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#they are driving me insane for Real
orcelito · 1 year
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wolfwood's "i cant believe i fuckin survived that" look
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ft vash Also in a hospital bed, overjoyed to see him up and awake <3
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walmart-miku · 3 months
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I'm sorry just. The absolute anguish in Fukuzawa's eyes. And the joy that Aya expresses. THE JUXTAPOSITION. Fukuzawa might not have killed Fukuchi himself, but he definitely was the reason that he died. Look at the guilt in his eyes.
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symphonyofsilence · 2 months
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What drives me even more insane about this scene is how you'd expect Gojo to imagine High school era! Geto in the crowd. Or at least not the cult leader, worst of all the curse users Geto Suguru. But no, it's the cult leader Geto. It's Geto as Gojo last remembered him. As Geto last was. Whatever choices Geto made, wherever his choices led him and them, however he was, whoever he was, traumas and messed up ideas and bad choices and ill reputations and scorns and all. Gojo wanted Geto Suguru there. Not any ideal version. Not any "what if" version. Not any "at some point in time before things went downhill" version. Not any "when your hands weren't stained with innocent blood" version. He knew very well what he wanted. And he wanted it all the same. He wanted Geto Suguru. However he was. He just wanted him to be there. He just wanted him to be.
And he didn't want him to help him, he didn't want him to fight with him even if they were strongest together and always fought together for a while. He just wanted him to be there in the crowd and cheer him on. He just wanted him to stand there and give him one of his sweet, heartwarming smiles that shaped his eyes into crescent moons. He just wanted him to be. Then even if Gojo had died in the end anyway, he would have been satisfied. It would have been worth it. Only if Geto was there.
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aro-arttorneys · 5 months
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Happy "it wasn't christmas yet!" to those who celebrate 🥳
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gordonsicedcoffee · 1 month
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CARY ELWES and KYLE MACLACHLAN SUNDANCE FILM FESTIVAL (2004) Park City, Utah
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infizero · 7 months
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i said this in the tags of another post but. the way that the desert always seems to PHYSICALLY pop up whenever scar and grian are together is insane. first them finding the only tiny patch of desert in double life, and now a desert appearing in front of them right as they're laughing together and riding on a llama camel. like we all know this but MAN. they seriously never left the desert. it's become a symbol of their past together, and they can't escape it.
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bazoonga-bazinga · 1 year
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First Fight vs Last Stand
i noticed that for each character there is a point within their first fight that can be contrasted with the last moments of their confrontation in the confession arc
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arcsin27 · 4 months
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Kinda gay to dress up as the same character. What are you, two halves of one whole?
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clover0101 · 2 months
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haruka and what each animal on his case represents, an analysis
before we begin, general CW for the issues haruka's story deals with (neglect, child abuse, animal death, etc).
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Throughout the MVs, animals play an important role in Haruka's story. I think each of these represents a part of Haruka, both how he perceives himself and how he wants to be perceived. Even if Haruka presumably has numerous animal victims, the ones most emphasized are dogs, fish, and rabbits.
1. RABBITS
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Haruka is seen on many occasions with his bunny plush. It’s so important that it appears not only in Weakness and Undercover but also in graffart’s collab, where each item is importan on the character's story in one way or another (like mahiru and the mantis). I see it as a toy from his childhood that he’s very attached to.
The fact that it’s specifically a rabbit is interesting to me, as the rabbit is a prey. If we go to the unique point of view of Japanese culture, rabbits are also quite related to the moon. The lunar cycles are also an important symbol in weakness, showing white, blue and finally red moons over a red sky. The origin of the relationship between rabbits and the moon is debated between admiration as they are perceived as objects of fertility and health because of their reproduction, or a legend that spread from India:
"a rabbit can't tolerate seeing people die and jumps into the fire to become food, then Indra rewards him for his sacrifice and takes him to the moon."
