#thank you so much for the description!!

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :( #I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

[forgotmysword]

“Wild Geese” by Mary Oliver x “Dungeon Meshi” by Ryoko Kui

Inspiration under the cut<3

This was heavily (completely) inspired by “a little creature who loves you” by wtfoctogon on ao3 (@wtfoctagon/@possamble on here) and the way they write falin. The second i saw this quote i thought of falin and their story. When i asked if it would be ok to post this they said its the same quote they had in mind when writing her😂 Sadly i am not the genius i think i am, wtfoctogon is just that good at creating such a beautiful and clear picture of falin. I cant imagine there’s very many of you who haven’t, but if you like farcille and haven’t been reading this story you should drop everything and go read it right this second

#everyone say thank you wtfoctogon for writing this story #and for indulging my never ending need for descriptions of marcille and her manuerisms ears and facial expressions #im having so much fun making these web weaves fr #falin touden #dungeon meshi #web weaving #my posts #farcille #delicious in dungeon #dungeon meshi spoilers

[scificrows]

i made a few silly little ART phone backgrounds in the spirit of the inofficial fandom shenanigan renaissance! thank you so much for inspiring me to do this @the-yearning-astronaut!

#the murderbot diaries #murderbot #asshole research transport #perihelion #cringe is dead and ART killed it #did i spent 1 hour deciding which flowers to use for ART's flower crown? yes #are they now so small that no one will be able to tell anyway? also yes #the ART art is from the latvian cover of artificial condition by andis reinbergs (i edited it a little because murderbot was in the way lol #this was so much fun!!! #there will probably be more #but first SLEEP #[if you need the alt text for the image description and it would be better if i repeat the description of the image that i gave -> #for the first image in the alt text of the other images too please let me know and i will change it and know for the future. #i figured it would be less redundant this way but i don't know what is preferable. thanks! :)] #𓄿

[lesbiandardevil]

idk if they count in this but late day 11 flashback .. because they make me miserable (< guy who hasn't even finished playing the game)

#idl if tgaa counts like i said but idc #i just wanted to draw them !!!!!!!! #so sad he died still ... #spoilers will be punished with ehm idk #ill cry tho ill tell you that much ! #aadoodles23 #the great ace attorney #ryunosuke naruhodo #kazuma asogi #asoryu #ace attorney #my art #thank you op #image description in alt

[dungeons-and-dorics]

Regé-Jean Page On Xenk

“Xenk grew up in Thay, which gets a very bad rep because it is ruled by a dictator. Xenk escaped halfway through this process . . . He just decided to wander the world and do good because he had survived such immense evil, and so he kind of wants to rep the Thayans in a way that can balance out the fact that the vast majority of them are a walking army of the evil undead. And, so, he’s got his work cut out for him.”

“He is sworn to heroism. He’s a kind of infuriatingly upright, moral, perfect crusader of a paladin hero, which works nicely within D&D because paladins are kind of known as the shiny boys. They’re known as being slightly overly heroic and showy. And I think the joy of Xenk is that he’s all of those things and completely and utterly unaware of them, but also just asserts them incredibly naturally.”

- “The Art and Making of Dungeons & Dragons Honor Among Thieves”, page 49

#xenk yendar #xenk the paladin #regé jean page #dndhat #honor among thieves #dnd honor among thieves #the artbook has so much insight #and also SHINY BOYS #perfect description of paladins thank you Regé #also a perfect description of himbos

[im-not-here-im-dead]

please appreciate her

[Image description: Fan art of Alphys from Undertale, a gold-yellow spiky-headed lizard lady who is short and chubby with a rounded back, a snout that flicks up in a sharp cartoony little curl, buckteeth, clawed hands and feet, a tail, and glasses. Her lab-coat is so big that her hands, feet, and tail barely poke out of it. Her glasses are colored light blue with vertical turquoise pupils inside and little eyelashes poking out.

The first is Alphys looking at something off to the side, her hands face lit up with joy, eyebrows up, mouth open, and a slight squiggled blush on her cheeks, her hands together like she'd been fiddling with them in now-forgotten excitement.

