The most annoying thing about the Gerudo in BOTW is the orientalism, racism and misogyny. The second most annoying thing about the Gerudo in BOTW is the way the orientalism, racism and misogyny directly tank their worldbuilding.
I'm not gonna talk about why the Gerudo are orientalist, people smarter and more informed than me have already done so extensively and I don't have anything to add to that discussion. I'm here to bitch about how it affects the worldbuilding to the extent where Gerudo society, as portrayed in BOTW, does not make much of any sense in-universe.
Let's be clear here: the worldbuilding would be trash even if it made complete in-universe sense because it's orientalist and misogynist. But it doesn't even make sense in-universe and it's pretty much entirely because of the orientalism and misogyny.
Two things are true about the Gerudo at once: 1) they do not allow men into Gerudo Town, and 2) they are absolutely obsessed with finding husbands. I don't want to guess at percentages, but a truly ridiculous portion of the dialogue the Gerudo get is somehow related to finding husbands, being in love with men, etc. It is baked into their culture, most obviously exemplified in the love lessons that occur in Gerudo Town. But, more important than lessons or whatever, is the fact that leaving Gerudo Town to find a husband is considered a coming of age rite of passage for young women. It is an integral part of Gerudo culture to leave on a journey to find a husband.
And let's be clear: the goal here is absolutely, unambiguously long-term marriage. Many Gerudo you meet lament the shallow nature of the men who try to pursue them, we see Gerudo who reference husbands they currently have, and just generally the way the Gerudo talk indicates that they are not looking for a one-night stand or a summer romance: they are looking for something permanent. They are looking for marriage, and a good portion of them succeed.
So. Uh. Where do their husbands live?
The only time see any Gerudo who permanently lives outside of Gerudo Town is in Tarrey Town, and you're the one who brought her there. All the other Gerudo you meet outside of Gerudo Town or Kara Kara Bazaar are travelling. There are no Gerudo residents in Kakariko, Hateno, or Lurelin, or mixed Gerudo children.
This is very, very weird when you consider that married Gerudo would not be able to live with their husbands in Gerudo Town. The 'no men allowed' rule has no exceptions, so if a newly wed couple wanted to live together - and they almost certainly would - they would have to do so outside of Gerudo Town. And yet, we do not see them, despite demonstrable evidence that married Gerudo do exist.
There is another option, of course: that Gerudo culture normalizes long distance relationships even for married couples, and that the husbands live outside of Gerudo Town whereas the wives live within it. This is theoretically possible, except we never get any real in-game hints indicating it. It's still the option that makes the most sense, but it's a fanmade band-aid solution, not a real element of the worldbuilding.
Either which way, the inherent conflict between 'men are not allowed in Gerudo Town' and 'a big part of the Gerudo Town culture is to get married to men' should logically be causing tension. While the guards take the rule very seriously, most of the people you meet inside Gerudo Town don't really care that you're a man, and we know there's a thriving black market supplying men's clothes. This indicates that, already, in canon, most Gerudo play fast and loose with this rule to begin with, and don't have much special attachment to it.
Which makes it even more glaring that nobody seems to be arguing against it. Logically, there should be conflict between the Gerudo who value the tradition of an all-women Gerudo Town, and the Gerudo who want to be able to live with their husbands in their hometown. With how incredibly centered the Gerudo's culture is on these two things, this should be a major political problem that's going to singlehandedly turn Riju grey before she even comes of age. There should be discontent and unrest from newlyweds and long devoted wives who don't want to leave their home behind to be with their husbands, and don't want to leave their husbands behind to be home. Who would want to, at the very least, be able to show their husbands their childhood home.
