Do you have any favorite acelu headcanons/tropes/dynamics?? All your works of them are so gorgeous and amazing and wonderful that it’s got me curious on what other thoughts you might have for them. (●´∀`)ノ♡
AHHH thank you!! From you, it means a lot--I love so many of the details and backstories woven into your works for them!! TwT
I barely know where to begin with this bc like. Everything about acelu is my favorite. But I've also sort of been in a brainrot for them for so long now that my brain is entirely mush when I even think of them. Where do I start???
I guess, I love all the Ace-Lives-related headcanons. Anything about him finding more of a sense of self after Marineford, now that he's reckoned with the fact that he really is unconditionally loved... I personally adore any storyline where Ace kind of mellows out, like, his life isn't about proving he deserves to exist anymore, so he isn't as unforgiving with himself. I actually wanna link this comment thread between me & @to-a-merrier-world bc the headcanon of Ace getting a Stawhat tattoo makes me go wild. It just makes so much sense—his Whitebeard tattoo was on his back as a sign of worth and labor and duty, but the Stawhat tattoo over his heart would place more emphasis on his joys and dreams and jusT gosh. I need to lie down. This idea also ties into your to be deserving fic and Ace allowing himself more like, purely whimsical adornment?? Especially if it's gifts from Luffy??? I can't quite word it now, but the way it could symbolize him just loving the parts of himself that aren't just for fighting makes me. weak. I think it's why I like drawing post-timeskip Ace ideas so much (I already have another sketch I'm planning to post 😂)
hhhh okay that was a lot of Ace Talk. On Luffy's side... tbh Luffy is always harder for me to pin down. But I always love the idea that he needed Ace as a kid just as much as Ace needed him. Like this hc (from another comment 😂)—"Ace needs someone to prove unconditionally that he's lovable, and Luffy needs someone to prove that his love is important, and not easy to abandon." tbh acelu reminds me of my old D&D character, where basically, she was always pretty cheerful and resilient, but felt isolated—like she was always too alien to really relate to others. But then, this other character loved her as she is, and I think Ace did something similar for Luffy in the end? Like, in a world where Luffy never got Ace, I wonder if he'd still be as emotionally secure and kind. Probably! But... ahhh. This hc is more indulgent, but I really love the idea that Ace helps Luffy remember who he is beneath all the power and bravery. Where most of the One Piece world loves Luffy for being a liberator and a fearless captain, Ace loved him before all that—when he was just a kid who loved to laugh and share a meal and marvel at the world.
Oh my goddd I'm rambling. uuuuhhhh there's so much more, I love both when people write Ace as cool and suave, but also when he's a giant lovesick dork... The enemies/annoyance-to childhood friends-to lovers trope works in every world, I'd love to see it in AUs as like a bodyguard + celebrity/royalty plot, or arranged marriage—or pretty much, any story where Luffy wins Ace over with his terrifyingly stubborn love. I also love the fact that their dynamic is so playful!!! If an acelu fic/art doesn't imply that they can—and love—laughing together, then it's out of character to me. 😂
I don't know... they just have it all.... the depth and "I would die for you" level of devotion. But also the ridiculous "we're two feral gremlins who dare each other to eat doritos soaked in mountain dew" shenanigans. It's that mix of both.
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Trigun Bookclub: Trigun Vol.1-2, Chapter #08
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CW: Some of my analysis in this post touches the topic of suicidal ideation (there will be a warning around that portion).
I’m doing a deep-read of the Japanese original print (reread) and Overhaul 1.0 (first read) side-by-side, and writing down everything I notice from small details, version differences, translation differences, etc.
The volume numbers will be mismatched for most of the remainder of Trigun, since the Japanese first edition is 3 volumes while all later versions are 2 volumes.
As always, here are the non-analysis panels aka just my homosexual mumbling:
And the rest is under the cut.
[link for if the images aren’t in horizontal rows]
This chapter is the beginning of the Japanese Volume 2, which is from #08 to #13 (plus the pilot as a bonus).
Starting off with the cool as balls shot of Vash being shot a billion bullets at! I did write "rule of cool" here since I thought he was just magically evading the firing squad. However, on second thought, I think Neon specifically ordered the gang to not actually shoot him, judging by how he says "not bad" immediately afterwards. It's his way to test Vash, to see if he flinches.
