#david joseph katz

[davidjosephkatz]

klaus kissing dave + things that remind him of the love of his life.

#the umbrella academy #tuaedit #klave #klaus x dave #dave x klaus #klaus hargreeves #david joseph katz #dave katz #<3 #* #i gave up on trying to make this look good sry #why is season 1 so dark

[incorrectklavekatz]

Dave: state your name, rank and intention.

Klaus: number four, four, fun

#the umbrella academy #klaus hargreeves #klaus x Dave #klave #tua #number four hargreeves #number four tua #Dave katz #David Katz #David Joseph katz #source: doctor who #klaus: I’ve always wanted to quote doctor who #Dave: doctor who never said that

[hidelias]

A bend in space-time Season 2 - [Chapter 9: Childhood's end]

[Chapter 9: Childhood's end] Links : AO3 - Wattpad - FFN

Thursday, May 30 1963 - 1:12pm - Dallas

(…) Klaus hasn't called yet, but I spoke briefly to Jill. They're staying at the estate of a man named Ken Kesey, who entertains San Francisco's elite with LSD. I've got the number, she's got mine. I hope it will work out that way.

I don't spend much time walking in the neighborhood. I'm mostly learning to deal with Mrs. Thompson, the neighbor across the street who - once again - doesn't like me, with the suppliers, including Mason in plumbing, and with Brian: the owner of the hardware store next door at 165-167. The guy who didn't hire me, but who's now happy to have someone fix his toaster. Every Tuesday, this clever little device breaks down - with insolent regularity - and it's always ready on Thursday.

I eat my last bite, then I bend down to pour myself a shot of caffeine from the thermos. And just then, I see a young silhouette pass by on the nearby balcony, making me briefly gaze over the gap separating us. There, beyond the two antique railings gleaming in the June sun above the concrete, Brian's young apprentice is settling into a camping chair in a checkered shirt. With a corned beef sandwich, and a volume of Arthur C. Clarke's 'Childhood's End'. A 50s anticipation book: one of the few styles I like.

He has chestnut hair, straight eyebrows, the high cheekbones of the people here. And blue eyes, shining under a forehead too smart to work in this hardware store. You can tell he'll be strong and tall. I give him a sidelong glance because I know he's spotted me, and I sigh because I don't have much time. But I lean over the edge of the balcony as he opens his book to its very last pages.

(…)

↝↝↝↝ Read 'A bend in space-time' ↜↜↜↜ Full chapter : AO3 - Wattpad - FFN Season 1 completed : AO3 - Wattpad - FFN Season 2 in progress : AO3 - Wattpad - FFN

I chose to insert an OC - Rin - into the plot of The Umbrella Academy season 2, appearing almost only in deleted scenes. I try to give her an interesting story on her own. What to expect: digging into the psychology of the canon characters, seeing their daily lives through the eyes of an outsider, deciphering what's only skimmed over in the original series. A bit of fun, too, uh?

Any comment will make my day! ♡

#the umbrella academy #umbrella academy #hargreeves #klaus hargreeves #fanfiction #wattpad #ao3 #archive of our own #fanfic #fic #the umbrella academy season 4 #umbrella academy fanfiction #umbrella academy fanfic #umbrellaacademy #klaus and dave #klaushargreeves #dave katz #david joseph katz #david katz #klave #klaus x dave

[girlactionfigure]

Immense pride, tinged with sadness. 

For those who would like to read the full list:

1908 MECHNIKOV, ELIE 

FOR THEIR WORK ON IMMUNITY

1908 EHRLICH, PAUL

FOR THEIR WORK ON IMMUNITY

1914 BARANY, ROBERT

FOR HIS WORK ON THE PHYSIOLOGY AND PATHOLOGY OF THE VESTIBULAR APPARATUS

1922 MEYERHOF, OTTO FRITZ 

FOR HIS DISCOVERY OF THE FIXED RELATIONSHIP BETWEEN THE CONSUMPTION OF 

OXYGEN AND THE METABOLISM OF LACTIC ACID IN THE MUSCLE

1930 LANDSTEINER, KARL 

FOR HIS DISCOVERY OF HUMAN BLOOD GROUPS

1936 LOEWI, OTTO 

FOR THEIR DISCOVERIES RELATING TO CHEMICAL TRANSMISSION OF NERVE IMPULSES

1944 ERLANGER, JOSEPH 

FOR THEIR DISCOVERIES RELATING TO THE HIGHLY DIFFERENTIATED FUNCTIONS OF SINGLE NERVE FIBRES

1945 CHAIN, ERNST BORIS 

FOR THE DISCOVERY OF PENICILLIN AND ITS CURATIVE EFFECT IN VARIOUS INFECTIOUS DISEASES

1946 MULLER, HERMANN J. 

FOR THE DISCOVERY OF THE PRODUCTION OF MUTATIONS BY MEANS OF X-RAY IRRADIATION

1947 CORI, GERTY THERESA, RADNITZ 

FOR THEIR DISCOVERY OF THE COURSE OF THE CATALYTIC CONVERSION OF GLYCOGEN

1950 REICHSTEIN, TADEUS 

FOR THEIR DISCOVERIES RELATING TO THE HORMONES OF THE ADRENAL CORTEX, THEIR STRUCTURE AND BIOLOGICAL EFFECTS

1952 WAKSMAN, SELMAN A. 

FOR HIS DISCOVERY OF STREPTOMYCIN, THE FIRST ANTIBIOTIC EFFECTIVE AGAINST TUBERCULOSIS

1953 LIPMANN, FRITZ ALBERT 

FOR HIS DISCOVERY OF CO-ENZYME A AND ITS IMPORTANCE FOR INTERMEDIARY METABOLISM

1953 KREBS, HANS ADOLF 

FOR HIS DISCOVERY OF THE CITRIC ACID CYCLE

1958 LEDERBERG, JOSHUA 

FOR HIS DISCOVERIES CONCERNING GENETIC RECOMBINATION AND THE ORGANISATION OF THE GENETIC MATERIAL OF BACTERIA

1959 KORNBERG, ARTHUR 

FOR THEIR DISCOVERY OF THE MECHANISMS IN THE BIOLOGICAL SYNTHESIS OF RIBONUCLEIC ACID AND DEOXYRIBONUCLEIC ACID

1964 BLOCH, KONRAD 

FOR THEIR DISCOVERIES CONCERNING THE MECHANISM AND REGULATION OF THE CHOLESTEROL AND FATTY ACID METABOLISM

1965 JACOB, FRANCOIS 

FOR THEIR DISCOVERIES CONCERNING GENETIC CONTROL OF ENZYME AND VIRUS SYNTHESIS

1965 LWOFF, ANDRE

FOR THEIR DISCOVERIES CONCERNING GENETIC CONTROL OF ENZYME AND VIRUS SYNTHESIS

1967 WALD, GEORGE 

FOR THEIR DISCOVERIES CONCERNING THE PRIMARY PHYSIOLOGICAL AND CHEMICAL VISUAL PROCESSES IN THE EYE

1968 NIRENBERG, MARSHALL W. 

FOR THEIR INTERPRETATION OF THE GENETIC CODE AND ITS FUNCTION IN PROTEIN SYNTHESIS

1969 LURIA, SALVADOR E. 

FOR THEIR DISCOVERIES CONCERNING THE REPLICATION MECHANISM AND THE GENETIC STRUCTURE OF VIRUSES

1970 KATZ, BERNARD

FOR THEIR DISCOVERIES CONCERNING THE HUMORAL TRANSMITTERS IN THE NERVE TERMINALS AND THE MECHANISM

FOR THEIR STORAGE, RELEASE AND INACTIVATION

1970 AXELROD, JULIUS 

FOR THEIR DISCOVERIES CONCERNING THE HUMORAL TRANSMITTERS IN THE NERVE TERMINALS AND THE MECHANISM

FOR THEIR STORAGE, RELEASE AND INACTIVATION

1972 EDELMAN, GERALD M. 

FOR THEIR DISCOVERIES CONCERNING THE CHEMICAL STRUCTURE OF ANTIBODIES

1975 TEMIN, HOWARD M.

FOR THEIR DISCOVERIES CONCERNING THE INTERACTION BETWEEN TUMOR VIRUSES AND THE GENETIC MATERIAL OF THE CELL

1975 BALTIMORE, DAVID 

FOR THEIR DISCOVERIES CONCERNING THE INTERACTION BETWEEN TUMOR VIRUSES AND THE GENETIC MATERIAL OF THE CELL

1976 BLUMBERG, BARUCH S. 

FOR THEIR DISCOVERIES CONCERNING NEW MECHANISMS FOR THE ORIGIN AND DISSEMINATION OF INFECTIOUS DISEASES

1977 YALOW, ROSALYN 

FOR THE DEVELOPMENT OF RADIOIMMUNOASSAYS OF PEPTIDE HORMONES

1977 SCHALLY, ANDREW V. 

FOR THEIR DISCOVERIES CONCERNING THE PEPTIDE HORMONE PRODUCTION OF THE BRAIN

1978 NATHANS, DANIEL 

FOR THE DISCOVERY OF RESTRICTION ENZYMES AND THEIR APPLICATION TO PROBLEMS OF MOLECULAR GENETICS

1980 BENACERRAF, BARUJ 

FOR THEIR DISCOVERIES CONCERNING GENETICALLY DETERMINED STRUCTURES ON THE CELL SURFACE THAT

REGULATE IMMUNOLOGICAL REACTIONS

1984 MILSTEIN, CESAR 

FOR THEORIES CONCERNING THE SPECIFICITY IN DEVELOPMENT AND CONTROL OF THE IMMUNE SYSTEM AND THE DISCOVERY OF THE

PRINCIPLE FOR PRODUCTION OF MONOCLONAL ANTIBODIES

1985 BROWN, MICHAEL S. 

FOR THEIR DISCOVERIES CONCERNING THE REGULATION OF CHOLESTEROL METABOLISM

1985 GOLDSTEIN, JOSEPH L. 

FOR THEIR DISCOVERIES CONCERNING THE REGULATION OF CHOLESTEROL METABOLISM

1986 COHEN, STANLEY 

FOR THEIR DISCOVERIES OF GROWTH FACTORS

1986 LEVI-MONTALCINI, RITA 

FOR THEIR DISCOVERIES OF GROWTH FACTORS

1988 ELION, GERTRUDE B. 

FOR THEIR DISCOVERIES OF IMPORTANT PRINCIPLES FOR DRUG TREATMENT

1989 VARMUS, HAROLD E. 

FOR THEIR DISCOVERY OF THE CELLULAR ORIGIN OF RETROVIRAL ONCOGENES

1994 RODBELL, MARTIN 

FOR THEIR DISCOVERY OF G-PROTEINS AND THE ROLE OF THESE PROTEINS IN SIGNAL TRANSDUCTION IN CELLS

1994 GILMAN, ALFRED G. 

FOR THEIR DISCOVERY OF G-PROTEINS AND THE ROLE OF THESE PROTEINS IN SIGNAL TRANSDUCTION IN CELLS

1997 PRUSINER, STANLEY B. 

FOR HIS DISCOVERY OF PRIONS - A NEW BIOLOGICAL PRINCIPLE OF INFECTION

1998 FURCHGOTT, ROBERT F. 

FOR THEIR DISCOVERIES CONCERNING NITRIC OXIDE AS A SIGNALING MOLECULE IN THE CARDIOVASCULAR SYSTEM

2000 GREENGARD, PAUL 

FOR THEIR DISCOVERIES CONCERNING SIGNAL TRANSDUCTION IN THE NERVOUS SYSTEM

2000 KANDEL, ERIC R. 

FOR THEIR DISCOVERIES CONCERNING SIGNAL TRANSDUCTION IN THE NERVOUS SYSTEM

2002 BRENNER, SYDNEY 

FOR THEIR DISCOVERIES CONCERNING GENETIC REGULATION OF ORGAN DEVELOPMENT AND PROGRAMMED CELL DEATH

2002 HORVITZ, H. ROBERT 

FOR THEIR DISCOVERIES CONCERNING GENETIC REGULATION OF ORGAN DEVELOPMENT AND PROGRAMMED CELL DEATH

2004 AXEL, RICHARD

FOR THEIR DISCOVERIES OF ODORANT RECEPTORS AND THE ORGANIZATION OF THE OLFACTORY SYSTEM

2006 FIRE, ANDREW Z. 

FOR THEIR DISCOVERY OF RNA INTERFERENCE - GENE SILENCING BY DOUBLE-STRANDED RNA

2011 STEINMAN, RALPH M. 

FOR THEIR DISCOVERIES CONCERNING THE ACTIVATION OF INNATE IMMUNITY

2011 BEUTLER, BRUCE A. 

FOR THEIR DISCOVERIES CONCERNING THE ACTIVATION OF INNATE IMMUNITY

2013 SCHEKMAN, RANDY W.

FOR THEIR DISCOVERIES OF MACHINERY REGULATING VESICLE TRAFFIC, A MAJOR TRANSPORT SYSTEM IN OUR CELLS

2013 ROTHMAN, JAMES E. 

FOR THEIR DISCOVERIES OF MACHINERY REGULATING VESICLE TRAFFIC, A MAJOR TRANSPORT SYSTEM IN OUR CELLS

2017 ROSBASH, MICHAEL

FOR THEIR DISCOVERIES OF MOLECULAR MECHANISMS CONTROLLING THE CIRCADIAN RHYTHM

Likud Herut UK

#Israel #Nobel prize #Jewish Pride

[bananaofswifts]

The 2023 class is 40% women. 34% belong to underrepresented ethnic/racial communities and 52% hail from 51 countries and territories outside the United States. There are many recent Oscar nominees among the invitees, such as Austin Butler (“Elvis”), Paul Mescal (“Aftersun”), Stephanie Hsu (“Everything Everywhere All at Once”) and Kerry Condon (“The Banshees of Inisherin”). The list also includes many of the 95th ceremony’s winners, such as Ke Huy Quan (supporting actor for “Everything Everywhere All at Once”) cinematographer James Friend (“All Quiet on the Western Front”) and composer and songwriter M.M. Keeravani and Chandrabose (“Naatu Naatu” from “RRR”). Even the dynamic “RRR” lead acting duo of Ram Charan and N. T. Rama Rao Jr. have also been extended invitations, along with the film’s production designer Sabu Cyril and cinematographer K.K. Senthil Kumar.

Even “Swifties” were upset that Swift was double snubbed at last year’s nominations — for original song (“Carolina”) and live action short (“All Too Well: The Short Film”) — however, they can rest assured, seeing her join the ranks of the music branch as she continues her global tour, and has her feature directorial debut in the works.

Also invited are a slew of global artists, artisans and talents such as actors Zar Amir-Ebrahimi (“Holy Spider” and recent Variety breakthrough talent recipient) Raúl Castillo (“The Inspection”) and Rosa Salazar (“Alita: Battle Angel”), director Joseph Kosinski (“Top Gun: Maverick”), screenwriters Kazuo Ishiguro (“Living”) and Charlotte Wells (“Aftersun”) and marketing and awards public relations executives such as Warner Bros-Discovery CEO David Zaslav, Bela Bajaria and Kelly Dalton from Netflix and Antonio Gimenez-Palazon from Sony Pictures.

“The Academy is proud to welcome these artists and professionals into our membership,” said Academy CEO Bill Kramer and Academy President Janet Yang. “They represent extraordinary global talent across cinematic disciplines and have made a vital impact on the arts and sciences of motion pictures and on movie fans worldwide.”

Other interesting statistics about this invitee class are four branches invited more women than men to join — casting directors, costume designers, makeup artists and hairstylists and marketing and public relations. The Actors and Directors branches had most of their candidates hail from underrepresented ethnic and racial communities.

Eight filmmakers have been invited to multiple branches — Daniel Kwan and Daniel Scheinert (“Everything Everywhere All at Once”), Colm Bairéad (“The Quiet Girl”), Edward Berger (“All Quiet on the Western Front”), Antonio Campos (“The Devil All the Time”), Lukas Dhont (“Close”), Ana Katz (“The Dog Who Wouldn’t be Quiet”) and Santiago Mitre (“Argentina, 1985”); however, they can only select one upon accepting membership.

In 2022, the Oscars invited 397 new members, including singer Billie Eilish, Oscar winner Ariana DeBose, “Belfast” stars Caitríona Balfe, Jamie Dornan and Disney exec Dana Walden.

