#raekwon da chef

[freshthoughts2020]

#Raekwon #Raekwon da chef #Instagram

[gerogerigaogaigar]

Jimi Hendrix - Are You Experienced?

The debut album by Jimi Hendrix and crew is a stunning piece of psychedelic rock. Heavy blues guitar licks are the standard fare here. It lacks the full extent of jazzy exploration that Hendrix's later albums show, but it is still an incredible album. Being the first album from an artist who was always exploring and evolving I'm confused why it is his highest rated album on the list but actually I know why, it's because Are You Experienced has all his biggest hits. The people at Rolling Stone are children after all, jingling keys gets them more excited than artistic expression ever will.

The Beatles - The White Album

Are you fucking kidding me? I honestly thought we were past the point where I would have anything bad to say about the albums on the list. I mean this is supposedly the 29th best album of all time? The White Album is an infamously bloated mess, and what's left when you pate it down still isn't their best work. Correction, the stretch of songs that includes Wild Honey Pie, The Continuing Story Of Bungalow Bill, While My Guitar Gently Weep, and Happiness Is A Warm Gun is actually their best work. The last of those four being one of my all time favorite Beatles songs. There are some moments of charm but this album is tedious as fuck and includes some of their absolute worst: Glass Onion, Ob-La-Di Ob-La-Da, Birthday, Yer Blues, Revolution 1, and of course Revolution 9 should be stricken from reality. This list should be stricken from reality. What a fucking albatross I have wrapped around my own neck.

D'Angelo - Voodoo

My thoughts on this album are very much the same as I had for Brown Sugar. Every song is good, but the album goes on too long. There is a little more variety here and I think the production is a little richer in a way that makes it more listenable, but it is very long. The highlight is probably Left And Right for its features from Redman and Method Man. I actually wouldn't have minded more features. This album is begging for a little more hip hop influence. Either way every D'Angelo album is better than the last and he has a pretty strong starting point. I hope I don't sound too mean I really do like this album I'm just an ADHD queen who cannot focus if an album keeps the same tempo for too long.

Wu-Tang Clan - Enter The Wu-Tang (36 Chambers)

I'm willing to bet most everyone already knows this is the album that defined East coast hip hop. I've talked about the features before: sparse beats punctuated by haunted piano loops, intense focus on virtuosic flow and rhyming. What Enter The Wu-Tang brings us that no other album can is the entire Wu-Tang Clan all at once. From the slums of Shaolin the Wu-Tang Clan strikes again the RZA, the GZA, Ol' Dirty Bastard, Inspecta Deck, Raekwon The Chef, U-God, Ghostface Killah, and the Method Man. Also Masta Killa and 4th disciple but they aren't listed in the opening of the song Method Man for some reason. The cast of rappers is huge and they all seem to share an incredible delight for the kung-fu kayfabe badass personae that infects the album. And with so many distinct voices on the record it is constantly dynamic, almost manic, in its pace. Plus Enter The Wu-Tang is just full of iconic songs, over half the album is certified hits. No other hip hop record bombards you so constantly with such a huge collection of raw talent.

Patti Smith - Horses

Patti Smith marries art rock poetry with punk rock vulgarity in a way that both makes apparent her role as an early punk artist and leaves her standing somewhere outside of punk itself. Both of the nine minute tracks, Bird land and Horses, take us through a surreal melange of avante garde and 50s rock and roll. The violent cover of The Who's My Generation takes the song and tears it to shreds ending on Smith saying "We created it, let's take it over". And of course there's the lesbian punk anthem Gloria which is a near complete rewrite of a Van Morrison song with the sexual aggression turned up to eleven. All of the covers and musical quoting make the album feel like a quilt made of all the things that influenced Smith's poetry and music. It's the desire to rebel and the feeling of salt of the earth country folk and the musings of a poet all wrapped into one package.