There's also a goofy big-eyed Alphys face looking at something; a confident Alphys smiling with closed eyes and declaring something; a neutral Alphys looking at the viewer with mild curiosity, little buck teeth, and her tail curling up like a question mark; another confident Alphys, this one makng a determined expession as she passionately says something; and a sad Alphys looking sadly off to the side

The last Alphys is her hands clapped to her face and her mouth open in big bucktoothed horror, staring at something with bugged out eyes, cartoon sweat drops coming off her, and a big exclamation point over her head. End description.]

image description by littlebittykittycommittee

#thank you littlebittykittycommittee for the description !! #i miss her so much :.( #utdr #undertale #alphys #alphys undertale #safeutdr #described

[pemprika]

shop update!! 📣 preorders for charms and postcards are open 💗

there are new adds and restocks of notebooks, prints, stickers, charms, and pins!! shop closes on sunday, november 5 before midnight! 🤸‍♀️ 💗pemprika.com💗 thank you for looking and supporting!!

#pemprika shop #some of the items may discontinue after they sell out. they should be indicated in the description!! #hnk #csm #original #mob psycho 100 #and more !! #thank you so much for the support ;_;

[kojintekily]

What You've Already Buried by @malevolentmango was really good 😭😭

#goro akechi #persona 5 #for some reason out of all the really nice descriptions in this entire fic this is the picture that ingrained itself into my brain #if you're reading these tags thank you so much for writing this fic ;m; #ko things

[dailyzedaphfacts]

Fun fact!

Zedaph participated in a mutual smelt with cubfan135!

(source)

#zedaph fact #submission #zedaph plays #zedaphplays #cubfan135 #hermitcraft season 9 #THIS IS SUCH A GREAT SUBMISSION #pointing it out in the description is sending me this is amazing #thank you so much for the submission!!

[lizard-isms]

congratulations to deeply strange individuals with symbolically significant round frame glasses, identity issues, purple color-coding, and middle part bangs, who lie, have an eventual twist betrayal, and are trapped near-inextricably in their circumstances (at least in part) by the hand of an evil horrifically manipulative groomer. and have leap year birthdays!!!

[ID: A screenshot of Anthy from Revolutionary Girl Utena and a screeenshot of Kabuto from Naruto. Both are shown smiling. End ID]

#lizardisms.txt #happy birthday to them #Im definitely generalizing a couple of these . but you get my point. #anthy himemiya #kabuto yakushi #Edit: thank you so much to princess-of-purple-prose for writing an image description for this post!!!

[vinelark]

khoa & tim fake uncle postfic

because i’m thinking about tim’s fake uncle again and because i’m also thinking about ghostbat: au (loosely inspired by this) set during tim’s early robin era where tim does a version of the Fake Uncle thing, which coincides with minhkhoa khan sneaking into town to spy on bruce.

the thing is, khoa has been off the grid for a while and just learned about jason--both that bruce got another kid, and that said kid had a fatal run-in with the joker. bruce had told khoa to stay out of gotham years ago, but khoa isn’t about to let that stop him once he catches up on the news and pieces together bruce’s grief spiral that only recent calmed down with the appearance of a new robin. a new robin who is, conveniently, posting a veiled job offer for an? uncle?? on the internet, and doing it entirely on his own.

so khoa fashions himself a fake struggling-but-not-too-struggling actor identity and lands himself the position of tim drake's uncle. it’s a perfect way to peek at bruce’s life while flying under the radar, because this tim kid is very eager to keep his fake uncle as separate from bruce as possible. khoa expects to be in and out of this job in a month, maybe two, as soon as he’s sure bruce is stable and not going to crumble because bruce cares so much and khoa knows it’ll be his undoing one day and—anyway. it’s a temporary gig. the kid’ll have to come up with a cover story when khoa inevitably disappears, but that’s not khoa’s problem. and tim probably shouldn’t be making up fake relatives anyway, so khoa will be teaching him a valuable lesson. (the lesson: always make sure you have collateral on someone before trusting them. you’re welcome for the parenting help, bruce!)

except. it’s not so easy to leave.

after just two weeks khoa starts realizing that:

tim is bonkers

like, off the wall bonkers

and brilliant

bad combo, khoa knows from experience

tim desperately cares about bruce and dick and alfred

but does not see himself as part of the family (hence the fake uncle thing)

khoa also realizes that tim keeps secretly patching himself up at home (because he’s downplaying any injuries after patrols) and eventually khoa is like. “okay. i don’t care what happened*, but you do have to stitch that up properly. my fake self can’t be in trouble for child endangerment.” and he patches up a surprised and wary tim. this becomes a routine.

