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gogmstuff · 2 years

Photo

Victorian 1830s and 1840s dress:

Top: 1837 Woman in green, salmon red changling dress by Ferdinand Georg Waldmüller (Österreichische Galerie Belvedere - Wien, Austria). From tumblr.com/blog/view/fashionsfromthepast/690583943444152320 2048X2698 @72 3.1Mj.

Second row left: 1838-1840 Lady (probably mother-in-law, Mrs Thomas Hague) by John Prescott Knight (The Shire Hall Gallery -Stafford, Staffordshire, UK). From artuk.org; erased spots w Pshop 921X1200 @72 235kj.

Second row right: ca. 1838 Lady in Black, thought to be Countess Pelagia Mostowska, Mme. Alexandre Komar by Franz Xaver Winterhalter (Doyle - 30Oct19 auction Lot 69). From galleryofunknowns.tumblr.com/post/188583031303/franz-xaver-winterhalter-b1805-d1873 1280X1724 @72.

Third row left: 1840 Noble lady with embroidery by Henri Beltz (Orange Bakelite Auction House). From tumblr.com/blog/view/costumeloverz71 1036X1381 @72 430kj. I cannot locate an Orange Bakelite Auction House.

Third row right: Lady by a follower of Franz Xaver Winterhalter (location ?). From tumblr.com/blog/view/costumedufilm 1280X1822 @72 535kj.

Fourth row: Dame Georgina Fane (1801-1875) attributed to Thomas Phillips (on sale at SFA Gallery). From proantic.com/en/display.php?mode=obj&id=956658; darkened veiling reflections in upper corners 1038X1200 @96 475kj.

Bottom: 1830s One of two family portraits by Franz Eybl (on sale by Alte Kunst (Leon Wilnitsky)). From proantic.com/en/display.php?mode=obj&id=835430 953X1000 @96 238kj.

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spacetimewithstuartgary · 2 years

Photo

A step towards quantum gravity In Einstein’s theory of general relativity, gravity arises when a massive object distorts the fabric of spacetime the way a ball sinks into a piece of stretched cloth. Solving Einstein’s equations by using quantities that apply across all space and time coordinates could enable physicists to eventually find their ‘white whale’: a quantum theory of gravity. In a new article in EPJ Historical Perspectives on Contemporary Physics, Donald Salisbury from Austin College in Sherman, USA, explains how Peter Bergmann and Arthur Komar first proposed a way to get one step closer to this goal by using Hamilton-Jacobi techniques. These arose in the study of particle motion in order to obtain the complete set of solutions from a single function of particle position and constants of the motion. Three of the four fundamental forces – strong, weak, and electromagnetic – hold under both the ordinary world of our everyday experience, modelled by classical physics, and the spooky world of quantum physics. Problems arise, though, when trying to apply to the fourth force, gravity, to the quantum world. In the 1960s and 1970s, Peter Bergmann of Syracuse University, New York and his associates recognised that in order to someday reconcile Einstein’s theory of general relativity with the quantum world, they needed to find quantities for determining events in space and time that applied across all frames of reference. They succeeded in doing this by using the Hamilton-Jacobi techniques. This is in contrast to other researchers’ approaches, including that of John Wheeler and Bryce DeWitt, who thought it only essential to find quantities of space that applied across all frames of reference. By excluding time, their solutions result in ambiguities in the way time develops, which are known as the problem of time. Salisbury concludes that because the approach taken by Bergmann and associates resolves the ambiguity in the way time develops, their approach deserves more recognition by those exploring an eventual theory of quantum gravity. ###

#space #science #Astronomy #physics #news

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nofatclips · 7 years

Video

youtube

Indica by Foxing from the album Dealer - video directed by John Komar and Josh Coll

#somethingneweveryday #music #foxing #indie #emo #rock #conor murphy #josh coll #jon hellwig #video #music video #john komar

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indigoviolett · 2 years

Text

Post-modern Approachs:

Escaping the Confines of Museums

"Moon Rabbit"

Wood and Styrophome frame wrapped with Tyvek paper.

Florentijn Hofman, 2014

Collapsing Boundaries Between High and Low

"Mr. DOB"

Acrylic on canvas

Takashi Murakami, 2016

Rejecting Originality

"The Sum of All Evil"

Mixed media (Couldn't find exactly what this is made of)

The Chapman Brother, 2012

Jouissance

"Jouissance"

Ball point pen on paper

Hannah Ward, 2016

Working Collaborativly

"Yalta Conference"

Oil on Canvas

Komar and Melamid, 1984

Appropriating

"John's Target with Four Faces"

Encaustic on printed paper, collage on canvas, and encaustic on plaster in wood construction

Sturtevant, 1986

Simulating

"Untitled (Dylan on the Floor)"

Digital c-print

Gregory Crewdson, 2001

Hybridizing

"Today's Special"

Woodcut in colors with additional handcoloring on Hosho paper

Masami Teraoka, 1936

Mixed Media

"Thread"

Acrylic, charcoal, pastel, color pencils, and xerox transfers on paper

Nijdeka Akunyili Crosby, 2012

Layering

"China China - Bust 70"

Porcelain carved relief and bitimun stained

Ah Xian, 2002

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jgthirlwell · 3 years

Text

2020 Year In Review

This year once again I invited some friends and colleagues to reflect on 2020

JG Thirlwell

Composer

Foetus Xordox Manorexia Steroid Maximus Venture Bros Archer

www.foetus.org

2020 was a troubling and disturbing year. I created a lot of music and experienced a lot of nights waking at 5am in a panic. I deeply missed the sacred experience of being able to see live music. In its absence of that I listened to a lot of music. It was difficult to whittle down this list but here are a lot of albums I enjoyed in 2020, in no particular order.

