#half of her comic appearances make her look like 8 years old so i did still make her a bit taller | Explore Tumblr Posts and Blogs

duckapus · 6 months

Text

The first five MRU universes

So again, gonna be a while before these actually happen because I want to actually write out the process of Piper stealing the HMG research, some of the preparations for Launch Day, and the actual First Activation, and I'm waiting until after I finish the Wonder Arc to write those so I don't end up abandoning it half-finished for months. But I at least wanted to list them out.

Again, universe 1 is basically the Test Universe, while 2-5 are in one batch that gets activated all at once.

The Legend of Zelda: Tears of the Kingdom

Anchor: Link

Supervisor: Trinity

MRUs: 0 and 1

To justify having references to every game (because why wouldn’t it) Time Portals appeared basically everywhere at the same time the Memes did. Also, the Internet Graveyard got merged with the Wild-Era Sacred Realm (which was obviously never visited and is at the current End of the timeline so it doesn’t mess anything up and I can do whatever I want with its aesthetic). Yes, whoever did the setup had to get every Korok seed so the Key Items menu couldn’t canonically update and potentially break something. They did, in fact, get a raise for that.

Hamtor Tubez

Anchor: Doc the Hamtor

Supervisor: GIF

MRUs: 2 and 3

A puzzle game about leading Hamster-like creatures called Hamtors through elaborate tube mazes. Doc is a Mad Scientist and the leader of the Hamtors and is training them for when he will one day TAKE OVER THE WORLD!!!!, and there’s other unique Hamtors with special abilities that get introduced throughout the game as new puzzle elements.

Beneath the Faerie Mound

Anchor: Frida

Supervisor: Quazar

MRUs: 4 and 5

A metroidvania about a Changeling who gets Taken Back and has to fight her way out of Faery Country so she can return home. She initially thinks that MRU5 is another faerie who's come to try Taking her again.

The Fairly Oddparents!

Anchor: Timmy Turner

Supervisor: Spreadsheet

MRUs: 6 and 7

Look, making the Pokemon Anime universe part of the AU has set the precedent for also being able to use cartoons as SMG/MRU universes instead of just Games.

Interestingly, the Memes changing things to make the universe more entertaining undid a lot of the later season retcons, especially the Season 9 ones, so a lot of the characters are actually less Mean and Stupid than before. I'm using kid Timmy because he's the Real One so the live action movies and That One Spinoff aren't canon outside of memes, but Nicktoons Unite and its sequels are. So are seasons 9 and 10, 10 because I happen to like Chloe (or at least what she had the potential to be) and 9 because I think it would be funny to have Sparky be The Thing We Never Speak Of among the characters who would know about him.

Janitor of Heart: Stain Rising

Anchor: Rodney Teegan (Champion Form only)

Supervisor: Connectivity

MRUs: 8 and 9

A Magical Girl Beat-'em-Up that's actually a tie-in to an in-universe comic series called Rodney Teegan: Janitor of Heart.

The premise of the comic series is that a girl named Mina Reynolds who is Exactly the sort of person you'd expect to be a Magical Girl Protagonist gets her chance to when her school is attacked by a goop monster (part of an eldritch being known as The Stain) and she finds a magic bracelet containing the Spirit of Heart, Harmony, who chooses her as the Champion of Heart. But, when she tries to transform, some wires get crossed somewhere and the bracelet's power instead flows into Rodney Teegan, a 57-year-old janitor who Mina considers a close friend and who was with her when she found the bracelet. And because the transformation is based on what Mina wanted to look like as a magical superhero, he ends up in the body of a teenage girl with a cute poofy pink outfit. Whoops.

In his Champion form, Rodney has the expected enhanced strength, and can heal very quickly, but his main power is being able to turn cleaning supplies into weapons. It can be something as simple as a broom (in fact his signature weapon is a spear made from a push broom) or as massive and complex as a street sweeper truck. Also, Harmony isn't just a Cute Mascot Character and actually joins in fighting, mainly using super-strong punches and kicks and acting as a healer. Mina still has the bracelet (it actually can't come off at all) and needs to be nearby in order for Rodney and Harmony's powers to work. I have not come up with what Rodney's hero name would be.

Anyway, the game depicts the events of a particularly large Stain attack, this one being an invasion of the whole city, but other than the larger workload it'd be a fairly normal day (since by this point the three of them are more-or-less used to this since it's been a few months) if not for someone new joining the fray. It turns out that Harmony isn't the only Spirit in town, because we're introduced to the Champion of Storms, Thunderbird, and her Spirit partner Zap. Thunderbird has weather control powers, usually favoring lightning, and has a strange transforming mechanical construct that she uses both as a weapon and mobility aid, usually mechanical wings, giant electrified gauntlets, or supersonic skates. She's fighting the stain too, but has apparently decided to start a rivalry with Rodney's team instead of working with them just 'cause. Also, when her machine isn't in Skate Mode it's revealed that she has a translucent magical construct in place of her right leg.

She's eventually revealed to be Hazel O'Brien, one of Mina's classmates. The machine is her wheelchair, which transformed along with her because why wouldn't it?

Interestingly, Connected Cosmos Company were the ones who made the game, and also the ones who came up with Hazel and her Thunderbird persona. However, due to the terms of the licensing agreement the comic's creator owns the rights to the character, and has made sure that the specific designer in CCC who made her gets the royalties for the character being used in the comic (because the game is canon to the comic and Hazel's now a major character), rather than the company as a whole. She's the one character created by CCC that Jayin doesn't own, and I like to think that grates on her, especially because she can't do anything about it without damaging her company's carefully cultivated reputation.

Anyway, as far as the MRU stuff goes, there is one odd quirk about Rodney's Anchor Status: due to only his Champion Form being playable, his Anchor code is dormant in his normal form. Thankfully this doesn't cause problems for the Meme Cycle or the universe's stability, and it doesn't have the same negative effects as actively suppressing his Anchor Tendencies would. It does, however, make it so his Champion form has a different personality (bubbly airhead with occasional violent tendencies) than his normal form, which is very much Not A Thing in canon.

4 notes · View notes

lovestuckyhatemarvel · 9 months

Text

I took a day or so off because of life factors and now it’s a rainy Saturday and I’m gonna at least watch a few episodes and give some reactions to random stuff as well as note things I forgot or didn’t notice before. I at some point will stop doing an intro since I don’t think anyone is reading these consistently.

1.) I forgot El really just starts this episode back at the last time we saw her in episode 1, like almost a full year before season 2 starts.

2.) honestly I’d forgotten this sequence in general of her reaching through the placenta hole in the wall and then making it bigger.

3) I especially forgot that Mike kind of saw her through the window while agents are trying to get him to talk and he just keeps staring at the window like a dipshit

4.) I love this comically large tree that El can hide under that no one checks.

5.) Jonathan still does scrambled eggs and toast as a speciality

6.) Erica exists now

7.) the montage of the costumes us so cute

8.) Mike being a little bit racist

9.) I forgot literally no one else dressed up

10.) hopper is still very sweet and patient about Will when talking to Joyce

11.) I don’t care about these guys in the lab even though I probably should care about them fixing a power issue

12.) I fully understand where Nancy is coming from and I hate that at this point the Hollands are wasting their time and money and are tearing themselves looking for Barb when she will never come home. That being said, Steve isn’t wrong here. There is a shadowy agency that literally killed a man and covered it up as a suicide and covered up Will’s disappearance with a fake body that resulted in a funeral. They could really put themselves and others in danger. And something not fully discussed in this scene is: literally what would they even say? “hey, long story short, your daughter was killed by a creature from another dimension and her body is still there but you can’t talk to anyone about it or get her back or anything. Anyway, thanks for the McDonald’s.” Like that would be worse and they probably would not believe it anyway.

13.) Steve doesn’t even say forget forever, he asked to pretend to be normal on Halloween for one night

14.) I adore Max and if I’d known her in middle school, I’d desperately want to be her friend

15.) ok but how did el go from not knowing what half of food is to knowing how to skin and cook a squirrel? Like who taught her to do that? Her skill level varies wildly

16.) Billy is the fucking woooooooooooooorst and if he hadn’t died in season 3, it would have been something I did on my own in fanfic. People wanting to save him is crazy to me. He literally ran a bunch of kids off the road with his speeding car as one of the first things in the show!!!

17.) Jonathan not seeing what his mom likes bob is kind of hilarious to me because there’s a non insignificant chance that’s what he’s like when he’s 40

18.) still love Jonathan and will being adorable bros

19.) why is Billy so greasy???? Did he lather in baby oil before doing a keg stand???

20.) It was Nancy’s idea to go to this stupid party in the first place but now that she’s going with Steve instead of Jonathan, its a chore. Like ma’am you could have stayed home or insisted on doing some other normal thing. And by you, I mean the Duffers could have made up their minds

21.) bob and Joyce dancing in the living room is so cute

22.) every time max appears on screen I grin and whisper, ‘that’s my girl’, especially when she jump scares boys

23.) hop broke a promiseeeee but also that small child was only out there for hopper to buy candy off of

24.) max lives on Old Cherry Road

25.) Mike hating Max for no damn reason is so annoying

26.) jump scared right into the upside down

27.) Jonathan shows up to the party. Forgot that happened.

28.) all Steve was trying to do was stop Nancy from giving herself alcohol poisoning and he did apologize. But then she shatters his heart.

29.) Steve did leave her at the party which sucks but idk how I would be able to do anything else if someone called me a killer and said our love was bullshit

30.) I forgot El visits Mike through the void

31.) oh hi demodog. I remembered you were found in a trash can but not that you technically show up in episode 2, although not like seen by the audience

#stranger things #stranger things rewatch #season 2 #s2e2

0 notes

epiloguesofthedamned · 2 years

Text

Story one (WIP)

Story 1 Draft ((this is a rough draft to get my ideas down for a bigger project which could be a set of stories or comics))

TW: Sexual abuse, gore, suicide. Sensitive topics.

Prologue

"AHHHHHHHHHH, Mommy Mommy!!!" A child in tears runs to her mother clutching her hand "A flower just bit me!" "A flower bit you?" She raises her eyebrow. Roses are in the direction she came running from. "Maya, did you try to pick one of those roses over there?" "I wanted sniff to get you a pretty flower" She stares at her hand, a small amount of blood trickles from her finger. "Roses have thorns dear, they don't like to be touched so they protect themselves." She child looks up and wipes her tears "They protect themselves?"

They protect themselves because they don't want to be touched.

10 years later

A Young girl walks in the rain dragging an open umbrella at her side, her clothes are torn and her face and eyes puffy with tears, blood drips down her leg. She stumbles and collapses half way across a bridge. 'I can't take this' "FUUUUUUUUUUUUUUUUUUUUUUUUUUUUCK" She cluches her head and screams, passerbys move to the other side of the street and avoid eye contact, she hears wispers, 'Best not to get involved' 'Kids are so dramatic these days' She punches th ground till her fists bleed and she can barly move her fingers. I'm done with this world. She takes her shoes off.

Chapter 1 Flowers bite

Taiji rolls a coin across his fingers while resfreshing his emails with his other hand. Nothing. "Give it up man!" His fellow student smacks him on the back making him drop the coin "Nobody wants to hire a 17 year old private investigator. Actually thinking about it, is it even legal?" He sighs, " We work on our own i don't need permission" He picks up the coin under the desk. "ALSO I have been hired a few times thank you very much." "Oh yeah you found a lost cat hahahaha!" He smacks his back again, the coin falls to the floor. "Maybe you'll get a call about a lost goldfish! Hahaha" "Hilarious…" "Awwww cheer up Taiji! I'm only messing with you!" Taiji puts his head under the desk again to retrevie the coin. Bing BANG "Ouch" Taiji rubs the part of his head that made contact with the desk. "Oops i deleted the email!" Taiji panics "YOU WHAT!?" "HAHAHAHA I'm kidding! I'll leave you to it. See yah" He salutes and leaves to meet with another group of students in the libary. "Finally…." He moves the mouse to the new email he recived.

Stubject - Please help me!

hello, I would like to hire you to find my daughter who when missing a 2 weeks ago. You are my only hope. my number is XXXXXXXXXX

A despirate mother.

Taiji sighs, and opens up a new message to reply.

Dear Ms

I am very touched you would like to hire me but this would be a police matter. I suggest you call them. Thank you and good luck.

He hits send. This is way out of my league anyway. He is about to close his laptop and unplug the mouse when a new email appears.

PLEASE! The police won't do anything! Please meet with me! I'm begging you at least do that. I will pay you for your time even if you decide to not take the job. I'm begging you I have sent my location. Please come between 5-8 tonight if possible.

What the….She sounds really desperate. Maybe this is a prank. But if it isn't. Argh. Why are the police not doing anything this doesn't make any sense. Taiji replies agreeing to meet her at 6pm.

(That's all i have been able to type for now, its very early days but looking for C&C

Most the story is done but not been typed up yet since I am an awful writer)

#short story #Draft #WIP #Horror #Comic #Mystery

1 note · View note

j4gm · 4 years

Text

Obsidian lore thread!

Sharing this thread of lore, episode connections, and Easter eggs from Adventure Time: Distant Lands: Obsidian, originally written for my Twitter.

SPOILERS AHEAD, WATCH OBSIDIAN ON HBO MAX IF YOU HAVEN’T ALREADY

Keep reading for the full thread!

1) We've seen bombs scattered around the Land of Ooo before, but this is the first time we've seen the word "fission", confirming that they are nukes. Although we have seen the radiation roundel plenty of times so it's pretty obvious.

2) The "magic lightning" that created the Glass Kingdom could itself have been one of the nukes. Alternatively, it could have been the catalyst comet, although Finn has no connection to this place so that's probably not the case.

3) The subtitles for the first four minutes video suggested that Glassboy was saying "crap" here. However, the HBO Max subtitles confirm he is actually saying "crack".

4) All of Marceline's classic furniture is present, but Bubblegum's influence is very visible; a doily on the couch, a flask underneath, new barstools from the Candy Kingdom, and the pink lamp in the bedroom, just to name a few examples.

5) Lady Rainicorn slippers. That is all.

6) Chocoberry on the cover of a magazine. Looks like she's been dipped in white chocolate for this shoot.

7) This is the first time we've seen Choose Goose since he appeared as "Achoos Goose" in the Elements miniseries. Last time we saw his normal form was all the way back in season five's "Blade of Grass", nearly seven years ago. Is it weird that Choose Goose was the first thing in the episode to make me cry?

8) It appears that Princess Bubblegum has not rebuilt the Gumball Guardians since they were destroyed in the battle against GOLB.

9) There are lots of familiar candy people in and around the tavern, from a variety of seasons, including Kenneth, Dirt Beer Guy, Cherry Cream Soda, a Banana Guard 500, Lollipop Girl, and Smudge.

10) Simon is of course singing "Remember You". He is also using the omnichord that was used in that episode. Interestingly, this suggests he might remember some of his experiences as the Ice King.

11) This isn't the first time Dirt Beer Guy's tavern has hosted an open mic night. He also held one in "Son of Rap Bear", and even used the same banner, although it's looking a little tattered and worn out now.

12) Simon doesn't look any older than he did in the finale. This might mean that Betty's wish made him immortal, or it simply might not have been long enough for him to visibly age.

13) This is the oversized shirt given to Marceline by her father in the episode "Marcy & Hunson". It's looking a little faded these days.

14) Bubblegum's outfit is of a similar style to the one in "The Vault", but it's not the same. The fact she's not wearing her amulet might suggest this flashback takes place after "The Vault", but nothing is known for certain.

15) There are gravestones outside Marceline's house, but these actually aren’t new. They previously appeared in “Go With Me”. So don’t worry, these don’t belong to Jake or anything like that.

16) Simon's coping mechanism would be funny if it wasn't so sad. It's going to be a long time before he fully recovers. On a lighter note, the magnets on the fridge say "M PB" which is pretty cute.

17) This is our first time seeing the outside of Elise's van. We previously saw the interior in "Everything Stays". Also, we learned from the credits and subtitles that her name is Elise!

18) Previously, it wasn't known whether or not Elise survived the Mushroom War. Turns out she did... but not for long. It's also now unclear whether the flashback from "Everything Stays" happened before or after the war.

19) A nice little timeline detail: Marceline travelling with her mother for a while explains the awkward two year gap between the Mushroom War and the events of "Simon & Marcy".

20) Here's a comparison of the parts of Marceline's song that got corrupted into the current version. The Glass People got really obsessed with the idea of the song being about coconuts for some reason.

21) PB yelling "Scree!" to summon the Morrow is a callback all the way to the season two episode "Death in Bloom", which is when the Morrow made their debut.

22) Disease is added to the long list of things that helped wipe out humanity. I wonder if this disease is related to the one that Hugo and his crew gave to the grays in the BMO special. I also wonder if Marceline is immune thanks to her demon half.

23) The mutant puppy was able to say the word "wassup". Perhaps this is a halfway stage to the talking animals that now populate the Land of Ooo.

24) Turns out Marceline discovered her demon powers before she defeated the Fool. This is the first appearance of these kinds of soulless husks since "It Came From the Nightosphere" in season two.

