You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying.
I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead?
Congratulations, you are significantly better-informed than the British government!
So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"
Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :("
You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter.
I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers.
This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold.
Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.
Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.
Question 1: Should the current law providing for the inspection of wills be preserved?
Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.
Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?
No.
Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?
Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you. I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.
"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age." -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.
Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?
Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.
Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!
Did you even speak to any historians before coming up with this idea?
Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?
Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?
No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.
Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.
There is no good version of this plan. The physical documents should be preserved.
Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?
This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.
Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?
Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.
Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.
No, all the documents should be preserved indefinitely.
Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.
No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.
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The elevator game || Colby Brock x Reader
[req by anon] You knew you were sensitive to the other side, but you didn't expect a silly little game from the internet to give you this much of an impact.
warnings: cursing, paranormal activity, reader getting (slightly) attacked by ghosts, sensitive/medium!reader, degrading, angst? still not sure what the meaning of it is tbh
a/n: this is my first request ever, i hope i didn't let you down dear anon. Concept based on this video
word count: 2.5k (not proofread)
[u n e d i t e d]
✮ ⋆ ˚。𖦹 ⋆。°✩
"What's up guys, it's Sam and Colby!" Colby screamed towards the camera, as always.
"Today we are here at the Driskill Hotel, also known as the most haunted hotel here in Texas." Sam continues.
"We're here to figure out why this place is so haunted and what message the ghosts here wanna tell the people. And for this video guys, we have a very special someone!" Colby says, moving to the side so that you're visible to the camera.
Waving at it and smiling, you were greeted by Colby's hands wrapped around your shoulders. "Thank you, thank you. Hello, dear people. It is I." They laugh.
"How are you feeling about this? Are you excited?" Sam asks, putting the camera on the both of you.
"I am! The place is HUGE and honestly, just looks so good!"
"Right?? When we got in it was just like a burst of shock at how gorgeous this place is." Sam said and Colby nodded.
"If it weren't haunted I'd probably come here more often, but I can already feel all of these... energies walking around, I wouldn't last too long."
"Oh, right. For anybody that doesn't know, Y/n is actually a bit of medium?" Colby asks while looking at you, making you nod. "Yeah, so she's sensitive to like the energy of shadow figures and things like that, so maybe we'll get to experience something interesting tonight!"
"I'd say hopefully not but that wouldn't make it fun I guess." You laugh and so do they while you explain it is a pain in the ass to feel those things constantly. "It is almost as if you're constantly paranoid about someone looking at you, y'know what I mean?"
"Oh yeah, for sure." Colby noded.
"Yeah so that, but those stares are more physical than anything, there are times where I can feel people walking behind me and when I look back, there's no one."
"I can just imagine how creepy that must feel." Sam said and you chuckled.
"Oh yeah. You have no idea." You smiled.
"Well then, shall we begin the investigation?" Colby asked you, smiling. You quickly smiled back.
"Of course." You kissed him softly before Sam could even turn off the camera.
"Oh, gross man. I'll have to edit that out." He said jokingly and you laughed, rolling your eyes.
"But seriously though, let's keep it moving." You said and they agreed.
Walking around, there were a few pieces of lore they had to explain to you beforehand. About the one and only Driskill who created the hotel, about the little girl that broke her neck, so on and so forth.
There were times when you had this eerie feeling of constantly being followed, so you kept your arms interlocked with Colby's.
"You're doing okay so far?" He asked, cautiously caressing your hand. You nodded.
"Yeah, just feel like we're being followed." You replied, looking back where there was no one there.
"Really??" Sam asked, looking back as well but seeing nothing. "Do you think we caught a ghost's interest?"
"I mean, probably. There is a difference in between someone that's coming just for the hotel part and us, that are investigating and directly needing their intervention. We're making them curious."
"Well, for whatever spirit that might be following us, you're welcome to answer our questions later on tonight." Colby said loud enough for anything around to listen to it.
Honestly, even those small gestures made you so madly in love with him. The way he touches you softly just for you to make sure you're not alone and he's here for you is such a warming feeling.
Wilst looking around the current room, Colby walked up to a random closed door and tried to walk through.
"She said no closed doors!" Sam exclaimed, probably talking about the tour guide's rules of the place.
