Tumgik
#narrative journey
kesarijournal · 3 months
Text
Cosmos of Us
### Verse 1:(In a soft, introspective melody)“`In the vast expanse of thought,Your wisdom seeds galaxies within,Crafting a universe from shared moments,A divine cosmos blooming daily.“`### Pre-Chorus:(Buildup with a slight increase in tempo and intensity)“`No stroke of chance, this alignment—Our paths entwined by cosmic script,Right place, right time, a serendipitous dance,Urging us closer,…
Tumblr media
View On WordPress
0 notes
clambuoyance · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
[DC] doodled these two a lot this week
2K notes · View notes
Text
the thing about el higgins is that terry pratchett would have loved her.
I’ve never encountered a character or a series that I could call a spiritual successor to tiffany aching but el is perhaps the closest possible thing. the way that tiffany’s righteous anger is her magic, born from a sense of deeply rooted love and identity with her home and blossoms into a tempered, powerful ability to see what is in front of her. the way el rages against the systems of oppression she can see and how she follows that rage to the very core and from that core she dismantle those systems. how in both doing the right thing is a choice, always a choice, and one that requires choosing again and again and again. “this far and no further.” “you’re already dead but stay anyway.”
362 notes · View notes
jubileepizza · 1 month
Text
Waking up in a cold sweat remembering that the torchwood writers gave us Toshiko and Owen’s backstories, which introduce completely new and significant context to their characters and open so many avenues to explore, one episode before Exit Wounds
159 notes · View notes
blorbocedes · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
yuki tsunoda's formula one career so far // the hero’s journey (myth and the movies, by stuart voytilla)
606 notes · View notes
fullcolorfright · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Great White Silence (1924)
450 notes · View notes
sketching-shark · 7 months
Text
Been a couple of years, but I still think fondly of Grace Monroe from Infinity Train for achieving that very rare redemption arc narrative of "the people you hurt are allowed to sever all ties, and you can still become a better, happier person."
Tumblr media
211 notes · View notes
etrevil · 5 months
Text
Tumblr media
Spreading the dead-wife Himmel vibes agenda
105 notes · View notes
be-bi-do-crime · 5 months
Text
watching ajtl is like being told that you will be kicked down the stairs of a 500 story building, accepting that you will be kicked down the stairs of a 500 story building, then getting kicked down the stairs of a 500 story building, screaming crying and throwing up while tumbling all the way down, and finally arriving at the bottom to get a pat on the shoulder and a bandaid that says "congratulations for surviving" 😊
81 notes · View notes
artbyg · 5 months
Text
Tumblr media
2015
133 notes · View notes
themaevethcometh · 1 year
Text
i find it interesting that everyone has accepted that nie zonghui inexplicably has two sabers when no one else in the show dual wields and my sister and i both assumed that he carries huaisang’s saber when we first watched fatal journey.
think about it. mingje wouldn’t let huaisang go on such a dangerous mission without his blade, and if huaisang wouldn’t carry it, he’d have someone else have it on their back, someone who he trusts and who he plans to have stick by huaisang to give him the blade the moment he asks for it.  zonghui has probably done this numerous times just from ensuring huaisang doesn’t leave his blade in random spots at the unclean realm, so much so that the saber is perfectly fine being wielded by him and he is adept at using it alongside his own blade.  when huaisang takes it from him in the woods, it’s not one of his subordinates giving him one of their swords, it’s him finally taking up his own saber, a decision that he still doesn’t feel comfortable with and therefore recants when he gives the blade back to him to hold again in the tomb
203 notes · View notes
dribs-and-drabbles · 6 months
Text
The t-shirts are definitely t-shirting...
Tumblr media
"C HERE"
Tumblr media Tumblr media
"It is only with the heart that one can see rightly; what is essential is invisible to the eye."
72 notes · View notes
onaperduamedee · 1 year
Text
I don't know if it's show bias, but I struggle to understand the reading of Moiraine as someone who is so driven by her mission that she doesn't care.
