Prompt: Killing in self-defense
Fandom: tmnt 1987
Notes: Gun violence. Death, although not character death. Serious injury to a turtle.
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“The state of the victims makes it look like the work of the Globfather, or another member of his species,” says Leonardo. “And it’s happened to six people so far, which means we can’t afford to wait until nightfall.”
“Uh, fearless leader, you got any plans that don’t get us killed before we even find the Globfather?” Raphael asks.
Leonardo thinks of the half-dead amoeboid husks and glares at him. “Raphael, this is serious.”
Raphael glares back. “You think I’m not?”
“Raphael does have a point,” Donatello adds. “The Globfather’s actions have stirred up the fear of aliens caused by Dregg’s reveal as a criminal to the point it’s spilled over onto mutants again. Something like this will have people ready to riot against anything that isn’t human.”
It’s true. Anti-mutant sentiment fell after Dregg was first revealed, after all he was the one who had been stirring it up. But it never went away, the things people had started to think had stayed at the bottom of their hearts, and now instead of choosing an alien over a mutant they’re ready to destroy aliens and mutants together. “It’s not all of them,” Leonardo says. “Most humans are just trying to get by. The fact that some of them hate us doesn’t mean we can let innocent ones fall to a monster like the Globfather.
Raphael looks away and Leonardo takes that as a win for now.
“We will need disguises, though,” Leonardo continues. “Proper ones, not just ones that work from a distance. Michelangelo, do you know where those halloween masks are? At least then we won’t look like turtles.
“No, we’ll just look like we already got got by an amoeba monster,” Raphael mutters.
Michelangelo pushes past him roughly on the way to the disguise room, “Will you stop complainin’? If we listened to you we’d never do anything for anyone.”
“Why not? No one does anything for us,” Raphael calls after him.
“Dude, you know that’s not true,” Michelangelo turns around, beak to beak with Raphael. “April, Casey, Carter…”
Leonardo hastily gets between them and pushes them both back with a hand on their plastron. “Guys, stop fighting. Michelangelo, just get the masks. Raphael, do you want to stay behind?”
For a moment Leonardo thinks Raphael’s going to say “yes”. He wonders whether it would be a relief if he did. Then Raphael shakes his head. “Might as well go down with the ship,” he says.
“That would be Leonardo. He’s the captain,” Donatello says.
“Come on. Time to get ready,” Leonardo tells them.
None of them really like clothes, although Raphael sometimes enjoys the way they look when he’s in the mood to enjoy anything. Clothes are often scratchy, never tailored for turtles, and they tend to pull over the shell. It’s why they usually throw them off as soon as a fight breaks out, there’s not much point in maintaining a disguise but getting stabbed because you weren’t moving fluidly. The halloween masks are worse, they push the beak inwards and give a turtle a headache after a while.
“Everyone stay in disguise,” Donatello says. “Unless you really have to take something off. Raphael’s right, we’re in danger from everyone up there.”
“We all know that,” Leonardo says, because that’s not what he was arguing with Raphael about. The point isn’t that humanity won’t hurt them, the point is that they have to save people anyway. “Turtles, move out.”
They don’t take the turtle van or the blimp. Donatello is a turtle who is good at many, many things and subtlety is not one of them.
They take the rooftops, despite their disguises it’s still quicker than the streets for now and gives them more of an overview of the city. Raphael grumbles about having disguises on for no reason but when it’s only something like this it’s easy to tune him out.
An ambulance shoots down the steet beneath them, sirens blaring, two police cars following in its wake. It might be nothing, or, not nothing, but not what they’re here for. Still, Leonardo has a feeling.
“Follow that ambulance!” he calls, taking off in pursuit.
The thing being taken into the ambulance looks more like their halloween masks do when empty than like a human being. It’s what they’re looking for and it’s sickening.
“Still want to sit this one out and let humans end up like that, Raphael?” Leonardo asks.
“I nearly ended up like that protecting them and I don’t want to do that again either,” Raphael mutters, but he won’t look at Leonardo.
