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#which would just be good planning if it led to good poetry!!! but half the time. bad.
hexjulia · 1 month
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ugh reading a book of poetry based on really liking a single poem and then the rest is just sort of mid navelgazing with extra space is really depressing for some reason
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rohirric-hunter · 2 months
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Oh yeah and this is Indarant's appearance, which I was gonna change, but I think I kind of like it, actually.
Single shot closeup from not her good side because the devs never did fix The Ear and of course all these non-symmetrical hairstyles show off that side. But it's the one that's half pulled up into a bun.
This is like, casual wear. I'm still working on her armor sets.
A while ago I said I would make a post saying why I considered making her a Loremaster and then decided against it: in the Eavespires, where the player probably first encounters Gauredain, Remmenylf says this: "The Gauredain believe in nature and its abilities and powers, though they do not understand whence these powers derive. While we use the virtues instilled therein by the Valar for good and healing, they use it for more nefarious purposes."
Based on this I feel like a Loremaster would be the obvious choice for a Gauredan, especially a seer as Indarant was training to be before she was banished. It seems to be what the game is evoking with the signature Gauredain that can often be found in camps accompanied by wolves.
But I think Indarant distances herself from it after leaving. It scares her, more because it nearly killed Lothrandir and led her down a path she's realizing she really doesn't want to go down than because she doesn't understand it. She does understand it. But she doesn't really want to mess around with it, especially given the many years of training she had in how to misuse it. She fears becoming something that nearly destroyed her. So instead I made her a Brawler. IDK if they use magic at all or to what degree, as I haven't played much yet, but the plan is to downplay that and lean purely into the physical aspect of it. No magic, no nature, no sorcery or herblore: her philosophy is Big, Buff, & Angry. Also she's learning to read and she's super excited about that, has a particular interest in historical poetry.
Maybe I'll work this conflict into her story at some point -- it could be fun to have her accepting some part of the Loremaster again, since it's not an inherently bad thing -- it's just that the Gauredain misuse it. I let my LotRO OCs multiclass a little bit (it started out as a joke with Leonys but has gone to some pretty interesting places with other characters) so maybe eventually she'll multiclass a little bit back into Loremaster. Could be fun!
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redsoapbox · 2 years
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Thrilled to Announce That The Pearlfishers Are Supporting Have Yourself a Merry Indie Christmas
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David Scott
When curating V4Velindre, I couldn't have imagined that a number of my all-time favourite artists would end up contributing to the album. I still haven't quite got over the shock of having The Wedding Present, Nightingales, Tot Taylor and BOB featuring on an album that I had actually compiled. As soon as I had conceived of the idea for Have Yourself a Merry Indie Christmas, The Pearlfishers became my number one target. Back in 2014, I blogged a feature on my top 5 Christmas albums. This is what I had to say about The Pearlfishers' A Sunflower at Christmas:
'The Pearlfishers have been making rather wonderful Bacharach/Beach Boys-influenced pop music for over 20 years without anyone paying too much attention to their worthwhile efforts. Their somewhat unheralded mini-album from 2004 should put you in a feel-good mood for the festive period ahead. Lead-singer David Scott penned a half dozen of the seven songs on the album and he generally makes a good fist of capturing the spirit of Christmas, albeit filtered through a modern take on the festive season. The opening track, “Snowboardin”, suggests taking up this winter pastime as a whimsical cure for the stresses and strains of Christmas shopping, while “Winter Roads” and “Blue December” are both well-crafted love songs, reminiscent of mid-period Prefab Sprout, which benefit from a Christmas setting. Perhaps the best track on the album, though, is “The Snow Lamb”. Scott is aiming a lot higher here, endeavouring to write a Christmas classic, no less. It’s a beautiful song, with more than a touch of poetry about its enchanting lyric – 
“A sailing boat of leaves and hay / A silver coat of moonlight rays / A jewelled string from drops of dew / A star to light the path for you”.
The album may be a tad lightweight for some, but the Glaswegians have turned in a memorable collection that’s guaranteed to put a spring in your step as you trudge through the snow to do your last-minute Christmas shopping’.
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I want to say a massive thank you to David for taking the time to make this happen. A thank you to Marina records as well. The one difficulty that I had left was to choose a song from the album. “Winter Roads”, above, is one of David’s favourite tracks, but it’s not the one I ended up choosing (but it was very definitely on the shortlist!).