Carole King - Tapestry

Carole King was one of the most prolific and influential songwriters of the 60s so when she sat down to record her own album she brought a decade of experience with her. Tapestry was technically her second solo album, but her debut was poorly produced and didn't showcase her talents well. Tapestry fixes this. It is a time machine to the heyday of 60s pop rock with a fine veneer of nostalgia. Tapestry consists almost entirely of new songs with the exception of Will You Love Me Tomorrow?, and (You Make Me Feel Like) A Natural Woman which King gets to record for the first time in her own voice. The combination of tin pan alley arrangements and Kings unadorned and powerful voice make Tapestry a standout album in the world of 70s adult contemporary.

The Beatles - Sgt. Pepper's Lonely Hearts Club Band

Whoa really? I was super certain they were gonna put this at number one. Well at a much more modest twenty four here's the most overrated album of all time. Okay yeah I'm gonna trash this album just for fun but it is good, really good. It's just that the praise heaped on it is totally undeserved. So first the good. Sgt. Pepper's is a fantastically jaunty psychedelic tinged album with incredible variety that genuinely shows off each individual member of the group at their best. What it isn't, though, is new or innovative or something that every other band was rushing to copy. It definitely helped bring psychedelic music farther into the mainstream but they were at least a year behind. You know what fuck the negativity I'm doing a 180. The little psychedelic elements, heavy use of sitar, vocal distortion, and the general air of goofing off make Sgt. Pepper's a delightful and easy listen. The wilder ends of the album, the vaudeville Being For The Benefit Of Mr. Kite! The showtimey bounce of When I'm Sixty-Four or the orchestral freak out on A Day In The Life are kinda what make it. The Beatles manage to seemingly get lost in weird bullshit only to reign it back in. It's a fun album and I've already written too much about these fuckers so bye.

The Velvet Underground - The Velvet Underground & Nico

They were a bunch of classically trained and beat poet types backed up by avant garde singer Nico and managed by Andy Warhol. The Velvet Underground were basically destined to do what they did. Their debut record strikes a weird tense balance between psychedelic rock and minimalist drone as well as being one of many origin points for punk (take a shot every time I say something was an influence on punk music and you'll die). No part of this album isn't a stand out moment from the very beginning where Sunday Morning fakes you out into thinking this will be a normal psychedelic album to the nearly eight minutes of discordant violin on European Son that closes out the album. Nico's vocals add a surreal icy flair to the tracks she sings on and the production is so raw that it feels like the album is deteriorating as you listen.

The Notorious B.I.G. - Ready To Die

The prophetically titled Ready To Die is amazing for showing the actual range of emotion simmering under the surface of 90s hip hop kayfabe. The bravado is always undercut with lyrics that remind us that Biggie knows how far he's come and how fast it happened. He want to present badass machismo but he can't help rapping about a deep underlying depression. Even on the obligatory sex skit the kayfabe falls apart as Biggie and Lil Kim can't help but break into laughter at how stupid the bit is. Biggie's technique is also immaculate. Not only is he good at doing complex rhymes but he can sell very silly lines very well. The line "I got techniques coming out my butt cheeks / sleep on my stomache so I don't fuck up my sheets" lives rent free in my head.

Bruce Springsteen - Born To Run

A lovingly crafted blue collar opera. A street life fairytale. The sweeping highs of Americana come crashing back to earth in a fit of reality. Born To Run is desperate, romantic, dramatic. Every line, every riff, every piano fill is there to make you feel something. There's so much fear and desperation expressed in these eight songs. And they are beautifully composed. There's a true love of rock and roll and a love of the rebellious attitude it represents but with an underlying fear that rebellion isn't actually an escape. As much as I love Nebraska I have to admit this is probably Springsteen's best album. This is one of the best albums period.

#500 album gauntlet #jimi hendrix #the beatles #d'angelo #wu-tang clan #patti smith #carole king #the velvet underground #notorious b.i.g. #bruce springsteen

[evilrashida]

Raekwon da Chef - “Ice Cream” (1995)

#Raekwon da Chef #wu tang is for the children

[iseeyoulurkinn-blog]

My favorite dude, Raekwon Da Geck. Yes I named him after Raekwon Da Chef from Wu-Tang 🙃

#leopardgeckos #leopard gecko #reptile #lovely #gecko #animal lover #animals #cute #raekwon #Raekwon da chef #wu-tang clan

[syntheticdreamz]

How are NONE of you talking about this?! Holy shit this looks so good.