With the addition of this new member class, the Academy is now 34% women, 18% from underrepresented communities and 20% from outside the U.S.

This year’s slate of awards contenders will have massive star power and legendary filmmakers in the mix such as Martin Scorsese’s “Killers of the Flower Moon” with Leonardo DiCaprio and Denis Villeneuve’s “Dune Part Two” with Zendaya and Timothée Chalamet.

Music Taylor Swift – “Where the Crawdads Sing,” “Cats”

#taylor swift #oscar

[drzito]

Las 242 peliculas que he visto en 2023 (parte 1)

Tarzan y su compañera (Cedric Gibbons, 1934).

2. El fantasma y la Sra Muir (Joseph L Mankiewicz, 1947)

3. Odio entre hermanos (Joseph L Mankiewicz, 1949)

4. Testigo accidental (Richard Fleischer, 1952)

5. El rastro de la pantera (William A Wellman, 1954)

6. El tigre dormido (Joseph Losey, 1954)

7. El quinteto de la muerte (Alexander McKendrick, 1955)

8. 40 pistolas (Samuel Fuller, 1957)

9. La maldición de Frankenstein (Terence Fisher, 1957)

10. Ocho horas de terror (Seijun Suzuki, 1957)

11. The Trollenberg terror (Quentin Lawrence, 1958)

12. La Venganza (Juan Antonio Bardem, 1958)

13. Un golpe de gracia (Jack Arnold, 1959)

14. A todo riesgo (Claude Sautet, 1960)

15. La evasion (Jacques Becker, 1960)

16. El sabor del miedo (Seth Holt, 1961)

17. Detective bureau 2 3. Go to hell bastards! (Seijun Suzuki, 1963)

18. The white tiger tattoo (Seijun Suzuki, 1965)

19. A traves del huracan (Monte Hellman, 1966)

20. El Tiroteo (Monte Hellman, 1966)

21. La soltera retozona (Silvio Narizzano, 1966)

22. Dimension 5 (Franklin Adreon, 1966)

23. Los Productores (Mel Brooks, 1967)

24. Un hombre (Martin Ritt, 1967)

25. Sebastian (David Greene, 1968)

26. El Bastardo (Duccio Tessari, 1968)

27. El lagarto negro (Kinji Fukasaku, 1968)

28. La louve solitaire (Edouard Logereau, 1968)

29. Aquel dia frio en el parque (Robert Altman, 1969)

30. Corazones en fuga (Michael Powell, 1969)

31. La bestia ciega (Yasuzo Masumura, 1969).

32. El bosque del lobo (Pedro Olea, 1970)

33. El grito del fantasma (Gordon Hessler, 1970)

34. Drácula y las mellizas (John Hough, 1971).

35. ¡Que viene Valdez! (Edwin Sherin, 1971)

36. Sangre en la tumba de la momia (Seth Holt, 1971)

37. El Otro (Robert Mulligan, 1972)

38. Hermanas (Brian de Palma, 1972)

39. Imagenes (Robert Altman, 1972)

40. Morgiana (Juraj Herz, 1972)

41. El ataque de los muertos sin ojos (Amando de Ossorio, 1973)

42. El programa final (Robert Fuest, 1973)

43. Flor de santidad (Adolfo Marsillach, 1973)

44. Lemora, un cuento sobrenatural (Richard Blackburn, 1973)

45. Messiah of Evil (Willard Huyck y Gloria Katz, 1973)

46. Una vela para el diablo (Eugenio Martin, 1973).

47. Daguerrotipos (Agnes Varda, 1975)

48. La noche de las gaviotas (Armando de Ossorio, 1975)

49. Picnic en Hanging Rock (Peter Weir, 1975)

50. El otro Sr Klein (Joseph Losey, 1976)

51. Terror al anochecer (Charles B Pierce, 1976)

52. El desafio del bufalo blanco (J Lee Thompson, 1977)

53. Largo fin de semana (Colin Eggleston, 1978)

54. El grito (Jerzy Skolimowski, 1978)

55. Los ojos del bosque (John Hough, 1980)

56. Alison’s birthday (Ian Coughlan, 1981)

57. Muertos y enterrados (Gary Sherman, 1981)

58. Wilczyca (Marek Piestrak, 1983)

59. En compañia de lobos (Neil Jordan, 1984).

60. Sangre Facil (Joel Coen, 1984)

61. Sole survivor: Unico superviviente (Thom Eberhardt, 1984)

62. Tasio (Montxo Armendariz, 1984)

63. El tren del infierno (Andréi Konchalovski, 1985)

64. El corazon del angel (Alan Parker, 1987)

65. Jovenes Ocultos (Joel Schumacher, 1987)

66. La chaqueta metalica (Stanley Kubrick, 1987)

67. El fluir de las lagrimas (Won Kar Wai, 1988)

68. Ensalada de gemelas (Jim Abrahams, 1988)

69. Kadaicha, la piedra de la muerte (James Bogle, 1988)

70. Pacto de Sangre (Stan Winston, 1988)

71. Avalon (Barry Levinson, 1990).

72. Misery (Rob Reiner, 1990)

73. La Teranyina (Antoni Verdaguer, 1990)

74. La Tutora (William Friedkin, 1990)

75. Morir Todavia (Kenneth Branagh, 1990)

76. La jungla de cristal 2 (Renny Harlin, 1990)

77. Solo en casa (Chris Columbus, 1990)

78. Alien 3 (David Fincher, 1992)

79. Mi novia es un zombi (Michele Soavi, 1994)

80. Nadja (Michael Almereyda, 1994)

81. Esto (no) es un secuestro (Ted Demme, 1994)

82. Dos Policias Rebeldes (Michael Bay, 1995)

83. El demonio vestido de azul (Carl Franklin, 1995)

84. Heat (Michael Mann, 1995)

85. Jovenes y brujas (Andrew Fleming, 1996)

86. Agarrame esos fantasmas (Peter Jackson, 1996)

87. Herbert's Hippopotamus: Marcuse and Revolution in Paradise (Paul Alexander Juutilainen, 1996).

88. La Roca (Michael Bay, 1996)

89. Tierra (Julio Medem, 1996)

90. 99.9. La frecuencia del terror (Agusti Villaronga, 1997)

91. Fallen (Gregory Hoblit, 1998)

92. Un plan sencillo (Sam Raimi, 1998)

93. El halcon ingles (Steven Soderbergh, 1999).

94. Ilusiones de un mentiroso (Peter Kassovitz. 1999)

95. Flores de otro mundo (Iciar Bollain, 1999)

96. Ravenous (Antonia Bird, 1999)

97. Wisconsin Death Trip (James Marsh, 1999)

98. Dagon: La secta del mar (Stuart Gordon, 2001)

99. Escalofrio (Bill Paxton, 2001)

100. Dracula: Pages from a Virgin's Diary (Guy Maddin, 2002)

101. 2 hermanas (Jee-Woon Kim, 2003)

102. Dos policias rebeldes II (Michael Bay, 2003)

103. Los Angeles Play Itself (Thom Andersen, 2003)

104. El reportero: La leyenda de Ron Burgundy (Adam McKay, 2004)

105. El Septimo Dia (Carlos Saura, 2004)

106. La vida que te espera (Manuel Gutierrez Aragon, 2004)

107. Los Edukadores (Hans Weingartner, 2004)

108. Misteriosa obsesion (Joseph Ruben, 2004)

109. Yo, Robot (Alex Proyas, 2004)

110. Hostel (Eli Roth, 2005)

111. Wolf Creek (Greg McLean, 2005)

112. Bajo cero (Frank Marshall, 2006)

113. El Inadaptado (Jens Lien, 2006)

114. Sheitan (Kim Chapiron, 2006)

115. The last winter (Larry Fessenden, 2006)

116. 30 dias de oscuridad (David Slade, 2007)

117. Borderland. Al otro lado de la frontera (Zev Berman, 2007)

118. Diarios de la calle (Richard LaGravenese, 2007)

119. Frontera(s) (Xavier Gens, 2007)

120. Hostel 2 (Eli Roth, 2007)

121. Water Lilies (Celine Sciamma, 2007)

[himbohargreeves]

steve confirmed that klaus will be getting his god given seasonal obsession what do you think its gonna be whats gonna be his jfk

