#twitter hasn't learned that not everything is for you and if you don't like something you don't have to interact with it

[lazylittledragon]

i'm going to scream i got accused of being a transmisogynist by someone on twitter because of this specific part of my t4t steddie art

#ramble #the thing is 99.9% of people thought it was VERY funny #i've had 1 person genuinely have a problem with it and it was because i kept eddie transmasc #basically they were upset because i didn't make them both transfemme bc i just. didn't want to #twitter hasn't learned that not everything is for you and if you don't like something you don't have to interact with it #and just because you don't like something that doesn't mean it's Bad #and also sometimes queer things aren't made to be understood by everyone #it was specifically because they thought it made them into 'just another straight couple' #as if that isn't a MASSIVE erasure of trans people's queerness #trans people in m/f relationships doesn't make them any less queer or somehow inferior to gay relationships #it boiled down to 'but you could've made them lesbians :((' YEAH BUT I DIDN'T #idk it was just absolutely infuriating trying to defend myself without saying 'idk what the fuck you want from me at this point' #anyway transfemme stevie is very big on twt but i didn't know whether to post it here or not #but i might if people want to see it because i love it a lot #twitter would die if they saw the olden days when we called them genderbends and there wasn't any trans content at all

[markantonys]

I came across a Twitter thread that said the set up for the docks when it comes to the Warder bond between Lan and Moiraine was handled much better in the books cause in the show they feel like the mechanics of the Warder bond was too vague/not explained well in the show that they weren't able to connect with Moiraine and Lan's emotional conflict in s2 because of it. And I am a bit confused cause honestly I don't think the books explain how the Warder bond works at all from what I remember. Just making a lot of wild claims about how everything about the books are better and how the show is fumbling when they haven't even read half the series yet (show first to book reader). Just this trend to shit talk every choice the show makes when you don't even know the full complete story is wild to me

haters: the show hasn't done enough to explain how the bond works

all the screentime across 2 seasons the show has dedicated to showing how the bond works which the haters kept complaining was a waste of time better spent on rand having swordfights:

like literally what do they want lmao some people will never be satisfied!

but the mention of the "mechanics" of the bond is interesting to me because i think we may be hitting upon 2 different types of viewers here: the minority of lore enthusiasts who need to understand every single detail about how things work or else they will be upset and lose immersion, and the majority of audiences who are content with a general understanding of how things work and don't get hung up on details, or will at most go "hmmm i'm not sure if this makes sense, but it's a cool story beat so i'm happy to shrug and move on".

the former category were going "but what weaves is moiraine doing now? did they actually unbond and now she's remaking it from scratch? i thought the bond was only masked? this is such a plothole, it doesn't make sense, i can't concentrate on anything else about the scene" during the 2x08 moiraine & lan beach scene, and the latter category were thinking "what a beautiful and emotionally satisfying moment of seeing them come back together!" and that's it. and probably similar for the rest of the season. if somebody felt unable to connect with the emotional aspects of that storyline, i would bet it's because they felt too unclear about the mechanics of the state of the bond and couldn't let go of that confusion enough to sink into the emotional aspects. (which is really more of a personal thing; my show-only mom was definitely keyed into the emotional aspects of this storyline and didn't get bothered about some mechanics being left vague. in fact, i think she would've just gotten confused if they'd tried to explain the mechanics in more detail djkfjg bless her.)

undeniably, the show does not explain magic mechanics in as much depth as the books do. but that is because it's banking on the very fair assumption that the majority of audiences don't need to have this level of detail in order to enjoy and understand the story (and may get more confused than they need to be if they ARE given this level of detail). i'll admit that s2 was a bit muddled on What Exactly Is Going On with moiraine and lan's bond, and i found myself a bit confused by the mechanics at times, but that never impeded my appreciation or understanding of the emotional aspects of the storyline because i'm someone who is happy to shrug and move on if the mechanics of how something is functioning in a fantasy story aren't making total sense to me.

also, moiraine & lan at the docks won't happen until the end of s3 and it's very very possible we might learn even more about bond mechanics earlier in s3 via elayne and birgitte (who will be good candidates for explaining some New Bond Basics that it wouldn't make sense for moiraine and lan to talk about since they've had theirs for 20 years), so like..........maybe they should just Watch And Find Out.

it's also very interesting that this is coming from someone in the show-to-book pipeline because i honestly would not be surprised if a lot of their base knowledge for how warder bonds works was absorbed..........from the show. and they just don't realize it. granted, if they started with new spring it might be different because i'm assuming new spring goes into a lot of depth about how warder bonds work (though i don't know for sure, i haven't read it). but if they only read EOTW-TFOH, they sure as shit are not gonna have gotten much info about bonds *from the books* because we barely spend any time with characters who are part of a bond during those books. we get, what, maybe a couple chapters total of moiraine or lan pov and then start diving into it a tiny bit more in TFOH with elayne and birgitte, but it's really not that much from what i can remember - and i can't remember very well, because i went into the books already having a very solid understanding of the concept of the bond thanks to all the work s1 put into showing it. i do not remember learning anything significant about the bond in the first 5 books that i didn't already know from s1.

it's also so strange to me in general to see people start with the show, then go to the books, and then start hating on the show because as a show-to-book pipeline person myself, all going to the books did was make me go "wow thank fuck for the show, it will fix X, it will fix Y, it's already fixed Z" basically constantly. it made me 10000x more grateful for and appreciative of the show and the way it's choosing to tell the story!

#i won't lie a part of me is always like #'i bet this is a lifelong bookcloak making a fake account to pose as a show-to-book person' #whenever i see people claiming that they started with the show and then read the books and now prefer them djkfgjg #i know everyone prefers different things in stories and the show's priorities align way more with my personal ones than the books' do #and not all people will feel the same way. but it's just such an incomprehensible take to me as a fellow show-to-book person! #anonymous #answered #wot book spoilers

[theoneofwhomisblue]

Maybe following 3,000 people isn't great

Because I fucking hate scrolling through this fucking site now

I'm not even joking, I fucking hate this shit

This site sucks ass

Also if this post has less than 10 notes in 3 hours I'm deleting it

I know this is completely my fault. I also don't give a fuck

I'm too tired to curate my page to be decent for me

I'm so fucking tired

This site sucks ass

Reddit sucks ass

Tumblr sucks ass

The Internet fucking sucks

Google is constantly bitching at me to pay for more space in my account cause I habitually download every Tumblr and reddit image resulting in 13 gigabytes of bullshit

I fucking hate this

Anyway

I'll find better stuff to post tomorrow

Or not

I don't know

I'm so fucking tired

Kill myself

What the fuck do I do with my time now? Is there another site or app worth my time?

Tumblr's ass, I'll still use it but it's dogshit

I'm too tired to even do reddit anymore

Twitter is fucking disgusting and gets worse by the day because of dipshit mcmusk

And that's all that comes to mind

YouTube is constant background noise, but the algorithm there is fucked up too

I hate every video thats recommended to me

I'm not doing fucking tiktok

I don't care about my standards anywhere else, but no fucking tiktok

What else is there now?

Oh yeah, I can't comment on webtoon because I accidentally said fuck in a comment, so all the fun community stuff there is gone now too

All the webtoons suck ass anyway

The only fucking app that hasn't disappointed me is cookie clicker

Been playing it for like 400 days

I make continual progress

I just check in every two days to pop the wrinklers

Then after a month or two on a run I check in after a week

Until my legacy points start to plateau, then I reset

And get all the upgrades I can afford

Buy 5 grandmas, then 90 more, then as many more as I can afford that'd a multiple of 100

I do the same on everything else

Except the fractile engines, which I buy as many as possible, no matter the multiple

And buy all the items

Then at that point I start the research facilities, then start one, and check back in 30 minutes until I've researched them all

Then I top off the fractile engines and leave for a day

Then check every day, popping the wrinklers until a week in, then every 2 days. Then after a few months once every week

Then I do it all again

And spend all the legacy points on the upgrades I can afford

It's rewarding you know

Consistent anyway

Unlike reddit and Tumblr and Twitter and YouTube and everything else, it doesn't fuck me over on the algorithm whatever the fuck

Reddits decent for the porn, that's all

You know, I used to use a lot of sites for porn

Dozens and dozens of sites bookmarked

Then at some point I started to only use r34 reddit nhentai, and occasionally the good ol hub

I didn't use to have accounts, I'd depend on my memory for different images and accounts and artists and comics and shit

Then I made accounts on r34 phub reddit e6 gelb nhentai and half a dozen others

And started saving things

It used to be a fun game to try to remember

Now it's gone

But I'm too tired to continue that anyway

Anyway, same shit everything else as with the porn at this point

No variety

Nothing fun

It's all annoying bullshit

With the Advent of machine learning chat bot whatever the fucks, there's a little bit new

But aside from that, it's just the same thing every day

I'm so fucking tired of living like this duxe

The fucking internet used to mean something

Now it's just the boring status quo bullshit

And I know that it's because of me

But still

It fucking sucks

I don't want to do this shit

And I spend like 10 hours a day on the Internet too

More than ever

But I'm not happy

Barely entertained

But it kills time

If I need information, porn, music, videos, whatever elze

Entertainment

I get it

But I'm not happy about it

It's shitty

I feel like shit

Like, my life outside the internet is decent. But the Internet consumes so much of it, and I don't even like it anymore

I don't know if there's a fix

Or if I should just stop being so online and shit

I'm too tired to do anything anyway

I don't know

I take pride in what I achieve for some reason

But as soon as I get the imaginary goal point, I don't give a shit

Over a year I got a shit ton of reddit karma on a new accoutn

A specific number, that I won't say to keep myself from seeming like I'm trying to brag

But once I got it, I no longer cared to comment or post

Over 2 or 3 months, I don't remember, whenever 196 shut down, I got a relative shit ton of followers

Again, a specific number, but I won't say

I'll keep that number secret, cause I can

But once I got this imaginary amount that I thought I'd never reach, I didn't care anymore

I still posted as much as I did before

But I got no joy out of it

I just post, wait a few hours, then check to see how many notes

If it's an amount equal to what I think is average for the amount of followers I have, I feel kinda good, then post again

But that's it

I don't scroll anymore, except occasionally on my followers profiles when I accidentally click on them while looking through my new notes

And I enjoy that

But other than those fleeting moments, and the small satisfaction I get from high note counts I don't care

I don't care for Tumblr or anything else on this shit

I don't know man, is this how other people do stuff on the Internet?

