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#sorry right number spoilers
feelbokkie · 7 months
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Sorry, Right number Memes
Spoilers below the cut for the entire series. Read at your own risk
pairing: idol!Chan x fem reader
genre: smau, crack, angst, fluff,strangers to lovers, pen pals/hidden identity, forbidden love, celebrity romance
warnings: none?
summary: Being an idol can be lonely and isolating. After one fun and adventurous night at a bar, Chan decides to text the girl he met the night before. Except, she gave him the the wrong number?
©feelbokkie (2023) — all rights reserved. reposting/modification of any kind is not tolerated.
Masterlist
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sofonn · 1 year
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jemsbitch · 1 year
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A list of all thomastair interaction/related content in chain of thorns (Obviously this have cot spoilers)
P40-42 (the fire message)
P91-95 (continuation of the fire message)
P120-122 (hiding the sword + scarf scene)
P164 (cordelia mentioning Thomas lightwood and Alastair promptly changing the topic)
P175-176 (thomas telling Matthew)
P178 (cordelia mentioning Thomas again)
P180 (merry thieves meeting (super short interaction between them)
P231-237 (library)
P280-282 (Alastair telling Thomas he’s going to leave)
P284 (cordelia asking Alastair about Thomas)
P316-320 (fruit basket)
P340-342 (mistletoe)
P356-357 (“you keep me human, Tom”)
P370 (“Alastair went to say something quick and quiet to Thomas”)
P377 (Alastair looking at thomas in the meeting instead of at Charles)
P383-389 (thomas and Alastair racing after Matthew after the meeting)
P414-415 (Alastair going to stay in the institute (convo with cordelia)) (later pages also have super tiny thomastair content that you have to squint but it’s there)
P426-427 (confrontation with Charles)
P437-441 (carriage scene)
P471-472 (Alastair comforting thomas after the death)
P537-543 (out on patrol for the watchers)
P548-550 (Alastair insisting Thomas to rest)
P576-579 (infirmary scene)
P597-599 (after infirmary scene)
P619 (during the battle)
P622 (gentle touch during the battle)
P651 (“Alastair and Thomas, hand in hand before the fire”)
P655-657 (epilogue brief description “they were always touching”)
P663 (Alastair’s growth)
P669-672 (more perfect epilogue content)
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sakura-code · 8 months
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Brainrot 2
Imagine if in-game, Yuma didn’t lose his memories and was rather pretending to be just another Master Detective among the WDO under his real name.
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essektheylyss · 1 year
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Not to be on brand at all times, but good god the Citadel slaps. I do just want to hear about magnificent, stunning feats of hubristic wizard infrastructure at all times, thank youuuuu
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venus-is-thinking · 9 months
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Roman Numeral I and Footnote 14
Okay, so I was reading some posts by 1moreff-creator on the Literature Girl Insane MV (this one on the roman numerals and this one on the footnotes).
Specifically, I was looking at Footnote 14 and Roman Numeral I. Let's start with Footnote 14.
I didn't initially notice this one because it's so faint, but Footnote 14 appears at 3:52. Behind the text (the world of abnormal sentiment dances), there's a faint equals sign, and a footnote in the top right corner of that.
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Footnote 14 is as follows:
[14] Hint: word length of 256 
I had no idea what this meant, but a helpful anon told me it was Hamlet's soliloquy. After some unfortunate luck I got confused, seeing as Hamlet has 7 soliloquies and, based on the sources I looked at, none of them had exactly 256 words.
With the help of fuji-iri, though, the identity of the soliloquy was found! It's the most famous one: the "to be or not to be" speech. I'll link it here.
So, that's the identity of Footnote 14! The hint is telling us it's Hamlet's main soliloquy. Not too surprising considering there's, like, seven or something other references to Hamlet in this MV.
But, how does that connect to Roman Numeral I?
Well, I want to look at where Footnote 14 appears again. I'm going to show a few screenshots that happen all in a row.
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Putting these together, you get I, then a bunch of numbers & a bunch more numbers = ?????.
Now, I'm not even going to try with the number scramble. I already know from the password thing that I'm completely useless at these number cipher type things. I'm just going to ignore those, the & sign and the question marks. Hopefully whatever it says/means doesn't completely invalidate my actual theory. My best guess is that there are two different puzzles here, and the numbers and & sign are a puzzle separate from what I'm solving.
Anyways, that leaves only two parts of it: the I and the =.
As 1moreff-creator points out in their roman numerals post, while the I here looks most like the roman numeral 1, which correlates to Xander, pairing him with (the world of abnormal sentiment dances) doesn't... make sense? Like, it doesn't feel like it means anything for his character.
However, if you ignore the number scrambles, you end up with something interesting.
I = 14.
What if Xander's roman numeral is being used to say that he corresponds to footnote 14?
