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#this may have a second part
loveinhawkins · 1 month
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”How do you do it?” Eddie asks.
The question slips out far too late at night, anxiety thrumming in his chest—he’s not escaped the feeling ever since the boathouse, when he simply couldn’t sleep, felt like a fox just waiting for hound dogs to get his scent, ready to run—
Steve doesn’t need him to explain further, as if he can somehow hear a whole lot of what Eddie’s not saying: like when he picked up the phone an hour ago and hadn’t even let Eddie tie himself in knots, had just said, so easily, “I’ll come get you,” like it wasn’t a huge inconvenience, like he’d been the one to call Eddie instead.
He’s considering Eddie from where he lies in bed, leaning on his elbow, and he’s still got the covers off pointedly—and that’s a big thing, Eddie thinks, a big thing he doesn’t know what to do with, because they’ve not talked, not really, not got much beyond the dizzying relief of still being alive.
But even fraught with profound lack of sleep, Eddie doesn’t think he’s misreading the look in Steve’s eyes.
I know, those eyes say, illuminated by the warm light of the bedside lamp. It’s okay, there’s no rush. I’m right here.
Eddie’s never seen that kind of look before. Not towards him.
“Sometimes Robin sleeps over,” Steve says thoughtfully. “And sometimes the kids are around, and they’re so annoying and I get, like, three hours, tops.” He says it with all the fondness in the world. “And sometimes I’m alone, and it’s fine.”
“What about the other times?” Eddie can’t help but whisper.
If it were a reasonable hour maybe he wouldn’t dare to ask at all, but exhaustion’s worn down the filter in his head—at this point it’s practically see-through.
Steve shrugs. “Yeah, they’re shit,” he says with such honesty that Eddie nearly asks it again, how do you do it?
“But then it’s, like, a new day,” Steve says slowly, like he’s carefully weighing up what to say, “and I can… drive.” The pause tells Eddie he means go to someone. “Or, like… call, if it’s really bad.”
Hey, I’m glad you called, man, Steve had said when Eddie got into his car earlier, like they were just going to the movies or something normal—like Eddie wasn’t shaking, forehead pressed against the passenger window.
Eddie feels his throat close up a little. Tries to sniff as quietly as possible.
“Eddie,” Steve says patiently. He moves back in the bed. Gives Eddie space. “C’mere.”
Steve keeps the lamp on which helps; this isn’t the boathouse, Eddie thinks, and the slightest bit of tension leaves his body. Even that feels like a miracle.
He’s just resigning himself to lying there, staring up at the ceiling so at least Steve can get some rest, when Steve turns and catches his eye, still wide awake.
“Tell me about The Lord of the Rings,” Steve says.
The tightness in Eddie’s chest loosens; he laughs in surprise. “What?”
“You heard me.”
Eddie turns so he’s facing Steve properly, attempts a casual shrug, knowing already that it’ll be too rigid. “I don’t know, man. We, uh. We kinda lived through Mordor already.”
His hand twists in the bedsheets, knuckles turning white.
I don’t know how to do this. I’ve never had…
Steve’s hand reaches across, eases Eddie’s grip on the sheets, like he’s saying, neither did I. Just give it a shot.
“The shire, then,” Steve says.
Eddie smiles. “Steve Harrington,” he says, suddenly finding enough lightness to tease; he’s missed it. “Are you asking me for a bedtime story?”
“Nope,” Steve says. “We’re just gonna lie here and talk.”
And they do.
Steve asks questions which works out for the best—Eddie can’t quite remember the last time he read the books. To tell the truth, anything that happened before March often has a kind of fog over it.
He’s sure he’s dropped at least a couple of plot points somewhere along the way, but Steve never once complains that he’s not making sense, just gently prompts Eddie until… until…
“Mm, I know what you’re doing,” Eddie mumbles through a yawn that catches him unawares.
“Oh, do you now?” Steve says, sounding smug. God, Eddie loves him. “Is it working?”
“Maybe.” Eddie says. His eyelids are heavy. “Um.” He yawns again. “Where… where was I?”
