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#i love my thesis work!!!
scandiacamoons · 11 months
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"Where will our feet lead us to next?"
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garagepanic · 10 months
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one path among so many others
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lasagoofs · 2 months
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rewatching to prepare for the new season
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french-goodbye · 9 months
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in the low lamplight
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summary: your boyfriend is perfect, except for one tiny little detail.
warnings: conversations about sex; dry humping; consensual slapping and chocking; praise kink; fingering; p in v sex. MINORS DO NOT INTERACT, 18+.
notes: i'm tired of experienced steve and virgin reader all the time. i want steve and confident slutty reader who's more experienced than him and blows his mind. also a little praise kink bc i feel like my boy would be insanely into that. also my first time writing smut!!! i! am! nervous! title from work song by hozier.
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it's not that steve is bad in bed, it's quite the opposite actually. but he's just... extremely vanilla. and you totally get it. most of his sexual experiences were with young suburban girls in the back of his car or in his room when his parents weren't home. he was a couple of girls' first time and knowing steve, he probably put their own comfort above his wants. not probably, definitely.
you just wish he was... kinkier. nothing too intense, just something a little more exciting. and it's not that you don't get to cum, you totally do. he knows exactly how to move inside of you, the spots that make your body burn in need and he gives the best head ever, which is a nice bonus.
but after three months together and having sex everytime you have the opportunity to, because you're still in the honeymoon stage of the relationship, it's getting kinda repetitive. it's always missionary, maybe you on top if you're in a particularly bossy mood. but he nevers puts you on all fours or asks you to sit on his face or even sixty-nine. nothing.
you know steve's attracted to you (he isn't exactly shy to tell you how much) so you know that's not the issue, so you've tried so hard to subtly ask him to be rougher, you've tried placing his hand on your neck and squeezing, you've tried guiding his hands to your ass, but you've had no success so far. every single time he'll respectfully pull his hand away and press them to your shoulder or keep them there but not do anything.
but tonight. tonight is the night, you've decided. his parents are out of town (as usual) and it's just you two in the house, you've made sure he's free the whole day the tomorrow (no driving little shits around or shifts at the video store) so you'll have the whole friday night and the next day to yourselves.
you even splurged a bit and purchased a set of overpriced lingerie, way too expensive for just two little scraps of fabric and shaved, exfoliated and moisturized your entire body the night before. you still haven't approached the subject with him, but you've already planned a careful yet objective way to approach the subject and even practiced what you'd say in the mirror and bought a cosmo magazine. you're not exactly proud of yourself for that last one.
your plan is finally set in motion after you and steve get home from work and throw yourselves on his couch, half watching a movie and eat leftovers from the dinner you cooked the night before. when you're both done, you tell him you need a shower, where you use that lavender soap he likes and spray on the perfume he gave you on your birthday. after you're done, he's waiting in his room for you, halfheartedly flipping through the book you're currently reading.
"you can take your shower now" you tell him distractedly, holding the towel you've wrapped around yourself tightly to your body. he finally looks up and realizes your state of undress, his eyebrows shooting up.
"what are you doing?"
you stop going through your over night bag to throw him a confused look, "what are you talking about?"
"you used that soap i like, and that perfume i gave you that you only use on special occasions..." he stands up from the bed and stalks to you, watching you from narrowed eyes, like he's suspicious you're planning his murder. "what are you planning?"
you fake surprise, your hand coming up to clutch imaginary pearls. "me? why would i scheme something against my dear loving boyfriend?"
he looks at you unimpressed and you stand on your tip toes to rest your hands on his chest, his hands coming to support you on your waist and you whisper next to his ear, "okay, maybe i do have something planned... why don't you go take your shower and find out?"
he glances at you one last time before squeezing your waist and letting you go.
"fine..." he sighs dramatically, "i'll go"
once he's locked the door behind him, you put on your recently purchased underwear and bra on. you throw on one of his old highschool t-shirts since he once mentioned how much he likes seeing you wearing them.
by the time he gets out of the bathroom, a cloud of steam surrounding him, you're sitting on his bed, rubbing lotion on your legs and he's shirtless, wearing only gray sweatpants, that hang low on his hips, his hair half dry as he finishes towel drying it.
you tsk and shake your head disheartened. "oh- wow, okay, harrington"
he glances at you once and goes back to drying his hair. "huh?"
"the chest, the scandalous dick print..." you explain and gesticulate towards him. "are you trying to seduce me or something?"
"why are you looking at my dick? you interested?" your stomach burns with insinuation but you ignore him, simply tucking your lotion back into your bag.
"i mean... it's hard not to notice when you're whoring yourself around" you shrug with fake nonchalance.
he scoffs loudly at you, going back into the bathroom quickly to hang both of your towels and getting on your way when you're about to climb on the bed after having dropped your bag in the corner.
"i'm whoring myself?" he looms over you, hand resting on your shoulder to snap the strap of your bra that's peeking from his shirt "you're the one wearing a new bra babe."
you don't answer, simply slapping his hand away and climbing on the bed, intentionally giving him a peek of your ass as you finally sit near the foot of the bed, with your legs crossed.
"why don't you turn off the lights and come take a look?"
he earnestly complies, almost tripping on a sweater he left on the bedroom floor earlier that day as he does what you asked. he lights the lampshade on his bedside table and walk towards you, leaning down to reach you when you stop him.
"no" you say firmly. "go sit on the bed, near the headboard."
he complies, but not without giving you a look. "ooh, bossy"
you turn to watch him and can't help the spark that lights up in your tummy. he looks ridiculous attractive, hair fluffy from not being styled properly, his hairy chest all on display for you and his thick spread legs giving a privileged view of his dick in those sweatpants. it's almost criminal, but you swallow it down and keep going with your plan.
you crawl to him on all fours, purposefully, until you're between his legs.
"i don't know about bossing " you run a long manicured fingernail through his thick chest hair. "but i was thinking about something i'd like to try with you..." you only stop when your fingers are almost at his waistband and you swirl your fingers around his bellybutton. you glance at his face and he almost looks dazed, eyes following your finger avidly.
hook, line and sinker.
your boyfriend was almost too easy sometimes.
"yeah, babe... whatever you want" you hold back your laughter and finally climb on top of his legs, his eyes following the curve of your hips and your bare legs as you straddle him.