I don't think so, people always have strong emotions on the Internet

I emulate my internet behavior to match, which makes me think that maybe more people do the same as me

But I have no evidence

I don't know, I'm too fucking tired of this shit

I just got an apathy about the Internet at this point

Apps, sites, everything

I just don't care

But I'm always on it

It makes no sense

I should probably proofread this post as I go

This is just a stream of consciousness at this point

I won't check it as I go

Maybe I'll make this a thing

Just typing my unfiltered thoughts for like 30 minutes then posting

Depends on the notes I get

If the notes are bad I'll just delete it and forget about it

Who knows

I guess I keep trying to do that

I'll do something new on Tumblr like this

And think "oh, maybe this'll be a new thing I do" then it dies

At first it was my consistent posting of reddit shit for like a year ago

Then I stopped posting that consistently

Then it was random screenshots of mine

I even made a tag for that one

Then it died

I keep thinking of myself as someone important because of my follower count

Which doesn't make sense as it's not even a lot

But still

I don't know

My delusions of microcelebrity status are the only thing keeping me on this site/app at this point

If I didn't have that, and the fuel for the delusion that is notes I'd be gone

I did already fuck my recommended tab

And following tab

And tag tab

It's already all bullshit

I guess I can keep my narcissism about my status in this site because of the top post by notes tab on a blog

I just click into someones

And 9 times out of ten, they don't have top note counts even comparable to time

Which fuels the delusion

It's the same thing I'd do on reddit

"oh this person only has [x] karma, when they've been on reddit for 3 years. And I have triple that, and I've had this account for 6 months. I'm better"

Shit like this is what makes the internet garbage

I don't let it bleed into the theme of my posts and comments tho

I let it make me feel superior than everyone else

But if I made that obvious in any post it'd be for naught

For that reason I'm considering not posting this anymore

Whatever, this post is already super long rambling bullshit

If it gets good notes a single anecdote in it won't matter

And if it doesn't get good notes I'll delete it

Then there's no harm

I just thought of that reasoning now to keep doing this post

Cause I got sunk cost fallacy on this at this point

It was a vent thing at the start

Now it's just me trying to think mildly interesting shit to add

I guess I can use that other reasoning to post anything

If it goes bad, delete it, and no one would have saw it, and no one will, so I matters naught

And if it goes good, who gives a shit

Nothing I post would be bad, maybe cringe, maybe rambling bullshit, as this js

But not bad, so it'd be fine

I lost my train of thought

I think I was gonna say something else about what I'm posting, and how it would be fine

That's gone now

Poof, into the abyss that is lost thoughts

This does kill time tho

It's been like 40 minutes since I started this

This is basically what I do in my mind if I just let my mind run, uninterrupted

But here it's written down, with line breaks, and exact words rather than a mix of words and images and concepts

So it's more digestible

I suppose it's not completely true to say this is my pure train of thought, not just because of the exclusion of images and concepts

But also because I'm listening to music

Just enough to mild my mind so to speak

My mind is always going man, and if I don't have something to dampen it

Like music, or weird fidgety things I do with my hands (I don't know the word), or exact things to focus on, I think way too much

And spiral and shit in stress

But then my thoughts are too frantic and fast to write down before they disappear, so in a way this is as pure a log of thoughts as anything could be

You can tell the theme of how I sound now, vs at the beginning

If you don't want to scroll up you can just look at the tags

I typed them near the beginning

And haven't added to them

Nor deleted them

So you can just look slightly down to see the notes

It's not even the right topic anymore. It's still on reddit

And Tumblr and internet shit

Oh yeah, speaking of

I've just said my Tumblr scrolling is bad without specifying

But to specify now, it's like scrolling through Twitter

Weird serious discourses

Arguments

Peculiar topics

Shit like that

You know, not the Tumblr I had before

And if I don't like scrolling through Twitter, why would I be here? And that's the bind I'm in now

I only stick around anymore because of the notes, as I said

I'm back to using punctuation occasionally

Not too much, but at least some commas

No periods though, they seem too intense for a stream of consciousness thinf

Question marks too, but that's about all

Oh yeah, stuff I was talking about before

Webtoon

I shit talked webtoon

It's not too bad

I just fucking hate slice of life shit, dumb "funny" shit, and worst of all romance

I fucking hate romance webtoons

I can't stomach them

And webtoon is constantly shoving exactly those down your throat

And when my tolerance is low to begin with, and I enter webtoon, and it throws a fucking popup in my face for a dogshit new romance thing, I damn near snap my phone in half

But it's not too bad

I just read the fantasy/action/thriller/horror/drama (ones without romance shit) ones

But I can't navigate the canvas section decent at all

By design obviously, canvas doesn't make webtoon money, the originals do

But I'm too tired to work against them

So I only read originals

But at least they post regularly

I read around 70 webtoons now

Which is to say, I read the new episodes of them when they come out

With such a large selection, I have like 4 webtoons minimum updating every day at 7:00 pm

8:00 when there's time change

But 7:00 most of the timr

It notifies you at 7:30 but they update at 7:00

Except for the goblin one, which updates at like 7:20 for some reason

And the daily pass ones, those update at 8:00 for some reason

But they notify you directly at 8:00 for those if I remember correctly

Even still

I remember roughly which days are best

Tuesdays have the most, like 15 updated at once

And ones I really like too

Fridays have a handful, and the one daily pass that I read as they come out week by week

Saturdays have like 4 I really care about, then like 5 I think are mediocre, but they kill time so Saturdays are good

Mondays are ok, but that's about it

Wednesdays are kinda ass, but they're decent

Thursdays used to be amazing, but after like 3 I really care about went on hiatus, Thursdays don't matter anymore

But having like 60 (because 5-10 are on hiatus at a time) new episodes a week, divied up across the week pretty well

Is nice

Now, I did accidentally say fuck in a comment, because there was a guy shipping children and saying sexual stuff about it, then there was a reply on it from another guy defending it. So I got mad, and typed a paragraph saying why that was fucked up

But I said fuck

So I can't comment anymore

I don't know, webtoons ok tho

I was just pissed off earlier

What else was there

Oh yeah reddit

I've actually been temp banned from Reddit (like my entire account) twice for using up too much server space on bullshit

There's this thing where you type u/profanitycounter [self] and it tells you how many times youve said certain swears in like the past 500 comments

So, for a joke, twice I've copy pasted "cum cum cum cum cum cum cum cum...", The max amount of times you can in one comment (a few thousand, I can't remember), then do that in a comment chain with myself for like 150 comments in a row

And it takes me several hours, but it's funnt

But it resulted in a temp ban for 2 days

Then like 4 months later, a temp ban for a week

Cause I used too much space, or bandwidth or whatever the fuck doing that

Also I got banned from r/Barry for saying the last season was ass

And I got banned from r/notinteresting for a reason I don't fucking know

But aside from that, my accounts clean

With a shit ton of karma too

Oh yeah, I use the same username (or a derivative of it) for every porn site account I make.

If you can find it out somehow I'll give you the passwords to the accounts

I doubt anyone could, it's a different username than I use for anything else

But there's hints

If anyone cares I'll even give you a few more hints directly in a DM if you ask

Though I will be vague as fuck

Been doing this for over an hour now

I wasn't paying enough attention to when I started

I'm pretty sure I heard someone say that Tumblr has no character cap

Let's hope so

I'm too tired to continue this shit

I guess this ends it

Let me know if y'all want more bullshit like this

I, personally, always like an unfiltered look at someone mind

But that's me personally

Maybe my mind is bland and uninteresting

Who knows

I'll stick with what I said at the beginning tho

Less than 10 notes in 3 hours and this post going bye bye

I got a headache from this shit

I thought way more than I usually do

Now that I'm more chill, I don't hate tumblr

I fucked it up for me

But y'all are good

Tumblr's good

#196 #fucking kill myself #i left reddit for this shit #and now I hate both #i lost what i had for scrolling and finding semi entertaining content #i fucking hate this #new tag in case this becomes regular; and if I remember to use it → #continuous thoughts

[hxhhasmysoul]

Just found this in twitter, so cool :

"Sukuna about Yuji: “Our souls lived in the same body. I know that this kid, no matter how many times his soul brakes, he'll always come back. He wields an invincible soul” #JJKSpoilers #JJK248"

Thoughts (as SukuIta shipper & non shipper glasses)?

I don't know if my shipper opinion differs much from the non shipper one.