Leonardo sighs. Raphael’s reluctance never really lasts past seeing someone in danger, but Leonardo’s getting sick of his perpetual bad mood. Especially when it can spread to Donatello who, while less cynical in general, is much more likely to stick with a conclusion he reaches. Those two have split the team before, Leonardo doesn’t want it to happen again.
Right now, though, Donatello is hanging from a windowsill and waving some strange piece of equipment over the scene below. His tongue pokes between the lips of his halloween mask and then he suddenly flips back up to them.
“I’ve got it,” he says. “Now I’ve tuned it, this should track either further victims or the orignal amoeboid. It doesn’t have much range from down here, though, it’s being blocked by the houses.”
“So we’re gonna need the blimp after all?” asks Michelangelo.
“That’s not exactly keeping a low profile,” Raphael says.
“It should be fine,” Donatello says, eyes still on his device. “The government understands we were on their side now, so we aren’t in danger from the army. Civilians aren’t going to be able to shoot down a blimp.”
“There might be some misunderstandings, but no one’s gearing up to shoot us down,” Leonardo says, hastily. Maybe when Dregg’s propoganda was at its worst, yes, but right now they’re just unpopular. Their blimp showing in the sky is likely to cause anxiety and bad feelings among humans, not get them shot down.
“Oh, aren’t they?” Raphael mutters.
“No, dude, they’re not,” Michelangelo retorts. “Yeah, people don’t like us a whole lot right now, but that’s not new. Being mean doesn’t mean they want to hurt us.”
“Yeah? Have you seen the stuff they’re saying on TV now that April doesn’t feel like defending us?”
“Don’t say it like that! April’s not got a job anymore, she can’t just say what she likes. The dudes at the top won’t run it.”
“So she’s avoiding us completely now that stories about us won’t run unless she gets nasty. Guess we’re lucky she hasn’t chosen getting nasty yet.”
“We know the villain is in this area,” Leonardo says loudly, cutting the two of them off. “Donatello’s device might give us an important lead, but we should also search this area. Two of us need to go back for the blimp while the other two go down to street level and start searching.” The question is, how to divide the team for this one? Donatello obviously needs to go back for the blimp. Sending Raphael with him when he’s this mood is out of the question, Donatello’s too likely to agree with him. Sending Michelangelo would be fine, but that would leave Leonardo to stay with Raphael and it’s not fair but he really, really doesn’t want to. As long as it’s not Raphael with Donatello any split is as good as any other, he tells himself, and Leonardo’s the most tactically minded of them so it might be useful for him to see things from above. “Michelangelo, Raphael, you stay here. Take a look around but be careful. If you see any sign of the Globfather, call us.”
Walking through a crowd in disguise is lonely. It’s not the first time Michelangelo has felt that; he likes people and, just ‘cause he’s green and has a shell, a lot of the time people don’t like him. It feels worse when it could be violence, not just rejection, but he really doesn’t think it would be violence. Or maybe he doesn’t want to think it would be violence.
Raphael’s presence only makes him feel lonelier. Raphael takes everything so seriously now and that’s meant to be a good thing, but it just means he’s wound so tight he’s constantly snapping. Michelangelo misses the times when they were the ones who could go with the flow.
Michelangelo looks around and Raphael is gone. For a moment he can’t tell which person in the crowd might be him, then he sees a familiar trench coat and jogs to catch up.
“Hey, where are you going?” he asks.
Raphael shrugs. “You’re the one who was staring into space. We’ll go faster if we split up, anyway.”
“Go where faster? We’re just here in case something happens.” It’s not like poking around at street level is gonna find anything. If the glob dude’s gone, he’s gone, if he comes back they’ll see him.
“So much for getting this over with,” Raphael mutters.
“It’ll be over when the dudes get back, no matter what we did while they were gone. Relax a bit, wouldja?”
“In this city?”
