#pati tv

[patitvyoutube]

Konuşan Kediler 83 - En Komik Kedi Videoları

#youtube #kediler #komik kediler #konuşan kediler #konusan kediler #komik kedi videoları #pati tv

[turkcehitmuzik]

Komik Kedi Videoları - Konuşan Kediler 53

#youtube #kediler #komik #komik kediler #komik kedi #kedi #kedi videoları #komik video #komik videolar #komik kedi videoları #pati tv #konuşanlar

[skazana]

Patrycja "Pati" Cichy i Krystian - skazana sezon 3

#pati #patrycja cichy #pati cichy #pati x krystian gifs #pati x krystian #krystian #skazana gif #skazana gifs #skazana tvn #skazana #polskie seriale #polish tv series #polish tv shows #aleksandra adamska #konrad eleryk

[vocaltv]

छत्तीसगढ़ में पत्‍नी ने बेटे के साथ मिलकर पति को उतारा मौत के घाट

छत्तीसगढ़ में पत्‍नी ने बेटे के साथ मिलकर पति को उतारा मौत के घाट #chhttisgarh #bhupeshbaghel

छत्तीसगढ़ . गरियाबंद जिले से बेहद चौंकाने वाली खबर सामने आ रही है। यहां एक महिला ने अपने बेटे के साथ मिलकर 60 साल के पति की हत्या कर दी। इससे इलाके में सनसनी फैल गई। बताया जा रहा है कि पति अपनी पत्नी के चरित्र पर शक करता था। इसी को लेकर दोनों के बीच पिछले पांच साल से विवाद चल रहा था। पुलिस ने इस हत्‍याकांड के आरोपित महिला लक्ष्मी बाई और उसके बेटे गिरीश सोनवानी को हिरासत में ले लिया है। दरअसल, यह…

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#aaj ki taja khabar #BREAKING NEWS #CG CRIME NEWS #chhttisgarh crime news #chhttisgarh news #gariyaband news #news #patni ne ki pati ki hatya #vocal tv news

[dannyphantom-zero]

Doctor Danny chapter 3

Danny shivered as he drove to work. The feeling of being watched was way creepier than he expected. The worst part, he couldn't tell if it was all in his head or not.

Sometimes when he was younger he had felt like people were always watching him, turned out he was paranoid.

Danny shrugged it off and started work.

The second he was in he was pulled in ten different directions.

Danny had been treating a patient when on the TV the news was showing footage of a live battle. A bomb had gone off and rubble blocked the ambulance from getting to patients.

"NURSE! TAKE OVER" Danny shouted, he ran out of the patients room as soon as the nurse was there. That attack was still happening.

If Danny didn't do something those injured people were going to die.

"DOCTOR! WHERE ARE YOU GOING!" the head of the ward shouted.

"I'LL BE BACK WITH PATIENTS GET BEDS READY!"

The head didn't hesitate. Danny was infamous for not following orders but he never seems to fail a patient.

"You heard him! Get beds ready!"

The nurses and interns scrambled to ready as many rooms as possible.

Danny floored it to the location. A feeling of dread settled onto him. As soon as he hit the first rubble blockage his car door flew open. He started dragging the rubble out of the way.

The news reporter noticed Danny.

"Just coming into the scene, a mysterious unnamed man has jumped into the frey. He appears to be clearing the road."

The camera focused on Danny who had the road almost clear. Danny motioned for the ambulance to get closer.

Danny rushed further into the disaster area. He pulled the rubble off of pinned down citizens. Danny put as many patients as possible in the ambulance.

There were so many. He couldn't wait for another ambulance.

"This man is carrying two people at the same time! He's acting like a superhero!"

The head of the ward stared at the TV back at the hospital.

"Doctor, what are you?" He asked himself in wonder.

Danny had a worker from the ambulance drive his car back, he wasn't done here yet.

He thought he had heard it.

HELP PLEASE SOMEONE PLEASE I CANTBREATHE.

Yes, those were the scrambled screams from someone soul. If a person was put in an extreme situation, their soul in rare cases screamed.

This worked on Damners favor. Danny scanned the area and then he saw it. A mother and her child. The mother had protected the child and got pinned under falling rubble.

Danny hoisted the rubble off from her and thrust it aside.

The women would get more injuries if she were.moved carelessly. Danny grabbed a thick piece of nearby board.

He laid his coat on the board and put both hands under the women securing her. He hoisted her onto the boards and then used his belt to latch her to the makeshift gurney.

Danny was alone on this war front. He really didn't want to carry a critical patient alone but he had no choice.

"Hey kid, you gotta be quick. Run get out of this rubble and to the open street, if you do that I promise I'll get your mom out of here"

He nodded before sprinting away. Thankfully the women wasn't too heavy. Danny picked her up and do his best not to jostle her as he made his way through the wreckage.

They had nearly been out when a peace of cement fell from the sky. Danny quickly adjusted the women and thrust his fist into the concrete. It broke into smaller pieces, none hitting the patient.

Then they were out. Another ambulance was waiting there for him.

He transfered the women to the real gurney and sat on the ambulance. A soon as he got to the hospital he was running from patient to patient doing his best to swiftly treat each one.

The entire time one name kept repeating in his head. Joker.

The villain who had attacked, the villain documented to have taken the most lives. He needed to pay.

Danny sighed. He was standing on the hospital roof, a good place to go and think.

The patients were all stable and thankfully there were no deaths.

Danny drank his canned coffee and headed back in. What he saw was chaos. One of the patients had gone into shock suddenly and without warning.

Danny rushed to the ED with the patient. They started performing emergency surgery. On the end it was futile.

They could not save the patient.

"Time of death 1:23 AM" one of the other doctors said in a solemn tone.

Danny gritted his teeth and stormed out.

"DAAMM EEIIT, AAAAHHH!" Danny screamed once he was on the rooftop.

Tears streamed down his face. He lost a patient because of that damned psychopath!

Danny wiped his tears and made his way to the hospitals morgue.

"Let me see my patient" he had to help the soul pass on, it was his duty.

The soul looked like a cloud of blue mist. It glowed and swirled.

"Go, be in peace" it evaporated and Danny sighed.

"It's time for you to go home Danny, you need to rest. You've been working tirelessly and you just lost a patient"

Danny was frustrated because he knew the head was right. He had to throw away the cost and get a replacement because it was torn to the point that it was unrecognizable.

Danny sat in his car with his head pressed on his hands that were gripping the steering wheel so tightly that his knuckles were turning white.

His car made a low rumble sound as he drove home. Once he got there he crawled into his sleeping bag and tried to forget.

Jason had been watching the fight, ready to jump in at any moment. Then he saw Danny, the way he had pulled those people out of there.

There was a clip that had been missed by the news. It wasn't a professional camera the way it kept shaking but through all the dust you could see a slab of concrete falling towards Danny and then he just... punched it.

Later he had heard that Danny's patient had died and he knew he needed to make a visit.