I've been talking about how unique Yuuji's soul is for a long time now. And the story has always acknowledged it. The concept of the soul, what it is, what it can do, how it relates to jujutsu, is one of the recurring issues heavily discussed in universe. All major antagonists mention it. Those who understand the shape of their soul like Mahito or Sukuna are extremely powerful. Sukuna's soul is stronger than Mahito's so he isn't affected by Mahito's touch, he tells Mahito off for trying to touch is soul and easily hurts Mahito when the curse displeases him.

However Sukuna is stuck in Yuuji. In normal circumstances he can't take over, and if Yuuji stayed protected, unharmed and ignorant to the horrors of the world, aka if his soul didn't get damaged physically or emotionally, and he would've been fed the fingers gradually, he would've been able to keep Sukuna as a prisoner for ever.

In the fanbook, Gege said, that if Yuuji consumed a weaker cursed object than Sukuna's fingers, he'd've likely completely absorbed it. This both shows how potent his soul is and how strong is Sukuna's that he survives a prison like that intact. It's curious whether Yuuji would've started to absorb him too in this scenario where he would've lived a relatively peaceful life just consuming the fingers from time to time.

And what Sukuna says here hints that maybe he would've succumbed. Yuuji's soul is extremely strong. Now, on the outside, Sukuna can try and destroy Yuuji. But if he were still stuck inside? Stuck indefinitely with no prospect of getting out?

Yuuji impresses Sukuna, probably has for a while now but Sukuna did everything not to admit that. But the frustration that is Yuuji to him has bean peeking through. The insults, the condescension, the very poorly performed fake indifference? Being stuck in Yuuji he learned of power, of strength that he likely hadn't considered before. Hadn't truly encountered or seen up close. And he'd been testing the boundaries of Yuuji's strength from the beginning by constantly bullying him. Unsuccessfully.

When Sukuna ponders Higuruma's death and as a result his thoughts stray to Yuuji, it's no accident that he is reminded of Jougo.

It's when we see Sukuna be affected by someone with goals, with ideals. He's been long enough in Yuuji to start to see them as valuable even though he doesn't understand that yet, he doesn't get why he talked with Jougo during the curse's death.

He even genuinely asks Yuuji about this. In his fights he's Usually toothy grins and condescending smirks, in this fight he's also mostly that. But here he stops and asks. He looks pensive, curious.

In chapter 248, in his ruminations on Yuuji, he finally puts it together. And takes it personally, he actually starts caring about something even if that something is killing Yuuji. Yuuji interests him on a personal level, and no one else has.

This next part is very subjective, because it's honestly about how you personally read the panels, and they are small and not very detailed. And the way I see them may be coloured by my shipper bias.

But I think he's shown fondness of Yuuji in their fight after he took over Megumi's body.

To me his face here shows that he's satisfied with Yuuji's answer to his question. Because of how his brows and eyes are drawn, his face feels soft, like this is a smile, not a smirk.

Again the line of his brows is soft. He says it's hilarious but here he doesn't look amused to me, more pleased. So this line and the next one feel like excuses. Like he doesn't want Yuuji to die because he hasn't figured Yuuji out yet, and Sukuna is a huge nerd, he likes to know.

#thank you for the ask #jjk spoilers #jjk leaks #jjk 248 #yuuji itadori #sukuna

[qqueenofhades]

I keep thinking about the ask you answered a little while ago about people wanting a leftist version of Trump is so scarily true it's unsettling. People keep demanding he "do something" about abortion and gun violence but when anyone is like.... he can't, he doesn't have the votes to, they're like "he's the President he said he would do something why hasn't he done something" and it's like ???? what part of this are you not understanding if he doesn't have the votes he doesn't have the votes. Do they want like an EO or something? I'm just not sure what they expect him to do.

And it's also so fucking annoying to see them go after the Dems at every turn while letting the Republicans off the hook completely and not expecting shit from them. You may just want Biden to write them all off and govern like the GOP doesn't exist but he can't.....exactly do that. That's not how our system works. I wonder if they're just sorely misinformed from how rife Twitter is with complete bullshit or if they understand reality but are just saying this stuff for the outrage clicks.

Honestly, as I've said before, I'm not sure? I think it's a combination of willful ignorance and a desire not to learn anything, ever, that might challenge their deeply felt moral superiority. Just the other day, I had someone in my notes who, while otherwise agreeing with most of what I was saying, also insisted that Biden was "anti-trans." And like. The president who, while VP, famously came out for LGBTQ marriage before his boss, who specifically highlighted the violence suffered by trans women of color in his campaign platform, got the Violence Against Women Act reauthorized and passed with strong new protections especially for trans and gnc/queer victims, has issued statements on Transgender Day of Remembrance, made sure to repeatedly insist to trans Americans that they belong and their lives are valid, etc. etc., is definitely anti-trans, dontcha know?

However, I happen to know that recently, the Washington Post wrote a bad and misleading article about the Biden administration supposedly joining Republican state AGs to prevent trans girls from playing in women's sports. It was picked up by a big liberal account on Twitter and amplified as "a betrayal of everything the Biden administration has stood for since day 1" (which, you'll notice, implicitly agrees that the Biden administration HAS strongly supported trans rights). Then a few days later, the account holder actually read the policy, agreed that it wasn't what was being proposed and the WaPo had done a hatchet job on reporting it, and admitted that no, the Biden administration actually hadn't done a 180 on supporting trans rights. But if all you have is one Twitter account incorrectly reporting on a bad and misleading WaPo article, which is like... layers on layers of deliberately distorted and extremely out-of-context information, and you use that to decide that BIDEN IS ANTI-TRANS, it just. Doesn't make sense. And even if in the extremely likely event that Biden and/or his administration have missed some of the ideological benchmarks arbitrarily assigned to Demonstrate Absolute Purity On This Issue, like. HAVE YOU GUYS SEEN WHAT THE REPUBLICANS ARE DOING??! HAVE YOU?!?!??!?!?!

I don't know if that is where that particular person got the idea or not, but it demonstrates how the left-wing online misinformation ecosystem works, and which is in some ways is extremely similar to the right-wing online misinformation ecosystem. It doesn't matter if the only piece of "evidence" supporting your belief is a single Tweet written by someone who hasn't read the actual policy based on a bad piece of reporting, that evidence is now to be preferred against every single empirical example to the contrary because it's "the real truth" (translation: it confirms what you already want to believe). That is the example that you will whip out every time someone tries to argue with you to the contrary, and you will never accept anything that contradicts and/or disproves it, because that's what you want to believe and now you will. You technically know that there is information out there which doesn't agree with your position, but it is the "wrong information" and therefore cannot be incorporated into your belief system. You likewise refuse to acknowledge any complexities, any other branches of government (once again, I am begging people to acknowledge both SCOTUS and how catastrophically it was fucked by allowing Trump to fill three seats), or anything other than insisting on the impossible and getting mad when it doesn't get done. Which doesn't sound very productive and/or useful to me, but hey. OUTRAGE. OUTRAAAAAAGE.

#anonymous #ask #politics for ts

[teaveetamer]

Regarding the last rb: I think most of us can recognize how patently ridiculous it is to just blanket accuse someone of misogyny or queerphobia for, idk, thinking that starting a war is bad. It's an annoying and unfounded accusation, but it's ultimately something most of us can shrug off.

But like... I really don't think the people making these accusations are aware of how badly that plays when the criticism you're trying to defend against is calling out bigotry.

Now, let me elaborate.

A few days ago I was on Twitter and happened to see that Edelgard was trending. So I figured I'd go see what that's about because it was probably a shitshow (since there hasn't really been anything official lately that would explain it, e.g. a FEH alt or a figma or something. So, obviously, drama was afoot).

Color me surprised to see there was a lot of criticism about Edelgard's treatment of Petra in canon (primarily, how she keeps Brigid a vassal state and holds that over Petra's head the entire war, instead of immediately granting Brigid independence when she obtained the power to do so). In sum, just discussing the racism inherent to the writing (for tiptoeing around that and definitely not condemning it like it should have) and often inherent to the fanbase (for justifying everything Edelgard does, including this)

And I was seeing two main "rebuttals" to this point.

It's not her fault because she was just a poor wittle girly who is just soooo powerless (nevermind the fact that she spends five years in a position of absolute power over the nation that is currently holding Brigid hostage. And, also, she's a grown ass woman for the entire time skip and events of the war phase), and even if she did it it's not her fault because society just raised her like that (nevermind the fact that people can grow and learn and you aren't stuck with the values your society forced on you when you were a child).

Accusing the people raising these points of misogyny and queerphobia

We could debate exactly how to approach this criticism (a mark against the character? The writers? Both? Was it intentionally written to be racist? Is it a product of social conditioning and unexamined biases on the part of the writers? Some combination?).

But you know what you probably should NOT do in, like, any circumstance? Deflect responsibility for the actions because "she was just a poor little girl who doesn't know better" and accuse the people raising these concerns of misogyny and queerphobia.

This is the kind of shit people are talking about when they say the FE fandom has a lot of unexamined racism. Your first response to someone bringing up racism is to basically say "Okay, but the reputation of the White Girl PNG I Like is more important than your feelings about racist writing/handling of PoC characters. So it's not her fault, and even if it was, you're just a bigot so you're wrong"

And just, like, there's this implicit elevation of the struggles of (white) women and (white) queer folk as more important, valid, or worthy of being defended than the struggles of people marginalized on the basis of race. Let's not even get into the fact that many of the people raising these criticisms were queer women themselves, and it's entirely possible to be a queer woman and also be prejudiced (it happens ALL THE TIME. The queer community and the feminist movements have a LONG history of explicitly excluding people who are not white. E.g. the whitewashing of Stonewall and white feminists excising black feminists from the movement to try and make feminism "more palatable" to racist white men).