And just so this isn’t all about my personal opinion, here is the introduction to Stewart Mason’s All Music bio of the band - ‘An ever-shifting Scottish group led by singer/songwriter David Scott, the only constant member, The Pearlfishers are a glorious soft pop band mixing acoustic-based music with subtle orchestral flourishes, rather like a Glasgow-based Prefab Sprout with a major Brian Wilson fixation. Since forming in 1989 The Pearlfishers have refined and broadened their sound while maintaining a steadily growing cult following’.
Also contributing are The Photocopies. The Photocopies self-identify as "unapologetically old-school indie pop in a mid-80s-to-early-90s vein, made without secret plans to fill stadiums (ugh). Think lo-fi c86, twee, postpunk janglepop etc". It's no surprise then that they have just released Pop Trivia, a whopping 45-track retrospective on South Africa's super-cool Subjangle label.
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Sean Turner, a Londoner based in Michigan, was kind enough to offer up a few Christmas songs, old and new, for our album. In the end, I plumped for "Under Christmas Lights", released in December last year, mainly because its forlorn lyric appeals to a hopeless romantic like me. How can you take issue with an opening verse like this:
'I'm such a loser, sat in the boozer 'Cause you've been gone now all this time Here I remember the day in December Last year when you said you'd be mine'. The band has a busy period ahead intending to release Sweet Sixteen (16-track compilation vinyl LP), Hopelessly Devoted (all-new 7-track mini-album on cassette), Wrong Century (28-track compilation CD) - “Christmas Alone” / “I Know You’re Gonna Ruin This Christmas” (digital single).
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 https://thephotocopies.bandcamp.com/music
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jackoshadows · 3 years
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 “You,” Ned said, kissing her lightly on the brow, “will marry a king and rule his castle, and your sons will be Knights and princes and lords and, yes, perhaps even a High Septon.” - Eddard, A Game of Thrones
My featherbed is deep and soft, and there I’ll lay you down, I’ll dress you all in yellow silk, and on your head a crown - Arya, A Storm of Swords
“Aegon has been shaped for rule since before he could walk. He has been trained in arms, as befits a knight to be, but that was not the end of his education. He reads and writes, he speaks several tongues, he has studied history and law and poetry. A septa has instructed him in the mysteries of the Faith since he was old enough to understand them. He has lived with fisherfolk, worked with his hands, swum in rivers and mended nets and learned to wash his own clothes at need. He can fish and cook and bind up a wound, he knows what it is like to be hungry, to be hunted, to be afraid. Tommen has been taught that kingship is his right. Aegon knows that kingship is his duty, that a king must put his people first, and live and rule for them.” - Kevan, A Dance with Dragons
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So this is an essay of sorts on my speculation/theory that Arya is going to end up as a leader of the North by the end of the series. I will split this into several parts:
Arya and leadership
Arya and Northern leadership
Arya and Nymeria
Skillsets
Importance of being a Warg/Skinchanger
Succession
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Arya Stark and leadership
“Know the men who follow you,” she heard him tell Robb once, “and let them know you. Don’t ask your men to die for a stranger.“  - Arya, AGoT
Arya has always been a leader rather than a follower. Just like Jon at the wall, she initially chafes at having to follow orders instead of doing what she thinks is the right thing to do. Despite Gendry and Hot Pie being older than her, she’s the one giving the orders and making the plans. She manipulates or forces characters into doing what she wants – getting Gendry to leave Harrenhal and forcing Jaqen to help her free the Northmen.
Arya took the lead, kicking her stolen horse to a brisk heedless trot until the trees close in around her. Hot Pie and Gendry followed as best they could. From time to time Arya glanced over her shoulder, to make sure the two boys had not fallen too far behind, and to see if they were being pursued - Arya, ASoS
Like most of our protagonists, Arya is ambitious and interested in being an active participant at the top. She wanted to become a King’s councilor and build castles. That entire little speech that Varys gives about the ideal candidate for ruling fits Arya to a T.
Arya has gone hungry, scrubbed and cleaned, cooked and kept house, sewed and mended clothes, bound up wounds, been hunted, been scared for her life – and done all this with limited protection. Just survived on her wits. Arya can wield a sword, is fluent in several languages and has studied with a Septa.
We also see war torn Westeros and the suffering of the smallfolk through Arya’s eyes in ACoK and ASoS. It doesn’t matter if it’s Stark or Lannister, the smallfolk suffer the same – Septon Meribald’s ‘Broken Men’ speech in AFfC embodies what Arya observes. After Arya frees the Northmen using weasel soup and Vargo Hoat betrays the Lannisters, there are reprisal killings, torture and rape enacted by Stark bannermen and the sellswords. The smith, Maester and the head maid are executed for merely serving Tywin – something on which they had no choice. Gendry points this out to Arya and she feels guilty for her part in all this.
