Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?
thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')
1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:
and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!
2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)
and you can also use lines against each other to get different vibes:
it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.
(just gonna use my own art as examples, apologies)
if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.
and don't forget about negative space either! the spaces between things have their own interesting shapes too!
I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D
3. acting!
just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.
this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)
it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!
3. thumbnailing!
this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.
it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!
(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)
then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!
(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)
4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.
that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.
↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!
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Ok, I'm gonna start a post idea I had been pondering. If you're either mentally or physically disabled and you have opinions about representation, this is the thread for you!
So, I've been seeing more people trying to tackle the topic of autism in their stories, but I've felt some of it tries to woobify a bit what is to live with autism, or just focus on the more socially acceptable quirks of it. And as someone with autism/ADHD (was suspected of it for most of my life, got it finally diagnosed by my therapist (who specializes in autism and ADHD) last year), sometimes I'd like for people to acknowledge the more unsavoury parts of it, the weird quirks, etc.
So, this post is going to be about that- If you wanna help people understand how your disability/neurodivergency affects your life, feel free to add to it! Just mention what do you have (no need for a full list, just what you consider relevant to the post) and some experiences, quirks, anecdotes or such that you think that are not often seen in stories or media, and that you consider an important part of it. They don't need to be huge things! I encourage people to share just whatever they feel comfortable. My list is gonna be a mix of stuff, but yours can be very different. Let me start!
Clothes and how they feel was surprisingly one of the most disruptive parts of my autism. As a kid, if I was forced to wear something that caused me some bad texture/sensitivity issues, it would significantly affect my behaviour and performance. It took me many years to be allowed to use mostly sportswear. (And it turns out being a "girl" (not anymore) wearing only sportswear tends to cause a whole lot of bullying)
This happens even nowadays. I've found out that non-heeled boots are more comfortable to me than sport shoes, because feeling something against the back of my foot makes me feel overwhelmed. I tend to wear yoga pants under actual pants, because they keep the actual pants' seams from causing sensory issues. There's almost a sort of ritual on how do I need to combine clothes to be able to function "normally", mostly consisting on reducing how much they annoy me.
On that topic, hygiene is actually a huge thing too. As a kid, I wasn't allowed to shower daily. Days I didn't shower, no matter how much I tried to keep my hygiene in other days, were "bad days" to me. I would literally plan hanging out with friends or eating out around the days I was allowed to shower. I could physically feel the difference between the day I showered and the day I didn't (even if I washed my face, armpits, used the bidet, etc).
This is true even nowadays. I can thankfully now shower daily, which isn't recommended by a lot of experts (specially because it can damage your hair and skin), but it's more worth to me than having days where I feel like I shouldn't be seen in public.
Being overwhelmed sucks! Meltdowns are mostly associated with kids, mostly because adults either learn to mask them, or do everything they can to AVOID having that meltdown. I've mostly figured out routines and such. There's this one place we go eat out every other Tuesday- And in the hours we go in, there's a sort of silent corner that is always free. This week's schedule was a mess, so we went yesterday to that same place, and the silent corner was filled with a very loud group. I got extremely overwhelmed. But enough masking drilled to me means I just sat there unable to talk for maybe 30 minutes.
Autistic adults still do have autism and experience often the full spread of traits, they've just found ways to mask, or avoid being in situations where they do need to do that. I've adapted my life and routine to that. But sometimes I land on situations out of my comfort zone that will make me feel just like when I was a kid. I want to freelance online because I'm fully aware I can't perform properly in a public facing job.
Group projects sucked so much. I know they suck for most people, but most times it was easier for me to do the entirety of the project by myself and add the others' names to it than dealing with chasing people for their parts. My college had a 6-months-long massive group project in the last year, with a 7 people group, which obviously I couldn't do alone. The whole experience was so harmful in so many ways I've had several full therapy sessions talking about it :'')
One of the reasons it's because mental flexibility is HARD with autism. If i set a schedule, I expect that schedule to be followed. If people agree to do a part, I expect that part to be delivered (unless there's a proper reason) on due time. People hate this a lot usually! It will tear group projects apart!
Stimming can be harmless, or it can be very annoying to some. I tend to shake legs and play with something in my hands. I could easy this off drawing in classes- My high school found out that I was paying more attention when I was allowed to draw in classes, and my academic performance was pretty much perfect, so they gave me permission to do that.
However, I had a teacher in middle school that did forbid me from drawing. I stimmed during a class with pens- She got so mad she sent me home with a note to my parents they had to sign. Fun!
Not exactly an anecdote, but I am ace. I hate the discourse about "making an autistic person be aro or ace is infantilizing autism". Aro/ace people can have autism. That's just how it is. I've been infantilized a lot for being ace- Which only got worse because I am autistic, and people perceived some of my special interests as child-ish. The combo didn't make things easy.