25) This is the first new candy power we've seen Princess Bubblegum use since she learned how to create mints and soda in "Jelly Beans Have Power".

26) Marceline not caring about the glass people is very in line with her personality in the early seasons, such as when she was happy to let her father suck souls as long as she got her bass back.

27) No Easter egg here, just an extremely good image.

28) Here's the screenshot leaked by Adam Muto last month. Like the gas station in "Bonnibel Bubblegum", the graffiti here tells an interesting story. Seems like the Land of Ooo had a bit of a Mad Max phase while the humans were still around.

29) This is (as far as I know) only the second time an Adventure Time character has ever been shown bleeding. The first was the heart monster in "The Enchiridion", but that was a lot less realistic.

30) The fact that humans survived long enough to construct a whole Fallout-style bunker confirms that the near-extinction of humanity wasn't a quick process. It makes you wonder whether any other groups made it, besides the Islanders.

31) Apart from this being one of the darkest scenes in the entire show, I like the background detail of bank notes being used as toilet paper.

32) Marceline grew up blaming herself for her mother leaving, and says she is like her dad. It sounds like Elise has told Marceline a bit about Hunson Abadeer, and is scared and angry at him.

33) This actually isn't the first time Marceline's bass has been broken. She also snapped the handle during her fight with the Vampire King. However, it's never been completely shattered like this.

34) This might be a reference to the Hall of Egress. That's the only other time we've heard Bubblegum use that word.

35) Confirmation that Princess Bubblegum doesn't have bones. I guess that counts as lore?

36) The gag of the Banana Guards slipping over each other was also done in "The Thin Yellow Line" and probably some other episodes I'm forgetting.

37) Jake’s granddaughter Bronwyn is certainly an unexpected appearance. I wonder what affiliation she has with the main cast now?

38) And of course... FINN! I would estimate he's aged about five to ten years since the finale, but it's hard to tell with Adventure Time's style. He looks younger than he did in Puhoy's alternate future.

39) Lots of people have been theorising that the tattoo implies that something unfortunate has happened to Jake. Perhaps we'll get to know more about that in Together Again. Let's not dwell on it for now.

40) A canon origin story for the shirt, plus a Bubbline first meeting! This overrides the P.B. & Marcy comic, and re-contextualises a whole bunch of the old Bubbline episodes!

That’s all for now! Let me know if you can think of anything I missed!

#adventure time #obsidian #bubbline #lorepost

459 notes · View notes

teawaffles · 3 years

Text

The Conspiratorial Bullet: Chapter 7, Part 1

T/N: For the first time, a chapter will have three parts ( ; ω ; ) This is one very long scene..!

TW for this chapter // Mention of death, blood

If there were a hole in the ground, he would dive right into it.

——Is that what one would call this state of mind?

That was what Kevin Curtis thought as he nervously wandered the forest alone.

After they’d bid farewell to Albert, for a while, he and the elderly nobleman Andy had continued walking on with no destination in mind. Then they ran into a couple of nobles from the opposing team, and somehow started shooting at one another; before he knew it, for some reason, he had found himself all alone.

When the fighting started, Kevin had panicked and knocked into Andy. He’d then dropped his revolver somewhere, and descended into an even greater panic. Kevin crawled on the ground to search for it after that, and just as he’d finally found his own gun, the next thing he knew, he was both lost and alone. For about a minute, Kevin had hugged his knees as he fell into despair, such was the height of his misery.

“But it’s a good thing this card was here.”

Kevin spoke to himself, brushing his fingers over the card that had been tied to the revolver. Without it, he wouldn’t have had the confidence to say that the gun he had picked up was his own. On the card, the number 8 was clearly written.

“But what should I do now……?”

He kept going “But, but” over and over as he swayed, repeatedly turning his head to look around him. Even though the forest wasn’t very large, perhaps it was the strangeness of his surroundings that heightened his unease, for it had begun to seem oddly complex and bizarre.

In times like this, if he were here——

The figure of that man rose to his mind: his business partner, Helena’s father, and his best friend.

In contrast to the timid Kevin, he had an endlessly bright and cheerful personality. There were times when Kevin had thought that cheeriness bothersome, but the man was optimistic, and loved a challenge, which meshed well with his own pessimistic and cautious nature. The store they’d opened and run together had been a success, so much so it had grown into an enormous department store.

Why did he just disappear? Kevin knew it was useless to think about it now, but even so, he still couldn’t help but feel that way.

They’d known one another for ten years, yet Kevin hadn’t noticed him being particularly troubled. Their business was progressing smoothly, and it didn’t seem as though he was having problems at home. After Helena had been born, his wife had fallen ill and passed away, but Kevin was certain that he and Helena had come to terms with her passing for a long time now.

Even so, perhaps there was something else that no one knew about, which had been gnawing away at him for some time. Then, why hadn’t he noticed anything? Kevin had asked himself this question many times over as he was interviewed by the Yard.

Of course, there was the line of thought that no one was to blame, and he’d been abducted by someone. In an industry where resentment was common, perhaps there were some people who would resort to such extreme measures — and Kevin had been too careless to anticipate it. Whether he wanted to or not, that incident came to mind. That was why…….

Unconsciously, Kevin’s eyes began to search for the girl he had taken in.

That was why he would at least protect Helena — that was the duty Kevin had taken upon himself. Even after her beloved father had gone missing, Helena had never once lost her outspoken spontaneity, nor shown the slightest sign of grief, and he was staunchly determined to protect that resolute spirit of hers.

“Hm?”

Unexpectedly, his train of thought had been interrupted. Speak of the devil perhaps, or maybe his thoughts alone managed to influence reality. As Kevin stumbled through the forest, before his eyes appeared a lone girl with her back turned to him.

——Was that Helena? From her hairstyle and clothes, it did appear so. Strangely, she was sitting in the tall grass, her back hunched as she hugged her knees. She appeared to be staring intently at something before her, without showing any sign of having noticed Kevin behind her.

He pondered. Now, he and Helena were on opposing teams. Moreover, this girl, who seemed to be Helena, had exposed her back to him, leaving herself full of openings……. In this situation, what was the right thing to do?

If he were to play the part of a kind and generous father, he could call out to her, and let her shoot him on purpose. But he was quite certain that Helena, prideful as she was, would want a serious battle; if she knew he deliberately let her get away, it was inevitable that she would throw a big fuss about it no matter what good intentions he had.

In that case, should he fire on her right now? But then he was worried he might upset her, and just as all sorts of concerns whirled around Kevin’s head, someone thumped a hand on his back.

“………!”

Kevin had almost let out a yelp, but he frantically clapped a hand over his mouth as he spun around. There, he saw Andy Krueger, whom he’d lost sight of in the battle earlier.

The man placed an index finger over his mouth, signalling Kevin to stay quiet, and walked up beside him.

“That’s Helena-kun, isn’t it?”

Andy sounded fairly certain on that, and Kevin lowered his voice as he spoke.

“I just happened to come up behind her, and now I’m not sure if I should shoot.”

Andy gave him a wry smile.

“That’s quite like you. But even though it’s just for fun, you shouldn’t bring parental affection into a fight. Go on, get her before she runs away.”

“A-Alright.”

He had thought of Andy as a compassionate person, but it seemed he also had this surprisingly severe side to him. At the elderly nobleman’s rapid insistence, Kevin was on edge as he aimed his gun at the girl.

“Come on, quickly now,” Andy pressed.

There was no space for objection. Without thinking straight, Kevin pulled the trigger.

——Bang. A sound like a crack resounded through the air.

The recoil was stronger than expected, and Kevin fell on his bottom. Half stunned, he felt a little out of sync: perhaps it was because he was a complete amateur with a firearm.

However, that shot had felt subtly different from the previous times he’d fired his gun. The sense of incongruity that had arisen when he fired the shot, as well as a mysterious unease, both hit him simultaneously. Getting to his feet, Kevin looked at the girl in fear.

The girl lay curled up quietly on the ground. On her back was a huge splash of colour. But it wasn’t the hue of some artificial paint — rather, it was an ominously bright red.

“……Huh?”

That sinister red blotch gradually bloomed across the girl’s back. As he looked on, Kevin tilted his head in a comical motion.

It was the first time he had hit his target: to think, the colour would be as realistic as that. Moreover, the girl had yet to move a muscle. Maybe she was diligently pretending to be dead.

Kevin’s thoughts couldn’t catch up with the reality happening right before his eyes. As he stared ahead in a daze, beside him, the elderly nobleman spoke up in horror.

“Kevin-kun……. Was that, a live bullet?”

At that word, Kevin came back to himself. He looked at his revolver: both his hands were trembling abnormally. No way. Just now—— did he fire a real gun?

“Why? This is a toy, isn’t……”

“Give it here.”

Andy snatched the revolver from his hands. The card with the number 8 fluttered in the air. That’s right. Wasn’t it precisely that card which proved definitively that the gun was the one he’d been given? But even that little hope had been so easily crushed.

After briefly inspecting the gun, Andy gazed at him, wide-eyed.

“This is the real thing. You’ve just shot and killed her.”

His tone was emphatic, as if he were pronouncing judgement upon him. Kevin’s mind was a complete blank, but Andy shook his shoulders and immediately jerked him back to reality.

“You’ve done something terrible now, Kevin-kun! To think, you’ve killed your own child!”

“N—No…… I was just, playing a game—”

“That excuse won’t hold up! You’ve committed murder!”

As Andy shook him over and over, the word “murder” echoed in Kevin’s mind. Certainly, it was as the old man said. No matter what reasons he had, it was an unquestionable, irreversible fact that he had killed someone.

Andy went on volubly at a rapid clip.

“This is bad. If you go on like this, it’ll be your end. A murder conviction will strip you of your wealth, your name — everything. But you’re lucky that I’m the one who witnessed it. First off, let’s hide the body somewhere inconspicuous. Then we’ll make it seem as though Helena simply disappeared, and you can hide away in a foreign country. Once the furore dies down, you can come back; until then, leave the plans for your new store with me.”

“N-Now hold on just a minute!”

Even as he was overwhelmed by the force of Andy’s arguments, Kevin somehow managed to interrupt his proposal.

“We don’t know for sure whether she’s dead. If we give her first aid right away, she might still be saved. And what did you mean about leaving my plans for the store with you? What does the management of my store have to do with you?”

Kevin’s points were valid, but Andy refused to listen.

“Look at her! She hasn’t twitched at all: of course she’s dead! And it’s the same with the store! You’re a murder suspect, while I, a noble, am clearly more trustworthy, so it would be obviously more effective if I were to operate it——”

“——You’re getting a little ahead of yourself, Lord Andy.”

As if he’d been possessed by something, Andy was just making an impassioned speech when a refreshing voice cut him off.

Kevin looked up, and caught sight of a man standing behind Andy.

#moriarty the patriot #yuukoku no moriarty #yuumori #english translation #the girl who sees rainbows

66 notes · View notes

aconstantstateofbladerunner · 4 years

Text

101 Open MHA Gen Prompts

I had a very long ask game where people gave me fake titles and I came up with fic ideas to go with them. Multiple people asked to use some of them as prompts, and some of my friends have lately maligned the lack of gen prompts out there, so I decided to compile them all into a single post. Almost all of these are gen, aka not shipping, but you can do what you want I’m not your boss. Everything is free and open to use WITH CREDIT, so have fun with my word vomit.

1. In Dreams I Had the Sun - Being the number one hero isn’t all it’a cracked up to be, Toshinori realizes early on

2. The Chainlink Fence that Held the Ocean - In his new book post-retirement, All Might opens up about his regrets, struggles with mental health, and his issues with the hero system as a whole. The backlash is swift and intense.

3. Welcome to the Loud Silence - After an injury, Izuku is rendered deaf.

4. Water Since Turned Red - After a villain attack nearly kills All Might, the beach where Izuku used to go to find comfort now feels tainted.

5. all scrap left untouched is bound together - A group hero students who failed the provincial license exam for the third time, effectively ending their careers before they start, get together to take revenge on UA’s first years who beat them out.

6. You’ve saved more more times than you know - Times All Might saved people without his powers, just by being a cool, nice dude.

7. No Amount of Tragedy Can Justify Your Actions - A dying All for One tries to justify his centuries of cruelty to an uncaring Toshinori.

8. To Leave a Cage Locked - One for All is conscious and has a will of its own, one that doesn’t always line up with Izuku’s wellbeing.

9. Okay, who let in the Kraken? - Izuku is the reincarnation of an ancient eldritch horror.

10. keep us alive up above - Izuku and Shigaraki get trapped together somewhere. Izuku knows he needs the villain’s help to survive and escape, but the other would rather they both die.

11. The world will revolve around me neither less - The ebbs and flows of AFO’s influence over the years.

12. More Roulette, Not Russian - Kids get their quirks swapped.

13. Patron Saints - Toshinori teaches a class about pre-quirk superhero comic characters and their influence.

14. Don't Come Back - Touya Todoroki’s first few weeks after a severe injury resulted in his father abandoning him.

15. The Blessed and the Fool - Toshinori meets up with a few of his ua classmates after retiring.

16. Not Your Sacrifice - Some of the other kids have started adopting some of Izuku’s self sacrificing habits and the teachers are concerned.

17. Break in the Storm - Villains use a power outage as an opening to break into ua.

18. One Day Those Consequences Will Finally Catch Up - Even though the teachers don’t take her concerns seriously, Inko saves every piece of evidence regarding people hurting her son.

19. a garden in their eyes - Izuku meets a fan who got injured after trying to step into a villain fight, just like he did, and it makes him question some things.

20. what could have been, if not for you - After Inko divorces him, Hisashi’s goes to the press to say All Might stole his wife and son.

21. Promised Misery - All Might finds out the severity of Bakugou’s bullying, and warns him he’s on thin ice with him.

22. Fly Up Higher, Blossom Brighter - Izuku has to write a paper for middle school about being positive, intercut with all the bullshit he has to deal with.

23. Libre Me from Hell - One of Izuku’s new quirks is spiral related.

24. No One to Blame but Yourself - Izuku’s kindness doesn’t extend to murderers, tragic backstory or not.

25. At Its Finest - Izuku accidentally gets involved in a hero commission coverup.

26. A Rising Issue - Izuku starts developing more severe side effects of his injuries. He’s convinced he’s under the influence of a quirk, while the adults thing he’s finally gone too far hurting himself.

27. What you are in the Dark - Izuku usually keeps most of his anger to himself until he can’t.

28. nowhere to go - Inko moves into UA after their home was destroyed.

29. Something Without - My theory about the 2 OFA vestiges that are blurred out is they don’t approve of izuku as a successor. Izuku tries to figure out why.

30. Walking with a Ghost - Toshinori joins the OFA dreams while he’s in a coma. He gets to reunite with nana, and is more open to Izuku about his past and feelings. Part of his starts to wonder if it’s worth waking up, since he will die and join the others eventually.

31. Death By Crying - Izuku is affected by a quirk that will suffocate him if he expresses any emotion.

32. Justice is Subjective - The hero commission gets to Shigaraki before AFO does.

33. Undo / Underdog - Death loop fic. Izuku keeps reliving the day he met all might after being killed by the sludge villain. he has to find a way to break the loop and survive, but he gets s little weaker every time he restarts.

34. Like Wildfire - A rumor that Izuku is All Might’s bio son picks up steam, and the characters have to decide whether to deny it but risk suspicion or play along and add a new layer to the lies protecting one for all.

35. Once Upon A December - All Might and Inko actually met in the past trope.

36. Some Legends Are Told - All Might’s first interview post-retirement.

37. Will The Real Mentor Please Stand Up - Aizawa considers himself the better teacher, but a lot of the kids seem to like All Might more.

38. I don't want the cure, I want the POISON! - Inko is killed in a hit and run, and Izuku becomes desperate to find the killer.

39. I will kill my heart before I dance on stage for these bigots - Izuku is interviewed as a rising star of UA, and the interviewer brings in some of his old bullies because they claimed to be his friends from middle school. Izuku does not play along.

40. Split Ends - A quirk gives Izuku brief visions of what would have happened if he made different decisions.

41. Dreamless Sleep - A One for All dream leaves Izuku with a cryptic half-warning, and he desperately experiments to try and figure out how to trigger the visions to get the rest of it.

42. toxic flowers and pretty blades - Young Inko escapes the constricting life of her cruel wealthy family by becoming a vigilante.

43. The Suns we Orbit - Some of the other teachers believe Izuku is too codependent on Toshinori, and separate them for a time.

44. Submerged - Similar to those buried alive fics only someone’s in a box at the bottom of the ocean.

45. Deprive - Izuku also loses his stomach to an injury, and struggles to adjust to the necessary lifestyle changes.

46. The ashes fall like snow - Post Kamino cleanup.

47. Home will always be here - Inko cares for Izuku after he’s sent home due to “trouble at work study” but he refuses to clarify what that means.

48. Playing Favorites - A look at several times where Izuku was punished, while Bakugou got off scot free.

49. Elusive Dreams - Some kind of training or issue forces the kids to stay away for several consecutive day, and they start losing it.