"how do you feel about chocking?" you ask, making his gaze shift to your face.
"chocking? are you serious?"
"yeah, i think it'd be really good to have your hands around my neck" his fingers dig tightly on your hips, but you can tell he's still unsure.
"what if i hurt you?"
"if it makes you feel better, we can have a safe word and we can immediately stop if one of us says it. no questions asked"
"what if you can't speak?"
"then i can just tap you three times, like this?" you demonstrate, tapping his shoulder. "is that okay?"
he nods quietly, so you ask: "what if i do it on you first so you know what it feels like?"
"yeah, sure"
you gently put your hands on his throat, not applying pressure yet, just resting there.
"you just have to make sure you squeeze the sides, not on top so you don't stop airflow" you explain, spreading your fingers so they're on each side of his throat and squeezing carefully. steve himself is more surprised than you when his breath stutters and he lets an almost groan out.
"did you like that?"
"fuck yeah, that's super hot" he tells you breathlessly, surprising you with a forceful kiss. he manages to distract you, his tongue slipping into your mouth and brushing against yours as his fingers squeeze your hips and start guiding you to grind on his lap. you let him call the shots for a moment, slowly moving your hips against his now half hard cock and sinking your fingers on his hair to scratch his scalp lovingly.
however, when his hands start to wander underneath your borrowed shirt you bite his lip softly, letting it slot back in place as you pull away.
he's about to complain, big brown eyes staring at you and almost pouting. you press your pointer finger to his lips, silencing him, hips still moving at a torturously slow pace against him.
"there's one more thing, actually" you move your finger away and trace his bottom lip carefully.
"more?" his eyebrows raise in question.
"what about you... i don't know, maybe you can be a rough with me? like slapping me a little bit"
"slapping?! babe, i don't wanna hurt you and i don't-"
"you slap my ass all the time!" you accuse him, reminding him of all the times you'd walk past him or bend down and he had slapped your butt teasingly.
"yeah, jokingly"
"babe, i trust you" you grip his face, forcing him to look at you. "i know you'd never hurt me if i didn't ask you to. i just think it'd be really hot, and who knows... maybe you'll like it too. and if you really don't like it we'll never speak of this again" you shrug, gently pushing his hair from his face.
"you sure?" you nod and press a quick kiss to his lips.
"if you wanna stop just say red, okay? anytime."
"yeah, i like that"
"you'll tell me if you wanna stop, right?" you press another quick kiss to his lips in thanks.
he nods eagerly "you too, okay? just say the word and we'll stop" you nod in agreement. "okay... but now what? do i just... jump right into it?"
"no... what about we start the way we always do before having sex?" you smirk, starting to move your hips in slow circular motions again and his hands slide down your back to slip under your t-shirt again.
he laughs huskily next to ear, making you shiver. "we're really good at that", his lips make contact with the skin of your neck, pressing open mouthed kisses there. you keep moving on top of him, hands sinking into his hair and keeping him there.
"fuck, steve" you whine when he sucks at a sensitive spot on your neck, his hands squeezing your thighs roughly, moulding fat like dough underneath his fingertips.
suddenly you feel a sharp sting on your backside as steve slaps your ass. you whine deep in your throat and your hips stutter in their rhythm against his lap.
"oh, you really like it when i do that"
"god, i do" you breathlessly tell him with a smile, tugging his hair harshly to guide him to your mouth. "you like this too, don't you? just wanna give me what i need, huh baby?"
"i do, i do. just want my girl to feel good" he whines against your mouth, while he spreads your ass and digs his fingers into your skin.
you kiss him some more, until you can feel his now hard cock against you, through the lace fabric of your underwear and his sweatpants. his hand lift up your t-shirt and carefully takes it off of you.
"god, you're gorgeous" you push on his chest gently until his back is against the headboard so you can show him the whole thing, from the intricate lace to the small straps keeping everything together. "you got this for me?" he teases you, his hands playing with your underwear, pulling it and letting it snap against the skin of your hip.
"yeah..." you answer distractedly, his cock rubbing in a very nice spot near your covered clit. his hand moves up to cup your breast, his thumb rubbing your pebbled nipple through your bra. "you like it?"
"fuck yeah, i love it" one of his hand cups your breast, while the other pushes the fabric of your bra down so he can pull and twist your nipple.
you're already a mess on top of him, feeling the wetness on your underwear sticking to your folds, when he lowers his head to suck your nipple into his mouth and his hand plays with your other breast. the nails of your left hand dig half crescent moons on his bare shoulders while the other tug on his hair to keep him there and your head drops back in pleasure.
his hand stops massaging your breasts and you're about to complain when you feel it start to slip down your stomach and hook under your underwear to rub his fingers through your wetness, his knuckles grazing your clit. you hold him tighter, a loud moan leaving your lips when he sinks two fingers inside of you.
"yes, yes, yes, baby" you whine, hiding your face in his hair as he realeases your nipple with a lewd pop.
"you're so fucking wet" he rasps against you and sucks a mark on the swell of your breast, pumping his fingers in and out of you as the palm of his hand rubbing on your clit everytime he moves. "god, you feel so good around my fingers. can't wait to have my dick inside you."
you're lost in the rhythm of it, his palm brushing your clit at every stroke, the feeling of his lips sucking on your chest and his hips bucking underneath yours occasionally. but you finally reach your peak when his free hand slips down your back and slaps your ass again, harder this time, palming it underneath his fingertips.
"that's it... come for me, baby" you pull him to your mouth again as you come down and he guides you through it, still feeling yourself clenching on his fingers as you twitch in his lap.
"god, you're so fucking hot" you whisper against his mouth, still breathless. "you're so good to me, baby. such a good boy"
suddenly, he's holding you tighter and manhandling you, roughly dropping you on your back and looming over you between your knees. before you can react, he's ripping off his sweatpants and throwing it on his bedroom floor.
he stands completely naked in front of you, helping you spread your legs. you eye him lustfully, from his mussed hair to his throbbing cock standing tall, the tip pink and dripping with a little pre cum.
"can i go down on you?" you ask him avidly, starting to lift yourself up but he stops you, holding your wrist above your body.
"nuh-uh, baby. i'm gonna blow my load if you do that" he denies and you giggle, about to complain when he licks the palm of his free hand and strokes himself one, two, three times, shutting you up real quick. he's starting to align himself with your entrance when you stop him.
