#yutaka hirose

[radiophd]

yutaka hirose -- nova

#1980s #ambient #electronic #minimalism #yutaka hirose

[ruinedholograms]

#music #cd #digipak #compact disc #nine inch nails #andrew bird #yutaka hirose #yoshio ojima #heisei no oto #virtual dreams #outro tempo #uneven paths #music from memeory #death grips

[jpopstreaming]

🆕 「 ノスタルジア」 by Yutaka Hirose Now available for streaming overseas! ➡ Added to our weekly playlist: https://spoti.fi/3lgjH73

#Yutaka Hirose #ノスタルジア #jpop #jmusic #Japanese music

[void-is-approaching]

#like a dragon #ryu ga gotoku #yakuza #yakuza like a dragon #like a dragon infinite wealth #judgement #judge eyes #lost judgment #yakuza 6 #mitsuru kuroiwa #masumi arakawa #jo sawashiro #kazuki soma #yutaka yamai #rgg #toru hirose

[mo-ok]

wow that cop looks familiar let me just

SHIMA CHAN MY BELOVED

#almost didnt recognise him with the helmet on lmao #toei had a total of 10 actors in the 80s and DAMMIT THEY MADE DO #(3 of them are Yutaka Hirose) #flash gordman lb

[eclipse-song]

Having seen most of Inoue's repertoire from 80s/90s sentai at this point really does make Tranza's appearance in Jetman hit different. Like oh hello Yutaka Hirose. Inoue called you back to be his sexyman again?

[prtcll]

【Gig Info】 5.6 (Mon. / National Holiday) open 19:30 / start 20:00 "岡川怜央 / Beau Beaumont / 阿部真武CD「Utopian Air」発売記念" at 水道橋Ftarri (Suidobashi, Tokyo) Admission: 2,000 yen

Reservation / Ask anything: [email protected] *Reservation required; When making a reservation, please write your name, phone number, and the number of persons. (要予約: 定員20名、当日券の販売はありません) 問い合わせ / 予約: [email protected] *氏名、人数、電話番号をお書きください (コロナ感染状況によっては予定が変更となる場合があります)

Ftarri Website: https://www.ftarri.com/suidobashi/ Ftarri Address: Okano Bld.B1, 1-4-11, Hongo, Bunkyo-ku, Tokyo

[Quintet] Leo Okagawa / 岡川怜央 (electronics) Masatake Abe / 阿部真武 (electric bass) Kanako Numata / 沼田佳命子 (clarinet) Yutaka Hirose / 廣瀬寛 (tuba) Kiriko Kawamatsu / 川松桐子 (trombone)

[zappak]

Vital Weekly reviewed latest three releases on zappak.

Takashi Masubuchi & Yosuke Morone – Particles and Waves Kaori Komura & Yutaka Hirose – Diastrophism Dance p.o.p. (psychology of perception) – Alien Stewardess

The Japanese Zappak label is always surprising, with music on the fringe of improvisation, sound art, and conceptual art, plus it usually introduces new names. New names such as Yosuke Morone, who plays electronics and prepared sounds in duet with Takashi Masubuchi on acoustic guitar. I know him from various releases on Ftarri, which is also the location where they played on January 28, 2023, and it’s the first time they played together. Radical music is a perfect example of what the label stands for. Two pieces on this CD are named after their duration, ‘[34:18]’ and ‘[33:02]’. The first opens with a high-frequency sine wave sound, which is piercingly loud (and I can’t imagine what it sounds like to someone thirty years younger than me), and the guitar plays individual notes, very quiet and sparse. Think Taku Sugimoto but with a backing of sine waves. Slowly, these sine waves (created with function generators) alter in white noise and, towards the end of this piece, intense bass sounds. The high piercing tones don’t return in the second piece, in which Morone’s contribution is quite different. More like obscured tape hiss, being slowly amplified. In both pieces, there is a gradual build-up towards something much louder (but not noisy). There isn’t much interaction between both players, but that’s the idea of the music here: no responding to each other. The guitar sounds clean, while the electronics are deliberately vague and strange. This works better in the second piece than in the first piece.