*(khoa knows what happened, he was stalking batman on patrol that night. like most nights.)

ANYWAY. basically what i’m saying is: identity shenanigans where bruce’s ex is lurking around gotham pretending to be tim’s uncle and tim doesn’t know about the ex thing and bruce doesn’t know about the uncle being fake thing and everyone is keeping secrets from each other. and khoa goes from “this is a convenient way to spy on bruce” to “if anything happens to this unhinged baby robin i will kill everyone in this room and then myself” and ends up co-parenting tim without bruce realizing.

also in between having concerning realizations about tim’s self-preservation skills and spying on bruce, khoa finds time to have fun with it. like imagine a parent-teacher conference at tim’s school. the school calls bruce to schedule because his contact info is still on file from when tim was staying with him. but obviously khoa catches wind of this and decides to also turn up, in full uncle disguise, and spends the whole time fucking with bruce and having a blast.

like bruce was kind of checked out last year when the conferences happened and now he’s starting to claw out of his grief enough to be present and engaged. especially now that tim is staying with his “uncle” bruce is like wait. wait. and is trying to make more of an effort, so he shows up to the conference. and then at the conference khoa is just lounging in his chair like, “tim fell asleep in class? good for him, i’ve been telling him to get more sleep” and bruce is trying to be Even Better Dad to compensate while his eye is just constantly twitching.

[parent-teacher conference shenanigans with contributions from @cairoscene, @90kon, & @mammutblog:]

teacher: i won't sugar coat it, tim is very nearly failing literature

khoa: ah. a ridiculous subject anyway.

teacher: i notice tim is very... isolated. he doesn't seem to engage much with his peers, even when they try to initiate conversations with him

khoa: well children are idiots, i don't blame him

teacher: tim got in a fight—

khoa: did he win?

khoa: oh tim’s getting an A in science? we should celebrate. i’ll take him to get ice cream for dinner. we usually do that anyway but this time he can have extra sprinkles

bruce: that’s not— [deep breath] in my experience tim has trouble remembering to eat a balanced diet when left to his own devices, which is important to his growth at this age.

khoa: yeah of course. that’s why sometimes we get frozen yogurt instead

bruce: tim is lactose intolerant

khoa: [pulls out a packet of lactaid] i know

anyway!! after a bunch of shenanigans and awkward actually-taking-care-of-tim moments, something big happens where bruce and tim are in deep trouble and khoa breaks cover to burst in and rescue both batman & robin and all secrets come out. tim is shocked that he didn’t figure out who khoa was (in tim’s defense, he’s had a Lot going on) and bruce is soooo mad he didn’t see through the disguise, but also bruce is. grateful. that khoa has been there for tim, especially when khoa finally gets to do a full “get your head out of your ass” rant about the various ways tim has been pretending to be way more okay than he is.

khoa: if you’re going to CARE about people so much the least you can do is! pay attention to them!! this kid is your problem, act like it!

bruce: sounds like he might be Our problem now

khoa: only because i don’t trust you to get the job done 😤

(ALSO because khoa is literally there to lurk and observe he notices the league slipping into gotham and they end up rescuing a resurrected jason early.)

anyway i just think the concept of khoa being tim’s deus ex machina adult is so fun. like tim is on some international mission with young justice and it seems like all hope is lost and then freaking ghost-maker swans in and takes out all the enemies and gives tim a whole rant about How Is Bruce Letting You Run Around Like This, Does He Know What You’re Getting Up To In Your Spare Time, Where Even Is He. the vibe is ghost-maker dropping a (carefully patched up) robin on wayne manor doorstep with a sticky note on tim’s forehead reading TAKE BETTER CARE OF YOUR THINGS.

(bonus au of this au from aubrey where bruce DOES see through khoa’s disguise:

Tim: Bruce, this is my uncle--

Bruce: ANTON?!

Khoa: 😘

Tim: oh my god DID YOU FUCK MY FAKE UNCLE, BRUCE?)

also please look at this khoa and tim art again for the vibes

#sorry this is so messy but i just keep rotating it in my head and having so much fun #minhkhoa khan #tim drake #ghostbat #ghost-maker #originally posted on twitter but i expanded it a bit! #postfic #this au lives in my mind rent free. the tim pangs. the khoa being sooo normal and spying on bruce shenanigans. the slow healing. etc etc #literally just. khoa: unlike bruce i don’t have weaknesses like CARING about these kids #tim: thank you for being my fake uncle. your job description is to literally not care about me #khoa: well—

[skitskatdacat63]

Hello guys!!!!! Aforementioned project is finally finished 🫠 It was meant to be just a simple weekend project, and ended up being 30+ hours over the period of like four days. I don't think I'm an actual normal human anymore. This is the project that caused everyone in my life to question my mental and physical wellbeing and health. But I'm super excited to share this all of you!!!! Please enjoy!!!! Even if you don't like vettonso, I hope this is still interesting????