But even if there wasn't, there should be a larger Gerudo presence outside of Gerudo Town. Either Kara Kara Bazaar should be a lot larger and more populated than it currently is, or there should be one or more smaller towns around Gerudo Town where the married Gerudo live with their husbands, or where the husbands of the Gerudo who live in Gerudo Town reside. You cannot tell me every single Gerudo would be okay with abandoning their culture and moving in with their husbands; even if they could not bring their husbands back to Gerudo town, they would frequently like to live somewhere close by. And if we take the long-distance approach, there would be plenty of couples who wouldn't want to be separated too far, and therefore there'd be husbands moving closer to their wives, even if they could not live in the same town.
But say, for the sake of the argument, that this also didn't happen: then, at the very least, we ought to see Gerudo in other Hylian settlements. We ought to see Gerudo who live in Hateno, Kakariko, Lurelin, and maybe even at the stables. We ought to find populations of diaspora and mixed race Gerudo who have grown up outside of Gerudo Town, and have maybe even never visited it. We have circled back around to the first point of argument.
If the Gerudo are getting married, we should see evidence of their husbands, somehow, beyond dialogue references and quest objectives.
The reason we don't, of course, is obvious: orientalism. The Gerudo are an orientalist idea of a harem, exotic women out of reach yet practically begging to be conquered by Western men. They want to be with men, are searching for men, yet are very rarely shown to find one because doing so would pop the fantasy being sold to male players: that they could be the one to get them.
So to successfully sell this orientalist, misogynist fantasy, the worldbuilding becomes completely and utterly nonsensical.
[HAS NOT PLAYED TEARS OF THE KINGDOM DISCLAIMER]
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if you user t/rrent there’s been a dual audio version of the man from rome out since september and the image quality is better than youtube
Thanks for the tip, anon!
I do just want to point out something though - we absolutely should be paying for RA's content where possible
Now, don't get the wrong idea that I'm preaching from up on a high horse because trust me, I have streamed (and still do) so many things in my life that may have come from uh... let's say, more *dubious* sites
Accessibility to content is a real issue for a number of us, especially because RA tends to do a lot of UK/European-centric releases. Here in NZ we can have *so many* paid subscriptions to legal streaming services and still not be able to access modern mainstream content that places like the UK & US take access to for granted
So look - I get it. I actually actively encourage it 99% of the time
But bear with me for a second:
I know it's obvious, but I think it bears repeating that paying for RA's content is the number one way we can say directly to film creators - "yes, we want you to cast RA in more things!!" and also allows us to directly tell RA - "yes, we do want to see you do more things and continue on like you are!!!"
It's that old stupid phrase that I hate for being so true: money talks
And that idea of talking with our money directly to Richard is particularly important to keep in mind, more so now than ever I think, as we look ahead to the next few years, and also back at the past few years of RA's works
I mean, look at the main types of works RA has been producing in recent years:
a) Netflix-heavy content (where most of us have subscriptions that are not solely dependent on him being in their shows)
b) Smaller, more niche productions & film markets (e.g. though maybe a bad example because it's also a Netflix film, we know for a fact RA took a pay cut to shoot Space Sweepers because he liked the idea of the film, but the film itself was intended really for more of the Korean market than the Western one) - not necessarily Hollywood blockbusters
c) Audiobook narrations & voice-over work
Combine that with the fact that he's very explicitly said that his focus for the coming years is on his fledgling writing and producing careers which he's been setting up, and I sadly do think that the time when we see him less and less on-screen is coming much sooner than any of us would really like to admit
(and I mean that in a "I'm happy for you RA for following your current passions but also depressed at the thought because I want you to continue in front of the camera for as long as you can" kind of way)
I'm not saying that I think he'll give acting up for good anytime soon (he's not THAT old, despite his complaints and talk of self-retirement 🙄) but I think it's incredibly naive for all of us to not see the writing on the wall in terms of the direction he actively wants (and is working hard to ensure!!) his career is moving in - and in particular, what that means for his on-camera career
My prediction is that we will see his narrative, writing, and producing works increase in volume and they will take over the majority of his time in coming years - we'll only get the occasional film/show from him compared to the bounty he's blessed us with in the past (keep in mind I am also really talking big, big picture here)
Which will be a bittersweet moment for us because I think we're all so happy he's following what he wants but also so sad his new acting jaunts will be less frequent for us to consume (note how I'm not suggesting he will stop acting in film/TV altogether)
((and I would could write a freaking novel on why I think he's seemingly a bit obsessed with this idea of self-retiring and getting old as an actor but that is a story for another time maybe!!!))