“You use’ta know how to relax.” Michelangelo tugs on Raphael’s arm, trying to pull him over to a junk shop window. Something fun to look at. “I know it feels gnarly right now, but it’s not so different from when we first came above ground…”
“…and an old lady immediately tried to shoot us. Yes, I’m seeing the resemblance.”
“Yeah, some people were rough, and it mondo sucked how willing they were to believe bad stuff about us. But a lotta people just, y’know, even if they didn’t love us, they had better things to do than hate us. Our disguises were, like, sunglasses and they let us be.”
“And now we don’t dare show a hint of green.”
“Ninety percent of ‘em still wouldn’t care,” Michelangelo insists. “We’re being careful, but they’re still just guys doing their stuff. It’s not like the world’s out to get you.
“Us, Michelangelo. The world’s out to get us,” Raphael sing-songs.
“It’s not!” Michelangelo snaps, his voice pitching louder than he means it to.
“Uh-uh. Don’t draw attention. We’re being careful, remember?”
“Forget it, dude.” This time it’s Michelangelo who stomps off and Raphael makes no attempt to follow.
Michelangelo stops to look in a shop window, not even registering what it’s selling this time. All he’s seeing is his own reflection, rounded and slightly hunched in a trenchcoat, a rubbery face with too round, staring eyes. How the heck do these masks make them less scary? The first time he saw one he jumped into Leonardo’s arms and familiarity has not improved them. His reflection is a pretty sad imitation of a human. People seeing this have gotta know something’s up. Maybe even that they’re looking at a mutant and, just like before, they don’t care all that much as long as a turtle doesn’t try to talk to them.
Michelangelo rubs his beak through the rubber and then drops his hand to toy with the edge of the mask at his collar-bone. With sudden decision he pulls the mask off and shoves it in his pocket, putting his hat back on afterwards. Raphael would have a fit but Michelangelo has had it up to here with Raphael’s paranoia.
The giddy, guilty, triumphant feeling of doing something he probably shouldn’t lasts even when a few people do catch sight of him and quickly put their heads down and hurry away. Yeah, people are feeling a bit paranoid of them right now, but they’re feeling a bit paranoid of people so that’s fair. Both sides have to get used to each other again, that’s all. Most people don’t want to hurt anyone.
A stone hits Michelangelo’s shoulder and he retracts his head halfway into his shell while turning around. It’s a big guy standing there, the kind who can probably get somewhere by getting aggressive when he’s scared. Michelangelo holds out his hands placatingly.
“It’s okay, dude, I’m just going.”
“Yeah?” The guy says, swaggering closer. “You the one that hurt that poor guy? On your way to do that to someone else?”
“No way!” Michelangelo says. People are pressing in, now that someone else is in front of them. Most people don’t want to go out of their way to hurt mutants, but aggression spreads fast. They’ve got his shell up against the wall as they form a loose half-circle around him. “Come on, I’m a teenage mutant ninja turtle. You know us.”
“No one really knows mutants.” The rumble of agreement from the crowd feels like approaching thunder.
Michelangelo raises his hands higher, showing he’s unarmed to the people at the back of the gathering crowd. He can’t leave without pushing them aside and if he hurts anyone the thick, ozone feel in the air will come together like a bolt of lightning.
Another stone hits Michelangelo’s shell.
<hr>
Raphael pays no attention to the gathering crowd at first. If they’d found whatever was turning people into skin puddles they’d be running screaming, so it’s probably just a street performer or a fight or something else irrelevent. Then he hears Michelangelo’s voice, sees the green hands raised at the centre. Sees the stones.
Raphael tears his disguise off and throws himself through the crowd, sending humans tumbling in his wake. Sticks and handbags fall on his shell but the trick to keeping his feet under him is moving fast, falling forward into the next step. He skids to a stop with one hand thrown up to avoid hitting the wall, then twists around to face the crowd. He wraps one hand around Michelangelo’s wrist, the other already grabbing a sai from his belt. Michelangelo’s hand wraps around his wrist in turn, linking them together.