No doubt the doctor was blaming himself. He knew what it was like losing someone you were trying to save.

Jason slowly slid open Danny window. It's lock was faulty, he wondered if Danny knew that.

"Danny?"

He didn't respond.

"I know what it's like to lose a person like that, especially to joker"

Danny sat up and looked at Jason with rage burning in his eyes.

"If I ever meet Joker, I will tear his arms off"

Jason stared at Danny for half a second before grabbing his shoulders, "I knew I liked you!"

Jason let go and reached up to take his helmet off.

"Don't!" Danny said grabbing the helmet.

"Danny, I'm going to stalk you whether you know my identity or not"

Danny sighed and let go.

"Okay but what about the other vigilantes identities. Once I know yours, figuring out theirs won't be so difficult"

Jason paused, considering it.

"Meh, they'll be fine"

Danny shook his head.

"When I'm kidnapped and tortured and all of your identities get revealed, it won't be my fault" Danny said.

Jason grinned and took off the helmet.

Danny glanced at Jason. He didn't look half bad in terms of looks, he considered Red Hood to be pretty handsome.

"I don't recognize you at all" Danny said peering closer.

"Really? I'm Jason Todd"

Danny pulled back like he had touched something hot.

That name, Jason Todd was famous for his soul being reborn due to a hazardous pit called the Lazarus Pit. It must be eating away at him, probably destroying his mind.

"Shit" Danny muttered.

"What?" Jason asked.

Danny seemed conflicted.

"I am about to say something that's going to sound, in a word, insane"

Danny paused, "I'm only telling you this because I feel obligated to help you"

"Help me? How?" Jason asked with a sly smirk.

"With your situation" Jason had a blank look on his face.

"The Lazarus Pit that you fell into is contaminated. It's going to damage your brain"

Jason's eyes grew wide and Danny could see the sparks of the contaminated ectoplasm influencing Jason's emotions.

Before Jason could fly into a rage Danny grabbed him.

"Sorry, this is gonna hurt but I have to filter the ectoplasm"

Danny bit Jason's neck finding a vein. He began sucking out the contaminated ectoplasm, replacing with his own. He tried to think of it like a blood transfusion.

Jason was too stunned to do anything. The longer Danny was like that, the calmer Jason felt.

Finally Danny let go. He waited for a horrified look or a demand or anything.

But Jason seemed almost like he was in a trance.

"Jason?"

He snapped out of it, his hand flying to his neck.

"That felt...nice"

Danny sighed.

"I'm half ghost" Danny said.

Jason looked at him like he was dead.

"I was in an accident in my parents lab and sort of died, my DNA was mutated due to ectoplasm. It was the purest form."

"Your half dead?"

Danny nodded, "what I did was filter the Lazarus water and replace it with ectoplasm."

"Am I all good then?"

"Well no. I can't do it all at one time since it's mixed with the blood in your veins. If I did you could die"

Jason smirked.

"Oh noooooo" he said sarcastically, "looks like I'll have to come back"

Danny rolled his eyes.

"So are technically like a vampire ghost then"

"I am not a vampire!" Danny said.

"Sure, sure."

Danny sighed.

"So are gonna leave or what?" Danny asked.

Jason grinned.

"Naw, Imma stay right here"

Danny opened the window.

"Shoo"

Jason put a hand on his heart.

"Wow, I can see how welcome I am"

"I hope so"

Jason shook his head as he climbed out of the window onto the fire excuse, helmet secure on his head.

"You can't get rid of me Danny"

"I know, that's why I'm getting a restraining order"

"What?" Jason asked in alarm. Danny shut the window cutting off Jason's concerned cry.

Now THAT was satisfying.

Jason couldn't stop smiling. His new friend had the cure to his pit rage and had powers. Not only that, he was medically equipped so Jason wouldn't have to go to the hospital ever again!

It also worried him. Danny was too skilled, he was a big target for any villain.

Danny fell asleep and he slept deeply.

Danny was surprised to wake up to something other than his alarm the next day.

#danny phantom #danny fenton #dc universe #batman #dpxdc #Jason Todd #Red Hood #fanfiction #phandom

[tired-biscuit]

What would Kiba do if we would tell him how handsome he is but in a coo voice, just straight up petting his face and patting his head telling him what a pretty boy he is.

18+ fem!reader // cw: praise kink, very soft and cute. modern AU, established relationship.

he’s unsure about it at first.

this man is just so unapproachable-looking at first glance, you know? he’s dark, all sharp features, crossed arms over a wide chest. he’s heavy boots, anger issues, fed up eye rolls and impatience. the persistent scowl that he’s always wearing on his face doesn’t help his case either. just by looking at him, people get the feeling that he’s going to be a bitchy cunt the moment he opens his mouth.

and kiba likes that just fine. he likes being intense and perhaps even a little bit intimidating because it leaves a lasting impression, which is what he’s always strived to achieve anyway. he likes that when he steps into the room, people’s eyes flicker in his direction. that they turn a bit wary. that he provokes a reaction. that he can’t possibly be overlooked.

so for you to step onto your tippy-toes and pull him closer because of the height difference, smushing his cheeks until his lips are pursing, gushing and cooing what an absolute cutie he is; what a pretty boy he is, definitely catches him off guard at the start of your relationship.

i mean, he tries so hard to look like he’s this big, cool badass who does not give a single flying fuck about anything or anyone, just for you to come skedaddling his way; flipping that image right on its head with all your empathy and lovey-dovey gestures.

nevertheless, i think he secretly feels flattered by it, though it does take him a long while to start to wilfully show and actually admit to how much he appreciates all your doting in reality. you already know it, of course — how endearing he actually finds your actions — from how the tips of his ears flush a faint red each time you get sugary with him, and how his eyes start to flicker onto just about anything in the room but you.

it’s always the same reaction. you go all “ooh, you’re my baby! my lil’ baby!” on him and he grumbles something under his breath; telling you to “c’mon, stop that” while his face gets so warm to the touch that it makes the tips of your fingers tingle. what’s even funnier is that he doesn’t even think of moving away despite all the fuss and protesting that he’s causing. and it’s so adorable, how vividly flustered he gets by it every single time!

so months pass one after the other, and slowly, ever so patiently, you lure out a praise kink out of him that he never even knew he had.

because all of a sudden, your grumpy boyfriend catches himself preening — yes, actually preening — just so that he can receive more of your little compliments. catches himself helping you with little, mindless chores just so that you have a reason to thank him and give him your approval afterwards.

he sighs to no end and mopes in bed until you lean over and give him his goodnight kiss. whenever he comes home from work, feeling tired as hell, he just plops down on top of you while you’re watching tv on the couch, and lets you wrap your legs around him and stroke his back until he feels better.

he actually likes all the cooing and babying. he likes the sweet little pet names that you call him. he likes the cutesy text messages and the matching bracelets and the fact that you insist on getting matching t-shirts whenever you go on vacation together. he likes taking pictures with you, even if he never posts anything on his instagram. he’s so down bad that he even wears your initial around his neck.