#wu tang clan #wu tang is for the children #wu tang #wu wednesday #an american saga #hulu original #rza #gza #odb #ol dirty bastard #method man #ghostface killah #cappadonna #raekwon #da chef #masta killa #rap #rap music #hip hop #biopic #biography #hulu shows #original series #origins #omg #omfg #looks so good #looks so cool #great #amazing

[banyewest]

Da Chef

#raekwon #da chef #wu tang clan #rap #new york #artist #uploads

[momentmovementum]

Watch "Ghostface Killah - Camay feat. Raekwon & Cappadonna (Video) (HD) Best Quality!" on YouTube

#ghostface Killah #raekwon #da chef #cappadonna #Youtube

[cenkdurlu]

GELİN biraz TICAL inceleyelim

Method Man’in Tical’i 25 yaşında, en iyi Wu albümlerinden biri olarak görülmemesine -ki Satış olarak en yüksekler rakamlara sahip olanlardan birisi- rağmen, başarılı bir albüm, fakat kendisinden sonraki albümler kadar büyük bir iz bırakamadı. Peki ama neden ?

Only Built 4 Cuban Linx, Liquid Swords bir çok Hip-Hop Head’e göre Tical’den daha iyi albümler, çoğu anlamda daha doyurucu. Fakat Hall of Fame’de yer alan, Platin Plakları olan, Dünya Turuna çıkmış, Efsanelerle Düetlere sahip bir Efsanenin ilk albümünün tartışmasız bir klasik olması gerek değil mi ?

Albümün çıkış sürecinde RZA’nın evini bir kaç defa su basıyor. Bu sebeple Albüm için şirketle anlaştıkları son tarihe yetiştirmek için albümü Konser turnesi sırasında “koşturarak” bitiriyorlar.  Bu harika bir arkaplan hikayesi olmasına karşın, albüm hakkındaki bu iki zıt görüşün neden bu kadar keskin olduğunu açıklamıyor. Kimileri albümün 90’lardaki en iyi albümlerden birisi olduğunu savunurken, diğer görüş albümün gereğinden fazla şişirildiğini ve kesinlikle en iyiler listesinde olamayacağını savunuyor.

Fakat bana göre bu ayrılığın sebebi Method ve RZA’nın sanatçı olarak Method Man’in neler yapabileceğini kavrayamamasından kaynaklanıyor

M.E.T.H.O.D Man parçasındaki Method ile Bring the Pain parçasındaki verse’ler arasındaki fark bambaşka iki MC’yi gösteriyor, M.E.T.H.O.D oldukça eğlence odaklı bir parti parçasıyken, Bring the Pain soygun yaparken dinlenecek karanlık bir parça, bu Tical albümünü iki dünya arasına sıkıştırıyor, bir yandan Parti düşkünü bir portre çizerken bir yandan gözüne taktığı “kör göz” lensi ile korkutucu görünen bir adam portresinde sıkışmışlık. Bu yüzden Tical ve Method Man albüm boyunca nereye ait olduklarını, ne olduklarını anlamaya, anlamlandırmaya çalışıyorlar.

Peki bu sıkışmanın sebepleri var mıydı ? Tabii ki. Ghostface Killah bir röportajında, bu funky tarzını Raekwon’la beraber bol bol eleştirdiklerini söylüyor. Hatta Raekwon ile beraber sıkıştırdıkları bir gün Method Man “O tarzı bıraktırtan sizdiniz” diyor, Ghostface ise o tarzda devam etmesi gerektiğini, o Flow ve Vokalin piyasada ender görülen bir tarz olduğunu belirtiyor.

