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#anti villains
hoolay-boobs · 9 months
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I know we all love Anti Heroes (Nimona, Deadpool, Wednesday, Glimmer, etc.) but please consider-
Meme format not mine, found off of Pinterest
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All this discourse with Saltburn may or may not being an eat-the-rich movie takes me back to when people's main criticism of Parasite was that its writing failed by making the Kim family too unlikable.
If you ask me, I feel like if you went into either film thinking them as eat-the-rich films, then it does come off as bad writing. However, neither story works well as an eat-the-rich film because that was never the intention. Sure, class disparity and social inequality are both vital themes but the main point of the EtR genre is about taking down the system, which neither film even tries to accomplish.
Parasite is a criticism of modern capitalism. It was never about pitting the poor against the rich. Bong Joon-Ho said himself, "It's a comedy without clowns and a tragedy without villains." The Kim family aren't meant to be hailed as heroes, and nowhere in the writing does it come off like that. But you end up asking yourself how come this family, who is clearly very capable and skillful, are just barely surviving off the edge of poverty and has no choice but to resort to scamming an entire family just to make a livable wage. Keep in mind they were barely making a profit—the biggest change to their lifestyle was being able to afford slightly better food than usual. Why is it that the poor will go as far as to fight among themselves just to continue leeching of the wealthy? Who benefited aside from the Parks? You could argue that Mr. Kim stabbing Mr.Park in the end was his way of fighting the system, but the film ends with him stuck in the basement, feeding off the house itself, still contributing to the same system that placed him there. EtR would've been more about the negative effects that come from the Parks from hoarding so much wealth that could sustain three entire families, making them deserved of comeuppance. Parasite instead focuses on how it's the system that keeps these class divisions in place.
It's the same with Saltburn. Oliver Quick does, in his own way, challenge the system. But what people forget is that it's not even as though the system ever worked against Oliver—he grew up in an (upper) middle-class household and managed his way into a prestigious university. He may not have been in the 1%, but he was at least in a position where he could go the rest of his life being comfortable. He just got greedy. He wanted more. He wanted to be on the inside. Saltburn isn't a story where a person painstakingly makes his way up the social ladder after starting from nothing whilst making the rich succumb to their sins; there is no justice or vengeance taking place here. Just a single man who manipulated the system to get more than his fair shares, just like his predecessors of Saltburn did. If it was EtR, it would've shed more light on how the Catton family and their wealth do more harm than good, justifying Oliver's actions. And even though they're unlikable, the most harmful thing about them is their performative charity and willful ignorance of the real world. This doesn't mean Saltburn lacks in substance; it's a compelling narrative on obsession and hedonism which introduces an excellent anti-hero, it just doesn't work as an EtR story. And it isn't supposed to.
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shinigami-striker · 8 months
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R. Bruce Elliot as Ginyu | Sunday, 09.03.2023
Since 2010, R. Bruce Elliot (happy 70th birthday) has been the current voice of Captain Ginyu, the leader of the Ginyu Force in various anime and video game releases within the Dragon Ball branding, including:
Dragon Ball Z Kai (2010-2017)
Dragon Ball Z: Tenkaichi Tag Team (2010)
Dragon Ball: Raging Blast 2 (2010)
Dragon Ball Z: Ultimate Tenkaichi (2011)
Dragon Ball Z for Kinect (2012)
Dragon Ball Xenoverse (2015)
Dragon Ball Xenoverse 2 (2016)
Dragon Ball Super (2017)
Dragon Ball FighterZ (2018)
Dragon Ball Legends (2018)
Dragon Ball Z: Kakarot (2020)
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xiiiwayfinders · 7 months
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rubydubydoo122 · 3 months
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I’m just gonna say this, the main reason people don’t like Damian Wayne as a character is the same reason people didn’t like Jason Todd back in the 80s
People don’t like either of them because their favorite Robin (Tim Drake and Dick Grayson) got replaced by them.
Damian and Jason are both really interesting and complex character, objectively more complex than both Tim and Dick, but some people (cough, obnoxious Tim fans, cough, and Dick fans who over sexualize him, cough) don’t see that and just want their little blorbos to never grow into their own character apart from Batman.