"wait, wait" he stops immediately.
"what? what's wrong?"
"i want you from behind"
he groans, dropping his head on the curve of your neck and letting go of your wrists. "you really can't say shit like that to me if you want me to last"
you giggle and tap his shoulder sympathetically, "you'll live". you lightly scratch his back, sliding your hands from his shoulder to his lower back and wrap your legs around his hips, feeling the tip of his cock nudging your inner thigh. "now... why don't you put me on my knees, handsome?"
he quickly moves to reposition you, helping you lift yourself up and pushing your spine down gently when you get on your knees. you lower your torso all the way until your chest is pressed against his bedsheets, lifting your ass up.
"fuck, baby. you look so good like this" he says when he slots himself behind you.
"maybe you should listen to me more, harrington" you tease, looking at him from over your shoulder as he kneads your ass.
"maybe i should, pretty girl" he answers distractedly, and you feel his thumb spreading your entrance. "look at this pretty pussy"
you moan and try to wriggle in the hold he has on your hips, "steeeve-"
he laugh mockingly and starts rubbing the head of his cock against your folds. "you this desperate babe?"
before you can answer he starts sinking himself inside, both of you sighing at the feeling. when he's finally inside you can't help the moan that escapes you, his big cock filling you up beautifully and the stretch in this position making you feel so full. however, his strokes are slow and languid and while that's nice, it's not exactly what you need.
"come on, babe" you grumble, trying to rock your hips against his grip. "fuck me like you mean it"
he scoffs and speeds up, his hand wrapping around your hair to press your face against his mattress and to keep you still, changing the angle slightly and pressing right against your spot inside of you.
"is this how you want it?" he huffs, slapping you again.
"oh god, yes. right there!"
he pulls you up until you're both kneeling on the bed, his hips slapping against your ass. his free hand climbs up your chest until it's resting on your neck. "do you want-?"
"yes, i want it. please, please, choke me" you interrupt, begging him to keep going, begging him for more. his fingers carefully start squeezing you throat and you wrap your hand around his to guide him until the pressure is just right.
"squeezing my cock so tight, baby. should've told me you wanted this sooner."
you don't get to answer, his free hand suddenly slipping down to rub circles on your clit and you're gone, your orgasm hitting you like a fright train. he helps you ride it out, until you gently pull his hand away and bend down again, resting your weight on your elbows.
"your turn, baby" you tell him, tilting your head slightly so you can see him.
he starts babbling and pressing you harder against the bed, a clear sign that he's close himself. he bends down, his chest against your back until he can stretch his hand out to hold yours against the mattress and he can babble against your ear about how good you feel, how perfect you are for him, how much he loves being inside you.
"that's it, babe. you made me feel so good, it's your turn now" you tell him, still slightly breathless and sensitive around his cock. "please come, need you to come so bad"
"god, i'm gonna cum" and it's all it takes to feel him pull out and finish himself off on your back. you're both still for a second as you catch your breath and he squeezes your hand still intertwined in his gently. when you turn your face to the side to see him, he presses a kiss to your cheek.
he taps your hips gently as he gets up and goes to the bathroom, coming back quickly to wipe you and himself clean with a wet washcloth. when he's done he throws it on top of the rest of his dirty laundry, still thrown on his bedroom floor.
when he finally turns to you, you're finally laying on your back and getting comfortable on his pillow. steve throws himself next to you and his arms immediately wrap around your waist. you hug him back, guiding his head to rest on top of your bare chest, now littered with purpling marks.
"you had fun, pretty girl?"
"you couldn't tell?" you laughter, his head shaking slightly against your chest as you comb his hair away from his face and his breath against your skin.
"god, i'm obsessed with you" he complains, hiding his face on your boob. you laugh, gently coaxing his face away so you can see him.
"that's good," you smooth the messy hairs on his eyebrow. "i'm pretty obsessed with you too"
"we're pretty perfect for each other then"
"you should keep me forever" you tease, tracing his features gently. he presses a kiss to your sternum and gets comfortable against you.
"maybe i will"
it sounds like a pretty good deal.
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lesbiandarvey · 5 months
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harvey specter // would've, could've, should've
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pearlcaddy · 1 year
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MIDGE MAISEL & LENNY BRUCE The Marvelous Mrs. Maisel (2017–2023)
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danothan · 11 months
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Just reading some comics and saw a panel I thought you might like. :)
ah fuck, characters reminiscing always get to me ;__;
but i will never ever get over that fond way these two talk to and abt each other. especially when they’re poking fun, you can just hear the love in their voice it’s SICK.
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the halbarry love language is annoying each other, but even more than that, it’s being each other’s exceptions
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junejuly · 1 year
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mediapen · 2 years
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and i think... i think that’s what a father is - a blade that never stops cutting.
the new york times, ‘carlos sainz jr learned early to be the hunter, not the prey’   ++   e. schwab, the invisible life of addie larue // marla miniamo, ‘sea salt’ // hermann hesse, demian // frank bidart, ‘the third hour of the night’ // katherine angel, daddy issues // [x] // leah horlick, for your own good // hera lindsay bird, ‘mirror traps’ // mario puzo, the godfather // andrea gibson, ‘i sing the body electric, especially when the power’s out’ // [x] // [x] // deaf havana, ‘caro padre’ // [x] //  [x] // [x] // [x] // rachel mckibbens, blud // [x] // [x] // ocean vuong, ‘someday ill love ocean vuong’ // molly brodak, ‘bee in jar’ // eleanor hsieh, ‘the last scene in the movie’ // andrea abi-karam, villainy // the national, ‘blank slate’ // rainer maria rilke in a letter to lou andreas-salomé // etel adnan, ‘untitled’ // [x] // [x] // [x] // myther, SPEAK FOR YOURSELF, OR SOMEONE ELSE WILL // [x] // [x] // rainer maria rilke, letters to benvenuta // richard siken, ‘little beast’ // erin slaughter, i will tell this story to the sun until you remember that you are the sun // [x] // sigmund freud, die traumdeutung // rachel mckibbens, blud // silas denver melvin - nov 4 2021 // desireé dallagiacomo, ‘origin story’ // james baldwin, ‘they can’t turn back’ // [x] // traci brimhall, come the slumberless to the land of nod // natalie diaz, ‘grief work’ // alain de botton, essays in love // [x] // richard siken, ‘the dislocated room’ // sylvie baumgartel, song of songs // ocean vuong, 'dear peter.’ 