If you make any, please reblog this or tag me in it! I'm excited to see what other people, other than just me suffering alone in my bedroom, make out of this!!! <3

#jesus christ i cant believe i actually made this 😭😭 #originally earlier last week i was like ahhh i wanna draw more of them in different eras(like the timeswap au) #and then randomly wanted to draw every single racesuit(nightmare) #and then im like WAIT I CAN MAKE A PICREW OUT OF THIS #no joke when i say i dont think i was a human this weekend #it was truly: eat. sleep. draw. eat. draw. sleep. draw. eat. draw. draw. sleep. #the screentime count on my ipad is soooooo fucking bad im ashamed dhfjfkkg #i dont think picrews are meant to be made in the span of a weekend #*weakly* i did it~ #again as i said in the description. please request if you want anything added!!! #i dont know if ill get to it immediately bcs i just spent 30+ hours psychologically torturing myself #i actually feel so ill JSJFKGLGLG but im happy w it and i wouldnt have gone back and changed any of the process #tho the evolution of 'im having so much fun' to groaning every time i opened up my ipad again was so funny #thank you so much to suzuki i could have never have done this without your support and encouragement 🥹🥹 #hoping this picrew works as a blood sacrifice to the good health and wellbeing of the amr24. the car that is launching today! #also istg i am going to dm shill and self reblog this with no shame. it is my magnum opus(as of now) #now i am going to sleep and not touch my ipad for a while djfkkglg #f1 #formula 1 #sebastian vettel #fernando alonso #catie.art. #vettonso #normal posts that catie normally makes in a normal fashion

[presiding]

standing still in a moving scene

meagan foster by @lapinneok for the monster in the hull

#dishonored #billie lurk #dishonored 2 #meagan foster #so in love with this thank you lapin <3 #alone in a crowd. the world moves on around you without you #gorgeously rendered and just love lapin's meagan so much oughhh #really captures the busy alleyway in karnaca as well as the NPCs being so familiar (& 👁) #last night published another chapter of monster so now sitting at 75k of billie/emily monstrous slow burn. #the ol. anger and loneliness and sitting outside society while being deeply entrenched in it #my commissions #image description in alt

[hoth-and-cold]

Our second commission belongs to the fantastic @gellyh! They've given me their delightful doctor of the Sith, Azil'mort

Absolutely impeccable fashion and he seems like the type where his medical credentials have taken him to some absolutely unspeakable experiment sites. I love him and his scowl, thank you so much for introducing me to him and I hope you find him as beautiful as I do!

#SWTOR #Star wars #Twi'lek #Sith #Gellyh #Commission #Flat colour commission #The description of this man was very good too #very helpful and allowed me to capture his essence so thank you so much! #I look at Cadise and I say 'why cant you be professional like this gentleman?' #I FORGOT HIS TEETH HOLY SHIT #fixed tho

[skellagirl]

(me, crawling out of a hole in the ground covered in dirt and blood and bruises): somebody please...... talk to me about Potion Permit................

(also go read my fuckin uhhhhh self indulgent matheo/chemist oneshot)

(descriptions in alt text)

#potion permit #potion permit matheo #xiao potion permit #runeheart potion permit #hannah potion permit #mayor myer potion permit #the gameplay is meh but I love all of the characters so so so so much and especially matheo #I would also like to romance runeheart and dev and victor and hannah and lucke and forrest please and thank you #matheo's hair in his portrait is so voluminous....... what secrets does it hold #OKAY BUT FOR REAL I know this fandom is tiny but somebody please talk to me about this game 😭 #I played it like nonstop all weekend and then I've just been sketching and writing fanfic.... I need someone to talk to lol 😭😭😭 #description in alt text #my art

[bthump]

What are your thoughts or analyses on the phallic imagery in berserk? Less so the more obvious ones like seen in Casca’s nightmares which are obviously pointing to her sexual trauma, but like we see with the vagina-esque monsters and how Guts’ sword is alluded to being like a penis in some cases. Sorry if it’s a weird question lol

Sorry for the wait on this lol, I was on vacation for a while, and it's also a topic I wanted to spend some time on because I love it and I wanted to be relatively thorough. Thanks for the ask!