Bu açıdan baktığımız zaman Tical bir dönüşümün simgesi, Kaliteli sanatçılar kendi sınırlarını bilir, albümlerini buna göre şekillendirirler. Örneğin; Ready to Die veya Illmatic. Biggie ve Nas tam anlamıyla kendi yeteneklerine ve tekniklerine hakim bir şekilde yaratım sürecine girmişlerdi. Evet, zaman içerisinde büyüyüp evrimleştiler ama Simge albümlerinde zaten belli bir hakimiyetleri vardı. Aynı zamanda çevrelerinde onları ve tekniklerine hakim insanlar vardı, Pufff Daddy / Large Professor. 

Örneğin Biggie Machine Gun Funk’tan Juicy’e geçerken bu zaten onun DNA’sında olduğunu hissettiriyordu ya da Nas “N.Y State of Mind”dan “It Ain’t Hard to Tell”e geçerken de. Tical ise kesinlikle bu noktada ayaklarını sağlam basmıyor, tereddütlü bir albüm. Bring the Pain, “Meth vs Chef.” Evet Wu-Tang’i hissediyoruz ancak bu Method’un kendi kimliğini ve tarzını tam anlamıyla yansıtamıyor. Kesinlikle kötü bir albüm değil ancak albümün yapılırken şekillendiği çok belli.

Albümün Prodüktörlerinden RZA’nın tarzına göre, Albüm yapmak ile Film yapmak benzer, hatta neredeyse aynı şeyler. “Only Built 4 Cuban Linx” bir Mafya filmidir, Liquid Swords ise bir Anti Kahraman veya Karanlık Sinema filmdir. Ancak yine yeniden, Tical bir çok noktada bu bütünlüğe sahip değil. Bir birleştirici teması yok prodüksiyon anlamında.

36 Chambers albümünde, RZA Meth’e çok ama çok serbest bir alan ve imkan vermişti. Örneğin “Wu-Tang Ain’t Nuthin’ Ta F Wit” parçası bu alanın ve imkanın en bariz görülebileceği yer, Prodüksiyonda Meth’e gerekli tüm direktifler resmen verilmiş, Meth ise yeteneği ile bu işi halletmiş. Wu-Tang’in 5 yılında bariz bir Diktatörlük yürüten RZA, Tical albümünde de diktatörlüğü doğal olarak devam ediyor, TICAL’in göreceli başarısızlığını RZA prodüktörlüğüne de yazmamız gerekir. Fakat röportajlardan birinde (2011 - Complex) Meth’in söylediklerine de bakmamız gerekiyor :

“Albümüme başladığımızda bu RZA için bir nevi antremandı, rahattı ve deniyordu. Fakat Rae ve GZA albümlerinde kendini gerçek bir odaklanma dönemine sokmuştu “Herkese nasıl yapılması gerektiğini göstermeliyim” der gibiydi

Ancak her ne olursa olsun, TICAL güzel bir miras, WU’nun en hatları belli olan projesi ve aslında diğer başarılı albümlerin de yapı taşı. 

StillCrew’da yayınlanan “Why ‘Tical’ Continues to Amaze and Confound 25 Years Later” başlıklı yazının çevirisidir

[thisisheffner]

Today in Hip-Hop History: Wu Tang Clan’s Debut Album ‘Enter The Wu-Tang (36 Chambers)’ Dropped 26 Years Ago

On this particular day in Hip-Hop record, the prolific Wu-Tang Clan took the first steps of one the best effective occupations to time by launching their launching Enter into the Wu-Tang (36 Enclosures) LP. With a fighting styles label and righteously murderous lyrics, this might be just one of the absolute most ferocious as well as raw debuts Hip Jump has ever before found. RZA, GZA, Ol’ & rsquo; Dirty Bastard, Inspectah Deck, Raekwon, U-God, Ghostface Killah, as well as Method Man were actually done in rare form, rapping with chips on their shoulders as well as something to confirm.