Not to mention the double standard here. They'll be so quick to call out racism if it's a character they don't like, but the second it's their fave? Crickets.

Hate to break it to you, but if you only care about pointing out potential racism when it involves a character you don't like, then you're not an ally. You're an opportunist leech co-opting the struggles of real people to win petty internet arguments.

Inb4 someone accuses me of having a double standard for the Dimitri/Dedue relationship, as if Dedue following Dimitri completely of his own free will because he cares about him and believes he can help rebuild Duscur is in any way comparable to Petra being a literal hostage who risks the annihilation of her entire country if she steps out of line (and she knows it). There's definitely racist elements to Dedue's writing (I've even talked about some of them) but specifically his relationship with Dimitri/Faerghus is NOTHING like Petra's with Edelgard/Adrestia.

[icharchivist]

Twitter doesn't deserve Ladiva

they really do not.

This is so unfair because like. Granblue really do a lot of work with Ladiva to develop her in many complex stories and stuff, she's a beloved character who is always getting some focus and love, who is never the punchline of jokes because they care for her so much (i think there might have been jokes very early in her development but it hasn't happened in about a decade by now), who has a fantastic event about her having to learn she doesn't need to carry the burden of everyone around her and she needs to take care of herself, and people care about her because Ladiva makes people's lives better just by being in it, she's the one character who is defined by the fact people better themselves because they know Ladiva loves them, and as such, they love and give everything for her... while genuinely, genuinely, having her at the center of plotlines about "you're so loving and we love you for that but please we beg you don't set yourself on fire to keep other people warm, we can help you too, you don't need to carry all of our burdens, and we can help you carry yours, you're not our therapist friend, and while our lives are made better with your love, we're also your friends and here for you".

and despite all of that, despite almost 10 years of constant content about the fact Ladiva is both the most loving and the most beloved character in universe, people keep reducing her character to "rep bad because she doesn't feel dysmorphia."

how is that fair!!! how is that fair!!!

Like i'm sorry but like, how is constantly reducing a trans character to being a good or bad trans rep to how they feel about their body or their design good when you ignore the actual stories this character go through?

and like, we have others trans character!! you want a trans woman who feels so dysphoric she gets panic attack when she's reminded of her previous body??? read Cagliostro's stories!! even though it rarely focus on her gender, this is something that is touched upon multiple times! and she's allowed to be cocky and arrogant and a bit selfish, and the narrative framing it like "and at the same time, she's right to be so because she IS the greatest genius of the skies".

Like. Yes be mindful of the way Granblue explore trans rep! if you want to really dig holes to a trans chara Granblue mishandled most of their history, look at Balurga! and even there his last event actually tried to undo some of the damages of his previous content!

but it feels so disgeniune to constantly, constantly, cONSTANTLY bringing down Ladiva on "but she doesn't change her body to be more traditionally feminine so she's bad rep" as if she wasn't a full fledged character with her own stories to tell on top of her transness.

And that since she's all about love, and self love, and self acceptance, without having to put expectations on yourself, and it's something she has a mentality for in every single aspect of her life so of course she also projects it on her gender..... like man. man!!!

Just pay your respect to her damnit!!

#ichareply #ichafantalks gbf #anonymous #sorry it's a day i get emotional over no rain no rainbow agaiin

[lemonhemlock]

https://twitter.com/sanedeshi/status/1634540601441132546?t=5GgXoAtlJUpmp3s62K9htg&s=19

i understand they're upset about how people conveniently call rhaena and baela 'velaryons' despite being daemon's daughters so their surname is actually targaryen

But i do actually want to hear your thoughts on this twitter thread about how the twins being cheated out of an inheritance of Driftmark is false because corlys and laenor already agreed to naming luke heir of driftmark and never renouncing him as a bastard.

(i hope your inbox isn't too full, thank you for being an awesome blogger and giving such thoughtful answers!)

First off, thank you for your appreciation, I am grateful you guys put so much faith in me to provide you with ammunition against these bad takes. 😅

The thing about women inheriting is not that they're prohibited, it's that they just get shoved to the back of the line, but they can and do inherit - remember: a daughter comes before an uncle. So everything about the Velaryon succession goes through Corlys. Laenor is his heir, but he has no true children. So, had Laenor not "died", his inheritance should have gone to Laena, because she is next in line. Laena is not disinherited just because she gets married, lol. Daemon is immaterial in this conversation. Thus, Laena's heir is Baela and, after that, Rhaena. The girls are not skipped just because they're girls or because their father is not a Velaryon, that's not how this happens, it's the law. And, in instances where it does occur, it's a violation of the law (for whatever reason).

I don't know why they keep focusing on the surnames, though, since surname change is not unheard of and even happens in the lore. Joffrey Lidden became King of the Rock after marrying the previous King's daughter and taking the surname Lannister. Even in the show, Corlys and Viserys debate this very issue! Viserys decides that Jace will bear the surname Velaryon until he becomes King, after which he will change his surname to Targaryen. The fact is, had Baela or Rhaena become Lady of Driftmark, they could have just taken Velaryon, their mother's surname. Team black just pretend this option doesn't exist because it contradicts their arguments. But in their quest to defend Rhaenyra, they only end up skipping over other women's inheritance rights (much like Rhaenyra herself).

So let's make a pitstop by our favourite problematic family to see how that looks like in practice. When Tywin dies, Jaime cannot inherit, as he's a Kingsguard. Tyrion is disqualified from inheriting since he's a wanted criminal who committed actual patricide, killing the former Lord of Casterly Rock. Killing someone after whom you stand to inherit is, for obvious reasons, a big no-no. So what happens? Well, my friends, it will come as no shock to learn that Cersei is styled as the new Lady of the Rock in AFFC and ADWD. She is the one who inherits, not Kevan, even though she's a woman, even though she's the queen. She hasn't relinquished it to Kevan, even though she could have. So, if something were to happen to Cersei, Tommen would inherit the Rock from her. A Baratheon. Shock and horror.

Ofc, there are legal subterfuges one could employ, same as with Baela and Rhaena. Tommen could pass over the Rock to Myrcella, since he's the King already and he can't reasonably be expected to fulfill two jobs and it would also be in his interest to keep the Lannisters happy. So a blonde Myrcella who takes on the Lannister surname could be a solution.

Certainly, we, as readers, know that is not going to happen, since they're doomed, so the Rock is going down the family line to Kevan's branch. Kevan is dead and Lancel is doomed, too, but he still has two living children left: Martyn and Janei. Martyn is a squire, so, if he dies in the war, Janei might as well be the next Lady of the Rock. She has to die first before it could pass to Genna's branch of FREYS. That's if GRRM doesn't decide to resurrect Tyrek somehow.

Anyway, to come back to Corlys and Laenor, this is the law and they cannot do as they please without breaking it. That's the long and short of it. It is not textbook legal for you to pick your own heir. Tywin really REALLY wants to disinherit Tyrion and prohibit him from getting the Rock, but he can't, and it makes him real mad. His grandson is King, he has the connections, but it's illegal. Tyrion is only legally disinherited because he kills his own father. So, what Corlys and Laenor want is absolutely irrelevant. You can't disinherit someone just because you don't like them or because you want to. Corlys and Laenor are screwing over their House and their trueborn relatives, Corlys because of his personal vanity and Laenor because he is careless and irresponsible. Laena played by the rules and had legitimate daughters, yet she and their daughters' rights are sacrificed for these two men.

Not to mention that later Corlys prefers to have one of his bastards legitimised instead of letting Driftmark pass to Baela.

#ask #anon #bastardposting #asoiaf succession crises #anti corlys velaryon #anti laenor velaryon

[angry-pinscher]

I've seen on iMia stuff about him not being an "untouchable" anymore and that he's not even considered as a starter both for bayern and gnt but i always thought those were exaggerations... until i saw your tags 😮

Why does the audience hate him? if you don't mind me asking :o

Hey! Of course I don't mind 😊

But I have to warn you, this is going to be a looooooong answer because there's no real reason. For me it's always stats speak for themselves and he's always one of the best. So it doesn't make sense to me, but I'll try to summarize my observations. This is just my opinion, so if anyone has other reasons, feel free to let me know.

It started at the beginning of this year, when things weren't going so well at Bayern, that the media focused on him a bit. On one hand, they love to cause unrest in Bayern, because articles about FCB simply gets the most clicks and comments. You always read about rumors about them here. Sportbild in particular is at the forefront of coming up with things. Most of them aren't true, but that doesn't matter. As long as people get upset in the comments. And they do! They really don't learn, it's ridiculous… On the other hand, they seem to have a problem with leaders here. They did that with Leon, Manu, Lewi when he dared to not score a goal for one or two games and now Joshi. This was strange since he was almost always the best player, even in games that didn't go well. But for the media he wasn't as good as he was a few years ago and then it doesn't matter if he's still better than the rest.

Then it's a little bit a German thing to always focus on the negative. As a German, I can't understand this in the media or among many fans. As soon as we don't beat supposedly weaker teams 4-0 or something like that, it was a bad game for them and people immediately ask what was going on. That was the case with Germany against Algeria in 2014. As if we weren't in the round of 16 at a World Cup...