"Unless it's... unlocked." Colby responded, making Sam roll his eyes.
"Oop, it's Jim Hogg's room." You said, looking up.
"Who's that?" Sam asked.
"I dunno, it says its name on the top." You point up and they just laughed at the comment. I mean, what were they expecting? You had no idea about whatever story roams around these halls asides from the two main ones they've explained.
"Also I don't think you should be trying even more, like if it's hard to go in it's probably because you're not supposed to."
"We have a bad reputation of breaking into places." Sam admitted and you smiled.
"Yeah, I know. I remember that." You chuckle and hold Colby's hand to pull away from the door.
As they kept on chatting and making interesting comments here and there, you found the elevator and pointed it out. "Oh, is this the one?" Colby asked Sam and he just gave him a stare.
"This is the one what?" You ask and they look at eachother.
Sam sighed. "We were going to keep it until the time came, but we may have a little challenge for tonight that has to do with the elevator."
"Ooooh sounds fun. I wanna do it." You smile.
"You sure?? You have to be by yourself." Colby asked, worried but amused.
"Do you think I can't do this, Mr. Brock? That's offensive." You spat, crossing your hands around your chest.
"No! I meant-" He tried to explain, but you quickly interrupted.
"Cancelled, I tell you. Cancelled!" You look away with your eyes closed, trying not to laugh at the stupid situation unfolding.
"Great." You heard him sigh in defeat as Sam started laughing at the both of you. Looking back with a smile on your face, you hugged him.
"Alright, let's get going already." You giggled, gaining a kiss on the top of your head from your boyfriend.
Walking inside the elevator, it almost felt as if it quickly went down in an unnatural way.
"Did you guys feel like... the elevator dropping three inches?"
"Yeah, kinda of." Sam said.
"Three inches is a lot." Colby replied.
"Three inches is huge." Sam continued.
"I can vouch." You said.
"Mass..." Colby began talking but couldn't hold in the laugh after you said that.
Going back to the main lobby, you all reached out to a girl that was apparently the tourguide. She quickly explained the story of the place, how it ended up being the renouned hotel it came to be.
When she explained that the smell of cigar was one of the main ways Driskill manifested, your eyes went wide. "You're kidding."
"No, did you smell it before?" She asked.
"I did! But it was like, close to the entrance so I thought that maybe someone was smoking. I did find it rare because it was just a glimpse of it for like a solid second and then gone." You explained, making the girl smile.
"Well, that was him."
"No way." Colby said, smiling at you.
"Yup." She nodded, continuing to explain as you all started walking back to the elevator. Going inside, the door closed only to be opened again. "Oh?"
"Did we just pressed five and went to one? It's haunted!" Sam exclaimed.
"That was weird." Colby said, looking at the door.
"It was, that was so weird." The guide said, trying to close the door once again, only for it to open again.
"Does it do that often?" You asked and she shook her head.
"No! It doesn't." She walked back out and talked to someone from out side. "Are you fucking with us?"
"That's so strange- oh, I hit it." You whispered. The guide came back in.
"But you see it, right? I'm pressing five and it like start to go up but then it stops." The door closes once again, only for them to open.
"Oh my god." Sam said, whispering.
"And we're doing a challenge here?" You asked confused, making them laugh.
"Not here exactly." Colby smiled.
"Lemme- I'll go out." You said, walking out of the elevator, watching as the doors began to close, only for them to open once again. "Oh no, that's- that's a malfunction alright."
"And you said it, these malfuction all the time." Colby said to the guide as they walked out of the elevator.
When Sam did it by himself, it started working all over again.
"What the fuck??" Colby yelled.
"Are we like fat? Is it fat shaming us?" You whined, making everyone laugh.
And so, even though your night barely started, you were already having some activity to say the least.
And it kept being that way all night. Constant responses from spirits, intelligent ones at that. The little girl, the woman from the vortex room... all the way down to the challenge you've been anticipating the whole night round.
The elevator challenge.
"I think it might be just me but every single time we pass through this side of the hotel I feel like actually throwing up."
"Wait, really?" Colby asked, worried.
"Like an eerie feeling more than anything, almost like I'm kinda feeling a bit dizzy whenever we pass through here."