On that topic, people will often be very patronizing of your opinions or takes for being autistic. I've had people debate my sexuality (or lack of thereof), my gender identity and presentation, my hobbies, my preferences for everything, down to "what do you want to eat tonight?". This isn't too different to shitty takes about how "autistic people are more prone to being affected by the trans activistsTM", because people assume autistic people can't choose on their own. Trust me: We can.
Anyhow, I'd love if this post could be a good compilation of these sort of anecdotes! I think it could help people who wanna learn more about what is it to live with specific disabilities (and how to better portray them in media)
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end notes for 'translation' (spoiler warning!):
hello <3 if you're here then it means you read my cursed aventurine fic about cultural loss and the fear of being understood. thank you for sticking it out with me! much appreciated.
i wanted to add some notes here to explain my intention with some of the details in this story, because it touched on some very sensitive subjects and I don't want to be misread:
I do not believe that dialects or any type of language variant born from displacement, genocide, or diasporic communities are somehow lesser than the “original” dialects. However, I do think first/second gen speakers that lose their language (especially for political reasons or displacement, etc) can experience a lot of anguish over it, and that’s reflected in Aventurine’s narration.
Aventurine did not believe the racist Avgin stereotype he brought up (nor would I write a narrative where such a stereotype were true). However, the stereotype happens to overlap with some of his survival traits that he hates about himself, hence he used it as part of his power play. The interaction also has some relation to the way that marginalised persons sometimes weaponize or internalise the stereotypes they need to endure, as well as what it means to be the only representative of your race, but that's a whole other subjectivity in this narrative that I will choose not to discuss.
I think this will be obvious to multilinguals so this is a note directed at monolinguals: I don't think enduring abuse in a formative language necessarily “ruins” the language and turns it into a “dialect of abuse” in the way that having a second language being violently forced upon you will. In my experience, a mother tongue is a mother tongue, and it will always hit you in a sensitive way, particularly if you are experiencing cultural loss—which the MC has, in the context of colonialism and displacement (only vaguely implied in the story but it's relevant context). Nevertheless, the MC has a much more complex, adult native-speaker relationship to their mother tongue than Aventurine does with Avgin. This is what those ending passages were getting at.
Finally, I am aware the relationship between the MC and Aventurine is unhealthy, and I hope that this would have been obvious from the narrative. I don't condone relationships like this and I think both characters should get some therapy instead of routinely gaslighting gatekeeping girlbossing each other (and themselves). But for better or worse, that is a narrative I will not write for this couple.
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there really needs to be a name for the trope where a piece of media makes a very obvious fantasy stand-in for an irl marginalized group--or just straight up people from an irl marginalized group--so they can conflate them with their oppressors, whether directly or with sly innuendo and imagery to evoke it. this is never used as an opportunity to explore lateral violence, let alone done so with sensitivity; it's bait dangled in front of an audience who's just aware enough of political movements, structures, and ideologies to go Ideology Very Bad and instantly shut off any examination of the messaging behind it.
(which is, often as not, either shifting the blame to marginalized people so the audience can hate demographics they're already comfortable with hating instead of grappling with the discomfort of real privilege being called out or held accountable, 'so the horrific and violent bigotry leveled at that group irl is totally justified and we should Do More of That Actually,' or both.)
like. i keep seeing this over and over and over. don't get me started on how SF/F media in particular seems completely unable to restrain itself from having at least one black character in a setting that breathes anywhere near fantasy racism say and do just the most ungodly racist shit ever. every time, jesus fuck, it's awful.
this trope is not at all limited to racism or antisemitism--it shows up for pretty much any marginalized group you can think of, BOY i have rants in me about a lot of portrayals of abuse survivors in various media i'm into--but it seems to pop up most blatantly and obviously for those. and fascism in general, which, i HIGHLY recommend these excellent essays for a more articulate and in-depth analysis of than i could give in a paragraph of one post. they're fantastic go read them and come back. especially the second one.
more specifically, it's a special favorite of these fucking people to evoke this with nazism. so the closest term i've got to what i'm describing is naziwashing, which i think is still useful as a descriptor of a subset of that phenomenon but again does not nearly cover all of it. so i'm a bit stumped.
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The thing about Elegant Chaos being an “anti It’s a Wonderful Life” for Megatron per JRO’s words makes sense. Because Megatron spent most of his life as an imperialist warmonger whose death toll is in the millions to billions, he eradicated and cyberformed multiple planets, it’s an objective fact that a universe without him existing would be a better place. That’s a really good thing for someone as egocentric as Megatron to learn.