And the gap between non-Bayern fans and Bayern players is growing. I used to read comments like: I don't like Bayern, but he's really a great player! as soon as it came to the DFB team. When it came to die Mannschaft, the clubs didn’t matter. That's no longer the case for some fans. Today I read comments like: All Bayern players should be kicked out! (it doesn't matter whether they were good or not) So you have the media that starts to report badly about Bayern, the fans that hate Bayern more and more and that was very interesting for me to watch. I hate it, but it's still interesting. Kimmich's character hasn't changed. But what was once called passion is now suddenly aggressive. When he used to cry when we lost at the DFB, it was said: At least someone fought! At least one person seems to be interested! Now they call him crybaby. Everything just becomes negative. Then of course many non-Bayern fans write in the comments on Instagram or Twitter and just hate on him (or other players). So it also seems as if a lot of Bayern fans are suddenly against him, which in turn is a great target for the media. And so the spiral continues downwards…

So yes, it's unbelievable what Joshi has had to put up with here for about half a year. But as someone who is constantly at home games and public training, I can say that his name is always shouted the most and loudest along with Müller and Kane. He is still as loved here as ever and is a crowd favorite and that at least comforts me a little….

Okay, the answer is actually a loooot longer than intended. I'm so sorry about that :D

#long post #and thanks for the ask <3 #sorry for the long answer but i'm always happy to talk about joshi :D #even with this topic..... #joshua kimmich #fc bayern #thomas-mvller #I have to admit that google translate helped me. This was too hard for me to write without help xDD

[sbum]

Ok, hear me out.

December is the one who corrupts the secret bosses.

Spamton says something very similar to the /UNUSED/ dialogue in the English version, meanwhile directly quotes them in the Japanese version. It almost seems that Dess is using Spamton to talk.

"It's coming for me, answer the phone, I can't tell you 'till you're all alone" is my interpretation of "BIG SHOT" vocals. Does he refers to Gaster by "it"? To Dess? Someone thought he referred to Swatch but it makes no sense. He doesn't even know that Spamton is in the basement.

And what if December corrupts secret bosses in a desperate attempt to find help? She is probably trapped in the code, we don't know why, but she is trying a way to return to her world...

Dess, could have some meta knowledge, since she is in the code. Trying to find help she got in contact whit the secret bosses, explaining her situation. Jevil just learned that everything is worthless, Spamton is looking for a way to get rid of her influence.

I like this theory but it's easily to debunk.

Dess probably hasn't learned anything by being trapped in the code. She says that it's dark there, and she only hears a noise similar to scratching.

And all the Gaster references? Seam quotes the ENTRY NUMBER 17 and one Addison says that they heard "garbage noise" by the other end of the phone that Spamton was using. mus_smile, the sound that plays in the ENTRY NUMBER 17 and when you use the cell phone in the Dark World is defined "garbage noise" in Chapter 2. Maybe Dess hears this sound too and describes it as scratching?

Many people hear "He's coming for me" in "BIG SHOT", if this is the case Dess is removed form the suspected list.

"* ... BUT IT SOUNDED LIKE THEY WERE TALKING TO YOU." is very similar to "You don't realize it yet but... it seems that there's someone who wants to talk to you." from Toby Fox's Twitter account, before the release of Deltarune Chapter 1, this second sentence refers to Gaster, and it's possible that the first one is a continuation of this weird theme of Gaster wanting to contact us at any cost.

How could have Dess corrupted Spamton? She doesn't seem to have power on the code.

#Deltarune #Deltarune Theory #I'm not English #But I'm dumb

[headspace-hotel]

Working on my WIP hasn't been fun in a while and it's making me sad.

I'm just full of doubts: is there too much worldbuilding? is the stuff i'm doing with symbolism obscure and offputting? Why is progress so slow? It feels like I've been pouring hours of work in and nothings happening.

The one thing I've learned from this is that I'm never doing the "writing random scenes out of order and piecing them together after the fact" thing ever again. It's made the process like 3 times longer and much, much less rewarding. I ended up having to rewrite like half of the scenes to make them actually go together.

I haven't figured out a way to track my progress that makes it actually feel like progress when I'm revising instead of writing, or rewriting parts, or weaving stuff in or rearranging. The "patch notes" thing is annoying because I can't remember everything I did in a session, and documenting my edits gets to be a chore in itself. Tracking the time I spend working on it is something I'm trying to do now, but I don't know if it's any better.

I'm also being dragged down by the fact that the state of the publishing industry is so bad. I've read books recently that were so sloppily thrown together and full of the most glaring errors. I don't want to put a book I spent 7+ years of my life writing out there for it to not receive even the bare minimum of competent editing. That would break my heart.

And there's no way in hell I am getting a twitter. Eat my entire ass if you want me to get a twitter

I really thought that going into a creative writing major would connect me with other people who are writers. This seems like such a dumb assumption now, even though I'm not sure why it would be dumb. Not having an irl, face to face support system gets rough after years of work.

#writing #personal

[magicalhideoutengineer]

Queenie & Grindelwald

Crimes of Grindelwald:

Alison Sudol: It's not so lovely for Queenie in this film. She has trouble because she doesn't speak French. She's not good at languages period. She has trouble with Newt's accent, so forget about Paris. So she's kind of getting a lot of information that she can't filter through in the way that she does. She's like clogged up by all of these information that she can't process, which is also part of the reason why it's easy for Grindelwald to manipulate her, because her instincts are not functioning properly.

- Fantastic Beasts: The Crimes of Grindelwald - Makers, Mysteries and Magic: Chapter 6

Dan Fogler: I feel like she also reads heart shockers. If your intention is pure, then it confuses her. Even if you're an evil bastard, if you're intention is pure, she's like, "Oh, this person means well."

Alison Sudol: It's true, there's a purity … because her gift hasn't been something that she has been taught to use. She hasn't been mentored. It is literally, "Queenie, stop reading my mind." She could be one of the great witches of her all time with this gift, but it's seen as a nuisance. So, if you don't have mentorship, and you're taught that something about you is wrong – and you aren't developing it, it's only just happening to you – then the discernment between a pure intention and a pure intention of harm, you know, is quite confusing if it muddles the senses. That's what we encounter in this with her.

- Snitchseeker

I was wondering, wouldn't Queenie have noticed the change in Graves [Grindelwald]' thinking even though he looked the same?

JK Rowling: Occlumency.

- Twitter

Mads Mikkelsen: If I offer a character that is under distress and frustrated, alone, a misfit, if I offer some comfort and an ear that would listen, it's a smart way to get you followers.

Alison Sudol: Absolutely. You sense vulnerability and you use it, and it was painful actually. I know that might sound strange, but any time you are put in a position where you need to look more deeply into yourself or into humanity to learn about someone, I think it's really positive, because it just brings more understanding into the human condition really.

- Secrets of Dumbledore Interview

Alison Sudol: She made the mistake of believing Grindelwald could offer a better alternative. He used her vulnerability to his advantage, telling her what she wanted to hear, meanwhile separating her from everyone and everything she loved. He understands people's base desires and he plays into them. That's why he's so dangerous. It's something that happens in the real world all the time, a trap that so many young people fall into. We are not taught how to converse with our desires, we're taught to suppress them to fit in. It takes the considerable power of owning our feelings away from us and leaves it up for grabs, makes us a target for manipulation.

- Secrets of Dumbledore Production Notes

Alison Sudol: At the end of the second film, we see Queenie make a pretty shocking decision, something that no one really expected. But if you follow through the film, if you really think about it, she was sort of in one unfortunate circumstance after another because of the way that the wizarding world operates and the prejudice. Really all she wants to do is just be with the person she loves. The narrow-mindedness of the world she lives in puts her into a really vulnerable position where somebody that's really manipulative can tell her what she wants to hear, and that's gonna have an impact.

- Secrets of Dumbledore Press Conference

Alison Sudol: Well, Grindelwald told her what she wanted to hear, didn’t he? I mean, anyone with a little power of observation could see that she was desperate to be with Jacob legitimately, which was a much bigger deal at that time than it is today. She would do anything to be able to be with him. And because of the restrictions by the wizarding world, the narrow mindedness, the prejudice towards non-magical people, she was vulnerable to anyone who would say it could be different. Grindelwald pretended to be sympathetic to non-magical people to get her on his side. If the wizarding world had been more open-minded, she never would’ve been in this situation.

- Bearpost

Alison Sudol: In the last film, a lot of people were shocked by what she did, but then, as I thought about more and more about what happens in that film, she's abandoned by the people that she loves, and her sister's not there, and she and Jacob are fighting, and Newt humiliates her, and she's also up against a huge amount of prejudice, and Grindelwald offers what seems like an alternative to a world that is broken and is not allowing her to be with the person she loves.

- Secrets of Dumbledore Interview

“Grindelwald actually sounds like he’s all for love — if you love a Muggle, you should be allowed to be with them, and you should be allowed to marry,” Fogler reveals. “But wizards, he feels, should be on a pedestal. This is very tantalizing to some.

- Entertainment Weekly

Dan Fogler: Dumbledore can say the same thing and so can Grindelwald in his heart. That's why it's so easy for her. She's like, "Wow, he really believes this, that this can happen." This utopia that he's promising with his silver tongue. But there's a part of him that it's for love. So it's very confusing, which makes for really complex, dramatic, great scenes to play. Really interesting subject matter. 

- Sensacine

JK Rowling: We watch him corrupt an innocent, and we see his immense seductive duplicities, gift for speech in the final scene where we really see the danger of the man. 

If we look at what he is saying and analyse it, it does fall apart. However, if you're not paying a lot of attention to the substance and the inherent contractions in what he's saying, it sounds very seductive, very plausible, and it can persuade people that you or I might consider good people.