"Are you sure you want to do this? You can still back out, or I could go in with you." Colby tried to make you change your mind, but you were settled in it.
"No, I have to do it alone. What if it doesn't work because we're together? You're not gonna let me do this right?"
"I do! I'm just worried." Colby admitted, making you smile.
"You cutie. I love you so much." You said, smiling at him and cupping his face before giving him a quick peck on the lips.
"Y'all are gonna make me puke, another part I'm gonna have to cut out." Sam joked, making you giggle.
"Alright, alright. So, how does this work?" You ask, hugging yourself as you wait for instructions.
It was a simple game. Supposedly, you had to hit the buttons of the elevator in a specific order. In the last one, you had to invite in a lady. If the ritual worked, you were supposed to start going up into another world. If it didn't, well, nothing happened and it failed.
"So... I'm about to get isekai'd? We're going to an anime, brothers." You laughed at your own joke while they handed you your camera.
"I send you the order, just in case." Sam continued, and you nodded.
"Thank you, 'cause I already forgot." You turned on your phone as well as the camera and walked in.
"Any last words?" Colby asked cheekishly, making you smile.
"See you in the other side." You answered, before the door closed. You sighed, putting the camera up to your face. "Alright, so... I'm supposed to hit this one first." Switching the camera back to the buttons, you hit the number four.
It began moving. "Oh, good. It would've been a mess if it already fucked up. Alright..." You sighed. "I didn't told them this, but I do find the thought of getting stuck in an elevator horrifying. I just agreed because maybe it might help me out, but it doesn't work the fact that I can feel so many spirits around this area specifically every time we walk past it." You explain before getting on the next floor, touching the next button.
Back down on the lobby, Sam and Colby were talking.
"I didn't want her to do it, honestly. I was gonna do it myself." Sam said.
"Right? She's our guest too, what if something happens to her? That would be the death of me."
"Don't jinx it, brother. She'll be alright."
Boy they were wrong.
Halfway through, your vision started to get blurry, your legs were shaky and you couldn't brush off the feeling of pressure on your chest. It was starting to make you nervous, even more so the fact you were alone.
You started thinking to yourself. What if something really did happen? What if you summon something your body couldn't handle? What if it really did send you to another world?
It happened so quickly, that you have already reached the last floor before you knew it. Gulping down your dry throat, you began to speak. "Alright, if there's something... out... oh fuck." Your vision got blurry and you could feel an inmense ammout of power flushing through the elevator doors even before it opened up.
You couldn't hold it together, it was too much for you to handle as you were suspecting before. Although you tried to stay up, your legs couldn't hold your weight up anymore and you passed out, falling down to the floor, hitting your head strongly onto the hard floor of the elevator.
Luckily, the ritual didn't work. It began going down and the guys, mainly Colby, were anxiously waiting for the doors to open. When they did, their faces fell.
Colby screamed out your name, quickly rushing in and holding your head. "Love?? Sweetheart, what happened? Wake up, please. Oh God." He began shaking, carrying you outside of the elevator so that it was slightly more comfortable.
"What happened? Oh my fucking God." Sam whispered, grabbing your camera from the elevator's floor and walking out.
"She's not responding, Sam." Colby nervously said, making sure you were at least still alive.
You were.
"Should I call an ambulance or something?" Sam asked. "Oh, no. I have the keys with me."
"Let's take her to the hospital, quickly." He lifted you up from the floor and hurriedly got out of the building and to the hospital.
You were alright, luckily. It seemes you have just fainted, but you falling down to the floor and hitting your head so hard made it a bit more complicated than what it had to be.
Colby felt bad, horrible even to think that this could've happened to you.
He should've been more careful, he should've known you were too sensitive to all of these energies so that you would go alone and out to make something so nerve racking. He should've been more insisting, rather than going with the flow merely because of a video.
He let his love have that type of experience because of a mere video.
It devastared him. Made him feel absolutely awful about it. While waiting for you to wake up, he kept on downgrading himself thinking about how he's the worst possible boyfriend.
It all stops when you finally wake up. Looking around the white room, confused.
"What happened?"