Le Grand Sbam Furvent (Dur Et Doux) John Elmquist’s HardArt Group I Own an Ion (900 Nurses) Roly Porter Kistvaen (Subtext) Liturgy Origin Of The Alimonies (YLYLCYN) Clark Kiri Variations (Throttle) Dai Kaht Dai Kaht I & II (Soleil Zeuhl) Chromb Le livre des merveilles (Dur Et Doux) Horse Lords The Common Task (Northern Spy) Ecker & Meultzer Carbon (Subtext) Insane Warrior Tendrils (RJ’s Electrical Connections) Jeff Parker Suite For Max Brown (International Anthem) Jacob Kirkegaard Opus Mors (Topos) Tristan Perich Drift Multiply (Nonesuch) Bec Plexus Sticklip (New Amsterdam) Vak Budo (Soleil Zeuhl) Merlin Nova BOO! (Bandcamp) The The Muscle OST (Cineola) Zombi 2020 (Relapse) Regis Hidden In This Is The Light That You Miss (Downwards) Rival Consoles Articulation (Erased Tapes) Sarah Davachi Cantus, Descant (L.A.T.E.) Sufjan Stevens The Ascension (Asthmatic Kitty) Idles Ultra Mono (Partisan) Daedelus The Bittereindeers (Brainfeeder) Boris No (Bandcamp) Aksak Maboul Figures / Un peu de l’ame des bandits / Onze Danses Pour Cobattre La Migraine (Crammed) Noveller Arrow (Ba Da Bing) Felicia Atkinson Everything Evaporate (Shelter Press) Ital Tek Dream Boundary (Planet Mu) Author and Punisher Beastland (Relapse) Sparks A Steady Drip Drip Drip (BMG) Corima Amatarasu (Soleil Zeuhl) Code Orange Underneath (Roadrunner) Deerhoof Future Teenage Cave Artists /Silly Symphonies / To Be Surrounded../ Love Lore(Joyful Noise) Sote Moscels (Opal Tapes) Run The Jewels RTJ4 (Jewel Runners) Oranssi Pazuzu Mestarin Kynsi (Nuclear Blast) Master Boot Record Floppy Disk Overdrive (Metal Blade) Kaitlyn Aurelia Smith The Mosaic Of Transformation (Ghostly International) / Ears (Western Vinyl) Michael Gordon Acquanetta (Cantelope) Neom Arkana Temporis (Soleil Zeuhl) Rian Treanor Ataxia / File Under UK Metaplasm (Planet Mu) Helm Saturnalia (Alter) Ivvvo doG (Halcyon Veil) Robert Normandeau Figures (Empreintes Digitales) Ben Vida Reducing The Tempo To Zero (Shelter Press) Beatrice Dillon Workaround (Pan) Dan Deacon Mystic Familiar (Domino) Sea Oleena Weaving A Basket (Higher Plain Music) Elysian Fields Transience Of Life (Ojet) Rhapsody Symphony Of Enchanted Lands II - The Dark Secret (Magic Circle) Duma Duma (Nyege Nyege) Ulla Strauss Tumbling Towards a Wall / Seed (Bandcamp)

Honorable mentions Carl Stone Stolen Car (Unseen Worlds) Nazar Guerilla (Hyperdub) Iwo Zaluski with the Children of Park Lane Primary School, Wembley The Remarkable Earth Making Machine (Trunk) Nahash Flowers Of The Revolution (SVBKVLT) Cindy Lee Whats Tonight To Eternity (Bandcamp) Insect Ark The Vanishing (Profound Lore) 33EMYBW Arthropods (SVBKVLT) Declan McKenna Zeroes (Tomplicated) Layma Azur Zeii (Bandcamp)

FILM TV Succession ZeroZeroZero Escape at Dannemora 1917 Small Axe : Five films by Steve McQueen Pirhanas Monos The Hater Better Call Saul

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Drew Daniel

Matmos, The Soft Pink Truth

an alphabet of 2020 recordings

Arca “KiCk i” BFTT “Intrusive / Obtrusive” clipping. “Visions of Bodies Being Burned” Duma “Duma” Eilbacher, Max “Metabolist Meter (Foster, Cottin, Caetani and a Fly)” Forbidden Colors “La Yeguada” GILA “Energy Demonstration” HiedraH Club de Baile “Bichote-K Bailable Vol. 2” Ian Power “Maintenance Hums” Jeff Carey “Index[off]” Kassel Jaeger “Meith” Laurie Anderson “Songs From the Bardo” Mukqs “Water Levels” Negativland “The World Will Decide” O’Rourke, Jim “Shutting Down Here” Perlesvaus “These Things Below with Those Above” Quicksails “Blue Rise” Rian Treanor “File Under UK Metaplasm” Slikback “///” Terminal Nation “Holocene Extinction” Ulcerate “Stare Into Death and Be Still” Various Artists “HAUS of ALTR” William Tyler “New Vanitas” Xyla “Ways” Y A S H A “Summations” :zoviet-france: “Châsse 2ᵉ”

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Sarah Lipstate (Noveller)

With all live performances canceled, this was truly the year of demo videos and home studio recording for me. These are 10 pieces of gear that came out in 2020 that helped keep me feeling creative and inspired during lockdown. In no particular order:

EHX Oceans 12 Dual Stereo Reverb - The Oceans 12 ticks all the boxes for what I’m looking for in a great soundscaping reverb. I used the Shimmer and Reverse algorithms in conjunction a lot when I was composing music for a film score.

Chase Bliss Audio Blooper - While I don’t actually own a Blooper, I had the pleasure of borrowing one from Mike of Baranik Guitars after NAMM this year. He made an incredible Blooper-inspired guitar and I was completely charmed by them both. Chase Bliss always delivers pedals that push me creatively and the Blooper truly hits the mark.

Cooper FX Arcades - I love everything Cooper FX has released to-date so the opportunity to access those sounds in one pedal via plug-in cartridges is just awesome.

SolidGoldFX NU-33 - I was asked to do a demo of this pedal for its release and ended up being really charmed by this box’s approach to lo-fi nostalgia. I’ve used it a lot for film scoring and highly recommend adding it to your collection.

Demedash Effects T-120 DLX V2 - I LOVE a good tape echo and the T-120 Deluxe V2 ranks up there with the best I’ve tried. This pedal made its way to me this Christmas and I look forward to making some beautiful sounds with it in the new year.

Hologram Electronics Microcosm - The Microcosm is one of those pedals where you should fully read the manual before diving in but once you put in that initial effort you’ve got a massively powerful tool on your hands. It does glitch like no other. Definitely worth the homework

Azzam Bells MP019 - I discovered this unique instrument through a post on Reverb’s IG page and immediately looked it up and ordered one. These experimental percussion instruments are hand-made in Italy and they’re as beautiful visually as they are sonically. I used it for bowed cymbal and daxophone sounds on a film score and it was absolutely haunting.

Echopark Dual Harmonic Boost 2 - I love the control you have over dialing in the perfect amount of grit with these dual boost circuits. I use it a lot as a textural tool when I’m laying down drones or bringing in big distorted swells. It’s one of the most versatile overdrives in my collection and I love that.