The theme of self sacrifice and the ultimate reward one receives for it is reinforced by Taoism, where the hare, like the moon, dies to be reborn and represents immortality. More popularly, rabbits are also associated with good fortune. It being white also points to innocence, and in turn to the pursuit of something that upon attainment brings discovery, an idea popularized by Alice in Wonderland. Even if it's more seen as a weak and tender animal, it has also been culturally represented as cruel and capable of aggression, closer to what Haruka is than the role of merely a prey. Haruka wants to be seen as weak prey that the strong hunt, to be pitied and loved for it. To be perceived as someone to be protected, as he cannot defend himself, but this is contradicted by his own actions both in weakness and throughout milgram. The prey becomes the predator and gives way to the next animal;
2. DOGS
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The dog is universally a symbol of loyalty and the effort it takes to form a training bond between a wild animal and a human. Dogs are seen accompanying men and being obedient to women.
Dogs are perceived as creatures that love unconditionally and are capable of giving everything to protect those they love.
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In terms of personality and behavior, they are the closest animals to Haruka, who accepts and actively seeks to be guided and to be faithful for someone, to be used to feel useful and not abandoned.
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Even if they are domestic, the dogs whose breeds are distinguishable are large dogs, considered to be hunting dogs. Haruka being represented as a dog also creates a parallel with kotoko, who is represented by a wolf.
Haruka being represented as a dog also creates a parallel with kotoko, who is represented by a wolf. Dogs are the friendlier, "clean" version of wolves, domesticated to be obedient, while wolves maintain a certain solitary air of independence and savagery.
However, whenever a dog is featured on screen it is accompanied by loud instrumentals and rather graphic visuals. In Weakness, child Haruka accepts and expresses affection towards the animal, who apparently is suddenly injured and runs away from him into a forest, where he is disoriented and confused. Haruka follows its footsteps and ends up seeing his hands in horror, realizing that he's the cause of its injury.
The perspective of present Haruka isn't so different, who now attacks it, destroying it until the only remains are the necklace it was wearing, ultramarine liquid and eyes, which I consider represent the opinions of others and looks that judge him.
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I think the fact that this dog bleeds the same color as Haruka's is a not-so-hidden hint at the fact that, in a way, Haruka is ending up with a part of himself (this time a bit smaller, not being human yet) to escape people's judgments.
There are also many sayings that by mistreating someone, "you are treating them like a dog", like an animal, something inferior, but that still sticks to what the human wants and believing all their words.
In AKAA, we see that instead of being a mix of at least two dogs, they're now separate entities and different breeds that dissolve as Haruka sings about being reborn. Again, dogs often appear in stories as spirit guides, helping humans enter and exit the realm of the dead safely, representing a middle ground between life and death. Dogs are followers of their owners, not leaders, and no matter how close a bond they form with humans, they are rarely recognized as equals to us.
3. FISH
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Most of the similarities between Haruka and fish are presented visually, with Haruka being a passive spectator of his own life, observing others from behind something akin to a glass wall that separates him from normal people. He's constantly surrounded by water drowning, and in one scene is even presented at a fish-eye angle, being watched by his mother.
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In AKAA we can see two specific species of fish.
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Yellow bobfish: they're very complicated fish to keep in aquariums because they release toxins when stressed and are naturally solitary once they reach adulthood, it's not recommended to have more than two in the same tank because they are territorial and aggressive among their own species, however it's friendly and sociable with fish of other species. It responds to stress with aggression and attacks its own kind (in this case other weaklings) just like Haruka.
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Clownfish: they usually inhabit anemones, forming a mutualism in which they find shelter and food. Toxins from anemones don't affect them as they develop immunity to them throughout their lives to eventually live in them. Anemones benefit from clownfishes cleaning its tentacles. Clownfish often eat parasites and are also known to steal more food from anemones than what they give in return. They are also capable of changing sex from male to female. Seeing this particular species depicted tells us a lot not only about haruka, but about his relationship with Muu, as for the first time it's not depicted as a mutual need, a codependency that endangers their lives if they become separated, but a mutually beneficial relationship where both can exist separately, but live much more comfortably by relating to each other in this way.