50. Fracture - Izuku struggles through physical therapy after a severe injury that leaves his hero career in question.

51. Starlight, Starbright - Space cadet au

52. Someone in Your Corner - Gran Torino looking after Nana, Toshi, and finally Izuku through the years.

53. I cast magic missile into the darkness - Generic “the gang plays d&d” fic.

54. One Month At A Time - Izuku breaks a limb, and has to let in heal naturally over the course of several months.

55. Head Above Water - Izuku runs out of his pain meds and can’t get access to more doses for a while, so he has to endure not only the pain, but the withdrawal symptoms.

56. Are you going to leave a path to trace - All Might uses a new strategy to try and get Izuku to be less self sacrificial: what about all the young kids who are going to look up to him?

57. The View from Halfway Down - Izuku realizes that a risky move has just landed him with a potentially life threatening injury, but the fight it still going.

58. The Dust Bites Back - A villain All Might defeated early in his career is back and out for revenge.

59. The Absence of your Worth - Nighteye thinks he’s put together a rock solid case for why izuku isn’t worthy of One for All. All Might’s response is to ask if he has something against quirkless people.

60. Behind the Screens Nobody is Afraid - All Might explains some of the context of his most popular hero videos to Izuku. They are much more tragic than the media has spun them in hindsight.

61. Under the Light of the Moon - Someone gets turned into a werewolf. And I ain’t talking the wattpad piss shit. I’m talking full-on back-breaking monstrous transformations into a bloodthirsty abomination set to Bad Moon Rising.

62. some dreams were made to be broken - Bakugou crosses a line and finally gets expelled.

63. You Say You're Into Closure - Izuku finally beats Bakugou in a one on one fight fair and square, but Bakugou is a sore loser.

64. Something or Someone Missing - AU’s memories of Izuku get wiped, but those closest to him can’t help but feel an absence.

65. Too Little Too Late - Izuku’s father returns to find he’s been replaced.

66. Collecting Dust - Inko goes through the stuff Izuku didn’t take to the dorms.

67. Where the souls of wanderers go - Toshi meets up with a retired hero support group.

68. Fragility of Trust - Suspected traitor au

69. no one answered - Izuku is trapped in a cell in a building that’s collapsing in slow motion due to a quirk.

70. Eye of the Storm - One of the other kids has a panic attack for the first time between public appearances. izuku has never seen from from the outside.

71. To Whom It May Concern - The kids find a mysterious collection of letters from previous students hidden in the ceiling of the classroom. Some are ominous, some are incomprehensible. Aizawa has no answers. They enthusiastically go to try and solve the mystery within, but that excitement quickly diminishes the more they find out.

72. Of Popsicles and Ponytails - All Might gets in a discussion with the other teachers about whether the Clark Kent glasses thing would actually work. All Might bets them it does, so he goes around town with no disguise other than his hair being up, and no one bats an eye.

73. All Men are Not Born Equal - Word gets out to the public that izuku used to be quirkless. Everyone finds out just how deep anti-quirkless sentiments run when some begin to question whether a quirkless kid should be at ua, regardless of whether or not he has a quirk now.

74. Childhood is the kingdom where nobody dies - Something about encountering death in person for the first time being the dividing line between child and adult.

75. Sins of the Father - All for One has had many children over the centuries, and has made numerous attempts to groom them into the ideal heir with several different methods. None of them worked though.

76. Where The Dead Come To Rest - The kids come home after a long, grueling mission where they saw some shit, and are too tired to process what they went through. They take off their gear for plain clothes, then sit in the common room in silence long into the night, not wanting to open themselves up but also not wanting to be alone.

77. Rivalry - Nighteye tries to pit Izuku and Mirio against one another. It goes right over Mirio’s head, but Izuku becomes convinced the other boy is in on Nighteye’s plan to wear him down until he gives up One for All.

78. A Subtle Language - All Might and Nana never said out loud that they loved each other, but little things told them that they did. All Might hopes to pass a similar love down to his own successor. But Izuku is very different than himself as a kid, and he needs to learn a new subtle language of affection.

79. It’s Gone - One for All stops working one day.

80. A Sight For Sore Eyes - All Might looking after Izuku in the aftermath of the second movie.

81. Loose Lips (sink ships) - Bakugou blurts out something about One for All during a rage, so the rest of the class jump on him and Izuku for answers.

82. No Expectations - Word gets out that All Might is going to choose a successor. None of the theories or speculation online resemble Izuku in the slightest.

83. Eden was Only a Garden - Izuku gets hit with a quirk that erases some of his most traumatic memories, but in doing so loses part of who he is.

84. Run it Down - With all Izuku’s new quirks and his incredible skill, some of the other students with similar powers (Iida, Sero, Uraraka) start to feel like izuku is upstaging them. And it affects their friendship.

85. Fool's Gold - Bakugou grows even more jealous of Izuku having One for All, and his relationship with All Might. He thinks that if he could just prove himself to be more worthy, All Might would change his mind and name him his successor. But in reality, he ends up jeopardizing the relationship they already have.

86. somewhere down the road - The final deadline for Nighteye’s predictions passes, and All Might lives. He debates telling Izuku, as even though it would be a weight off the boy’s mind, he doesn’t want to jinx it. He will still die eventually after all.

87. Just For You - All Might has certain rules and boundaries for fan interactions that he completely ignores for Izuku.

88. if these walls could talk (their whispers would be maddening) - Montage of training accidents in a ‘cursed’ ua gym

89. If Only I Could... - Nighteye tells Mirio about One for All, including that he thinks he’s more deserving than Izuku and he plans to pressure him into giving it up. Mirio struggles with the knowledge that his mentor, someone he respected more than anything, only saw him as a replacement for All Might, meanwhile watching Izuku strain under the pressure of that mentor’s impossible expectations.

90. This is a Test Designed to Provoke an Emotional Response - shameless Blade Runner AU

91. Once and for All - Retelling of the Superman story “What’s So Funny About Truth, Justice, and the American Way?” with All Might. Some new heroes use much more aggressive and violent tactics against villains while also upstaging All Might. That, and there general approval from the public cause All Might to question his moral code.

92. Sitting In The Rain - Tsuyu likes to just sit out in the rain sometimes. Not do anything, just sit there. Some friends decide to join her.

93. At Sundown - Mysterious creatures start attacking ua every night. The gang works tirelessly during the day to find the cause and a solution, while defending their school and each other at night.

94. The 1000th time's the charm - Uraraka has been practicing a new move in secret but they just can’t get it right. She wants it to be perfect before showing it off. But one attempt gets her seriously hurt while training alone at night in one of the gyms, and she’s too hurt to get up to the phone to call for help.

95. Sunflower Seeds - All Might attempts to start a garden as a new hobby.

96. What It Means To Be Human - Sun god Toshi starts living among people.

97. Eyes on Me - All Might teaches Izuku some unarmed fighting moves to defend himself from bullies.

98. one remains - Izuku has developed all but one of the quirks he’s slated to, and he has no idea what it will be. Anxiety ensues.

99. Come Back Home - Izuku vanishes from campus and everyone assumes he was kidnapped, but in reality he ran away to try and clear his head after a depressive spiral. He goes by train as far away as he can until he comes to his senses and calls the others.

100. I Won - Izuku accidentally managed to kill Shigaraki during a skirmish, and while everyone around him praises his heroics, he struggles to deal with the fact that he killed someone.

101. Ivory Tower - All Might grapples with how much izuku suffered as a quirkless person, how he could have done more for quirkless rights in his time as a hero, and how now people may not care as much because he’s retired.

Reminder to credit me if you use any of these prompts, and a special thanks to everyone who submitted titles!

#mha #bnha #mha prompts #bnha prompts #mha fanfiction #bnha fanfiction #my hero academia #boku no hero academia #dad might #all might #toshinori yagi #midoriya izuku #deku #bakugou katsuki #aconstantstateoffanfiction

337 notes · View notes

takaraphoenix · 3 years

Text

I don’t usually talk about Angel. But damn if s12 of Buffy didn’t leave me with something to say. They really fucked him over in the comics.

I mean, season 8 alone. Just. Holy shit. Making Angel - not Angelus - the main villain throughout the season. Pulling a half-hearted “he was being manipulated into it though :/”, which... I just... “here, you can have superpowers and you will get to bang Buffy” is not really... I don’t... I just...

In the confrontation between Angel and Buffy and the resulting banging, it’s really made clear that he made those choices. The ones that led to literally hundreds of dead people. He was presented with this weird premise by Twilight and he took it and he became Twilight. He chose that, that’s made clear when Twilight actually starts mind-controlling him - because that would not have been something necessary if Twilight had already been controlling his mind.

And then they set it up like Angel and Buffy are these epic actual soulmates, destined to be together by the universe itself. And you think. Okay. So we’re going with Bangel endgame then? And in such a large scale? Wow.

But lol nope mindcontrolled Angel kills Giles and will then be shipped off the series and Buffy will not be able to even look at him again until Giles is resurrected.

This bad boy can fit so much angst already. Was it... necessary to make him feel guilty for killing Giles too? I mean, yes, of course it was, because otherwise Whedon would have to make an actual choice on an endgame romance and he clearly is allergic to the very concept. And after making them soulmates, it had to be something huge and impactful to Buffy herself. So, let’s kill her father-figure in front of her eyes.

In the following continuity, everyone just... pretends that Angel was being controlled all along. And. I guess you have to because otherwise you’d have to hold Angel accountable for the hundreds of people he killed. And that’d be incredibly contradictive to the character, right?

Know what’d have solved that? Not making Angel kill hundreds of people so he can have a Buffy-paradise. It’s that easy. The choice to make Angel the guy who’d been killing Buffy’s Slayers all year long was... an objectively bad one? And let’s not dive into how ridiculous and stupid the whole “the universe wants you two to fuck to give birth to a new universe that will appear as a green lion on fire with wings”, that’s beside the point for this post. (Still had to bring it up though; seriously, just, go with an entirely different concept for s8? Save us from the ridiculousness and Angel from the character assassination. The military, Amy and Warren would have been enough villains to deal with. Didn’t need an “end of the universe” kind of stakes to begin with.)

At this point, I gotta admit I have not (yet) read the Angel & Faith comics. So I’m out of the loop on what they did for, or to, Angel. They helped him resurrect Giles, so yay on that.

This moment from season 10 really stood out for me. Because yeah. You keep setting him back. Angel finally gets his act together and falls in love with Buffy. He has sex with her for the first time and literally loses his soul. He gets sent to a hell dimension and has to crawl his way back to sanity and when he does. We. Uh. Break him and Buffy up for... honestly I don’t think there was even the most whimsical of excuses for that, but he packs it up and leaves for Los Angeles. He finally has a shot at happiness with Cordelia, he was really falling in love with her... whoops we killed her, she’s a higher being now, but also we bring her back so she can be an incubator and have sex with Angel’s son. Which also; we let him have a baby but then the baby gets stolen and raised into a dysfunctional teenager in a hell dimension. We make Angel and Buffy soulmates but we also make him kill Giles and then literally never bring up the possibility of them being a romantic couple again, even though there could have been an angle to work with there.

He’s still the same brooding, miserable sod he’s been a century ago. Because every time that the character gets even just a hint at happiness, it gets snuffed out, validating all of his fears and doubts that keep him in his brooding, sad state.

Season 12 sees him return then and... he’s... with... Illyria now? Can’t really judge how that relationship is since it happens off-screen from the BtVS comics, though I do have... doubts. What with Illyria having been Fred and... now... being Fred part-time due to magic shenannigans. Having a physical relationship with someone who looks like your old friend who died seems already questionable enough without that dead friend getting front-row seats.

Quite frankly, if anything, I was kind of expecting Angel/Faith to be the outcome of the Angel & Faith comics. What with Hollywood’s inability to have A Man and A Woman be paired up without them being paired up. Not to mention, their long history of second chances, starting when Angel quite literally chose Faith over Buffy, when Buffy was out for revenge and Angel protected her from Buffy. So while the BtVS comics were busy setting Spike/Buffy up as a happy relationship, I kind of thought that Angel/Faith would bring... a sense of happiness to Angel and be where that comic series was headed.

That he instead ended up with the ancient god that possesses one of his friends was, once again, a choice. But sure, if Illyria makes him happy. Oops, no, nevermind, season 12 sacrifices Illyria for the greater good and leaves Angel alone. Again.

And that’s it. That’s the absolute ending of things. Angel’s latest girlfriend gets banished to hell with no intel on whether or not she’ll be able to return.

I was already mad about Buffy being screwed over and denied a romantic happy ending in a separate post, but the fact that they gave Angel a romance that seems to make him happy and then banish his partner to hell before the show wraps for good is just... really messed up.

And it didn’t even happen for the sake of pulling a “whoops, Bangel endgame after all”, it’s all very vague and left in the open and everyone is Just FriendsTM and no romantic decisions are being made.

Which is usually something I find satisfying because I like to make the choices myself in the aftermath, but they’ve been taking every little bit of happiness away from Angel over and over and over again and quite frankly, I would have much rather seen him happy, smiling, in Illyria’s arms, than sitting alone brooding in the basement because Illyria got banished to hell.

I understand that the brooding seriousness is an important trademark trait of Angel’s. But... you’re allowed to let him be happy and he’d be allowed to grow emotionally. Or, at the very least, let him be happy in the very end.

#Angel #Angel BtVS #Buffy the Vampire Slayer #Buffy Comics

28 notes · View notes

birdsareblooming · 4 years

Text

Amy Rose the Hedgehog/Echidna

Alright you motherfuckers, Amy Rose is a Hedgehog/Echidna Hybrid and i’m going to prove it to you.

1. The history of Amy Rose

1a. Classic Amy

Amy Rose made her video game debut in 1993's Sonic the Hedgehog CD, as a non-playable character. In this game she is an 8 year old hedgehog girl kidnapped by the new antagonist, Metal Sonic. In the Japanese release, she was primarily known by her nickname Rosy the Rascal, although it is still stated that her real name is Amy Rose. She later appeared as a playable character in several ensemble spin-off games such as Sonic Drift, Sonic Drift 2, Sonic the Fighters and Sonic R. She did not appear in any of the early TV series, although she was included in most comics, including the Archie Comics series, the British Sonic the Comic and the French Sonic Adventures. (Via Sonic Wiki)

TLDR; Amy first showed up in comics, although she was created for the video games. As shown above her first video game appearance was Sonic CD.

Amy Rose was created in response to a request from the character division of Sega's licensing business, who wanted a character that could be the "Minnie" to Sonic's "Mickey" However, it was felt that it would go against Sonic's personality for him to locked into a standard cartoon relationship like Mickey and Minnie. Instead, it was decided that a one-way relationship, where Amy's affection for Sonic is unrequited, would be more interesting ((via Sonic Wiki))

TLDR; Amy was created in response to a request to give Sonic a love interest, but feeling that would “Go against his character”, they made it a one-sided relationship.

Why am I letting you know this? Well to be acquainted and understand the significance of MODERN Amy, you need to know CLASSIC Amy.

Classic Amy had a very different design, although she was still pink, she wore different clothes, has different quills (very important) and is 8. She only showed up in Sonic CD and the comics, pretty much being reduced to a minor character. Even to this day, Classic Amy has no appearance in Sonic Mania (2017), despite having Mighty and Ray, only making an appearance in a holiday episode of Sonic Mania Adventures (2018)

1b. Modern Amy

When Sonic Team reunited and started work on their three-dimensional follow-up to the classic Sonic games, Sonic Adventure, it was decided they would revive the pink hedgehog and give her a starring role in the game. Like the rest of the returning cast, Amy was given an updated design by Yuji Uekawa. While Sonic, Tails and Knuckles all received minor design changes, Amy's clothing and hairstyle were completely revamped. She also had her entire figure redesigned to make her appear older. In addition to her redesign, her official age was changed from 8 to 12. (via: Sonic Wiki)

TLDR; Amy was brought in as a main character in Sonic Adventure, getting a complete revamp in character design, unlike the other characters who only had minor changes.

Remember this. It will come back later.

Now we’re to the Amy we know and love! Short cute hair, colors that actually match and don’t look horrific (why is classic wearing green and orange. Whos idea was that) And older, but maybe not too much more mature, Amy Rose.

Another note, her design might have been revamped, but her personality wasn’t.

2. Why that Matters

I know what you’re thinking, “why is that incredibly handsome he”-no sorry, “why are we going though the history of Amy? Why does it matter just tell us why you think she’s part echidna?”

I’m getting there, don’t worry.

I wanted everyone to be extremely clear on her history, on the changes between CLASSIC and MODERN, which is very important to this theory. Not everyone us super aware of her history.

3. Her (modern) Design

-it was decided they would revive the pink hedgehog and give her a starring role in the game. Like the rest of the returning cast, Amy was given an updated design by Yuji Uekawa. While Sonic, Tails and Knuckles all received minor design changes, Amy's clothing and hairstyle were completely revamped. (Via Sonic Wiki)

Now, Finally, let’s get to her design, and the weirdness of it.