So yeah, disclaimers out of the way, Freudian analytical theory is very silly, very gender essentialist in ways that can often be transphobic and misogynist, and as far as I'm aware pretty much wholly unrelated to real psychology. Back in the 70s and 80s you had film theorists who took it seriously as a genuine glimpse into the subconsciousness of humanity or whatever, but now it's pretty much just a readily available source of sex and gender related symbolism that's easy to understand.

And in Berserk I do genuinely think it's a valid lens to view the story through because Miura is often quite heavy handed in utilizing it as symbolism. I mean, Guts literally gives someone an orgasm by stabbing her at one point. Some of this can definitely be a stretch, taking established symbols and running with them, but some of it is also almost certainly purposeful. I'll leave it to you to decide what you see as legit and what you see as stretching believability here.

This is very long lol

So yeah, it starts off strong in Berserk with Guts' oversized sword. Swords are dicks, ie sources of masculine power, especially in Berserk

and in the context of the story the dragonslayer is Guts overcompensating imo. And it's not compensating for a small dick lol, which would be more the purview of comedy, but for a loss of masculinity, ie Guts' childhood abuse from Gambino, and rape trauma. It's about his need to prove himself because he was made to feel like he had to, imo.

And it's not just the size of his sword, his obsession with it is also a major factor. He has a grandiose speech about how his sword is like a part of his body (hmm) and that it's been at his side through everything and he's always relied on it. The dream he lands on is to be the best and strongest sword fighter ever. He's currently having a breakdown over not being able to hit someone with his sword. He has a recurring tendency to break other guy's swords lol. At one point Casca screams at him that he essentially cares about his sword more than her. etc etc.

In the story dreams are at odds with emotionally healing human relationships, and dreams are represented by swords (Guts' sword obviously, Casca becoming Griffith's sword, Griffith calling the throne a sword while taunting the king in the dungeon as well as his vision of himself throwing him a sword and pointing to the castle in chapter 72).

So through a Freudian lens, Guts' sword can also be said to represent emotional isolation, positioning masculinity as emotionally isolating. Which, yk, fits with Griffith also equating dreams and masculinity in his Promrose Hall speech (a man must achieve a dream before he can have a family or lover) and, I suppose lol, Casca getting "softer" and more feminine as she falls for Guts, as femininity is therefore the opposite: emotional reliance on and support of others.

So if swords are dicks, then it follows that wounds are vaginas, ie yonic symbols. Also pretty obvious when you read some of the lines during the Guts and Casca sex scene lol. "I too want a wound I can say you gave me." These can represent weakness and victimization (I did warn for misogyny lol) and/or (often sexual) relationships and emotional openness.

So you have the relationships - "licking wounds" with Casca; Guts letting Casca stab him when he thinks about abandoning Griffith; the Beast of Darkness calling Casca the wound Griffith left so Guts can keep feeling the pain Griffith caused; Griffith scratching his own shoulder where Guts' sword pointedly didn't wound him; Griffith being out of reach of Guts' sword post-Eclipse; "let's give him a heap of raw iron;" and Farnese grinding on Guts' sword while possessed and Slan directly treating being stabbed as sexual penetration for the most obvious examples...

Also I'd argue that any time Guts gets his ass kicked in a fight it functions as an echo of his rape trauma symbolically and subconsciously to Guts. Both kinda obviously at times, like eg when Slan overpowers him and tears off his shirt while wounding his chest, and kisses him after the stabbing, causing Guts to feel a burst of fear

or when Rosine stabs Guts through the mouth as another enemy who flirts with Guts mid-fight. And of course the first duel with Griffith in which Guts unilaterally sets the stakes to sex slavery because he's projecting.

But also a little more subtlely, such as when Zodd is given the same position as Nightmare Donovan in Guts' concussion nightmare after he kills Adonis, or all this consistent imagery that rapists and apostles tend to get.

Or, interestingly, the way the Berserk armour functions as self-harm as Guts fights by penetrating Guts to "heal" him.

Something that solidifies its hold over Guts and makes him lose more and more of his positive humanity to his urge to kill.