[cw sui] The "You ain't afraid of dyin', are ya?!" line stuck out to me a lot... Many rereaders (and I assume first-timers too, at this point in the bookclub) know that Vash is... casually suicidal? I'm not sure if that's the right way to put it, but he doesn't have much of a sense of self-preservation. He's not seeking death, of course, but he's not exactly avoiding it either....
This becomes much more apparent and relevant at the end of Trigun and in Maximum, so I'll leave it until I get to those parts. [/cw]
Dear god the crotch shot. okay (squeezing this into a row because I don't really want this guy's balls to take up the whole screen lmao)
I've always loved how Nightow draws these circles to show spinning motion in his artwork!! It's simple but it really pops... it's just so so (chef's kiss)
I wonder just what Vash's next move was going to be here? He's pretty much cornered... but I guess he can always get out of any situation, as he usually does.
Vash's expression of sheer confusion is golden. I love him lmao
Meryl!!!!!!!!! Milly!!!!!!!!!!!!!!!!! We missed you!!!!!!!!!!!!!!!!!!!!!!!!!!!
I love how immediately after he calls Meryl a little girl he gets spooked by the Big Girl instead.
This is not directly translatable, but I find Milly's line here very cute. In Japanese, she says「…私は―― ミリィ…トンプソンとゆいます えとえとイチオー スタンガンミリィとは私のコトをゆいます」
The correct word for "I'm called [smth]" here would be 言います(iimasu), but the pronunciation ゆいます(yuimasu) is a bit childish in this context. If I recall correctly, isn't Milly the youngest of many siblings? Maybe it's a little quirk showing that youngest-sibling aspect of hers.
Meryl asking Vash to be a "responsible adult" for once.... lol
This is the first time his name has been called since his encounter with Kaito and the beginning of the BL gang' hijack. I completely forgot that Kaito has no idea who he is!! Vash didn't give him a name; he's just been calling him あんた("you") the whole time!!
Excuse the messier handwriting from here on… I was working on this during a car ride.
A detail in the Japanese version - this line was originally written「おまえが消したって話んなってるJULY(あのまち)だが…」with "JULY" having a ruby pronunciation note of あのまち("that city").
This part was initially written to be a translation suggestion but I decided to just keep it a JP phrasing note:
「あのガレキが俺の見た最初の風景だ」
"That mountain of debris was the first thing I saw."
Translation suggestion - Here, Neon says「サシの勝負だ」, where サシ means "face-to-face" or "one-on-one."
I would say it's more like "This fight is between just the two of us," to show more of the respect Neon has for Vash.
More of this respect is shown in the next page, where they make a promise that Neon will step back if Vash wins the duel. Neon recognizes Vash's skill and ideology, and treats him as an equal.
And here's the action!
I found interesting that Neon's war-cry/exclamation "ha" was actually written in kanji as 派. The kanji by itself means group or faction, but considering Neon's character, maybe it's supposed to be a reference to the word 派手(hade), meaning "gaudy?"
This duel definitely isn't following regular duel rules... but no one said it was unfair or anything. Maybe this is just how they are in No Man's Land.
Neon shoots with his dynamo-gun (?) instead of his cool engraved pistol.... Anyways, his first strike is at Vash, and they all hit the rocks that are falling between them.
Vash then shields himself with one of those rocks by jumping in the same direction as it.
And he's doing another frontflip!! In sync with the falling rock!! With a wound in his gut!!
In midair and upside down, he precisely shoots five rounds into Neon. It hits his dynamo, but looking closely I can see that maybe he got his arm shot too.
damn....
A bit of a tangent - many of Neon's actions are reminiscent of old Japanese culture, which is very interesting. His pose during his first appearance in Chapter #05 (how did i remember that. i checked just in case and i was right), where he sort of squats and extends his open palm to the front, is a very stereotypical kabuki pose. Again, I don't know about the specifics of kabuki, but his pose on the the panel where Vash jumps also looks kabuki-esque to me.
Neon's respect towards Vash as a fellow gunslinger and his beliefs on dignity reminds me of bushidō. It's not representative of all aspects, of course, but there are definitely elements incorporated in his character.
This line (including the speech bubble after it) is a bit weird when translated so it will have to be tweaked, but a direct translation would be:
「このままではブレーキングはおろか… 船体ごと爆発する可能性があります!!」
"If it continues like this, the ship itself may blow up, let alone brake!!"