Some fun options I have been considering:

Dave

David Joseph Katz

Brian Katz's nephew

A soldier from the 173rd Airborne Brigade

#anonymous

[spooky-boi-writes]

Born sick

Boarding School for Troubled Teens and Young Love Universe

Words: 4088

Ships: Klaus Hargreeves x David Katz

Summery: Dave was stuck. He was forced to go to a boarding school in his uncle’s desperate attempt to make him straight and homophobic. Klaus was crazy; everyone in the school said so, even the teachers. Dave is rooming with Klaus. What could go wrong? (Hint: only thing that goes wrong is uncle Brian’s attempts to make Dave straight)

TW: Klaus hallucinates but no illness is named, Homophobia

Notes: First time writing Klave! This was going to be a one shot but I decided I’ll probably make a series of oneshots of this universe abt these two silly little guys

Ao3

     Dave stepped off the bus, suitcase in hand. He looked up to see a gate blocking off some prestigious looking school. Fuck this. God, why did uncle Brian have to find out? Why would aunt Janie tell him? Why did she read his diary?! Why did he even have a diary?! He's a fifteen year old boy, he shouldn't need a little black notebook to write his fucking feelings in. Everything sucks. He's stuck at a goddamn therapy boarding school and everything sucks.

     He grabbed his bag and stepped up towards the gate, getting startled by the guard he hadn't seen until then.

     "Full name, please." The tired, tall person sighed.

     "Uh, David Joseph Katz." He instinctively straightened his posture, intimidated by the tall figure adorned in navy blue.

     "Oh. You're that one." Dave stiffened in discomfort. "Well, don't worry, we'll fix you. Come in."

     "Fix what?!? There's nothing about me to fix, asshole!" is what Dave would have said if he didn't fear getting his ass beat. Instead, he nodded and waited for instruction. The figure opened the gate and led him into the tall building. They passed other uniformed adults in the hallway until they reached a front desk.

     "David Katz." The gate keeper said.

     The receptionist nodded her head. "We'll lead him to his room to get set up. Mr. Hughes," Another person appeared, in a different uniform from the gate keeper but still navy and ominous. "This is Mr. Hughes. He'll be leading you to your dorm you'll be residing in for the visible future. If you have a problem with your dormmate, neighbors, or the placement of the room please notify one of us." the scarily monotone voice of the receptionist recited.

     Mr. Hughes led the boy along narrow winding hallways, countless doors on either side of the two. It was silent for a few minutes, but then Mr. Hughes spoke up. "If you want some advice, look out for your roommate. He's our most troubled student."

     "R-really?" Dave stuttered out.

     "Yep. The reason you're even being placed with him is because no one else wants to replace his old roommate."

     "What'd he do?" He eyed the older man. He seemed nicer than the others, but he still worked here and that is a glaring red flag.

     "To get in here? A number of things, but the tipping point for his father was him trying to catch a mausoleum on fire." Mr. Hughes stared straight ahead, voice not containing the smallest waver or shutter.

     "Aren't those made of like... stone?" Dave tilted his head.

     "Granite. He was very heavily inebriated at the time." Mr. Hughes stopped at a door. "Ready to meet him?"

     "As I'll ever be, I guess." The man knocked on the door.

     "Come in~" A high voice responded. Mr. Hughes opened the door to another boy, around Dave's age, lounging on one of two beds in the room.

     Holy. Shit.

     He was the prettiest person Dave had ever seen.

     He had short messy hair in pretty ringlet curls, what looked like eyeliner but was probably pen, and just straight up wasn't wearing pants. He was sewing something on his lap, but definitely not wearing pants.

     "Mr. Hargreeves, please put your pants on." Mr. Hughes seemed to be biting back a smile.

     "Oh but Mister Luke, is this not a free country? Am I not allowed to live life for me and do the things I love?" He batted his eyes.

     "Not here you can't. Now get that stuff off your eyes before you end up punched."

     "Mister Luke, did you just threaten to punch me?" He stood from the bed, rainbow cheetah print underwear on full display. "That's a threat, dear sir. Maybe you need to go to prison boarding school." He took a wipe to his makeup.

     "Yeah yeah, kid. You're lucky it was just me. Oh and here's your new roommate, Mr. Katz." Mr. Hughes stepped back to the door. "Well I need to leave before I get in trouble. Klaus, do us all a favor and don't scare him too much, alright?" He paused, eyeing the sewing project. "Klaus if you're sewing your pants into a skirt again I'm not covering for you this time."

      "No promises!" 'Klaus' sang as the older man left, shaking his head. "So, 'mister Katz'," the other boy mocked, Dave still too shocked to do much. "What brings you here? Attempted murder? Theft?"

     "Uhm... Well..." Dave started but was quickly cut off.

     "Don't worry, whatever you did I've done a thousand times worse." He sat back down on his bed, still not wearing pants, and went back to his project.

     "My... uh... my uncle found out I had a crush on our neighbor..."

     "What is this, Gnomeo and Juliet? You had beef with the neighbors, became a simp, and got sent here?"

     "Well... the neighbor 'sa boy.." Dave shifted his weight, looking seemingly anywhere but the boy in front of him.

     "Oh. Oh you sweet summer child. I've broken so many laws, me kissing men didn't even make dear old daddy flinch." Klaus seemed to notice how uncomfortable Dave looked. He stood up and reached out his hand for a handshake. "I'm Klaus, but you can call me whatever you want," He winked. "If you can look past a criminal record longer than my billionaire father's paycheck, we're gonna make great friends." Dave smiled and took his hand.

     "I'm Dave. The only law I've ever broken was when I jaywalked at about ten years old."

     "Ah, rebellious." He smiled the most adorable goddamn smile Dave has ever seen. "Well, seen as we're both vile criminals, we need to be friends. In solidarity, y'know?"

     "Well, if we have to, I suppose we can make do." Dave smiled wide.

~~~~~

     Dave hit Klaus over the head with a pillow as hard as he could.

     "Piece of shit! Get off me!" Klaus screamed, trying to shove Dave off of his bed.

     "Absolutely not! This is what you get for stealing my bacon this morning, asshole!" Klaus laughed maniacally.

     "Worth it!" Dave continued hitting Klaus over the head as the kids laughed, until a loud bell sounded throughout the dormitory.

     "Oh shit! We need to do school here!" Klaus pushed Dave off him and jumped to their shared closet. Dave pushed next to him and pulled out his uniform, taking off his pajamas and pulling on his dress shirt and pants. Klaus just pulled on his clothes, his pajamas a classy pair of neon yellow underwear.

     They ran down to the school building and slid into their seats, putting their books on the desk as the bell rang. The teacher seemed to want to get them in trouble, but they weren't technically late, so she just went along with the math lesson. About two minutes in, a crumpled piece of paper landed onto Dave's desk. He shook his head fondly and opened the paper to Klaus' chicken scratch writing.

          Y do they think math class @ 8 am is a good idea????

            im dying here rn >:(((

     Dave tried not to laugh and took out his pen.

          They have a vendetta against you personally and want to watch you suffer. Obviously.

     He crumpled the paper again and threw it onto Klaus' desk. Klaus frowned and picked up his pencil to write again, until a voice interrupted.

     "Mr. Hargreeves, what are you writing about?" Mrs. Simmion put her hand on his desk, a fake smile blaring through his skull.

     "I'm taking notes!" He flashed an innocent and equally fake smile.

     "Why is it so crumbled?" She tilted her head, smile twitching.

     "It's full of love."

     "Let's hope that's a love of paying attention, lest you get detention." She smiled and turned to face the white board. Dave watched Klaus scribble something else onto the paper.

          That was a close 1 shawty

     Dave scribbled back and threw it at Klaus, only for it to get intercepted by Mrs. Simmion before he could read it. She looked Klaus in the eyes in her normal bitchy manor and opened it as harshly as she could.

     "Ahem, why don't we read this for the class, Mr. Hargreeves?  'Why do they think math class at eight am is a good idea? I'm dying here, angry face.' Then, in other handwriting, it reads 'They have a vendetta against you personally and want to watch you suffer. Obviously.' Much lower on the page and in the first handwriting it reads 'That was a close one shawty' and the second person replied with 'Stop calling me shawty you do it too much.' Boys, does this sound like taking notes to you?" The entire class started laughing at the kids. Klaus was too busy laughing his ass off to reply, so Dave happily jumped in.

     "Well ma'am, they are notes. Whether or not they're on the class material was not specified." He gave her the most shit eating grin he could muster. She looked him in the eye and crumbled the paper, throwing it towards the trash can. "Ah, ma'am, you missed."

     "Well, you are going to be missing your free time, I'll see you two boys in detention." She returned to the lesson, Klaus and Dave having nothing to do but laugh and try to figure out what she was going on about.

     Dave had really been enjoying his time there, which isn't something you usually hear from a kid who was locked in disciplinary boarding school. He started off being too terror-stricken to do anything wrong, the idea of a detention freaked him out for weeks. But then he really started hanging out with Klaus, spending most of their free time together and everything, and all of a sudden a few detentions didn't seem so bad.

     Oh god Klaus. His mini crush from the first day didn't really go away, it mostly just got...worse. He'd notice himself looking at his smile a bit too long, or staring into his eyes a bit too intently, studying the greens mixing in his iris like he was going to be quizzed on them later. He... he didn't have a real crush on his new (and only actual) best friend. He just thought he was... nice. And so what if he thought about kissing that smile more times than he could count? That was between him and the scenarios he'd make up to fall asleep.