So yeah, from a Freudian angle I'd suggest that Guts is driven to fight to reclaim the sense of masculine power he was stripped of when he was raped, and every fight can be said to be a repetition of his rape trauma in which he (usually) successfully fights back, but also continuously retraumatizes himself rather than healing.

I'm going to delve a little deeper into how phallic and yonic symbols intersect with the characters' relationships now that we've outlined some of the preliminary symbolism, starting from the Golden Age.

The first duel between Guts and Griffith is rife with Freudian symbolism, very overtly. Griffith stabs Guts and then Guts proceeds to have a nightmare about his rape trauma. Then he projects that trauma onto Griffith when he assumes Griffith wants to fuck him and adds sexual stakes to their duel. Then, yk, he takes Griffith's sword into his mouth lol.

Griffith winning by dislocating Guts' arm can be easily taken as a symbolic unmanning/castration, nicely introducing us into Guts' three years of growth towards prioritizing relationships instead of aimless sword-swinging to prove himself. It's also suggestive of penetration when you're primed to look for sexual symbolism (and if Guts offering Griffith his ass and then biting a sword doesn't prime you for it, what does?):

And the two of them losing their swords in the course of the fight and resorting to unarmed combat can also be taken as a telling symbol of the conflict between dreams and their relationship with each other. They lose the symbols of their dreams and contend only with each other, in a more positive contrast to the second duel that ends their relationship, in which they fight only with swords and never touch each other.

Wounds come into it when Griffith nearly gets killed rushing in against Zodd to save Guts, leading to the most impactful moment of their relationship, where Griffith admits he did it solely for Guts' sake and had no other reason. Griffith also points out how wounded Guts is after that fight, in what I'd call a nearly flirtatious way:

And if you follow these symbols completely strictly this scene suggests Guts retreating into his defensive masculinity in his sword exercises after being defeated/emasculated by Zodd and accused of not valuing his personal relationships by Casca, and finally finding a new, more constructive purpose for his sword after Griffith essentially confesses his devotion to him.

Dedicating his sword to Griffith in return for the wounds Griffith suffered for his sake, with, it has to be noted when the topic is freudian symbolism, his sword held at exactly crotch level.

In the second duel Guts destroys Griffith's sword before leaving, a symbolic castration which is most likely intended to represent and foreshadow Griffith's subsequent loss of power when he throws his life away and ends up tortured in a dungeon for a year. More interestingly imo, is Griffith tracing scratch-markes on his shoulder after sleeping with Charlotte and while crying over Guts - the same shoulder Guts' sword didn't quite hit when he won the duel, drawing attention to the lack of a wound by Guts' hand, a wound he created himself and traces in his devastation.

You have a nice... I don't know what the comic terminology is lol so I'm just going to call it a match-cut here, with Griffith and Casca both getting penetrated by the same number of arrows/skewers, to signify Griffith and the Hawks' fall from power, in contrast to Guts' growing phallic power as he pursues his sword swinging. Power which he demonstrates when he returns and saves the Hawks and Casca and Griffith by swinging his sword a lot and defeating a lot of powerful enemies and, if I'm gonna be crass, healing Casca's suicidal despair with his dick lol.

Interestingly though, before he does that he lets Casca stab him while experiencing the guilt of having driven Griffith into a torture chamber by leaving. It's a wound that highlights his emotional connection to Griffith and vulnerability to those emotions, even as he tries to deny them. He then manages to successfully deny them for a little while longer after having sex with Casca.

In this Freudian context, Guts and Casca's sex scene is an affirmation of a relationship, but one which is emotionally uneven, with Casca ready and willing to emotionally rely on and support Guts, but Guts still dedicated to his sword-swinging dream, inviting Casca with him but only as long as she doesn't get in the way of what he wants to do. This does fit with phallic symbols being associated with emotional distance and yonic symbols being associated with emotional closeness lol. (Also fittingly, the one way he does open up to her is about his rape trauma after a flashback.)

It's worth noting that in this disconnect Casca erroneously assumes Guts fought the hundred men and "bled" for her, making her want "a wound" from him in return. Guts fighting those hundred men is much more reminiscent of his fights against apostles, the fights that revolve around replaying his rape trauma to make himself feel better. Casca assumes they already have an emotional bond due to Guts' wounds, but she's wrong - Guts specifically thinks to himself during the hundred man fight that he's not doing it for Casca.