3a. Her quills

Amy is a pink-furred anthropomorphic hedgehog with green eyes and peach skin on her muzzle and arms. Unlike other hedgehogs, her spines are not spiky in appearance - but are rather worn down like that of ordinary hair, somewhat resembling a bob cut. (Via: Sonic Wiki)

I’m going to assume you knew I was getting to this

“Unlike other hedgehogs”, is a totally fair statement. Every other hedgehog we’ve seen (Even non-canon ones with terrible designs ((looking at you sonia))) Have had their quills in a very specific manner.

Out, Long, and Back.

Very much in contrast with Amy’s, Down and Short.

Also note that Shadow and Sonic, on their heads, have six quills, silver having two long ones and 5 bang quills. Basically, their quills are layered, Amy’s however, is not. It’s one right next to each other.

I note the layered quills as very important. Makes sense for mobian hedgehogs right? I mean they have layered quills like that in real life, even if there’s a lot more.

This is very important why? Because there’s another species that has their quills/spines/hair/etc. right next to each other, instead of layered.

Interesting how close it is to Amy’s own hairstyle isn’t it?

it’s even drawn similarly.

In conclusion, her quills are VERY strange for hedgehogs, but very average for echidna’s, weird for a hedgehog huh.

3b. Her Back

“What?” You say, confused.

But listen.

There’s one specific thing that other hedgehogs have, that Amy Rose is lacking.

Back Quills

None on her back. Absolutely zero.

Again, strange and weird for a hedgehog, not at all strange or weird for an echidna.

3c. Other stuff

-The top of her red dress looking like a crescent moon, alot like Knuckles’s own on his body. I just noticed this looking at the two ref sheets above. -Might be crazy, but I feel like with the 3D models Amy’s tail is longer than the other hedgehog’s. Might just be me though -Most (normal) hedgehogs we’ve seen like Sonic and Silver have very cool colors like Blue and White, and Echidnas are very centered around reds and oranges. And I mean, Pink is a light shade of red.

4. Hybrids

This will be a quick one, hybrid’s HAVE existed in the sonic universe

Although an obscure character now, Fang the Sniper has always been a hybrid.

Touma would state on Twitter that he designed Fang with a jerboa (トビネズミ?) motif in his mind.[6] However, the sales departments of Sega decided upon him being half jerboa and half wolf in Japan, and a weasel in North America.[7][8] (Via: Sonic Wiki)

And, you could be wondering why i’m saying she’s a hybrid and not just an Echidna instead of a Hedgehog. Well, She has the hedgehog ears and eye-shape.

5. The whole picture

I’ve shown you the pieces, now to put it together.

Each of these things with her new design sepretly would mean nothing, but together it means a lot.

But you HAVE to be thinking, “There’s no way that was purposeful.” and I get it. When I first thought of this theory, that was the roadblock that kept me from fully believing it, until I did some research.

I don’t belive it was the idea from the beginning. And by that, I mean CLASSIC Amy.

She looks like a hedgehog, she has back spines, she has normal, layered, quills. As well as Amy debuting before Knuckles in Sonic the Hedgehog 3 (1994)

MODERN Amy, however. Is a different story.

Remember when I told you to remember a certain paragraph?

Amy’s design was changed drastically for Sonic Adventure, even saying so in this paragraph. Sonic, Tails, and Knuckles got minor things, like eye colors and more dexterity. Eggman got an outfit change. Amy’s whole body was changed. Quills, Back, Outfit, Everything.

Once again, you’re wondering, “Why does this matter?”

Amy was completely redesigned for Sonic Adventure. A game that include, features, hell, CENTERS around Echidnas.

Every flashback is about the Knuckles clan, and how Chaos ended up like that™️ because of them.

In a game where you have a bunch of Echidnas, I, personally, feel like i’d be difficult to make the mistake of 50% of Amy Rose looking like one.

Anyway Amy Rose is an Echidna/Hedgehog hybrid and either doesn’t know or is too dumb to tell anyone thanks by

#amy rose #theory #sonic theory #sonic

147 notes · View notes

partyinthemysterymachine · 3 years

Note

2, 7 and 8 for Harry and 6, 9 and 12 for James

HARRY

What are they like on social media? (What’s their username, profile pic, etc.)

he has a twitter and an instagram he sort of remembers he has (and will use it consistently for two weeks, then drop off again).

his instagram is .@harrymasontypes (aw isn’t that cute) and profile pic there is a half-eaten doughnut with sunglasses. pictures of heather are most common, then photos of his desk, in/around his house, out and about - y’know, as one does with the instant-grammards. he varies giving one word descriptions or an ominous tag, to saying a lot, to dad jokes, to reluctant promoting (but he does it HIS way, which means he’s at least having a good time)

one of his most popular photos is a picture of his (then-)latest book and he’s stabbed it with a large kitchen knife to the kitchen table. the lighting is impeccable and the mood is fine art and his caption reads:

“#FilicideSeries out. I realize now, after taking out my frustrations on my book like this, it appears it foretold its own demise. I’m a social media sensation. Thank you for supporting me, and supporting my support of the act of filicide against my own work. Committing filicide against my daughter is my own business, and I’ve already written my obituary. Thank you for your supportive understanding, understanding, and support in supporting understanding and support.”

his twitter profile avatar is the picture he took of Heather’s father’s day card one year that simply reads, “<3 HI DAD <3 <3 I HATE YOU <3 <3 <3″ and it was done with such obvious joking and love that he put it up there and was going to remove it eventually, maybe with a picture of hte cover his latest book (, begged his editor/agent,) but he has no time for that

Harry follows a lot of other famous and renowned authors and is followed by fewer, and mutuals with even fewer. his own fame and renown is actually pretty damn good; he’s landed on some bestsellers, done interviews, had a couple TV interviews (then had to shut down all future ones after the massive panic attack he at least kept together until he was out of the building). of course, you see a picture of the dude and you’d never know who the fuck you’re looking at if you don’t know to care what he looks like.

his twitter is cheeky, relaxed, sometimes serious, and sometimes sounds like an actual professional person. (Harry likes to blame those kinds of tweets on Maggie (his editor/agent) hacking into his account.) he interacts with fans, answers questions, posts pictures, posts The Far Side comics he likes, no context.

he’ll joke about a lot and only gets political if he really feels it necessary.

(in most incarnations, Harry will also be mutuals/best friends with Lane Morgans, who’s an OC, and who writes tongue-in-cheek romance novels. they will also interact on twitter and frequently be seen in each other’s pictures.)

How’s their cooking?

not too shabby! Harry took up cooking right after he and Jodi got their own place/got married and made Julia Childs real proud by the way he did it in the beginning LOL but luckily, he had Jodi and her family to help him get his sea legs in the kitchen. (Harry loved his mom and dad and their cooking was great, really, but they were standoffish people, and were uncomfortable teaching Harry his way around a kitchen.)

as he was raising Heather, he struggled to get back into cooking (or doing much of anything) and ended up binge watching old Emeril! and Julia Childs episodes and he was like fine, fine you know what, fine, and got back into cooking (and baking). now he and Heather have tons of options, stuff in the freezer that can be dethawed for later, etc. Harry does good work, he’s a good few ticks above average adn done with love (and stress, so much goddamn stress) so it tastes pretty good :3

he also really loves the Instant Pot and Heather would like to beat up the person who recommended it to him :) stop talking about the Instant Pot, dad, or just marry it already

Harry thinks his best dish is pork enchiladas, best dessert is rum cake (with custard!). Heather thinks his best dish is ‘macaroni and aw hell what the fuck do we have in the fridge’ and his best dessert is flan (or peanut butter cookies, if she must.) oddly, the flan started as a birthday treat and got a candle in it, and for whatever reason since then, whenever Harry makes flan for her, he puts a candle in for her when he serves it. he’s even included it in a baggie if he’d packed it for her.

It’s movie night, what movie do they pick?

The Thing

Aliens/2

Singin’ In The Rain

The Shining

White Alligator

Four Rooms

Inglourious Basterds

does it have Mae West? then yes

does it have Clark Gable? then yes

among many others.. he has a wide range of tastes..

JAMES

Favorite music?

old rock bands; The Who; The Doors; Rolling Stones; Motley Crue; some other artists like Fiona Apple, Janis Joplin, The Four Seasons; it’s hard for him to really remember, though. there could be more to it. those names just sound familiar.. but maybe he just doesn’t know what he’s talking about.

How would they hold up in a pillow war?

depends on his opponent. he’d have to give it another go; he was cheating the last time.

would he be willing to? not unless he had any other choice.. but it also depends on who’s involved..

Something small that they enjoy?

.. actually, yeah. it’s

#ches writes #:)!!#thank u for sendign these in!!#this is just what i found in my ass!!!. ;__;#harry mason #james sunderland #for my own tags lmao #i hope u like this #i had fun #poppycrowns

15 notes · View notes

papermoonloveslucy · 3 years

Text

LUCY vs TIME

June 22, 1973

The publicity photos, from the movie set of Mame were unrecognizable. Unrecognizable! Why, they were unbelievable. Either somebody had shot them through six layers of soft-focus gauze - or a time machine.

Who was this frisky redhead hoofer kicking up her heels on the distant reaches of some resplendent soundstage, cannily avoiding a camera close-up?

Who was this svelte eyed lady fluttering from beneath a fringed rug of false lashes, not a wrinkle, sag or bag, not to mention even an expression line, sporting her famous face?

Well, clearly the lady was a star. And as star of Warner Brothers' new $8 million musical version of Mame, Lucille Ball had veto rights over all still photographs.

The trouble was that obviously nobody had had the nerve to tell her that if she could order reality rubbed out of a picture with a wave of the retoucher's brush, she couldn't pull the gauze over the eyes of an interviewer ushered into the Mame set to confront the living flesh, unretouched.

Time has not been unkind to Lucille Ball. No, beneath a billowing wine velvet and cream satin lounge suit, the svelte one-time chorus-girl's curves are still obvious. Despite a badly broken right leg from a skiing accident that had left the shooting of Mame stalled and the star in a cast for nearly a year, the shapely former showgirl's gams had now already carried her through a dozen dance routines up on top of pianos and down banisters that would have taxed a tap-dancer half her age.

At 61, Lucille Ball could pass for a dozen years younger. But only a dozen years.

The outrageous, outsize eyelashes now stick like pine spikes out of a swamp of tucks, puckers and bags etched around her shrewd big baby-blues. Her plastic face is a relief map of over-made-up wrinkles, the big bright red Cupid's-bow mouth lipsticked in a smile outside her own spidery upline.

But you don't survive 22 years on TV in the top ratings, get renewed once again this season when all about Bridgets and Bernies and Dean Martins (1) are falling to the network's chop, practically bear a baby and outlast a broken real-life marriage on the TV tube, take over a foundering corporation and build it into the single most powerful independent TV production house, without it showing in your face.

One look at Lucille Ball's face and you don't doubt it for a minute when Hal, her make-up man for 32 years, says she used to limp on to the Mame set in excruciating pain. Then, the minute the cameras clicked on, burst into a dazzling and seemingly effortless song-and-dance.

Not that the lady would admit it for a minute. "It was excruciating pain," she dismisses the subject airily.

But then these days she's not admitting much. It was a lesson learned the hard way. One recent fateful February day, over perhaps one too many Pouilly-Fuisses on the rocks, she was admitting so much so freely to the New York Times that the story read like a Hedda Hopper monologue.

On Desi Arnaz Sr., the Cuban bongo (2) player-bandleader she met and married out of a chorus line in 1940 and divorced 22 years later after a marriage that was even stormier off -screen than on: "He drank too much and he couldn't stand success."

On Desi Arnaz Jr., their 20-year-old son and his much-publicized romance with actress Patty Duke: "I had my doubts if the baby was Desi's at all. I said to him, "You feel responsible? Boy, you're all of 16 1/2 years old and you want to spend the rest of your life with this neurotic person?'"

On Liza Minnelli, then Desi's current fiancée: "They took her for over a million and a quarter more than her mother's debt. Just for beginners..."

One mention of the story now is enough to send sparks flying. "Why, that man should be..." she sputters over the reporter, "...spanked!"

It's a first burst of spontaneity from a lady who, once burned, is now so careful that she sounds at times as if he's dictating to the Library of Congress.

"I never thought I'd get this far, do so much, have such beautiful children," she says, chain-smoking in her dressing-room, all the wide-eyed telephone lineman's daughter from upstate New York. She knocks on wood.

"All I ever wanted was to get to vaudeville and I never made it."

When she hit New York to take acting classes at 16, the school sent back her mother's money, saying. "No talent." And now, refund in hand, 81-year-old DeeDee Ball, as the whole family calls her, sits in a front-row seat for every “Here's Lucy” show, just as she has done non-stop for the last 22 years.

Still it wasn't till 1951, when the Amazes dreamed up the “I Love Lucy” show, patterned after their own lives, as a way of keeping their marriage together and bandleader Desi home from the road, that success came.

But when it came, it was she who stole the show.

By two years later, 68 per cent of TV viewers in America were tuned in to see her show-by-show birth to Desi Arnaz Jr., whose arrival vied with the U.S. presidential election results for front-page space under the headline, "Lucy's $50 million baby."

Everybody, it seemed, loved Lucy except perhaps Desi Arnaz. Despite her insistence that "the series was happy there was no fighting. It was the greatest time of my life," she admits, "the trouble came much later. Only the last five years were hard."

Which means that the greatest time of her life lasted only a scant six years. When their marriage broke up officially in 1962 (3), friends introduced her to a stand-up comic named Gary Morton, now her producer, vice-president of Lucille Ball Productions, Inc., official show warm-up man and for 11 years now, Mr. Lucille Ball.

As her daughter Lucie, 22, and still a performer on the show, puts it. "She may be the king of stage 12, but at home she's queen Gary's the king!"

She indulges his passion for golf and a garage full of classic cars, but with the warning: "If he ever looks at another woman, I'll kill him."

She says she never makes a business move without him, but when she was left to head up the giant Desilu Corporation after her marriage break-up, it was she who was known as the woman shrewd enough to snap up “Mannix”, “Mission Impossible” and “Star Trek” when they were apparently doomed pilots, a comedienne who was not so comical in the executive suite.

But as for her much-vaunted business acumen, she is all denials and femininity.

"Me? No way. Desi did the whole thing. He was a fantastic businessman. I only took it over to build it up and sell it. I mean, there was a certain amount of building up to do."

When she took it over from Arnaz in 1961, Desilu had lost over $600,000. When she sold it seven years later, for $17 million in Gulf and Western stock, making her the conglomerate's largest stockholder and, some say, the wealthiest woman in Hollywood, the company had grossed $30-million and made a profit of ever $800,000.

"But everyone in the know knew I wasn't tough," she says. "No, the men I surrounded myself with were."

Still there a flinty glint behind the false lashes, a shrewd imperious purse to the painted lips, a ring to the wise-cracking whisky voice that's used to being heard. She moves around the Mame soundstage in queenly command, dispensing Norman Vincent Peal-doms, part star, part super-mother.

When it comes time for a scene featuring co-star Bea Arthur, she practically takes over directing from Gene Saks, Miss Arthur's husband. "Now did you tell her what side of the camera to be on?" she asks Saks, who looks like he might explode. "Now honey, toe your mark," she fusses over Bea, who grows quiet, explaining later:

"Lucy's really a dear. But sometimes it can get a little overpowering."

She doesn't talk to people without picking lint off their clothes, and straightening their collars, a habit that comes naturally enough to a woman who has her whole retinue, hairdresser, secretary, make-up man and driver of the last two decades - even her little picket-fenced French-provincial dressing-room trailer, with its false shutters and plastic ivy - picked up and transplanted wherever she strays from Lucy Lane where she presides at Universal Studios, year after year.

With her kids, she was, as daughter Lucie says, "Strict - and you want to believe it. We were the only kids we knew who had to work around the house for whatever money we'd get." Lucie still gets paid only scale for her mother's show.

But Desi Jr. wasn't exactly a natural. "He'd be asleep on the sidelines and I'd be ready to smack him," Lucy says, "When he said he was interested in serious acting, I said, 'Oh, really?' But he got out and worked. He surprised me. He surprised everybody. He even surprised himself."

Still, for all her talk about the joys of getting away to her Colorado ski lodge where she does "the cooking, the washing, the socks, the things I miss - not to mention the leg breaking - there's not much chance that Lucille Ball is going to be sitting the next round out, wallowing in domesticity, In the old rocking chair.

# # #

FOOTNOTES FROM THE FUTURE

(1) “Bridget Loves Bernie” was a 1972 sitcom about a mixed marriage between a Jewish man and a Catholic woman. Like Lucy and Desi, stars Meredith Baxter and David Birney were also married in real life. Despite excellent ratings (it was the highest-rated new show of the 1972-73 season) the show was cancelled after only one season. The official reason for its cancellation was that it was scheduled between two mega-hits, “All in the Family” and “The Mary Tyler Moore Show”, and its ratings weren't strong enough considering its choice position in the line-up.

Also, that same season, the long-running “The Dean Martin Show” (1965-1974) was cancelled. Lucille Ball had made three appearances on the show, and he also appeared on hers.