- ChicagoSciFi

'He's also a bit flirty,' says Sudol. 'It's the age-old thing of the good girl getting swayed by the bad boy.'

- Lights, Camera, Magic!: The Making of Fantastic Beasts: The Crimes of Grindelwald

Alison Sudol: Grindelwald is very skilled at reading people, at understanding when someone is vulnerable and what they need to hear, and he also sees a part of her that she hasn't accepted in herself, which is this extraordinary gift that she has. There's a power there and there's a pull. There's no doubt about it.

- Secrets of Dumbledore Interview

Alison Sudol: So she is scooped up by Grindelwald in easily the most vulnerable moment that she's had in her adult life. She has very little at this point left to go to, so she's not protected by anything in that moment and he comes in, and it's very interesting the way that Jo's done this. Basically, you think of a predator or an evil person, a bad person's gonna come in and they are gonna be like an ogre and horrible and being like killing kittens in front of you and you are gonna be able to see that they are evil, but the thing about Grindelwald is that he's a master manipulator. He's all things to everyone that they need, and that is why he is so dangerous, and to Queenie, he very quickly understands that the way to get to her is through her giant heart, which is very open and very sore, and he comes in, he's vulnerable to her and sort of appeals to her and also reacts to her gift, which is a gift of being able to read minds, but Queenie's never been told that it's a gift. She's always been shushed, and It's always been a frustration and an annoyance to the people around her, and here you have this very intriguing, mysterious man who sees her as this powerful woman, and also he's saying, "I want what you want. I want you be able to love freely." She's been rejected by Jacob; it's no wonder she gets swayed by Grindelwald.

- Fantastic Beasts: The Crimes of Grindelwald - Makers, Mysteries and Magic: Chapter 6 & The Archive of Magic : The Film Wizardry of Fantastic Beasts: The Crimes of Grindelwald

Poppy Corby-Tuech: I think this is the power of Grindelwald, that he doesn't... He could've poisoned her, he could've drugged her, he could've used a spell, but actually I think he trusted that she would come to him in a really natural way and it would come from hers as opposed to her being forced. That is really the way that he's persuading a lot of people to do his very dark things around and it's not through mind games or through torture. It's through the sheer power of the words. Obviously, there's manipulation at the intent of it, but it's like, "If we lay the breadcrumbs, they will come."

- Speakbeasty

David Heyman: I think the fact that even Queenie can go over is really significant. The fact is that for me, Grindelwald is a much scarier villain than Voldemort. Because Voldemort was pure evil. People follow Voldemort as much because of brute, his power and brute force than his power of persuasion. The thing about Grindelwald is he makes sense or he makes sense to people. He speaks to the needs that people have. He understands his audience and he gives them what they want to serve his own needs. So I understand Queenie who wants to be with Jacob but where the magical laws deny her that possibility. You can see why someone who tells her in his world, in the world that he will rule, that she will be able to have what she wants. You understand why she goes over.  And that makes it to me, Grindelwald is relevant. He speaks to today. But he's also, because history repeats itself, a timeless villain and I think he's incredibly scary.

- Empire Podcast

David Heyman: Grindelwald is to me a much scarier villain than Voldemort, because Grindelwald makes sense to certain people. Voldemort's power is fear and intimidation. As Callum said, Grindelwald seduces. As much as we may hate certain politicians because they do not speak our language, we have to understand that they are answering the needs and vulnerabilities and insecurities of others. Grindelwald is doing that. That's why Queenie goes over. He makes perfect sense. I understand why Queenie does what she does. I may hate it. I may not like it, it may make me sad, but yeah [it makes sense].

- Coup De Main

His eyes meet QUEENIE'S in the front row.

GRINDELWALD —and for love.

We pan across QUEENIE, now heart and soul his .. .

- Crimes of Grindelwald: The Original Screenplay

Secrets of Dumbledore:

Alison Sudol: Queenie made a choice to take marrying Jacob into her own hands in the second film, which set off a chain reaction of unfortunate events that ultimately left her vulnerable and alone. Ultimately, she made a choice to cross over to Grindelwald’s side. It was shocking for a lot of people, but she was wounded and reckless. There was a lot of chaos around that decision, and it happened in a split second. Now in this new film, things have calmed down and the sobering reality of the world that she now lives in has descended. It’s not a world that she fits into, but she’s had to assimilate. Grindelwald sees her as a valuable asset for her power to read minds, which puts her in an important position among Grindelwald’s minions. That doesn’t mean she’s safe. She’s navigating this as best as she can, and it’s intense!

- Bearpost

Alison Sudol: So at the start of this film, we find her in a world that is very different than any world she's ever been in before. She's also being utilised for this tremendous power that she has, that she's either had to hide in the past or she's been made feel guilty about, and there is something interesting about that, about a person who hasn't actually been able to live fully as who they are, and I think a lot of young woman can relate to that as well, of what happens when somebody sees that thing, that burning part of you that nobody else sees. It's a tricky, interesting position. We don't really know where she's really to go and who she is and how she's going to move forward, because she's at a point in her life where she has sort of two ways to go, but she's made a decision that you can't really just say to Gellert Grindelwald, "Sorry, I actually..." It's pretty creeping, so maybe she won't be able to get away or mabye she will. That's what her journey is now.

- Secrets of Dumbledore Press Conference

Alison Sudol: Grindelwald's on a mission to become the leader of the wizarding world by hooker, by crook. He's not the kind of guy that's gonna do it the right way. He's gonna do it the way that makes it happen, and earlier on, she observes him do something completely unthinkable and cruel, disgustingly cruel to an innocent creature for his own benefit, and it's shocking, and it's unclear what she's seen up until then, but I don't think it takes her very long to realise that she's dealing with seriously villainous people.

- ChicagoSciFi

Mads Mikkelsen: He's an odd man, because he picks some allies that he knows are not fully on his side. So there's a little game for him. He seems to take pleasure in manipulating people that he knows are not a believer of him. But obviously if you can turn them over completely, it's a win-win situation. If you can't, he will have a very fun and good time with them. But also it's an old saying, right? Keep your enemies very very tight, very close. But she's a fantastic tool as well. She has the ability to read people's minds, and that can come in very handy.

- ChicagoSciFi

Mads Mikkelsen: Oh, Grindelwald doesn’t trust her at all. But there’s something about Queenie—she can read other people’s minds, but she’s also a very bad liar at the same time. So, Grindelwald has a hunch he can trust her to the degree that she can’t lie straight to his face. And then, as was said before, both Dumbledore and Grindelwald have this tendency to manipulate people around them. The difference is that Grindelwald doesn’t mind people around him that could be dangerous for him. He finds it interesting. It’s a little game. Life becomes more interesting when you have people around you that might turn on you. It keeps him on his toes.

- Bearpost

#fantastic beasts #crimes of grindelwald #secrets of dumbledore #coginterview #fb3interview #alison sudol #queenie goldstein #gellert grindelwald #mads mikkelsen #fb analysis #cogbook #makers mysteries and magic #dan fogler #jk rowling #david heyman #poppy corby-tuech #screenplay

[librarycards]

hi friend! i have had a dream of creating a publication of some kind that uplifts artists/writers in my area. i have been so lost at what i want to or should be doing, so i think this might be a good time to strike!! i'm reaching out to the student magazines at local colleges to see if they have any advice, but i wanted to see if you had any advice to offer as someone who might not have had something so significant (like a school) backing you and your litmag! Thank you so much for everything!!

hello anon, and thanks for your patience!! [full disclosure this was completed last week but in my drafts im sorry!!]

the first piece i have is to read: read mags that print a variety of types of work, those that are established and upstarts and everyone in between. this isn't only to get a sense of what the literary landscape is like rn, but also to find patterns: what do these sites have in common? how about their submission guidelines, norms, expectations?

^ in regard to the above, i also *strongly* recommend you submit and go through the publication process in at least a few mags before starting your own. maybe you have already! in any case, think about what kinds of editorial support/communication/practice you've liked and disliked. what kind of editor are you/do you want to be? if you're not sure yet, consider joining the reading team at a magazine, or editing a folio or guest issue! going from no experience to EIC is not a great plan, in no small part because you learn who and what you are as an editor, and who and what you want to edit, as you gain more experience. joining an established publication in some capacity is something i recommend to *everyone* interested in starting a lit mag. that is, i do not recommend attempting to start a publication if you have no experience on a masthead already.

presuming that you do have this experience, you're going to have some new considerations for your new publication in addition to those you're familiar with:

probably-familiar things to consider:

who is my demographic (do I have any restrictions on who submits?)

what are my values? (this is what you put in your about/mission statement/submission guidelines. for example, I don't submit to magazines who do not make their antizionism/pro-palestine stance clear)

who are my coworkers (do I want to run this thing on my own, or get multiple editors on with me? do I want to just make a quick squarespace site or have a designer onboard?)

what genres, lengths, and other specifications do I want for submissions (docx vs pdf vs rtf? how much do you actually have time to read? what do you feel confident in your ability to assess?)

where can people find us? (social media? twitter/x is still a home base for a huge portion of publications, despite everything. ig has a fair few. tumblr hasn't been very successful in lit mag world - but maybe you'll change that? there's a fair but niche showing on bsky and mastodon. facebook, as with everything else, is for boomers with shit politics.)

probably-unfamiliar things to consider:

what's your title? is a domain available for that title? how are you paying for the domain?

how about website hosting? (squarespace, weebly, google sites, wordpress, something else? is your site accessible? do you need to make extra access considerations, e.g. if publishing visual art?)

do you pay? how much? (without institutional backing, the money will either come from your pocket or donations, or both. if you want to pay but are broke, you could set up a fundraiser - but no promises on people following through.)

what submissions platform will you use? (email? manywor(l)ds does this, and we like it. submittable? pricy, but streamlined. moksha/oleda/duotrope? i mean....you do you but i find them weird)

how often will you be open for submissions? will you solicit any, or be all-slush? (I take a 90/10 approach in favor of slush, personally. slushpile 4 lyfe xoxo)

do you charge fees? (hint: DON'T)

where are you listed? (chillsubs, duotrope, the submission grinder, and other sites aggregate lit mag opportunities. you should get yourself here!)

how often do you want to publish? how many pieces per issue? (consider how much time you actually have. this is all unpaid work, too.)