The name Kaori Komura popped up in Vital Weekly 1393 when she worked with Kazumoto Endo on a track for a compilation, and she plays Korean percussion instruments. In the 1980s, she was a hardcore punk band GISM member. Yutaka Hirose is a tuba player from Tokyo. He’s also “a member of some bands and ensembles such as “tail”, “Zayaendo”, “Aosaba” and “Itsuki-Hirose”. This CD shows a more traditional side of Zappak’s interest in improvised music. The two pieces were recorded a year ago at Permian in Tokyo. Both instruments sound the way they are supposed to, even when I haven’t got a particular notion about the percussion; it sounds percussion, drum, and cymbal-like. I think their music is all about interaction, and they cleverly play with the notion of loud versus quiet. Sometimes, they are both quiet or loud and sometimes, there is that distinction. In ‘Roaring Pulse’, Komura plays an ongoing rhythm at various points, which you do not often see in improvised music. It’s something I somehow enjoy, maybe as something to hang to in what otherwise may come across as slightly more chaotic. At just under an hour long, this is quite a ride, perhaps better enjoyed with one piece at a time. Let this be my choice of improvised music for this week.

And lastly, p.o.p. (psychology of perception) is preferred in lowercase; I am not sure why you would write between brackets what p.o.p. stands for. Why not use one or the other but not both simultaneously? This is the CD that is not by Japanese musicians, and also to have more than two pieces of music, and is a double CD. I reviewed their ‘Tabriz’ CD in Vital Weekly 888 when p.o.p. was a duo of Reinhold Friedl (piano) and Hannes Strobl (electric bass). With their second release, ‘Ikebana’ (not reviewed in Vital Weekly), they were a quartet, adding Nara Krahl (cello) and Elena Kakaliagou (French horn). The information says, “Alien Stewardess”, concentrates on the question: What do the musicians’ bodies know? Four individual musicians, each with his/her own sound and body memory, create a network of interferences and thus a multiplication of the sonic-kinetic perspectives: sensual, three-dimensional, and organic. Let yourself be guided by the alien stewardess in and out of time and space! Enjoy the journey…” This is the sort of text that is too cryptic for me. It reads well, but what does it mean? As with the previous Zappak release, this is all very nicely improvised, albeit of a much different kind, but two discs spanning some 150 minutes of music is a bit much. In their common approach, they like their sounds to be close together, like an acoustic (almost, that is) drone, out of which small sounds pop (pun intended) up. Because their pieces are long, twenty to thirty minutes (except the first ten minutes), playing this music must sometimes be an endurance test, with full-on concentration. Each piece is like a massive and dense cloud; if you look closely, you’ll see the more minor changes. Maybe there is some chaos, too; if you listen closely, it seems as if not much of this makes much sense, and at the same time, there is that tranquil feeling, almost spacious music. Maybe it’s not strange to think of this music as a fruitful meeting of improvisation and modern composition. Great release, but very long. (Reviewed by Frans de Waard)

[biobiopatata]

夏だった Deluxe

夏だった Deluxe 2022年10月12日 リリース

斉藤友秋氏作曲の「夏だった」組曲を散りばめた、biobiopatataの全16曲入りフルアルバム コロナ禍の中、リモートで制作されました

内省的なタイトル曲群に加え、バンド結成当時に作曲された「３」「Q」や リアレンジされた「ミートパイの夢」 音楽的構造の面白さを静かに表現した「四十雀のカノン」 メンバーの印象的な思い出から作曲された「午前四時の団欒」「貝」など 多様でいて統一感のあるアルバムになっています

作曲ではbiobiopatataメンバーの他 斉藤友秋　さや（テニスコーツ）関雅晴（sekifu）林亨が参加 演奏では 斉藤友秋　服部将典（NRQ）中尾勘二（NRQ） 廣瀬寛が参加 ジャケットのイラスト・デザインは斉藤友秋氏が担当