(2) Conga drums, not bongos. It is slightly dismissive to call Desi Arnaz a bongo player.

(3) The editor makes the error of assuming that Lucy divorced Desi and Married Gary Morton the same year. She divorced Desi in April 1960, and married Gary in November 1961, a year and a half later.

This article was published in the Leisure section of The Vancouver (BC) Sun on June 22, 1973. The article was written by Marci McDonald and illustrated by David Annesley.

#Lucille Ball #Mame #Vancouver Sun #Marci McDonald #David Annesley #Bridget Loves Bernie

3 notes · View notes

youllallriseintheink · 3 years

Text

Audrey and the Dark Revival, chapter 3: No Repeats

Audrey and the Dark Revival is intended as a sequel series for Bendy and the Ink Machine. May the actual sequel come out soon and completely blow mine out of the water.

If you didn’t like how Henry’s character was handled in the previous chapter, you’ll probably like it better here.

I’m once again a using a few of @mwolf0epsilon‘s fantastic monster designs for the crack-up comics characters.

The second Henry stepped out of the sepia-toned part of the studio and into the new, expanded part, he immediately felt the curse lift off of him. No more loops. No more hallucinations. “Can I lead?” he asked, “Oh, and what year is it?”

“It’s 1964- your outside life is waiting for you. Go on, lead us to it!”

“I knew it. Time works differently here... it had to. I’m going to see Linda again. It’ll be like nothing ever happened!”

Audrey tried to speak up, but Tom grabbed her arm. Right. Allison had used similar tactics to lead Henry into fighting Beast Bendy. Audrey took note to watch herself around Allison.

After Henry found an axe, they set off in the direction of Susie’s sanctuary. Henry handled any searchers who crossed their path with an axe, using strong, graceful swings and seemingly taking no small amount of joy in it.

“Sorry. I know I shouldn’t. It’s just been so long since I did anything that wasn’t an ever-repeating loop. Now, where’s she keeping Boris? what landmark do I look for?”

“Right there,” Allison said, pointing at what looked like the employee’s entrance to the haunted house. Henry stepped over to it and tried the door.

“Locked. Of course. Fetch quest time?”

“Not so fast. Tom?”

Tom stepped forward and punched the door. Nothing. He tried to force it open. Still nothing.

Allison sighed. “Fetch Quest time it is. We’ll need a key. Which means that we’ll have to get to one of those ink fabricators that make one. I know where one is. But it’s kept by a Governor.”

Audrey nodded. One of the giant, Boswell-based monsters that kept legions of lesser ink creatures under their control by hogging every the ink fabricator it could get its hands on.

“Alright. So, the first thing we should try is stealth- assuming it’s asleep, that is. Failing that, we could the four of us try to fight off its hordes of ink creatures. And failing that, me, Henry, and Audrey could try to distract that creature for long enough for Tom to take the key module out of one of the ink fabricators. Then, we make a run for it. Alright?”

“Sounds like a plan,” Henry said.

Allison quietly led the way into what appeared to be a meeting auditorium. In one corner of it was a large, puddle-like mass, half-way covering several ink fabricators. The puddle was black in some areas, checkered white in others, and had the appearance of being like clothes laid flat in some places. And it was snoring.

“See the one we need?” Audrey asked.

“Yes,” Allison replied, pointing to the one at the center of the giant mass. The group quietly made their way across the auditorium, and came across their greatest challenge: there was no way to get to the machine they needed without stepping on the governor. Tom gave Audrey a handful of thick ink and pointed at the machine.

“Me? Why?”

“You’re the smallest,” Allison explained, “step lightly, and best of luck.”

Audrey took one step into the creature, and shuddered. Its mass had the consistency of mud, and it came up to her calves. It snorted and shook, but then it stopped. Another step- up to her knees now. Then another, and then-

With an ear-piercing sound an angry cat might make, the governor came awake. It rose from the ground, taking the form of an enormous, 8-foot-tall and equally wide mutilated cartoon cat. Audrey was thrown to the ground. The governor roared, and dozens of lost ones and searchers poured in from the walls and floor.

“Tom, handle the governor. We’ll handle the rest,” Allison ordered. As the trio attempted to hold the onslaught of ink monsters at bay with axe and sword and lightening, Tom gave the monster cat his most powerful punches and axe strikes. While the governor was too big and unwieldly to attack Tom directly, it was also absorbing hits like no one’s business. And despite the best efforts of Tom’s teammates, he kept having to hack away at any searchers who came near him. By now, various cartoon characters had joined the fray. Henry was forced to hack through an enemy Boris. Eventually, Audrey’s shock powers grew weak, and she had to resort to fighting off enemies with an old piece of pipe. When Tom finally managed to tip the governor, the onslaught did not stop, so he made for the machine, tore out its key module using his robotic arm, and tossed it to Allison. “Audrey, catch!” she yelled out. Audrey caught it. “Now run!”

Audrey froze. She didn’t want to run. Allison was growing overwhelmed. A monstrous-looking Miss Twisted swung at her, knocking her to the ground. “Go!” The Miss Twisted was stomping on her now. Allison was turning into a puddle.

Henry grabbed Audrey’s arm, and they ran for the door. The two caught their breath right outside of it, in the relative quiet of the hallway. The grunts of the various monsters gave way to the sound of them melting away, off to wherever they came from.

“We should go,” Henry said, “it’s only a matter of time before the governor realizes what we did. I know where there’s an ink fabricator that he doesn’t have. It won’t be dangerous. Follow me.”

“Okay,” Audrey said, tears threatening to obscure her vision.

“What’s wrong?” Henry asked as they began walking.

“They’re dead,” Audrey half-snapped. “Allison is dead. I don’t know if I’ll get my powers back, neither of us know where Nathan is, and now we don’t even have a guide. That’s what’s wrong.”

Henry put an arm around her. “They’re not dead. Sorry, I keep forgetting how new you are here. When ink creatures die, they remerge through the ink machine. We’ll have to head to it on the way back to meet back up with them. Might take hours, even days. but that’s all. It even worked on me back whe-”

“Henry?”

“When I was in the loop. But I’m not anymore. I can die now.” Henry wiped a gob of ink from his mouth- it had flown from a Searcher, and Henry hadn’t thought of it at the time. There had been times in the past loops when Henry had become ink-infected, and even a few where he’d turned into a lost one. But it had all restarted at the end. He couldn’t depend on that anymore. “I have a lot to explain to you,” Henry sighed.

As the two back-tracked through Bendyland, Henry explained the process of ink infection to her. Within a few weeks, Henry would begin to grow sicker, and weaker, and he would eventually end up just another lost one, trapped in this place. “But that won’t happen,” Henry added, “because we’re going to find a way out, and I’m going to get it taken care of in a hospital. It just means that we won’t have all the time in the world, is all. And that you should make sure you don’t eat any ink yourself.”

Finally, the two came to what seemed to be an abyss in a cave-like area. The only way across it was by riding in a rickety little cart held up by rope. “Strange thing to find in an animation studio,” Audrey commented.

“Yeah,” Henry agreed. “Wonder what demonic force brought this into creation. Anyhow, Audrey, get in the cart. The fabricator is over there.”

Reluctantly, Audrey stepped in- her hands too full of thick ink and the module to even hold on to anything.

“I know it’s scary, but that thing’s handled my weight, and it’ll handle yours,” Henry said, before starting the pain-stakingly slow process of moving the rope through the pulleys to get her across. Once she was over, it was a simple matter of taking out the fabricator’s old module, inserting the new one, and making the key with thick ink. The ride back started off smoother- the cart coming back automatically somehow rather than Henry having to pull it. Then, the cart came to a sudden stop, jolting Audrey forward and nearly toppling her off of it. Once she’d scrambled back to its center, her father’s greasy voice sounded.

Audrey. You don’t want to do this. You don’t want to come after me. If you do, Allison will die, Tom will die, everyone here will die. They’ve carved out an existence for themselves. Don’t let them ruin it by reaching for more.

“Go away!” Audrey yelled.

Very well. Enjoy saving Henry’s dog, then. But anything you do to save me, you’ll pay for dearly. Run along, my pretty girl. Don’t make me do anything that I’d regret.

Unsavory childhood memories were flooding Audrey’s system, filling her with rage. “Don’t give me that. Don’t call me that!”

Suddenly, Audrey could hear Henry’s voice again. “Are you alright? Were you having a hallucination?”

Audrey hesitated. “Yes. Yes, I think so.” With that, the cart brought her back over to Henry.

“Good. Well, not good, but you’ll get used to it.”

Audrey was already experienced at blocking out her father’s voice. He was probably lying, but that left the question of why he’d given her powers at all, if he wanted her to fail. His power over her was worrying, but thankfully (as a few butcher gangs that she and Henry met on the way to the ink machine could attest), he hadn’t yet taken away her shock powers. Soon, they were reunited with an unharmed Allison and Tom, and the four of them were outside Alice’s hideout, ready to strike.

#Bendy and the Ink Machine #my fanfiction #Audrey and the Dark Revival #Audrey Arch #Henry Stein #Allison Angel #tom boris #ocs

8 notes · View notes

movie-robotnik-positivity · 4 years

Link

HEEEELLO, MY FRIENDS! TODAY IS A VERY SPECIAL DAY!!!

This, clearly very smart person, has written something that could technically be called a “review” or the Sonic Movie! (reading not reccomended)

And at the end, they share their very competent

Please, lose your braincells with me as we attempt to answer them all!!!

1. Why is Sonic raised by a Large Owl named Long Claw? Did she marry a Large Hedgehog and give birth to Sonic? Is he part Owl?

The Sonic Movie novelization explains that Longclaw is NOT Sonic’s biological mother. Not that reading the novelization is required to understand that very obvious fact.

2. Who named him “Sonic?” Since his mother is named Long Claw shouldn’t Sonic have a name that somehow correlates with his appearance, like Small Nose?

Maybe Longclaw knew Sonic’s parents? Even if she had been the one to name him, I don’t know she’d give him a similar name to hers.

3. The town in the film is called Green Hill Zone. Does this imply that all the places in the Sonic movie are named after Sonic levels?

First of all, it’s called “Green Hills”, which is a much more believable name for a small town to have. As for the second, maybe? There’s this:

(not sure why this questions matters though...)

4. Why do people call Sonic a “Hedgehog?” If he’s an alien, shouldn’t he have an alien name that doesn’t have its roots in Earth-dwelling species?

Because Sonic calls himself a hedgehog, it’s unknown if he simply came to that conclusion by seeing the similarities or his species call themselves hedgehogs the same way echidnas call themselves echidnas.

5. Sonic is fast enough to play baseball against himself. This may make sense for baseball–but how does this logic work when he acts as his own therapist in the film? Does he process trauma differently because he runs so fast?

...what?

6. When Sonic runs too fast while playing baseball, he shuts down the power on almost the entire western half of America. Wouldn’t this loss of electricity cause major pandemonium all over the country and around the world?

The blackout problem could have been resolved not long after, pretty sure there are protocols and stuff. You act like they didn’t hold a meeting in the Pentagon about this.

7. Shouldn’t Sonic be deafeningly loud since he is constantly breaking the sound barrier?

I...don’t know? You might be reading a little too deeply into the powers of a super fast blue hedgehog kid.

8. Sonic learns to drive by reading the manual of James Marsden’s truck. But do car manuals even actually teach you how to operate an automobile?

That sounds plausible to me? He wasn’t even able to differenciate between the brakes and the accelerator so maybe he was messing around.

9. When Sonic and James Marsden enter the roadside bar, a patron says “We don’t like your kind here.” What kind? Blue alien hedgehogs? Have they seen those before?

This one annoys me a lot.....INMEDIATELY afterwards Sonic asks the guy “What kind is that?” to which he replies with “hipsters”

10. Sonic disguises himself in the movie as a cowboy. At the bar, patrons think he is a small child. Do children in the Sonic movie universe normally appear like feral anthropomorphized critters?

The waitress is confused about Sonic’s appearance, even asking if the child has some sort of face paint on. Tom has to invent that weird genetic condition so no one suspects.

11. Why does James Marsden’s fiancee’s sister hate him so much? He seems like a nice, caring person!

Sometimes it be that way, dude. Do you need to know? It’s just funny.

12. How did Sonic find a pair of sneakers that can withstand legs that move as fast as the speed of light?

I think that’s a bit of an exaggeration, and you saw the state his old sneakers were in, as well as the amount of worn out shoes he has in his cave.

13. Where did Sonic learn to read, communicate with humans, use nunchucks, and floss?

Ten years is a very long time, and he has spent them observing human pop culture through movies and comic books.

14. If Sonic is this fast, can’t he just stop Dr. Robotnik by running into his drone machine and destroying everything before Robotnik can even react?

Didn’t you pay attention? When Robotnik pressed the button on his ship, using the quill’s energy, he became almost as fast as Sonic.

15. The mushroom planet that the film keeps referring–is that a dig on the Mario Bros’ Mushroom kingdom?

Could be, but it’s more likely a reference to Mushroom Hill Zone from Sonic & Knuckles.

16. What happened to James Marsden’s career that led him to take third billing in the Sonic movie?

Fuck you.

17. Has anyone on the Sonic movie writing team ever played a Sonic game?

Obviously. Fuck you.

18. Why didn’t Paramount just allow the visual effects artists enough time to actually make Sonic look good?

The first design wasn’t incomplete, it was just a completely different aproach, with the realism being pushed by the studio.

19. What do people like about this movie?

I like how it portrays Sonic and gives him emotional complexity like we’ve never seen before. I also thinks it’s a really good movie in general, with talented actors (including Jim Carrey himself) who put their all in their performances, really great commedy and action as well as heartfelt moments. It makes the character and the franchises justice in more ways than one.

20. How did this movie turn out to be worse than Cats?

Again, fuck you.

#Sonic movie #sonic the hedgehog

130 notes · View notes

nobody-wants-ice-cream · 4 years

Text

Everything Wrong With The Umbrella Academy. Episode 7, The Day That Was.

We Only See Each Other at Weddings and Funerals

Run Boy Run

Extra Ordinary

Man on the Moon

Number Five

The Day That Wasn’t

Disclaimer: This is all in good fun! I wanted to do a really nitpicky re-watch of the series and found some really cool and interesting things I didn’t notice before. This is meant to have a Cinema Sins-esque tone. However, I did take off a lot more sins than Cinema Sins would have because I do genuinely like the series and the people that made it possible. So all of the good things got one sin off and all the bad things got one sin added. This is a really long post, so grab some popcorn. If there’s anything that I missed, feel free to add it!

I would also like to add that normally you wouldn’t watch a show this way. I am purposefully looking for mistakes, easter eggs, and other things that we’re not supposed to notice. I am watching not with the goal of entertainment, but for analysis. So most of the things that I sin, I am seeing for the first time.

Also, no I can’t do better. I am in no way qualified to give this level of criticism about anything.

[Look out for the fic challenge at the end! I’m tagging @tehmoonofficial @seven-misfits @princenewton @tua-koffee and anyone else who wants to try it. Tag other people if you would like!]