he likes how you take care of him when he gets sick, even if he starts acting dramatic about it; whining and complaining like he’s about to die from a simple cold. he likes how you cheer for him whenever you have a lazy day and choose to spend it by playing video games on the couch — you make him keep trying to beat the stupid level even if he lacks the patience for it. as a matter of fact, he’ll win it just for you.

and he also likes that you keep steady eye contact whenever you clamber on top of him in that clumsy way that he thinks is oh, just so goddamn cute, and how you ride him in that slow, passionate rhythm he’d never pick himself before meeting you. he likes how you smile and caress his face when his lips part and he moans in pure bliss at the feeling of your sticky cunt squeezing around him so, so tight; finally submitting to the feeling and allowing himself to be vulnerable. he likes how you call him beautiful, then. not handsome, not hot; beautiful.

it’s the little things. sometimes they’re cute, like holding his hand when you’re out and about, and sharing the leftovers from your plate with him because you know he wants them even if he never asks for them. other times they’re dumb, like when you convince him to let you pamper him with your vast collection of skincare products, and how you get matching tongue piercings just because you’re curious what it’s like to kiss with them as soon as the swelling goes down.

he’s fond of it all as long as it’s with you. because unlike with other people, you don’t just look at him; you make him feel seen. with you, love grows.

you see the layers and all the gooey softness that hides underneath. you see his heart. the twinkle of kindness that appears in his dark brown eyes. how careful and gentle he is with animals. the playfulness in his grin, even if it’s sharp and rare.

you see him.

but you best know that he’s fighting for his life in the groupchat the moment his friends find out how much he actually loves it when you baby him!

#he’s such a cutie i will sob!!!!! #kiba x reader #kiba smut #naruto smut #naruto x reader #biscuit drabbles

[mooncalfe-art]

Hi! Ohmigosh, I can’t believe I’m asking THE Sophie Campbell something 😆 I’m a really big fan of your art 😍 I love how your art style has improved over the years (I do like both styles, though) I really like how in your new art style, you perfectly mix cute and dark. Leading on to my actual question, I am so happy that you were the one to draw Raph and Alopex’s first kiss!!! I was sad when they broke up because I loved them together :( Do you ever think that they will ever get back together? Would you have kept their relationship the same as it was? What made you want to do KoyaXLeo? Have an amazing day!!!

Thank you so much!! <3 My original plan was to never break up Raph and Alopex because I feel like too many serialized stories in monthly comics and TV shows always do that, they always FINALLY get the two characters together after however long of will-they-won't-they, and then quickly break them up because the writers don't know what to do with a nice, regular romantic relationship. I hate that!

But after the stuff with Saki being part of the team, I just couldn't reconcile it with Alopex as a character and what she'd gone through with him. Having that drive her away from the Turtles was the only thing that made sense to me. The stuff with Saki becoming "good" was actually an editorial direction thing, I didn't want to do it and I resisted it at first but tried my best to make it work. Alopex leaving the group was also sort of partly a metaphor for my own thoughts about it, a retaliation against the Turtles teaming up with the person who murdered them and abused Alopex. I kinda felt cornered by that storyline and I just couldn't write Alopex staying with Raph (and the Turtles group overall) after that, I felt like it would've been a disservice to the character to have her suck it up. She HAD to put her foot down.

The Leo/Koya thing actually started out as more of a joke on twitter until I realized there were fans who genuinely shipped them, haha. It's still kind of a running gag, I don't think I would ever show them in present day getting together or anything, but having them as a couple decades down the line in the future time period felt like a nice way to cap it off. In my original script Koya wasn't even in that scene, it was going to be a grown-up adult Rahzar, until I decided to add Koya/Leo in there for one particular superfan (hi Paty!!).

Thank you again!!! <3

[randomfoggytiger]

X-Files IWTB: First Time React (Part I)

I needed to watch I Want to Believe for a Christmas present project; and, going into the movie, I knew it would be bad.

I didn't know it would be "broken within ten minutes before Mulder and Scully even get into the helicopter" bad.

On the positive side, I'm enjoying David Duchovny and Gillian Anderson's acting; and they're doing the best they can with the scripts, so A+ for effort!

Now, reaction below the cut:

Eyyyyyyyy, looky looky where we are. 

An IWTB reaction. 

Me, the canon denier after S8. 

Yep. 

But never fear! I shall have an absolute blast demolishing all the aspects that don’t make sense and enjoying the parts that deserve praise or kudos. :DDD 

My Position Going Into This

When it comes to any art form, I stand absolute on the position that, yes, if it was created to be art, it is art; but art can also be critiqued on its merits or demerits. Otherwise, we all wouldn’t acknowledge what makes one piece of art masterful compared to another piece.

For movies, I focus on writing: does this plot point make sense in the context of generalized or specific circumstances; or, more specifically, do the actions of X person fit into their pre-established character or break it entirely without providing a reasonable motive? Pointing out the flaws of x/y/z character or moment doesn’t ruin my enjoyment-- every movie, tv show, book, etc. has them-- unless the flaw is noticeably glaring; in which case, what can I do about that? 

In conclusion: this will be very snarky, but I mean no hate towards CC or anyone who helped create this movie. I have criticisms, justly; but I separate art from the artist always, and judge both on completely different scales and metrics. Any and all snark is exaggerated for comedic purposes... or that's my story and I'm sticking with it. ;))) 

And now, onto the reaction~ 

Live Reaction

The movie’s gorgeous, I’ll give it that: tone, atmosphere, lighting, etc., all spectacular. 

For a split second I wished that the man running past the woman victim had been a supernatural creature of some sort-- more X-Files in tone; and would eliminate the Father Joe character completely. 

Dakota Whitney (not given her name yet, think it's her) seems in-tune with Father Joe’s strangeness-- another shame, because her character was squandered on a love triangle.

I will say, though, the spectacle seems… a little repetitive already? “Let him go, let him go” repeated three times with three different cuts. 

Hmmm, I think this is the thought: compared to FTF, this movie seems like its plot is paper-thin, relying on spectacle or repetitive dialogue (or inane plotpoints? we’ll see) to keep it chugging along. 

Scully is here! 

After comparing her intro to the Pilot and Fight the Future and the previous five minutes, it seems… bland? The spectacle is gone, but that's not the problem. Everything is medical jargon as she’s giving an account of her patient to an overhead on a screen. The problem is-- and why I mentioned her previous introductions-- when a main character is introduced, their first scene establishes core aspects of their personality. Now would be a good time to get a thumb on how Scully has changed as she's navigated life on the run and in this hospital... instead, we're given nothing, really, just a medical spiel with no point other than to set up that she has a patient who needs experimental treatment. Nothing that is personal to her as an individual, other than she's more muted, downtrodden, etc. It's a very rushed and criminally underutilized scene.

