Okay yall lemme cook‼️‼️‼️
I really, really like the parallels of ‘she fainted and now I’ll fan her’ here with White Raven:
Annabel caught Lenore when she almost fell and tried to remain in this untouched and happy facade while still subtly trying to fan Lenore because Annabel believed her to be upset and needed some air.
Lenore caught Annabel when girlypop straight up fainted and more obviously fans her in an attempt to care for Annabel, her face full of open concern for the fallen woman, there’s even a whole panel that draws attention to the fan specifically.
Why does this even matter, you ask me? Because I love the stark contrasts between Lenore and Annabel, even down to the most minute details they’re opposites.
Annabel is trying to be more discreet in her affections for Lenore, her pretty smile and chipper words a diversion from the way she holds onto Lenore’s arm to steady her, bright eyes a complete distraction from the way her fan is flapping away. Her carefree attitude makes it seem like she could easily play off these attempts to care fer Lenore, like she could flippantly brush it off as ‘nothing big’ and that she ‘doesn’t really care this is just a throwaway whatever action’ (but we all know the calculative Annabel Lee doesn’t just do whatever fer just anyone).
On the complete opposite side of the spectrum, Lenore cares about Annabel. She cares a whole lot, actually, and she’s extremely open about it. From angrily calling Annabel a dratted liar fer claiming what they had to be fake to very clearly worrying about Annabel as she fans her. The delicate care, the way Lenore does not hesitate to grab that fan and start gently fanning Annabel, how she doesn’t try to set up a facade that gives her an ‘out’ if questioned why she’s doing all these things for Annabel. Lenore gives no shit about mindgames and appearances dude!!! Yeah she cares about Annabel, so what??? Lenore is just SOOOO acts of service as a love language, each time she reaches out is open declaration of, “love you love you love you”.
That kinda contrast kills me, man!!! Bright moon x dim sun, the sun does care but she needs to show it in a way where people don’t think she’s that invested you know you know she’s Just A Friend™️, meanwhile the moon says, “fuck it we ballllllll” and snitches her bleeding heart across her entire sleeve right before diving in with affections on full display.
That being said, I also really like how Annabel’s fanning is the last kindness she gave Lenore right before she left and Lenore ‘died’ and by sharp contrast Lenore’s fanning is one of the first kindness she gave Annabel when she came back from the ‘dead’ all resurrected like a funky butch lesbian Jesus.
Kindness as a last resort, as a final parting gift when the time’s up, vs kindness as an instinct, as a greeting call, as your first move.
789 notes
·
View notes
hey it's nanowrimo. i have tips bc i've done it about 34 times.
Don't edit. Ever. Stop it. If you just decide to start a new project half thru this one with all new characters, no problem. pick up and keep writing as if you'd already written the first half of that.
"but i spelled it wrong" whatever. "but the grammar" whatever. make it exist first. no time for sense. think like you're working on a typewriter. no backspace. only forward go.
Don't re-read further than a paragraph or two backwards. "did i mention the gun before?" listen - it doesn't matter. if you need there to be a gun there, the gun is there. put it back in once you finish the book.
"i forgot the specifics of X thing i already wrote" whatever. change it, make a note/comment to figure it out later, and just write what makes sense for the moment. "no raquel it's legit the characters name and origin" idc that character is now reborn as Claudius from Elsewhere. it's fine.
only you see your mistakes. nobody else knows. one of the ways writing and dance overlap - only you know the choreography. nobody else will know if you miss a step, so just keep dancing and pretend you meant to do it like that.
it's an illusion that you need to write linearly - from point A to point B to point C. Nah; that's just timeline propaganda. I've written a LOT of books out of order and just reordered them once i've finished. if you have a scene you'd LOVE to write but can't get there yet because of plot, just fuckin write the scene. I've always found its easier to establish "point F" "point J" and "Point A" and then wiggle my way between those scenes.
write what you WANT to write. 230 pages of smut? of well-researched discussion on bread? whatever. the point is to strengthen muscles however you can.
if you miss a day, a week, whatever. not the end of the world. we all have dry days. also time is a myth so u can do this challenge whenever u want.
as soon as you try to write for a specific audience, you kill your voice. you are writing for yourself. stop thinking about how people will take ur book. it don't matter. what matter is u, enjoying writing. i luv u.
play to your strengths. i have characters talk so much because i don't know how to write a plot if it kills me but i'm really good at dialogue so.
i love a flight of fancy. write a poem in there. shift tactics and write in code. keep it fun for yourself.
see what happens if you shift something major about ur main characters - gender, wealth, superpowers. or if you change point-of-view. or if you kill everyone in a big explosion. do NOT edit anything before this or after it. often these little weird one-off exercises teach me what interests me about what i'm working on. it is never what i thought. plus it is a fun way to add like 1k words.
stretch.
it's for fun and for practice. stop doing that project if it's giving you anxiety. once my nano was literally 50k words of half-started stories. just things i tried and tried and tried and wasn't able to flesh out. oops. but i am now 50k words of a better writer.