Captured, mixed, grasped, and also set up only by RZA at Firehouse Studios in New York, the album totes a really special and also rugged audio. Each keep track of was documented along with all eight energetic participants concurrently in the studio. To determine which of the eight would certainly seem on a monitor, RZA would have group members fight rap versus each various other to make certain that the very best male capable would certainly obtain the job. The outcome of some of the wars was the track “& ldquo; Meth VS Chef & rdquo; which was actually a live training suit between the 2 for the award of an RZA beat. The tune later on appeared on Strategy Guy’& rsquo; s solo debut Tical. Other debut tracks from the cd include the street anthem “& ldquo; C.R.E.A.M. & rdquo;, which gave a brand new euphemism to loan, the 2 solo keep tracks of(“& ldquo; Approach Man & rdquo;, & ldquo; Clan In Da Front & rdquo;-RRB- and obviously, the leading single, the transmittable “& ldquo; Protect Ya Neck &

rdquo;. This cd delivered social reform to Hip Jump. Along with its conception, New York’& rsquo; s hardcore action went to its peak. Wu-Tang did not pay attention to the glamour and also beauty that went along with Hip Jump status. Considerably like the kung-fu flicks they imitated, the Wu possessed a fixation along with being the best righteous and also seasoned MC’& rsquo; s on the performance. This perspective toward their designed relieved the collective right into Killa Bees, musical warriors who were actually regularly developing their swords for war. Their 10,000 hrs of instruction unlocked for musicians wandering coming from The Notorious B.I.G. to Jay-Z to Mobb Deep. They were actually the vocal of the slums and popularized preserving one’& rsquo; s tough edges with an even more refined musical aristocracy.

Commercial, this album was actually a surprise hit. The team had currently ended up being prominent in New York with their large visibility as well as capability, it was up-in-the-air whether or certainly not the group was actually going to appeal to the basic people. Their improvement to the video game was actually accepted and also the album reached the top at # 41 on the Advertising board 200 as well as # 8 on the Best R&B/ Hip-Hop chart.

The post Today in Hip-Hop Background: Wu Flavor Clan’& rsquo; s Debut Album & lsquo; Go into The Wu-Tang (36 Enclosures)’ & rsquo; Fallen 26 Years Ago appeared to begin with on The Resource|The Journal of Hip Jump Popular Music, Society as well as Politics.

This web content was initially published listed here.

[undergroundfeedbackstereo]

Underground Feed Back Stereo (Escape From What Ever they Said) Mixed by ML7102 @nas @Madlib @stonesthrow @GuiltySimpson @Rza @djjazzyjeff215 #undergroundfeedbackstereo #ml7102 #75dab #happensexist #fwws Underground Feed Back Stereo - Beat Intro Black Milk x Royce Da 5'9 x Guilty Simpson - Sound the Alarm (Remix) Roc C X Oh No - Living In The City Nas - Money Over Bullshit Common - The Game Break Bread Radio x Soulville Promo - 5 Spot Feb 10th Philly Brother Ali - Truth Is M.E.D - Untitled??? Percee P - Unknown ??? Guilty Simpson x Four Tet - Money Motivated Lord Finesse x Grand Puba - Real Talk The Rza x Big Daddy Kane x Gza - Cameo Afro Royce Da 5'9 - Hit Em Nas - Must Be Nice (Remix) Raekwon The Chef - Unknown?? Evidence - Slow Flow Dj Jazzy Jeff x CL Smooth - All I know ML7102 - Holding Portions Deep

#underground hip hop #underground feed back stereo #black music #black art #Common #nas #roc c #black milk #royce da 5'9" #brother ali #evidence #lord finesse #grand puba #MED #ML7102 #OH NO #Percee p #dj jazzy jeff #raekwon

[freshthoughts2020]

CHEF’S CITY

by

Jaevonn Harris

#Raekwon #chef #Raekwon da chef #New York #Knicks #knickerbockers #New York Knicks #wu tang #wu tang forever #wu tang clan

[yasbxxgie]

The Wu-Tang Clan's Raekwon Goes to His First Comic Con

[...]