The Day That Was

The use of “One is the Loneliest Number” by Three Dog Night implies that this is Luther’s birth. I know that that isn’t what they’re trying to convey so this is a very weird song choice. It would be way too on the nose if it was Luther, but it would fit so well. In fact, before Pogo said that it was the culmination of a normal pregnancy, I thought it was Luther when I was first watchin it.Point is, scoring is important. +1

No one is attending to this mother which is why she dies. Seriously, if just one person in that room was with Harold’s mother then any problems would have been noticed far earlier. I know this show likes to kill off women to further the plot, but this one happens to be excessively stupid. +2

There’s a woman in scrubs who doesn’t appear to be sterile in the room. Even Harold’s father is sterile. For those who don’t know, I’m talking about a lack of germs. +1

Harold playing with the Umbrella Academy action figures is adorable and makes sense. However, why the hell would his abusive father buy these for him? Something doesn’t add up. Where did he get these from? Did he steal them? In that case, stealing is bad. Sin still stands. +1

Dr. Terminal better appear in season 2. -1

Ben’s action figure includes the horror. This makes sense, but then how did Ben pose for this? Did he just sort of stand like that and let the sculptor take liberties with what the horror looked like? How were these modeled and designed? +1

“Put those stupid dolls away and go get me a beer” obvious abusive father is obvious. +7

Also, abusive fathers. +7

I didn’t notice that Harold’s house is the same as Leonard’s house when I first watched it because of the change in angle and lighting. This is clever. -1

Has anyone taken a good look at the Klaus action figure? That thing looks ridiculous! +1

Harold stops to look at a comic now and not later when his Dad isn’t demanding a beer. Then again, I am questioning the logic skills of a thirteen-year-old. So this sin is once again for the abusive dick for for not letting Harold be a child. +1

Seriously, where did Harold get all this stuff? Merch is expensive. And so are suit jackets. And tape. And a whole bunch of his supplies. +1

Seance seems pretty popular. Good. I love Klaus. But there is no indication that he did anything during missions, so why do these people love him? Show me his charisma or something? Give young Klaus a scene that shows why the people love him. +1

Are these barriers only there after missions? And if this is normal enough that there are barriers, then why aren’t there more people hounding the academy when Five runs away for example? How famous are these kids? +1

Harold you poor child. He even packed a bag and everything. Reggie is not better than your abusive father. Sin for Harold’s father and for Reggie. +2

No one stops Harold from jumping over the barrier. Not even the other fans saying something like “dude don’t do that”. Nothing. Who is enforcing these barriers? +1

Luther walked out of the car first and now he’s behind Allison. Since when does Luther have Five’s power?+1

Allison looks really uncomfortable. How many grabby fans has this young girl had to deal with? +1

Eden Cupid plays this really well. -1

How many grabby fans has Eden Cupid had to deal with?? +1

Reggie orders Harold behind the barricades. So is it Reggie enforcing it? Or what? +1

If it’s the academy enforcing it through Reggies orders then why didn’t Diego, Klaus, or Ben stop Harold? Or does this not matter because Luther was in front of them? This is confusing. Where is everybody? +1

Reggie is a dick. “You have no power”. Is that really the best way to deal with the situation? A better man may have said something like “You may not have powers but that doesn’t mean you aren't special. Run along now.” But then again, this is the same dick that drugged his daughter because he couldn’t control her powers so yeah. Fuck you, Reggie. +3

In the wide shot, Harold’s suitcase disappeared and some policemen magically appeared out of thin air. +1

Why are all these people laughing at Harold? After what Reggie just said there should be outrage? What the hell, people? +1

Some of these people include grown ass adults. +1

Reggie manhandles Harold and no one questions this. +1

Second hand embarrassment and shame. I really feel for this kid. -1

Where are the little umbrella mounts that the action figures are supposed to be standing on in this establishing shot of Harold’s collection? We see them on the collection in the academy. Is this supposed to imply that Harold stole them? I am confused. +1

We can see a piece of paper that has the words Klaus and Harold written on it in different colored crayon. Set designers, you win this one. -1

Why are the action figures going by their names instead of their hero names? It’s been established based on the posters the people had behind the barricades that “The Seance” and “Spaceboy” exist. So why the real names? If it’s because Harold is desperate for friends then the sin also applies. +1

In a close shot we can see that Harold must have taken those platforms off and glued them to this construction paper based on a weird deformity on Five’s foot. Sin still stands because Harold ruined those. In fact, I’ll add another sin, because this doesn’t explain how he separated them. If it was an exacto knife then sin for letting a child handle that. +1

Harold makes collages of the academy kids faces. Cute and a good set design choice. -1

You can see the moment when Harold decides to kill his father. That is some great acting, Jesse Noah Gruman. -1

You know, for all we rag on Harold for killing his abusive father, there are a surprising amount of fics in which the Hargreeves siblings kill their abusive father. Either we’re cool with killing abusive fathers or we aren’t, fandom. +1

Speaking of, we often use “cool motive, still murder” to describe this scene. But no one has a problem with the amount of people Five killed. +1

Harold got twelve years in jail even though there were signs of abuse. He had a bruise on his face! Any lawyer should have been able to get Harold out of jail. Even a public defender can’t deny this evidence. Harold should have pled guilty and he would have gotten a lighter, if no sentence at all. [I am not a lawyer, do not take this as legal advice. This is based on various crime shows and some law youtube channels. Also, don’t kill people.] +1

Why was Harold following Klaus? Popular theories include wanting to kill him or use him the way he uses Vanya. I am sinning this because it remains unclear. +1

The Leonard/Harold reveal is beautifully executed. This is how you do a plot twist. -1

Reggie refers to Klaus by name and by 00.04 in his journal. Why the inconsistency? If you know his name, why not use it all the time, Reggie? +1

In 2001, the kids were twelve. Reggie locked Klaus in the mausoleum as young as 12 and probably younger if the credit for 8 year old Klaus is anything to go by. +4

Reggie’s notes say that Klaus is resistant to this. No fucking shit, a child is resistant to facing their greatest fears with no support. +4

Title screen is on the umbrella in Reggie’s journal. Classy. -1

Five tosses Allison’s coffee behind him when he’s done with it. This goes back to his Apocalypse days, but you would think that sort of thing was frowned upon in the Commission. Or was really obvious during any missions he had as an assassin. Why is he doing this? +1

At the end of episode 6, Five slurps the coffee but here there is no slurp after “Who the hell is Harold Jenkins?”. +1

Leonard hears Five saying that he [Harold] is responsible for the apocalypse. This does not alarm Leonard in any way and he continues stealing Hargreeves’s action figure. +1

Also, Harold Jenkins happens to be in the academy right now as they’re talking about trying to find him. Choke on that irony. +1

Repeat scene shows no indication that the information Harold just got changed his reactions in any way. You would think that he would show a little fear or something? +1

Five isn’t treating his injury despite the fact that it’s causing him obvious pain and he has access to Grace and an infirmary because plot? They could easily have this chat in the infirmary while Five is getting stitched up. Five has been shown treating his injuries and does seem to possess more than half a brain cell, so not taking care of the shrapnel wound is a weird deviation in his character. +3

Speaking of brain cells, thank goodness Allison has one because she is the one asking relevant questions here. -1

Klaus and Diego are still pissed at Five for getting drunk while Hazel and Cha Cha attacked the mansion. Good job with the consistency in character motivation, writers. -1

“Temps Commission.” Maybe season 2 will give us the Temps Aeternalis. +1

Aidan Gallagher’s delivery is okay, but not stellar. I think it’s the tone that’s off. I think I’m judging him too harshly. This is hard to deliver because it’s an exposition dump seven out of ten episodes in. So this sin goes to the writers for making these paragraphs- not lines, paragraphs- that deliver information the viewer already knows. At this point, cut the scene short or show Vanya and Leonard again so we can skip the second Commission lecture. +1

And the reactions that Diego, Allison, and Luther have are so varied because they have such different levels of understanding. Allison, who knows the least, asks “What do you mean, protect time and space?” This level of info dumping this late is dumb. +1

“I look like a thirteen year old boy.” No you don’t. Real thirteen year olds do not look like fifteen year old Aidan Gallagher. For example, look up what Gallagher looked like when he was actually thirteen. +1

“Klaus talks to the dead” oh so we’re just stating the obvious now. Who wrote this scene? +1

How does Five know Claire’s name? Just one shot of a magazine in his apocalypse bunker was all we needed. The magazine that says Patrick and Claire are doing just fine without Allison would have made perfect sense. +1

If we don’t get Five and Claire meeting at some point istg. Sin until they meet.+1

Once again, Luther the moon and the apocalypse are connected, just not in the way you think. Reggie, you suck. +1

“Klaus you’re with me.” Diego and Klaus make a great team. -1

Five’s face when Klaus says he’s feeling under the weather. Considering Five’s injury, this makes sense for the character. -1

Five gives that look to Klaus. Five, you’re hiding a life threatening wound for no reason. You don’t have room to judge. +1

The old man walk looks ridiculous. Five is so obviously injured and Allison and Luther, who watch as Klaus, Diego, and Five walk away, don’t notice this odd walk. +1

We follow Hazel instead of Cha Cha because their story in this episode isn’t affected by Five’s time travel decision. However, the only part of this story we need is the part at the end of the episode. +1

Diego is driving, Five has shotgun, and Allison is in the back. They totally fought over who would sit where. That scene would have been way more interesting than the Hazel and Cha Cha repeat scene. Also, I kind of want to write about that fight now. You know Five wanted to drive. And that when Diego insisted on driving so he and Allison wouldn’t get in trouble for letting a minor drive or something like that, Allison and Five fought over the passenger's side seat. Well adjusted or not, fighting over that seat is what siblings do. +1

Allison, you could just waltz in there and ask for it. Don’t suggest that plan if you aren’t going to do that. +1

Five’s power or Allison’s power would be very useful, yet Diego choses to get the file himself. This wastes valuable time. And Five is okay with that. +1

Five refers to his powers as “blink” not “jump” which is what the fandom has been calling it. +1

Five has not slept at all in a couple days. And he’s making decisions about the end of the world. +1

Diego “made a call. That’s what a leader does.” But the call he makes is fucking stupid. This is a grab the thing and get out mission. Two people in the academy have powers that would work wonderfully for this type of mission. And they happen to be right there. Even with Allison refusing to use her power, it’s stupid to not have Five just blink in and grab it. Diego is a shitty leader. +1

Beeman just tells Diego that he is the prime suspect in Patch’s murder. This is so dumb on so many levels. Sigh. +1

Beeman has already said shit that would make him lose his job. At this point he’s arguing with Diego to pad the episode’s run time. +1

Whoever did Emmy Raver-Lampman’s makeup for this scene screwed up her brows really bad. Or maybe just her brow highlight is messed up. Or the blending on her eyeshadow. +1

Five is just sort of standing there and leaning against the wall. This is supposed to be another hint that he’s injured but it just looks stupid. +1

Allison’s heartfelt message to Vanya shows remorse and a genuine want for connection. -1

See! This cut where Allison doesn’t explain to Five and Diego who Leonard is because the viewer already knows and this can therefore happen off screen is good! Use this more if you’re going to do episodes like this. -1

Luther turns to alcohol because he doesn’t feel like he has any support. I’m sad now. Poor Luther! -1

And my sympathy disappears when Luther starts choking Klaus. That is some fucking bullshit. +1

I understand that Luther is drunk and not capable of complex decisions right now, but this seems excessively cruel. I think this is on the writers and not necessarily on Luther himself. +1

Why isn’t Ben seeing this? Later on, it’s like Ben didn’t see what Luther did here. This sin makes more sense later on in the episode. +1

Klaus is genuinely trying to make Luther feel better after Luther just choked him. Klaus is a good brother. -1

Klaus suggests going to find Allison. It’s like he knows what happened last episode. Oh, show. And yes, you can argue that Klaus knows that Luther and Allison were close. Then my counter argument would be that Klaus knows Allison is off saving the world. Yes, helping Luther is important, but Klaus can do it. Klaus needs more faith in himself. +1

Luther’s smile when Klaus calls him Number One and starts quoting poetry at him. “O captain, my captain.” -1

This immediately transitions into crying. My poor babies. +1

Klaus attempts to say “that’s not true” but can’t because he knows that Reggie is the type of person to send someone to the moon so he doesn’t have to look at them. Reggie is a dick. +7

Luther looks so lost and broken and sad. Tom Hopper, you asshole. I am actually crying a little bit. I’ll take a sin off because Tom Hopper made me feel emotions. -1

Robert Sheehan is an excellent actor. -1

Luther shoves Klaus out of the way with no regard to where he lands. What if Klaus’s head hit that furniture! +1

The Hazel and Cha Cha scenes would have been stronger if we left them in the last episode. Maybe one or two establishing things to show that they aren't affected by the time change and that’s it. All we needed was the order to not terminate Five and one of the messages. That’s it. +1

Hazel has a birdwatching book which shows that he wants to learn about Agnes’s interests. Cute. -1

They are trying to imply some kind of relationship between Hazel and Cha Cha! Cha Cha having feelings for Hazel doesn’t make sense. +1

“So do most serial killers and mass murderers. I mean look at him” “Thanks.” The delivery of “thanks” always bothered me. It could have used a little more sarcasm. +1

Diego doesn’t wait for Allison or Five to open the door. Nor does he let them offer suggestions. +1

Diego doesn’t even test the doorknob. Dumbass. +1

Diego seems like one of the competent siblings until he does this mission with Five and Allison, who have the family brain cells. This is amusing, but also makes me question the badass Diego moments. +1

If we don’t get more Five and Allison in season 2 imma riot. These characters work so well together. +1

The way they make fun of Diego together is peak sibling culture. -1

“You need to see this.” Please just stop giving Allison these bullshit lines. +1

Five’s run is weird. He’s lifting his knees really high. This is one of those things that I shouldn’t have noticed. +1

Bottom left poster. Klaus hit the woah sixteen years too early. +1

Harold had time to scratch their faces before going to jail or Leonard did this at some point as an adult. Creep. +1

He also mangled the action figures even further. +1

Five isn’t looking so hot because the plot demands it right now. He was perfectly fine cracking jokes with Allison earlier. +1

Looking closer at the wound, we can see that Five not taking care of it right away is total fucking bullshit. That looks serious and like it could get infected easily. Five, who grew up in an apocalypse, would know to take care of shit like that. If he didn’t then he would have died in the Apocalypse.+1

“Why didn’t you say anything?” Diego would be excellent at cinema sins. +1

Five doesn’t answer this question because the answer is “The writers needed a convenient way to get me out of the picture for a couple hours.” +1

Harold’s father took him fishing. I don’t want to know why. +1

“We don’t have to stay here. We can just get a shitty motel or something.” Or ya know, go back to your apartment, Vanya. Or is Vanya’s apartment like Five’s injury in that it only exists when the plot needs it. +1

Off topic, but why is Vanya talking about chord progressions with her beginner violin student. Chords and violin don’t go together when you first start learning. This is a weird example. +1

Leonard is a manipulative bastard. He knows exactly what to say to make Vanya bend to his will. +1

We aren’t even halfway through the episode and I have been doing this for over two hours. This says a lot about the kinds of sins this episode has. Right now we’re at the end of page 6. +1

Vanya followed Leonard to a cabin in the woods in the middle of nowhere. They’ve known each other for less than a week. I wouldn’t trust some of the people I’ve known for years the way Vanya trusts Leonard. +1

Hazel has known Agnes for less than a week and now he wants to run away with her. +1

Agnes is willing to run away with Hazel despite knowing him for less than a week. +1

Hazel and Agnes are using the “Life is short” thing, which it is, especially with the impending apocalypse, but that doesn’t change that they’ve known each other for less than a week. +1

“Her job’s her life.” so why don’t you show that, show? Cha Cha’s motivations make no sense. +1

Hazel and Agnes theme! I love that piece. -1

The way Hazel is holding her looks really funny. I am amused. -1

Ben pressuring Klaus to help Luther despite all the physical harm Luther did to Klaus. I am sinning this again. Why didn’t Ben see this? Or does he just not care? This is either a sin for the show for not remembering where Ben is or a sin for Ben for not caring about his brother. +1

Ben creates a shadow but he is supposed to be invisible. I don’t think that’s how light works. Is Klaus the only person that can see Ben’s shadow? Is Klaus sober enough that he’s starting to make Ben corporeal? How does this work? +1

Right now if anyone looked in that alley, Klaus would look fucking crazy. +1

The guy walking past doesn’t care that Klaus is talking to nobody right now. +1

“You weren't ready to die violently at a young age” yeah. Seventeen, based on the portraits. Why does Ben’s ghost not look bloody? And why does he look like he’s in his late 20s? Ben should still look seventeen right? If Justin Min, age 29, is meant to be playing a 17 year old, then I have some issues. +1

Can Ben sweat? +1

The “if you were in trouble” line is delivered really well. Nice. -1

Ben’s tough love is more of a pep talk now. I like this version of Ben. He’s a little misguided, but he sort of gets the spirit. Heh spirit, Ben, get it? -1

“We should have taken him to the hospital” Allison would be excellent at cinema sins. +1

“We gotta get the shrapnel out.” Yeah, but that is not priority one right now. Is there any pressure on the wound right now? +1

This repeat scene with Diego and Grace makes sense because it’s at a different time. -1

“Seven bars, three strip joints, and a laundromat.” Why the laundromat? +1

Ben’s shadow is even more pronounced now. +1

Convenient rave girl talking to herself about Luther with a good description is convenient. +1

“Holy Shit” said in unison. Nice. -1

Ben and Klaus wouldn’t know about Luther’s monkey transformation, so the reaction checks out but not the description. Maybe “big” was why they decided to check it out? +1

Rave girl thinks Luther is a furry. This is funny. -1

Luther offers Klaus drugs. That’s nice, I guess. -1

Offering your newly sober brother drugs. +2

Ben is honestly a life coach from hell. “Stay strong don’t give into temptation.” Remember your mantras. Meditate. Drink lots of water. +1

Though, that does make sense. A dead guy would be a shitty life coach. +1

What’s with the weird light on the pill that Klaus threw? Is that a secondary power? Being able to find drugs? +1

No one steps on or trips on Klaus, who is crawling around on the floor in a room full of high/drunk/whatever people. +1

Klaus’s flashbacks. Putting my boy through trauma. +1

Dave turns into the pill because the pill symbolises everything holding Klaus back from summoning Dave. Symbolism. -1

Grace is treating Five’s shrapnel wound in his room instead of the infirmary. +1

“Receptionist at her music school” wait. Vanya has another job teaching music? She has three jobs? How in the hell did she have time to do any of this stuff? +1

Allison’s face when Diego says Luther was right. That was amazing. Emmy Raver-Lampman, you genius. -1

The City has no people around right now other than Diego, Allison, and the cops. +1

“Why would you ask that about me?” because you carry pointy things and throw them into people, Diego. That’s why Allison asks if the police are right about you murdering someone. +1

Allison would be excellent at cinema sins. She reiterated my last point. +1

Why did they send that many cops to go arrest one guy? Did they expect the entire academy to fight them? +1