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there's just... there is no reason to make yet another cop show in this day and age. copaganda is not only bullshit, it is a failure of imagination.
you want to watch brooding characters with dark pasts investigate crimes in an official capacity? just use private detectives (cops have a miserable solve rate anyway). want eccentric geniuses & their sidekicks solving mysteries? i present you with armchair detectives & neighborhood busybodies. oh, you're craving a workplace comedy-drama starring overworked protagonists doing their heartfelt best to resolve community conflicts? social worker office sitcom! bitch this is ACHIEVABLE
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Who wants to bet Peerless Cucumber has an entire fan base within the pidw’s fandom? Potentially even bringing in a portion of pidw’s readers who just want to enjoy shen yuan just loosing it in the comments.
Like sure, some of the fandom’s definitely there for the toxic masculinity and papapa, but I guarantee you there’s an entire section dedicated to gleefully watching the fandom sewer rat being feral.
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puppetmaster13u · 28 days
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Prompt in Memes 5
Once more, have a prompt entirely in memes because I'm too lazy to properly write one right now lol.
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Crafting Compelling Morally Gray Characters: A Guide for Fiction Writers
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In literature, there is often a clear distinction between good and evil. Heroes are portrayed as virtuous and villains as wicked. However, in recent years, there has been a rise in the popularity of morally gray characters - those who do not fit neatly into the categories of good or evil. These characters are complex, flawed, and often make decisions that challenge the reader's moral compass. In this guide, I'll help you explore the art of crafting compelling morally gray characters and how to make them stand out in your fiction writing.
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What Are Morally Gray Characters?
Morally gray characters, also known as morally ambiguous characters, are those who do not conform to traditional notions of good or evil. They may have both positive and negative traits, and their actions may be motivated by a mix of good and bad intentions. These characters often blur the lines between right and wrong, making them more relatable and intriguing to readers.
Examples of Morally Gray Characters
Some well-known examples of morally gray characters include:
Severus Snape from the Harry Potter series: Initially portrayed as a villain, Snape's true motivations and actions are revealed to be more complex and morally ambiguous.
Jaime Lannister from A Song of Ice and Fire series: Known for his arrogance and incestuous relationship with his sister, Jaime's character evolves throughout the series, showcasing his internal struggle between his duty and his personal desires.
Walter White from Breaking Bad: A high school chemistry teacher turned methamphetamine producer, Walter's character is constantly torn between his desire for power and his moral compass.
Why Are Morally Gray Characters Compelling?
Morally gray characters are compelling because they challenge the reader's perceptions of right and wrong. They are not easily categorized as heroes or villains, making them more relatable and human. These characters also add depth and complexity to a story, making it more interesting and thought-provoking.
The Power of Relatability
One of the main reasons morally gray characters are so compelling is because they are relatable. They are not perfect, and they make mistakes, just like real people. This makes them more human and allows readers to connect with them on a deeper level. When readers can see themselves in a character, it creates a stronger emotional connection to the story.
The Element of Surprise
Morally gray characters also add an element of surprise to a story. Their actions and decisions may not always align with what the reader expects, keeping them on the edge of their seat. This unpredictability makes the story more engaging and can lead to unexpected plot twists.
The Exploration of Morality
Morally gray characters also allow for a deeper exploration of morality in a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality. This can lead to thought-provoking discussions and a deeper understanding of complex moral issues.
How to Craft Morally Gray Characters
Crafting morally gray characters requires a delicate balance of positive and negative traits, as well as a deep understanding of their motivations and internal struggles. Here are some tips for creating compelling morally gray characters in your writing.
Give Them a Strong Motivation
Every character, regardless of their moral alignment, should have a strong motivation for their actions. For morally gray characters, this motivation should be complex and not easily defined as purely good or evil. It could be a desire for power, revenge, or even a sense of duty. This motivation will drive their decisions and actions throughout the story.
Show Their Flaws and Vulnerabilities
Morally gray characters are not perfect, and they should not be portrayed as such. They should have flaws and vulnerabilities that make them more relatable and human. These flaws could be physical, emotional, or moral, and they should play a role in the character's development and decisions.
Create Internal Conflict
One of the defining characteristics of morally gray characters is their internal conflict. They are torn between their good and bad tendencies, and this struggle should be evident in their thoughts and actions. This internal conflict adds depth to the character and makes them more relatable to readers.
Avoid Stereotypes
When crafting morally gray characters, it's important to avoid falling into stereotypes. These characters should not be one-dimensional or defined solely by their moral ambiguity. They should have unique personalities, backgrounds, and motivations that make them stand out as individuals.
Show Their Growth and Development
As with any well-written character, morally gray characters should experience growth and development throughout the story. They should learn from their mistakes and make decisions that challenge their moral compass. This growth and development will make them more dynamic and interesting to readers.