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ieidolon · 1 month
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Oh my god. I actually have a nemesis. It's the scholar who wrote one of the best articles on my thesis topic where they perform a lot of truly spectacular close readings yet somehow end up reaching the exact opposite conclusion that I do, to the point where one of their quotes summarizes half of my thesis but in the exact opposite way of what they meant by it
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vickyvicarious · 1 year
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seeing ppl go "lol jonathan why are you admitting you found them hot what will mina think of you when she reads it!!!" has me go "*shakes you* you are going against the thesis of the book!!!"
I know some of why is dependent on knowledge of future events, and so people new to Dracula Daily won't be aware of it. But to be honest, Jonathan admitting his attraction to the vampire ladies is so, so important to me. On several different character levels, even outside of the entire book proving over and over again that sharing knowledge is absolutely vital (and is also an expression of deep love/trust/support).
Let's just stick the quote in here for reference:
There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina's eyes and cause her pain; but it is the truth.
Firstly - he needs to keep an accurate record. This is his only place to speak freely, his only opportunity to be precise about what he is going through. It is vitally important for him to keep his sanity intact that he be clear and try to remain logical in this diary. We see him fact-checking again and again. We can extrapolate from other statements that he doesn't always mention everything he suspects unless he feels it relevant or possible to prove. For example, repeatedly noting Dracula himself doing things before ever getting around to voicing the theory that the Count has no servants (he collected evidence first, didn't speak his suspicions until they were proven). Or putting the crucifix above his bed and taking the opportunity to sleep elsewhere, thus pointing to feeling unsafe and possibly experiencing bad dreams in his own room (he mentioned what he does about it, but not the feeling on its own or whatever nightmares he may be having). Jonathan works very hard to keep his diary focused on a few things above all: what the Count/ladies are, what everyone does, what Jonathan observes or learns, his actionable plans. He of course expresses his fears and emotions at times in his diary, more than he can out loud, but never going all the way down the rabbithole of fear, hopelessness, etc. He tries to calm himself by sticking to facts (all the harder when something strange is happening), which is in itself a soothing process for him so that's helpful too. His goal is to make this diary useful to himself and to others, if he ever gets the chance to share it. There is a goal here.
And what that means, is that the things Jonathan writes in great detail are things that feel relevant to him. The entire encounter with the vampire ladies was extremely important. It revealed a ton of new information to him, as well as being a truly horrifying and traumatic thing to go through. Jonathan's feelings are as relevant as his observations/actions here, because both are directly affected by the presence of the vampire women. Jonathan can't move. He feels dreamy. He feels attracted to them. He cannot resist and in the moment a large part of him didn't even want to. These are all effects they are causing, at least to some extent. I know mileage can vary a lot on how much of Jonathan's attraction is just coming from him, but honestly, I can't agree with any version that doesn't have a natural attraction at the very least being exacerbated by supernatural vampire abilities somehow. If not caused or called forth by them in the first place. The way he narrates, with so much obvious fear and revulsion mixed in with the desire, makes that clear to me. He sounds like he doesn't fully understand his own feelings at the time, at least where they all came from or why they were so strong. It goes along with all the other symptoms he is experiencing, and the other abilities they demonstrate. And so, to keep his record accurate - it has to go in. He cannot leave it out. It might become very relevant later.
Secondly - Jonathan is honest with Mina, specifically. I love this about their relationship. I don't think it's so much 'I noticed they were attractive' that he fears might hurt her, because Mina isn't particularly shy herself about noticing both women and men as good-looking, and even admiring their looks while on a date with Jonathan (poor Pretty Girl in Piccadilly). He also called local women pretty in his first entry as well (though he did say "except when you got near them" so it felt a bit backhanded to me), so again it's not the noticing that's an issue either way. It's more that he felt actual desire to act on an attraction, or rather for them to act. This is unusual, this is a separate matter from noticing people are hot, this is something that comes much closer to cheating or at least wanting to, and he feels very guilty about it. There's no real sense that he is worried Mina will be angry at him, and there's no sense that he will ever outside of that one moment ever want to act on any attraction he feels for someone other than Mina (or someone Mina also approves of, varying depending on your polycula headcanons). I personally do kind of tend to view Jonathan as some form of demisexual so how much he even tends to feel attraction to other people is often a little wibbly to me, but that's kind of irrelevant for the point of this. We can also set aside the shared language of "kiss" between Jonathan and the vampire ladies, and how this may point to a desire to become available for being drunk from, rather than necessarily sexual desire specifically, even if that's the type of language used. With regards to Mina: he's not worried about being caught, because he is choosing not to hide. He feels bad talking about the attraction because it might hurt her feelings, but he'll admit to it regardless because it's more important to him to be honest with her. Jonathan hates hiding things from Mina. This actually becomes plot-relevant later on. Even when she herself expressly forbids him from telling her stuff, he feels anguished about it and is certain to ensure that records are kept which she can read later. He trusts her completely. Embarrassment, shame, bad behavior, or whatever else - he will still share that with her. The only times he doesn't confide in Mina are when he's trying to repress everything because he thinks he was crazy (and possibly may even have some PTSD-related memory loss as well), or when he and the other men are trying to make sure she isn't exposed to danger (which is wrong in several ways but this post isn't about that so I won't get into it), and of course when she tells him not to. Every single time he feels upset about it. So yeah, he's going to regret that she may feel hurt, but deliberately hiding things from her would be worse.
Thirdly - Jonathan admitting his attraction here is a huge comfort to Mina later on. I truly believe this. I've talked about it before actually, but let me try to rephrase a bit to keep it on the same post. By being open about his own attraction and experience with nearly being drunk from, he provides precedent for Mina's October 3rd trauma. It makes it easier (though obviously still not easy) for her to admit to the same kind of desire:
"I was bewildered, and, strangely enough, I did not want to hinder him. I suppose it is a part of the horrible curse that such is, when his touch is on his victim."