I'm pretty sure "brake" (miswrote in the image, will fix later) here means that they won't be able to put on the brakes due to the boiler malfunction. But I don't know shit about machinery or how to phrase this. (shrug)
That’s it for Chapter #08!
As always, the Japanese annotations are in the reblogs.
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Hi! I saw that you mentionned scrivener in your latest post and I've been meaning to try it. Is it good? I'm a one-doc-per-chapter kind of person so I wonder if it would work for me.
hi, sorry for the somewhat late reply, i wanted to include some screenshots to make my explanation a little clearer but didn't have the energy to sit down for it properly before now. if you're a one-doc-per-chapter writer i definitely think you should consider it! scrivener's most important feature, i think, is that it gives you:
the opportunity to split up your writing any way you want, whether per chapter, per scene, or even per paragraph...
...but all your writing is always within immediate reach, and you can restructure it whichever way you want.
to make that a little clearer, i've included a picture from my own work. scrivener is mostly geared towards creative writing, but i use it for my dissertation and that works very well too. this is the general interface, where you can see i've been writing an introduction:
scrivener's most important feature, to me, is its 'binder', which is this bit:
at the top, you'll see 'draft' - this is the entirety of the project you're working on. in this case, that's my dissertation. underneath, you see a little book, called 'introduction' - that's a main part of the draft. and underneath that, you can see a couple of folders and documents. that's all the different parts of my introduction. you can create as many folders and put as many different documents in those folders as you want. what i find incredible about this, is that i have an overview of all my topics, and that i can switch between all my different topics without having to open different documents OR put all my shit in one big document, which always makes me lose my way completely. and if i feel like restructuring my text? well, i can go to the binder, and drag the texts to another spot there.
since you like to work by chapter, you could just structure your binder like that in a way that works for you, but you'd still have access to all your other work if there's ever a moment when you need to refer back to it. or if you're working on multiple chapters at the same time, you can just switch between them.
something else that has helped me a lot is the 'research' part of the binder:
the 'research' part is meant for you as a writer to put down all your resources - your pdfs, your images, whatever you're using as reference while you're writing. now, because im writing an academic text and need more references than the average (fan)fiction writer, im using zotero as a reference manager. instead, im using the reserach folder to store my writing plans so i can reference and update them there. you see that 'reorganisation' folder there: it's also where i store my texts when i notice that the current structure is not working at all and i need to start over - but in such cases i don't need to write all the text itself from scratch again. this way i can keep everything within easy reach and copy-paste in the same document (you can split your screen within the program, and work in two documents at once).
what's also great are the tools. in programs like word or google docs you'll find some of these, but not all. as you can see, the first symbol leads to a sidebar where you can put a synopsis for the specific text you're working on, and it lets you add notes. the second one lets you add bookmarks to your text, like texts or references you want within reach immediately. the third one lets you add specific metadata or tags. the fourth lets you make snapshots; scrivener saves all your work immediately, but if you're about to make a big change, you can create a snapshot and roll back to that if it's not working out after all. finally, there's the comments, which speak for itself. all the way down the bar you'll also see that you can label texts ('no label' here, there's a colour system) and note what part of the writing progress this part of the text is at.
what i personally like very much is the bar at the top that now says 'opening 2.0'. you can see a light blue bar at the bottom of it: that indicates my writing progress. you can set a writing goal in number of words for your project. for my entire 'introduction', that's 8000 words, and as you can see im nearly there. if you hover over the 'opening 2.0' bar, it'll shift to show you the number of words you've written AND the number of words you've written in that specific writing session like so: 7300/8000 | 345. what i like is that it counts the actual words written - if i've deleted a sentence, my count goes down again. that's useful for me because i tend to think 'oh i've written so much today' while all i've been doing is tiny edits for 2 hours, but not actually put down more words.
there's MUCH more that scrivener offers, but i can't explain it all here. they offer a free trial for 30 days, and it comes with a practice document that explains all the features to you by making you work in the program. id recommend giving that a try if you're interested! the program is expensive (it cost me 70 euros) but it's absolutely been worth it for me. i used to have long-ass documents with half-finished paragraphs and snippets of thoughts and sentences all over, and this has helped me structure my texts more easily while also not cluttering my workspace with loose thoughts and ideas because i have more places to put them now.
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