“I hate this lot worse. Ser Amory was fighting for his lord, but the Mummers are sellswords and turncloaks. Half of them can’t even speak the Common Tongue. Septon Utt likes little boys, Qyburn does black magic, and your friend Biter eats people.”
The worst thing was, she couldn’t even say he was wrong. The Brave Companions did most of the foraging for Harrenhal, and Roose Bolton had given them the task of rooting out Lannisters. Vargo Hoat had divided them into four bands, to visit as many villages as possible. He led the largest group himself, and gave the others to his most trusted captains. She had heard Rorge laughing over Lord Vargo’s way of finding traitors. All he did was return to places he had visited before under Lord Tywin’s banner and seize those who had helped him. – Arya, ACoK
"It’s not a village, it’s only black stones and old bones. “Did the Lannisters kill the people who lived here?” Arya asked as she helped Anguy dry the horses.
“No.” He pointed. “Look at how thick the moss grows on the stones. No one’s moved them for a long time. And there’s a tree growing out of the wall there, see? This place was put to the torch a long time ago.”
“Who did it, then?” asked Gendry.
“Hoster Tully.” Notch was a stooped thin grey-haired man, born in these parts. “This was Lord Goodbrook’s village. When Riverrun declared for Robert, Goodbrook stayed loyal to the king, so Lord Tully came down on him with fire and sword. After the Trident, Goodbrook’s son made his peace with Robert and Lord Hoster, but that didn’t help the dead none.”
A silence fell."  - Arya, ASoS
"Wolves, she thought again. Like me. Was this her pack? How could they be Robb’s men? She wanted to hit them. She wanted to hurt them. She wanted to cry.” - Arya, ASoS
The smallfolk in the Riverlands are caught between the Starks, Tullys and Lannisters with no good choices. And on the ground level, Arya sees this, understands this and acknowledges this. Her actions benefited house Stark and no one else. She understands the cost of war.
Arya is also very keen on justice. In that she not only thinks that characters deserve justice, but she wants to actively participate and deliver justice. She considers the execution of Dareon from the NW as a just one.
Dareon had been a deserter from the Night's Watch; he had deserved to die. - Arya, AFfC
“Guilty!” Arya shouted with the rest. “Guilty, guilty, kill him, guilty!” …
Arya could only think of Mycah and all the stupid prayers she’d prayed for the Hound to die. If there were gods, why didn’t Lord Beric win? She knew the Hound was guilty… - Arya, ASoS
Her father beat her so often and so brutally that she was never truly free of pain or fear until she came to us.”
“Did you kill him?”
“She asked the gift for herself, not for her father.”
You should have killed him.“ - Arya, ADWD
Arya drew back from him. "He killed the slave?" That did not sound right. "He should have killed the masters!" – Arya, aDwD
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Arya and Northern leadership
I would sooner my men die fighting for the Ned’s little girl than alone and hungry in the snow, weeping tears that freeze upon their cheeks. - Hugo Wull
The North has famously never had a female leader in House Stark. So is it possible for valiant Ned’s precious little girl to become the first Lady Stark to lead the North?
In terms of personality, Arya resembles some of the other female leaders/members of Northern houses. She is bold and forward like Lyanna Mormont and Wylla Manderly. She has trained with the sword and learned how to use a bow and arrow. She proactively engineers her own escape like Alys Karstark. Characters like Ygritte and Alys remind Jon Snow of Arya.
Arya venerates Ned Stark. She follows his advice as much as Robb, Bran and Jon do. Even more so. She executes a NW brother for desertion. And that is important for the Starks.
I should kill them myself. Whenever her father had condemned a man to death, he did the deed himself with Ice, his greatsword. - Arya, ACoK
The blood of the First Men still flows in the veins of the Starks, and we hold to the belief that the man who passes the sentence should swing the sword. - Bran, AGoT
“The Starks do not use headsmen. Ned always said that the man who passes the sentence should swing the blade, though he never took any joy in the duty.” - Catelyn, ACoK
“Rickard Karstark, Lord of Karhold.” Robb lifted the heavy axe with both hands. “Here in sight of gods and men, I judge you guilty of murder and high treason. In mine own name I condemn you. With mine own hand I take your life. Would you speak a final word?” - Catelyn, ASoS
The pale morning sunlight ran up and down his blade as Jon clasped the hilt of the bastard sword with both hands and raised it high. “If you have any last words, now is the time to speak them,” he said, expecting one last curse. - Jon, ADwD
Arya is one of the Starkiest Starks of the whole lot. She is also the only Stark to actually have the Stark look. She is stubborn and determined to do things the Stark way. She often uses her father’s advice to guide her way.