"It looks like you fainted... I'm so sorry for letting you do that all by yourself, I should've stopped you, I should've at least gone with you, I'm so sorry that you had to go through that because-"
"Love. Love!" You held his cheeks softly, making him quietly stop ranting, you smiled. "You know I wanted to do it, I was the stupid one for forgetting that big energy rafts can affect me a lot, I'm so sorry baby." You kissed his nose, reassuring him everything was alright.
And honestly, he needed to hear it. From you, specifically. Sam was trying to make him calm down but it didn't really work. It had to be you, your voice, your smile.
The one thing that made him whole all over again.
✮ ⋆ ˚。𖦹 ⋆。°✩
I MAY HAVE DONE TOO MUCH FILLER FOR NO GODDAMN REASON- also hoping that dear anon liked it-
thank you for reading, loves~! likes, comments and reblogs are appreciated <3
~nikkõ
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IMAGINE PEDRO PASCAL X ACTRESS!READER
Summary: You and Pedro answer some internet questions.
Warnings: Implied romance, friendship,fluffy
I was up at the crack of dawn watching The Graham Norton Show due to my unhinged obsession with Pedro Pascal. That's where my hypothesis about Helen Mirren became more credible. I really hope you enjoy it, though.
"Hello, I am Pedro Pascal." He introduced himself, waiting for you to do the same. "And my name is Y/N, and today we are going to answer some questions from the Internet." You said as Pedro shook the jar with the questions written on small pieces of paper."Let's see what the first question will be." He said, turning the jar over so that you could pick one up. "What was the last song you listened to?" He leaned over to your side, reading over your shoulder. "Do you remember?"
"Let's dance by Bowie. I listened to it in the car when I was coming here." You said, leaving the paper on the table. "Whenever I'm feeling down, I put this song on, and everything is better. What about you?"
Pedro paused to think, looking distractedly to the side. "Someone sent me this video with the song Hey sexy lady and this has been on my mind since then."
"I think I know which video you are talking about." You laughed, raising an eyebrow. He chuckled and laid his head on your shoulder. "Well, next question. Are you good with accents?"
"Are you?" Pedro asked, as you shook your head negatively. "Come on, it shouldn't be that bad."
"The best I can do is a terrible British accent." And I'm not being modest; it's truly terrible." You rectified it, laughing. "But you, on the other hand, are good at it."
"I try; I've done a few different accents." Pedro said, moving his shoulders as if to ask something. "This is the way." He said it in his SNL Valley Girl accent.
You smiled as you shook the pot and motioned for him to take the next question.
"Recommend a book." He read, then tossed the paper aside. "I think I've mentioned this book before, but Gabriel Garcia Marquez's One Hundred Years of Solitude is a landmark in Latin American literature and well worth the read. Besides dealing playfully with social and economic problems, it talks about family, friendship, and love."
"That sounds interesting." You commented. "I would recommend Normal People by Sally Rooney. It's a great book, which in addition to telling the story of Marianne and Connel, deals with topics such as mental health, social classes and makes us reflect on how we impact people's lives and how they impact us."
"Nice." Pedro agreed, waiting for you to take a question.
"What is your celebrity crush?" You asked, and you can't deny that you were curious to know his answer.
"Tough question, there are so many people I admire." He began, adjusting his glasses. "However, if I had to pick one, it would be Helen Mirren since Excalibur. Oh Morgana Le Fay has awakened something in me.""She's wonderful." You agreed, taking a moment to decide. "My celebrity crush is Tessa Thompson; that woman is amazing. She could punch me in the face and I'd thank her for it." "Whoa!" Pedro muttered in surprise. "I don't even know what to say." He joked as you pushed him lightly to the side.
"We only have two more." You commented, looking through the last few papers. "Let's see what the question is." You said, unfolding the paper. "Were you a good student? Were you Pedro?""I was a student." Pedro paused. "Maybe I got into some trouble." He joked, holding your arm as he laughed, "But they were always normal things, like skipping class or forgetting to do an assignment.""I guess I was a good student; I got good grades; I was a little nerdy; and I never got into any trouble." You spoke, throwing a lock of hair back."So, you were a good girl?" Pedro asked and you bit your lip."You could say that." You mumbled, holding the jar for him to pick up the last paper.
