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#oscar deserved ALL the awards for this
valkyrieace · 1 year
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Hey fam, can you believe it’s already been one year since the greatest episode of television ever witnessed came out?
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broodingandbooks · 1 year
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Do I personally want to watch The Whale? No, not really.
Do I want Brandan Fraser to win all the awards? Yes, of corse I do.
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jedaos · 1 year
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all quiet on the western front is literally a movie discussing the futility of war, of how little boys sign up to march to their death because of propaganda fed to them by their teachers and mentors who prey on their idealistic view on life. it is a film that makes you watch death after death after death, without giving you a single cause or philosophy or ideal for you to soothe yourself with—because there is none. there are only boys and men, bleeding cold and alone on the dirt and mud. there is no worth. there is no reason. there is only death.
and you reduce it to a "war movie". it's based off a book brave enough to depict the realities of war in the charged political climate of 1929, and you call it "the war movie".
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meep-meep-richie · 4 months
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“ I hope you make each other a bit happier.”
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This may be my new favourite pic
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I can’t believe that Goncharov didn’t even get nominated for the Oscars. It deserves better!
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dianessunflower · 1 year
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Stephanie Hsu reacting to Michelle Yeoh winning Outstanding Performance by a Female Actor in a Lead Role (29th Screen Actors Guild Awards, 26 February 2023)
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soranatus · 1 year
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this was super sweet 🥹
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thejitterbug · 1 year
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EEAAO SWEEEEEEP. 7/11 WINS.
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janetsnakehole02 · 1 year
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“ladies, don’t let anybody tell you you are ever past your prime.”
michelle yeoh everyone. what a queen.
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darksber · 1 year
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everyone shut up Everything Everywhere All At Once winning 7 Academy Awards is all that matters
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thinking about it now, Charles Melton should've been nominated for best supporting actor instead of Ryan Gosling as Ken
This might be a hot take here on tumblr dot com buuuuuuuuut
I think Ryan’s nomination is actually deserved.
If we accept the premise of the Oscars, and accept the existence of the Barbie movie, Ryan as Ken could have come off as ridiculous and try-hard but it didn't. My one quibble is that he is too old to play Ken opposite Margot as Barbie (there is ten years difference between them, and there's only so much that makeup and moisturizer can do) but other than that, Ryan Gosling absolutely has the comedy chops and by my count he delivered an adequately charming performance.
This is an aside but something that's getting lost in the hashtag white feminism conversation is that it is narratively absurd that the film industry has rewarded the less important guy but not the literal lead girl from the feminism 101 movie. It feels intellectually dishonest to not acknowledge how on the nose this is. We can talk more about this on @fandomshatewomen if people wanna get into it.
Back to your message though, if we’re exploring hypotheticals, how about we look at the rest of the list of noms:
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Mark Ruffalo for Poor Things
Robert Downey Jr for Oppenheimer
Ryan Gosling for Barbie
Robert De Niro for Killers of the Flower Moon
Sterling K Brown for American Fiction
If we are swapping out someone on this list, my personal choice would be Robert De Niro, backup option Robert Downey Jr.
Both of these men are already household names, and this was not either of their best work or tbh even like among their better work. Also, neither of them “needs” this nomination, it does nothing for their careers.
But for an actor like Charles Melton who is good at his job but very much at the beginning of his career, it could mean a meaningful increase to the money his agents can negotiate for him on subsequent projects. Like yes, numbers vary, but the “awards bump” is a thing, and proportionally speaking it would mean WAY more for his career than one of the Roberts.
• mod dyr
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Everything everywhere all at once winning best picture and all the other awards makes me very emotional. From a representational standpoint yes. But I guess also from a filmmaker standpoint.
(I KNOW THIS IS LONG BUT IF YOU COULD READ THIS, THAT WOULD MEAN THE WORLD)
I’ve been making films for 10 or so years and for many years never saw much outward success. I would put my all into a project, down to hand making the sets, costumes, editing it myself (etc), but when I would submit to festivals for kid filmmakers, I would be left heartbroken sitting in the theater knowing that my film wasn’t good enough. That is had been too weird, not shot on a good enough quality camera, and that it simply wasn’t the “type of film” that could win awards.
Then enter this film. It marched to the beat of its own drum, it told a story that was authentic and sincere, it told a story about a Chinese immigrant and her family (A STORY WHICH RARELY GETS TOLD TO A MASS AUDIENCE IN MAINSTREAM HOLLYWOOD), it told a story about a queer woman struggling with family issues and depression and suicide, it gave no fucks, it gave them all. It was goofy. It was chaotic. It was heart wrenching. It was everything.
I’m a filmmaker, but I’m also sometimes a cynic. At times I am worried about the future of creative fields I hope to enter given AI threatening real artists, the increasing difficulty to break into Hollywood with no connections, and of course a litany of reboots, sequels, and franchises (not to say that this is bad, but there’s a tiny part of me that fears that this is all it will end up being. At least in terms of studio funding). I worry that while I may make films now, there may not be a place for me one day.
Seeing this film changed that. EEAAO was so boldly itself that it relit my creative spark to make work that would do the same.
And of course the awards. 
If you had told me a couple years ago that a film about rocks and hotdog fingers would win best picture, I would have been confused then probably laughed. Even as the award season beast was beginning to awaken from it’s year long slumber, I remained skeptical that this film would get awards, much less hundreds of them. Yet it destroyed the competition and with every win and every speech, my heart got a bit more full and damn it, I believed that maybe there was a chance this film could take the title.
Last Sunday, I wasn’t able to watch the oscars. I had just gotten over being sick and needed the sleep. The next morning I woke up and by some stroke of fate the people on the radio were talking about the Oscars, I held my breath, and I heard it. Best Picture Winner Everything Everywhere All At Once. I later watched the acceptance speeches that day and wept. This meant the world to me now but also to the me years ago who sat in those theaters with a broken heart thinking that their movies weren't good enough.
Now of course you can still be a cynic (or a realist who knows?) and assume that this changes nothing. No needle was moved. And next year the films getting awarded and produced with tons of eyes on them will be the next Green Book or whatever. But if this movie’s taught me anything, its that feeling optimism is ok.
And yeah given all it's wins, people are probably now gonna rag about it and say it's overrated. They can have their opinions, but I don't care. Like what you want to like, life's too short.
I’m gonna keep on making movies, the kind of movies I want to make not what I try to make to win awards or impress other people. I’m gonna try to be a kinder person. I’m going try to keep on telling stories of queer people, of found families, of hope, of comedy, and of whatever else I can think of. I’m gonna hope that people continue to create just as they always do and that this time they get the attention, platform, and opportunities that they deserve instead of it going to those who don’t.
Thank you Michelle Yeoh. Thank you Stephanie Hsu. Thank you Ke Huy Quan. Thank you Jamie Lee Curtis. Thank you James Hong. Thank you Paul Rogers. Thank you Jonathan Wang. Thank You Daniel Kwan and Daniel Scheinert. Thank You Everything Everywhere All At Once.
You changed my life and countless others. Thank you thank you thank you.
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internetaddict104 · 1 year
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Good morning to first time Academy Award winners Brendan Fraser and Ke Huy Quan and only first time Academy Award winners Brendan Fraser and Ke Huy Quan
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blessyouhawkeye · 4 months
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a lot of the 2024 oscar categories are difficult for me to predict who will be nominated let alone win, but luckily for me i've been saved from having to guess who will win best supporting actress. they might as well give da'vine joy randolph her oscar now.
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