I understand what CC and Spotnitz are going for: defanged Scully, hands tied and trying to keep her head down and live low-profile. Pouring her exhausted energy into trying to do some good, at least for the boy (since she can’t for Mulder.) It sets her up as frazzled and frustrated; and it makes sense why she pitches the FBI’s offer to Mulder when given the chance. 

FBI agent just bounces in and disrupts her talk with her patient… that’s a plot point, definitely--

Wait, Scully kept referring to Mulder as Fox Mulder… which, yes, she’s parroting the man’s words back exactly to him but also Scully only ever referred to him as “Mulder”, “my partner”, “Agent Mulder”; and didn’t mention him by name otherwise. This is a nitpick, I know. 

Also, from the interviews I’ve read, Gillian Anderson (and David Duchovny) struggled to get back into character in 2008 as well as the Revival (link here.) GA also notes (link here) that she agrees with Scully's characterization: "How she is in this film follows perfectly with where we last saw her and who she has always been." And, if lumping IWTB together with S9, I agree; and, interestingly, it's an aspect of Scully that GA seems to retain in the Revival (I think): saddened, withdrawn, only sparing animation when directly talking to Mulder. It makes sense after the William arc; but it’s sad to think about, regardless. 

THAT’S THE FENCE?????

 I THOUGHT IT WAS A TINY WOODEN FENCE THAT COULD BE HOPPED OVER. 

…That makes a lot of sense, actually. I definitely can see Mulder rigging it up with all the time he had to spare (because, I mean, look at it: rusty, rinky, weirdly tied to the poles.) 

I will say: I give Chris Carter props here because that man had a vision and he executed it: atmosphere, ~vibes~, and the kitchen sink. It’s why I maintain he was the ideas man and Frank Spotnitz was his refiner.  

WAIT. Is that… is that orange juice on the table? (They remembered Mulder’s orange juice but forgot to iron out the plot. The irony. If this were an indie film, I’d find it endearing and charming. …But it’s not.)

Okay, intro to Mulder now. 

Immediately we are shown the nest he’s built, with Samantha taking center-stage on his door. THAT’S how you do an intro; and, to the credit of the people behind the camera, it strikes a descriptive balance between Scully’s dispirited silence and his animated clutter. 

OKAY. Mulder’s “What’s up, Doc?” was worth it. (Don’t you just love when creators behind really cool, innovative series make alternate universe stories in their own universe? The “what if”s? The “glad this didn’t happen but it’s not all that bad, yet” one-offs with big budgets behind them? Visionaries, I tell ya.)

Mulder’s going off on a tangent and Scully’s back in her element and I would be content if the movie skipped from here to the almost end with Skinner and Scully finding him and we (meaning me) the audience wonder “WAIT, WHAT HAPPENED” and then there’s the vacation and it ends. 

Also, pertinent to stop here and reflect on the first Big Issue of the film: 

Mulder and Scully have been living in this house for five years-- as confirmed by the cut lines in IWTB’s script (link here, thank you @dunhamhairograpy)-- which means they were on the run only one year before settling back in Virginia. To satisfy my suspicions, I looked up (on Wikipedia) criminals on the FBI’s wanted list between 2000 to 2003 to see how many years each person evaded capture (if they were ever caught.) In summary, those who were on the run more than a year most likely fled the country and at the very least did not settle back in the state they originally fled; and those who remained locked on American soil were caught within a few weeks to (maximum) a year (three years was the most, I believe. Longer or still at large dipped into other countries, at least temporarily.) The script also confirms that Mulder and Scully are aware that Skinner is aiding and abetting them behind the scenes; and since the agent who interrupted Scully at her hospital immediately cut to the chase-- with the implication that Scully knew where to find her partner-- the FBI likely knew how to find Mulder easily and just… let him be. 

Despite the absolute dumpster fire of S9’s mytharc, we are led to assume that, somehow, Skinner and Doggett and Reyes stamped out the interest of alien-men-in-government and every other enemy that wanted Mulder's head and they all… proceeded as normal? Or Doggett and Reyes didn’t but Skinner did somehow…? 

BUT THAT DOESN’T MATTER, LOOK AT THIS SHINY MOVIE AND THE PRETTY GOATMAN. 

Also, yes, the beard needs work. However, I just remembered that beard oil is a thing but also that hair oil is a thing; and the idea that men might be taking better care of their beards than I do my own locks makes me wanna give them a thumbs up. (…But not Mulder: the texture on his face makes me want to cringe backward from the epidermis to the dermis to the subcutaneous layer of my skin.) 

Mulder “who believes that anymore” was a great line for his first facial introduction (not bothering with technical phrases, gotta keep chuggin’); and his reaction at Scully’s snarky “they do at the FBI, apparently” and both of them being like “uhuh, they wouldn’t listen to you/us years ago” was a great nanosecond of screentime and I want more. 

Mulder's walking wonky with a feverish passion behind his eyes; and I recognize that insanity from the fervor of spending too many hours indoors and online with nothing else to do but brood. 

ALSO, he and Scully both make complete sense here and I cosign this scene. 

(...Yeah, I know, we’ll get to those ones later.) 

Scully getting around Mulder’s mood and straight to his interest and then igniting his sarcastic “oh” within a sentence or two is masterfully them and yep, I cosign. 

Mulder choking on the “I am just as happy having them out of mine” denial stuck in his throat…. also: yes, Scully has a point about the FBI as discussed above but WHY do they want him out of their hair?? There were more people who had death wishes against him than there could be people in positions of power that support him; and with no CSM or Consortium hand-holding their superstar through trials and tribulations because he could “expose” them… again, whyyyyyyyyyyyyyyy.

Mulder’s being really petulant and I love it but also he’s being too petulant but in a good way, in a sarcastic “at the end of my rope and I’m only barely being polite” One Son way. 

Scully's honest “I worry about you” is touching, that’s nice. 

I just realized: y’know how DD wrote The Unnatural because he wanted to hear Mulder and Scully talk like normal people, not just regurgitate the plot points back to each other with flowery, long-winded expressions (which are great, don’t get me wrong)? Welp, they sound more… human? natural? broken in? here; and I like that aspect. 

Mulder looking at Samantha’s pic and knowing he can’t not help an innocent was a perfect character moment: great writing, thumbs up. (Reminiscent of his prior pattern of reluctantly helping people he disliked or was annoyed by-- Max Fenig in Fallen Angel, Krycek in Sleepless, Skinner in Zero Sum, Crump in Drive, Doggett in Alone, etc.) 

He accepts the FBI’s offer; and Scully’s relieved; and I advise you to keep that in mind for later.

The Big Problems Set In

Whether Mulder and Scully called and told the FBI where to pick them up or the FBI sent a helicopter out, unprompted, as a power move is unimportant in the minutiae but incredibly crippling in the larger narrative: it flew TO Mulder’s house to pick him up. There is no way Mulder is undercover or in hiding any longer; and that means, at this point, Mulder is committed. The end, full stop, point blank, period. 