“You killed a cop, asshole.” Rodriguez did the police academy teach you nothing? You can’t say shit like that to a suspect? +1

Finally, someone reads Diego his Miranda rights. Doing the bare minimum is impressive for these cops. +1

Diego, you edgy bastard. Spitting on the ground? Great. Make these people even more pissed off then they already are. +1

Vanya’s power is mostly destructive and Leonard should know this based on the book. So why is he trying to get her to summon a boat? Or destroy a boat? This doesn’t make any sense. +1

“I watched everything my brothers and sister could do ruin their lives.” The Umbrella Academy in a nutshell. +1

Also, if you saw this, then why the fuck did you want powers, Vanya? +1

“Do I stare really hard? Am I supposed to point my fingers?” Actual conversation Ellen Page had with the director somehow made it into the show. +1

This scene is so underrated. It’s so funny watching the music swell and nothing happen. -1

“I look and I feel ridiculous. I have no idea how they did this stuff with a straight face.” -1

“You are so invested in this.” Yeah, girl. Red flag. +1

Convenient burning not obscuring the words of the “terminate Hazel” message is convenient. +1

Do we really need the repeat of Cha Cha getting the message? +1

Cha Cha doesn’t notice Hazel behind the curtain despite being a trained assassin. This is why Five was the best. +1

Hazel doesn’t kill Cha Cha. +1

Netflix subtitles have Ben saying “Oh shit, Luther” when it’s clearly Klaus saying that line. +1

Klaus’s desire to help his brother is stronger than his need for drugs. -1

For whom the bell tolls? The bell tolls for Klaus. +1

Little Girl on a Bike God takes her lines directly from the comics. -1

She plays the pronoun game with Klaus despite Her being all knowing. Or She does this to be an asshole. +1

The barber shop looks like a little barn from the outside. Clever misdirection. -1

“Nite Owl Barber Shop” -1

“Barber banter may offend” no kidding. With Reggie working there, need I say more. -1

The pictures of Luther, Diego, Reggie, Dave, Five, and possibly young Ben on the wall. -1

Five’s hair looks really dumb in the photo aslkdj;gaf. -1

Artful close up shot of Robert Sheehan’s face. -1

Reggie is a dick. “What in God’s name took you so long?” Maybe he didn’t want to see you, asshole. +1

Was Colm Feore actually shaving Robert Sheehan? +1

I am going to sin Reggie being a dick in advance here so I don’t have to sin every line. +20

Klaus brings up an interesting point. How did Reggie know about the apocalypse? +1

Klaus is crying when Reggie says that he killed himself to bring them all back together. On some level, Klaus cares for this man. Empathy. -1

Just as Reggie starts to say something important, he disappears because of course he does. If the characters actually spoke to each other about important things then there would be no plot. +1

Klaus was dead and now he’s not. Why didn’t he wake up in the apocalypse? +1

Kenny’s mom sighting. She’s at the rave. +1

Leonard pays these guys to beat him up. Did he also give them a script? +1

Vanya’s powers activate when the rain starts but only become visible when she fears for Leonard’s life. Good choice. -1

Hazel doesn’t kill Cha Cha. Killing her would help him out in so many ways, yet he doesn’t do it. Or remove his tracker. Or her tracker. Or anything. +1

“I’m in love” You’ve known her for a couple days at best. +1

“Wake up and smell the coffee.” This is part of the reason why I headcanon Five’s coffee addiction came from the Commission. +1

Hazel can’t bring himself to kill Cha Cha after she threatens him and the woman he “loves” because of years of friendship in a job he hated? That she loved? I’m confused. +1

Allison is going after Vanya alone. She is going to this cabin in the woods alone. Horror Movie 101, Allison. +1

Now Ben looks concerned. All it took was Klaus’s literal death. +1

Luther and the rave girl are both too high to consent? I don’t like the vibes. +1

Diego is in jail because of his own stupidity. +1

The police didn’t give him back his sling. The man is walking around with a gunshot wound, assholes. +1

The shot of the eye before the camera focuses on Five symbolizes Five putting the apocalypse before everything. -1

Vanya looks so scared in the hospital. Excellent acting. -1

The shot of the eye also reminds us that the eye exists at all which makes the eye reveal more dramatic. -1

Overall Review:

Okay, so if episode 5 is where the viewer truly learns what’s going on, then episode 7 is when everything truly comes together. All the loose plot threads fit themselves together in this episode. In fact, you could argue that the Leonard/Harold eye reveal is the most important reveal after the whole Vanya has powers reveal. The eye makes sense now.

You know what? I challenge all the fic writers who read this to write a “watching the show” style fic, but only using this episode. Drop this episode on them in the middle of one of the early episodes and then have them try to stop the apocalypse based on it. Tag me when you’ve posted it and/or gift it to cherriesareneat on ao3. I will probably be writing my own version of this at some point.

There are a ton of great moments in this episode. The important beats being the Harold/Leonard reveal, Five’s injury, Luther at the rave, Klaus’s death, Reggie’s reveal, Vanya’s powers reveal, and the eye reveal. These were mostly well executed with the exception being Five’s injury.

Also, let me know if you prefer the long sins/short analysis style I’ve been trying out recently.

Total: 152

Sentence: What is character motivation? Where am I? I am confused.

#The Umbrella Academy #all in good fun #luther hargreeves #diego hargreeves #Allison Hargreeves #klaus hargreeves #five hargreeves #ben hargreeves #vanya hargreeves #leonard peabody #harold jenkins #show warnings apply #especially in this episode #take care of yourself

47 notes · View notes

thewebcomicsreview · 4 years

Photo

What’s that? I’m talking about Homestuck too much lately? Well, too bad, it updated and I’m-a livebloggin’ it. This chapter contains a content warning for child abuse and I’m thus putting the rest of this post below a Read More, though I’m live blogging and don’t know what the child abuse content actually is.

Looks like we’re with Jane, so this might be the chapter with Yiffy in it! But probably not, because they’re gonna drag it out. Incidentally, since the rebellion consists of two max-level characters, four god tiers (John, Jake, Rose, and Jade), and now Vriska who is the 8est fighter 8y far, how does Jane even stand a chance? Good thing for her that she pre-emptively took a hostage!

JANE: (I've always been pretty good at crying on cue.) JANE: (Could I try staging an emotional breakdown?) JANE: (That could work; playing to people's humanity.) JANE: (Or whatever is the more inclusive term.)

I do like that Jane, a genocidal human-supremacist dictator, is worried about being “inclusive” in her propaganda. I wonder if she’s starting to drift from Trumphitler into Nancy Pelosi, now. Also interesting: She’s apparently using Gamzee’s death for propaganda value, cool and all, but her superpower is literally raising the dead. I can buy that Jane would rather use her ex-boyfriend for propaganda than revive him, but won’t the people of Earth C have questions?

DIRK: Dude, the bowl. JAKE: Hm? JAKE: Oh, right. JANE: What is it now, Jake. JAKE: I brought something for our guest as well. JANE: You mean the prisoner. JAKE: Y...es.

I realize that Yiffygate made the patreon rocket to the stratosphere, but I hope we’re not actually getting to see her so soon. It’s more fun to speculate. For instance, she’s apparently getting meals in a dog bowl. Is that because she’s literally half dog, moreso than Jade, and is feral in some way? That’s been hinted at a little, but it’s also possible Jane’s just tormenting her to be a bitch. As we saw when she was Crockerfied in Act 6, Jane’s got a bit of a sadistic streak in her.

Well, that was answered pretty fucking fast! Okay, let’s not click next just yet. If we’re only getting one panel to speculate, let’s milk it like a dying webcomic franchise: Preppy bording school outfit, but with cleats, so she’s apparently an athlete. Lots of pink highlights on her outfit (shoes/socks/tie). She’s got a black dog tail, but appears to have light hair? I like this design, actually, or what little of it we’re seeing. I was half-expecting Yiffy to be a full-on Deviantart parody, but I think the angle we’re going here is “a mostly normal girl, besides being part dog, who’s just been absolutely shit on by life and every adult she’s ever encountered”. It’s not her fault her name is Yiffany, y’know? She didn’t ask for this.

Let’s see how right I am.

JANE: Well, go on then. JANE: She's over in the corner. JANE: Don't worry, she won't bite. JANE: I've seen to that already.

The fact that this chapter had a content warning for child abuse makes this read a lot more “Yikes” than it might’ve otherwise.

DIRK: Jake. DIRK: You put the food in a fucking dog bowl. JAKE: (It was all there was, ok???)

I feel like this is actually worse than if Jane put the food in a dog bowl to torment Yiffy.

I told you we’d fall in love with her. I told you dog.

....I don’t know if the MSPA art style lends itself to slightly raised camera angles like this, it looks like Yiffy’s face is 50% forehead.

*Lore hat on*

Okay, first off, dick move electrocuting a child. That out of the way. Yiffy is communicating in wolf howls (she must be a big fan of Toast, from my webcomic Saffron and Sage!), but she’s also literally being electrocuted so lets cut her some slack. What’s more interesting is that her Awoos are in red.

Vrissy shares a font color with Vriska, who she’s trying to emulate. They even use the same CSS class in the site code. Tavros shares his with Gamzee, his abusive uncle (and doesn’t have the same CSS class). Harry Anderson has a unique font color that’s pretty close to his dad’s, but isn’t quite the same (possible to make Harry/John chats more readable, whereas Vriska and Vrissy being hard to distinguish is the joke?). Yiffy, however, does not speak in either Jade’s green or Rose’s purple, she speaks in red. It’s a unique shade of red, I checked, and while it could potentially be in reference to Dave, let’s get real

Obviously, she’s the new Handmaid. This was obvious enough that I was making that comparison even before we learned her red text and rebellious personality. So I’m starting to see what they’re going for here (and, god help me, I’m starting to come around to Yiffany Longstocking Lalonde Harley as a concept). She’s not a one-dimensional joke of a character, she’s just a normal girl having a fucking rough time of it right now and also always. Speaking of time, red is connected to the Time aspect, which isn’t confirmation of anything but a little note to put in the back of your pocket.

Also to put in your back pocket, Jane’s the new Condesce and Yiffy’s the new Handmaid. The Condesce killed the Handmaid.

JANE: You've been a thorn in my side ever since I agreed to enroll you at the academy, little madam. JANE: Back then, I was doing a favor for two old friends who made a disgusting mistake. JANE: I'm no longer going to play nice with you just because of your parents, however. JANE: That truce is over.

That’s some efficient expositing!

Man, I really am coming around to this Yiffy thing, holy shit. I actually think her reveal last chapter was actively designed to get fans to hate the concept as much as possible, and not just from a Controversy Creates Ca$h kind of way (though that didn’t hurt).The entire fandom has been calling Yiffy a disgusting mistake for three weeks, and now here’s Jane doing it, and we’re being asked to consider this from Yiffy’s perspective: Given a stupid name as a joke, shunted off to boarding school by parents who were ashamed of her existence, repeatedly told she’s a disgusting mistake and tortured, even the fans all hate her on sight, and she literally hasn’t said a word yet! That’s....legitimately pretty cool writing, right there. A deft and entirely intentional juking of the fandom’s emotional state to get us to hate a character conceptually so that now when the comic’s trying to get us to sympathize with her it’s an easier sell because we feel a bit guilty. I dig it. Shit like this is why I still read Homestuck, it can be very clever at times, even now.

(Pierced ears, in case the punky aesthetic wasn’t obvious). Also, the page with a gif of everything going dark as Yiffy passes out has a black background, which is a nice touch.

TG: but seriously, do you? AG: Not really. TG: not even about... you know? TG: her? AG: No. TG: ... are you sure? AG: A8solutely. AG: What are you, my moirail? AG: Just leave it, Harry. TG: ok.

Then we cut to a chatlog (with the all-black background, which is just really nice here at selling the mood), and even Vrissy doesn’t want to talk about Yiffany.

AG: It was Cute, 8lright???????? AG: Or, at the very least, a 8*cketload less vomit worthy than everything else that Went Down with our parents.

She’s “vomit-worthy”

I think the update that introduced the Candy Kids was the most enjoyable, but this was, by miles, the best thing to come out of the Homestuck EU. It completely redeemed everything this comic did with Yiffy so far and made it all work. And this black-background-no-image gimmick, while simple, was shockingly effective at conveying the lonely empty mood they were going for (admittedly it probably helped that I was already listening to spooky music), and it’s something Homestuck had never done. This was....

This chapter was great. This was Act 5 great. Like, it’s literally just beating up a child for a whole chapter, but in terms of getting the emotional response they wanted, this is Homestuck at its absolute best. It wasn’t just “here’s a cute girl, let’s beat her up a bit for sympathy”, all the stuff in the last chapter, infuriating the fandom like nothing I’ve seen in webcomics in years, Jade’s dog dick, it was all for this. It was all to get us predisposed to fucking hate Yiffany Longstocking Lalonde Harley so that they could flip the switch and make us love her, make the very fact that we hated her so much part of the reason we love her now. No other webcomic would do that, no other webcomic would have the balls to do that. This is why I read Homestuck, this is why I’m still hanging on to this rock has the wave of cheating dog dicks keeps smacking me in the face. This is avant-fucking-garde, man. I’ve done a full 180 on Homestuck 2. I’m sold. I stan. I’m Homestuck trash again.

EDIT

Oh, and Vrissy suddenly passed out mid-sentence right around the same time Yiffy passed out (hmmm!), and apparently she’s narcoleptic like Jade (hmmm!)

#Homestuck #Homestuck 2 #Homestuck 2 Liveblog

39 notes · View notes

paralleljulieverse · 4 years

Photo

“We’ll be educating Archie, so we’ll be busy for a while...”

We are a little late with this commemorative post, but last month -- 6 June, to be precise -- marked the 70th anniversary of the debut of Educating Archie (1950-59), the legendary BBC radio series starring ventriloquist Peter Brough and his dummy, Archie Andrews. Fourteen-year-old Julie Andrews was part of the original line-up for the 1950 premiere season of Educating Archie and she would remain with the show for two full seasons till late-1951/early-1952.

It would be difficult to exaggerate the significance of Educating Archie during the ‘Golden Age' of BBC Radio in the 1950s. Across the ten years it was on the air, it grew from a popular series on the Light Programme into a “national institution” (Donovan, 74). At its peak, the series averaged a weekly audience of over 15 million Britons, almost a third of the national population (Elmes, 208). Even the Royals were apparently fans, with Brough and Archie invited to perform several times at Windsor Castle (Brough, 162ff). The show found equal success abroad, notably in Australia, where a special season of the series was recorded in 1957 (Foster and First, 133).

Audiences couldn’t get enough of the smooth-talking Brough and his smart-lipped wooden sidekick, and the show soon spawned a flood of cross-promotional spin-offs and marketing ventures. There were Educating Archie books, comics, records, toys, games, and clothing. An Archie Andrews keyring sold half a million units in six months and the Archie Andrews iced lolly was one of the biggest selling confectionary items of the decade (Dibbs 201). More than a mere radio programme, Educating Archie became a cultural phenomenon that “captured the heart and mood of a nation” (Merriman, 53).

On paper, the extraordinary success of Educating Archie can be hard to fathom. After all, what is the point of a ventriloquist act on the radio where you can’t see the artist’s mouth or, for that matter, the dummy? Ventriloquism is, however, more than just the simple party trick of “voice-throwing”. A good “vent” is at heart a skilled actor who can use his or her voice to turn a wooden doll into a believable character with a distinct personality and dynamic emotional life. It is why many ventriloquists have found equal success as voice actors in animation and advertising (Lawson and Persons, 2004).

Long before Educating Archie, several other ventriloquist acts showed it was possible to make a successful transition to the audio-only medium of radio. Most famous of these was the American Edgar Bergen who, with his dummy Charlie McCarthy, had a top-rating radio show which ran in the US for almost two decades from 1937-1956 (Dunning, 226). Other local British precedents were provided by vents such as Albert Saveen, Douglas Craggs and, a little later, Arthur Worsley, all of whom had been making regular appearances on radio variety programmes for some time (Catling, 81ff; Street, 245).

By his own admission, Peter Brough was not the most technically proficient of ventriloquists. A longstanding joke -- possibly apocryphal but now the stuff of showbiz lore -- runs that he once asked co-star Beryl Reid if she could ever see his lips move. “Only when Archie’s talking,” was her deadpan response (Barfe, 46). But Brough -- described by one critic as “debonair, fresh-faced and pleasantly toothy” (Wilson “Dummy”, 4) -- had an engaging performance style and he cultivated a “charismatic relationship with his doll as the enduring and seductive Archie Andrews” (Catling, 83). Touring the variety circuit throughout the war years, he worked hard to perfect his one-man comedy act with him as the sober straight man and Archie the wise-cracking cut-up.