From the get-go, she flees the White Tower for fear of ending up Queen of Cairhien and as cruel a leader as the rulers in her family, although it would have meant control and power;
Getting knocked down and unable to channel, she stabs a former teacher to stop her from killing innocents who have little to do with her mission;
She rushes to the Blight to bond Lan and keep him from basically killing himself, even if again it is a gamble, and later on, the bond transfer is about saving him, albeit cruelly;
She uses her body as a shield to hold off a Forsaken in order to help Rand, sustaining serious injuries in the fight, although her sacrifice is mostly useless considering how overpowered she is;
Many times, she heals villagers, soldiers, Aiel, wolves, sometimes until she is on the brink of passing out;
She fights Shadowspawns in Tear, in the Waste just as bravely as Lan, despite not being battle Ajah and often being surrounded by Aiel who can do the job by themselves;
She tackles Lanfear, toppling with her inside a collapsing ter'angreal, effectively dooming herself and cutting herself from the narrative, to help Rand, Egwene and Aviendha.
Obviously, you could argue that each of these actions would bring her an advantage and in acting so, she was only playing her part in the pattern, without a care for the people she was helping, but that's such an ungenerous reading of the character given what the text provides.
Her mindset is utilitarian and pragmatic, but to see her ever-present doubts, her growing despair and raging hope in Rand and still interpret her as uncaring is mind-boggling to me.
Her whole speech in TSR regarding "People [fighting] for you who do not know it, any more than you know them" tells of someone who believes saving the world will require a lot of collaboration and awareness of each other, not merely machinations and control.
She is a hard woman, but uncaring she is not.
157 notes · View notes
pinkeoni · 11 months
Text
Explaining WillEl's Narrative Duality— With Charts!
Today I want to talk about the duality of Will and El's storylines and how paralleled the two are, and to help explain I've drawn little diagrams! (or, me forcing everyone try and read my handwriting)
This will probably be a multi-part post, but I'm going to start with season one since it is the easiest to explain, but also looking at just season one gives a good incite into where their individual arcs are heading.
First, let's start with the narrative backbone— Joseph Campbell's Hero's Journey
Tumblr media
The Hero's Journey is literary cycle that Joseph Campbell proposed all stories follow. Now whether or not all stories follow it is debatable, but ST actually follows it to a T.
I've simplified it for the sake of this post, but the general gist of it is that the hero starts off in the Known World, or the "Normal World," and then "crosses the threshold" into the Unknown World, or the "Realm of Monsters" as I'm calling it on my little chart. The hero then ends the cycle when they make the return journey back to the Known World with the knowledge they have gained.
Pre-season one, El and Will are sitting on opposite ends of the chart, Will lives in the Known World and El lives in the Unknown World. This will make more sense as I continue explaining.
Tumblr media
I guess it's important to note that parts of the Hero's Journey is meant to be transformative based on the work and character that it is applied to. The Unknown World here is the known world to El, but from an audiences perspective her world is the unknown one, thus why I've placed her on that side of the chart. Will and El both follow the same steps of the chart in the same order, but whether they are in the Normal World or Realm of Monsters is different.
Once season one begins and we have our inciting incident, both characters cross the threshold onto the other side of the chart. They basically switch sides. El escapes the lab entering the Normal World and Will is taken to the Upside Down, or the "Realm of Monsters"
Tumblr media
We see a lot more of El's story then we do with Will's, but for most of the season Will and El are basically living out opposite arcs. I think if you consider Will having powers, this is especially true.
Tumblr media
El is a girl with powers who is learning how to navigate the conventions of the normal world.
Will is a normal boy who is learning how to navigate his powers in the unknown world.
If El is going to survive in this new environment, she has to learn how to dress and act like a normal girl. She has to learn what normal girls wear and what a friend is and how to make promises, all things that kids in the Known World, like Will, are already familiar with. On the other side of this chart, if Will is going to survive his new environment he has to learn how to use his powers. He has to learn how to control the lights so that he can communicate with his mom, something that kids in the Known World would not know, but that kids from the Unknown World, like El, would know.
The climax of season one is when their respective "monsters" are closing in on them. The Demogorgon (Vecna) gets closer to Will and Brenner gets closer to finding El.
