Trigun is a very autism media to me. The twins themselves are full of amazing metaphors for autism!!
The plants wings are a physical metaphor for autism! To me Rem’s and other humans fear of seeing Vash’s overtly autistic traits is shown in their reactions to his wings. We see Knives isn’t afraid of showing off his plant powers ever. The twins have a very cool dichotomy about masking-Vash was favored because he masked, while Knives never cared to.
When Vash and Knives see Tesla Rem goes to comfort Vash first. This seems to be slightly on favoritism, but also because she’s shocked that Vash is having a large emotional reaction. I think the fandom sees Vash as hyper-emotinal and Knives as hypo-emotional, but to me it’s switched.
Knives does not hide his emotions. And absolutely does not hide his outbursts! He has meltdowns all the time and is not ashamed of his autistic traits(Edit* this comment is in reference to Knives using his plant powers with no restraint, compared to Vash who almost never used his powers. I agree that Knives isn’t exactly a bastion of positivity about his autism, and hates his lack of control, that being said he isn’t ashamed of the traits themselves, just his lack of control over himself). He doesn’t care about being unsettling or being accepted by humans/neurotypical society. (Even more interesting to consider that all of the Gung-Ho Guns are disabled/neurodiverse in some way). Knives allows his emotions to control him, where Vash is guided by his obligations. He does what he wants, based on his wants. And what he wants is to be with the only other autistic person he knows-his brother. He also desperately wants his brother to be free from his internalized ableism and the pain of masking.
Vash on the otherhand spends all his time masking and denying his autistic traits so he can fit in with “normal“ humans. He also again, in contrast to Knives, acts based on how his mother told him to behave. He hates acting out/standing out. He still operates on Rem’s instructions to be “normal“ and unnoticeable. He does occasionally show strong emotions but they’re not his positive emotions. To be these are less examples of Vash being over emotional, but instead are examples of outbursts. The overflow of negative emotions reminds me of my meltdowns! As well most of the emotions we do see Vash show are also parts of his masking. They are deeply constructed displays of emotion. All set to Vash‘s derived sense of what’s normal. It’s what he thinks positive emotions look like. His mask is baked into everything he does. And only one person sees through it-Wolfwood!!
Wolfwood is also set apart by the narrative. He has been modified. In my view this is the story portraying that Wolfwood is also neurodivergent in some way. He is capable of seeing through Vash‘s mask, and from Vash‘s reaction is the first one to call him out on it. He also goes from being afraid of Vash‘s autistic traits-his wings-to supporting him. His last words are him encouraging Vash to express his emotions genuinely(to not worry about his “unsettling“ autism smile).
Trigun as a media deals to deeply with disability and autism(if someone remind me I’ll make another little essay thing about Meryl and Milly‘s autism). I hope this is coherent!!
Anyways! Happy Autism Month!!
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Artistic Intrest
Tech x reader
Word count: 807 words
Summary: While on a supply run, Tech discovers your interest in art.
Warnings: None just fluff (let me know if there's anything I missed)
A/n: This is my first fanfic, so it may be a bit cringey, and the dialogue may seem off. I do accept constructive criticism because I want to improve, but I don't accept disrespect. This is also my first time writing Tech, so he may seem a bit off.
It was a chaotic week. The job Cid gave us was difficult, and we all needed some rest. Unfortunately, rations were low, so a supply run was necessary. Hunter said that two people should go since there wasn't much to pick up, so there was no need for everyone to go. You volunteered, and luckily for you, Tech chose to accompany you. Tech the man you've slowly grown to love in a different way than how you loved the others. You begrudgingly accepted your feelings after realizing they weren't planning to leave anytime soon.
You and Tech dress in civi clothes and walk towards the nearby town. Tech decides to fill the empty space with his curious thoughts as you walk. You were so invested in his words that you barely realized you two were in town.
You looked around in wonder. It's been so long since you've seen a place as calm as this. Little did you know Tech was also in awe of the environment, particularly how the lights enhance your charm.
You two wandered the market looking for food stands. Maybe you could find some ingredients to make homemade food instead of flavorless rations. But before you could ponder that thought you caught a glimpse of paintings hung on a stand. You stopped to try to get a better view of the illustrations.