“Don’t worry about it, man,” Steve says. It sounds like he’s smiling—Eddie would check, but it’s suddenly impossible to keep his eyes open.
It’s okay, he thinks hazily, melting into sleep without even thinking about it. He can ask Steve in the morning.
There’s no rush.
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howlonomy · 2 months
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Might I pester you for another monster clover?
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clover: just happy to be here :)
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turtleblogatlast · 6 months
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We were robbed of a Hueso Jr. episode because good god I need he and Leo to interact.
I can just imagine an episode where a very busy Hueso has no choice but to ask Leo to babysit, and Leo’s like heck yeah I’d rock at that.
And of course Hueso is constantly like oh god what if something goes wrong that’s PEPINO he left with his CHILD.
So continuously throughout the episode he imagines the worst case scenarios for what could possibly be happening.
Every time Hueso imagines another catastrophic scenario the scene cuts back to Leo and Hueso Jr just calmly watching a movie or playing a game or something else equally as innocuous.
Eventually the worry gets to Hueso so much that he cuts his business short and races back home to see -
A peacefully sleeping Hueso Jr smiling as he lays snuggled up next to a shockingly quiet Leonardo.
He’s pleasantly surprised, and agrees to ask for Leo again next time he needs a babysitter.
Or, as it seems he may need to, when Hueso Jr. wants Leo to visit.
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greyfics · 9 days
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even if it's handcuffed, I'm leaving here with you.
- °•. ✦ .•° -
pairing: the ghoul (cooper howard) x reader fic type: enemies to lovers, no smut, mild spice + eventual fluff slow burn meter: ◈◈◇◇◇ word count: 3.8K inspo: TPD lyric prompt list, reblogged on main reader type: assumed wastelander background, gender neutral, 'I don't need a knight to save me', assumed negative views of BoS, assumed gun for hire cw: strong language, violence, reference to fictional drugs, mild dismemberment summary: reader is a gun for hire who has gotten themselves into a bit of trouble in the form of a moderate bounty with a local segment of the brotherhood- and cooper howard knows he can get all the drugs he needs for what seems like an easy job.
- °•. ✦ .•° -
"We can do this all day, darlin'. Even if it's handcuffed, I'm leavin' here with you." you feel the pressure of a pistol barrel pressing against the base of your skull from behind, and a disgruntled, defeated sigh slips through your lips. The game is up- you're out of ammo, down to the ripper hanging from your side, and 'gun against the brain-cage' is the indisputable checkmate.
Up to this point, you'd been pretty successful in shaking off the swathes of bounty hunters and jet-scrounging raiders that'd been on your tale since you became an enemy to the brotherhood- which, nowadays, seemed to be a pretty fucking easy feat to accomplish. The rusty knights were getting a little big for their oversized, several-tonne boots- and you had never been a fan of self-asserting authorities using their power in the name of 'order', especially not when they could hardly organise their own little sectors across the expansive, sparse remains of the USA.
As good with a revolver as you are, today it seems your luck has ran out and your karma has caught up with you, because you've finally met your match in a ghoul with a face so smug you wish you at least had a chance to slap it before losing the game of cat and mouse you'd been playing for a couple days now across Junktown. Your face collides into concrete and a quick click combines with the feel of steel against your wrists, The Ghoul's threat having evolved into a promise.
You spit a ball of blood and saliva from your mouth, wrought up by the hard impact with the ground below, "Alright, you win this round you freak- I'll come with you, just get these off of me." You hear a smirk from above, "Now how stupid do you fuckin' think I am? No, I gave you a chance to come willingly, you chose to shoot me in the leg. Lucky I ain't returned the favour." He gives you a light, sharp kick in the side with the tip of his boot, "Up. We got a long way to travel, and sooner we get there, sooner I get paid. I'll be reminding you now that I only get a bonus for bringing you alive, so make my life hell and I'll live without the extra caps." "Not exactly easy when my-" you hear the chick of a safety being cocked, and awkwardly shuffle back until you can jut sharply up onto your knees and slowly stand, turning to glare daggers into your now captor. The Ghoul's expression remains stiffly affixed with the wry, smug facade he bears: relaxed, squinting eyes peeking out above a thin, ever-upturned lip- you swear to yourself to you'll smack that smile off his face- but by all accounts, beneath the withered, decaying skin that had festered in his ghoulish transformation, the man had the stature (and admittedly, the jawline) of a filmstar.