Her father used to say that a lord needed to eat with his men, if he hoped to keep them. “Know the men who follow you,” she heard him tell Robb once, “and let them know you. Don’t ask your men to die for a stranger.“ - Arya, aGoT
Arya had loved nothing better than to sit at her father’s table and listen to them talk. She had loved listening to the men on the benches too; to freeriders tough as leather, courtly knights and bold young squires, grizzled old men-at-arms.- Arya, AGoT
Whenever her father had condemned a man to death, he did the deed himself with Ice, his greatsword. “If you would take a man’s life, you owe it to him go look him in the face and hear his last words,” she’d heard him tell Robb and Jon once. - Arya, ACoK
Now there are theories that it is future Bran who was communicating with Arya through the weirwood at Harrenhal, but she does gain strength from her father’s words when she prays to the Old Gods.
Gooseprickles rose on Arya’s skin, and for an instant she felt dizzy. Then, so faintly, it seemed as if she heard her father’s voice. “When the snows fall and the white winds blow, the lone wolf dies, but the pack survives,” he said. “But there is no pack,” she whispered to the weirwood. Bran and Rickon were dead, the Lannisters had Sansa, Jon had gone to the Wall. “I’m not even me now, I’m Nan.” “You are Arya of Winterfell, daughter of the north. You told me you could be strong. You have the wolf blood in you.” - Arya, ACoK
And while Arya is travelling incognito, GRRM keeps her connected to the North, house Stark and the Northern plot. She starts her journey from KL with a NW brother Yoren. She’s disguised as a boy like Danny Flint, Manderly requests a song about brave Danny Flint at Ramsay’s wedding with ‘Arya’. In the Riverlands, Arya’s plot intersects with her father’s bannermen, she participates in the capture of Harrenhal for house Stark and is there for Roose Bolton’s war council. She meets both Roose Bolton and Aenys Frey – our antagonists in Winterfell facing off against Stannis in ADwD. She meets Robett Glover – who is currently in White Harbor - when she lets him out of the dungeons. She gets Jaqen to help her father’s men.
“Vargo Hoat’s come back with prisoners. I saw their badges. There’s a Glover, from Deepwood Motte, he’s my father’s man. The rest too, mostly.” All of a sudden, Arya knew why her feet had brought her here. “You have to help me get them out.” – Arya, ACoK
Arya looked. She knew all of her father’s men. The three in the grey cloaks were strangers. Arya, AGoT
Twin towers. Sunburst. Bloody man. Battle-axe. The battle-axe is for Cerwyn, and the white sun on black is Karstark. They’re northmen. My father’s men, and Robb’s. - Arya, ACoK
Harwin?” Arya whispered. It was! Under the beard and the tangled hair was the face of Hullen’s son, who used to lead her pony around the yard, ride at quintain with Jon and Robb, and drink too much on feast days. He was thinner, harder somehow, and at Winterfell he had never worn a beard, but it was him—her father’s man. Arya, ASoS
“I bet there are Winterfell men too.” Her father’s men, the Young Wolf’s men, the direwolves of Stark. - Arya, ASoS
Arya is also involved in betrothals/marriage – first to Elmar Frey and then married off to Ramsay Bolton to hold the North. As a side note, her connection to all these bastards is indeed interesting - Elmar Frey, Ramsay Bolton, Gendry and Jon Snow. Is GRRM trying to say something here?
We now have the Northerners and Freys that Arya sees in Harrenhal transposed to Winterfell and ‘her father’s men’ rising up for Arya Stark.
Now, we can speculate and assume that these Northerners would have done the same for the other Starks, but that’s not the point here. In the books, GRRM has written this story to revolve around Arya. The mountain clans are marching for ARYA. The Northern houses are fighting alongside Stannis for ARYA. When lady Barbrey Dustin points out the anger of the Northmen at the treatment of ‘Valiant Ned's precious little girl’ she is talking about ARYA.
GRRM has Stannis wanting to rescue Arya for Jon. He has Mance trying to rescue Arya for Jon. He has Jon breaking his vows and dying trying to rescue Arya. A large part of what drives this plot forward is that it’s Arya, and her special relationship with Jon Snow influences a lot of what is happening south of the wall. The story only happens this way with Arya in the North. And that’s why it’s Arya’s story and not that of any other Stark. Superimposing this or that Stark in place of Arya to make a case for why they would be leader of the North makes no sense. GRRM writing in the marriage of Arya Stark to hold the North makes the case for why Arya is important to the North.