How to Make Morally Gray Characters Stand Out
With the rise in popularity of morally gray characters, it's important to make yours stand out in a sea of similar characters. Here are some tips for making your morally gray characters unique and memorable.
Give Them a Distinctive Voice
A character's voice is an essential part of their identity. It should be unique and reflective of their personality and motivations. For morally gray characters, their voice should reflect their internal conflict and the complexity of their moral alignment.
Create a Strong Backstory
A character's backstory can provide valuable insight into their motivations and actions. For morally gray characters, a strong backstory can help explain their moral ambiguity and add depth to their character. It can also create empathy and understanding for their decisions.
Use Foils to Highlight Their Morality
Foils are characters who contrast with the main character, highlighting their strengths and weaknesses. For morally gray characters, foils can be used to showcase their moral ambiguity and challenge their beliefs. This can add depth to the character and create interesting dynamics between them and other characters.
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Morally gray characters add depth, complexity, and relatability to a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality.
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little-pondhead · 8 days
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Your Ancient History, Written In Wax
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Danny knew he should have put better security around the Sarcophagus of Eternal Sleep. It wasn’t even Vlad who opened it this time! The fruitloop was too busy doing his actual mayor duties because for some godforsaken reason, the man got re-elected.
No, it wasn’t Vlad. And it wasn’t Fright Knight, either. Nor the Observants. Who opened the Sarcophagus, then? Danny didn’t have time to find out as Pariah Dark promptly tore open a hole in reality and hunting Danny down.
The battle was longer this time. He didn’t have the Ecto-Skeleton, as that was the first thing Pariah had destroyed. The halfa had grown a lot over the past few years, and learned some new tricks, but apparently sleeping in a magic ghost box meant that Pariah had absorbed a lot of power. The bigger ghost acted like a one-man army!
Amity Park was caught in the middle of the battle, but the residents made sure it went no further than that. Vlad and the Fentons made a barrier around the town to keep the destruction from leaking. Sam, Tucker, and Dani did crowd control while Danny faced the king head-on.
Their battle shook the Zone and pulled them wildly between the mortal plane and the afterlife. Sometimes, residents noticed a blow from Pariah transported them to the age of the dinosaurs, and Phantom’s Wail brought them to an unknown future. Then they were in a desert. Then a blazing forest. Then underwater. It went on like that, but no one dared step foot outside of Amity. They couldn’t risk being left behind.
It took ages to beat him, but eventually, Danny stood above the old ghost king, encasing his symbols of power in ice so they couldn’t be used again. He refused to claim the title for himself. Tired as he was, Danny handed the objects off to Clockwork for safe keeping and started repairing the damage Pariah had done to the town. The tear he’d made was too big to fix, for now, so no one bothered. They just welcomed their new ghostly neighbors with open arms and worked together to restore Amity Park.
Finally, the day came to bring down the barrier. People were gathered around the giant device the Fentons had built to sustain it. Danny had brought Clockwork to Amity, to double check that they had returned to the right time and dimension.
Clockwork assured everyone that they were in the right spot, and only a small amount of time had passed, so the Fentons gave the signal to drop the shield.
Very quickly did they discover that something was wrong. The air smelled different. The noise of the nearby city, Elmerton, was louder and more chaotic. Something was there that wasn’t before, and it put everyone on edge.
Clockwork smiled, made a remark about the town fitting in better than before, and disappearing before Danny could catch him.
Frantic, Danny had a few of his ghost buds stay behind to protect the town while he investigated.
He flew far and wide, steadily growing horrified at the changes the world had undergone. Heroes, villains, rampant crime and alien invasions. The Earth was unrecognizable. There were people moving around the stars like it was second nature and others raising dead gods like the apocalypse was coming. Magic and ectoplasm was everywhere, rather than following the ley lines like they were supposed to.
Danny returned to Amity.
The fight with Pariah had taken them through space and time. Somewhere along the way, they had changed the course of history so badly that this now felt like an alien world.
How was he supposed to fix this?
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In the Watchtower, The Flash was wrapping up monitor duty while Impulse buzzed around him, a little more jittery than usual. The boy was talking a mile a minute, when alarms started blaring an alarming green. Flash had never seen this alarm before, and its crackling whine was grating on his ears.
Flash returned to the monitor, frantically clicking around to find the issue, but nothing was popping up. No major disasters, no invasions, no declarations of war. Nothing! What was causing the alarm?