You shake off the irritable possibility of monster like this getting lucky with the gene pool as a calloused hand secures a vice grip on one of your wrists and tugs you in suit as it's owner sets into motion, dragging you away from the remnants of an old civilisation and towards a military base miles away you are all too acquainted with.
You had been so caught up in the wild ride of adrenaline that came with being on the lamb that you briefly detached yourself from the catalyst of the chase- but as concrete and clay inevitably crumbles away to distant sandy dunes and cacti, the dread stirs in your stomach like a plague. It was easier to wave off the consequences of your actions when you weren't being marched towards the gallows to face them- it wasn't like you made an attack on the organisation. You kill one knight trashing up a town in the name of redundant technology, and suddenly you're on a hit-list. You know The Ghoul probably doesn't know this, and you know for certain that even if you tried to give the man a sob story he wouldn't care. This was it. "You about to be sick?" You snap from your pessimistic daze at the sudden interruption of silence, "No. Why?" "You look like you just ate a mouldy iguana, that's why- and I don't want sick on my boots." You let out an irked groan, and sharply snap your head to face the horizon in the opposite direction to your captor. You hope this will satiate his sour jabs for the time being-
Your hope is crushed five minutes later.
"Go on then. I'm bored shitless and I'm outta jet, so spill." He says with an almost theatrical exasperation in his voice, "Spill what, exactly?" you coldly respond in a mute tone, focus still fixed on the horizon to the west, "Well what's the big story? Someone's always gotta be the victim when they got a bounty on their head, so what's the tragic tale behind 'Y/N', huh?" the muscles in your neck and shoulders tense up at the mention of your name- you weren't exactly a known associate or long-time rival to the brotherhood, and the wanted poster you had wrestled from the stiff fingertips of a raider last week only had a sketch and a scrawled account of the incident. You falter for a moment before replying, but ardently avoid taking the bait, "If your plan is to get me to tell you how we got to where we are right now just so you can mock me, then I think I'd rather carry on enjoying the view, if you don't mind." The sweet-toned sarcasm at the end of your sentence seeps with venom, and the hostility it implies does not slip away from your adversary.
This time, his laugh is a soft, whisper of a chuckle- something spiteful, foreboding- followed by matching words, "You should hear what your little community had to say about you for a couple caps and a promise not to shoot anybody- well, anybody else-" his words cut into something personal, then- and though you would normally know that attacking someone with your hands cuffed behind your back is never going to end in your favour, at this moment you couldn't care less as you swing your leg round in a swift roundhouse motion, and raise your knee towards the only place you can think to leave a mark-
You hit your target, but instead of howls of pain you are met with a split second of awkward silence as the ghoul cocks his head, unimpressed, before slamming it into your own, sending you staggering back a few paces-
Before you can reorient your vision, a heavy dull force plummets into your ribs- the sand cushions your blow slightly better than the concrete you met face-to-face with an hour ago, at least. Your arms, however, are not grateful to be pressed beneath you as a familiar, withered hand pushes into your throat, putting as much pressure on your trapped limbs when your upper body presses back as it does on your esophagus, halting your air supply as he lowers himself down to a kneel and fixes your gaze onto his,
"If I wasn't already a walking corpse, that could've really hurt- not a very nice thing to do to someone just tryna have a little bit of light conversation now, is it?" All you can do is glower through eyes blinded by the sun, which gleams behind the shadow of the ghoul's head, bearing on it a smile tweaked with frustration- you need to breathe- you can't keep this up, your heartbeat is louder than the sun in your eyes and-
The pressure releases. You turn your head to the ground and suck in air between dry, heavy coughs, and after you've finally steadied your breath, you find a minor fleck of relief in being hoisted up from the ground this time instead of scrabbling to get up at gunpoint. You wonder, perhaps, if this is some small act driven by guilt- perhaps this man had a conscience once and a set of values beyond doing what it takes to ensure one's own survival. You were a gun for hire yourself, so it would be hypocritical to criticise your captor for his line of work- mostly, you preferred to stick with jobs guarding merchant caravans and to take out bands of raiders harassing the cities you passed through, but you never questioned the legitimacy of the requests you received, or the cargo you oversaw; you had settled for a little while, having stuck around the same little settlement for a few years now and had started to develop some semblance of a connection to the people there-
or so you thought.