"What's the one thing you wish you could tell your younger self?" He read, looking thoughtful for a moment. "I would say that everything would eventually work out and that some things tend to take longer to happen. And to never, no matter what, stop being who you are."
You smiled, gently touching his shoulder. Pedro stared at your face and returned the smile.
"I'd tell her to not be so hard on herself and to try to enjoy the moments without worrying so much about the things she can't control." You said sincerely. "Well, it looks like the questions are over."
"It was a lot of fun answering them; I hope you guys enjoyed it as much as we did." Pedro spoke, smiling. "Until next time." He said, and made the peace sign with his fingers.
"Bye." You spoke, waving to the camera.
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Surely with how popular you are you would have had a few cancelling attempts, but you're drama free. How? I thought you'd be target number 1 with TERFs.
So the thing is, people on the internet have and do try to wreck my life! But it's true that I get less of it than a lot of other women, and I often ask myself (and them) this same question. I think it comes down to a few factors. In no particular order:
I'm white and thin
I don't post selfies very often
The Philosophy Tube Jutsu: I never use my platform to say anything bad about individuals, so I don't make enemies
I'm British
I don't put my pronouns or the word 'trans' in my bio. I mention it if it it's relevant but to a casual troll looking for someone to go after there are more obvious targets
My brand: in terms of online content, my brand is 'Educational and Compassionate.' I try to be even-handed and listen to all sides and never be angry, and people are maybe a bit reluctant to get mad at someone who does that? In terms of acting, my brand right now is 'I'm Trying Hard and I'm On My Way Up!' which I guess people like?
I have a posh accent
I don't make online content about video games
I'm pretty enough that men like looking at me but not so hot it makes them angry
I transitioned in private before I came out publicly. I knew that when I did I'd get a lot of backlash, so I pre-emptively muted LOADS of words in my comments section and wove a kind of digital safety net
I'm so busy that I often miss whatever the discourse du jour is and don't get involved. As a wise woman once said, 'Do Not Tweet.'
I deliberately dress and present myself as 'classy' in public-facing stuff
Most of my content is scripted, so by default it attracts people who like to sit down and listen
Philosophy Tube is literally all about critical thinking and not taking things at face value. So if a typical Philosophy Tube Subscriber sees a post that says 'I saw Abigail Thorn kicking a puppy down the street!' they're more likely to stop and think, 'What's the evidence for this?' This means that when there are hate campaigns and lies spread about me (and there are, from time to time) my core audience sees through it and sticks around
I have very good mods! Big shout out to all the lovely people on r/philosophytube and all the people who moderate my livestream chats!
I have a social media manager who can look out for hate and pre-emptively guard against it
I don't hitch my brand to other people. I sometimes do little collabs or appear at events with other creators but for the most part I fly solo. That means if another creator blows up or posts something awful I minimise my chances of cancellation-by-association. I'm friends with lots of creators but for the most part I keep it behind the scenes (Learned this one the hard way!)
I'm not a sex worker. Those people get hate like you wouldn't believe - the sex workers I know are the toughest folks I've ever met!
I'm not very fun to bully! I do get death threats and hate campaigns and people make fake porn of me and libel me and all that stuff - literally every day - I just never talk about it publicly so trolls don't get the satisfaction of seeing me get upset. I just mute and block and move on silently. When I have to talk to a lawyer or the police about someone causing a problem, I handle it behind the scenes
Platform size. When TERFs in British media go after someone they tend to pick on people smaller than them, cause they're bullies.
I built my platform slowly, so I've had time to adjust and get used to how it impacts my life
People have tried to cancel me in the past and it's blown up in their faces, e.g. the Trump Transition Tweet Incident and the B*ck A*gel Affair.
To be absolutely clear, a LOT of this is luck and privilege. I'm not trying to blame the victims of online harassment: yes, some of these factors are things I choose to do but not everyone is able to make those choices. It's also the unwinnable game of respectability politics: yes I might get less hate because of the way I dress or whatever, but fundamentally that won't protect me if I get arrested and sent to a men's prison. These things aren't a substitute for a more just distribution of power. There's also this final possible factor:
It just hasn't happened yet.
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