So, Arya has actively helped free Northmen in the Riverlands, engaged with important Northerners and Freys at Harrenhal and drives the plot to take down the Boltons in the North. With her leadership skills, her ability to wield a weapon and fight, looking like Ned, following in Ned’s footsteps and advice, her fierce personality, her loyalty to bannermen, her desire for justice and to help the weak and powerless, her huge direwolf - she would be like the Kings in the North of yore.  I think the Northerners will be fine with Arya Stark being the Stark in charge.
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Arya and Nymeria
“What if the wolves come?” “Yield,” Arya suggested - Arya, ACoK
The direwolves are an important part of the books, and an important aspect of the Starks.They are as much a part of the Starks as Dany’s dragons are a part of her. They cannot be ignored as unimportant pets who will end up serving no purpose.
“He is part of you, Robb. To fear him is to fear you.”  - Catelyn, ASoS
Ghost did not count. Ghost was closer than a friend. Ghost was part of him - Jon, ADWD
“Part of you is Summer, and part of Summer is you. You know that, Bran.” - Bran, ACoK
“Wolves and women wed for life,” Haggon often said. “You take one, that’s a marriage. The wolf is part of you from that day on, and you’re part of him. Both of you will change.” - Varamyr, ADWD
You have five trueborn children,” Jon said. “Three sons, two daughters. The direwolf is the sigil of your House. Your children were meant to have these pups, my lord…The direwolf graces the banners of House Stark,” Jon pointed out. -  Bran, AGoT
“Roose Bolton has Lord Eddard’s daughter. To thwart him White Harbor must have Ned’s son … and the direwolf. The wolf will prove the boy is who we say he is, should the Dreadfort attempt to deny him.“ - Davos, ADWD
GRRM has mentioned several times that they are important.
The Lannisters are always likening themselves to lions, for example, and their motto “Hear me roar” speaks of a certain way of looking at life. But I think for the Starks it goes a little bit beyond that, especially in this generation, with these direwolves. It’s more than just a handy metaphor with them - GRRM, interview
"Wolves have been part of European folklore, of which America's descended, going back thousands of years. In Rome, Romulus and Remus -- there's always been this relationship between wolves and men." That relationship is seen time and again in Martin's series, and it's one that will Martin says will continue as the last two books are eventually released. Arya's wolf, Nymeria, in particular, will play an important role. "You know, I don't like to give things away." says Martin, a grin spreading across his face. "But you don't hang a giant wolf pack on the wall unless you intend to use it." - GRRM interview
The direwolves are important especially for Arya whose theme is ‘The lone wolf dies but the pack survives’ and there are constant mentions of the pack in her POV chapters. Nymeria is an alpha, a leader of her pack like Arya is a leader of hers.
“She says there’s this great pack, hundreds of them, mankillers. The one that leads them is a she-wolf, a bitch from the seventh hell.” - Arya, ACoK
Throughout ACoK and ASoS, Arya mentions the wolves in the Riverlands. They appear to be just ahead of her or behind her. In her chapters there are mentions of wolves eating people, of Roose going wolf hunting. It’s almost like the wolves are traveling with her. They even help her escape – the wolf howl giving the signal – from harrenhal. And it’s possible the pack was picking off Roose Bolton’s riders chasing Arya because they were following right behind.
She could hear the sound of her own breath, and the wolves as well, a great pack of them now. They are closer than the one I heard in the godswood, she thought. They are calling to me. - Arya, ACoK
Once, from the crest of a ridge, she spied dark shapes crossing a stream in the valley behind them, and for half a heartbeat she feared that Roose Bolton’s riders were on them, but when she looked again she realized they were only a pack of wolves. She cupped her hands around her mouth and howled down at them, “Ahooooooooo, ahooooooooo.” When the largest of the wolves lifted its head and howled back, the sound made Arya shiver.   - Arya ASoS
Nymeria keeps amassing this huge wolf pack and Arya being a strong warg can sense this
She was no little girl in the dream; she was a wolf, huge and powerful, and when she emerged from beneath the trees in front of them and bared her teeth in a low rumbling growl, she could smell the rank stench of fear from horse and man alike. - Arya, ASoS
She dreamed of wolves most every night. A great pack of wolves, with her at the head. She was bigger than any of them, stronger, swifter, faster. And her brothers and sisters were with her, many and more of them, fierce and terrible and hers. - Arya, ASoS
In her wolf dreams she was swift and strong, running down her prey with her pack at her heels. - Cat of the Canals, AFfC
The wolf dreams also helps Arya connect to Bran, Jon and Rickon. We see Ghost able to sense the other direwolves and Bran trying to communicate with Jon.