Fender Parallel Universe Series Volume II Maverick Dorado - I was smitten with the Maverick Dorado when I first saw it at NAMM. It has a lot of the specs that I look for in a guitar and the body shape with the Mystic Pine finish just blew me away. I hope that I get to use it live soon.

Polyeffects Beebo - The Beebo is one of those pedals that I genuinely feel is smarter than I am. It’s like an entire computer in one small touchscreen box. I can’t claim to have mastered using it yet but the sounds that I have managed to get out of it so far have been brilliant. I’m looking forward to spending more time with this box in 2021

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HELM 2020 REVIEW

Let's get the bad stuff out the way first, 2020 was undoubtedly an awful year. I'm still not sure how to really respond to seeing a global pandemic bring the capital to its knees and everything I love and hold dear to a grinding halt. Our government fucked it's response, putting profit before people and killing tens of thousands. The Labour Party descended into farce with the newly elected leader Sir Keith revealing himself as a bland centrist with no opposition or ideas. On a personal level it sucked not being able to travel or see my friends in different parts of the world - or even the same country - who I am starting to miss a lot. However, I was fortunate enough to get through the year with my sanity intact. Music, art and culture once again being my main positive. I think I listened to more music than I have in any year ever. I read more books than I have done since I was a teenager probably. I also re-discovered the joys of walking long distances and am extremely thankful for living near a lot of incredible green spaces: Epping Forest, Walthamstow Wetlands, Walthamstow Marshes, Wanstead Park, Wanstead Flats...

Music. My favourite albums of the year.

Oranssi Pazuzu - Mestarin kynsi Wetware - Flail Raspberry Bulbs - Before The Age Of Mirrors Necrot - Mortal Rope Sect - The Great Flood Private World - Aleph Oneohtrix Point Never - Magic Oneohtrix Point Never Pyrrhon - Abcess Time CS+Kreme - Snoopy Speaker Music - Black Nationalist Sonic Weaponry Drew McDowall - Agalma Regis - Hidden In This Is The Light That You Miss Nazar - Guerilla Zoviet France - Russian Heterodoxical Songs (and all the ZF reissues!!) Triple Negative - God Bless the Death Drive Permission - Organised People Suffer Actress - Karma & Desire Acolytes - Stress II The Gerogerigegege - >(decrescendo) Chubby & The Gang - Speed Kills Flora Yin-Wong - Holy Palm Eiko Ishibashi - Hyakki Yagyo The The - See Without Being Seen Prurient - Casablanca Flamethrower Henning Christiansen - L’essere Umano Errabando La Voce Errabando Subdued - Over The Hills And Far Away Rian Treanor - File Under UK Metaplasm Komare - The Sense Of Hearing Shredded Nerve - Acts Of Betrayal Jesu - Terminus Autechre - SIGN Hey Colossus - Dances / Curses Sparkle Division - To Feel Embraced Mark Harwood - A Perfect Punctual Paradise Under My Own Name Still House Plants - Fast Edit The Bug & Dis Fig - In Blue Kommand - Terrorscape Haus Arafna - Asche Khthoniik Cerviiks - Æequiizoiikum Worm - Gloomlord Kraus - A Golden Brain Faceless Burial - Speciation

A shout-out to Jon Abby's AMPLIFY series on Bandcamp / Facebook, which I contributed a new piece of music to.

A shout out to the labels where most of the music I listened to seemed to come from:

The Trilogy Tapes Iron Bonehead Penultimate Press Dais La Vida Es Un Mus

Gigs. Despite live music being destroyed in 2020 I still saw a few unforgettable performances at the beginning of the year.

Graham Lambkin @ The ICA, London Puce Mary / JFK @ The Glove That Fits, London Demilich @ Finnfest, The Garage, London Container / PC World / National Unrest @ Venue MOT, London S.H.I.T / Asid / Chubby & The Gang @ Static Shock Festival, ExFed, London

Books I enjoyed. Most not published this year, but all read in 2020.

Joe Kennedy - Authentocrats David Balzer - Curationism Tom Mills - BBC: The Myth Of A Public Service Simon Morris - Consumer Guide: Special Edition Luke Turner - Out Of The Woods Various - Bad News For Labour Mike Wendling - Alt-Right Baited Area issues 1 & 2.

Film. Three good films I saw this year which I hadn't before.

Suspiria (Remake) Midsommar Cannibal Holocaust

Podcasts. I listened to a lot of these whilst walking.

We Don't Talk About The Weather Novara Media Tysky Sour & Novara FM Grounded with Louis Theroux System of Systems Red Scare loveline episodes Suite 212 NOISEXTRA Social Discipline CONTAIN

TV.

Didn't watch a huge amount and what I did was mostly trash. For some reason I rewatched both series' of This Life, a British drama from the late 90's about a group of young professionals house sharing and navigating their careers. Very cringey and has aged terribly, but it was perversely fascinating to revisit something from that time in the age of the pandemic. Following on from this I binge watched the entire series of Industry which was entertaining enough. A programme about a bunch of horny bankers with what felt like a confused ideology behind it. It seemed stuck between trying to criticise and glorify the culture around the industry, but also protect the industry itself from outside criticism by portraying anyone who may oppose as an insufferable wanker. Currently halfway through Succession which is OK. The Murdoch documentaries on the BBC were excellent and a rare respite from their descent into client journalism.

Thanks to anyone who listened to my music this year also. Best wishes to you all for 2021.

Luke Younger

http://hhelmm.com | http://alter.bandcamp.com

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Elliott Sharp

composer

1. My Nr. 1 lesson: patience. Whether it's bouncing through 30 seconds of severe turbulence at 39000 feet or slogging through 30 minutes of a interminable piece of concert music, one attribute I've tried to develop is the ability to see past the discrete and awaited ending, the exact framing of the immediate process, but put it into the context of a larger time frame. I've found that this year more than all others has demanded it. Breathing helps...

2. Books: revisiting old favorites from the realm of Thomas Pynchon and Philip K. Dick (both especially relevant), digging into John Lomax's portrait of Jelly Roll Morton, the works of Colson Whitehead, random things off of the shelf…

3. Composing: with touring off the table, I focused on that which needed to be written, some requested and commissioned, some spontaneously springing forth. Composing requires that one open the windows wide to the world, which at this moment brought in grief, terror, uncertainty, anxiety, visions of plague and pestilence and incipient fascism. Okay, now shut the window and get to work! How to process, translate, transform? The work can be a comfortable and obsessive cocoon once one learns to handle the radioactive materials and put them into the creativity reactor.