It's not completely unprecedented for the footnotes to interact with the numerals. For example, Min's roman numeral X, or 10, appears in the form of a bloody X, like we see on the class trial portraits. However, there's a footnote in the top right, footnote 10, which tells us that roman numeral X is 10. This confirms that this is her number. Footnotes 6 and 17 are also found here, which further proves that it's possible for footnotes and numerals to interact.
So, this is very interesting. Let's consider that Xander's roman numeral connects him to Footnote 14, which, as we've established, is Hamlet's "to be or not to be" soliloquy.
Uh, content warning for suicide in this next bit.
This soliloquy is about considering suicide; to "be" is to live, and "not to be" is to die. I don't get the sense that Xander is particularly suicidal, but it's also true that he does clearly struggle with the weight of what's happened in his life. His secret quote is the literal definition of survivor's guilt, and in the second bonus episode "Visiting Graves," he clearly holds a lot of regret.
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As we see here, Xander isn't particularly suicidal, but he clearly isn't, uh... mentally well? If his death is just "another pitiful waste of a human life" to him rather than, like, being important because it's his life, it's not a great sign. Plus, "Unnamed Classmate" (who is almost certainly Mai Akasaki), who knows Xander much better than we do, seems to think it's plausible that Xander would say that he wished he died there, so that's not great.
Plus, there's a line in the soliloquy about "the heart-ache and the thousand natural shocks," which I think is funny considering he died via electrocution.
In any case, there's one more thing I want to point out regarding this.
Like I mentioned, there are several references to Hamlet throughout this MV. Notably, this exact soliloquy appears somewhere else in the MV.
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The previous screen says to be, and the next screen says not to be. However, I've chosen the "or" screen for one very specific reason.
XIII. Teruko.
Yeah. If I'm right about this, that means that both Teruko and Xander's roman numerals are the to be or not to be speech.
Other than linking the two of them together again, I'm not sure exactly what that means, but I thought I'd point it out. It's a very interesting connection to give the two of them, as our early protagonist/support combo.
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stargabs · 1 year
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Per Audacia Ad Astra
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thephlat · 8 months
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Ugh why does everything remind me of them 🥺 (De Shelby pt. 1)
Referencing atomic theory which states that because all objects are made up of atoms, which are constantly moving and swapping, anything you interact with for a long time becomes part of you and intrinsically takes on part of you.
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Looking at some screenshots from accomplice vs golden ending (or bad vs good endings, in general) I noticed that in the first case Yosuke is the last element in the group to speak, while in the second case he is the first one (and he really does not have much to say cause he knows they’ll meet in the future):
In bad endings, Yosuke is the last person to speak. He thanks the main character for the help, yet the vibes are just depressing and sad. The fog wasn’t lifted, the real culprit wasn’t caught (or they believe they caught him but it wasn’t the right person. tbh it gets more disturbing in the accomplice ending case, because the main character found the truth, but he decides to hide it from the others and to reject it (by burning the piece of evidence), and, Yosuke’s words will hit harder “You really helped us out with lots of stuff. Thanks, partner.” <- Yosuke always there, making me feel bad every single time i try to reach Adachi - rightfully tbh), no Dojima nor Nanako nor Teddie there at the station. It’s all gloomy, everyone is sad...because of Nanako’s situation, because of their own actions (if they kill Namatame they kinda do the same he did, manipulated by the killer, and in the name of self proclaimed “Justice” <- Nanako’s arcana, which is just revenge and has severe consequences), and/or a feeling of uselessness because the mystery wasn’t solved. No one runs for the train (the mood is really heavy, and the fog also reduces the visibility).
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In the good endings, Yosuke is actually the first one to talk and... he does not even have much to say. He had previously said that he wouldn’t even saying goodbye, cause Yu/Souji would be probably come visit them soon. The mystery was solved, the sky is clean, Dojima Nanako and Teddie are there too, and even if saying goodbye is hard, they all feel like their bonds are strong and that their friendship is stronger than ever. It’s a sad moment but with happy tones, and they will surely meet again (the same won’t probably happen in the bad endings, because even if not revealed to them, the fog will spread and everyone will become shadows).
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Yosuke’s expression is kinda similar in both cases, but knowing what has happened in the bad endings gives another meaning to his expression in the bad ones (it also makes me think about the scene where he catches Yu/Souji coming from the TV at Junes, after visiting Adachi, because it begs the question of how much does Yu/Souji trusts the team).