Nymeria is a grey wolf and the stark sigil is a grey wolf on a white background.
 “The rain had washed the guard’s blood off her fingers, she wore a sword across her back, wolves were prowling through the dark like lean grey shadows, and Arya Stark was unafraid.” - Arya, ACoK
“Arya had her father’s eyes, the grey eyes of the Starks.” - Reek, ADwD
What’s in a name? I have already mentioned in another post, the symbolism of the names for the direwolves and them being an indication of the future for the Starks. Arya’s direwolf is named Nymeria – a Rhoynish warrior queen who led her people to safety. Something that Arya may well do in the future when the North is under attack from the Others.
More importantly, Nymeria in Dorne changed the customs and rules of house Martell to follow those of Rhoynar and allowed for female rulers. Nymeria herself was the first female leader and was followed by her daughter. Nymeria changed the norm for Dorne and we could see the same happening with Arya Stark in the North.
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Skills and Education
Look with your eyes, Syrio had said, listen with your ears.- Arya, ACoK
Education at Winterfell:
Arya was mainly taught by Septa Mordane and received the same education as Sansa. She would have been taught history and about the Faith by the Septa, she can read and write, and is good with sums. She’s better than Sansa at managing a household. She can ride a horse like a Northman and is an excellent swimmer. She knows some high Valyrian. Besides the Septa, Arya also hangs around Ned Stark when he is teaching the boys. Many of his words of wisdom that she remembers is from when he is teaching the boys. She mingles with her father’s men, the cooks, the stable boys etc.
Kings Landing:
Water Dancing style of swordfighting from Syrio Forel.
Harrenhal:
Being incognito allows Arya to move around like a mouse or the ghost of Harrenhal and observe and learn things. She is privy to Roose Bolton’s war council and listens to them discuss the Northern campaign against the Lannisters. We get the first inkling of the Red Wedding in these chapters between Roose and the Freys.
Arya observes the different people, analyzes their movements and figures out how to approach them.
The night she was caught, the Lannister men had been nameless strangers with faces as alike as their nasal helms, but she’d come to know them all. You had to know who was lazy and who was cruel, who was smart and who was stupid. You had to learn that even though the one they called Shitmouth had the foulest tongue she’d ever heard, he’d give you an extra piece of bread if you asked, while jolly old Chiswyck and soft-spoken Raff would just give you the back of their hand. - Arya, ACoK
And as lords and ladies never notice the little grey mice under their feet, Arya heard all sorts of secrets just by keeping her ears open as she went about her duties. Pretty Pia from the buttery was a slut who was working her way through every knight in the castle. The wife of the gaoler was with child, but the real father was either Ser Alyn Stackspear or a singer Lord Lefford made mock of ghosts at table, but always kept a candle burning by his bed. Ser Dunaver’s squire Jodge could not hold his water when he slept. The cooks despised Ser Harys Swyft and spit in all his food. Once she even overheard Maester Tothmure’s serving girl confiding to her brother about some message that said Joffrey was a bastard and not the rightful king at all. “Lord Tywin told him to burn the letter and never speak such filth again,” the girl whispered. - Arya, ACoK
She aids in the escape of the near hundred Northmen imprisoned in the dungeons and even Roose is impressed enough to make her his cupbearer. And the next time, she conceives of, plans and executes their entire escape all by herself. She plans for the logistics – weapons, transportation, people, travel route, what to wear.  She makes sure she is warmly dressed, takes the map from Roose’s chamber, uses her position of cupbearer to manipulate several men,  manipulates Gendry into escaping with her, takes down the guard and leads them away. It’s an endeavor that showcases her intelligence, cunning, determination, ability to strategize and lead.
Arya also shows a lot of restraint and keeps her secrets. She doesn’t trust the Glovers or any of the Northmen in Harrenhal - and considering the Red Wedding, it’s a good decision.
Their captors permitted no chatter. A broken lip taught Arya to hold her tongue. Others never learned at all. - Arya, ACoK
Arya watched them die and did nothing. What good did it do you to be brave? One of the women picked for questioning had tried to be brave, but she had died screaming like all the rest. There were no brave people on that march, only scared and hungry ones. - Arya, ACoK
On the road Arya had felt like a sheep, but Harrenhal turned her into a mouse. She was grey as a mouse in her scratchy wool shift, and like a mouse she kept to the crannies and crevices and dark holes of the castle, scurrying out of the way of the mighty.- Arya, ACoK
Braavos:
Arya’s education here is not limited to killing for the Faceless Men. She is also educated in poisons and languages. She improves on her high Valyrian and is now fluent in Braavosi and other Essosi languages. She learns acting/mummery. Not showing emotions on one’s face, detecting emotions in another person.