Impulse swore and zipped to a window, pressing his face against it and staring down at Earth. “Fuck! It’s today isn’t it? I forgot!”
“What’s today?” Flash asked. He shot off a text to Batman, asking if it was an error. The big Bat said it wasn’t, and that he would be there soon.
“The arrival of Amity Park. I learned about this in school; the alarm always gives me headaches.”
Flash turned to his grandson, getting his attention. “Bart,” he stressed. “What are you talking about?”
Impulse barely glanced over his shoulder. Now that Flash was facing him, he could see a strong glow coming from Earth. “The first villain, first anti-villain, and the first hero,” he said anxiously. “They all protect the town of the original metas. They’re all here.”
“Here? Now??”
“Yeah? They weren’t before, but they are now. The first hero said there was time stuff involved, which was what inspired me to start practicing time travel in the first place.”
“I’m not following.”
“It’s okay. We should probably go welcome them before they tear apart Illinois, though. The history I remember says that some of them freaked and destroyed a chunk of the Midwest during a fight with each other.”
“WHAT?”
#dpxdc#pondhead blurbs#liminal amity park#I’ve seen stuff like this in the mhaxdp fandom and I eat it up every time#basically the fight with Pariah caused the town to jump through time a little#and while they THOUGHT they were keeping everything in#shit leaked out and tainted those points in time#so technically#historically and genetically speaking#Amity Park is the origin point for the meta gene and Danny made history as the first hero#because Clockwork is a little shit#everyone embodies a basic ability and it has grown from there#the flash family are direct descendants of Dani (speed force Dani for the win)#Dash is the reason super strength exists#so on and so forth#go buck wild#bart learned about it briefly in history class in the 30th century#practically hero worships them#booster gold knows about them too but in contrast to Bart’s excitement#booster is fucking terrified because there was a period where Amity Park rebelled against the US government#and he’s from that specific time#he learned to fear phantom because he lived during that part while Bart is from farther in the future when those issues got resolved#guess who’s chosen to welcome the town? >:)#if you’re wondering what happened to the GIW#they turned into the branch Amanda Waller runs#Danny is the first hero#Vlad the first villain#and Dani the first anti hero#there’s an arc where Danny is trying to fix things but clockwork won’t let him into the timestream and all the heroes are horrified#because yeah Danny is the OG but if he goes back in time to fix his ‘mistake’ what will happen to them?
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goldengirlgalaxy · 6 months
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The GIW have found out about Danny being half ghost. However, due to the dangers of getting caught Danny has a plan.
Danny some time beforehand manages to successfully figure out how to duplicate himself. Each one is just as strong as the others and the last duplicate remaining becomes the real Danny. Any duplicate the disappears will have all its memories return to the other copies.
The plan is simple: the Dannys all split up and set themselves up in different parts of the world, far away from one another. Should one get caught, it will simply vanish before the GIW can do any serious and traumatizing damage. Plus, Danny won't have to try and build another life for himself should he need to abandon one.
However, what Danny didn't consider is the fact that the copies don't have any kind of mental connection aside from when their memories are redistributed. They also don't keep in contact, as that would defeat the purpose of having them split up.
When the various superheroes around the globe find a child with incredible power who is all alone, they tend to try to help them. And since Danny doesn't want the GIW to find him, he tends to pick a different hero name than Phantom.
Needless to say, its a very interesting meeting at the Watchtower when they belatedly discover that several new heroes that had were being mentored by several heroes were all the same person.
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strangertheories · 4 months
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sick of people justifying the lack of diversity in stranger things with the fact that it's an 80s small town when they have fucking great poc characters who are either underutilised (lucas, erica) or who they just deleted off the show (kali, argyle). not to mention all of vecna's victims being fleshed out...except the Black one! and all the opportunities they could've used for rep, like vickie. this is a consistent pattern.
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limonmaid · 5 months
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I made 🥒✈️ stickers!
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sweetpeapoppy · 10 months
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*poke*
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copypastus · 6 months
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Sign me up for the tithe in the Spring Court I hear rent prices in Velaris went up again.
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mochiajclayne · 16 days
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aside from the fact that everyone can't figure out the depth of naruto and sasuke's bond, it's genuinely so funny that on the surface, they know just how much those boys influence each other because kakashi openly says that naruto's driving force is sasuke then obito says that naruto was meant to be the pawn to test sasuke. it even came to the point that all you need to do is say their name and the other one would fucking react. orochimaru perfected that tactic and triggered feral naruto. they might not understand that bond but they know how it works on surface level. and they take advantage of it.
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