~~~~~

     Dave sighed, feet hanging over the back of his chair and head resting on the desk he threw his school books on as soon as he had walked in.

     "Will you sigh a little quieter, Mr. Katz? I'm trying to grade." Mr. Hughes rolled his eyes. Rather than being stuck with Mrs. Simmion, Mr. Hughes was on detention duty and they were taking it as prime time to do anything but homework. Was it really homework if you lived at the school? They should be pardoned from homework if the home they go back to is still school.

     "Mr. Hughes stop being sassy, you're being a bad role model." Klaus said, not looking up from where he was scribbling on a loose piece of paper. "Keep talking like that and we'll end up gays."

     "Oh no." He deadpanned, looking at the teenager who still didn't look up from his page.

     Dave zoned out for a little while, possibly also falling asleep, before a question popped up in his mind.

     "Hey Mr. Hughes?" He turned his head to the playfully annoyed adult. "When you were leading me to my room on the first day, why'd you say all that stuff about Klaus?" Klaus gasped and put his hand on his heart, finally looking up from his paper.

     "Lukie bear you talk about me!"

     Mr. Hughes chuckled. "I wanted to freak you out. I knew you were both cooler than straight people and had hoped and assumed you'd be okay with his... antics, so I acted like he was some crypted."

     "You know me so well, Lukie pookie." Klaus made heart hands at Luke, ending up with a book thrown at his head and Dave cry laughing on the ground.

     Mrs. Simmion was not pleased when the two came into class with no homework done and stories of books hitting skulls being told to the other boys.

     Dave still didn't know what Klaus was drawing on that page.

     "What do you think is the worst part of this school?" Klaus took a bite of his shitty cafeteria sandwich a few months later, feet kicking around from the railing he sat on.

     "Everything. Everything here sucks." Dave opened the applesauce that smelled like wax and mold. "I wish me and you could just... leave. Find a place, get minimum wage jobs, and never deal with this shit ever again." he threw the applesauce into the bushes in front of him, releasing a pathetic 'splat' sound as it hit the ground. "Maybe Mr. Hughes will adopt us. He's nice."

     "Why does he even work here? He has, like, a soul." Klaus dipped the tip of his shoe into the sad sauce, barely holding onto his improvised seat.

     "Probably to take care of the kids, 'n not treat them like the others do." Dave flicked a bit of the extra applesauce that fell on his plate onto Klaus' foot.

     "He's nice." Klaus rubbed his apple foot onto Dave's pant leg, who then promptly threw him off the hand rail.

~~~~~

     Klaus sprang from his pillow and gasped, glimmering with sweat and tears, breathing heavy so each inhale was a gasp and exhale a shaky unrelieved sigh. Dave woke as soon as Klaus had, and looking over at his roommate, he crawled out of bed and next to Klaus'.

     "Hey, Klaus, it's okay. I'm here, you're not alone." Dave started trying to calm the boy down. "Can I touch you?" Klaus simply nodded, too frightened to get a word out. Dave touched his shoulder kindly but firmly, just to confirm to Klaus he was real. "It's Dave, it's okay..." Dave was glad he knew what he was doing now. The first few times, he flailed around the room until Klaus cried to sleep. He was more trained now, and knew how to comfort his friend, just like Klaus learned how to comfort him.

     Klaus stayed silent, staring straight ahead and visibly trying not to cry, but he still grasped for Dave to come closer, an anchor while he drowned in rivers of nightmares and flashbacks and old visions. Dave was his to cling to, and god be damned if Dave didn't cling right back, Klaus was his anchor too.

     Dave crawled into the bed, putting himself around the shaking teen, rubbing his hands up and down his arms and whispering sweet nonsense into his ear. The teen leaned into the boy, trying to breathe deeply or steadily or anything to just stop hyperventilating. Dave tried to walk him through a breathing exercise, with not the greatest success, but he kept going until Klaus' breathing was as even as they could get it.

     "Do you wanna talk about it?" Dave barely whispered, leaning his head into Klaus' shoulder. "You don't have to, if you don't wanna, I mean."

     "Same as usual, you know the drill," Klaus leaned more of himself onto Dave, exhaling and releasing some of the tension from his shoulders. "Silly little hallucinations felt a little too real for comfort, daddy was there too, whole nine yards."

     God, the hallucinations. Dave got chills whenever they were brought up and he wasn't even the one burdened with them. Klaus saw things no one else could, and neither teen knew why. During the first couple weeks, Klaus had explained he saw things no one else could and that's all the information he had. Didn't know why, if something was seriously wrong, anything. Dear old daddy just put him in more situations where they could fuck with him as some screwed type of exposure therapy, and the doctors here didn't give a shit. The doctors here aren't concerned with helping people, they're concerned with their paychecks. He went from a father who made things worse to doctors who wouldn't help or care about him. All he could rely on was Dave and the fact that even if he had to deal with hallucinations, there was a sense of consistency in them. He saw the same people, or things, regularly and it was usually only those few. He named them, talked to them when they were standing around, and coped. But sometimes, when he remembered the backstory his brain wouldn't stop trying to convince him was real, he'd wake up screaming or crying, or have full (and silent) meltdowns in the middle of class.

     "It's okay, darlin'. I'm here, I'm real, you don't gotta worry." Dave shushed.

     "Are you though?" Klaus thought out loud. "Sometimes I feel like you're another hallucination. Not one of the bad ones or anything, but someone my brain made up to cope with how fucked I am." Dave didn't really know how to reply, but he didn't have time to think before Klaus kept going. "Y'know, if it is true, you're the best thing my brain's ever made up."

     Dave thought about what he was going to say, but before he could heard soft snoring from the person lying on his chest. He fell asleep with his best friend snoring in his arms and a soft blush on his cheeks.

~~~~~

     The all boys delinquent school had collaborated with the all girls delinquent school for a dance.

     "You all need to talk to people outside of here, and the safest way to do that is with the other school for troubled children." Mrs. Simmion had said one Monday morning. "So, we decided to plan a dance for you all. It is in two Saturdays, seven to ten pm,  and you will be wearing your uniforms." Dave doubted this was the safest way, and knew they probably just wanted to plan a dance and pretend they were in charge of a normal high school for a night. Nevertheless, two Saturdays later he and Klaus were getting ready for a dance.

     "Does this skirt look too much like pants? Is it too long?" Klaus did a spin, finally an opportunity to wear his DIY skirt he was on his bed making nearly 9 months ago.

     "Klaus, it's going to look a little like pants. They're pants you tore apart and put back together. And no it's not too long, you're just a slut at heart." Dave fluffed his hair for the umpteenth time that night, even though It wasn't to impress anyone. He only wanted to impress one person, but that person watched Dave eat cereal and milk with his bare hands the week before, so he didn't feel the need to attempt to charm around him. He was only fluffing his hair because he'd never been to a dance before. He was excited.