You know you're going to be walking for a while- so with a resigned breath, you begin saying what little there is left to say about your present situation, "Well, you probably know most of what I can tell you from the sounds of things, but I guess there's nothing else for me to do right now, and the horizon is the same no matter where you go around here. I guess you could say we're in similar lines of work, but that's not really what got me in trouble with The Brotherhood. They think they can rock up in a power armour with a logo on it and wreak havoc as they please because it's for 'the greater good', but they leave towns half-destroyed when they pass through. I didn't want that to happen to... well, I didn't like the sound of that happening where I was. So, dude gets out of his power armour and starts waving guns around screaming about some piece of pre war tech or the other, and I tell him with... a strong choice of words, to get going. He starts running for the power armour, guns blazing- and I just have better aim, I guess. Not even like I got paid for killing him, either. Maybe that would've made this whole thing a little bit sweeter."
Your profession leaves a silence hanging in the air for a little while after, but it feels appropriate. The dunes filter sand from the far west to respond to your story- the horizon quivers, but only through the illusion of heat; the sand dries your eyes before they have reason to shed tears. A loaded sigh escapes the ghoul in front of you, and the clasp on your wrist softens but for a moment before stiffening to pull you onwards, "Yep, well, caps keep you going a little longer round these parts, but money can't solve all your problems." "You should tell that to the Brotherhood. They seem to be doing pretty well for all the wealth they've hoarded- can even pay big time bounty hunters to do their shitwork from the looks of things." You retort, but after a moment follow up with, "Wish I could say I was upset about it but hell, if I were you, I'd turn me in too."
You hear that soft chuckle again, but when you turn around to catch a look at the face that matches it, you see relaxed muscles and a far-off stare- he won't let you go, but he has let his guard down but a little bit- perhaps when we get closer to my story's end, he'll even let me walk to my death with my hands unbound.
- °•. ✦ .•° -
After trudging on in silence for a while, head bowed to your fatalistic contemplations, you find as you drag yourself out of the pit in your head and look over the horizon once more that the scene has changed: the atomic orange dewdrops spattering the sky not long ago have quickly to faded into a bruised overhanging shadow of violent, lavender, crimson; twilight approaches, and you're still surrounded by desert hills and illusions.
One of these illusory quivers catches your sharp eye, a dark blip that has appeared somewhere in that distance; it's moving, but it isn't close enough for you to determine whether it's just a trick of the heat or whether it's something heading in your direction. Your brow furrows, but you say nothing yet.
Within a minute, the object comes into better focus- or, rather, the creature. Your heart skips a beat, and you open your mouth to utter some kind of warning, managing to rasp, "Get the handcuffs off of me." "Now, darlin', I thought we managed to get past this already-" "No-" You tug your bound wrists, pulling the ghoul into your side- his other arm steadies itself against your shoulder before slipping up to your jaw and dragging it to face him, his own clenched and unaccompanied by a smile this time- the pallid complexion of your own face gives him enough pause for you to blurt in a fruitless, strained whisper, "Deathclaw."