夏だった [Deluxe] スリムケース仕様

1. 夏だった I Natsudatta I 作曲 斉藤友秋 Composer Tomoaki Saito 2. 3 作曲 遠藤里美 Composer Satomi Endo 3. ミートパイの夢 Dreamin' Meat Pie 作曲 てんこまつり / アレンジ 斉藤友秋 Composer Tencomatsuri / Arranger Tomoaki Saito 4. 掠め取るタンゴ "Kasumetoru" Tango 作曲 関雅晴 Composer Masaharu Seki 5. Q 作曲 林亨 Composer Toru Hayashi 6. 夏だった II Natsudatta II 作曲 斉藤友秋 Composer Tomoaki Saito 7. 午前四時の団欒 4:00 a.m. Conversation 作曲 ハラナツコ Composer Natsuko Hara 8. 気持ちの良い宿酔い Floating Hangover 作曲 関雅晴 Composer Masaharu Seki 9. 貝 Shellfish　作曲 遠藤里美 Composer Satomi Endo 10. 夏だった III Natsudatta III 作曲 斉藤友秋 Composer Tomoaki Saito 11. 灯火 Glim　作曲 斉藤友秋 Composer Tomoaki Saito 12. 午後の網目 Meshes of the Afternoon 作曲 ハラナツコ Composer Natsuko Hara 13. wippi　作曲 さや / アレンジ さや 遠藤里美 Composer Saya / Arranger Saya, Satomi Endo 14. アライグマのカノン Racoon Canon 作曲 遠藤里美 Composer Satomi Endo 15. 四十雀のカノン Chickadee Canon 作曲 関雅晴 Composer Masaharu Seki 16. 夏だった IV Natsudatta IV 作曲 斉藤友秋 Composer Tomoaki Saito

biobiopatata メンバー 遠藤里美 Satomi Endo - Soprano Saxophone, Accordion (4, 13), Piano (8) 菅原雄大 Yuki Sugahara - Cello てんこまつり Tencomatsuri - Oboe ハラナツコ Natsuko Hara - Alto Saxophone 山本紗織 Saori Yamamoto - Flute

Guest players 服部将典 Masanori Hattori - Contrabass (1-3, 5, 7-16) 廣瀬寛 Yutaka Hirose - Tuba (4, 6) 斉藤友秋 Tomoaki Saito - Guitar (1, 10, 11, 16) 中尾勘二 Kanji Nakao - Percussion, Trombone (14)

Mixed & mastered 遠藤里美 Satomi Endo Drawing & design 斉藤友秋 Tomoaki Saito

試聴はこちらから（6曲のみ収録のミニアルバム「夏だった」）

[straycatboogie]

2023/03/25 English

BGM: Tears For Fears - Shout

Today I worked early. At lunchtime, I remembered my life itself. In short, my life is strictly connected with the label "autism". I have been lived a troublesome life because of this autism. Therefore, that autism were connected with my identity strongly, and I believed that "because I am autistic, I am unhappy", and also "autistic people must be treated as useless" strictly. Yes, now I can say I was really an idiot clearly. Now I think that autism is one of many personality in myself. In me, there are many essences of my identity. I am a man who loves a woman (in other words, I'm heterosexual), and a Japanese, and also a fan of Haruki Murakami... I don't need to shoulder the label autism. Indeed, I have many troubles because of this autism, but it is also foolish that living this life with that kind of "black or white" thinking.

In 2007, I did a test for checking if I was autistic, and learned how much my IQ could be. I don't want to declare how much it was, but I thought deeply as "the world can be unfair", and also "my life shouldn't be blown by this number of IQ only". Today, a person I know (he says he is "gifted") said that "making the society high IQ people can live happily", and it let me down. I believe that it can be really cruel that judging people by the number of IQ (because it is just a number of every person). At least, I can't see how different this kind of judgement of treating IQ too preciously (and praising high IQ people as amazing) and the notorious "eugenic thought" which had been used as the tool of discrimination (we should see that the action of judging some people as amazing can also be the action of judging the rest of them as less amazing).

