks -- Previously in a tag team with Jane Prentiss

Nathaniel Thorp

THE EXTINCTION:

Gary Boylan -- Rarely fights as a result of the destruction

THE EYE:

Amy Patel

Augustin Choudhary -- Betrayed the Hunt | Set rivalry with Matthew Irving

Rosie Zampano

Jonah Magnus (as himself)

THE FLESH:

"Cook"

Toby Carlisle

Jared Hopworth

THE HUNT:

Julia Montauk

Robert Montauk -- Betrayed the Dark

Trevor Herbert

THE LONELY:

Evan Lucas -- Lucas family drama heavily referenced in promotions

Naomi Herne

Carter Chilcott -- in the Daedalus Crew

Carlita Sloane

THE SLAUGHTER:

Jennifer Ling

Lisa Carmel

Alfred Grifter

THE SPIRAL:

Michael Shelly -- Tag team: The Distortion

Helen Richardson -- Tag team: The Distortion

"Doctor" David Ramao

Lydia Halligan

THE STRANGER:

Daniel Rawlings

Lorell St John

Leanne Denikin -- Betrayed the Eye

The NotThems -- A cycle of wrestlers | Relies heavily on promotions

THE VAST:

Michael Crew -- Betrayed the Spiral

Jan Kilbride -- in the Daedelus Crew

Robert Kelly

THE WEB:

Annabelle Cane

Raymond Fielding -- Betrayed the Eye

Neil Lagorio -- Relies heavily on promotions

#wrestling au

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best-magnus-archives-character · 1 year

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Closed the nomination form! I made a list with all nominations by category! I'll accept suggestions of stuff to move around (change a character from minor to one of the other lists, but not the other way around cause the minor list is long enough). The Main Character list is a bit awkward with 18 characters, but I'm not really willing to move any away from it even if people might disagree? Unless I see a very strong argument.

the only nominations that didn't get in were the artifacts, since people voted for those to have their own poll later on!

So here's the 3 lists I have under the cut!

Main Characters

Jonathan Sims

Martin Blackwood

Timothy Stoker

Sasha James

Basira Hussain

Daisy Tanner

Melanie King

Georgie Barker

Elias Bouchard

Jane Prentiss

NotThem/NotSasha

The Distortion

Nikola Orsinov

Peter Lukas

Gertrude Robinson

Jonah Magnus

Gerry Keay

Annabelle Cane

Minor Characters with Major Impact

Michael Shelley

Adelard Decker

Michael Crew

Oliver Banks

Jude Perry

Simon Fairchild

Robert Smirke

Mikaele Salesa

Agnes Montague

Simon Fairchild

Jurgen Leitner

Julia Montauk

Trevor Herbert

Mikaele Salesa

Breekon and Hope

Mary Keay

Minor Character

Joshua Gillespie (MAG 002)

The Admiral (Georgie’s Cat)

Major Tom (MAG 016)

Helen Richardson (MAG 047)

Karolina Gorka (MAG 071)

Graham Folger (MAG: 003)

Alexander Scaplehorn (MAG 054)

Jordan Kennedy (MAG 055)

Hezekiah Wakely (152)

The Piper (MAG 007)

Gabriel/Worker of Clay (MAG 126)

John Amherst (Corruption Avatar)

Naomi Herne (MAG 013)

Amy Patel (MAG 003)

Werewolf/Hunt Avatar (MAG 031)

Alfred Breekon (MAG 096)

Alexia Crawley (MAG 110)

Emma Harvey (MAG 167)

Elias Bouchard (original)

Evan Lukas (MAG 013)

Laverne (MAG 136)

Callum McKenzie (MAG 125)

John Haan (MAG 072)

Tom Haan (MAG 030)

Jonathan Fanshawe (MAG 127)

Fiona Law (MAG 167)

Spider on the wall (MAG 038)

Leto (MAG 184)

Nathan Watts (MAG: 001)

Sebastian Skinner (MAG 087)

Carlita Sloane (MAG 033)

Erika Mustermann (MAG 034)

Jan Novak (MAG 034)

Piotr Petrov (MAG 034)

Pavel Petrov (MAG 034)

Fulan Al-Fulani (MAG 034)

Juan Pérez (MAG 034)

Jane/John Doe (MAG 034)

Lee Kipple (MAG 042)

Robin Lennox (MAG 100)

“John Smith” (MAG 100)

Celia/Lynne Hammond (MAG 100)

Brian Finlinson (MAG 100)

Carlos Vittery (MAG 016)

Francis (MAG 172)

Wilfred Owen (MAG 007)

Father Edwin Burroughs (MAG 019)

Maxwell Rayner (MAG 002)

Rat from the Bone Turner’s Tale (MAG 017)

Sergey Ushanka (MAG 065)

Angela (MAG 014)

The Anglerfish (MAG 001)

Jan Killbride (MAG 106)

Natalie Ennis (MAG 025)

Alfred Grifter (MAG 042)

Benoît Maçon (MAG 102)

Dr Lionel Elliot (MAG 034)

Rosie Zampano (MAG 192)

Manuela Dominguez (MAG 135)

Petite Scarabée/Little Beetle (MAG 102)

Sarah Baldwin (MAG 001)

Agape (MAG 153)

Monster Pig (MAG 103)

Callum Brodie (MAG 173)

#bestmagcharacter #poll update

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