If The Ghoul's skin could have paled more than it already had in his lifeless state, then it might have at that moment. The tight grip holding you against him slackens completely and you thud onto your ass as he draws his guns and casts you a playfully pitiful glance from above, shrugging and saying, "Sorry, darlin', guess I forgot to pick up the keys." He steps in front of you as a curse rips out of your throat in the sudden panic that ensues, and you try to muster enough brain cells in this moment to figure out a way of not dying, prematurely, and becoming just another skeletal curio.
There's the back-up plan, the 'if shit goes south' plan that you still hadn't gone through with because of the possible dismemberment that it might entail- but you had not been unarmed when you had been restrained earlier, and the phantom hum of a ripper blade always strapped to your waist as your last resort. You won't be able to wield it with any competence with your hands restrained as they are, but you can hit the power button from your current position-
Though, usually, you'd prefer to do it when the blade was already in your hand, not digging into the side of your leg.
shredded leg is better than deathclaw snack. Your astute analysis confirms your decision, and with a grunt and a whack, the blade starts chugging into a steady whirring action by the will of the dregs of an energy cell embedded inside- the next couple of seconds are far too long.
The blade begins it's excursion into your thigh as the gunslinging ghoul whips around at the sound, eyes wide at the sudden display of spraying crimson. You scream, struggle to try to align the cuffs without jerking your shoulders out of place. The deathclaw bounds into the mid-distance, closing in upon it's approach- it caught your scent before you could even see it's silhouette-
The tip disappears as your leg reflexively jerks, responding to the dancing jig of the chainsaw blade- you see pathetic sparks as the thing bounces off of the cuffs- strong enough to sever a leg, too rusted and battered to cut through metal. Your plan is failing. Your leg is bleeding. The cowboy falters as the deathclaw closes further-
You make a snap decision: fingers are easier to fix than legs.
You twist your wrist, and the pain just melts into the already existing burn emanating from your leg- a bloody, three-fingered stump slips from it's cage, and you swing your still-cuffed hand around in a fluid movement to drag the ripper from its sheath within your leg, snapping the cord that ties it to your waist-
You hear a frenzied firing of a revolver, but the approaching thunks are unimpeded- and though you know your leg may give way when the adrenaline finally dies, and though you know you need to find the two fingers you lost before sand vipers snatch them up and you're known as three-fingered y/n for the rest of your life- you launch yourself from the ground on your good leg, and stagger towards the approaching beast.
You grew up in the wastelands. You grew up in a settlement up here that, like any of the rest, was constantly plagued by critters and beasts- and if you were taught anything by the survivors that surrounded you, it was the following:
If you can't blow the bastard up, get 'em in the belly.
The deathclaw- a baby, thankfully- has it's gaze fixated on the man that had in the past half a minute become it's primary aggressor- so when you stumble forward, low and bleeding, with what to the creature is just another indistinguishable bit of metal in your hands, it does not see reason to change the track of it's jump.
As it launches itself above you, you pray to lady luck that you hit your mark.
An ear-splitting yowl and a sudden muffled crash tells you she's listening, for once.
Finally, after a few ragged breaths, the adrenaline wears off and you feel the weight of your body pressing into the wounds that liberated you- and the blueberry sky fades to black as you become weightless. This time, your fall is of your own accord- and this time, something stops you from hitting the ground.
- °•. ✦ .•° -
When you come to, you do not open your eyes at first- awake though you might be, your body is heavy with exhaustion. Before your encounter with the ghoul, you had been on the run for weeks, and in the last twenty four hours had not had time to stay put long enough to sleep. Coupled with the rough journey and the blood loss, you couldn't move if you wanted to. That being said, in those few dark minutes, a few things of note still catch your attention.
There is a faint crackling to your side, and the lulling warmth of a fire that brushes in waves against your face- and though you feel the silky grains of sand cushioning most of your resting body, your head lays higher up, neck leaning up to a more elevated surface- your attention snaps to the light sensation of fingertips absently grazing your neck in a repeating pattern, and the distant hum of an old country song embedded into muscle memory. The surrounding sensations are a strange comfort for all the brutal imagery this post apocalyptic world usually beholds; but it is brief, as your neck tenses, giving away your lucidity. The hand pauses, lifts- settles somewhere to the side.