(if you have an editorial staff beyond yourself) how often are you meeting? how are decisions being made? how are you handling conflicts of interest?

there are also things that become relevant as you begin your mag: like, keeping track of published pieces eligible/nominated for prizes, making editorial friends/comrades (CRUCIAL), managing harassment and spam in the submission process, and other issues you'll encounter just in the daily practice of operating a magazine. remember, more than anything, that you're part of a community - or more accurately, an archipelago of communities and subcultures. this is why participation is so important, and imo necessary, as a pre- and continuous co-requisite to 'having' a lit mag. you're there to fill a niche, not pick out and publish All the Good Writing Ever. This will help you let go of great pieces that 'don't quite work' or just 'aren't a fit' (editors are serious when we say we reject a fuckton of amazing pieces every issue) and let go of submissions you yourself receive rejections for.

anyway, i hope this helps give you a few places to start. in short, focus on community, reciprocity, and building slow&steady experience and expertise (as well as your own editorial styles/techniques) vs. launching into developing your own thing right away!

#ask #anonymous #lit mag #writing #publishing #editing

[em0tionl0rd]

Dear friends,

For anyone who has been a long-time follower or hasn't heard from me in a long time, years even, or has ever wondered/worried about me, this is for you:

The past few years have folded over like an accordion for me. A lot of horrible/terrible things have happened. And my memory is no longer what it used to be. My mind seems to naturally cope with trauma and any negative interactions by locking them away deep within it's confines. Despite this, I always try to stay positive, because I know nobody likes to hear about bad things because it only makes them feel bad. Worse, they feel bad for me, and I don't need need people's sympathy. I just need time to heal, and that's what I have been doing; Taking my time. Previous post on the matter.

It was just One thing after Another, for Years, and my mind's trauma response was to simply cope and continue to endure helplessly instead of push myself away from the situation I was in. You can really see this with my lack of activity on here through my Archive. (not including my art side-blog since I tend to just mass dump whatever art and doodles I've accumulated over there). I was active on Twitter for a bit during Tumblrs downturn, but then Twitter changed. I nuked my art account over there. It's empty. All the posts I made to nobody about my characters and headworld, gone. All because I didn't want my art and ideas stolen and used for Al training.

My main Twitter remains active. I just use it to reblog art now and casually tweet about stuff. Initially I used Twitter to follow content creators, but as my timeline got cluttered, I made alts to follow specific topics. I started using my main to follow news and current issues, and my art account to follow artists and content creators, which I still do, but I retweet to my main only. Then all my art likes stay on my art account and don't comingle with political issues.

I was going to work, and while I would work, I just kept thinking, non-stop. Thinking about all the bad things. Failing to distract myself with my own characters and my story universe. Unintentionally over-sharing with coworkers because at some point in my life I learned how to cope with my anxiety by talking, and talking, and talking.. Unintentionally forming bonds with people I should have never associated with because I felt so desperate for real human interaction other than what I imagined in my head. Something other than my daemons, my conscience, my delusions. The swirling thoughts, the nightmares, the dreams that haunted me just as much as my reality.

Every week, for years, I was experiencing these nightmares. Something would manifest in my room. I could sense it was there. I couldn't escape it. Even if I went to bed and tried my best not to think about it, it would get me. It enjoyed tormenting me.

I started to stay up later and later, fearing laying bed and being prone to this unseen entity. Hoping that depriving myself of sleep would help me fall asleep faster and whisk me away to the sanctity of dreams, but even then, I wasn't safe. If I ever overslept, or didn't do enough to make myself tired before bed, it would find me. If it was merely psychosis, I couldn't tell, because it felt so real.

Eventually, after everything I went through with my ex, things changed for the better, when it came to sleep at least. There was no longer a shadowy presence standing there, grinning at me feet from my bed, or watching me at my desk, waiting for me to go to bed. Instead, there were actual hallucinations. Sleep depravation had taken it's toll on me. My ex had kept me awake many, many nights during my workweek, and forced me to drink with him, or made noise that kept me awake because he would stay up all night.

I distinctly remember watching these long brown withered fingers reaching out of the utility closet in the bedroom while we were both sleeping, and shaking the door violently as if it were trying to get out/in. My eyes were open just enough while I was asleep for this to fully wake me up and scare me. I remember turning over to my ex whimpering and he didn't even care..

Then when he was finally gone (for good), I continued to hallucinate. I had gotten into such a habit of staying up, on top of my uncomfortable sleeping situation due to work related physical pain (among other things), that I started seeing full-body characters dancing in my doorframe. This was completely new to me because before, it was less of a visual hallucination and more like THERE IS A GHOST RIGHT THERE, and now it was more like my eyes were legit not working properly. I just remember staring at my door and seeing all the Digimon characters, full color and everything, dancing and moving around like my eyes were projecting a perfect recreation of them.

I noticed in the past that if I binged a certain amount of content, my eyes would start generating new versions of what I was looking at whenever I closed my eyes. Like my brain could take all this information and create something completely unique and original, which amazed me. For example, whenever I would browse Deviantart and look at character designs or dragons or something, I would close my eyes and every time I closed my eyes I would see a completely new and unique fleshed out design in full color. The downside was that they were usually too detailed for me to do justice in drawing.

I also just see ever-changing generic psychedelic patterns and colorful concentric waves at the edges of my vision. The only time I ever see these properly with my eyes fully open is if I'm staring at the ceiling or the grass or if I press my arm against my eyes. Then there was the one time I was flying out of LA and had taken a 1g thc tab while sleep deprived and noticed a little blob of rainbows in the plane window after take-off. (my ex pushed alcohol and weed on me really hard despite me not wanting anything to do with it bc i don't need it)

So anyway, I had binge watched Digimon Adventure and was now seeing all of the characters in my bedroom door. That was a new one for me. Before I would just stare at the cottage cheese patterned ceiling and try to make out characters in the bumps. I did this my whole life as I had the same ceiling as a kid at my childhood home.

I went back and watched Digimon because I never really got to watch it as a kid and had vague memories of it being overly-dramatic (I was like maybe 4-5) and My Gosh that show goes hard for a kids show. Completely unrelated to my rambling but I wish more kids shows were comfortable tackling such hard-hitting issues, my gosh. Modern media is too soft and probably sets a bad example of reality. (my dad let me watch gory horror movies, rated r flicks, and explicit 90s anime as a kid so who am i to talk)

Before my ex and around the time the nightmares started, I started having surreal auditory hallucinations while half awake. I remember waking up to a small black geometric object floating above my face with blue lines running across it's surface. I was in the thralls of sleep paralysis and felt like it was just floating there above my face watching me. Another time, while my niece was over, I remember hearing something at the top of my stairs, clawing at the carpet and growling at me. For context, I was living in my mom's attic. It was relatively small, with low ceiling, and carpeted.

This thing that was growling at me and snarling genuinely worried me because my niece started developing very strange behavioral issues around this time, but I won't get into that here. I don't think people want to hear my supernatural/paranormal psychology ramblings. I'm just happy that after talking to my mom about it my niece is getting some much needed help. I was so worried that I remember breaking down and crying over it at work.

I felt like something was attached to my niece, and that thing was sort of a manifestation of that that only I could hear while I was half awake. Before it climbed the stairs and started growling, I distictly remember hearing it mimicking my nieces laughter (she was just a baby). And the way it dug it's claws into the carpet and growled, this guttural snarl, I couldn't tell what it was. It felt inhuman.

Around this time, because I was so isolated, and generally miserable, all the research I had been doing into various paranormal and metaphysical phenomena had taken a detrimental toll on my mental health. As you can clearly tell from all of this rambling about things unseen. I started believing that lizard people were real and lived on Saturn. Yes, because I read it on someone's blog. And because of that, I started to be attacked in my sleep by what I can only describe as something reptilian in nature. It somehow had the ability to appear before me and put me into sleep paralysis, pick me up, and send me to the shadow realm (or at least that's what it felt like) where it would claw and bite and do unspeakable things to me while I was unable to move or fight back or even scream.

These experiences carried over after my mom kicked me out. They followed me to my apartment, and they stuck with me for a majority of the time I was with my ex. Part of me really hoped that living with a real living breathing human being would help me out of my psychosis, but that was kind of hard given that he was an actual sociopath and psycho himself. I had no grounding in reality other than work. Work started feeling like an escape. And talking with coworkers even more-so.

For context, my mom did nothing to help. Both of my parents have mental health issues, and I don't want to talk about it. I'm saving that for my biography. My mom kicked me out because the internship program she forced me into in 2018-2019 didn't get me employed right away, so I ended up living with a social worker for a short while who was also a pet foster. It was a bit chaotic with all the animals but I was able to get a job and my own place and get away from my mom which was good. Also my mom was drinking when she decided to come upstairs and lecture me (again) for 2+ hours about how useless I was.