The movie is broken and it's only 10 minutes in. From here on out, it will try to claim that Mulder is losing Scully by running further into the darkness; but the reality is, he has no other choice because there is nowhere else to run to regain his freedom AND to not put Scully at cross ends (or in danger) with the FBI.

He CANNOT back out: if Mulder withdraws from this deal with the FBI, he has to leave his home, go on the run again, and risk more aggressive recapture and imprisonment and probably broker another deal to escape full penalty at. a. minimum. 

It would be insane for him to back out at any point in the future. He knows it, the FBI knows it, and more importantly SCULLY knows it: she’s the cautious one in this relationship; and she would have weighed the pros and cons before telling Mulder the FBI's offer. Yes, she tends to react without thinking at times-- asking Mulder for his IVF donation without long-term plans, for example, (link here)-- but something as precious as her partner’s life, the only person she sacrificed everything for, would be carefully guarded and protected. 

Surely, she wouldn’t want him to back out at any point; especially because she has constantly suspected their own allies in the FBI all the years they’d been there, even Skinner, over and over and over. There would be no inducement or reason for her to trust the FBI to let Mulder stop on his whim (or hers, or theirs); and it’s a good thing she doesn’t do that. …Right? 

NOW: would it be in her character to want him to stop? Absolutely-- that’s who she is. But to place him in an impossible position then demand something even more impossible on top of it, after Mulder’s hands are effectively tied until the case is solved? That’s what’s character breaking for her. We’ll get to that. 

What’s going to be even more frustrating is that Scully will ultimately break their partnership (or start to) because of jealousy over another woman... for script reasons. (Don’t believe me? I don't blame you. But we'll get to it in a future part.) And that’s the show’s greatest flaw: the writers enjoy playing “are they, aren’t they” with Mulder’s driven passion and Scully’s jealousy and wish to be his priority. What’s worse is he prioritizes her more than any other human on the planet, even in this movie; and, at this point, Scully knows and has made peace with how Mulder is (all things.) To sacrifice their growth and trust in each other because of illogical reasons... we’ll get to that. 

“Past is the past” says Dakota Whitney. That might be enough for Mulder in the long run but it certainly won’t be for Scully. …RIGHT? 

Monica name recycle which is a staple and yet not a Monica Reyes who could have had pull to have Mulder and Scully pulled in on the case… oh, well. 

Yes, Mulder has precedent to write off psychic phenomenon evidence when given to him by his enemies-- he’s petty that way-- but can you imagine how annoyed he was when it came out the psychic was a religious guy? A former Father? An issue that used to pit he and Scully against each other? (I see what you did there, writers.)  

So: we have religious angle to separate Mulder and Scully in this movie. Also, we have jealousy over Dakota Whitney-- this movie’s nicer variant of Diana Fowley and Detective White and Phoebe Green: a gal who wants Mulder and writes Scully out of the picture despite very obvious rumors and even more obvious clues in the present-- to drive a further wedge (will be discussed next time.) What else could go wrong? 

What I do like is that this movie sets up Mulder’s priority list that aligns with his previous character iteration: he wants to chase monsters, but not at the expense of people; and, further, when he doesn’t want to chase monsters, he still will for the sake of others' lives.  

Whyyyyyyyyyyyyyyyyyy Chris, did you have to make Father Joe a pedophile? 

Whyyyyyyyyyyyyyy. I understand, I do, that it’s about people who want to redeem themselves, who are afraid of the monsters within, who are burdened with a greater purpose, BUT NONE OF THE PEDO STUFF HAS TO DO WITH THE PLOT.

For instance: Roland’s autism directly correlated with the X-File of his case, Marty’s blindness with hers, as well as all the other men and monsters with supernatural powers or inhibitions. Having a random and prominent flaw that doesn’t contribute to anything in the movie is, quite honestly, a waste of precious run-time; and is another example of the movie’s paper-thin story structure that it tosses around willy-nilly. 

Tune’s catchy, though. 

Okay, the movie’s editing is weird again. We’ve already “seen” Father Joe in the beginning; so repeating Mulder’s introduction style (angling towards everything but the man’s face) is noticeably repetitive and out of place. 

Scully going for the man’s throat is a great set up for her and Mulder’s banter but 

issssssssssssssssssss out of place, especially considering they need information out of the man and don’t know how he’ll react to fierce, off-topic interrogation. Yes, harming children is a no-no for Scully, and harming them especially in the name of her faith is a BIGGER no-no; however, she was never this tactless before, not even with John Lee Roche. Further, she stipulates this is Mulder's case, which means she jeopardized his interrogation with her sniping. Not only was it out-of-character, but it could have put an end to the only lead Mulder had to help out the FBI. Her professionalism is rusty, and further, she is sacrificing the high ground for a dig at the man’s ethics. It’s not very Scully, is it? 

“Maybe it’s not God doing the sending” so this was personal, Scully, that dig had nothing to do with the case except for your own want to defend your beliefs against this pedophile. You’ve never done this in the past; and you and Mulder have worked past any insecurities you might have had with regards to your faith. So, THIS means you’re insecure. Maybe those years on the road have you overthinking or rethinking; but, regardless. it’s rolling back the character growth you achieved in all things and needed to be handled with defter care. 

If the writers were trying to establish her as a bloodhound in this movie ala her old self, they can’t start it out with her being listless and downtrodden and suddenly break that in ways that would harm Mulder’s (and her) investigation and then shove her back into listlessness... and then repeat that cycle over and over with no rhyme or reason.

Also, Whitney is being established as the woman who looks to Mulder, always, because she has a big, fat crush on him that the writers will exploit for maximum drama. 

FATHER JOE SENDS SCULLY OUT-- why. Negative energy didn’t inhibit psychic ability in previous cases. If Father Joe's so wimpy that someone watching him with disdain while he does his whammo makes him insecure and unable to… I was gonna say perform, remembered his altar boys, and cringed internally. Anyway, then he needs to be reminded who's in charge here.

The dialogue cracks are beginning to show: Scully’s parting line is cringe. Even though it doesn’t sound natural to say-- that’s never stopped The X-Files before-- what makes it egregious is that there is no connective tissue to her statement. When talking, there is a leadup to a point and a comment that follows it, etc. etc. Scully’s statement-- “Maybe what you see is a way to try to make people forget what you really are”-- is responding to nothing; and is randomly stated. The equivalent of the teacher telling Timmy to go sit in the corner and Timmy randomly yelling "You're not my mom!" before doing so. It achieved nothing; and made her look like a five year old that can't grasp the finer points of communication (because she only reiterated what everyone else in the room already knew.) Also, it sets up Scully as a disbeliever to Mulder and Whitney as believers; and, of course, this puts Scully through a hackneyed journey back to belief even though she doesn’t disbelieve in psychic ability any longer, etc. etc. 

The question becomes: if this is a new pattern in her behavior, it will remain consistent. Another problem, too, remains. We (the audience) are not given a good reason why this rational character is behaving outside of her own interests. Scully has training and years of experience that being on the run for a year and in medicine for four? is not going to erase. It’s setting her up to be sloppy and messy with her decision-making skills; and we are given no reason why Scully is this way now; and, further, why she directly contradicts this new pattern in other scenes.  