Tech stopped confused by your sudden action. He noticed you were looking at something. He turns expecting to see some sort of potential threat but calms to find nothing dangerous. Instead, finding art hung on a stand. He sees your desire to get a better view, so he asks if you'd like to go closer.
Excited, you squeal a yes before grabbing his hand and heading over.
Wait, grabbing his hand? Tech pondered. You must've been very excited.
You, with Tech in hand, over to the stand. The painting that catches your eye is one of a bright sky gradient with a lake and a cabin. The detail was incredible, and the artwork appeared to be made of oil paint.
As you examined the work, Tech couldn't help but see the admiration sparkling in your eyes.
The owner of the stand then walked up to you and struck up a conversation.
"You like the painting?"
"Yes, I do. It is wonderful!" you reply.
"Why, thank you! I painted it myself."
"Really! It's beautiful. You captured the tranquility of the forest perfectly!"
"Well, are ya gonna buy it?"
You quickly deny saying that you were only looking since it must've been out of your
budget. The clerk hums in understanding them
walks off to speak to other customers. You continued to look at the other canvases.
There were many portraits and landscape paintings. They were each painted using a different medium. Each is skillfully created.
Each with their own story of how and why they were made. Each symbolizing something important to the artist. As Tech observed you, he found your
appreciation for art endearing. Although, he does not recall a time when you had expressed much interest in such works. Sure, you'd bring it up here and there, but never had you shown how thrilling you found it. He
couldn't help but wonder why.
You finally snapped out of the trance and realized just how exhausted you were.
"Let's finish the supply run. Why don't we." You suggest.
Tech agrees, and you two begin to walk when you realize that your fingers are still
interlocked with Tech's. "Oops, sorry Tech I… I forgot I grabbed your hand." You laugh off.
"It is alright."
You two continue to walk, picking up everything on the list.
You both begin your walk home when Tech
begins a conversation. "The paintings seemed to catch your eye," he begun, "I do wonder why you hadn't brought up this interest before?"
"Well, you took a second to think," I guess I never really had to bring it up.. you know."
"Is it something you do not enjoy speaking of?"
No! I like to talk about this stuff! I just..." He looks at you expectantly. "Don't really know people who wanna talk about this stuff," you mumble.
A silence falls over you two.
"Then I have not done a good job in showing my interest."
"What?"
"I would like to hear what you have to say."
" Really!”
"Yes, I would."
You finally had an opportunity to share your knowledge with a willing listener, and we're not going to waste it.
You began talking about different techniques and mediums, which ones you favor, and answered any questions he had. Time flew by fast for both of you, and you were nearing the Marauder.
Tech was fascinated with your enthusiasm on this topic. He knew then and there that he wanted to listen to you more and more after this.
A/n: Thanks for reading! I hope you guys are willing to check out my future works.
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Heyyyyy. So I wanted to know how it will be if Atalanta and Vivien met darling’s parents, and the parents were like “ yes my daughter has told us everything about you” . And I mean like EVERYTHING like darling said told their parents everything about them( including how they treat darling) but you don’t have to add that if you don’t want to. Hope you’re doing well btw ☺️
Vivien is sweating bullets. In my version of the story, Darling has no idea about his murders because he generally only eliminates the scum of society or people who hurt/upset Darling. However, Vivien will immediately freak out and think that everyone knows what he did. His eyes are wide, he's sweating, he's fidgeting, he is literally doing everything to make himself seem more suspicious. And he worked so hard too! He put on a nice shirt and combed his hair all nice, AND he brought Darling's parents a cake he baked. He wanted to make a good impression so bad and now everything is ruined! He doubts Darling will visit him in the maximum-security prison he is definitely getting put in. Vivien's thoughts are spiraling when Darling's Dad says "She told us all about the fresh strawberries you grew for her :D She says you're such a great horticulturist". He just stares for a second, then he snaps back to his regular easy-going personality. But late that night he's lying awake in bed thinking that he needs to calm down and probably not commit any murders for a while. Just in case.