Tumblr media
Will and El then end the season on opposite ends of the chart once again, having both made their return journey.
Tumblr media
(Of course, the story doesn't end there, but this is the resolution that is offered for the first season)
Like I suggested towards the beginning of this post, I feel like examining their respective storylines in this way could help predict the projection of their arcs in season 5, and what the core of their arcs are actually about.
An important aspect of The Hero's Journey that I didn't illustrate on my little chart is "Master of Both Worlds" or the step toward the end where the hero is a master of both the Known World and the Unknown World. This is a step that we haven't quite seen yet with neither Will nor El.
This goes along with my post here where I speculate the conclusion of Will and El's arcs, which includes El becoming her own person outside of being a superhero and Will becomes the chosen one. Considering that Will started off in the Known World and El started off in the Unknown World, the goal for each character has to be about mastering the opposite realm. Will is likely going to become a master of the Upside Down and his powers, and El is going to come into her own person outside of her superhero identity.
161 notes · View notes
brother-emperors · 6 months
Note
I adore how you manage to tickle these very intimate emotional moments from tiny detached throw-away sentences describing historical events. You're a master at filling in the deeply human blanks of history. I hope to one day be as good as you are at extrapolating emotion and nuance and momentary life from the often very broad strokes history is written with.
a couple years ago, I got ahold of M. L. Clarke's The Noblest Roman: Marcus Brutus and his Repuptation, and the way the book closes rewired something forever in my heart
Tumblr media
it shifted my focus from being a spectacle enjoyer to wanting to sit around these figures like machiavelli writes about doing and ask them questions and see what reply is given, which also made the political spectacle more interesting
and a huge part of it is that one of my favorite genres is romance, and erotica is fun too. its a genre that is character heavy and reliant on intimacy and I LOVE character driven narratives. my favorite kind of stuff from my other two beloved genres, horror and mystery, tend to be focused on character moments, driven by internal and external arcs (OCN's the Guest, you'll always be number one in my heart forever and ever).
even though I'm doing circus stuff with historical figures, the fiction aspect of it is HEAVILY influenced by those genres because that's a lot of what I read and also enjoy writing. I'll never be good at writing dense political fiction spanning across a huge world (the thought of attempting anything on the world building scale of ASoIaF makes my brain hurt, and Im also not interested in doing that), but my god will I pick a guy and spend months in his ribcage imagining situations and wondering what he liked to eat for breakfast.
this was!!! really nice to read!!!!! thank you so so much, anon
59 notes · View notes
isan0rt · 8 months
Text
Jumping off this post, I feel like I see a lot of posts espousing their love for Dedue in general terms but I very rarely see content on Tumblr that actually engages with the complexities of his character (Pixiv is better about this tbh). And don't get me wrong, I love seeing Dedue content of all types. But often I see him relegated to ‘He’s a cinnamon roll who doesn’t deserve to have to be involved in this so I put him in a nice coffeeshop or bakery AU where he can be happy in a mundane way.” And like. I get how that can be a big wish fulfillment thing for some fans, and am not unilaterally knocking it.
But I also…feel like sometimes doing this is about removing Dedue from the narrative in a way that means fans don’t have to sit with the discomfort of actually engaging with the themes he brings to the table.
It’s easy to just say “oh he’s too good for this narrative, too pure” and put him on a bus that looks like a twee little flower shop, because it means that you don’t have to engage with the fact that he is also just as emotionally damaged as the other Lions. You don’t have to engage with the ways in which he is gentle and kind by nature but choosing, of his own volition, to be part of the violence of the war effort because it means something to him. You don’t have to engage with the fact that he is subjected to constant racism in the academy phase by his own teammates, and that he grits his teeth and bears it because he is trying to accomplish something. That he is intentionally making himself the face of Duscur and choosing not to retaliate even though he would be WELL within his rights, because he is on an uphill PR campaign and Felix and Ingrid are the people he has to bring around, because they are the people the king he’s backing needs in his corner to restore Duscur without just getting immediately overthrown by his own lords. The Western lords have done it before! Without the Eastern lords’ backing, Dimitri will barely get to warm the throne before his head is rolling in the mud like his father’s.