     "Okay, thanks shawty." Klaus started applying his real eyeliner he stole from one of the girls at the other school a few weeks back. Dave gave up on stopping him from calling him shawty weeks ago. It was kind of cute, in its own weird Klaus way. Not to mention it felt on like strangely a pet name.

     The two boys started their journey towards the dance hall, Dave trying to keep himself from grabbing his friend's hand and kissing him on the spot. He looked so fucking good. Klaus always looked good, but god dammit he was just glowing and confident and-

Dave had to tell him.

He hadn't necessarily planned on telling him about his frankly embarrassing infatuation, he wanted to keep that humiliating experience from happening. But seeing him tonight, smiling so wide in his DIY skirt and extravagant winged eyeliner, he didn't think he could go another day without telling him how he feels. How he makes him feel like he's in heaven in a place that should be hell.

But for now, he looped their arms together and walked in.

Dave didn't know anyone there, so naturally he followed Klaus around as he made small talk with one of the people from the all girls school, apparently the one he got the eyeliner from. After he'd talked to a few other probably queer people, they both sat in a corner and talked. About nothing and everything, they talked for hours. It wasn't the most awe-inspiring thing Dave had experienced, they'd talked until the sun came up countless times, but that night simply felt special. That night as a whole. The colorful lights illuminating Klaus' eyes, the cheap food they'd been sharing, Klaus just seeming so much more comfortable with the chance to express himself and being loud and boisterous and Klaus.

The two went outside for fresh air. Klaus had complained about the thermal tent around his legs, and Dave had walked with him along the street to wherever they were going. Klaus beat Dave up a hill they'd found, and flopped onto the grass. Dave fell next to him.

“I'm glad I met you." Klaus bumped the boy with his elbow and pulled out a pack of cigarettes.

“I'm glad I met you too."

“What do you like, have a crush on me or something?" Klaus lit the cigarette hanging from his mouth, very obviously joking. Dave found himself stuttering anyway, cheeks turning so red it was probably visible in the limited amount of light. "Oh my god, wait." Klaus propped himself up on his elbow. "DO YOU ACTUALLY?!" Dave's silence was all Klaus needed to throw himself at the boy, wrapping him in a hug. "Omg gay rights I can't believe this- I can't.” The teen rambled. "Do you actually?! I can't believe this- I seriously pulled a grade A hottie oh my god." He held the very, very confused Dave even tighter, cigarette being snuffed out in the grass during Klaus' elation.

“Wait- I'm sorry- what?" Dave sputtered out, holding Klaus back though not half as bone crushing.

“Oh. Did I miss interpret the situation?" Klaus immediately let go and scooted away. Dave looked at the two-ish feet of distance between them and frowned.

“You like me back?"

The smile that immediately lit up Klaus' face was all the answer Dave needed. Well, he also threw himself at Dave again, so it probably wasn't only the smile, but who's keeping track? Dave was too busy in nirvana to bother.