“A man does not need to be a wizard to know truth from falsehood, not if he has eyes. You need only learn to read a face. Look at the eyes. The mouth. The muscles here, at the corners of the jaw, and here, where the neck joins the shoulders.” He touched her lightly with two fingers. “Some liars blink. Some stare. Some look away. Some lick their lips. Many cover their mouths just before they tell a lie, as if to hide their deceit. Other signs may be more subtle, but they are always there. A false smile and a true one may look alike, but they are as different as dusk from dawn. Can you tell dusk from dawn?”
Arya nodded, though she was not certain that she could. “Then you can learn to see a lie… and once you do, no secret will be safe from you.”  - Arya, AFFC
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People skills
“I will remember, Your Grace," said Sansa, though she had always heard that love was a surer route to the people's loyalty than fear. If I am ever a queen, I'll make them love me.” - Sansa, ACoK
Arya’s ability to make friends wherever she goes highlights her people skills. And Arya is able to communicate and connect with people from all walks of life.
Sansa knew all about the sorts of people Arya liked to talk to: squires and grooms and serving girls, old men and naked children, rough-spoken freeriders of uncertain birth. Arya would make friends with anybody. - Sansa, AGoT
She had loved listening to the men on the benches too; to freeriders tough as leather, courtly knights and bold young squires, grizzled old men-at-arms. She used to throw snowballs at them and help them steal pies from the kitchen. Their wives gave her scones and she invented names for their babies and played monsters-and-maidens and hide-the-treasure and come-into-my-castle with their children., Arya, AGoT
Her father used to say that a lord needed to eat with his men, if he hoped to keep them. “Know the men who follow you,” she heard him tell Robb once, “and let them know you. Don’t ask your men to die for a stranger.“ - Arya, AGoT
Cat had made friends along the wharves; porters and mummers, ropemakers and sailmenders, taverners, Brewers and bakers and beggars and whores - Cat of the Canals, AFfC
Her girls were nice as well; Blushing Bethany and the Sailor’s Wife, one-eyed Yna who could tell your fortune from a drop of blood, pretty little Lanna, even Assadora, the Ibbenese woman with the mustache. They might not be beautiful, but they were kind to her - Cat of the Canals, AFfC
She’s also loyal to her pack. She doesn’t betray Jon even to her father. She helps free her father’s men. Despite Gendry talking of leaving Lommy or Weasel behind, she refuses. And despite the odds, she tries to help Gendry.
It didn’t matter. The only thing that mattered was that they had Gendry. Even if he was stubborn and stupid, she had to get him out. She wondered if they knew that the queen wanted him. - Arya, ACoK
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Importance of being a Warg/Skinchanger
She was the night wolf, no scraps of skin could frighten her. - Arya, ADwD
Since this is a fantasy series, magic is a big part of the story with a magical existential apocalyptic threat on the horizon. The North is the first bastion facing this threat. Jon and Dany both have magical pets and prophetic dreams. Bran is the 3ER. They are leaders or will become leaders by the end. Arya is a strong warg/skinchanger. Apart from Jon and Bran, she’s the only other Stark to use these abilities so far. As GRRM as indicated, having a direwolf is going to be useful in battle – we are going to be seeing direwolves involved in the battle for Winterfell for example. Arya is able to warg Nymeria from all the way over in Braavos. She skinchanges cats and sees through their eyes, when she is blind. She is deft with a sword, knife and decent with a bow and arrow (she could be better now using her FM senses). She would be an effective fighter to have against the Others and her warging skills could prove useful in battle.
------------------------------
Succession
I’m not a lady, Arya wanted to tell her, I’m a wolf. - Arya, ASoS
And finally we come to succession. This is the hardest part and entirely speculation and we need the next book to get an inkling of where GRRM is heading towards. I am also basing all of this on Hibberd more or less confirming that King Bran on the Iron Throne is GRRM’s ending.
So of the true born Starks, Arya is pretty much last in line. With the inclusion of Robb’s will, we have 5 Starks left. Bran is the rightful heir to the North. Taking him out of the running, leaves Jon, Rickon, Sansa and Arya. Assuming Jon ends up North of the wall – in his dreams the Old Kings in the North in the crypts reject him, maybe foreshadowing that he doesn’t belong in Winterfell - that leaves Rickon, Sansa and Arya.