This is reflected in the Wyald fight when Guts insists on fighting Wyald, again as part of the whole reaffirmation of masculinity thing I outlined at the start of this, when Casca just wants him to run away. The Wyald fight is pretty overt about being about Guts' rape trauma imo, moreso than most fights in the story. Wyald's rapiness is made a point of from Guts' point of view when he sees him wielding the torso of a woman sexually impaled on a pike and gets extra angry, and when he literally cuts off Wyald's dick when he's about to rape Casca, and then has his pointed line about needing to "settle the score with him... with them... by his own sword."

SO ESSENTIALLY to sum up this subsection, I think you can argue that what prevents Guts and Casca from being an equal relationship is Guts stlil being hung up over needing to prove his masculine power through sword-swinging, rather than embracing his emasculation (which, remember, tends to signify positive relationships in this context) and coming to terms with it ("immersing himself in sorrow" as Godo says much later.)

Like, to return to Griffith, it's fitting that after Guts destroys his sword and he goes through a year of torture and is thoroughly emasculated, he's able to recognize his feelings for Guts and understand that Guts is more important to him than the dream, the "sword called the throne."

But he doesn't quite come to terms with his emasculation either. This symbolism is one explanation for the wagon scene where he propositions Casca - a desperate bid for some form of power. Not the strongest explanation imo, but since we're currently in the business of actively looking for this symbolism, it definitely fits. Casca's rejection and pity reinforce Griffith's emasculation, and overhearing her tell Guts to leave again is the final straw. Relationships are a bust, swords are now his only recourse, as we see when he has a vision of himself throwing him a sword and pointing to the castle.

You could take the nightmarish vision he has of a life with Casca as Griffith rejecting emasculation, but an alternate way of taking it is Griffith regaining a form of phallic power, and the emotional isolation that goes with it. After all, it's implied that he has a child with Casca, while totally withdrawn and emotionally isolated.

I once said in a different silly essay that Griffith choosing the dream is, in a way, Griffith choosing another version that nightmare, and that take also fits here.

And hey, it's another reason for Femto to rape Casca lol, if we want to ascribe meaning there, and of course we must in this kind of analysis. In the wagon Griffith essentially offers sex to Casca for the faint vestige of masculine power it could give him (emotional isolation and a child); in his nightmare he imagines that life and it drives him to suicide; and after becoming Femto he forces sex onto Casca and then continues on to embody emotional distance and masculine power.

This power is painfully demonstrated through the rape of Casca, but also subsequently through his pure untouchability (often in pointedly sexualized contexts); through his phony relationship with Charlotte and ascending to the ultimate patriarchal role of king/emperor and taking that sword called the throne; and I guess also through his actual sword lol which he still uses.

An example of sexualized untouchability - check out the positioning of that third thought bubble, in this scene where Griffith lords his invulnerability over Ganishka.

And look at all those pillars, I'm js.

And I'd be remiss not to point out the most recent confrontation with Guts where Guts tries many times to hit his naked body with his giant sword, completely fails, and then Griffith kidnaps Casca. More very on-point emasculation symbolism, it might as well be Guts trying to fuck him but unable to get hard lol. His breakdown afterwards doesn't do much to disabuse you of that notion either.

Anyway, back to post-Eclipse Guts. There's not much else to add that I didn't cover at the start, but in brief:

Guts has lost his arm during the Eclipse, which is an emasculation - he loses it while watching Femto rape ~his woman~ so it's like the most traditional symbolic castration there is lol. And of course he replaces it with a bigger, better, and more overt phallic symbol: a canon. And like the first thing we see him do with it is shove it into the mouth of a monster he's banging and blow her head off. So yk, there's that.

And there's Puck, who exists to help bridge Guts' emotional distance and essentially serves as the feminine counterpart to Guts' masculinity for a while. From his magical empathy, to his tiny size, to his lack of genitalia (note that in Freudian theory the lack of a penis is an indicator of femininity rather than specifically the presence of a vagina), to his connections with female characters Theresia and Jill, even arguably to his introduction where Guts saves him from a bunch of men throwing phallic knives at him by skewering them with his own (bigger) projectiles, this is consistent during the Black Swordsman/Conviction arc era.

Chestnut Puck is a lot more boyish, with his particular humour, his cameraderie with an annoying teenage boy, and now having his own feminine counterpart in Ivalera, but that's fine because his thematic job as a feminine influence on Guts is over after Guts starts collecting more friends.