Inspired by the success of the aforementioned Edgar Bergen -- whose NBC radio shows had been brought over to the UK to entertain US servicemen during the war -- Brough applied to audition his act for the BBC (Brough, 43ff). It clearly worked because the young vent soon found himself performing on several of the national broadcaster’s variety shows. His turn on one of these, Navy Mixture, proved so popular that he secured a regular weekly segment, “Archie Takes the Helm” which ran for forty-six weeks (ibid, 49). While appearing on Navy Mixture, Brough worked alongside a wide range of other variety artists, including, as it happens, a husband and wife performing team by the name of Ted and Barbara Andrews.

Fast forward several years to 1950 and, in response to his surging popularity, Brough was invited by the BBC to mount a fully-fledged radio series built around the mischievous Archie (Brough, 77ff). A semi-sitcom style narrative was devised -- written by Brough’s longtime writing partner, Sid Colin and talented newcomer, Eric Sykes -- in which Archie was cast as “a boy in his middle teens, naughty but lovable, rather too grown up for his years-- especially where the ladies are concerned -- and distinctly cheeky” (Broadcasters, 5). Brough was written in as Archie’s guardian who, sensing the impish lad needed to be “taken strictly in hand before he becomes a juvenile delinquent,” engages the services of a private tutor to “educate Archie” (ibid.). Filling out the weekly tales of comic misadventure was a roster of both regular and one-off characters. In the first season, the Australian comedian, Robert Moreton, was Archie's pompous but slightly bumbling tutor, Max Bygraves played a likeable odd-job man, and the multi-talented Hattie Jacques voiced the part of Agatha Dinglebody, a dotty neighbourhood matron who was keen on the tutor, along with several other comic characters (Brough, 78-81).

In keeping with the variety format popular at the time, it was decided the series would also feature weekly musical interludes. “Our first choice” in this regard, recalls Peter Brough (1955), “was little Julie Andrews”:

“A brief two years before [Julie] had begun her professional career as a frail, pig-tailed, eleven-year-old singing sensation, startling the critics in Vic Oliver’s ‘Starlight Roof’ at the London Hippodrome by her astonishingly mature coloratura voice. Many people of the theatrical world were ready to scoff, declaring the child’s voice was a freak, that it could not last or that such singing night after night would injure her throat. They did not reckon with Julie’s mother, Barbara, and father, Ted: nor with her singing teacher, Madame Stiles-Allen. In their care, the little girl, who had sung ‘for the fun of it’ since she was seven, continued a meteoric career that has few, if any rivals” (81).

As further context for Julie’s casting in Educating Archie, the fourteen-year-old prodigy had already appeared on several earlier BBC broadcasts and was thus well known to network management. In fact, Julie had already worked with the show’s producer, Roy Speers, on his BBC variety show, Starlight Hour in 1948 (Julie Andrews Radio Artists File I).

Julie’s role in Educating Archie was essentially that of the show’s resident singer who would come out and perform a different song each week. In the first volume of her memoirs, Julie recalls:

“If I was lucky, I got a few lines with the dummy; if not, I just sang. Working closely with Mum and [singing teacher] Madame [Stiles-Allen], I learned many new songs and arias, like ‘The Shadow Waltz’ from Dinorah; ‘The Wren’; the waltz songs from Romeo and Juliet and Tom Jones; ‘Invitation to the Dance’; ‘The Blue Danube’; ‘Caro Nome’ from Rigoletto; and ‘Lo, Hear the Gentle Lark’” (Andrews 2008, 126)

Other numbers performed by Julie during her appearances on Educating Archie include: “The Pipes of Pan”, “My Heart and I”, “Count Your Blessings”, “I Heard a Robin”, and “The Song of the Tritsch-Tratsch” (”Song Notes”, 11; Julie Andrews Radio Artists File I). Additional musical interludes were provided by other regulars on the show such as Max Bygraves, the Hedley Ward Trio and the Tanner Sisters.

Alongside her weekly showcase song, Julie’s role was progressively built into a character of sorts as the eponymously named ‘Julie’, a neighbourhood friend of Archie’s. In a later BBC retrospective, Brough recalled that it was actually Julie’s idea to flesh out her part:

“We were thinking of Educating Archie and dreaming up the idea...and we wanted something fresh in the musical spot. We had just heard Julie Andrews with Vic Oliver in Starlight Roof...and we thought, why not Julie with that lovely fresh voice, this youngster with a tremendous range? So we asked her to come and take part in the trial recording and she came up with her mother and her music teacher, Madame Stiles-Allen...and Julie was a tremendous hit, absolutely right from the start. She used to sing those lovely Strauss waltzes...and all those lovely songs and hit the high notes clear as a bell. And then she came to me and said, ‘Look...I’m just doing the song spot, do you think I could just do a line or two with Archie and develop a little talking, a little character work?’ So, I said, ‘I don’t see why not’, So we talked to Eric Sykes and Roy Speer and, suddenly, we started with Julie talking lines back-and-forth with Archie, and Eric developed the character for her of the girl-next-door for Archie, very sweet, quite different from the sophisticated young lady she is today, but a lovely sweet character” (cited in Benson 1985)

As intimated here, an initial trial recording of Educating Archie was commissioned by the BBC, ostensibly to gauge if the format would work or not. This recording was made with the full cast on 15 January 1950 and was sufficiently well received for the broadcaster to green-light a six-episode pilot series to start in June as a fill-in for the popular comedy programme, Take It From Here during that series’ summer hiatus (Pearce, 4). The first episode of Educating Archie was scheduled for Tuesday 6 June in the prime 8:00pm evening slot, with a repeat broadcast the following Sunday afternoon at 1:45pm (Brough, 88ff).

All of the shows for Educating Archie were pre-recorded at the BBC’s Paris Cinema in Lower Regent Street. Typically, each week’s episode would be rehearsed in the afternoon and then performed and recorded later that evening in front of a live audience. Julie’s fee for the show was set at fifteen guineas (£15.15s.0d) for the recording, with an additional seven-and-a-half guineas (£7.17s.6d) per UK broadcast, 3 guineas (£3.3s.0d) for the first five overseas broadcasts, and one-and-a-half guineas for all other broadcasts (£1.11s.6d) (Julie Andrews Radio Artists File I).

The initial six-episodes of Educating Archie proved so popular that the BBC quickly extended the series for another six episodes from 18 July to 22 August (“So Archie,” 5). Of these Julie appeared in four -- 25 July, 1, 8, 14 August -- missing the fist and last episode due to prior performance commitments with Harold Fielding. Subsequently, the show -- and, with it, Julie’s contract -- was extended for a further eight episodes (29 August-17 October), then again for another eight (23 October-18 December). These later extensions were accompanied by a scheduling shift from Tuesday to Monday evening, with the Sunday afternoon repeat broadcast remaining unchanged (Julie Andrews Radio Artists File I). All up, the first season of Educating Archie ran for thirty weeks, five times its original scheduled length. During that time, the show’s audience jumped from an initial 4 million listeners to over 12 million (Dibbs, 200-201). It was also voted the top Variety Show of the year in the annual National Radio and Television Awards, a mere four-and-a-half months after its debut (Brough, 98; Wilson “Archie”, 3).

Given the meteoric success of the show, the cast of Educating Archie found themselves in hot demand. Peter Brough (1955) relates that there was a growing clamour from theatre producers for stage presentations of Educating Archie, including an offer from Val Parnell for a full-scale show at the Prince of Wales in the heart of the West End (101). He demurred, feeling the timing wasn’t yet right and that it was too soon for the show “to sustain a box office attraction in London” -- though he left the door open for future stage shows (102).

One venture Brough did green-light was a novelty recording of Jack and the Beanstalk with select stars of Educating Archie, including Julie. Spread over two sides of a single 78rpm, the recording was a kind of abridged fantasy episode of the show cum potted pantomime with Brough/Archie as Jack, Hattie Jacques as Mother, and Peter Madden as the Giant. Julie comes in at the very end of the tale to close proceedings with a short coloratura showcase, “When We Grow Up” which was written specially for the recording by Gene Crowley. Released by HMV in December 1950, the recording was pitched to the profitable Christmas market and, backed by a substantial marketing campaign, it realised brisk sales (“Jack,” 12). It was also warmly reviewed in the press as “a very well presented and most enjoyable disc” (“Disc,” 3) and “something to which children will listen again and again” (Tredinnick, 628).

In light of its astonishing success, there was little question that Educating Archie would be renewed for another season in 1951. In fact, it occasioned something of a bidding war with Radio Luxembourg, a competitor commercial network, courting Brough with a lucrative deal to bring the show over to them (Brough, 103-4). Out of a sense of professional loyalty to the BBC -- and, no doubt, sweetened by a counter-offer described by the Daily Express as “one of the biggest single programme deals in the history of radio variety in Britain” (cited in Brough, 104) -- Brough re-signed with the national broadcaster for a further three year contract.

For their part, the BBC was keen to get the new season up on the air as early as possible with an April start-date mooted. Brough, however, wanted to give the production team an extended break and, more importantly, secure enough time to develop new material with his writing team. Rising star scriptwriter, Eric Sykes was already overstretched with a competing assignment for Frankie Howerd so a later start for August was eventually confirmed (Brough, 105ff). The Educating Archie crew did, however, re-form for a one-off early preview special in March, Archie Andrew’s Easter Party, which reunited much of the original cast, including Julie (Gander, 6).

The second 1951 season started in earnest in late-July with pre-recordings and rehearsals, followed by the first episode which was broadcast on 3 August. This time round, the programme would air on Friday evenings at 8:45pm with a repeat broadcast two days later on Sunday at 6:00pm. The cast remained more-or-less the same with the exception of Robert Moreton who had, in the interim, secured his own radio show. Replacing him as Archie’s tutor was another up-and-coming comedy talent by the name of Tony Hancock (Brough, 111). It was the start of what would prove a star-making cycle of substitute tutors over the years which would come to include Harry Secombe, Benny Hill, Bruce Forsyth, and Sid James (Gifford 1985, 76). A further cast change would occur midway through Season 2 with the departure of Max Bygraves who left in October to pursue a touring opportunity as support act for Judy Garland in the United States (Brough, 113-14).

The second season of Educating Archie ran for 26 weeks from 3 August 1951 till 25 January 1952. Of these, Julie performed in 18 weekly episodes. She missed two episodes in late September due to other commitments and was absent from later episodes after 14 December due to her starring role in the Christmas panto, Aladdin at the London Casino. She was originally scheduled to return to Educating Archie for the final remaining shows of the season in January and her name appears in newspaper listings for these episodes. However, correspondence on file at the BBC Archives suggests she had to pull out due to ongoing contractual obligations with Aladdin which had extended its run due to popular demand (Julie Andrews Radio Artists File I).

Season 2 would mark the end of Julie’s association with Educating Archie. When the show resumed for Season 3 in September 1952, there would be no resident singer. Instead, the producers adopted “a policy of inviting a different guest artiste each week” (Brough 118). They also pushed the show more fully into the realm of character-based comedy with the inclusion of Beryl Reid who played a more subversive form of juvenile girl with her character of Monica, the unruly schoolgirl (Reid, 60ff). Moreover, by late 1952, Julie was herself “sixteen going on seventeen” and fast moving beyond the sweet little girl-next-door kind of role she had played on the show.

Still, there can be no doubt that the two years Julie spent with Educating Archie provided a major boost to her young career. Broadcast weekly into millions of homes around the nation, the programme afforded Julie a massive regular audience beyond anything she had yet experienced and helped consolidate her growing celebrity as a “household name”. Because Archie only recorded one day a week, Julie was still able to continue a fairly busy schedule of concerts and live performances, often travelling back to London for the broadcast before returning to various venues around the country (Andrews, 127). As a sign of her evolving star status, promotion for many of these appearances billed her as “Julie Andrews, 15 year old star of radio and television” (”Big Welcome,” 7) or even “Julie Andrews the outstanding radio and stage singing star from Educating Archie” (”Stage Attractions,” 4). In fact, Julie made at least two live appearances in this era alongside Brough and other members of the Educating Archie crew with a week at the Belfast Opera House in October 1951 and another week in November at the Gaumont Theatre Southampton (Programme, 1951).

Additionally, the fact that the episodes of Educating Archie were all pre-recorded means that the show provides a rare documentary record of Julie’s childhood performances. To date, several episodes with Julie have been publicly released. These include recordings of her singing “The Blue Danube” from 30 October 1950 and the popular Kathryn Grayson hit, “Love Is Where You Find It” from 19 October 1951. Given recordings of the series were issued to networks around Britain and even sent abroad suggests there must be others in existence and, so, we can only hope that more episodes with Julie will surface in time.

Reflecting on the cultural significance of Educating Archie, Barrie Took observes that, “Over the years [the] programme became a barometer of success; more than any other radio comedy it was the showcase of the emerging top-liner” (104). Indeed, the show’s alumni roll reads like a veritable “who’s who” of post-war British talent: Peter Brough, Eric Sykes, Hattie Jacques, Max Bygraves, Tony Hancock, Alfred Marks, Beryl Reid, Harry Secombe, Bruce Forsyth, Benny Hill, Warren Mitchell, Sid James, Marty Feldman, Dick Emery (Foster and Furst, 128-32). All big talents and even bigger names. However, it is perhaps fitting that, in a show built around a pint-sized dummy, the biggest name of all to come out of Educating Archie -- and, sadly, the only cast-member still with us today -- should be “little Julie Andrews”.

Sources:

Andrews, Julie. Home: A Memoir of My Early Years. London: Weidenfeld & Nicolson, 2008.

Baker, Richard A. Old Time Variety: An Illustrated History. Barnsley: Remember When, 2010.

Barfe, Louis. Turned Out Nice Again: The Story of British Light Entertainment. London: Atlantic Books, 2008.

Benson, John (Pres.). “Julie Andrews, A Celebration, Part 2.” Star Sound Special. Luke, Tony (Prod.), radio programme, BBC 2, 7 October 1985.

“Big Welcome for Julie Andrews.” Staines and Ashford News. 17 November 1950: 7.

Broadcasters, The. “Both Sides of the Microphone.” Radio Times. 4 June 1950: 5.

Brough, Peter. Educating Archie. London: Stanely Paul & Co., 1955.

Catling, Brian. “Arthur Worsley and the Uncanny Valley.” Articulate Objects: Voice, Sculpture and Performance. Satz, A. and Wood, J. eds. Bern: Peter Lang, 2009: 81-94.

Dibbs, Martin. Radio Fun and the BBC Variety Department, 1922—67. Chams: Palgrave MacMillan, 2018.

“Disc Dissertation.” Lincolnshire Echo. 11 December 1950: 3.

Donovan, Paul. “A Voice from the Past.” The Sunday Times. 17 December 1995: 74.

Dunning, John. On the Air: The Encyclopedia of Old-Time Radio. New York: Oxford University Press, 1998.

Elmes, Simon. Hello Again: Nine Decades of Radio Voices. London: Random House, 2012.

Fisher, John. Funny Way to Be a Hero. London: Frederick Muller, 1973.

Foster, Andy and Furst, Steve. Radio Comedy, 1938-1968: A Guide to 30 Years of Wonderful Wireless. London: Virgin Books, 1996.

Gander, L Marsland. “Radio Topics.” Daily Telegraph. 13 March 1951: 6.

Gifford, Denis. The Golden Age of Radio: An Illustrated Companion. London: Batsford, 1985.

____________. “Obituary: Peter Brough.” The Independent. 7 June 1999: 11.

“Jack and the Beanstalk.” His Masters Voice Record Review. Vol. 8, no. 4, December 1950: 12.

Julie Andrews Radio Artists File I, 1945-61. Papers. BBC Written Archives Centre, Caversham.

Lawson, Tim and Persons, Alissa. The Magic Behind the Voices: A Who's Who of Cartoon Voice Actors. Jackson: University Press of Mississippi Press, 2004.

Merriman, Andy. Hattie: The Authorised Biography of Hattie Jacques. London: Aurum Press, 2008.

Pearce, Emery. “Dummy is Radio Star No. 1.” Daily Herald. 6 April 1950: 4.

Programme for Peter Brough and All-Star Variety at the Belfast Opera House, 22 October 1951, Belfast.

Programme for Peter Brough and All-Star Variety at the Gaumont Theatre Southampton, 12 November 1951, Southampton.

Reid, Beryl. So Much Love: An Autobiography. London: Hutchinson, 1984

“So Archie Stays on.” Daily Mail. 1 July 1950: 5.

“Song Notes.” The Stage. 28 September 1950: 11.

“Stage Attractions: Arcadia.” Lincolnshire Standard. 18 August 1951: 4

Street, Seán. The A to Z of British Radio. Lanham, MD: Scarecrow Press, 2009.

Took, Barry. Laughter in the Air: An Informal History of British Radio Comedy. London: Robson Books, 1976.

Tredinnick, Robert. “Gramophone Notes.” The Tatler and Bystander. 13 December 1950: 628.

Wilson, Cecil. “Dummy Steals the Spotlight.” Daily Mail. 27 May 1950: 4.

____________. “Archie, Petula Soar to the Top.” Daily Mail. 20 October 1950: 3.

#julie andrews #educating archie #peter brough #archie andrews #radio #bbc #british #1950s #ventriloquist #hattie jacques #max bygraves #tony hancock

20 notes · View notes