     There they spent the night huddled underneath a blanket of stars, Klaus complaining his skirt made his legs cold and Dave holding him close to rectify, even though he knew it was a blatant lie.

~~~~~

     When they eventually trekked back to their dorm building, it was far too late, or more so early, to walk back in through the front door and risk people asking questions about why the two queer kids were out all night. So, they snuck in through the window, and as Klaus jumped into their room with practiced ease, Dave was another story.

     "Dave- Dave no. No- you just put your foot into the window, no that's the blinds. Your leg is through the blinds. Dave-" Klaus tried his best to help the more morally inclined boy through the window. They tried to keep down their giggling as Dave tried to unstick himself from the blinds, until the door burst open to show an exasperated Mr. Hughes.

     "Where were you two last night?" He breathed, eyes shaken and hair frizzled. "I am on so many teachers' bad sides because of you two."

     "We confessed our undying romantic appreciation for one another, motherfucker." Klaus smiled as he spoke.

     "FINALLY." Mr. Hughes wheezed. "Do you KNOW how painful it was to watch each other flirt since the moment you met and not be able to mention anything?!" The manic look in his eyes grew a bit more manic. "Jesus christ! I found them!" He yelled down the hall. "They were in their beds, apparently." He said to another worker as he closed the door, leaving the two kids both blushing madly and stuck in a window.

     "We should probably get me out of here and go to breakfast." Dave seemed to look anywhere but Klaus.

     "Yeah, let's do that." Klaus pushed Dave onto the ground, effectively getting him free from his blind-foot purgatory. Dave smiled and shook his head sitting up. He let himself make goo-goo eyes at Klaus for a little while before standing up himself and getting ready for breakfast.

#klave #klaus hargreeves #dave katz #no powers au #the umbrella academy #tua #tua fanfic #fanfic #writing

[riflerhymeswithtrifle]

I LITERALLY DON'T KNOW BECAUSE EVERY SINGLE CONFORT CHARACTER OF MINE IS DEAD.

Here's a list of my confort characters:

Paul Bäumer (AQOTWF)

Stanislaus Katczinsky (AQOTWF)

Thorin Oakenshield (The Hobbit)

Charles Xavier (X-Men)

Sean Cassidy (X-Men First Class)

Kanan Jarrus (Star Wars Rebels)

Ezra Bridger (Star Wars Rebels)

Obi-Wan Kenobi (Star Wars)

David Joseph Katz (The Umbrella Academy)

Like seriously, what is my obsession with dead characters?

#all quiet on the western front #paul bäumer #stanislaus katczinsky #sean cassidy #charles xavier #thorin oakenshield #kanan jarrus #ezra bridger #obi wan kenobi #dave katz #star wars #confort characters #confort character

[foxingpeculiar]

Since the only movie I'm watching tonight is 200 Cigarettes, I've got my list of movies I watched for the first time this year. It's a little low (158 instead of the usual +/- 200) but... well, it's been a year.

Property is No Longer a Theft (1973, Ello Petri)

Zola (2021, Janicza Bravo)

The Eyes of Tammy Faye (2021, Michael Showalter)

A Face in the Crowd (1957, Elia Kazan)

Paranormal Activity: Next of Kin (2021, William Eubank)

Paranormal Activity: The Ghost Dimension (2015, Gregory Plotkin)

Paranormal Activity: The Marked Ones (2014, Christopher Landon)

Paranormal Activity 4 (2012, Ariel Schulman & Henry Joost)

The Nun (2018, Corin Hardy)

Hell-Bound Train (1930, Eloyce & James Gist)

Family Plot (1976, Alfred Hitchcock)

The Witch of King’s Cross (2020, Sonia Bible)

Teknolust (2002, Lynn Hershman Leeson)

Giant (1956, George Stevens)

Castle in the Sky (1986, Hayao Miyazaki)

Messiah of Evil (1973, Willard Huyck & Gloria Katz)

House (1986, Steve Miner)

The Taking of Deborah Logan (2014, Adam Robitel)

A Woman is a Woman (1961, Jean-Luc Godard)

Woodlands Dark and Days Bewitched: A History of Folk Horror (2021, Kier-La Janisse)

The Tragedy of MacBeth (2021, Joel Coen)

The French Dispatch of the Liberty, Kansas Evening Sun (2021, Wes Anderson)

Last Night in Soho (2021, Edgar Wright)

Thelma (2017, Joachim Trier)

The Man Who Knew Too Much (1956, Alfred Hitchcock)

Pig (2021, Michael Sarnoski)

In the Earth (2021, Ben Wheatley)

Truman and Tennessee: An Intimate Conversation (2021, Lisa Immordino Vreeland)

9 (2009, Shane Acker)

Chimes at Midnight (1966, Orson Welles)

WeWork, or the Making and Breaking of a $47 Billion Unicorn (2021, Jed Rothstein)

Enemies of the State (2020, Sonia Kennebeck)

A Glitch in the Matrix (2021, Rodney Ascher)

Citizenfour (2014, Laura Poitras)

The Cremator (1969, Juraj Herz)

Angst (1983, Gerard Kargl)

Death on the Nile (1978, John Guillerman)

The Power of the Dog (2021, Jane Campion)

Nightmare Alley (2021, Guillermo Del Toro)

Mirror (1974, Andrei Tarkovsky)

House of Gucci (2021, Ridley Scott)

Free Guy (2021, Shawn Levy)

A Letter to Three Wives (1949, Joseph L Mankiewicz)

Say Amen Somebody (1982, George T Nierenberg)

Poison Ivy (1992, Katt Shea)

The Umbrellas of Cherbourg (1964, Jacques Demy)

Zatoichi (2003, Takeshi Kitano)

Pale Flower (1964, Masahiro Shinoda)

Nobody (2021, Ilya Naishuller)

A Time to Kill (1996, Joel Schumacher)

Murder by Numbers (2002, Barbet Schroeder)

Antlers (2021, Scott Cooper)

Drive My Car (2021, Ryusuke Hamaguchi)

Ready Player One (2018, Steven Spielberg)

Superman II (1980, Richard Lester)

West Side Story (2021, Steven Spielberg)

Licorice Pizza (2021, Paul Thomas Anderson)

The Batman (2022, Matt Reeves)

You Can’t Kill Meme (2021, Hayley Garrigus)

Being the Ricardos (2021, Aaron Sorkin)

Summer of Soul (2021, Ahmir “Questlove” Thompson)

Talk to Me (2007, Kasi Lemmons)

The Night House (2021, David Bruckner)

Here Comes the Devil (2012, Adrián Garcia Bogliano)

Resident Evil: Afterlife (2010, Paul W.S. Anderson)

The Ritual (2017, David Bruckner)

The Bye Bye Man (2017, Stacy Title)

Creep (2014, Patrick Brice)

From Within (2008, Phedon Papamichael)

X (2022, Ti West)

Moonfall (2022, Roland Emmerich)

Dead Man (1995, Jim Jarmusch)

The Purge (2013, James DeMonaco)

Skin: A History of Nudity in the Movies (2020, Danny Wolf)

Caligula (1979, Tinto Brass, Bob Guccione & Giancarlo Lui)

Merrily We Go to Hell (1932, Dorothy Arzner)

The Alchemist Cookbook (2016, Joel Potrykus)

Spoor (2017, Agnieszka Holland)

Cliffhanger (1993, Renny Harlin)

Runaway Jury (2003, Gary Fleder)

A Scanner Darkly (2006, Richard Linklater)

Samurai I: Musashi Miyamoto (1954, Hiroshi Inagaki)

Samurai II: Duel at Ichijoji Temple (1955, Hiroshi Inagaki)

Samurai III: Duel at Ganryu Island (1956, Hiroshi Inagaki)

Mikey and Nicky (1976, Elaine May)

Chip ‘n Dale: Rescue Rangers (2022, Akiva Schaffer)

Everything Everywhere All at Once (2022, Daniel Kwan & Daniel Scheinert)

Men (2022, Alex Garland)

Old (2021, M. Night Shyamalan)

Saint Maud (2019, Rose Glass)

Bernie (2011, Richard Linklater)

Pineapple Express (2008, David Gordon Green)

Voyeur (2021, Myles Kane & Josh Koury)

Girls Just Want to Have Fun (1985, Alan Metter)

Conspiracy Theory (1997, Richard Donner)

Experiment in Terror (1962, Blake Edwards)

The Nightingale (2018, Jennifer Kent)

Leave Her to Heaven (1945, John M. Stahl)

Black Widow (1954, Nunnally Johnson)

The Bob’s Burgers Movie (2022, Loren Bouchard & Bernard Derriman)

Incantation (2022, Kevin Ko)

All Dogs Go to Heaven (1989, Don Bluth)

Nope (2022, Jordan Peele)

House of Bamboo (1956, Samuel Fuller)

Jurassic World: Dominion (2022, Colin Trevorrow)

The Black Phone (2022, Scott Derrickson)

The Presidio (1988, Peter Hyams)

Barbarian (2022, Zach Creeger)

Elvis (2022, Baz Luhrmann)

Vengeance (2022, BJ Novak)

Crimes of the Future (2022, David Cronenberg)

Don’t Worry Darling (2022, Olivia Wilde)

Band of Outsiders (1964, Jean-Luc Godard)

The Slumber Party Massacre (1982, Amy Holden Jones)

Bodies Bodies Bodies (2022, Halina Reijn)

Dead and Buried (1981, Gary Sherman)

Blonde (2022, Andrew Dominik)

Phantasm II (1988, Don Coscarelli)

Hellraiser (2022, David Bruckner)

The Keep (1983, Michael Mann)

Next of Kin (1982, Tony Williams)

The Funhouse (1981, Tobe Hooper)

Dream Demon (1988, Harley Cokeliss)

The Hidden (1987, Jack Sholder)

Prince of Darkness (1987, John Carpenter)

White of the Eye (1987, Donald Cammell)

Halloween (2018, David Gordon Green)

Halloween Kills (2021, David Gordon Green)

Halloween Ends (2022, David Gordon Green)

Terror Train (1980, Roger Spottiswoode)

The House by the Cemetery (1981, Lucino Fulci)

Strange Behavior (1981, Michael Laughlin)

Road Games (1981, Richard Franklin)

Final Destination (2000, James Wong)

Daughters of Darkness (1971, Harry Kümel)

Matango (1963, Ishiro Honda)

Thirst (2009, Park Chan-Wook)

Wolfen (1981, Michael Wadleigh)

The Town That Dreaded Sundown (2014, Alfonso Gomez-Rejon)

Hud (1963, Martin Ritt)

The Dark Corner (1946, Henry Hathaway)

Encino Man (1992, Les Mayfield)

The Good Nurse (2022, Tobias Lindholm)

Son in Law (1993, Steve Rash)

Madame X: An Absolute Ruler (1978, Ulrike Ottinger)

Henri-Georges Cluzot’s “Inferno” (2009, Serge Bromberg & Ruxandra Medrea)

The Blue Dahlia (1946, George Marshall)

Pearl (2022, Ti West)