BUT ANYWAY, as dumb and as obvious as it is, what I'm saying is that paying for RA's new shows/films is the number one way we can get the message across to him that despite these exciting new paths that he's gonna wander down (and we will be following him down!), we still want to see him exercise his acting muscles as much as he's willing to for us!!
So, by all means, t/rrent & stream where you need to - heaven knows I do. Do it if you need or want access to his work ASAP and that's the only way you can get it. Do it if it hasn't been released in your country & don't feel guilty for it
All I'm saying is - if you are blessed with an avenue to pay for one of his works, and if you have some spare dollars at the end of a paycheck - please, please, please do so
Stream it illegally, then ALSO go buy the DVD. T/rrent it then ALSO buy it from Apple or Google Play. Stream and t/rrent it and then ALSO go see it in the cinema. Or do all of them if you really can afford to!!!
Paying to see RA's films/shows is the number one way we can ensure he makes more room in his life for future acting gigs while he also focuses on wandering down new exciting chapters in his career
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I call this one "found family but it goes horribly wrong in an irreparable way" :)
I've been doing a lot of cotl comics but I kinda lost my comic making endurance after not working on art since last september, so I made this to help me flex my art muscles. Apologies for the watermarks lmao they kinda kill the mood but I've already had people repost my art when I put it on reddit so...might as well get the credit if my stuff is gonna be reposted regardless. RAMBLE INCOMING!!
Thinking about how shamura was most likely the one to find + raise their adopted siblings and help them survive the mass deicide that happened thousands of years before....OUUGH. I have so many ideas for comics that take place when half the bishops were still lil kids. I have one in progress right now actually. But it just hurts when I remember how it all ends- they loved their family for so long and yet they credit their love as what caused it to fall apart!!! The lore of the bishops only sunk in when I was dealing with my own heavy sibling angst, and I was like wow....shamura supported the sibs so much they accidentally encouraged their brother into being a heretic, and couldn't close pandora's box in time to save him or the rest of the family. They blame themself for the past 1,000 years and seem to be totally okay with dying for what they did?? Like when they get sent to the shadow realm they tell you to "finish the job" instead of leaving them in purgatory. And despite being the bishop of war, they are the only bishop to not have a "desperate" phase where their attacks get more brutal. They're not desperate, they just want to get it over with. All their other siblings are dead by then anyway so it's not like they have anything to stick around for, even if they were healthy enough to win the battle. Plus I mean...narinder is the bishop of death so they probably just want to see him one last time. Owch
Don't get me wrong I love to hate narinder and his only role in my cult is the guy who cleans the outhouse, but I really like his dynamic with shamura vs. the other siblings. I kinda see him as the troubled kid that couldn't assimilate into the family and shamura took it upon themself to try and fix him. It's interesting thinking about how they're the only one he shows remorse for despite feeling the most betrayed by them. I don't think he 100% hates them, he's just been locked in gay baby jail for so long he's had nothing better to think about than "my sibling encouraged me to experiment with my godly duties, and then punished me for it!!". He's not wrong? But also is shamura that wrong either??? Idk it's complicated with no real answer and I like it a lot, I wish the game told us more about what the bishops were like before they got their shit rocked during the schism. I would've loved to see shamura before their brain was turned to mush by their tbi + 1,000 years of suffocating grief and crushing guilt :)
ANYWAY thanks for making it to the bottom of this rant, here is a sketch I did a while ago of shamura + baby leshy from a prequel au thing I don't have a name for yet:
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