I am never smart. At least, I believe that I don't rely on my smartness when I think or feel about something. I think the speed of reacting never be the meaning of smartness. I can do mistakes because I am not Artificial Intelligence. I can think wrong ideas. It is the meaning of the fact I am a human being. I believe humanity from the fact that I am only a human being. One of the differences between Artificial Intelligence and I can be the tenderness based on that humanity (I think I know that how the word "I am tender" can sound proudful and also foolish)... these were the things I thought through Twitter. I believe the humanity I have built by all of the past, and try to be honest to myself. Not being afraid of making mistakes, confessing my opinion. I wanted to do that.

After today's work, I went back to my group home. Today I couldn't read any books (just read Keizo Hino's short stories and essays). Maybe I had thought about the things I wrote above deeply. Enjoying Brian Eno and Yutaka Hirose... Reading the essay about Brian Eno by Keizo Hino, I learned that Hino writes about J.G.Ballard. I never read Ballard's "The Crystal World". A lot of books are still what I have never read... but how long I can live? I can't see. How many times I can watch such beautiful sakura flowers? Indeed, it is still too early. But it is natural that my life is already in a halfway (turning point), so I should live the rest of my life elegantly with using the things I have learned. This idea tells me that my life is really well-made. Until now, I did practice. So from now I will do practical action. I am not gifted, but walk my way.

#diary #english #journal #tumblr diary

[listoroboto]

#36] Yutaka Hirose || Nostalghia Ambient

#motorobotos 2022 music

[soundchannel]

【新譜入荷情報！】大滝詠一、TARO NOHARA、佐藤博 などなど！！

大滝詠一 / 夢で逢えたら

完全生産限定盤！大滝詠一『夢で逢えたら』の7インチシングル！まさに待望と言える、ナイアガラレーベルからの7インチレコードのリリースです。

http://soundchannel.shop-pro.jp/?pid=170270365

MATO / JAZZ-FUNK DUB TRIBUTE -LP-

ジャズ、ヒップホップ、ソウル・・・珠玉の名曲をレゲエ・カバーするフランスの井の頭レンジャーズことMATOがアルバムをリリース！！KOOL & THE GANGとHERBIE HANCOCKをカバーした「SUMMER MADNESS」の7インチのヒットが記憶に新しい彼らだが、今回有名なJAZZ-FUNK、 SOUL-JAZZ、FUNK & FUSIONなど珠玉のダブ・バージョンを収録。

http://soundchannel.shop-pro.jp/?pid=170047913

TARO NOHARA / POLY-TIME SOUNDSCAPES / FOREST OF THE SHRINE -LP-

やけのはらニューアルバムは遂にニューエイジ・アンビエント！！WRWTFWWから！！やけのはら、UNKNOWN MEでもおなじみ、TARO NOHARA ニューアルバム！リリース元は、な、なんと！WRWTFWWこと、We Release Whatever The Fuck We Want Recordsから！！

http://soundchannel.shop-pro.jp/?pid=169966448

YUTAKA HIROSE (広瀬豊) / TRACE SOUND DESIGN WORKS 1986-1989 -2LP-

ジャパニーズ・アンビエント至宝、広瀬豊の80年代未発表音源集がLPリリース！！高田みどり『鏡の向こう側』や、芦川聡『スティル・ウェイ』などと並ぶ80'S ジャパニーズ・アンビエント不朽の名作『NOVA』で知られる広瀬豊。その『NOVA』制作後の作品集『NOSTALGHIA』のリリースも話題となっている中、WRWTFWW RECORDSが80年代未発表音源集をリリース！

http://soundchannel.shop-pro.jp/?pid=170792828

THE JACK MOVES / THE JACK MOVES -LP-

2015年にリリースされたJACK MOVESの傑作1stアルバムがリイシュー！2015年リリースされたJACK MOVESのデビューアルバム『JACK MOVES』は、メイヤー・ホーソーンらと並び、スウィート・ソウル～ヴィンテージ・・ソウルを代表する作品として、発売時各所で絶賛され、今ではオリジナルのレコードは中古市場で高額になっています。そんなデビュー作にして傑作が嬉しいリプレス！！

http://soundchannel.shop-pro.jp/?pid=169843844

★商品に関してのご質問お問い合わせなどお気軽にご連絡ください★

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[beatdisc]

It's been a while since our last Japanese update, so here's a dig through our racks highlighting the latest new releases & re-issues, along with our usual range of ambient, new wave, jazz and folk re-stocks from our favourite archival labels.