When you dare to open your eyes, you are unsurprised to see the question-begging smirk and sharp eyes peering down from above, "Have a good nap?" You bolt upright, and immediately regret it when the bending of your leg snags one of the stitches you didn't know had been sewed into you until just now. Defeated, you flop back down, turning your head to the side to gaze into the dying embers of the fire beside you- praying you can brush off the flush of blush creeping into your face to the influence of the fire. Eventually you garner the courage to speak, "Feels like I've only been out for an hour." He snorts, shaking his head, "You went down around sunset, and it'll be sunrise in a couple hours." This catches you by surprise, and not just because of the amount of time you've lost, "What happened to getting your caps as soon as possible? Lost a lot of time waiting." He frowns, but does not lose his grin, "You trying to get yourself killed? 'Cos you've done a damn fine job of that so far. No, I've just been doing some thinking." "Congratulations. I'm proud of you." His eyes narrow into slits and he tuts at your sarcasm, following your gaze into the fire, "See, it could be argued that I would've been minced ghoul splattered n' buried six feet under the dunes if you hadn't gone all psycho slicing yourself up like that to get that baby deathclaw where it hurts." "That was a baby?-" "Anyway, guess my point is I might be willing to do a lot of things, but I still got my principles- only human thing I got left, probably. So I'd say I owe it you to not kill you at least. When you can walk, we'll go east to- well, to what's left of Shady Sands, and then you can do whatever the fuck you want."
You consider his words, and not knowing how to express appreciation or what to begin to make of this mysterious stranger and his obscure appeal, you find yourself rejecting this suggestion, though you don't know why- and so naturally, you dig yourself into a hole, "Well, you could also say that I would have died of blood loss if you didn't stitch my leg up." He studies you then for a minute, before shrugging and clasping your hands together at the wrists. You begin to stammer indecipherable protest and with a smirk he pulls you up, your hands still held rigid in your lap by his own, his head resting on your shoulder as he murmurs, "Now, I'm starting to get the impression you want me to march you up to our friends at the brotherhood just to keep my company." If he can't see the warm hue in your face now, he can certainly feel the heat flushing through your flustered face- you fight against the feeling, if only to make sure you stand a chance of winning this little exchange,
"Says the man who watched me sleep all night." You feel him shrug your comment off as his grin extends, "I might look like a monster, but I was a gentleman once upon a time. Like I say, I got principles." He lets you slip forward out of his grasp when you move to shuffle yourself around. As you do, you feel for the first time you are looking at him properly, sincerely- face to face, on equal grounds, with no threats of death or necessary facades of false confidence. After soaking in as much as you allow yourself to without losing yourself to curiosity entirely, you crossing your arms across your chest, and reply,
"Well, I have principles too- and if you're oh so graciously not turning me into the brotherhood then I still I owe you, so I guess I'll just have to stick around until you nearly get yourself killed again- that's all. No other reason." The ghoul rises, resting a hand on his pistol,
"You tell yourself that, darlin'- I'm gonna enjoy this change of scenery, I think."
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catabasis · 7 months
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ineffable husbands + franz kafka
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tea-cat-arts · 9 months
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If no one's got me, I know "Sapphic media where one of the gals literally rips the Godhood out the other gal and restores her humanity using the power of love, sheer audacity, and incredible violence" has me
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good-beansdraws · 4 months
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Mutual left this tag on one of my Fuuta analyses and yeah...