He hardly needs to pull them into motion, Michelangelo is already following, running for the path Raphael cut through the crowd. They nearly stumble over a young woman he knocked down before and another, taller and darker, throws herself at him from the side. Only Michelangelo’s grip keeps him upright. She pushes him again, standing between him and her friend with snarling defensive aggression that he matches, showing his teeth and shoving his sai in her face.
Michelangelo jerks him back. “We’re not gonna hurt your friend,” he says, fast and urgent, already trying to push through the crowd a different way. “We’re not gonna hurt any of you! Just let us leave!”
The crowd pushes in around them, from all sides now that there’s not even a wall at their back. How are there so many humans? Raphael can’t get the momentum to bowl through them the way he did before, especially with Michelangelo hesitating, not wanting to knock them over. When Raphael hits out it’s with his sai flipped, spikes lying over his wrist so it’s the hilt he’s lashing out with, but no one seems to care that he’s going easy on them. A middle-aged man with dark hair smacks a piece of drain pipe down over his wrist sending pain vibrating up it like the chime of a bell. Michelangelo kicks someone in the chest and pulls Raphael forward again.
The snap of a shot makes Raphael throw his head up, as if even the sound is painful, cold washing through him from his head to his toes.
“Dude, don’t shoot in a crowd!” Michelangelo yells.
“Y-yeah, it would be terrible if they hit someone who wasn’t us,” Raphael mutters. He’s scanning the crowd frantically, everything seeming to slow down so he can take it in. The old man being helped to his feet by two blond girls. The college kids trying to push their way out, because, yeah, someone shot a gun in a crowd. The guy in a neon safety vest passing out tools from his toolbox, including a really heavy looking spanner. The gleam of light on the muzzle of a gun in the hands of a sandy-haired guy in his thirties.
Raphael lets go of Michelangelo’s wrist, pulling free of Michelangelo’s own grip, and leaps. Landing, he wraps both hands around the gun and wrenches it upwards as it fires again. Humans leap in, trying to prise Raphael’s hands free even though this guy is the idiot who’s shooting. Michelangelo arrives next to him just as Raphael kicks the guy hard in the chest and pulls the gun against his plastron, shielding it from anyone who might try to take it away.
The gun feels solid in his hand. Powerful.
Michelangelo’s hand closes around the back of Raphael’s shell, like there’s somewhere he could drag him.
Raphael points the gun at the crowd. “Move aside.” There’s no need to make an effort to sound hoarse and menacing, his voice comes out as a croak.
No one listens. Instead they close in and try to get the gun away from him again. Do they think they’re heroes, here? Are they trying to die? Or do they know that he’s not… that he won’t… that he doesn’t want to…
He just wants to get out of here alive.
“Why won’t they move?” he whispers.
“They’re scared,” Michelangelo answers, putting himself shell to shell with Raphael so they don’t have anyone behind them. “They’re trying to protect each -”
“They’re not scared enough,” Raphael snaps as Michelangelo’s voice breaks off into a yelp.
The shot he fires is far above the heads of the crowd. He just wants to convince them he’s serious, get them to move. If he’s a monster to them they should stop provoking him!
There’s the answering crack of a rifle from the crowd.
There’s a stinging line on Raphael’s shoulder, a light pain almost like a papercut, and then it burns with a pain that spreads like fire. A space opens at his back as Michelangelo falls, the warmth and wetness of his own blood mingled with his brother’s runs down his arm. When he turns, Michelangelo is on the ground, lying on his plastron, his trenchcoat hiding everything but the tear in it where the bullet exited and a massive, spreading stain. The blood running down Michelangelo’s arm from under his trenchcoat has shards of shell in it, like a smashed egg.
Raphael drops to his knees, touching his hand to Michelangelo’s beak to feel the laboured puff of breath. There’s blood around his nostrils but he’s not dead. Not yet. Raphael lifts his hand to the bloodstain on Michelangelo’s back, fingers hovering before reluctantly dipping down to touch. Under the fabric he feels the sharp edges of broken shell and, worse, a gap, a hole where there should be solid carapace, a void that feels like it could swallow him whole.