4. Beans! We have long been a fan in our house of the wide world of legumes but this year brought two stars to the front: the black bean and the red lentil. The black bean commands the lofty peaks but the seemingly infinite variations of dal surround it. Ginger, garlic, turmeric, smoked paprika, cayenne, onions, and olive oil form the basis then imagination builds.

5. Online teaching substituted for my canceled conduction of workshops in the Pyrenees Mountains of France. Between the participants and myself, we built a temporary but very congenial space online to share concepts and music. In addition, private lessons brought conversation and music with new friends in Germany, Italy, California, Australia, Illinois, Denmark, Pennsylvania, Spain, Florida, Brazil.

6. What started out as "stress baking" (before I even had heard of the term) soon became a frequent practice that yielded very edible results. The twins preferred the sweeter forays into banana bread and chocolate cake. I tried to find a balance between tried-and-true techniques and experiments in texture and taste with yeasted pumpernickels, multi-grains, and seed breads.

7. While not the same as performing 'live ', online gigs proved that it was possible to generate a surprising amount of adrenaline even without the pheromonal handshaking of a room filled with receptive ears. As a corollary, online recording collaborations with friends worldwide proved to be inspiring and a suitable substrate for sonic experimentation, exploration of new instruments, tunings, effects programming, structures. In these realms, shout-outs to Helene Breschand, Mike Cooper, Henry Kaiser, Tracie Morris, Mikel Banks, Dougie Bowne, Payton McDonald, Billy Martin, Colin Stetson, Jim O'Rourke, Scott Amendola, Roberto Zorzi, Jason Hoopes, Eric Mingus, Melanie Dyer, Dave Hofstra, Don McKenzie, Sergio Sorrentino, Veniero Rizzardi, Taylor Ho Bynum, Scott Fields, Bachir Attar, Karl Bruckmaier, Robbie Lee, Matthew Evan Taylor, Matteo Liberatore, Al Kaatz, David Barratt, Jessica Hallock, Kolin Zeinikov, Robbie Lee, Jeremy Nesse, James Ilgenfritz, Sergio Armaroli, Steve Piccolo, Sandy Ewen, David Weinstein, Jim Whittemore, Chris Vine, Werner Puntigam, William Schimmel.

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Daniel O’Sullivan

(Grumbling Fur, Guapo, Miasma & the Carousel of Headless Horses, Ulver, Sunn O))), Æthenor, Laniakea, Miracle, Mothlite, and This Is Not This Heat.)

Music Richard Youngs - Ein Klein Nein Alabaster DePlume - Instrumentals Hildegard von Bingen - O Nobilissima Viriditas Francisco de Penalosa - Missa Ave Maria Peregrina Carlo Gesualdo - Responsoria 1611 Dirty Projectors - Five EPs Sonic Boom - All Things Being Equal Brother Peter Broderick - Blackberry Richard Horowitz - Eros Of Arabia Duncan Trussell Family Hour Cocteau Twins in the bath

Books/comics Alexander Tucker - Entity Reunion II Derek Jarman - Chroma Stephen Harrod Buhner - Plant Intelligence and the Imaginal Realm The Penguin Book Of Irish Poetry - edited by Patrick Crotty The Gospel Of Ramakrishna - translated by Swami Nikhilananda Lucretius - De Rerum Natura Plotinus - Enneads Ram Dass - Grist For The Mill Lisa Brown - Phantom Twin

Other Fasting / meditation / macrodosing Walks in freshly coppiced woodland (for the smell mainly). Plants / Foraging / Growing Traditional ferments Douglas Sirk movies Mandolorian Writing songs on the piano Rediscovery of Kenneth Graham via my kids

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Karl O’Connor (Regis)

01.Wolfgang Press - Unremembered, Remembered 02. Klara Lewis - Ingrid Live at Fylkingen 03. Jesu - Terminus 04. Dave Ball - Leeds Poly Demos 1979 05. Edwin Pouncey - Rated Sav X (the Savage Pencil Skratchbook) 06. The Bug - In Blue 07. New Order - Power,Corruption and Lies ( Writing Sessions ) 08. JG Thirlwell and Simon Steensland - Oscillospira 09. FM Einheit and Andreas Ammer - Hammerschlag 10. Thurston Moore - By The Fire 11. Body Stuff - Body Stuff 3 12. Ann M Hogan - Honeysuckle Burials 13. Rob Halford - Confess (Autobiography)

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Caleb Braaten (Sacred Bones Records)

Shirley Collins Hearts Ease Dehd Flowers Of Devotion Duma Duma Bob Dylan Rough and Rowdy Ways Green-House Six Songs for Invisible Gardens John Jeffery Passage Drew McDowall Agalma Sweeping Promises Hunger For a Way Out Colter Wall Western Swing & Waltzes and Other Punchy Songs Woods Strange to Explain

My Favorite 90’s Nostalgia Movie Rewatches

Colors Ghost Dog Menace II Society The Player Rounders Safe Starship Troopers Trees Lounge Vampires Waiting For Guffman

Most Culturally Bankrupt Year : 1997

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Charlie Looker

(composer, Psalm Zero, Extra Life, Seaven Teares)

Ten Things That Didn’t Happen in 2020

1. I didn’t write a ton of new music. Don’t get me wrong, I wrote some. I always do. But mostly I focused on my new YouTube channel, essays, and on getting old recordings released. I haven’t even been working a day-job so I thought I was going to write my next Ring Cycle, but I really didn’t find Covid inspiring.

2. Trump wasn’t re-elected. Cool.

3. I didn’t lose anyone to Covid. I am, of course, profoundly grateful for this. But I feel pretty embarrassed remembering group-texting ten friends in March, “We are all going to see a loved one die. Every single one of us. Don’t kid yourselves”. I can get hysterical, and that was somewhat irresponsible of me.

4. No revolution happened. I don’t mean to be smug or cynical, or to belittle anyone’s participation in the protests. But, as far as I can tell, nothing happened in 2020 that promises to reduce police brutality or human suffering of any kind. We’ll see. That burning Minneapolis police station was exciting to watch at the time, if only on an aesthetic level.