Atalanta brought a very expensive bottle of wine to meet Darling's parents. As the day grew closer, she researched them extensively, trying to discover anything they might bring up. She wants to make sure she seems perfect, and everything seems to be going okay, but the situation has an unidentifiable weird vibe. They all sit down to dinner and open the bottle of wine. I doubt Darling would actually say out loud what Atalanta has done; I think there's a higher chance the parents would read between the lines or make up their own terrible conclusions. When they say this, Darling freezes and Atalanta's carefully constructed smile drops off her face.
After a full 30 seconds of tense silence, Atalanta speaks, setting down her fork, "Darling, I believe I heard Abebe call for me. Could you go see what he wants?"
"But-"
"Darling." Atalanta shoots her eyes to the side, giving Darling a look.
Darling blanches, hurrying up from her seat to go check on the guards stationed outside the suburban home. When she leaves, Atalanta turns her attention back to her in-laws. She expertly picks up her wine glass, swirling the golden liquid a little.
"Now, I truly believe I heard you wrong. What was that you said?" One could never say Atalanta wasn't kind; here she was giving them a second chance.
"I'm going to the police about what you've done with my daughter," Your father hisses, standing out of his seat, "You won't get away with this, you bitch."
Atalanta takes a sip of white wine, the corners of her mouth turning up into a small smirk, "Oh Richard... Who's going to believe you?"
Your father turns an angry red and your mother tries to pull him back down, looking between him and Atalanta in fear.
"Thank you for having me in your lovely home," Atalanta stands up, inclining her head in respect to her elders, "I'll send my precious Darling in to say goodbye. I suggest you stay quiet, if only for your own self-interest. I am extraordinarily lenient with my Darling, but that benevolence does not extend much farther. I'd hate to have to arrange some sort of "accident". I expect Y/N to be back in the car in five minutes.
She smiles, showing off her perfect teeth, "Please have a good night and a pleasant tomorrow."
Atalanta walks away, leaving your terrified and fuming parents in her wake.
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for the ask game: 🧡🖤💚
🧡: What is a popular (serious) theory you disagree with?
Until I see definitive proof that Ludinus is in fact as old as he wants people to believe he is, I will not believe it. I don't even really have an opinion on how old he is; I just don't think he's as old as he tries to suggest. And lest it be said that I am playing favorites, the thing about Ludinus is that he talks the way Essek talks in 91—and there are a lot of things Essek says at that dinner that I take with a good heaping of salt. It's this sense that they're talking around things that they would rather people not question; they're both very skilled at talking around things in a way where they aren't outright lying, but they'd rather you not think too hard about it because there's shit they're not saying. To be clear I also won't be mad if there does turn out to be some evidence in canon that he is that old, but thus far, there is nothing definitive, and I do not take the word of unreliable NPCs at face value.
🖤: Which character is not as morally good as everyone else seems to think?
I don't think this is really an unpopular opinion at this point, but Jester. Nice =/= good. I don't think she's evil, by any means! But her morality is a lot more complex than it's given credit for and I think it's one of the things that is most interesting about her. I'd actually consider her largely amoral; it's just not really an axis of consideration that she worries about. She doesn't want people to hurt her or her friends and she doesn't want something to destroy the world, but otherwise she doesn't really care much about what someone's morality is. "Just don't be evil to me" is an incredible sentiment for a reason. She cares more that Essek said they were his friends than the fact that he's the traitor they've been looking for. Ludinus is so insignificant to her despite his literally world-spanning evil plots that she has basically forgotten him six years later, even though two members of her friend group have spent the last six years trying to pin him down. Jester is hilariously amoral and I love that for her.
💚: What does everyone else get wrong about your favorite character?
[cracks knuckles] OKAY, this is where I've got receipts, because hooo boy do I have an opinion and I will be proving it.
Essek does not have an opinion on the Prime Deities. He does not really have much of an opinion on religion. He actually does not by the end of the campaign have any real issue with the Luxon, and frankly he primarily expressed issue with the Dynasty's worship because, until he got to Aeor, he wasn't certain that the Luxon was a real entity at all—which he contrasts against the Prime Deities, in fact!—and he seems to believe there is compelling evidence in Aeor that categorically disproves his hypothesis that the beacons are simply constructed Age of Arcanum devices.