Mina never blamed Jonathan for expressing such thoughts. She wasn't concerned about the issue being another woman when she came to him in the hospital, and when she read his diary she never mentioned any hesitations or misgivings about this scene at all. But even if she had secretly felt upset before (I personally don't see her thinking that way at all, but for the sake of argument), I think that experiencing something similar would make her grateful for Jonathan's candor. In a moment when she's already feeling deeply unclean and complicit, Jonathan's earlier honesty here relieves her from a little bit of the guilt she is feeling. It lets her recognize her own lack of desire to stop Dracula as something he did to her, just like Jonathan experienced with the vampire ladies when he couldn't/didn't want to move away. It's possible even that Mina felt more explicit desire for Dracula's 'red lips to kiss her' but didn't feel comfortable saying quite that much - even if so, again Jonathan's account would be a comfort.
And having that account written down long ago means she has already internalized this. If Jonathan had kept it hidden only to try and ease her mind later, well... first off, Mina too might have kept her reaction hidden out of guilt. And even if she didn't or he told her then, a confession at that time wouldn't mean nearly as much or carry the same kind of weight, I don't think. It would feel like he's making excuses for her, like he didn't trust her enough to tell her earlier, just... bad stuff mixed in, which are all avoided by having Jonathan be truthful from the start.
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billdenbrough · 1 year
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i love starmora so much like their gradual shift across gotg vol. 3 absolutely decimated me lol
like. “you know, i’m still not who you want me to be” “oh, i know. but who you are ain’t so bad.” the way she smiles at him??????? followed by (once she’s stepped past him, a moment of hesitation, this inch of themselves they can let be real offerings without having to be completely bare) “i bet we were fun” and his little “like you wouldn’t believe” i am ruined!!!!!!!!
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spore2008 · 5 months
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hello shadowgale nation
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floralfractals · 6 months
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Hi everyone, I wanted to write a quick update to you guys :)
I made this blog in March of 2021. At the time, I followed my first math course on fractals and dynamics, and had just discovered a tool to make my own awesome fractals. This blog started out as a place to share the art I was making as a coping mechanism during covid, but as I quit making them after a few months, this blog died pretty quickly. In 2022, I decided to start posting regularly again (mostly just shitposts though), just so that the effort I put into this blog wouldn't go to waste.
Then, in the beginning of this year, I started writing my thesis. I posted one (1) shitpost about him (my well-known and popular son), and got 10s of thousands of notes. Every morning I would wake up to another crowd of people who loved the graphs, or were baffled by them, and I got showered in asks to elaborate on him.
Truth be told, 2023 has been a very heavy year for me. A lot of things happened in my personal life, and I lost a dear friend to suicide. It became so difficult for me to keep writing on my thesis, and the project that should have been finished in June this year has now been taking 4 months too many. My mental health has suffered greatly, I haven't been able to take any breaks, and life has just been generally difficult. I have spent nights not being able to sleep because I wanted to finish my bachelor's thesis so bad, but my supervisors would keep demanding more work, more edits, and more drafts. At some point, I even considered quitting my studies and finding a job.
The community has helped me to keep going. Mathematicians and non-mathematicians alike who sent me genuinely interested questions, made me laugh in the notes, created fanart (??? I'm still baffled by this but the people who did this are the coolest in the world) and generally made me feel for the first time that mathematics isn't a universally hated subject. On some days, the only reason I was able to keep going and the only thing keeping me from experiencing burn-out was the support I got through this blog.
Today, 10/12/2023, I turned in my thesis. Thank you so much for your support!
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demadogs · 1 year
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ok the rate at which shows are being canceled after one season is becoming more and more ridiculous and excruciating to the point where they dont even give people TIME to watch the shows anymore!! i will be recommended a good show by a friend and think “ooo im excited to watch when im not super busy” and then just a month later before i even had the chance to watch it, its already canceled.
and these days whats considered a “successful show” has to surpass hundreds and hundreds of millions, sometimes over a BILLION hours streamed to be worthy of renewing but when shows get somewhere between 50 million and 100 million theyre treated like they were a complete flop even though that is STILL MILLIONS AND MILLIONS OF PEOPLE WHO WERE INVESTED IN THE SHOW AND WOULD WATCH FUTURE SEASONS!!!!!!!!!!!!!!
i was going to watch that show. i was so beyond excited to watch that show. it had one of my favorite actors in it and it was produced by the same creators of my favorite show of all time. but because i have responsibilities from work and school like a normal fucking adult, i couldnt make the time to watch it and now only a week after i was recommended the show, it was already canceled.
i am used to mourning stories that ive become attached to that will never be complete, but this is altogether different. you didn’t even give me a chance to meet these characters or watch this story. a story that an entire cast and crew of probably thousands of people put all their hearts and soul and TIME into and yet you gave it just a fucking month before you decided it was unworthy of pursuing. even though tens of millions of people who were lucky enough to have been available to watch it at the time thought otherwise.
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ctrl-alt-cel · 2 years
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when i was 13 i wrote an essay explaining the rationale of puppyshipping to some guy in a skype chatroom. found the essay again. wanted to rewrite it. without further ado:
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HERE’S HOW PUPPYSHIPPING CAN STILL WIN: THE SEQUEL: 2 PUPPY 2 SHIPPING (4.3k words)
kaiba and jounouchi’s relationship stands at an awkwardly undefinable place in canon: they're not on good terms, but they're not enemies either. they know each other too well to be called passing acquaintances, but kaiba hardly acknowledges jounouchi as a duelist, let alone a potential rival. at best? they're mutual nuisances.
or, that's how jounouchi and kaiba choose to define it. both of them would love if their dynamic were that simple, nothing more than a back-and-forth of petty insults—but that’s not the truth. and they'll dance around the truth for five whole seasons, purposefully downplaying why they’re so obsessed with provoking each other whenever they’re in the same place.
they're foils.