And as far as the RPG group goes, there are a few notable instances of phallic symbolism for them too. Farnese and Serpico are an obvious example, with Farnese sexualizing the wounds Serpico voluntarily suffers for her, when she demands he duel for her honour a bunch of times.

Farnese brandishing the end of her whip at him doesn't hurt the freudian power dynamic symbolism either lol.

In the Conviction arc Farnese wielded a sword she was incapable of using, suggestive of her true femininity under a brash masculine surface, and when she softens in the Millenium Falcon arc she becomes a caretaker with only a small dagger for self-defense. That said, she does get that epic moment of stabbing a tiger in the eye with a long silver pole (candlestick) when she rejoins Guts' crew rather than becoming a housewife, so she still gets some badass phallic weapon imagery lol.

Serpico wields a thin rapier in the Conviction Arc, which Guts easily grabs in his hand, and in the Millenium Falcon arc he switches to a... limp feather duster lol. Serpico is very feminized compared to Guts and his weapons fit as part of that, but they're still effective weapons. You could maybe argue, within this Freudian lens, that this is indicative of Serpico's healthier relationship with masculinity. He's not compensating for anything, he's at peace with himself.

And god I gotta say something about Guts and Serpico's duels. In the first one you have Serpico delaying Guts while Farnese steals Casca from him, and part of that delay is to force Guts into a fight where he can't wield his sword, a parallel emasculation to Casca being kidnapped.

Then you have their confrontation after Farnese's no good very bad night, which is just incredibly suggestive lol.

You cannot tell me this isn't Guts getting blueballed when Serpico leaves after one quick exchange. Particularly coming in the same chapter featuring possessed Farnese grinding on Guts' sword (which Guts was much less interested in, incidentally). Also: wounds as sexual imagery again. Guts licking the blood off his cheek? Come on.

And finally you have their fight in Farnese's basement, in which Serpico attempts to hinder Guts by surrounding him with giant pillars, which Guts smashes through as he dodges around them. Another neat illustration of Guts' pure phallic power and Serpico's much more effeminate style.

One final note to address part of your ask, which didn't naturally fit into the rest of this lol: I would interpret vaginal imagery in monsters as mainly castration anxiety, yk, vagina dentata vibes, the fear of sticking your dick in a hole you can't see into. There's actually a lot of interesting stuff to consider in terms of the feminine as the unknowable other when it comes to Freudian theory, but that's like, not something I would expect Miura to lean into first of all, and also it would take another essay of explanation. If you're interested in that kind of Freudian analysis though I'd recommend the books Men, Women, and Chainsaws by Carol J. Clover and The Dread of Difference, edited by Barry Keith Grant. I took a course on women and horror films ages ago and read chunks of those, and it was very fun, and iirc both address Freudian imagery in horror.

Okay! So that's the rundown of like, all the examples of Freudian imagery that interest me at least lol. This isn't exhaustive ofc, Berserk is long and not stingy with this stuff, but this response is already so long and meandering lol, so I'm going to wrap it up here.

To sum up, phallic imagery often represents masculine power as well as masculine flaws (like emotional isolation) in Berserk, while yonic/vaginal imagery tends to represent feminine weakness as well as feminine virtues (like emotional connection and vulnerability). As a general rule, the more phallic imagery someone violently swings around, the more fucked up they are. Phallic violence is used to compensate for past trauma, but it only continues the cycle of violence. The way to break that violence is to accept one's wounds and focus on them, to heal, rather than trying to distract from them.

I don't think this is always the best way to interpret Berserk lol, but it adds another dimension that very often complements the surface meaning and thematic resonance of the story, sometimes purposefully, sometimes likely incidental. And either way it's a lot of fun to read into!

#genuinely thank you for asking lmao this was so much fun to write #sorry it took forever though i had a lot of shit going on the last couple months plus a bunch of other asks that didn't require #as much effort lol so i only worked on this intermittently #ask #anonymous #a #b #theme: symbolism #theme: revenge #theme: relationships as personal growth #theme: isolation #theme: trauma #character: guts #character: griffith #arc: ga #arc: mf #arc: bs #(just a note: i've used image descriptions on a few of these images but not all. that's deliberate - i've described the ones that aren't #naturally described by what i've written in the post itself. generally i try to word my posts so image descriptions are unnecessary but #there are a few here that would be clunky without descriptioins)