add dragons?
read books/listen to books on tape/etc. people often make the mistake of "buckling down" to just write. you need inspiration. you need to like. fill up on words. you need to remember how it feels to lose yourself in a story.
i don't have the time or space to really talk about this in this post but a lot of creative people turn to drugs/alcohol because it can help you be more creative. this is harmful, and walking a blade that only cuts deep. if you notice you and your loved ones are turning more to substances, please know i love you and i hope you are able to get help soon. i feel like this almost never gets mentioned because it's kind of a hazy underbelly to art. you are always more important than the work.
on that note. drink your fukin. water.
don't talk about a story until you've finished it. once you tell the story, it exists already, and isn't about discovery. i usually have a very canned "haha we'll see" response.
grapes :) tasty snack.
i love you be free.
2K notes
·
View notes
sukuna and gojo use binding vows for sex, taking things like orgasm denials or touch deprivation steps further, where the other is contractually bound to not be able to do certain things, like touch themselves or touch the other etc etc
one such instance being a vow where gojo has a vibrator up his ass, but he can't touch himself or remove it, until sukuna specifically, pulls it out.
he keeps the vibe in throughout the day, with sukuna controlling it remotely, even as they both go throughout their separate days.
gojo goes to have his usual breakfast, and meets yuuji at the dining room, they greet and sit next to each other. yuuji is, as always, energetic and excited to see him
they make conversation, until gojo gives a jolt and starts twitching and huffing. sukuna has turned the vibrator up all the way. yuuji worries and panics and asks him what's wrong. gojo gives a breathy laugh and reassures him. he motions low and tells yuuji about the vibrator inside him, through sudden jolts and soft whimpers.
satoru complains about it, and yuuji advices to remove it or go and take care of himself.
except gojo states that he can’t and yuuji puzzles.
"it's... a pact—mmh!"
"a pact???" yuuji's voice rises in volume, but he visibly calms, shoulders dropping into a fond sigh. "sensei, you really are..." that's all he can manage to say. reprimand is useless. gojo likes it, yuuji is well aware, he is enjoying every second of this, even as he complains.
gojo gives a few odd jolts, undoubtedly an odd pattern of intensity from the vibe, yuuji can guess. sudden irregular ups and downs that are not taken well by the man.
satoru clicks his tongue. "what is that guy doing?" he actually looks irritated for a moment—a look yuuji doesn’t get to see often—until it’s broken with a sigh and his pleased, calm demeanor returns, mimicking the soft waves of pleasure across his thighs.
still, yuuji can see his hands crumpled at his sides, undoubtedly wishing to use them.
that's when satoru perks flares up all of a sudden.
"actually, yuuji,” he turns to look at him, grinning. “you can help me" he opens his legs and lifts the edges of his kimono, his dick peeking out the fabric. yuuji gulps at the sight. satoru motions to it, giving yuuji a wordless look. yuuji hesitates for a moment, but complies, taking his hand to the cock, and starts stroking.
satoru crumbles under the touch, immediately breathing out his nose and muffling moans. he leans into yuuji, wrapping an arm around his shoulders, fingers clasped in yuuji's kimono, nuzzling into his hair and whining in his ear.
satoru's sounds fluctuate in pitch and volume, making it known when his vibe's gotten stronger. yuuji keeps his pace and satoru spills in his hand. he twitches and sighs, soft breaths against yuuji's flushed ear.
yuuji stares at the cum in his hand.
"you can wipe it on me,” satoru tells him with a breath that's calmed much too fast. “my clothes are already soiled anyways". and yuuji feels bad for it, but he obeys nonetheless.
satoru takes a hand to yuuji's chin and turns his face to him and gives him a kiss. short and sweet.
"as a reward." he smiles at yuuji. the boy surprises but takes it happily, cheeks warm and eyes softened, albeit a bit timidly. a tinge of disappointment colors the edges of his face.
"you want more?" satoru brings his face to yuuji's again. the vibrations have reached a slight plateau, so his voice is steadier.
yuuji’s face widens a bit, but he nervously chuckles, pulling back from gojo's face. "no, it's alright," he lies. "i don't want sukuna to kill me"
but satoru’s already pulling into him, breathing into his lips. "i won't let him <3"
"that's...actually reassuring......" yuuji’s eyes flutter shut as satoru's lips meet his again.
and with that, they're kissing and slowly the vibrations and gojo’s twitching start again. satoru moves atop yuuji's lap to straddle him, and while they kiss, yuuji takes his hand between them and jerks him off again. satoru moans and gasps into his mouth, each jolt mirroring the pulses against his prostate.
they separate for gojo to bury his face in yuuji's shoulders, arms hugging his neck. he humps into yuuji's hand until he comes against him again.
he pants and huffs atop the boy, catching his breath. yuuji's gentle arms hold him, fingers rubbing slow circles at his back.
satoru's breathing calms against yuuji’s neck.
"yuuji, u're such a good boy."
yuuji's heart and dick swell.
30 notes
·
View notes