—but the term "foils" is so dulled within fandom lexicon now that it can mean literally anything from two guys who just disagree with each other sometimes, so i'll sharpen this further. jounouchi and kaiba see their counterpart less as an individual person but more a representation of who they could have become if they had respectively, in their eyes, never learned the lessons they needed to. they project their own ideals onto the other and come away thinking they already know how the other operates, and the fun thing is, even when working from conjecture, their assumptions of one another happen to hit far closer to home than they have any right to.
so really, they can't leave each other alone because they can't stop seeing their failures reflected back at them. the other is a defective version of themselves that they need to correct because they can't stand constantly acknowledging who they used to be, so they try to bend the other to be more like their own image—an "i can fix him (by dragging him down to my level)".
jounouchi and kaiba’s parallels run down to their origins, both set up against abysmal family situations they have no choice but to make the best of. seto and mokuba are orphaned at a young age until seto gets them adopted, while katsuya is separated from his sister and stuck with a deadbeat father who can't carry his own weight. trapped in an environment where nobody expects anything worthwhile from him, katsuya joins a gang and lives out a self-admittedly miserable existence before befriending yugi, while seto is in a battlefield of his own, faced with protecting mokuba while enduring against the nightmare that is gozaburo kaiba’s parenting.
what they do to survive those conditions determines the outlooks they carry for the rest of their lives: jounouchi learns that losing is inescapable and the best you can do is learn how to cope with it, whereas kaiba learns that losing is something you must protect yourself from because there's only so much you can afford to lose.
jounouchi is positioned as the underdog, fighting tooth-and-nail for every victory he can manage, while kaiba has power in excess and holds to the belief that it’s all he really needs. one would argue that they have the perspective the other lacks—they argue that they have the perspective the other lacks. but in my opinion? it doesn't actually matter. what interests me is how they treat each other as a result.
side: seto kaiba
kaiba degrades jounouchi a lot. like, to an uncomfortable extent. you know that one post that’s like “why does bullying exist? why are you mad that i’m ugly?” why is kaiba so mad over the fact that jounouchi loses so much?
it’s projection. he’s just holding jounouchi to the same standard he holds himself to. you need to be powerful if you want to play the same games as kaiba, and seeing jounouchi so openly lean on his friends, ask for help, and have the audacity to lose sets kaiba off because he’s not playing the way he’s supposed to. kaiba rubs jounouchi's losses in his face because he believes that's what loss is supposed to look like, and that it’s jounouchi’s fault for not understanding that yet. kaiba is trying to teach him. to kaiba, this degradation might as well be an act of generosity.
while kaiba stayed true to his own ambitions, seizing kaibacorp from gozaburo and turning it into a children's entertainment company, he beat gozaburo at his own game not by inventing new rules but by playing it better than his adoptive father ever could. and as impressive as that is, it’s not sustainable. gozaburo kills himself when faced with his own defeat, and kaiba internalizes this lesson: that all losses are final, and it’s better to die than adapt to the consequences of a defeat. gozaburo’s death was a suicide, but in the context of their game, kaiba might as well have killed him regardless.
he mirrors this when he threatens to kill himself in duelist kingdom, his heightened emotions catastrophizing losing the duel to immediately equal failing mokuba and coming to the conclusion that if he loses mokuba he’d rather be dead. being someone so fervently self-reliant, any alternate solution, a possibility that he can lose here and still find a different way to rescue mokuba never crosses his mind. and, look, this isn’t his fault. this is the only way of living he’s ever been taught. he’s never learned how to cope in the event of failure because he’s never had the luxury to fail to begin with.
he's burned and rebuilt himself over and over again to survive in the world he operates in, and that’s why jounouchi pisses kaiba off so personally. jounouchi loses so much and so messily, and kaiba tries to show him that if he doesn’t start reinventing himself from the broken pieces of his defeats until all that’s left of him are jagged edges the same way he has, he’s never going to win. but jounouchi…does win. and keeps winning. and even when he does lose, it’s as if he creates new victories for himself, like there’s still value to playing a game with someone when you don’t win it—power of friendship bullshit and whatever. jounouchi is still here, a competitor that kaiba can no longer write off as much as he desperately wants to. (and, yeah, it is pretty ironic how jounouchi will jump through a million hoops to get kaiba to look at him, but he doesn't realize that he doesn't need to do anything to keep kaiba’s attention, only continue being himself.)
jounouchi refuses to compromise who he is and still manages to get far when in kaiba’s mind, that shouldn’t be possible; he’s supposed to be punished the way kaiba was. jounouchi is proof that you can take a devastating blow and move on from it, that even when you do fuck up spectacularly, there’s still something worthwhile in starting again tomorrow.
so kaiba constantly needs to prove that he’s better than jounouchi, that jounouchi isn’t even worth his time in order to justify his worldview. because if kaiba isn’t right, then he'll have no choice but to confront the fact that the war is over. that his circumstances aren’t instant life or death anymore and that even though he’s freed himself from gozaburo’s influence, there’s still further growth as a person he could stand to undergo, now divorced from the harsh conditions of his upbringing. jounouchi is a testament to how it’s possible to make peace and move on from the past without constantly bleeding for closure, that maybe, kaiba’s headlong quest to get the last word on his rivalry with yami yugi may not actually be as fulfilling as he thinks.
but admitting that you might need to change the way you live feels like a defeat in and of itself—it’s infuriating to hear that after everything you’ve had to learn, the way you live now isn’t good enough. that surviving insurmountable trauma doesn’t inherently make you better or more worthy than other people—it just traumatizes you, and is something you must heal from. so, instead of reflecting on these revelations, it’s so much easier for kaiba to tell himself that jounouchi is only ever graceful when he’s dead.
side: katsuya jounouchi
jounouchi is very stuck on this idea that he needs to be useful. his dad is an alcoholic with a gambling addiction and he believes it's not only his duty to pay his father's debts, but to be the household's sole source of income. his sister needs eye surgery and he believes it's his responsibility as an older brother not only to pay for it, but to act as her primary emotional support to get the surgery and throughout her recovery process. haga throws yugi's exodia into the ocean and jounouchi blames himself for not stopping it. jounouchi gets mind-controlled by malik and blames himself for causing his friends anguish from it. mai literally gets jounounchi’s soul stolen and he apologizes to her for messing up and making her sad. it's habitual, jounouchi doesn't know how to stop taking on the burdens of other people.
if you live with the mentality that you’re inevitably going to fail for long enough, you’ll come away with the belief that caring about your own wellbeing isn’t worth the effort. it depends on how pessimistic you want to read it, if it’s just his love language or jounouchi compensating for the damning act of being himself, but jounouchi quantifies his worth by how much he provides for other people. he’s always jumping in the line of fire for the sake of others because if you constantly undervalue your own wellbeing, you always have less to lose. as the underdog, he may not be as overtly powerful as kaiba or yugi, but he can still give himself away, and he’s convinced himself that it’s what he’s supposed to do. jounouchi is still new to this whole friendship thing. after a lifetime of supporting himself by himself, he doesn't know when he's allowed to ask for help yet—he’s supposed to be the help, dammit.