NEW RELEASES Kikagaku Moyo - Kumoyo Island $65 Towa Tei - LP $55 Midori Takada: - Cutting Branches For A Temporary Shelter $55 - You Who Are Leaving To Nirvana $55

RE-ISSUES (Ambient) Inoyamaland - Danzindan-Pojidon $55 Hiroshi Yoshimura - Music For Nine Postcards $55 Yutaka Hirose - Nova +4 $50 Motohiko Hamase - Notes Of Forestry  $50 Midori Takada - Through The Looking Glass $45

(Rock, Pop & Psych) Takeshi Terauchi - Nippon Guitars $45 Makoto Kubota & The Sunset Gang - Dixie Fever $55 Akiko Yano - Ai Ga Nakucha Ne $55 Kikagaku Moyo: - House In The Tall Grass $55 - Masana Temples $55

(Folk) Ichiko Aoba - Windswept Adan $70 Sachiko Kanenobu - Misora $60 Kazuki Tomokawa: - Finally His First Album $55 - Straight From The Throat $55

(Electronic, New Wave & Avant-Garde) Yasuaki Shimizu - Kiren $45 Mariah - Utakata No Hibi $65 Colored Music - s/t $45 Takehisa Kosugi - Catch-Wave $55 Yamash'ta & The Horizon - Sunrise From The West Sea $55 Ryuichi Sakamoto: - Esperanto $60 - Hidari Ude No Yume $65

(Hip-Hop) Nujabes: - Metaphorical Music $110 - Modal Soul $110

(Jazz & Funk) Ryo Fukui - Mellow Dream $45 George Otsuka Quintet - Sea Breeze $55 Mystery Kindaichi Band - The Adventures Of $50 Haruka Nakamura - Nujabes Pray Reflections $100

(Compilations) Wamono A to Z: - Vol. 1: Jazz Funk & Rare Groove $60 - Vol. 2: Japanese Funk $60 - Vol. 3: Light Mellow Funk, Disco & Boogie $60 Wamono Groove: Shakuhachi & Koto Jazz Funk $60 Somewhere Between: Mutant Pop & Electronic Minimalism $65 (2xLP) Nippon Girls: - Vol. 1: Pop, Beat & Bossa Nova $55 - Vol. 2: Pop, Beat & Rock & Roll $55

(Soundtracks) Seatbelts - Cowboy Bebop $70 Kenji Kawai - Ghost In The Shell $40 Hikara Utada - One Last Kiss $48 Ryuichi Sakamoto - Black Mirror: Smithereens $40 Joe Hisaishi: - My Neighbor Totoro $100 - Castle In The Sky $120 - Castle In The Sky: US Edition $120

[kanatoyoshida]

[ruinedholograms]

#steve hiett #kaitlyn aurelia smith #yutaka hirose #yoshio ojima #inoyama land #masahiro sugaya #Satoshi ashikawa #dominique guiot #meitei #andy stott #tim hecker #the knife #music #music collector #music collection #cd #compact disc #cd covers #cd art #cd collection #my bloody valentine #phoebe bridgers #flying lotus #daniel lopatin #John du prez #digipak #albums #cfcf

[thesunlounge]

Yutaka Hirose - Epilogue (from Nova + 4, WRWTFWW 2019) 

#yutaka hirose #epilogue #nova #nova + 4 #soundscape 2 #misawa home #kankyo ongaku #environmental music #ambient #sound design #new age #peaceful #meditative #japan #flowers #waterfall #sky #blue #grey #polarod #cliffs #mountains #otherworldly #serene #1982 #2019 #reissue #sun lounge #octagon eyes