Except then JRO wrote in the Functionist Universe almost immediately after, a universe in which Megatron not existing directly leads to a theocracy of monstrous proportions, in which literally insane shit happens like “people’s heads get blown up in the street if their alt mode is declared defunct” and “there are cameras implanted in people’s eyes so that they become part of the surveillance state without even realizing it” happens. So this completely destroys the (rightful and justified) idea that Megatron made the world worse, and instead makes LITERALLY AN ENTIRE ALTERNATE UNIVERSE REVOLVE AROUND MEGATRON’S (NON)EXISTENCE, completely undoing whatever criticism of Megatron was present in the narrative of Elegant Chaos.
And then, JRO also proceeds to make the Functionist Council racist xenophobe colonizers as well with the whole “they decided organics have no function therefore need to be exterminated,” which further destroys the idea of “the universe is better without Megatron existing” by basically saying, well if Megatron hadn’t decided to go out genociding organics, the Functionist Council would have just done it instead.
So the equation we’re left with is “Megatron exists = free Cybertron, organic genocide” and “Megatron doesn’t exist = enslaved Cybertron, organic genocide.” Making it so that all of the sudden, Megatron and all his shittiness is some sort of necessary evil that has to exist because without him Cybertron would’ve been so much worse of a place. Like, Megatron colonizing organics was the ONE THING that couldn’t be justified and JRO still managed to fuck it up by giving the Functionist Council the same evil trait. So now even Megatron’s unjustifiable evil doesn’t belong to him, it’s diluted by the Functionist Council who’s worse in every way, and Megatron gets to play the hero by fighting against them instead of you know, doing anything for the people in THIS universe which HE helped mess up.
And then of course Megatron gets to go to the Functionist Universe and LARP being a revolutionary again, getting a free do-over card, an entire planet that sees him as a hero, and people praising him for “saving billions of lives” in a so-called heroic action that ONLY EXISTS because JRO wrote the entire universe to revolve around Megatron. Autobot Megatron made almost zero positive impact on THIS universe and was completely detached from all the messes he left in the wake of his defection to the Autobots (Galvatron, Earth, the plight of the Decepticons left on Cybertron, etc etc).
Like I’m sorry but for all the hype that people gave MTMTE Megatron, for all the fact that I appreciate a more humanized Megatron who gets a more detailed backstory.... his redemption arc is nowhere NEAR as good as people say it is. As soon as I stop taking the plot at face value and scrutinize it further, all I see is an incredibly flimsy narrative that does a lot of last minute presentations of villains who are even worse than Megatron in order to make Megatron seem heroic in comparison. And of course this comes at the cost of a ton of other characters in the narrative as well, which just makes Megatron’s placement in MTMTE/LL even more glaring and unsuitable.
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DEMON WALLY DESIGNS! im still working out his design but here’s a general vibe hehehahe as well as some thought provoking sketches... HUUUGE infodump about the design & demon wally au below!
below i explain my choice of representing hindu designs as opposed to christian ones! if you want to skip to the relevant information pertaining to the actual au, jump to the big bold JUMP HERE paragraph!
alright, to address the elephant in the room: no, this isn’t the typical demon/devil design you may be used to! i was originally going to keep within the red-horned pointed tail kind of mythos that generally stems from christianity/christianity aligned concepts, but then i realized i honestly don’t know much about that stuff and don’t really feel qualified to handle it in a narrative. i also know that, especially within the welcome home fandom itself, a lot of people have religious trauma that generally tends to be from various branches of christianity, so i thought this would be an interesting solution: seeing as i know a fair amount about hinduism, wally’s design is inspired by concepts about demons in hindusim in general! that way, it’s easy to write and hopefully refreshing/non-triggering to the audience! also it’s fun!
JUMP HERE: Wally’s design in the demon AU is inspired by Asura in hindu mythology! That’s why he’s got like a billion hands- I’m looking at adding jewellery/a tail/other stuff, but it’ll fall in that general theme. in terms of lore relevancy: asura in hindusim were not strictly evil, which you will find reflected in my story. wally isn’t evil per say; the neighbourhood is his turf, and he will protect it from outside threats. that being said- he is generally self-serving for now and may not always have the best intentions for his fellow neighbours. what his overarching goal is and who exactly his enemy is (as well as Home’s relevancy to the story) is being left to you to discover as the comic goes on! themes of puppetry, where wally darling ends and the asura begins, and stuff like that is left ambiguous for now! puppetry will also play a role in the story, as well as self-awareness and meta themes.
hinduism and religion WILL NOT play a role in the story itself. anything i think might need contextualizing will be contextualized in the description of every update; honestly im just pulling the asura elements for Wally’s design and part of his character! this will still be a very accessible comic to people of all backgrounds. if you have any questions or concerns please don’t hesitate to send them to my askbox or leave them in the comments!
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