Originally he is mostly concerned that the Luxon religion is used as a "crutch" which is "distracting them from what other good things they could do with the time and focus". He does specify that any religion can be used as such, but he only remarks upon the one he knows. His theory about the beacons, as of episode 91, is that they may be "artifacts designed in the Age of Arcanum that have been misread" that could be put to even further use.
He also does parrot the Dynasty party line in their first meeting about the Luxon being "the basis of how we've been able to free ourselves from the binds of the lineage the Betrayer Gods left for us", and while I do not take him at face value here (see the above commentary about unreliable NPCs), I doubt the truth of this statement is lost on him, considering his familial connections to Bazzoxan, which I can only imagine would not exactly endear one to the Betrayers, though this is only conjecture. If we do care to take him at his word here, it's not unreasonable, since he obviously has a lot more interest in the power offered by the beacons than anything else.
With all that being said, his tune on the Luxon itself has at least changed by the time they get to Aeor. He discusses iconography found in Aeor and when prompted by the Nein about whether the beacons were created by mortals, says, "I do not believe that they are made by anyone but the Luxon. They are of the Luxon. But they've been around since the Luxon's been in Exandria, which is the beginning."
So we started with him largely apathetic to religion, uncertain if this god was real, and by the time we circle back to him, he has now sided fairly definitively with the fact that the Luxon is an entity that has been around since at least the Founding. (For those keeping track at home, this is longer than Predathos has been around. In the Dynasty's creation myth, it may also have been around before the Prime Deities arrived, which is technically not incompatible with the creation myth of Exandria at large, but I digress.) Like most of Exandria, and as is perfectly reasonable for both his culture and his region, he probably doesn't have any love for the Betrayer Gods, but doesn't express much opinion if any on the Prime Deities. He has no time for religion, but frankly, he doesn't have time for much except for his own research, so it's hard to really ascribe any noted contempt to that.
Like, look, I've written plenty of religious trauma Essek fic, and I don't doubt that that element of it exists, but overall, in terms of canonical statements, it's pretty tame.
With that being said, I do want to fast forward a bit to draw attention to something else. Because I actually do think he ends the campaign with some measure of respect for, at the very least, the Wildmother.
In 140 after the Raise Dead fails, he talks briefly with Fjord about the unfairness of it. Fjord passively directs him to "if you were to ask my wise friend Caduceus..." Immediately after this exchange, Essek challenges Caleb to not accept defeat, and admits he wishes there was more that he or any of them could do, but concedes that, "Unfortunately, this type of magic is beyond my purview."
Immediately after this exchange, Caduceus asks for divine intervention.
Of course, he then spends several weeks gardening in a temple to the Wildmother, and seems to find some genuine clarity and perspective there, but I think this alone is enough to argue that, for a person as driven by empirical evidence as Essek, this sequence of events in 140 would be plenty to earn a wizard's respect.
So my formal belief is that Essek is not in fact anti-god or anti-religion, let alone against the Prime Deities. My opinion is that it's very easy to imagine him on his post-campaign travels leaving a small offering at any shrine of Melora he might pass, not out of actual worship but as a sign of respect.
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Maison Martin Margiela FW89 cigarette shoulder leather jacket made from used leathers
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At the bus stop one time there was a gaggle of preschoolers waiting to catch the bus for a field trip day, and someone walked past with a couple of friendly little dogs, to great general delight.
But after a little bit, the dogs were getting overwhelmed, and the preschoolers were gently coaxed to back off so the person with the dogs could continue on. Specifically, one of the preschool teachers said, "Sometimes, when you're small, being surrounded by big people can be a bit scary and overwhelming. Even if they are friendly."
This was recieved as great wisdom: after all, the preschoolers were also small, and understood how scary and overwhelming big people could be! And the dogs were indeed even smaller than the preschoolers, so it made sense.
What was funny and charming was that, upon absorbing and reflecting on this wisdom, they all felt the need to tell it to one another. In tones of great insight, they turned to one another and said, "Did you know? Sometimes when you are small, being surrounded by big people can be scary and overwhelming! Even if they are friendly!" Back and forth, without any particular concern that they were all saying the same thing. Have reached comprehension of an insight, it must be shared!