Extra: Insects (specifically butterflies) and parasites.
The symbolism of transformation and metamorphosis is so present that it even took the title of both voice dramas. Caterpillars can only wriggle and are no different from any worthless worm, but after a season, they manage to transform into a butterfly: beautiful, admirable, much more memorable and lovable. Having been forgiven and meeting Muu, Haruka manages to "fulfill" his metamorphosis and become someone he believes is better. Still, from what is shown in AKAA, it doesn't seem that Haruka is entirely happy with this change happening - the monarch butterflies represents ambition and perseverance, but it seems to be rejected by haruka, who crushes it in his hands
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Haruka longs for this transformation, but is unable to fully accept it happening. I think it's because no matter how much he changes and wants to be someone else, he can't get rid of the disastrous image he has of himself, or he has forced himself not to change so as not to be disliked even more by others.
Now, Kotoko is an important figure to Haruka despite not interacting much. It highlights both his codependency (or mutually beneficial relationship) with Muu as much as the fact that he assimilates a parasite.
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This is a point I've made several times before, but Haruka's way of socializing is based on taking parts of others and melding them on himself, especially women. It started by stealing his mother's necklace and taking it as his own, continues by killing Mirai and stealing what he lacks, and ends now in a much more obvious way with Muu, imitating her personality, accepting her accessories and the clothes she chooses for him and even copying her sprite pose a bit.
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If he had become closer to Yuno and Mahiru, I'm sure he would also start imitating their behaviors in one way or another. Haruka lives by taking parts of the women he surrounds herself with, and he seems to want to take something from kotoko as well, but it's still unclear what he wants.
What does all of this have in common?
Not only is the theme of change and rebirth prominent, but every animal that Haruka comes to hurt relates in one way or another to his desires, thoughts, or parts of himself. Figuratively, we can say that Haruka's case is about him eliminating and hiding every part of himself, until he murders his human victim, Mirai, who at the same time is the closest and most prominent part in him, with whom he wishes he could reconcile and exist together, accepting each other - for, unlike his other victims, Mirai is often presented as a friend and someone Haruka misses. I have yet to write Mirai's analysis on its own, so whether she is also a part of Haruka or not and whether all his kills are figurative is up to each one's choice, I tend to wander between both sides because I like both scenarios. In a less figurative way and taking the case more literally, these facts are simple trivia and interesting symbolism to consider when analyzing Haruka.
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ravenalla · 1 year
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Snarky Din how I miss you
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beeslippers · 7 months
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This was the last memory Hikaru thought of before he died. Not a memory of Yoshiki smiling at him or even looking at him at all. Instead a memory of Hikaru watching Yoshiki while at school without Yoshiki realising.
And this seemingly mundane memory affected Hikaru enough that it’s the last thing he thought of while he died
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kyouka-supremacy · 7 months
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One thing I keep thinking about is how the pm's front company is literally called “Mori Corporation”. Like yeah sure, let's put the actual name of our evil boss, most likely the most wanted person in the entire Yokohama, as the title of our not-shady-at-all perfectly-subtle black-themed industry. What could ever go wrong
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silusvesuius · 2 months
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some guys (crunchy)
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not crunchy
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thistableforone · 1 year
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"...One actor is faster than the other. How do you coordinate that?” “You slow down”. (x)
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cmterygrl · 9 months
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simon as the type to jst .. not fuck u when youve been needy and bratty ... like, he'll be inside you but Wont move and stands there w his arms crossed looking down at you as you desperately try to use the wall as some leverage to move against him...
n he'll call you all desperate and slutty for him .. 🤭🤭🤭
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livelovelaughlin · 4 months
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The Undershirt: 1x04 "Your Nuts Roasting On an Open Fire" V. 1x08 "Make it Easy" (Hint: Look Closely!)
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