As you can tell, there was already plenty of fuel on the fire for my mental health issues to spiral out of control. I started to neglect my art, my characters, my story, my wellbeing. Yet I somehow managed to keep it together, for the most part. Enough to be employable and push myself to socialize more at work and be personable and friendly. It helps to be overly self-conscious of how I come off to people due to being bullied throughout HS for being "weird"..

I felt like I peaked in 2014-2015 while I was still in Highschool and spent most of my time outside of school hanging out with friends in Minecraft servers. I was having so much fun despite my circumstances, but then the balance shifted in a really bad direction. At one point I was even living with my grandma in an even worse situation back in 2017 just because I was that desperate to get away from my mom.

While in my internship program I realized how freeing it was to be out in the city during the day while taking the bus to work. I was far away from home back in that small farm town and got to spend time at the mall every day which was cool. I got to see the city in fall and winter and it translated well into living on my own bc I had already familiarized myself with the bus routes enough to continue using them when I got another job. I also used them when I was with my ex to get out. Other than that I biked to work. More on that later.

And during my downtime in this program I spent so much time drawing. It was like being back in class in Highschool and sitting at my desk and doodling while the teacher was talking. (it was literally the same) Other than that, I spent most of my time on my laptop doing whatever I could to distract myself from my current situation out of habit. I'd draw digitally, but I struggled to motivate myself to do anything useful with it.

For a long time I relied on Youtube and social media as an escape and a distraction from my problems. Frequently venting to friends online. Paragraph after paragraph. Driving them crazy. Even driving people away. I just didn't know what to do because I felt so helpless. I even became active in the local metaphysical community. I took classes and became a certified psychic (not kidding). I met and attended classes with a paranormal psychologist. And I hung out with a wizard. (RIP)

Needless to say, I think metaphysics and spirituality are bunk at this point. I only see value in maybe paranormal psychology, because at the end of the day, it is literally all in our heads, even if our heads are literally a window into another world sometimes (even if said other world is just dreams and imagination). Taking a huge step back from my interest in the paranormal genuinely helped me heal and become better about handling myself, where I was no longer letting illusory entities harass me in my sleep.

I remember sitting in bed that fateful night and just saying in my head to myself, "This is all in my head and I am the one in control". Then I never got attacked again. Something I didn't mention throughout this whole spiel was that I had an imaginary friend and I frequently imagined myself doing the dirty with said imaginary friend (who is also a character of mine). The "attacks" were simply an escalation of all the kinky shit in my head and all the bullshit alien conspiracies I had been immersing myself in. I had let myself get to a point where I genuinely believed that something else was controlling me outside of myself. Very not mentally healthy if you ask me.

Near the end I remember having to make sure my bedroom door and closet doors were closed, and to cover my eyes and ears with something just to prevent them from playing tricks on me while I slept.

Anyways, lucid dreams, daydreams, OBEs, and sleep paralysis had become normalized to me at a young age. I frequently dreamed about flying and imagining characters in my head. It genuinely became an escape and coping mechanism for me, especially with the creation of an imaginary friend as a teenager because I struggled to make real meaningful friends. Changing schools several times didn't help that of course. I still experience these things and still enjoy them but don't take them as seriously anymore, but they're still fun, even addicting at times. I feel like the human mind is an endlessly deep pool that continues to amaze me at times.

As for my ex boyfriend, god.. It was like dating Murdoc irl, but somehow worse, and sadder. I wanted that Stockholm Syndrome abusive boyfriend relationship sooo badly. Like I felt I needed to be punished for being such an outcast. He Almost killed me. Aside from the few bicycle accidents on the way to work, I think what he did will leave me limping and struggling to walk for the rest of my life.

Also fuck the creep I met at my last job. Holy shit, now that guy was Literally insane. I genuinely hope his kid will be okay. (why the fuck does he have a child holy shit)

Lastly, I am doing better. At least I think I am. It's hard to tell. I'm just happy to be drawing again and enjoying it. After all the BS I went through over the past few years, I actually got pretty rusty so a lot of what I'm drawing might get dumped on my art blog, but in the meantime, I'm just happy I'm posting art and people are enjoying it as much as I do. I haven't felt this stable about my art in a long time. Getting out of that apartment and away from the city and all of those negative memories weighing me down was a huge step in the right direction.

If you read all of this for whatever reason, good for you. Have a gold star. Lemme know if you would read my biography. I have plenty more fucked up stories where these came from, and this is just incoherent rambling that skips most of the awful details.

#words words words #sadz talks

[halfusek]

Since the new Chris Portal documentary showed the true and nasty side of KB/Mike and TheMeatly, are you still gonna Say "we don't know the full story"?. We as a fanbase were treated as shitty as the employees they fired and abused, they don't deserve respect anymore.

uh i dont know where you've been but that video hasn't uncovered much new to me aside from some details from the two interviews near the end of the vid but like all of that stuff has already been known, it is just the first instance of someone compiling it into a coherent video (like the stupid games for kids said by mike we already knew in 2019 which i would not exactly say is the same as experiencing work abuse lol)

and idk why you're being so hostile at me, i've never been one to defend mike nor meatly but tried to find and share as much of the information as i could find about their wrongdoings, like dude i was fucking there pointing out that a lot of employees dont have "kindlybeast employee" in their twitter bios which then got screenshot and that post went on reddit where actual ex employees started sharing stuff (which freaked me out cuz i didnt want to have my "face" on the post dedicated to that) so like maybe turn that down a little

i feel like there's a lot of people new to some things unraveling in this controversy but as for me i've already made up my mind what i think of it, so i'm not so up in arms to scream about things that we already screamed about 2-3 years ago and that might make people think that i don't care or wanna brush it off which is not true

kindly beast / joey drew studios inc / mike and meatly deserve all the criticism aimed towards them, and on the day it was known about the lawsuit i laughed that karma finally got to them because i had thoughts "for all the shit they did to people, they deserve to fail and lose everything, to start over"

but i also think this is an opportunity for them to improve, learn and do better, sooooo i'm just kind of waiting for the next thing to happen i guess

in case they don't improve, welp, they can honestly fuck off

death of the author, whatever, it is anyone's personal call if they wanna keep on supporting some creators or not, and well as for me i think there's so much more and worse stuff that we (we as... gaming community... fandoms...?) tolerate that this seems just... small in comparison. i'm NOT saying it's not a big deal, it has me wishing lowkey that i just wasn't into batim lmao so i could just go. like for example i'm much more disgusted at sc/ott caw/thons wrongdoings cause they actually influence politics so i'm actively trying to keep myself away from engaging with fnaf or that one pirate gay show that i was like holy shit a cool gay couple but then read some yikes things about a character being based on actual real life guy who was a slave owner and that just had me nope out. i guess what i'm saying is i try not to support problematic things but if i were to suport only those purely unproblematic thatd kinda leave me with nothing idk society capitalism something something so you know i just try to weigh if something is actively harmful to people or if there is something that happened that i absolutely cannot forgive and based on that i get into something or not

does that make me a hypocrite? maybe but if i focus on boycotting what matters in the grand scheme of things and indulge a little in indie game fandom that's rapidly losing popularity i think i can personally live with that

sorry for going off about this, truth be told there's a lot of things happening in the world right now that put me in a very doomer mode lmao i mean we all see whats happening, shits pretty fucked and it was hard for me to even spare some focus on this, its really not good to get so desensitized so i also apologize for the harsh tone but yeah

anyways, i agree that we should make them feel like they need to apologize and do better, meatly still havent said a word publicly about anything that has happened and that fucking sucks

i still do not like harassing them over releasing batdr, thats part of crunch culture and all that jazz and i think we shouldnt lower the standards for that for anyone because [insert that image of you doing something bad to someone you dislike but it deflecting into someone you like]

but we should keep them on their toes and not let them think that we will just forget and let them get away with it because wow they've been massive assholes

#its funny because even chris portals first video was late to the controversy in my eyes #(understandably tho cuz it was long and that sort of stuff takes time to make) #it is a good video and i recommend watching it esp if you are a batim fan #sorry it got so long and weird i am in a . . . . . . state #halfask

[olderthannetfic]

I'm in a dilemma.

There's this fic that sparks me with motivation to take it and basically remix it, since it hasn't been updated since last year and the author also has been inactive in their account. Also, they don't have any other method of contact, no Twitter listed, they don't respond DMs, no nothing.

It doesn't sparks me because is good, but because... there's potencial of that premise but the author really tamed themselves. Also, a lot of fucking epithets. There's not paragraph without at least three epithets like "the older one", "the younger one", "the crow" and "the owl". Is driving me crazy, I don't know how the fuck did I read this the first time. Anyways.

Basically, I want to take this fic and do an unauthorized sequel. And of course, I want to publish it (not on Wattpad tho [that's where this fic is up], but in AO3 — it'd be the first fix of this ship in the Archive!), and also of course I will give credits to the original author... but I'm kind off afraid? About hypothetical backlash or something. I don't want people to call me a plagiarist, nor I want the author to feel bad (they don't even have a blanket state); but also I don't want (in a hypothetical scenario where this fic reach the author in some fucking unknown way) to take the fic down in that case. What should I do?

I know that making it Anonymous is an option, but I don't know how that works and the fic would be a multichap that I'd update chap by chap (not the type of person to write everything first and then post it).

--

Someone might be offended. If you do it, you're going to have to learn to live with that.