Yu/Souji’s stare is a bit different in both cases, looking more relaxed and calm in the good scenario, although in the bad ending he seems to be staring with some kind of affection (like, appreciation for their friendship and for believing in him, even if, in the accomplice ending he basically fucked everything up).(well, truth be told, they decided to recycle this part for every bad ending, so Yu/Souji will always look like that, being it his belief that Namatame is the killer or his hidden secret about Adachi. And the team looks the same, be it because of the unfortunate circumstances, or because they may feel Yu/Souji might have been hiding something <- which also reminds me how in many game options Yosuke keeps reminding him that he should not be the one carrying all the weight of the investigation and he should trust the team too)The accomplice ending final scene even adds an Adachi roaming aimlessly (or purposely crossing the line when the train Yu/Souji’s in is passing), and it is terrifying, kinda creepy (tbh it felt like he had became a shadow at that point and that he had been able to cross the line without being caught by the train because of that...at least it was what i felt first time watching it).He is waiting for the world as they know to simply end, and even if Yu/Souji decided to burn the piece of evidence, he does not even care about him as a person.On the other hand, completing his social link in a good ending route rewards you with a letter from him (and he calls Izanami bitch in the final final final final battle <3 certified Adachi moment).You can take his words however you want, but it feels like he truly appreciated the times he spent with Dojima, Nanako and Yu/Souji, even if he would still rather see the world burn than try to improve as a person. It does not mean he becomes a better person afterwards, but i guess he understands the concern some people still had for him, which is something he does no feel with Yu/Souji betraying everything he fought for until that moment (also cause going accomplice route is giving up the world, basically).On a final note, I also love how Dojima’s dialogue at the end (before leaving the house) changes depending on which bad ending the player gets, and how his questions are so on point, as if he was acting like some kind of conductor for the player to reflect on their choices.
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feelbokkie · 8 months
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This is the picture that is Y/n’s lockscreen btw, she still down bad but it’s valid bc it’s her boyfriend (since it couldn’t be seen properly in ch 17)
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rainy-day-wizard · 1 year
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The fact that rumis form had a broken horn to give the illusion of the form having a life and a history before the god slaying. And also the fact that even though that form was made to be perfect there was still a flaw there in that broken horn. And that flaw stopping rumi from appearing totally inhuman (I know they're not human but u know what I mean) and maybe even stopping rumi from mentally separating themself from their humanity possibly contributing to their descision to revive Peter (embracing her humanity) rather than reaching godhood (embracing his "purpose" or "destiny",,.,,,
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mememan93 · 11 months
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Ok wait but the Zonai could be the goddesses and the dragons and stuff. I was looking through old posts of yours, and I saw one where you said a construct gave you "skyward sword vibes", like just saying the Zonai could have made the Lanaryu Robots and stuff. I know you said that you don't like the "ancient civilization super advanced" thing, but you have to admit theyre a really interesting concept when compared to the other lore
No <3
That post was from when I was in denial that Totk was gonna be good :) The Goddesses secretly being zonai is a theory I despise. it takes away the mysticism of the series and replaces it with the stupid ass furries. No offense to furries.
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poppyseedsphone · 2 years
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what if instead of becoming the new Airy, Liam just becomes the new toothpaste guy
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nebulousfishgills · 2 years
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Someone validate my stupidity
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down-thedrain · 2 years
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can’t stop thinking about how tmcsc’ll change because of the extension
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toastsnaffler · 4 months
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reading ttg is just reminding me that no soulmates trope will EVER beat watashi/ozu... oh your guys are in love? that's cute. mine arent but they meet in every single life to be best friends and annoy the shit out of each other <3
#thats their love language <3#romantic soulmates never rly does it for me but platonic???? yeaaaagh baby#i think as well im not usually invested in both the characters in the dynamic so it falls a little flat sometimes#but i LOOOOOVE ozu hes one of my blorbos of all time im squishing him like a squeaky dog toy#AND i rly love watashi too i can relate to him a lot. ruminators of the world flipping between superiority complexes + depression unite!!#theyre both flawed in such different ways and it makes their interactions so refreshing to me. its just so genuine!!!#anyway this is a great translation i love their dialogue and the translator rly nailed the tone of watashis internal monologue#i can see why its not for everyone but thats okay its just for meeee :3#im gonna watch yojouhan time machine blues once i finish it bc ive had it downloaded forever (<- since it released)#but ive been keeping it for when i need an emergency lift of spirits... save me ytmb...... ytmb save me.....#and these last few weeks have been dire so perhaps the time has come..#ykw thinking abt it baru and watashi are actually kinda similar personalities..... or not maybr im insane ❤️#i love the campal type of platonic soulmates too codependency my beloved <3<3<3#but a little conflict is needed to really seal the deal for me..... WAIIIITTT semi unrelated but i just had a drawing idea. woah#omg if i have energy in the next week i need to make this........no spoilers#sorry to keep circling back around but im rly glad im reading this right now. ttg always gets my attention just when i rly need to hear it#the number of times its fixed me god fucking bless. ok i need to prep some stuff for work + the weekend and then i can go to bed early#woohoooo. these cramps are Killing me#.diaries
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