A stone hits the back of his head and he looks up, for the first time aware that the crowd is still there, that the world hasn’t stopped. They’re pleased, excited, to see a turtle down. Pressing in like feral dogs around a cat. How could they do this to Michelangelo?
Raphael leans across Michelangelo’s body, tucking that wounded carapace under his own shell. One hand rests on the ground for support, the other lifts the rifle still clutched in it and aims it at the crowd.
“You’re not going to get a chance to finish him off,” Raphael tells them and when the next stone comes anyway he squeezes the trigger.
Someone shoots at him, the bullet pinging against the ground by his foot, so he pulls the trigger a second time. A third. Someone goes down in a spray of blood, but he won’t let himself focus on them. They’re a puppet, a loose shape with long flailing limbs. There are no more bullets in the gun.
Raphael tucks his head into his shell, wraps his arms and legs around Michelangelo, and holds on.
<hr>
“It looks like our villain came back,” Leonardo says grimly.
Donatello smacks the sensor in his hand, ignoring the wail of sirens below him. “He can’t have, I’m not getting any kind of reading.”
“Someone’s dead,” Leonardo tells him.
Donatello leans over the edge of the blimp platform. There’s a body, doll-like from this far away, being dragged towards an ambulance that’s just parked. Beside it is a seething crowd, both angry and panicking.
“Well, that’s not good,” Donatello says. “They can’t take on the Globfather themselves.”
“Then we’d better help!” Leonardo steers the blimp lower, planning to get as close as he can before detaching the glider.
Donatello stares downward, trying to analyse the situation. The glimpse of green at the centre of the crowd suggests it is an alien lifeform they’ve caught, but whatever it is it seems oddly helpless against a pummelling. An amoeboid who spreads by touch ought to be winning. Whatever this is, it’s smaller. More solid. A familiar shade of green.
“Leonardo. It’s them. Our turtles.” The words rip out of him.
“It can’t be.”
“It is, it…” Donatello takes a deep breath. “Don’t detach the glider, if we lose the blimp we’ll just be in the same situation. Drop a ladder, I’ll grab them and we can get out of here.”
The shadow of the blimp scatters the ragged edges of the crowd. People throw their hands over their heads and run for shelter like they expect the turtles to drop bombs. Others yell insults, or become more frenzied in their attack on Raphael and Michelangelo, like the humans are trying to finish them off before Donatello can reach them.
As soon as the ladder is dropped Donatello slides down it, bo already out, hitting the humans like the bomb they were afraid of. If Leonardo was here he would be trying to push them back without hurting them. Donatello is mostly not aiming for the heads.
“Turtle Power!” he yells, smacking a drainpipe out of a teenager’s hand.
Raphael looks up. His face is bloody and tear-stained but his hollow eyes spark with something like life at the sight of Donatello. As soon as Donatello drives people back a little way he’s scrambling to his feet dragging Michelangelo across his shoulders in a fireman’s carry even as Michelangelo’s blood runs down them both.
“What happened?” Donatello demands. “How did you even get into this kind of mess? Where’s your disguise? Where’s Michelangelo’s mask?”
There’s no answer, all of Raphael’s energy is going into climbing the ladder with Michelangelo still slung across his shoulder. As soon as he’s far enough up Donatello grabs a rung himself and yells, “Leonardo, go!”
The blimp rises as Donatello kicks and pokes the grasping hands of the mob away.
It seems to take forever to climb the swaying ladder. Donatello has one hand on the ladder, one on the base of Raphael’s shell to push him upwards. For a moment as Raphael reaches the top the blimp starts drifting, and then Donatello finds Leonardo reaching down to drag him aboard a wing of the glider platform. He balances quickly as Leonardo takes control again and starts them moving for home.
On the opposite wing Raphael is laying Michelangelo down gently. “Donatello?” he calls pleadingly.
Donatello jumps across the middle of the glider to land next to the two injured turtles. When the glider starts to tilt in their direction Raphael hastily scrambles to the side Donatello just vacated.