Scully getting scared by Mulder on the pedo colony balcony is a scene I didn’t know existed and I like and he was a reaaaaaaaaaaaaaaaaaaaal snot for doing that and yay, it’s Mulder. 

And also, I have another nitpick: Mulder, although he has backed off and let Scully handle her own issues with sexist cops and the like in the past, would never let a crook dictate the terms of where Scully is supposed to be: Scully would decide to walk out when she didn’t believe a word their suspect was saying, not because she was expected to leave. Mulder didn’t advocate for her here, put his foot down, or even blaze up and insist Father Joe stop playing games. Strike one against Mulder's characterization. 

JUST AFTER I MADE THOSE POINTS Scully admits she was wrong and Mulder immediately defers to her. Which… uhhhhhhhhhhhhhhhhhhhh, time to break that down. 

This doesn’t seem like a lot; but that tiny detail completely demolished Father Joe’s introductory scene AND Mulder and Scully’s first scene back in the FBI saddle.

“All I had were questions-- you challenged him.” That’s a very Mulder thing to say… in other circumstances, but not in this one. Here, Mulder shouldn’t have “just had questions” especially because he was bugged that the other FBI people were a little too doe-eyed about Father Joe; and that annoyance would have made him act out on the priest. Furthermore, Scully’s fury against criminals IS something he loves about her BUT was out of place here, too. And all of this is negated because Scully left, anyway, and he didn’t stick up for her. It’s like if Scully and he were middle schoolers and their classmates kicked her out of a group discussion only for him to wander over after it's done and say, “you did great back there, sweetie!” without sticking his neck out for her at all. It smacks of spinelessness, the opposite of Fox Mulder.

Great acting by DD and GA; but terrible, terrible scenario. 

The precedent has been set that Scully will lash out, get shunned to an outer circle, and Mulder will ho-hum, let it happen, get his info, and give her a pat on the head later. That’s never been them; and this pattern is immediately broken by a following contradictory scene. This back-and-forth cycle continues, over and over, flip-flopping Mulder and Scully in and out of character, and further damaging the script with one-off, disconnected responses. 

Also, aren’t Mulder and Scully past this unnecessary drama of poking the bear (an old, Irish? pedo priest) before they get their necessary information? ESPECIALLY NOW WHEN MULDER'S FREEDOM IS ON THE LINE.

Scully finding out Mulder is humoring Father Joe and deciding to leave the situation and beat them all to the car NOW is in-character; but--

wait. WAIT. NO, I WAS WRONG. SCULLY’S JUST LEAVING LEAVING??? WHAT. 

Okay, another essay time-- wow, I’m not even 20 minutes into this movie, HOW-- before we keep going: Scully leaving, now, because she doesn’t want to humor Father Joe has never stopped her in the past. Ten seconds ago she and Mulder were bantering, five seconds ago she bantered as she left, one cut later she’s somber and serious and dour and down and Mulder has to chase after her. WHAT HAPPENED IN A MILLISECOND to change her entire attitude, especially since she doesn't have a new piece of information to react to????? 

In order: 

Sees Father Joe is being humored (tilts head back in her normal, almost-amused, incredulous style): 

Makes a bantery “It’s been fuuuuuuuuuun” remark and an upbeat “no thanks” remark: 

Walks off (which is dangerous to her partner, will talk about that in the below paragraph) with a bantery “anyway, he doesn’t want me here” handwave: 

Mulder is amused (but knows he has to go convince her): 

MILLISECOND LATER with no new info or reaction “This isn’t my life anymore, Mulder”: 

SO, we’re supposed to assume Scully wanted to hand Mulder over to the FBI from the start, sit back, and just let him run willy nilly around with them without her being there; and only came along because he asked her to come but still bailed on him when she didn’t like the case…?

Let’s take John Lee Roche as an example of why Scully wouldn’t react this way: during that and Grotesque and even Folie a Deux, Scully had Mulder’s back even against her own professional interests. She only left him in FTF and One Son because she thought Mulder didn’t need her any longer. Scully’s nature has always been to ride along, even when she doesn’t want to-- How the Ghosts Stole Christmas, an excellent example: even before her keys were stolen, she was still trying to talk herself out of joining Mulder. But now, NOW when it’s inconvenient, she decides to skip out? Now she has even less excuse: this is her partner’s freedom on the line; and he stipulated FROM THE GET-GO that he needs HER to work WITH him to solve this, BEFORE she called the FBI to agree. 

THIS is not Scully. THIS is ridiculous. 

Now, to those who are reading this and thinking, “well, she could have done that”-- true, Scully could have. Anyone can do anything, IF there is a logical reason or it’s in a person’s best interest to take that action. For instance: Never Again was in-character for Scully because it fit into the mold of previously established reactions to father figures and feeling second place. Why this isn’t in her character is because the two keys to Scully’s loyalty-- being prioritized and depended upon as well as valued and trusted-- are being handed to her on a silver platter and she’s rejecting them (AND her partner’s safety) because she doesn’t wanna do it. Again, that’s never been who Scully is: Scully does the hard thing because it needs to be done; and she only shirks or avoids the emotional mirror being held up to her while still doing her job. There’s a life on the line here-- two, possibly, if Mulder doesn’t follow through on the deal-- and Scully would rather dump the problem in his lap when the logical, realistic, and easily graspable answer is do this case for a few rough weeks or months (because Mulder has always worked fast), then have unlimited freedom and time to go back to doing what she wants. This is not the place to write in this reaction: have one for Scully if, in the discussion for his freedom, Mulder starts pushing for reinstatement instead of simply finishing this case and letting his past go. That’s not what happens here (at the very least); so it makes no sense for her to be doing these actions-- especially with the information she and Mulder are working on-- now. 

Scully says “You’ve done all they’ve asked for you to do” as if implying that Mulder’s finished his task NOW, RIGHT NOW-- that one talk with a psychic has won his freedom. …I’m sorry, how did she conclude this and where was this established? 

Mulder was brought on to find an agent; Scully thinks that agent is dead, so oh, well! You’re done here, Mulder, let’s go~. 

Scully. You know and Mulder knows and I know that the FBI said one agent but really meant the whole case. Don’t be stupid. You’re not a stupid person. They never stipulated either way, c'mon, you were there, you know this.  

The problems aren't over AND IT'S ONLY 20 MINUTES IN.

Next pet peeve: as a general rule, Mulder is understanding with those on the wrong side of the law; however, Father Joes is a pedophile. Further, we’re not shown the scene where Father Joe has humanized himself, his reasons, or even his current character enough to justify the soft way Mulder is dealing with him. 

All we have is that--

Father Joe isolates himself in a compound. 

Father Joe told Scully to leave the room when she barked at him. 

Mulder handles Father Joe gently despite him being a pedophile and despite him kicking Scully out of the interrogation (which sets up her feeling left out.)