5. I have a stack of unread books I bought this year, just staring at me, with nary a crease among them. These include:

Adorno and Horkheimer, The Dialectic of Enlightenment (looks amazing, but I haven’t touched it) Marx, Grundrisse (it’s 1000 pages for fuck’s sake. Amazon also accidentally sent me two copies, and its double presence in the stack is just comical) Reza Negarestani, Intelligence and Spirit (the first 15 pages blew my mind, then my mind blew it off)

6. I didn’t settle into living in LA. I moved here six months before Covid and I was just starting to cultivate some friendships and play shows. This was quashed and I still feel like I still live in New York. I still barely know the layout of the city here.

7. No brand-new buzzy musical artists burst onto the scene, that I can recall. No new hyped micro-genre of the moment. There was just no way for there to be a hot new trend. I’d say that was refreshing, but it wasn’t.

8. Tyson’s return was not awesome. Two minute rounds, ended in a draw. I’ve been getting way into boxing this past year. This fight was a bummer. I’m looking forward to Mayweather vs Logan Paul (LOL) because we know it’s comedy ahead of time.

9. For three weeks in July, I didn’t do a single thing other than watch street fight compilations on YouTube and Worldstar. That’s just grim.

10. There were no school shootings in March. Apparently, this was the first March with no school shootings since 2002. Not a single 7th grader got a hand job in March either. I cannot begin to imagine what it’s like to be a kid now.

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Chuck Bettis

https://chuckbettis.com

Other People's Music released this year:

Coil "Musick to Play in the Dark" (Dais)

Duma "s/t" (Nyege Nyege Tapes) Twig Harper "External Boundless Prison/ in 4 parts EP" (self-release) I.P.Y. (Ikue Mori, Phew, YoshimiO) "I.P.Y." (Tzadik) Kill Alters "A2B2 Live Stream 11/13/2020" (self-release) Krallice "Mass Cathexis" (self-release) Lust$ickPuppy "Cosmic Brownie" (self-release) Doug McKechnie "San Francisco Moog: 1968-72" (VG+ Records) Merlin Nova "Boo!" (self-release) Omrb "Milandthriust, The Graths of Mersh" (self-release) Akio Suzuki & Aki Onda "gi n ga" (self-release) Yoth Iria "Under His Sway" (Repulsive Echo) Wetware "Flail" (Dais)

My own music released this year:

collaborations

Chatter Blip "Microcosmopolitan" (Contour Editions) Matmos "The Consuming Flame: Open Exercises in Group Form" (Thrill Jockey) Reverse Bullets "Dreampop Dsyphoria" (self-release) Snake Union "live at Roulette" (self-release) Snake Union w/ Hisham Bharoocha, Bonnie Jones, Heejin Jang, Matthew Regula "Three Arrows" (Rat Route) Thomas Dimuzio "Balance" (Gench Music) YoshimiO & Chuck Bettis "Live at the Stone" (Living Myth)

solo Chuck Bettis "Arc of Enlghtenment" (Living Myth) Chuck Bettis "Motion Parallax" (Living Myth)

compilation Various Artist "Polished Turds Vol.1" (Granpa)

Music Books read this year

"Intermediary Spaces" by Eliane Radigue/Julia Eckhardt (Umland) "Ennio Morricone In His Own Words" by Ennio Morricone/Alessandro De Rosa (Oxford University Press) "Free Jazz In Japan: A Personal History" by Soejima Teruto (Public Bath Press) "Rumors of Noizu: Hijokaidan and the Road to 2nd Damascus" by Kato David Hopkins (Public Bath Press)

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Maya Hardinge

(musician / artist)

list of things i liked this year

first ever solo road trip through new mexico and Texas right before lockdown experiencing manhattan with no cars on the road . having a car to escape in to nature. (which i craved so much) walks and bike rides with friends… FRIENDS! The web site ‘workaway’ that helped me feel that there were options for escape. playing games weekly on zoom during lock down teaching yoga weekly on zoom. Witnessing and being part of the BLM protests. witnessing and being part of the demise of T sitting on my couch at 6am drinking a cup of tea, appreciating my apt. making time to meditate. halloween without tourists .

some music I’ve bought and/or enjoyed this year Elvis Perkins-Black Coat Daughter Patricia Kokett -Soi soi Henning Christiansen - OP201 Bryce Hackford- Safe Svitlana Nianio and Oleksander - Snayesh yak? rozkazhy Brannten schnure - Sommer im Pfirsichhain Killing Joke - Nighttime David Shea - Tower of mirrors Shakey - Shakey Woodford halse tapes Coil - Musick to play in the dark

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BJ Nilsen

sound artist / composer

Work 2020

Despite Covid 19 lots of things actually did happen.

In Feburary I visited the only active nuclear plant in The Nederlands as part of my "Expanded Field Recording” project together with SML. In March revisited the Acousmonium at the Elevate Festival in Graz with an additional trip deep inside the Schlossberg recording old mining trains. In March and April I did two daily recording projects “Pending and Auditory Scenes” - both of Amsterdam during lockdown. In May did my first Zoom field recording workshop with the CAMP project. In June & July two research trips in Waldviertel, Austria with Franz Pomassl. In August recorded bells and organs in 10 different churches around Amsterdam for Jacob Lekkerkerker. In September recorded Kali Malone at the Orgelpark in Amsterdam. Performed at Heart of Noise Festival in Innsbruck and A4 in Bratislava. Also went ice-skating for first time in 20? Years. In November and December I travelled to Jeju island to record field recordings for a project by Femke Herregraven for the Gwangju Biennale, commissioned for 2021. Did lots of gardening, released two tapes “Call it Philips, Eindoven” and “Zomer 2020” with Sigtryggur Berg Sigmarsson. NOW! Looking forward to 2021.

http://bjnilsen.info https://soundcloud.com/bjnilsen/sets/auditory-scenes-amsterdam

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Vicki Bennett

(People Like Us)

Negativland - True False https://negativland.com/products/truefalse-cd (this came out last year but is so THIS year) Bob Dylan - Rough and Rowdy Ways https://www.bobdylan.com/albums/rough-and-rowdy-ways/ The Soft Pink Truth - We from Shall We Go On Sinning So That Grace May Increase https://thesoftpinktruth.bandcamp.com/album/shall-we-go-on-sinning-so-that-grace-may-increase Carl Stone - Stolen Car https://unseenworlds.bandcamp.com/album/stolen-car Porest - Sedimental Gurney https://porest.bandcamp.com/album/sedimental-gurney Matmos - The Consuming Flame: Open Exercises in Group Form https://matmos.bandcamp.com/album/the-consuming-flame-open-exercises-in-group-form Domenique Dumont - Miniatures De Auto Rhythm https://antinoterecordings.bandcamp.com/album/atn044-domenique-dumont-miniatures-de-auto-rhythm The The - See Without Being Seen https://www.thethe.com/product/see-without-being-seen-cd/ Ciggy de la Noche - Hold Tight HMRC https://soundcloud.com/ciggydelanoche/hold-tight-hmrc Neil Cicierega - Mouth Dreams http://www.neilcic.com/mouthdreams/

and my details: http://peoplelikeus.org/ https://peoplelikeus-vickibennett.bandcamp.com/ pic: http://peoplelikeus.org/wp-content/uploads/2019/12/Welcome-Abroad-promo3-2-scaled.jpg