Nerdist Presents da Chef on da floor at the Jacob K. Javits Convention Center in the Big Apple, where he got to experience exactly why tens of thousands of fans are willing to stand in way-too-long lines in a way-too-crowded room, all while sharing his insights on how different comics and artists have influenced his own work. And we think we have an official convert to the con experience on our hands.

There was definitely a time when the idea of seeing a member of the Wu-Tang Clan at a Comic Con would have sounded insane, but as Raekwon pointed out, the crazy thing is that a group who established their comic book cred at the start of their career took this long to go to one.

[...]

#raekwon the chef #raekwon #wu-tang clan #wu tang clan #staten island #new york city #comic con #video #youtube #nerdist #nerdist presents #jacob k. javits convention center #comic con 18

[popentertainment-interviews]

RZA & Alex Tse

Bring Da Ruckus with Wu-Tang: An American Saga

By George Seth Wagner

From the slums of Shaolin, the Wu-Tang Clan strikes again. The RZA, the GZA, Ol' Dirty Bastard, Inspectah Deck Raekwon the Chef, U-God, Ghostface Killah, and the Method Man. 30 years later you still know them. Whether you're dusting off your original edition vinyl of Enter the Wu-Tang or opening Spotify to listen to The Saga Continues, the Wu is timeless.

Now the group is tackling a fresh territory -- television. Led by RZA and Alex Tse, Wu-Tang: An American Saga has opened its second season on Hulu to much love from fans and critics alike.

PopEntertainment sits down with the show's creators Alex Tse (Watchmen) and original Wu-Tang member RZA to discuss everything from what it took to make this show, the Wu as a group, the actors, and more.  

We're nearing the 30th anniversary of Wu-Tang and the group still are as culturally relevant as you were in the '90s, which is a hard thing to maintain. What's the impact of that for you? 

RZA: I think purity, something that's pure, always exists. Like a diamond, it's still going to be a diamond. I think Wu is like that. We were one of those diamonds that was discovered by the audience, by the fans. Also, the discovery of ourselves and coming together with our unity, I think it's like a diamond value. No matter, what every generation is going to recognize the value of a diamond one day, right? Here we are close to 30 years later, and I think it's really poignant that Wu-Tang is being put back in front of the world in a new way. In a new medium, yet still being a source of inspiration. 

Alex, were you a Wu-Tang fan previously? If so, did this become a passion project? How did you just get involved with this show? 

Alex Tse: [I] was a huge Wu-Tang fan. In fact, I probably thought I knew everything about Wu-Tang until I met RZA. Then I was like, oh, I don't know nothing about Wu-Tang. It's beyond a passion project. It would have been a passion project if RZA wasn't my partner, or if it was just a story. It's a great responsibility. I felt the same about Watchmen, but even more so in that RZA is my partner. You don't ever want to let him down or not come through. So, it's beyond that for me. 

I totally feel you. For both of you, what made you decide it was time to share the story of Wu-Tang with the world? I'm also wondering what made you guys decide to do a TV show over the popular music biopic that's made a resurgence recently?

RZA: That's a great question. We felt that Wu-Tang can't be contained in two hours. It's going to be hard to contain it in 20, 30, 40, and 50 hours. (laughs) That's a lot of story there. We just wanted to really open up that door and let all the inspiration, the obstacles, all that be put in front of an audience, so maybe it could be a map for another young mind. I'll pass the mic to Alex. 

Alex Tse: Especially, getting to know RZA, knowing all the things [making it into a movie] wasn't really on the table at that point. What may have been on the table was like, “Is this maybe a limited [series]?” Even then, I felt like it would be a disservice because there's so much story there. The nerd in me was like, nah, man, we got to show (laughs)...  because the nerd in me… we'll watch some other music biopics that will remain nameless. That will be like, no. I remember reading about this, why is that not in the movie? Or like, if I know this person wrote this song, why is that not in the movie? To me, this was built to be told over many hours. That's how I've always felt, once him and I got to sit down. 