Part two of "Fuuta’s central theme is invasion of privacy and he has extreme anxiety over being watched, so it's interesting that we get to pick him apart and see all his worst, most private thoughts" :(
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swordheld · 6 months
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hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?
hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].
but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.
it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.
and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.
the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.
an emptiness, like you said.
but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.
you're not alone, in this. he's still there, with you, it's just - in the little things.
he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.
but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.
how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.
the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.
think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.
i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.
but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one. wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.
as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛
#q&a.#birdsong.#wishing u gentle ease; the death of a loved one is near inexplicable to put into words and i hope you take care of yourself gently <3#i hope this will make u laugh: when i was a tiny child in middle school there were times i would go outside in my tiny suburban cul de sac-#in the rain and sing along to my lil ipod nano and i only remember doing this to drops of jupiter. can you imagine going out to get the mai#after a long day of work and you just hear this kid singing train in the streets. in the RAIN.... it makes me laugh like i really.#i really thought i was so cool and deep and emotional ghjkd but i find it v funny that i only remember it w/ that one train track.#and saturn just. it's my fav s.a.l. song for a reason. that slow violin opening? the piano coming in gentle and easy?#it feels like light. like hope. like something new - a dawn after the long dark. that beautiful things can begin again even where#it hurts. and there is nothing more human than a sentiment like that.#how rare and beautiful it is to truly exist. what it is to be alive and get to be here and live with other people. with those we love.#i think your grandfather was so lucky to be able to know you. to have you in his life for the time you had together.#i'm no spiritual person; but i like to believe when you're thinking about him? he's thinking about you too.#the second law of thermodynamics (physics nerd mode) is that no energy has ever been created/destroyed since the beginning of the universe.#so it has to go somewhere - it's that carl sagan quote of 'we're all made of stardust'. because we are. we used to be stars; planets; etc.#i think it's why i think of these space songs - because they're a part of everything; once more; when they go. us and everything else.
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hecates-corner · 4 months
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crispywizardtale · 4 months
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merlinityart · 2 years
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knifebaby3000 · 10 months
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“temple”, 1 july 23
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el-pada · 2 months
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i gotta ask whos ur favorite rise turtle and duo
my favorite rise turtle is actually raph im just dogshit at drawing her
duo? i like when donnie and mikey get to fuck around and be silly
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camellcat · 3 months
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WTFFF I thought thirteen would be my new girl crush love of my life heart eyes wife you-came-after-twelve-you-must-be-better-than-they're-all-saying bbygirl and then I had to sit down and watch as she told a man who (if he were not a murderer, of course) literally every regeneration before her would've LOVED and FULLY SUPPORTED that "the systems aren't the problem. how people use and exploit the system, that's the problem. people like you" </33333 !?!?
#WHERE IS THAT POST THAT SAID NINE WOULD KILL THIRTEEN FOR BEING A CLASS TRAITOR#WHY WOULD YOU SAY “ERODE PEOPLE'S TRUST IN AUTOMATION” ALL WORRIED AND CONCERNED LIKE THAT???#WHEN DID YOU START LIKING AUTOMATION OVER PEOPLE THINKING AND DOING THINGS FOR THEMSELVES???#AND WHY ARE YOU TRAVELING WITH A COPPER??? WE HATE COPPERS??????#did we FORGET into the dalek?? how about how he treated danny?? god there's so much more I can't even remember off the top of my head#(I understand soldiers are different from cops but c'mon don't even PRETEND twelve would've been any nicer if blue or danny were just COPS)#also a bit off topic bUT MAY I JUST TALK ABOUT ARACHNIDS IN THE UK FOR HALF A GODAMNED SECOND—#I know the companions are usually the ones to do the doctor's dirty work here but like#I just can't see the other doctors NOT having the business man lure the spider for being so fuckin annoying about it#like I was genuinely surprised when they had him do that whole song and dance about not doing it and then he actually just. didn't do it#the doctor LOVES fucking with evil rich business men this is PERFECT. plus why not get back at him for being awful to their companions?#absolutely gobsmacked thirteen let him act like that. I am wrong in thinking that the others would've shut his shit down a LOT quicker??#anyways. I love jodie whittaker and it's just so upsetting to have her doctor do something so wildly off#THIRTEEN PLEASE I HAD SUCH FAITH IN YOUUU I WAS IGNORING THE HATERS AND FOR WHAT#I can SEE the other doctors in her still I can FEEL them they're there she's doing an AMAZING job but. oh my god. what did they make her do#I can't even say she feels ooc as a whole because jodie is bloody brilliant. it's just these... moments. that don't make ANY sense to me...#especially coming off of twelve?? I get the radical personality switch but that belief is a core part of the doctor. or at least I THOUGHT#thirteenth doctor#doctor who#I still love all of you who love her and reading ur posts/fics but I. will not be making any myself. I do not think.