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DJ Food

Music - Type 303 - Sticky Disco / Analogue Acidbath 7" (45 Live) The British Space Group - The Ley of the Land CD (Wyrd Britain) Squarepusher - Be Up A Hello LP / Warp 10 NTS mix (Warp) dgoHn - Undesignated Proximate (Modern Love) LF58 - Alterazione LP (Astral Industries) Robert Fripp - Music For Quiet Moments series (DGM) Run The Jewels - RTJ4 (BMG) Simf Onyx - Magenta Skyline / The Unresolved 7" (Delights) Luke Vibert - Modern Rave LP (Hypercolour) JG Thirlwell & Simon Steensland - Oscillospira (Ipecac) Aural Design - Looking & Seeing 7" / DL (Russian Library) Luke Vibert - Rave Hop (Hypercolour) Clipping. with Christopher Fleeger - Double Live (Sub Pop) APAT - Terry Riley's 'In C' performed on Modular Synthesizer (YouTube) Field Lines Cartographer - The Spectral Isle LP (Castles In Space) Jane Weaver - The Revolution of Super Visions single (Fire Records) King Gizzard & The Lizard Wizard - K.G. LP (Flightless) Humanoid - Hed-Set - forthcoming on (De:tuned)

Film / TV - Inside No.9 (BBC) What We Do In The Shadows Season 2 (Netflix) Tales From The Loop (Amazon) Keith Haring - Street Art Boy (BBC) John Was Trying To Contact Aliens (Netflix) The Social Dilemma (Netflix) The Mandalorian (Season 2) (Disney+) Long Hot Summers - The Style Council documentary (Sky Arts) Zappa (Alex Winter)

Books / Comics / Magazines Confessions of a Bookseller - Shaun Bythell (Profile books) The Often Wrong - Farel Dalrymple (Image Comics) Edwin Pouncey - Rated SavX (Strange Attractor Press) Jeffrey Lewis - Fuff (all issues - really late to the party on this one) Rian Hughes - XX - A Novel, Graphic (Picador) Cosey Fanni Tutti - Art, Sex, Music (Faber) Caza - Kris Kool (Passenger Press) Dan Lish - Egostrip Vol.1 Electronic Sound magazine Decorum - Jonathan Hickman & Mike Huddleston (Image) John Higgs - Stranger Than We Can Imagine Simon Halfon - Cover To Cover (Nemperor)

Very few exhibitions or shows this year for obvious reasons

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preciseprose · 3 years

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Dana tumblr AMA ask three

@matthewdintohis20s: Hiya Dana!!! First I just wanna say I was at the NYCC panel for the show last year and it was the best panel I’ve ever gone to but I didn’t get to say hi to you or ask any questions-so, hi! :) Anyways, my question is: Remember when you boarded Into It. Over It’s music video for The Shaking of Leaves? How do you look back on your work on the vid now? Hope you have a wonderful holiday night with Alex and I’m so psyched for season 2 next year whenever it is! Happy New Year and I hope when we’re all immunized we can have another OH NYCC panel 😊🎉💜💖✨

Dana: Oh wow, that feels like a million years ago, haha. Yeah I boarded it, Reza Iman animated/art directed, and Johnny Komar directed. Two classmates from college I was buddies with. It was a fun challenge at the time and I was thankful for the gig! Not to mention I have a lot of respect for Reza and John who are just two really dope hard working artists. Looking back with 7+ professional years under my belt I’d definitely make some different boarding/composition choices, haha. But I try not to feel regretful at things like that because I know that, at the time, I was putting 100% into everything I did. And still do!

Glad you enjoyed the only panel TOH ever had, haha. Hopefully we can do another one someday. Happy New Year!

#the owl house #toh #dana terrace #asks from new years 2021

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hudgenssource · 5 years

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Vanessa Hudgens photographed by John Komar at the Harper’s Bazaar ICONS party

#Vanessa Hudgens #photoshoot #gallery

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cciprogram · 5 years

Video

youtube

August 10, 2019

Lecture: Institutional Critique: A Global Context.

Anya Komar will give a talk on Institutional Critique discussing practices of Christopher D’Arcangelo, Marcel Broodthaers, Michael Asher, John Knight, Andrea Fraser, and Louise Lawler. The talk will encompass examples from early self-referential practices of Institutional Critique in 1970s to museum interventions and its more recent manifestations in 1990s-2000.

Restaurant space under renovation of the hotel Intourist-Zakarpattya, Kirill and Myfodiy square, 5, Uzhgorod.

Video documentation and video montage: Nikoletta Yurets

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rhythmanalysis · 5 years

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Creatures: When Species Meet Cincinnati Contemporary Arts Center May 10 through August 18, 2019 Curated by Steven Matijcio ARTISTS: Komar & Melamid, Shimabuku, Rivane Neuenschwander & Cao Guimarães, Marina Abramovic, Doug Aitken, Pilar Albarracín, Francis Alÿs, Carla Bengtson, Hilary Berseth, Joseph Beuys, John Bock, Björn Braun, Miguel Calderón, Sophie Calle, Julian Charrière, Max Hooper Schneider, Brian House, Brian Jungen, Nina Katchadourian, Agnieszka Kurant, Duke Riley, Miguel Andre Ríos, Tomás Saraceno, Corinna Schnitt, Kunié Sugiura, William Wegman, Jeff Whetstone, Yukinori Yanagi Western civilization has long looked at the many living creatures outside of humankind as the subjects of dominion; as entities less than equals who serve a purpose rather than as peers. In this historically, almost exclusively one-sided arena, we have regarded the animal and insect kingdoms across a vast spectrum from ally to enemy, and everything in-between. Fauna and Insecta alike have served as avatars, aesthetics, metaphors, foils, and the fodder for food, clothing, shelter and endless anthropomorphic assignment. But there has been a pronounced push back against this hegemony, and a reconsideration of what equality means within the ecosystem. And whether such sentiment arose from power or pity, guilt or responsibility, the voice for animal rights has grown increasingly prominent for those who cannot speak for themselves – amplifying the value of intelligence, emotions and lives that we have habitually regarded as secondary. Accordingly, there have been numerous artworks and exhibitions that position animals and insects as subjects, but considerably fewer that enlist these same creatures as collaborators. What does it mean when an animal or insect has agency within the creative act? This exhibition brings together an international coterie of artists and academics that enlist this untamed, “wild” other as partners in the production of art. And while such an exchange can never truly be equal, and the human species endures as the initiator of such endeavors, this collection of works points to a place where the poles are less distant and shared efforts grow ever closer.