I must say that this behavior is less charming in tumblr users than in preschoolers. Not least because tumblr users, having gained a little analytical skill to misuse, insist on Summarizing and Generalizing and Unifying the insights they repeat, quickly turning any interesting new information into formulaic dogmatic mush.
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“Kaine,” Web of Spider-Man (Vol. 3/2024), #1.
Writer: Steve Foxe; Penciler: Greg Land; Inker: Jay Leisten; Letterer: Frank D’Armata
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hypothetical struggle between Christianity and paganism in bbc merlin? 👀 one that's very neurodivergent? 👀 do tell
Okay, so Athurian times take place in the early dark ages. Which was probably a weird time for religion in Britain. Because the Roman occupation had just come to an end, leaving behind the structure of catholicism at least with those in positions of power. But religious beliefs were still in the process of blending together with the local practices and other religions, leading to some odd gnostic beliefs. Obviously, bbc merlin doesn't talk about Christianity within Camelot but I think we can assume the catholic church would have a position at the round table. Presumably, Arthur would grow up instructed in catholic belief, go to mass, and have bishops or whatever advising him. He would rule by Devine right, sanctioned by the pope and magic would be characterized as demonic. And that somehow raises the stakes for me, imaging magical merlin within the walls of a very catholic Camelot.
I just have this image of merlin in the back of a cathedral as Arthur attends mass. Kneeling in this beautiful building, head bowed low as the congregation sings praise to a foreign God in a foreign tongue. A God that would apparently have merlin tied to a stake and burned alive. And merlin choking out his empty prayers, echoing in the verbal praise under the isolation of his nonbelief and magical association. Full of fear and venom.
The hypothetical struggle I imagine is one of catholic enforcement pushed by Arthur's religious advisors and Arthur's morality. Because Arthur is a good person and slaughtering a people on the basis religion is insane. So, what does it mean for Arthur if he stops listening to his advisors and starts accepting magic? He has to contend with a spiritual struggle, not just the secular issues presented in the show. And I would looooooove to watch that. The bending of Arthur's beliefs into something more flexible and less rigidly Christian according to the church of the time
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accidentally getting a little too into my pedagogy class and starting to wonder if I should pivot and go into education (academic field)
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right now tho I'm really fixated on rogue trader lmao I want to work on Ceciliana ✌😔
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something difficult about writing/storytelling but only in short disconnected bursts is that writing anything longform is very difficult. there isn't as much time to practice long-term character development or subtlety (implying character instead of immediately clarifying) when its not really meant to go anywhere but a notes app. its a little frustrating...i'd love to do something more longform though. i've considered maybe just doing some short writing scenes in my various original universes a lot recently mostly because i just havent had time to draw anything fancy recently </3 maybe that would be something...
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My kingdom for a piece of mainstream media I get wholeheartedly obsessed with where I ship the Popular Ship™.
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literally when I see women being frustrated with other women for staying with abusive men I feel like I'm watching the ouroboros. Like I get it, it happens to everyone, I've been there, but it's so self sabatoging.
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OK, but I love that Essek might be appearing in the Mighty Nein series before he meets the Nein! It's not just me wanting More Essek (though I do) or wanting to see more of what was going on with his dealings with the Assembly (which I also do). I think this could be super fucking interesting from a narrative construction standpoint.
Because I cannot see how you can include Essek from early in the series and not make it clear to the audience that he's the Dynasty traitor loooong before the Nein find out. Essek having stolen the beacons will not be a surprise. It looks to me like the cast are swapping out surprise for a fuckton of suspense. (Suspense vs surprise was explained to me when I was studying narrative structure as 'surprise is when a bomb goes off that the audience didn't know was there. Suspense is when they see the bomb being placed and have to sit there begging the characters to realise it's there.' In this analogy, Essek is the bomb.)