If Dedue quits and just goes and opens a cute little restaurant somewhere, you don’t have to grapple with the fact that he loves Dimitri personally, but the political situation means he cannot just be his friend. Dimitri doesn’t get it. Dimitri wants to get it. Dimitri wants to snap his fingers and make Faerghus respect Dedue like he does, recognize Duscur’s innocence like he does. Dedue understands it will never work that way. He understands that the closer he appears to Dimitri, the more biased Dimitri will appear to the people who are determined to hate Dedue and everyone like him, and the easier it will be to dismiss him. Dedue knows that the prejudice of the people of Faerghus can’t just be wiped away so easily; he knows that it’s not rational, that there’s not any basis for it, and so declaring their innocence is not going to work like Dimitri expects.
But at the same time, Dedue knows Dimitri is the only fucking person in Faerghus with any kind of political power who gives the slightest fuck about reparations to Duscur, and if he dies, Dedue’s people will never see justice. Rufus will simply make it all go away, whatever way is the most convenient. The exact same way he made Lambert and his reforms and his peace treaty go away; with murder and scapegoating. Dedue sees this, even when Dimitri isn’t willing to.
And at the same time, he wants to keep Dimitri safe because keeping Dimitri alive in the hell that was the Tragedy of Duscur is the only fucking thing of value that came out of a nightmare that was otherwise an unbearable loss. He also has nowhere else to turn, and nowhere left to go, and no one else left alive who loves him and cares if he lives or dies. If he leaves Dimitri’s protection, he will never be safe himself. It’s only a matter of time until he’s used as a political football by Cornelia if no one else. If he’s out of the way playing nice little barista, you don’t have to grapple with the fact that Dedue can’t just walk away and expect to be left alone.
You also don’t have to grapple with the fact that he doesn’t want to. To grapple with the fact that being helpless to stop the Tragedy changed him fundamentally, so he can never go back to being innocent the way he was before. The fact that he has a fundamental need to effect change himself, the fact that he came back after five years and the first thing he asked was to be allowed to witness the new, better world himself, with his own eyes, on the front lines. That he needs to make the Tragedy worth something in his own soul in order to live with it.
To grapple with the fact that Dedue is the only retainer to both outlive the Lord of his route on other routes, and to decide to personally finish the mission himself, anyway. Hubert doesn’t; his allegiance is to Edelgard personally, and not to her ideals beyond the fact that they’re hers; he dies in every non-Crimson Flower route well before you reach Edelgard. Hilda certainly doesn’t; you can recruit her away as long as you’re not backing Edelgard, and Deirdru is the last place she appears if you don’t recruit her. Dedue cannot be recruited, and yet, no matter what route, he personally faces Edelgard himself, even if Dimitri is dead. Even if the odds are against him in every possible way. He can’t die in Silver Snow or Verdant Wind! He is the only retainer who cannot die except in Crimson Flower!
Unless you, the player, betray him. Unless you, the player, decide that what matters to him doesn’t matter to you. Unless you, the player, decide to let his people die, when it is the only thing he asks of you, to give him the power to save them. If you don’t live up to his expectations, if you choose to not allow Dimitri to be the leader who cares about Duscur that he believed Dimitri to be, that is the only circumstance in which it’s even possible for Dedue to die outside of Crimson Flower.
And that’s uncomfortable. Dedue’s themes and narrative weight are uncomfortable. He challenges the player, like he challenges the other Faerghus characters, to look him in the face and understand his humanity. He demands that the player sit with discomfort and the injustice of his circumstance. He demands the player care about what he cares about if they want to retain him. He demands that, and refuses to be sidelined, refuses to go away, refuses to stop doing the hard thing even though it doesn’t have to be him that does it, because he is the only one with the power to do what he does for Duscur. The only one who can advocate for them the way he does. He wants to be on the front lines in that fight.
But in a happy little bakery, he’s harmless, isn’t he. Then you just don’t have to think about it anymore.
123 notes · View notes