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wonder-worker · 6 months
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"The newly widowed Elizabeth (Woodville) was exceptionally vulnerable. Several of the trustees responsible for her jointure refused to hand over the manors that were meant to sustain her in her widowhood. Moreover, her brother-in-law, Edward Grey, had seized estates that her son Thomas should have inherited from his paternal grandfather, while her mother-in-law’s new young husband, Sir John Bourchier, had prevailed on Lady Ferrers to settle her principal properties on them jointly for life, ensuring that Thomas would have to wait far longer for this inheritance too. Rivers and Scales were pardoned in July 1461 and swiftly moved into the Yorkist establishment, which perhaps explains the success of the chancery suits Elizabeth launched to regain her jointure. Her son’s inheritance proved harder to recover. By 1463, Rivers was often in (Edward IV's) company and on his council, but Elizabeth needed someone with much stronger influence over the King. She turned to a distant kinsman, William, Lord Hastings, the King’s chamberlain. Hastings drove a very hard bargain for his aid but it was probably amid these negotiations that the King’s desire for Elizabeth was kindled."
-J.L. Laynesmith, "Elizabeth Woodville: the Knight's Widow", "Later Plantagenet and Wars of the Roses Consorts: Power, Influence, and Dynasty"
#historicwomendaily#elizabeth woodville#Elizabeth really had terrible in-laws#And these people weren't even the worst of them - that particular award goes to Richard of Gloucester#As complicated as her first widowhood sounds it was a breeze compared to the literal nightmare she went through during her second.#Honestly though: part me wonders what Elizabeth's first marriage was like because we know absolutely nothing about it.#The marriage itself is a blank slate but the fact that her husband's parents & siblings were so indifferent and uncooperative#to her - and their own kid-grandchildren?? - after he died indicates that his family may have been rather dysfunctional imo?#Certainly they (or most of them) don't seem to have cared about the wellbeing or dignity of his young and newly widowed wife which#doesn't exactly suggest closeness or support during the marriage itself from their end.#Elizabeth doesn't mention John Gray in her deathbed will either though she mentions Edward IV. She may have thought it was#'inappropriate' to mention her first husband beside her significantly higher-ranked second husband...but she DOES mention her son by#her first marriage - which would have drawn attention to it anyway - alongside her royal daughter so that's unlikely to have been a reason.#Maybe it was simply the passage of time? She and John had been married for very few years and she lived such a different life after that#So it's possible that her first marriage simply seemed very distant and faraway to her.#Alternatively it may have simply been undivided affection for Edward IV (her husband of 19 years who she married for love)#which fits well into the relatively personal nature of her will.#Of course we don't actually know anything about any of this and this is all pure wild speculation on my end...but I'm curious.#It's really a shame how little we actually know about Elizabeth's life - made worse by the very limited primary records of Edward IV's#reign and the fact that his chamber records don't survive. And it's even more frustrating that this is so rarely actually acknowledged#by historians. I'd argue we know far more about the life & interests of most other 'prominent' women of the Wars of the Roses#(sans the Neville sisters) than we do about Elizabeth Woodville.
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tblsomedoodles · 3 months
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Are there any scrapped or just in the works comics for the adopted Dee au that we could see maybe?
I don't have a lot for Adopted Donnie. I tend to post what i have almost immediately (unless i really don't like it anymore) and i haven't started anything new for that au recently.
But i do have a couple old things i never finished so i can show you those.
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An Apocalypse Dee with a tiny CJ. I kinda forgot it existed so i never finished it lol (There's actually a similar doodle i did of little Dee with Uncle Don but i can't for the life of me remember which came first)
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And this thing from when i was trying to figure out Dee's scars for Donnieverse.
Thank you!
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