When we watched C2, the question was is Essek the traitor? In the M9 show, the question for new watchers will be when will the Nein realise that Essek is the traitor? When Essek meets the Nein, the countdown starts ticking; people will know that he is a danger. He is manipulating them. He is going to hurt them. Will the Nein realise before it's too late? But then Essek starts really befriending them, showing more of his loneliness and vulnerability, and... I think the mood will shift. Oh, shit, he really cares about them, doesn't he? What will the Nein do if they find out? Do I even want them to find out? What if they reject him and it makes him worse? He can't keep this up much longer, this is unbearable, they're going to find out - OH FUCK THEY'RE FINDING OUT -
It's such a fascinating choice and I think it goes to show that adaptation is an art form in itself! The actual events in the world will be the same, or at least very similar, but a new format means you can show those events in a totally new way and create a completely different tone! Narrative structure is the fucking coolest! I'm so excited for this show!
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Some historical context for Olrox
Okay, let me prephase this with one important message: Castlevania Nocturne made me really happy by making the plot all about colonialism, as colonialism and its fallout and how it influences us to this day is a topic that I am very passionate about. We do not talk enough about it. The US does not talk enough about it because it could make white people feel uncomfortable. And here in Germany we do not talk about it, because we act as if this had nothing to do with us at all.
But the show talks about it and I love it.
And I honestly also gotta say that I love that the BI_PoC character have a concrete cultural heritage. Olrox is Aztec, Annette is Yoruba, and Drolta is Egyptian. Other shows: Please take notes!
But let's talk Olrox, because he is so fucking interesting and amazing!
We know about him that he is Aztec and also that he is 250 years old. Or roughly that old by the time he kills Julia. Which would put either his birth or his turning somewhere around 1530.
Now, the fall of the Aztec Empire has a very exact date: August 13th, 1521. But you should keep in mind that this does not mean that on that day the Aztec's are extinct. To this day there is still 1,5 million people speaking Nahuatl, the language of the Aztecs, and preserving some of the Aztec cultural traditions. It was just that on that day the empire construct fell to Cortez and the Spaniad conquistadors and a lot of Aztecs went into exile to flee the genocide that Cortez was bringing upon them.
The question of course is: Was Olrox still human at this time or was he already a vampire? From his dialogue it is clear that he was at least alive and grown enough to remember the fall of the empire and the distruction Cortez and his men brought upon them. But you can bet it was very traumatic.
I also am assuming he was turned by a white man. Because so far my assumption is that vampirism is an old world thing that got brought to the new world through colonialism. (Mostly because in Dracula's court we do not see any new world vampires.)
Now, the other interesting thing is what he says about his dead lover. The one Julia killed. So, first the "town in Massachusetts" he speaks about is clearly Stockbridge. Which was the town in which many Mohicans have settled during the colonial times, as well as other people from the Iroquois Nations. Now, it should be noted that the Mohicans were not part of the Iroquois alliance and in fact went to war with the Iroquois, but by the time colonialism really geared up there was some cooperation between the Mohicans and Iroquois.
Due to this they were in an alliance with the Oneida (who were part of the Iroquois) by the time of the Revolutionary war. Now, the Revolutionary War created a lot of conflict between the Iroquois nations, because they did not agree which side they should fight on. Of course both sides promised that they could keep their land, but the Mohawk, Onondaga, Cayuga, and Seneca did not trust the colonists and hence sided with the British, while the Oneida and Tuscarora (and through them also the Mohicans) sided with the Colonists.
And the dead lover clearly was among those siding with the colonists. Now, a quick refresher for the non-Americans (and the Americans who slept to history class, which is understandable). The Revolutionary War lasted from April 19, 1775 to September 3, 1783 (which, yes, also means that Julia and Richter probably were in the US during the war the entire time and the "evil" Julia was fighting probably was linked to it). And of course we all know how it ended for the Indigenous people: The colonists won, countless Indigenous folks died on both sides, only to get booted of their land soon after. The Oneida und Mohicans were made to move westwards not soon after the war ended. So, yes, Olrox would have seen that happen.
Now, an interesting thing in his dialogue was when Erzebet said: "We will create a new world." To which he replies: "I have heard that one before." And she says: "This time we are going to make it to last."
And the big question is to what this is refering. Is it refering to the colonialization or is it refering to the revolutionary war? Or something entirely different. In both cases it would be possible. And yes, the American Revolution definitely were claiming to create a new world. But was it that what he refered to or something else?
Well, never the less: Interesting character. Really good writing.
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