Amsterdam (2022, David O. Russell)

Memories of Murder (2003, Bong Joon-ho)

Glass Onion: A Knives Out Mystery (2022, Rian Johnson)

The Banshees of Inisherin (2022, Martin McDonagh)

Song of the Thin Man (1947, Edward Buzzell)

Shadow of the Thin Man (1941, W.S. Van Dyke)

RRR (2022, S.S. Rajamouli)

Another Thin Man (1939, W.S. Van Dyke)

Saaho (2019, Sujeeth)

Triangle of Sadness (2022, Ruben Östlund)

#personal #movies

[4me4you]

4Me4You Features - “Bathers”.

4me4you visits Saatchi Yates Gallery which featured “Bathers”; a group exhibition drawing from the rich tradition of Bathing scenes in the history of painting.

ARTIST: Denijs Van Alsloot; Hurvin Anderson; William-Adolphe Bouguereau; Jean-Jospeh Carries; Paul Cezanne.

ARTIST: Peter Doig; Eric Fischl; Danny Fox; David Hockney.

ARTISTS: Alex Katz; Sujin Lee; Jean-Baptiste Oudry; Auguste Rodin.

ARTIST: Angela Santana; Kottie Paloma; Eric Fischl; Pablo Picasso; Benjamin Spiers.

ARTIST: Neil Stokoe; Tesfaye Urgessa; Joseph Werner.

#4me4you #fourmefouryou #art gallery #art

[davidjosephkatz]

He was kind, and strong, and vulnerable and... beautiful. Beautiful. And I was foolish enough to follow him all the way to the front line.

#the umbrella academy #tuaedit #klave #dave x klaus #klaus x dave #klaus hargreeves #david joseph katz #dave katz #* #i miss them so much it's not funny anymore #<3

[incorrectklavekatz]

Klaus: You fuckers don’t know about my knife stick. It’s a knife taped to a stick and it’s the ultimate weapon.

Dave, not looking up from their book: Spear.

Klaus: BLOCKED.

#source: incorrect quotes generator #dave then got stabbed with the knife stick #klaus x dave #klave #tua klave #tua klaus #klaus hargreeves #number four hargreeves #number four tua #number four #dave katz #david katz #David Joseph Katz #tua #the umbrella academy

[fanthatracks]

Lucasfilm have revealed the cast and crew they're putting forward for Emmy consideration, and it's a long list as the creatives behind the third season of The Mandalorian go for gold. Every episode of the third season gets some kind of nod, including submissions for every big-name member of the Mandalorian family; Pedro Pascal, Katee Sackhoff, Dave Filoni, Jon Favreau, Rick Famuyiwa and more. This is certainly a comprehensive list, so plenty for the powers that be to think about. OUTSTANDING DRAMA SERIES Jon Favreau, Executive Producer Dave Filoni, Executive Producer Kathleen Kennedy, Executive Producer Colin Wilson, Executive Producer Rick Famuyiwa, Executive Producer Karen Gilchrist, Co-Executive Producer John Bartnicki, Producer Carrie Beck, Co-Executive Producer DIRECTING FOR A DRAMA SERIES Rick Famuyiwa (307) Rachel Morrison (302) Lee Isaac Chung (303) Carl Weathers (304) Peter Ramsey (305) Bryce Dallas Howard (306) WRITING FOR A DRAMA SERIES Jon Favreau (307) Dave Filoni (307) Noah Kloor (303) LEAD ACTOR IN A DRAMA SERIES Pedro Pascal LEAD ACTRESS IN A DRAMA SERIES Katee Sackhoff SUPPORTING ACTOR IN A DRAMA SERIES Carl Weathers SUPPORTING ACTRESS IN A DRAMA SERIES Emily Swallow GUEST ACTOR IN A DRAMA SERIES Omid Abtahi (303) Ahmed Best (304) Paul Sun-Hyung Lee (305) Jack Black (306) Christopher Lloyd (306) Giancarlo Esposito (307) GUEST ACTRESS IN A DRAMA SERIES Amy Sedaris (302) Katy O’Brian (303) Lizzo (306) CHARACTER VOICEOVER PERFORMANCE Shirley Henderson – Anzellans Crew (301) CASTING FOR A DRAMA SERIES Sarah Halley Finn, CSA CINEMATOGRAPHY FOR A DRAMA SERIES Dean Cundey, ASC (304) David Klein, ASC (307) Paul Hughen, ASC (306) FANTASY/SCI-FI COSTUMES Shawna Trpcic, Costume Designer Elissa Alcala, Assistant Costume Designer Julie Robar, Costume Supervisor Julie Yang Silver, Costume Supervisor PERIOD AND/OR CHARACTER HAIRSTYLING Maria Sandoval, Hair Designer (303) Ashleigh Childers, Key Hair Stylist Sallie Ciganovich, Hair Stylist PERIOD AND/OR CHARACTER MAKEUP Cristina Waltz, Department Head Makeup Artist (306) Ana Gabriela Quinonez Urrego, Key Makeup Artist Alex Perrone, Makeup Artist Crystal Gomez, Makeup Artist MUSIC COMPOSITION IN A DRAMA SERIES (ORIGINAL DRAMATIC SCORE) Joseph Shirley (308) and Ludwig Göransson ORIGINAL MAIN TITLE THEME MUSIC Ludwig Göransson SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES Jeff Seibenick (308) Dylan Firshein (306) Rachel Goodlett Katz, ACE (307) J. Erik Jessen (306) PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE) Andrew L. Jones, Production Designer (307) Doug Chiang, Production Designer Oana Bogdan Miller, Supervising Art Director Amanda Serino, Set Decorator SOUND EDITING FOR A DRAMA SERIES Matthew Wood, Supervising Sound Editor (308) Trey Turner, Supervising Sound Editor David W. Collins, Sound Editor (Sound Design) Brad Semenoff, Sound Editor (Dialog) Luis Galdames, Sound Editor (FX) Joel Raabe, Sound Editor (Foley) Stephanie McNally, Music Editor Nicholas Fitzgerald, Music Editor Shelley Roden, Foley Artist' SOUND MIXING FOR A DRAMA SERIES Scott R. Lewis, Re-recording Mixer (308) Tony Villaflor, Re-recording Mixer Shawn Holden CAS, Production Mixer Chris Fogel, Scoring Sound Mixer SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE Grady Cofer, Visual Effects Supervisor Abbigail Keller, Visual Effects Producer Paul Kavanagh, Animation Supervisor Cameron Neilson, Assoc. Visual Effects Supervisor Scott Fisher, Special Effects Supervisor Hal Hickel, Animation Supervisor J. Alan Scott, Legacy Effects Supervisor Victor Schutz IV, ILM Visual Effects Supervisor Bobo Skipper, Visual Effects Supervisor STUNT COORDINATION JJ Dashnaw, Stunt Coordinator STUNT PERFORMANCE Lateef Crowder, Paul Darnell, JJ Dashnaw, Ryan Ryusaki (308) Bedst of luck to all concerned, and we'll be sure to bring all the nominations once they are chosen and announced.

#EmmyAwards #TheMandalorian

[tonin-terets]

The New York Times | More of life brought to life | Sneakers from Mackenzie Sheppard on Vimeo.

CREDITS Agency: Droga5 N.Y. Chief Creative Officer: Scott Bell Executive Creative Director: Laurie Howell Executive Creative Director: Toby Treyer Senior Copywriter: Sara Muchnick Senior Art Director: Ben Muckensturm Copywriter: Aaron Araya Art Director: Ross Weaver Copywriter: Ian Hart Art Director: Charlotte Simons Senior Designer: Melanie Reichert Co-Head of Production: Ruben Mercadal Senior Producer, Film: Kyla Bridge Senior Producer, Film: Patrick Wood Associate Producer, Film: Harit Muttreja Muttreja

Head of Business Affairs: Dan Simonetti Senior Business Affairs Manager: Ann Marie Turbitt Senior Traffic Manager: Mary Thornton

Senior Music Supervisor: Mike Ladman Junior Music Supervisor: Mara Techam

Executive Group Account Director: Lea Mastroberti Account Director: Colby Burlingame Account Manager: Collin Wolf

Chief Strategy Officer: Harry Román-Torres Chief Strategy Officer: Colleen Leddy Group Strategy Director: Keir Moreano Strategy Director: Claudia Vitarelli Head of Media Strategy: Ben Nilsen Group Communications Strategy Director: Justin Schneider Communications Strategist: Moi Lee Data Strategy Director: Ty Matsunaga

Group Project Manager: Karen Tshimanga Project Manager: Skye Harper

Production Company: Bonaparte Co-Production: ProdCo Director: Mackenzie Sheppard Managing Partner: Nico Kries Managing Partner: Philip Töpfer Senior Producer: Jana Reinermann Director's Rep: Michael Gugger Creative Assistant to Director: Rico Noël Production Coordinator: Aratrika Das Motion Design Coordinator & Post Production Tech: Alex Vozar 2nd Unit Assistant and Post Production Tech: roy Levin Production Assistant: Johanna Katz Production Assistant: Julian Mathieu Visual Research: Jess Lipington; Visual Research: Marisa Nuxoll Data Organization: Cora Ge Data Organization: Vivienne Makumbirofa Data Organization: Sarah Masete Data Organization: Julia Tham Assistant to Production Dept: Zoë Heimann Assistant to Production Dept: Tina Paffen Office Management: Marco Piana Office Management: Johann Oeding Office Management: Lola Chalmers

Senior Editor: David Gesslbauer Senior Editor: András Guti Senior Editor: Shane Lester Senior Editor: Søren Schneider Offline Editor and Camera Operator: Maximilian Elske Motion Designer / 3D Artist: Lukas Hertlein Motion Designer / 3D Artist: EVEROE Motion Designer / 3D Artist: Sarah Masete Bonaparte Sound Dept: Alexander Wolf David Bonaparte Sound Dept: Denis Elmaci

Post Production, VFX: The Mill N.Y. Executive Producer: Chris Connolly Producer: Kyla Graham Art Director: Laura Nash Designer: Chris Rodriguez Designer: Evan Bech 2D Lead: Anton Anderson 2D Lead: Yoon Bae Compositor: Luke Bedillion Edit Assist: Joseph Zappulla

Sound Design & Mix: Wave Studios N.Y. Executive Producer: Vicky Ferraro Producer: Eleni Giannopolous Sound Engineer: Aaron Reynolds  Music Company: KO Music Music Composer: Philip Kay Music Producer: Andy Oskwarek Track Name: "The Rabbit Hole"

[urfaveautisticlesbian]

the fact we all saw David Joseph katz, a character with some of the least screen time and some of the least lines, and picked him as our favorite. Smth abt Dave being the favorite can be something so personal.

#Dave Katz #David Joseph Katz #I’m back on my buklshit I’ve been posting abt thg so much lately so here some tua content #tua #the umbrella academy