Mulder is sitting in the car with Father Joe (and Whitney) and not Scully despite the two of them driving to the same place together.

Father Joe’s castration and inner torment is not brought up until later when he wants to appeal to Scully. 

So, for all intents and purposes, Mulder is being needlessly sweet to a guy that confessed (at this point) to touching more than a couple altar boys and ostracized Mulder's partner just because he’s… psychic. Does Chris not remember how Mulder was initially not nice to Samuel in Miracle Man until after he pulled the Samantha card, was never nice to Modell in Pusher, and still picked fights with various witnesses because of their personal decisions? Again, the only time Mulder was nice or at least professionally kind with flawed characters was AFTER they owned up to or tried to atone for their sins…and, AGAIN, we aren’t shown that scene between he and Father Joe. AND THAT'S ONE OF THE MOST IMPORTANT SCENES BETWEEN THEM BECAUSE IT SETS THE TONE FOR THEIR PROFESSIONAL RELATIONSHIP.  It falls into the “reply without a preceding remark” territory that I mentioned about the dialogue, except this time it's with characters. Really bad. 

The writers try to save the interaction by having Father Joe sympathize about Samantha whereas the other agent up front doesn’t… but that only breaks the scene even more. 

Male agent up front believed in psychic Father Joe before Mulder was even asked aboard the case. 

Male agent up front believes in psychic abilities but still pokes at the man who was an “authority” on them by mocking Samantha’s “E.T.” abduction. 

Male agent has been professionally distant and disdainful from the get-go; but it’s in HIS best interest to not create rifts with Mulder who is helping Father Joe help the FBI (and him) find their missing agent. 

There is nothing in male agent’s character to suggest he is an irrational man; so, therefore, his random poke only serves to undercut his teammates’ efforts thus far to find and bring Mulder on board. This would waste everyone’s effort and precious time. 

This scene only serves as a convenient excuse to simultaneously lore dump about Samantha and attempt, too late, to humanize Father Joe. Lore about Samantha is fine, but not if it contradicts (read: breaks) male agent's character. And humanizing Father Joe is pointless here because every monster can sympathize with others in their own crooked way. A truer test of character would be to show him go out of his way or comfort zone to help another person-- and that isn't what happens here.

Conclusion

Will I do a part two? Yeah, probably: I need to get to "the split" and Skinner and the vacation-- can't leave it (not even) half-done, after all.

Thanks for reading~

Enjoy!

#txf #X-Files IWTB: First Time React #Part I #meta #xf meta #mine #analysis #React #IWTB #I Want To Believe #Mulder #Scully #CC #Spotnitz #Frank Spotnitz #oh the pain #and the torment #thoughts #xfiles #x-files #the x files #movie

[tokwattoge]

Birthday Post; Happy birthday to me!

I'm turning 26 this year! Grabe ang bilis. 26 na yon?! Ang dami kong thoughts kahapon na gusto ko sana ipost pero pagod na pagod na ako at ang sakit na ng ulo ko.

Siguro nagtataka kayo bakit may pa-TV eh ang dami ko ngang utang haha. Nakikita lagi ng mama ko na sa phone nanonood yung anak ko ng youtube, sabi niya bilhan niya daw ako ng TV para birthday gift at malaki yung panoodan ni kiddo. Sino ba naman ako tumanggi sa magandang TV.

Sa totoo lang wishlist ko din naman ang magkaroon ng TV, pero hindi ko lang din inexpect na now siya darating. May mga bagay talagang darating na hindi mo masyado ineexpect. Masasabi kong hindi ito ang kailangan ko ngayon, pero natutunan ko na i-appreciate ang blessing pag dumating.

Nung binabayadan ko na yung TV kahapon, parang lutang ako kasi hindi ako makapaniwala na magkakaTV na ako. Dati gusto ko magkaTV pero hindi ko naman priority kasi nakikita ko siya as luxury. Yung mga bagay na bibilhin mo pag wala ka ng magawa sa pera mo. Hahaha hindi rin naman ako mahilig mag TV in the first place lalo na kung nakikigamit lang naman ako like yung dati nung sa dad ko pa ako nakatira. Pero since akin to, grabe pwede kami manood ng movies and stuff, magvideoke. Hindi na kailangan magtiis sa phone or laptop. Super nakakatuwa lang.

Marami akong ibang mas gusto, like ✓ sana malagyan ng kisame yung sala or yung kabilang room ✓ maayos yung CR namin para magkaroon ng lock, ✓ magawa yung motor ng pump namin para hindi na kami magiigib/tungga ng water ✓ magkaroon ng shelves sa kusina. ✓ makabili ako ng bagong cabinet para mailagay ko yung lahat ng damit ko pati bedsheets doon, yung old drawer naman mapunta na sa baby ko kasi di na talaga kasya haha ✓ makabili ng solar lights para hindi na kailangan na nakakuryente yung ilaw namin sa gabi ✓ aircon sana sobrang init na eh

Ang dami no? Sa totoo lang ang dali lang naman gumusto ng gumusto. Pero sa ngayon, rule ko muna na wag bumili ng kahit ano hanggat di nakakabayad or hindi nagiging tolerable yung levels ng loans ko. Yun na lang muna haha.

#birthday post

[beardedmrbean]

Pupils will be banned from wearing abayas, loose-fitting full-length robes worn by some Muslim women, in France's state-run schools, the education minister has said.

The rule will be applied as soon as the new school year starts on 4 September.

France has a strict ban on religious signs in state schools and government buildings, arguing that they violate secular laws.

Wearing a headscarf has been banned since 2004 in state-run schools.

"When you walk into a classroom, you shouldn't be able to identify the pupils' religion just by looking at them," Education Minister Gabriel Attal told France's TF1 TV, adding: "I have decided that the abaya could no longer be worn in schools."

The move comes after months of debate over the wearing of abayas in French schools.

The garment is being increasingly worn in schools, leading to a political divide over them, with right-wing parties pushing for a ban while those on the left have voiced concerns for the rights of Muslim women and girls.

"Secularism means the freedom to emancipate oneself through school," Mr Attal told TF1, arguing the abaya is "a religious gesture, aimed at testing the resistance of the republic toward the secular sanctuary that school must constitute."

He said that he would give clear rules at the national level before schools open after the summer break.

Hijab campaign tweets pulled after French backlash

The Islamic veil across Europe

In 2010, France banned the wearing of full face veils in public which provoked anger in France's five million-strong Muslim community.

France has enforced a strict ban on religious signs at schools since the 19th Century, including Christian symbols such as large crosses, in an effort to curb any Catholic influence from public education. It has been updating the law over the years to reflect its changing population, which now includes the Muslim headscarf and Jewish kippa, but abayas have not been banned outright.

The debate on Islamic symbols has intensified since a Chechen refugee beheaded teacher Samuel Paty, who had shown students caricatures of the Prophet Mohammed, near his school in a Paris suburb in 2020.

