Dracula Lives! #1, May 1973. Cover art by Boris Vallejo.
Greystoke Trading Company.
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Three issues of Heavy Metal with cover art by Dave Dorman.
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TERROR TALES Vol 3, #2 (Eerie Publications, 1971)
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Neal Adams Appreciation
Savage Tales #4 (Marvel Comics)- May 1974
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Comic Scene No.4 - Jan 2019 issue with cover by Charlie Gillespie.
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The Australian Women's Weekly, April 13, 1940
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Comic - Mad Magazine 2024 FCBD Special Edition (2024)
Art by Kerry Callen
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Gotham Guardian: Batgirl Edition!!
(Click for better quality)
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Cover for Dämonenkiller #132 - Der Ritter vom schwarzen Kreuz
by Vincente Segrelles
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Marvel Preview #5, April 1976. Art by Ken Barr.
Greystoke Trading Company.
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Three special Christmas issues of Creepy — 68, 86, and 125 — with cover art by Ken Kelly.
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Spy vs. Spy is a political cartoon, but it’s not a Political Cartoon. The strip stakes its claim immediately via a single thematic masterstroke—overlaying the blind jingoism and deranged paranoia of Cold War politics onto the endlessly resilient slapstick framework of classic cartoons—and then spends the rest of its existence exploring every facet of that premise by remixing the established formula.
In our latest original feature, Gyasi Hall dives deep into Spy vs. Spy, Antonio Prohías’ iconic MAD Magazine comic strip. Its premise may seem simple, but its revolutionary sensibility has proven impossible to replicate. Click the image (or here) to read the piece.
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𝔓𝔞𝔲𝔩 𝔒𝔯𝔟𝔞𝔫 𝔣𝔯𝔬𝔪 𝔖𝔱𝔞𝔯𝔱𝔩𝔦𝔫𝔤 𝔖𝔱𝔬𝔯𝔦𝔢𝔰, 𝔩𝔞𝔱𝔢 յգկօ𝔰.
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