a key distinction between jounouchi and kaiba’s upbringings is that while kaiba’s biological parents died in an accident, jounouchi’s parents are still alive and they choose not to be responsible for him. jounouchi is conditioned to fend for himself by himself because having a parental figure actually present in his life isn’t a luxury he gets to have. to jounouchi, there has to be a reason why his mother only takes shizuka and never goes back for him in the six years he’s left with his father, and he rationalizes this with his notions of masculinity: he’s a strong man who can handle it. jounouchi is not delicate, he can endure it. men are responsible for their own circumstances. kaiba is hyperindependent out of a mixture of spite, paranoia, and self-defense. jounouchi is hyperindependent because he believes he deserves it. it’s the reason why he believes he’ll finally have a good relationship with his father if he just wins enough money to pay off his gambling debts—jounouchi can fix everything if only he were man enough to, and he can get people to stay if he demonstrates himself useful enough.
so death doesn’t carry nearly as much weight to jounouchi as it does to kaiba. in kaiba’s eyes, death is the punishment for failure, but to jounouchi, death is just the natural consequence for the kind of life he leads. he can't stop himself from fighting for the people he loves until he’s spent everything and forced to stop (read: dies), so during the several times jounouchi is confronted with his own death, he meets it with a solemn acceptance. like, yeah, it sucks, but he doesn’t regret the actions he took to end up here—he’d do it all over again, frankly. it’s better to die than not give everything he can, and at least he was able to give his life in service to someone else. it’s not necessarily good to die, but it doesn’t matter as much if he does.
so where kaiba is afraid of losing, jounouchi is afraid of outliving his usefulness (and being abandoned as a result), and kaiba disrupts jounouchi’s worldview specifically because he puts his ideology on the defensive. to jounouchi, kaiba’s presence never demands a question of “what can you do for me?” (nothing, kaiba doesn’t want jounouchi to do anything for him, and frankly, he’d be insulted if jounouchi even tried) but “what makes you worthy of standing on the same level as me?”, and jounouchi can’t sacrificial lamb get set on fire die a billion times into getting kaiba into seeing it his way (rather, that would only prove him right: kaiba would love nothing more than for jounouchi to lose the ability to fight and finally align with his preconceived notions of how the world works), and he can’t argue that his value is in how much he provides for others because that’s a non-answer. kaiba doesn’t care.
kaiba’s presence forces jounouchi into a position of self-reflection: jounouchi works so hard to preserve the friendships he’s created, but who is he—what does he value about himself in the absence of it? jounouchi needs to acknowledge something inherently valuable about himself if he wants to counter kaiba in any meaningful way, and it’s not like he doesn’t have valuable qualities either: he’s tenacious, he’s resourceful, he’s a quick learner—it takes intelligence to rank as high as he does in tournaments, but he undervalues all of it. these traits are all to be expected, they don’t actually count as extraordinary when it’s him. they’re only remarkable when they’re being applied to something greater. jounouchi believes he has the potential to become strong (and valuable by extension), only with the stipulation that he’s never actually there yet. he focuses too much on his inadequacies, constantly pontificating on how he needs to become a “true duelist”, but by the way he speaks about the title, the only way to be a true duelist is be named yugi muto, i guess.
so it’s very jounouchi-esque for him to miss this point with near deliberate precision and try to make himself useful to kaiba anyway. while kaiba is bent on seeing jounouchi fail to prove that his cynicism is superior to jounouchi’s altruism, the inverse is that jounouchi sees his old self in kaiba and he’s dying to teach kaiba a lesson. during battle for bronze, jounouchi states that they used to be the same, people who only relied on themselves and thought they’d be fine living like that. the argument jounouchi makes is that living that way is fucking miserable. he calls kaiba out: you’re supposed to be having fun. why are you playing duel monsters if you’re not having fun? he’s trying to show kaiba that he can be useful and teach kaiba things if kaiba would just let him, but for reasons mentioned in both of their sections, kaiba isn’t interested in being taught anything.
while less malicious in display, it's important to note that jounouchi’s method of trying to teach kaiba doesn't make him the better person here. jounouchi isn’t coming from a place of understanding when he lectures kaiba, he’s coming from a place of misdirected self-flagellation. and from kaiba's perspective, jounouchi is just dispensing unwarranted advice for the sake of his own ego. the most egregious example is when jounouchi picks a fight with kaiba in duelist kingdom, demanding they duel when kaiba is clearly not in the mood, busy with more pressing matters like, i don’t know, trying to rescue his abducted brother? so, okay, maybe a little bit inconsiderate on jounouchi’s part.
they're two ideological extremes: kaiba lashes out at the world while jounouchi gives himself to it, and jounouchi will keep barging in on kaiba with his life lessons because it’s the only way he wants to engage with kaiba’s arguments otherwise. jounouchi interprets kaiba’s rejection of his ideals as the equivalent of the stubbornness jounouchi had before befriending yugi, and he uses it as a reason to keep pushing, not understanding that while he may have found the most honorable path for himself, you can imagine how constantly burning yourself for others isn’t very…appealing. or sustainable. and that maybe it’s something you need to work on, actually.
conclusion: how i WIN
what’s fun about jounouchi and kaiba is how wrong they are. they genuinely can't live the way the other demands them to, their respective environments won’t allow it. if jounouchi chased victory with the same cutthroat relentlessness as kaiba, he probably never would have left his gang. or, at least, he’d lose the selfless devotion and consideration he has for others, traits that helped him build his support system, and he never would have found the friendships he values in his life—his willingness to change and start again was how he was able to befriend yugi to begin with. (and if you wanted to get really extreme with hypotheticals, his self-destructive tendencies could have grown so severe in the absence of a support system that he probably would wind up getting himself killed somewhere. lol.) inversely, if kaiba granted himself the freedom to worry less about the outcome as long as he enjoyed himself, he’d put mokuba’s safety at constant risk. kaiba’s guarded nature isn’t without reason, there are powerful corporate executives who would love to see him fail, and there are very real consequences if kaiba slips up for even a second and gives his opposition any leeway. the way they live works for them because it’s theirs. it’s not so much that either of their lifestyles are in dire need of correction, but that the other represents the possibility that they could be living better.