The announcement is the first major policy decision by Mr Attal, who was appointed France's education minister by President Emmanuel Macron this summer at the age of 34.

The CFCM, a national body representing many Muslim associations, has said items of clothing alone were not "a religious sign".

#nunyas news

[patitvyoutube]

(https://youtube.com/watch?v=KI1M8jHVORM&si=ayEyaGwDm5FuaSd8 gönderdi)

#youtube #pati tv #konuşan kediler #komik kedi videoları #komik kediler

[turkcehitmuzik]

Konuşan Kediler 51 - Komik Kedi Videoları

#youtube #konuşanlar #kediler #komikkediler #komik kediler #kedi videoları #komik kedi videosu #kedi videosu #pati tv

[abcnewspr]

HIGHLIGHTS FOR ABC NEWS’ ‘GOOD MORNING AMERICA,’ SEPT. 12-17

The following report highlights the programming of ABC’s “Good Morning America” during the week of Sept. 12-17. “Good Morning America” is a two-hour, live program anchored by Robin Roberts, George Stephanopoulos and Michael Strahan; and Ginger Zee is the chief meteorologist. The morning news program airs MONDAY-FRIDAY (7:00-9:00 a.m. EDT) on ABC.

Highlights of the week include the following:

Monday, Sept. 12 – Coverage of the life and legacy of Queen Elizabeth II continues; “GMA” kicks off Monday Night Football; former U.S. Attorney for the Southern District of New York Geoffrey Berman on his new book (“Holding the Line”); TV host Tamron Hall (“Tamron Hall”); celebrity chef and restaurateur Shota Nakajima on end zone eats

Tuesday, Sept. 13 – Coverage of the life and legacy of Queen Elizabeth II continues; actress Viola Davis (“The Woman King”); actress Jameela Jamil (“She-Hulk”); chef and cookbook author Suzy Karadsheh (“The Mediterranean Dish”)

Wednesday, Sept. 14 – Coverage of the life and legacy of Queen Elizabeth II continues; tennis star Serena Williams talks about her new book (“The Adventures of Qai Qai”); Deals and Steals with ABC e-commerce editor Tory Johnson

Thursday, Sept. 15 – Coverage of the life and legacy of Queen Elizabeth II continues; food experts Veronica Garza, Linda Garza and Illyanna Maisonet talk empanadas for National Hispanic Heritage Month; actor Steve Carell (“The Patient”); a performance by Louis Tomlinson; Deals and Steals with ABC e-commerce editor Tory Johnson

Friday, Sept. 16 – Coverage of the life and legacy of Queen Elizabeth II continues; actress Brie Larson (“Remembering”); celebrity chef Pati Jinich for National Guacamole Day; actresses Lashana Lynch and Thuso Mbedu (“The Woman King”); a performance by Omar Apollo

Saturday, Sept. 17 – Coverage of the life and legacy of Queen Elizabeth II continues; deals and Steals with ABC e-commerce editor Tory Johnson

ABC Media Relations

Denise Horn

[email protected]

-- ABC --

[skazana]

AGATA KULESZA ALEKSANDRA ADAMSKA - Alicja Mazur Patrycja "Pati" Cichy

#patrycja cichy #pati cichy #alicja mazur #alicja x pati gifs #alicja x pati #skazana gifs #skazana tvn #skazana gif #skazana #polskie seriale #polish tv series #polish tv shows #aleksandra adamska #agata kulesza

[chereserene]

Rant na lang.

I really need to blurt this out kasi. Tangina that guy is so fucked up.

Nakitira sa bahay namin yung anak niya sa ibang babae. And yung tita ko (fiance niya) which is okay lang naman sa akin bc intact naman kami as a family talaga.

Pero months na andito sila sa bahay never nagbigay yung lalaki ng pera para sa ginagastos namin sa anak niya or sa kahit anong gastos at gamit nila mag-ina sa bahay.

Siguro nagbigay yung tita ko once and never na naulit. Putangina, bayad sa kuryente, tubig, wifi, groceries na ginagamit at kinakain rin ng anak niya wala putangina talaga hayup.

Kami lahat ang nagbabayad. Minsan kumumuha pa ng pagkain yung tita ko para sa anak niya na walang pasabi.

Minsan naman gamit lang ng gamit ng kuryente.

From 6 to 800 na water bill biglang 1k simula nung dumating sila. From kuryente na 1200 tangnina biglang 2libo. Pati pagkain namin na budgeted na for a day wala kulang pa dahil kasama kayo sa pinapakain.

Minsan yung anak niya nanood ng tv tapos nanonood pa sa phone niya gamit kuryente at wifi na kami yung nagbabayad ni kusing si gago hindi nagbibigay.

Putangina mo talaga. Kung pinagrenta namin yung magina mo mas malaki gagastusin mong animal ka. Pero pasalamat ka pamilya namin Tita ko kaya tinanggap namin. Edi sana ngayon malaki binabayad niyo sa renta pero sa amin wala kang binabayaran.

Sa totoo lang pabigat ka. Tangina mo. Gago.

Magalit na magalit tita ko sa akin. Maging masama man ako sa paningin nila. Madamot man ako o madamot. Pero putangina pagod na mama ko at ako na magparinig na ang laki na ng bayarin pero never kayo nakihati.

Sana nagkapamilya ka na yung kaya mo buhayin.

Ngl, i do love the kid pero ikaw tangina mo. Di mo deserve tawaging tatay at di mo deserve na maging tatay.

Iniwan mo nga anak mo kung tutuusin. Singungaling ka pa. Ang baba pa ng prinsipyo mo sa buhay. Di ko alam paano mo nagayuma Tita ko sa mindset mo na bastos at makitid.

#serenefam

[biarritzzz]

I'm watching a tv documentary about the school where Samuel Paty, the French teacher who got beheaded by muslim scum, used to teach.

Teachers are being interviewed. They all sound and seem shaken of course but many still try to somewhat excuse the students (some were DIRECTLY responsible by posting about their teacher online and calling him islamophobic) and I'm just like. Wow. One of your colleagues literally got beheaded and I get this is your job and you are traumatized but enough with the feel-good bullshit.

Or is it just for the cameras? Because there is one female teacher who is clearly on the verge of a mental breakdown (and who can blame her) and if she could say what she actually thinks, we would finally hear something truthful.

Like: yeah it's hopeless.

It's over. The damage is done. These kids are rotten to the core and islam is dangerous and everywhere there are muslims, the same awful shit follows. No amount of education, patience and good will can ever change that.

Wake up. I believe that's what this teacher's devastated face is saying. But she can't say it out loud. Even now. Even after everything.

#If I were a teacher and thankfully I'm not #I would resign #straight up #I would not put my life at risk #Samuel Paty #teachers can no longer discuss homosexuality/gay rights #abortion secularism and freedom of speech in schools with large black and muslim populations #this is 'progress' apparently #teachers are scared #I dated a primary school teacher #French #even she was scared #she told me as much #she told me she was now very careful with her words #I knew why and she knew that I knew why