everyone they've spoken to: the gods are super distant and not speaking to anyone
fcg, avandra's specialest little bot: heyyyyyy i've literally never done this before, you real?
avandra: :)
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probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
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Do you go by it/its exclusively now? Do you want your wikipedia page to be updated?
the wikipedia article is partially edit protected because people keep trying to edit the pronouns in it without checking either the talk page, the page history or at the very least the linked references on the footnote regarding my pronouns. i have to tell people on here not to edit the pronouns in the article almost every single month and half the time someone sees me asking not to go change them as some sort of challenge and immediately goes to edit the article. please just don't.
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Shaking Bells Hells by the shoulders again: You had a very good recon mission just seeing the other side of the Bloody Bridge and extracting basic info in a small town. Take a moment to report back to people in power all the useful things you already learned. Get more spells/supplies from them. Then continue to the heart of the enemy. Time is short, but probably not so short that you can't take an extra hour or two to do that. Keyleth can tree teleport and she knows where you were. She just couldn't immediately jump to you because she had things to do/settle first. It's a war, powerful people can't come to your aid at the drop of a hat.
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an uncle nina check in <3
hi team! thanks for sticking around! i know my blog isn't always the most exciting and enriching place in the world in terms of content, but i am very /content/ to have you all here. <3333
i promise, oddly enough, i have A TON of inspiration and ideas for all my weird styles ( if you're curious about anything please lmk! i've been trying to flesh out my aus out lately ), i've just been in a major bummer depression era lately, so it's hard for me to get my asks done and i'm having a hard time committing to finishing my writing. :<
i think it's because of stress and my bipolar, but i am trying to get back on the horse! ( are we all laughing at the idea of me trying to get on a horse? i'd start crying help city girl fail moment for me ) yeehaw!
and while, unfortunately due to the instability ( fabulous legendary iconery ) of my pretty girl popstar personality, i do not know whether i will be answering almost no questions or one million, regardless of that, i just wanted to let you know, i'm still here, still kicking my feet, twirling my hair, cooking...i'm just really trying not to force myself to put out anything i don't like...and only do what makes me truly happy.
however, nothing, my dear sweet e-darlings...
makes me happier than coming home to all of you. <333
so thank you for flooding even the darkest corners of my life with bright light, supporting my phantom fics and being wonderful,
uncle nina xx
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Lowkey hate race swapping sometimes. Now hear me out!
I don't mind when people race swap chatacters I just hate it when changing their race would totally change the entire story or have a lot of implications to the story.
I don't mind when fictional charcater race are changed but I hate it when they change a characters race who are suppose to be a certain race for a reason. When they chnage those types of characters a lot of time it changes the narrative of the story and their actions.
Same with historical show or documentaries. If this real life figure was another than they were we would have completely different story on our hands. Like please open a history book.
Listen, when it comes to fictional characters "racebending" means nothing to me unless it's whitewashing (Titans casting a white actor to play Dick Grayson and the MCU casting a white actress to play Wanda Maximoff when they are both literally canonically Romani both ethnically and culturally is my villain origin story) because fiction is fiction, and honestly you can tweak a story to make a character's journey adapt to the new inclusion of them being a member of a minority class so long as you're talented enough. Most writers aren't, and that's why a lot of "oh we made X character a POC in this adaptation" moves tend to ring hollow, but it is possible.
But I have a genuine bone to pick when it's about history.
For one, it's just such a lazy move. "Oh we made Bess of Hardwick Chinese!" fantastic but you do know that Chinese people existed in the late 16th century right? Like, China was a country with a lot of people in it and a thriving culture and way of life and plenty of influential people living there. Why aren't we telling stories about a Chinese woman living in that time period, it's not like that period of Chinese history was dull or as if no one ever mattered or nothing ever happened there. Like, for God's sake, it's just a way of showing that you aren't actually interested in learning about other parts of the world, or decentering Western history, specifically European history, as the only history worth learning about, you just want brownie points for being diverse without actually putting in the work to learn about the vibrant world that existed outside of Europe for the vast majority of human history, aka doing anything to actually explore different non-Western narratives and how the world moved outside of the European bubble.