Michelangelo is a mess. Bloody nose, bloody mouth, broken shell. Should Donatello try to take the trenchcoat off him? It’s probably holding pieces of his shell in place. It’s bad to let fabric get into wounds, but taking it off would make him bleed more and all Donatello’s really sure of is that the blood should stay inside Michelangelo. Donatello’s the turtle that fixes things, that’s his job, that’s what he’s for, but serious injuries are tended by Splinter while the rest of them pace anxiously around the lair.
“We need to get him home,” Donatello says. Then, “Leonardo, hand me our trenchcoats.”
Leonardo does as he’s asked and says, “The blimp’s not fast, but I’m heading home as directly as I can. When we’re close enough, can we risk using the glider?”
“I don’t think it could hurt,” Donatello answers. He folds one trenchcoat into a wad and pushes it under Michelangelo’s plastron. Then he folds the other over the carapace and tries to press hard enough to stop the bleeding but not hard enough to make those bits of shell push inwards. He can feel them grating against each other. Could they pierce a lung? Should he have opened the trenchcoat and pulled them away?
“What happened?” Leonardo asks. “How did Michelangelo get injured?”
“They shot him.” Raphael’s voice is hollow. When Donatello looks over at him he’s curled up, beak pressed against his knees, one arm over his eyes and one hand loosely gripping the glider.
Leonardo takes a deep breath. “Did you shoot them?”
There’s a long silence and then Raphael says, “….did you see?”
“We saw that someone was dead,” Leonardo answers.
“Can you blame him?” asks Donatello. “After what they did to Michelangelo?”
“We can’t shoot people,” Leonardo snaps.
“Not even to protect each other?” says Donatello.
“I didn’t,” Raphael says softly. “I wanted to protect him but… nothing I did helped at all.”
Silence falls over them. Donatello holds his pad of material in place and tries not to cry.
“Hold on, I’m detaching the glider,” Leonardo says. “Raphael. I can’t detach until you hold something properly.”
The glider falls away with a clunk and then a swoop, set free from the slow balloon. Donatello might not be great at first aid, but at least his invention is getting them home fast. He pulls Michelangelo’s head onto his knees, holds his uninjured shoulder down, does everything he can to soften the inevitable jar of landing. He’s still rewarded with blood bubbling from Michelangelo’s nose.
“I’ve got us as close as I can,” Leonardo says.
Donatello nods. “Get the manhole cover up and help me lift him. Don’t let him touch the water in there.” The runoff from New York streets could contain any number of pathogens.
Leonardo puts Michelangelo in a fireman’s carry again to get him down the ladder. It’s not the best idea, but it’s better than any other idea they have.
Donatello looks back and Raphael hasn’t moved from where he sits on the glider.
“Raphael, get over here,” he says.
Raphael shakes his head. “I’m not coming.”
“What do you mean you’re not coming?”
“Master Splinter isn’t going to want me in his house after this.” Raphael’s voice seems to be fading, getting quieter with every sentence.
“Don’t be stupid, you’re his student,” Donatello says. Never mind that they officially graduated from that, they’ll always be Splinter’s students.
“So was Shredder,” Raphael whispers.
“Donatello! I need you!” Leoanardo yells.
“You should go. It’s going to take two of you to carry Michelangelo home and you need to be quick,” Raphael says, voice almost lost beneath Leonardo shouting again.
Michelangelo might be dying down there, they need to get him home safely. Donatello has no choice but to go.
“Just…” he falters, about to ask whether Raphael has his turtle comm, tell him to keep it on so Donatello can call him later, and then fearing that if he mentions it Raphael will immediately discard it. “Just be safe.”
He turns his back on Raphael and jumps down the manhole cover, barely touching the ladder as he slides to the bottom. “I’m here,” he says, taking Michelangelo’s feet. “Let’s go.”
If Raphael keeps his turtle comm then Donatello can track him. If Michelangelo doesn’t bleed out before they get him home then Splinter will heal him. It’s not too late to fix this.
It can’t possibly be too late.
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