#exhibition #CAC #urban intonation

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braincoins · 5 years

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yslanam replied to your post: I still wanna RP in the Demon Knight-verse

On the one hand, this sounds pretty involved and I don’t want to miss out on VLotD. On the other hand, this sounds awesome and I have no idea what the Crypt thing is, but I would totally read this fic!

[rubs hands together] Okay so...

“Tales from the Crypt” was originally a horror comic anthology series published by EC comics. It was one of three that they put out (the others being “The Vault of Horror” and “The Haunt of Fear”), and... well, let me stay on track, because I can and will babble about TftC, EC, and William M. Gaines for a while if I’m allowed to.

In 1989, HBO started a “Tales From the Crypt” TV show. The Cryptkeeper (a puppet, voice by John Kassir who also did the voice of Meeko the Raccoon in Pocahontas - let that sink in) would book-end each story - almost all from one of the three EC horror comics - with bad puns and horrifically screeching laughter.

I freaking love this show. (Well, the last season sucked, but what’re you gonna do?) Anyway, they made a movie. Technically more than one but we don’t talk about those. Tales From the Crypt: Demon Knight.

Is it good? Eh, probably not by most people’s standards. It’s schlocky, it’s gory and gross, it has unnecessary sex and a killer soundtrack (pun entirely intended). But it’s basically a feature-length version of a TftC episode, except with waaaaaaaaay better worldbuilding and also Billy Zane romping around chewing scenery. I adore Demon Knight and I especially love its world (well, really, universe) building.

As explained by the main character:

Brayker: You wanna know what’s going on? Shall I tell you? In the beginning, God created the Heavens and the Earth... Irene: You’re talking Genesis. THAT beginning? Brayker: And the Earth was a formless void and Darkness covered the face of the deep. But the Darkness wasn’t empty. It was full of creatures... full of demons. And they had seven Keys formed into a circle that focused the power of the cosmos into their hands. Until God stepped forth and said, “Let there be light.” And there was Light. He scattered the demons, and He scattered the Keys, all across the universe. Now we fast forward about two or three million millennia. Now the demons are back. They got six of the Keys. And one day, they find the seventh Key here on Earth.

To save it, God filled it with the blood of... a carpenter, who was being crucified by the Romans, and gave it to a thief named Sirach. Jeryline: The blood ins-inside... is that...? Brayker: Some of it, yeah. It gets used, y’see. Sirach had to refill it. Bad neck wound. Talon caught the artery here [tracing it on his own throat]. Most of what’s in here now belonged to a soldier named Dickerson, gave it to me in France, August 23, 1917. Funny how you remember the big dates, isn’t it? Bob: Jeeze. That, uh... would make you... Uncle Willy: What happens when you run out of blood? Brayker: They bring back the Darkness. Uncle Willy: Just like that?! Brayker: Just like that. So. Now you know. [looking around at all of them] You feel better?

The Demon Knights are all thieves. Each one is marked with seven stars, burned into their palms from the Key itself, and when they are branded, they see - and feel - the past lives of all the Knights who came before them. Because, you see, you can’t become a Demon Knight until the previous one dies. The last thing a Knight does is to pass on the Key and the duty to protect it from the demons, and then they die.

They can be killed, but they are otherwise essentially immortal right up to that moment (as shown by Brayker, who was a soldier in WWI and is still alive, definitely not looking his age). The circumstances under which a Demon Knight can pass on the Key and their duty are very specific, and they’ll know their time has come when the stars on their palm - which are normally grouped together - form into a circle. They’ll wind up under siege some place with seven people... and one of those will be the new chosen one, the new Knight.

Basically, for what should have been schlocky, gory fun, this movie had this incredibly kickass setup and it makes me twitch to do SOMETHING with it. Make a new Knight, still reeling from what they’ve lived through to get here on top of the solemn duty that is now theirs. I hadn’t thought of combining it with something else until Voltron entered the picture.

We really haven’t seen the Galra destroy a planet utterly since Altea (unless you count that planet that’s sucked dry by the komar). So my brain was like, “Altea had one of the Keys and Zarkon made a deal with the demons to destroy Altea if he procured the Key for them...”

If I let myself, I could almost certainly do a lot with this setup - that what many people on Earth think of as God the Father is what the Alteans thought of as the Goddess of the Universe; that Voltron was made, in part, to protect the Keys but that, having been sealed away for 10,000 years, it has been unable to do so; that now the mission is not only to free planets from Galra rule but to wrest the Keys back from the demons and to protect Earth not ONLY as the home of the Paladins but as the home of the last Key - but, as you said, V:LotD really needs to be my priority.

#yslanam #socks babbles

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foodsindustry · 2 years

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Thermal Underwear Market | Innovative Product Launches to Boost the Market Growth

Market Dynamics

Market Research Future (MRFR) expects the thermal underwear industry 2020 to post a growth rate of 6.2% between 2019 and 2024. The market can also project to touch a valuation of USD 3.1 billion by 2024-end. We will provide COVID-19 impact analysis with the report, along with all the extensive key developments in the market post the coronavirus disease outbreak.

Top Drivers and Main Restraints

The thermal underwear market is faring well owing to the escalating awareness with regard to products like bottoms, set and tops. Thermal underwear or long johns or long underwear are preferred over ordinary apparels to induce warmth, and generally lightweight and more comfortable. During winters, the snug-fitting property helps in trapping heat from the body, which helps drive its demand among people living in colder areas around the world.