Something I've been wondering personally is what was it like working with TJ Atoms, who has to figure out how to properly portray such a polarizing and complex figure like ODB, who was like always stood out to me ever since...  

Alex Tse: I see you though, you reppin' Philly though. [Atoms is from my hometown of Philadelphia] That's cool. I know you're reppin' Philly too. You got to go hometown on that. Sorry, I had to cut you off (laughs) 

No, you're completely fine. (laughs)

RZA: Also, if you look at TJ, he's actually standing out. We as creators and going in our writer's room, we paced him as well. One thing I suppose we can say is we pacing the story like we pace an album. It starts off with "Bring Da Ruckus." You don't hear ODB on "Bring Da Ruckus" but by the time you hear him on "Shame [On a N****]", you like yo! Then he goes twice on "Shame [On a N****]" you know what I mean? Point being made is that when you look at a TJ in the first season, you meet him, but you get deep into him. Then in the second season, we take you to his neighborhood, you know what I mean? And you're like, wow, I love this guy even more. Especially what he yells out: "I'm the one-man army ason!"

Copyright ©2021 PopEntertainment.com. All rights reserved. Posted: October 6, 2021.

Photos ©2021 George Seth Wagner. All rights reserved.

#RZA #Alex Tse #2021 #Television #Wu-Tang: An American Saga #George Seth Wagner

[kwillsofficial]

Da Chef #kwillsofficial #drawingchallenge #2018 #2018drawingchallenge #art #drawing #sketch #illustration #pinkpigsketchbooks #worldartsteam #pendrawing #drawingaday #wutangclan #raekwon @raekwon

#illustration #pinkpigsketchbooks #drawingaday #2018drawingchallenge #kwillsofficial #pendrawing #wutangclan #worldartsteam #drawingchallenge #sketch #drawing #2018 #art #raekwon

[blackjesus1804]

Raekwon Da Chef high school pic! Dream big!! The God🔥🔥🔥 He definitely wasn't getting no hoes back then 🤣😂🤞🏿💯 https://www.instagram.com/p/CKHkRdcgQd5/?igshid=8nwi33qku04f

[youngandhungryent]

Gillie Da Kid Threatens To Drop Footage Of Joe Budden Catching Wu-Tang Fade [Video]

Source: Gilbert Carrasquillo / Getty

The e-beef continues to escalate between Joe Budden and Gillie Da Kid. One of the former’s most embarrassing moments might get revisited for the world to see.

The spark, this time, was over that time Gillie Da Kid went All Lives Matter. Note, it turns out that was a four-year-old clip of Gillie. Nevertheless, Budden and co. commented on it.

As spotted on HipHopDX the Philadelphia MC shot back at Joe on the newest installment of his Million Dollaz Worth of Game podcast. On episode 70 he addressed him directly with a very clear threat of putting him on blast. “You keep talking sh*t ni*** and the next episode I’m putting it the f*** out,” Gillie said. “They walked in because you was talking crazy about them ni****. And then a ni*** punched you in your f***ing face. You fell on the floor and screamed, ‘My eye! My eye! My eye! My eye! My eye!”

He went to add further sauce. “Your man Mickey Factz, he sat in the corner. He had some shades on. That ni*** never looked up. He said ni***, you talked that sh*t, you gon’ take this ass-whooping by yourself. I just wanna tell you this so you know I’m not lying.”

Gillie is referring to an incident that occurred between Joe and Raekwon. Weeks prior Budden alleged that Method Man was overrated which led to some further slick talk between both camps. The Chef and his entourage paid him a visit to his dressing room at the 2009 Rock The Bells concert. Joe was punched in the face and quickly vlogged about the situation. For years rumors have floated around that the attack was filmed but no clips have surfaced.

You can watch Gillie address the situation below at the 3:30 minute mark.

Photo:

source https://hiphopwired.com/890751/gillie-joe-budden-raekwon/

#fucu #fucul #young and hungry ent #boss of bosses #instrumental type beat free