and this is fantastic because it means that, despite what they think, neither of them are in the “wrong” and must learn to change their idiot ways or that the solution is to strong-arm each other into some kind of compromise. it’s a battle of perceived weakness. they need to, naturally and individually, accept that the traits they’ve always deemed immature and beneath them can be just as vital for survival, even when it’s not necessarily their own.
jounouchi and kaiba are essentially the most extreme example of two people who want what’s best for each other (gone wrong!) and puppyshipping is appealing because them getting together requires that they stop punishing themselves for who they used to be. they expect too much out of themselves and then inflict those demands onto each other, but if they’re not wrong for the ways they’ve overcome the circumstances they were left in, then it’s equally true that the ideals they abandoned to survive weren’t inherently naïve just because they weren’t given the space to utilize them. sometimes life will push you to your limits in the hope that you fail, and there’s no deeper meaning to it. it’s not life’s way of teaching you a necessary lesson to make you stronger or a test to see if you deserve to live, or that it’s your fault when it breaks you. sometimes there’s no great meaning to suffering. things happen, and you will adjust to it in order to live. when kaiba and jounouchi believe they know each other as much as they know themselves, pairing them is the hope that they’ll respect themselves enough to respect each other, that they’ll one day be able to embrace the parts of themselves they’re the most ashamed of.
(or, you know, for the alternative crowd, they most definitely can make each other worse.)
for two men who claim to be so self-assured in their own lifestyles, jounouchi and kaiba are fascinating because there’s so many layers of denial at play: the denial that they see anything in each other, denial that there may be aspects of the other that they’ve come to envy, denial that they even care, and it's so tempting to imagine if all of it was forced open. jounouchi and kaiba choose to maintain this delicate equilibrium where they never actually confront anything because the idea of admitting vulnerability viscerally disgusts them, and it begs what would happen if the balance irrevocably tipped for once. watching them is like watching a pencil teetering on the edge of a desk, always this close to some kind of breakthrough. i won’t even lie to you puppyshipping pisses me off half the time because i just want to shake them around until something metaphorically breaks.
kaiba and jounouchi never let each other become complacent in their pasts: whenever their personal tragedies and childhoods are brought up in the context of one another, it’s never because they are being vindicated for continuing to dwell in them, but because they are being contested on how much the mindsets they’ve carried over from their pasts should be allowed to determine their futures.
returning to canon, kaijou operates through the language of competition. jounouchi tries to prove himself as a competitor so remarkable that kaiba can no longer deny him, while kaiba already knows he’s remarkable, and that is precisely why acknowledging it pisses him off so much. so they’ll play their game: jounouchi will provoke kaiba into fighting him because he enjoys going up against challenging opponents in the hopes of becoming stronger, whereas kaiba keeps trying to set up situations where jounouchi will lose to the point of letting him die because he wants so badly to believe that losing does equal death and jounouchi’s existence is the most inconvenient counterargument of all. and obviously, jounouchi keeps not dying. and it's endlessly infuriating—almost slapstick at this point, that much to kaiba's frustration, no matter what he does, he can never make jounouchi submit for very long.
jounouchi and kaiba spur each other on to a ridiculous extent: kaiba enjoys pushing jounouchi past the breaking point, whereas jounouchi enjoys getting pushed to his limits to test his own capabilities. whether that’s necessarily a good thing though is…well…hmm. anyways. 
their dynamic is the type of messiness only two prideful high schoolers can get up to. maybe it’s just kaiba's repression and jounouchi's recklessness, but there is a fascination with each other that they’re incapable of leaving alone. there’s intimacy in knowing someone so well and fearing that fact, but kaiba and jounouchi never respond to this fear by avoiding it—they’re engaging with it time and time again. they infuriate each other with a passion that never sits still. kaiba and jounouchi seek a validation from their counterpart while simultaneously denying each other from it, and it’s mean, but invigoratingly so.
at some point, it’s not even about wanting validation anymore, but point-blank wanting its keeper by any capacity: wanting a visible reaction to their effort as proof of reciprocation, proof that says “i’ve finally affected you just as much as you affect me.” because kaiba and jounouchi want to leave a mark on each other, they want their counterpart to fully understand how much they’ve affected them, and they want to witness that reaction themselves. it’s no longer this big, nebulous ideological debate with a reflection: the pull between them is made both physical and personal. so, like, not to go the trite route of arguing that two men who can’t stand each other were ~secretly attracted to each other this whole time~, but how else are you supposed to word this?
in some hypothetical universe where they do come together, even the ways they love manage to compliment each other in its own clumsy way. seto kaiba never does anything in moderation: if he hates something he will destroy it, if he loves something he will possess it, and if he is obsessed with something, he will single-mindedly pursue it at the expense of everything else. his repression manifests itself in a passion so pressurized it’s all-consuming against everything it comes to contact with. inversely, katsuya jounouchi loves freely and transparently: showing affection comes as naturally as breathing to him. he embodies the belief that love is not only about the grand gestures, but the day-to-day acts of warmth and casual acknowledgments that it's there. a man who wants to be wanted by someone so badly it aches paired with someone who makes no reservations as to what he's committed to, capable of a love so overwhelmingly insatiable that it is neither fickle nor delicate, and a man who finds the act of trusting others with his affection so unthinkably humiliating that he’s convinced himself it’s something beneath him paired with someone who makes it look infuriatingly easy. they are going to invent a new language to love each other with. i believe in them. i would not write two separate essays titled “here’s how puppyshipping can still win” if i did not believe in them. 
ultimately, it feels cheap to build kaiba and jounouchi’s relationship off what life lessons they could "teach" each other reformation-style when they already have a legitimate dynamic in play. they can be good for each other, or they can tear into each other in ways they’d never expect to be capable of. there’s something exhilarating in knowing there’s someone who has that kind of power and wanting to keep them within your reach, a buzzing excitement in knowing someone who can not only withstand you at your worst, but fight back at you with twice as much vigor. sure, there’s potential for growth here, but that’s because there’s potential for literally anything.
kaiba and jounouchi inspire reinvention and self-determination from each other at the best of times and enable each other’s most self-destructive tendencies at their worst. so i think. puppyshipping is the most fun. when you ship them the same way you leave a fork in the microwave to watch it explode. the end.
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TL;DR: me x the guy who keeps breaking my worldview and forces me to reevaluate myself every time i see him which i hate so much that i just want him to DIE
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