Thermal underwear falls in the category of undergarments that also include leggings, socks, nightwear, sports & leisure wear and more. The frequent product innovations along with technological developments in the apparel sector to create more creative and better quality thermal underwears can also enhance market growth in the following period. Considering the health aspect, thermal underwear is largely preferred by the ageing population and also among people that are less immune to cold and flu. Therefore, thermal underwears have been in great demand given the rising need to curb cold-related mortality and morbidity.

A great deal of leading designers and manufacturers are developing diverse styles that fall under very type of clothing category. Consumers are spoilt for choice, with the introduction of sleeveless and short sleeve thermal underwears in the market. The rising use of natural and synthetic fabrics while producing thermal underwear has also been a recent development in the global market. Cotton and wool fabrics are gaining momentum in the market, emerging as key trends as these materials help trap greater amount of warmth than other materials.

Leading Competitors

Some of the leading competitors studied in the MRFR research include Lux Industries Limited (India), Aditya Birla Fashion & Retail Limited (India), Rothco (Ireland), Gildan Activewear Inc. (Canada), Komar Brands (US), Thatchreed Ltd (UK), L.L. Bean Inc. (US), Namaldı Underwear (Turkey), Floso (UK), Sub Zero Technology Ltd (UK), and more.

To get more info: https://www.marketresearchfuture.com/press-release/thermal-underwear-market

Market Segmentation

The market segmentation for thermal underwear comprises product type, material type, end user, as well as distribution channel.

The thermal underwear market, with respect to the product type, takes into account bottoms, sets and tops.

The key material types listed in the MRFR market study are synthetic, cotton, blend and wool.

The end-users in the thermal underwear industry include men, unisex and women.

Considering the distribution channel, the thermal underwear market can be dissected into store-based as well as non-store-based. The store-based types covered in the market study are supermarkets & hypermarkets, such as stores, and more.

Regional Insight

North America, APAC/Asia Pacific, Europe, along with RoW/the rest of the world are the primary markets for thermal underwear across the world.

In 2018, the highest gainer in the global market for thermal underwear was North America, with a share of 37.13%. The North American market is also presumed to procure the fastest growth rate in the years to follow, thanks to the extreme cold weather conditions and the resultant high demand for apparels that ensure warmth. The continuous developments in the products to enhance their moisture-absorbing and antibacterial ability also work in favor of the thermal underwear market in the region, especially in Canada and the United States. The advertisements along with the high number of celebrity endorsements also add to the market strength in North America.

The APAC market is one of the strongest contenders on a global scale, as a result of the constantly evolving trends and the rising number of people becoming style and brand-conscious. The thermal wear industry in general has picked up immense pace in the past few years, given the rapid growth in the cold climate. The regional market is quite innovative when it comes to features and designs which easily catches the eye of the consumers here. The recent introduction of the sweat-resistant technology in the Indian market, unpredictable weather changes and the rising cold days in various areas of the country has been beneficial for the thermal under wear market. The improving disposable income and the favorable buying patterns of the consumers have also helped the thermal underwear market gain significant impetus in the region.

#Thermal Underwear Market

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rocklandhistoryblog · 2 years

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FLASHBACK FRIDAY – NEWS FROM YESTERYEAR

Excerpt from Rockland Independent/Leader

January 12, 1972 – #50YEARS AGO 

URIS TO OPEN APRIL 1: 90% SPACE STILL VACANT [Image: Uris Complex, aka Blue Hill, c. 1972.]  The opening of the first two buildings of the Uris complex and Pearl River was originally scheduled for December 1969. Financial problems forced postponement, but the opening is finally set for April.  These two buildings encompass 1 million square feet of office space, and the major problem facing the Uris Corporation is the renting of space.  At the present time, only one lease has been signed. A spokesman for Uris, Robert Bennett, told the Independent Leader that the Lincoln National Life Insurance Company has leased 10,000 square feet on a long-term basis, but “in the next six weeks, we hoped to announce the signing of leases for over 100,000 square feet.”  He refused to comment on which firms may become tenants on the Blue Hill site. However, a major New York bank is rumored to be interested in moving corporate offices to Pearl River.  The project has aroused tremendous interest locally because there will be an all-weather shopping and pedestrian mall linking the two buildings, and Bennett said that many local merchants have contacted Uris with the with an eye to renting space in the mall.  Orangetown Town Supervisor John Komar is worried that the opening of the Uris mall may cause a decline in retail business inwell-established Pearl River stores similar to the effect on Nanuet of the Nanuet Mall. His administration has not played a great part in the earlier planning stages for the complex, which were undertaken by John Lovett and his Town Board.  Lovett said that the opening of the site is not going to disrupt the zoning and master plan of the Town of Orangetown, and he does not expect many of the 12,000 persons who may eventually work in the complex to move into the town, so there will not be a great need to supply housing for these people, nor will new schools be necessary.  “The only problem I see at the present time is the widening of Veterans Memorial Drive, which will have to handle a much greater volume of traffic,” Lovett said  Lovett accused the State of New York of inaction on the plans for the realignment of roads in the area, plans the state has had for the past two years. He said that Uris will widen the road at its own expense, “which is completely unprecedented,” he said  The Blue Hill site totals 240 acres, out of the original 370-acre tract which Uris purchased from the estate of M. Montgomery Maze. Included was an 18-hole golf course which the company sold in the Town of Orangetown. Blue Hill tenants will have the right to play on the, course usually reserved for Orangetown residents.

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Flashback Friday appears every Friday. To receive the full flashback report (formerly seen in the Rockland Review), visit our website at www.RocklandHistory.org.

To receive it in your email inbox, enter your email address at the bottom of the website's landing page, or call the HSRC office to register your email at 845-634-9629.

#rockland history #local history #rockland county #rocklandhistory #nyshistory #orangetown #blue hill plaza #pearl river

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freemindtech · 3 years

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Victoria Komar’s new book “Revenge” is the chilling tale of a bullied boy, John, who gets back at his tormentor by sending him to jail in a story of anger and vengeance

HILLSBOROUGH, N.J. (PRWEB) August 16, 2021 Victoria Komar, a New Jersey native with a loving German Shepard, has completed her new book “Revenge”: a gripping tale of a boy and his tormentor reunited many years after the boy had gotten his revenge. The dramatic reunion culminated in a gunfight in which Komar writes, “Dave pushed John off and took a board that was on the ground, and hit him in the…

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joergmoehre · 6 years

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Diet Cig – Maid of the Mist (Official Music Video) Directed by Emily Dubin ( Director of Photography- John Komar First AC- Aaron Fitzpatrick Gaffer- Thomas Jezik Costume ... source

#diet

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