For two, like you said, a lot of the time "racebending" doesn't really include attempts to accommodate how the history would change. Bridgerton is a wish fulfillment fantasy show so I don't often care about how it deals with history (even tho I do think the Charlotte was black theory is complete bunk and I refuse to engage with people who think it's real) but its whole "and now England is desegregated" thing falls very flat when you remember how involved England was in the trans-Atlantic slave trade, how reliant it was on slave labor, how invested it was in capturing and buying and selling slaves, including the royals. It puts a lot of onus on characters that they've made POC without doing any of the work, and oftentimes deals in a lot of harmful stereotypes. This was seen most egregiously in the 2021 Anne Boleyn show that cast Jodie Turner-Smith as Anne. @duchessofferia discussed this much better than I will, but relying on the same old lazy tropes that have defined Anne Boleyn with a black woman playing her turned into genuinely harmful racial representation. Having Anne be sexually aggressive and domineering and harsh in her mannerisms, especially when compared to Jane Seymour, isn't new, but having a black woman be looming over a small white woman and being sexually aggressive with her feeds into harmful stereotypes about black women and their femininity, and by having George Boleyn also be black, painting him as a sexual deviant and adding a plot where he abandons his responsibilities as a father turns him into the "absent black baby daddy" trope that still does a lot of harm to black men today. Not to mention, changing George Boleyn's race but keeping the rumor about Jane Boleyn lying on the stand to incriminate him turns a "wife turns against her husband for unknown reasons" story into a "white woman accuses a black man of sexual inpropriety that his society would frown on for the purpose of getting him executed by the state" story, which has a long and incredibly dark history in the United States (it's basically the Scottsboro Boys but Renaissance now). I mean, it's basically my primary issue with Hamilton, that the show really wants to capitalize on the whole "America then as told by America now" thing without delving into what it means to have literal slaveowners portrayed by black men and to have the character of Thomas fucking Jefferson call Sally Hemmings by a pet name in that show without any introspection into the fact that she wasn't his girlfriend but, you know, a woman he full on owned and repeatedly raped. It's all surface level and generally causes a lot more problems by refusing to alter the history to deal with these new changes, because it's history and you can't really alter it without creating a host of problems.
With Cleopatra specifically, I mentioned it before but the Ptolemies were total fuckups and literal colonizers in and of themselves, and turning them from a Macedonian dynasty into actual people of color for some kind of narrative (like there aren't any other important women of color in history, or even that time period) while not attempting to even examine the history of that dynasty and that queen in particular doesn't sit right. Like, congratulations, you've now created a story where a woman of color's most important contributions in life were her relationships with white men who held significantly more power than her and over her country, and fucked up to such a degree that her country wouldn't even be considered its own country until the 1950s. How absolutely groundbreaking. Next you're gonna tell me it's subversive to paint Livia Drusilla as a scheming, conniving bitch who manipulated everyone around her, instead of a sexist and tired trope that exists only to demonize one of the few women of actual importance in Augustan Rome because she was half a decade older than her husband and was able to keep her own power after he died. It's not just a lack of intellectual curiosity or good storytelling, but a fundamental misunderstanding of why people want to see stories about people of color, and how Hollywood itself thinks so little of their audience that they think we'll be content with a simple coat of "hey this person's a minority now!" paint over a subject without any attempt to really look into things or understand why the world works the way it does or how these people shaped their lives or the lives of those around them, never mind the new messages you're sending now with these changes.
Ultimately, it doesn't really matter. There's a lot that can fuck up with historical representation in media, and representation of people of color in media in general can always be so incredibly fucked that giving people anything is oftentimes a win in and of itself. But I honestly think that focusing on the same Euro-centric stories and just switching around Pantone skin swatches to do the bare minimum is lazy and insulting. You want me to care about historical stories about people of color? Great, give me historical stories about actual people of color. Let me hear more about ethnic Egyptians, about their lives and their culture and how they influenced history, not ahistorical trash that causes more trouble than its worth and certainly isn't doing anything new or interesting with the subject.
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yo! 📖, 🗺️ and 💌 for your danganronpa s/i(s). feel free to pick the selfship on the last one!
I am once again... forced... to answer an ask with.... Well I have multiple Self Inserts for that Fandom you see... and I'm very bad at choosing anything ever so we're just gonna talk about all of them and here's my half finished redesign of all of them just to have in one place
📖 - What is your s/i's backstory? How does it make them meet your f/o(s)?
Danganronpa 1 and 2's S/Is are twin brothers who together make the Ultimate Collector, in a canon timeline only one of them gets into Hope's Peak, in my happy school life AU they both get in. V1 joins class 78 and during his school life there starts the anime Club with Hifumi and Celeste. V2 joins class 77 and mostly stays isolated from everyone until Teruteru takes an interest in him and starts talking to him.
In UDG V2 takes the place of Komaru, having escaped his room first and running into Byakuya, acquiring his gun, and eventually running into Toko
For DRV3 I'm still very eeeeeeeh on how exactly the story goes, what I consider the truth vs lies, and just how I want my rewrite to go, so everything about The Ultimate Baseball Star V2 is pretty undecided. He seems to bond with Ryoma over some pretty heavy criminal charges, however.
💌 - Any major changes in your selfship lore over time?
Oooh yeah, lots. Especially to V3 as mentioned above it's hard in WIP territory and has been for a WHILE but that's mostly because V3 is a VERY weird game.
Other than that, as time has passed I've cared a lot LESS about DR2's killing game and have basically written all of Collector V2's lore around my Happy School Life AU or UDG.
The only one who hasn't changed story wise is V1, but she HAS gone through a LOT of design changes. She was originally a lot more geisha styled, lots of make-up and such, and has sense become more calm Decora and Cluttercore
🗺️ - If your s/i is used for multiple f/os, how would all the timelines look if displayed together?
I'm gonna do what you did for this one and put it under a cut so this post doesn't get so long. Please excuse my horrid handwriting
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