As for Sansa, again there is a plot significant reason for why GRRM has put an obstacle in her path, allowing for Arya to jump the queue. Sansa is currently married to Tyrion Lannister, a marriage that cannot be easily annulled (With an enemy regime in KL) or ignored like the show did. Robb Stark has most likely disinherited/removed her from the line of succession and named a legitimized Jon Stark his heir and Lord of Winterfell. If he has the support of the Northern houses who want an experienced, older Stark to lead them, Jon Stark could well be the next KITN over Rickon Stark. I don’t think a 7 year old Rickon would object to Jon in charge. So that makes it Jon Stark, Rickon Stark and Arya Stark.
Does Rickon have to die for Arya to become Wardeness of the North? It’s possible Rickon dies, but it’s also possible he doesn’t.  It could be that Rickon does not want to lead the North – by the end of the book, he would be 8 or 9. Of course there’s the argument of a regent doing the job for Rickon until he’s ready. Or, he could just give way to his sister because he wants to. Something similar to Aemon refusing the throne and it passing to his younger brother Aegon.
Or we could have the traditional situation where Rickon becomes lord of Winterfell as next in line, while it’s Arya who is involved in running the day to day affairs. However, that would very much be status quo - with Rickon at WF and Bran down south in KL, it would be men ending up in positions of power everywhere once again, except maybe Dorne. If this happens, then Arya would be a leader of the North, but the Stark line would continue with the male line.  
It’s possible Jon Stark as King could change things for the North. Jon treats the spearwives the same as the brothers of the NW, he respects Val’s abilities, he trusts in Alys Karstark. If Rickon refuses the mantle, it could very well be that Jon Stark relinquishes his position to his favorite person ever, Arya Stark, to be the next Wardeness of the North.  Thus paving the way for Arya Stark to be the first female leader of the North like her hero Nymeria in Dorne.
It would be fitting for the character who introduced Jon Snow to equal rights for women.
“The Lannisters are proud,” Jon observed. “You’d think the royal sigil would be sufficient, but no. He makes his mother’s House equal in honor to the king’s.”
“The woman is important too!” Arya protested. - Arya, AGoT
Could King Jon reverse Sansa’s disinheritance after her marriage is annulled when KL is in friendly hands? Sure. But we don’t know how the Sansa/LF/Vale group will react to Jon as KITN and whether they will mount a challenge in Sansa’s name. And if Jon has to choose between Sansa and Arya as to whom he wants in charge of Winterfell, we know who it is he will think is more capable and will always choose.
I do think Winterfell succession will not be as clearcut as many Stark fans are hoping. Too many factions supporting the different Starks. GRRM loves to write about dysfunctional families and the Starks are not anything special in that regard. TWoW will tell us of whether there will be any kind of Stark civil war.
Is Arya too young for all this? I predict that by the time we get to the end of the books, about 5 years would have gone by. At 14, Arya would still need a regent – one of the many lords of the houses in the North. But I think considering her experiences, skillsets, a huge direwolf, Ned Stark’s wisdom and strong connections to the North, she will be an able leader. As GRRM said,
“[Arya is] older than some of the 40-year-olds in the book.” - GRRM
Either way, whether she gets Winterfell or not, Arya will end up as a leader in the North. Either she rules for Rickon and takes care of the day to day responsibilities or she does so in her own right as Lady of Winterfell/Wardeness of the North. She’s not going anywhere or sailing off on a boat. The show’s ending makes absolutely no sense for a character yearning for home in 5 books after going on the nightmare ‘adventure’ from hell. She will be in the North, in Winterfell, being a leader and continuing Ned Stark’s legacy.  She will counsel her brothers and build and her people will love her just like they loved her father.
So in conclusion, I think there is enough story, character build up, characterization and set up for Arya to go North and take over as a leader of house Stark to face the threat of the Others along with Bran, Jon, Dany and Tyrion.
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Not The Same (GeorgeNotFound)
summary : you put out a song, but it attracted the wrong type of crowd and caused too many misunderstandings.
trigger warnings : threats (including death and doxing), panic attacks, taking of meds. 
"you're THOSE type of fans, huh?" you read the comments on your newest song release.
and that was the start of your downfall.
-
you and your dad really enjoyed singing. at any opportunity you two got, you would be doing a duet.
whether that would be at at a close relative's wedding or your at home karaoke set up, you two knew how to entertain people.
though singing was your passion, you ended up being too busy with school and trying to graduate with a diploma to even think about singing again.
but you swore to make a career of your singing after high school. you just loved it too much.
but then, you didn't go to college for music, which pretty much shocked your parents and your friends since they knew your only passion in life was singing.
but you took a different direction. you still wanted to sing and you were trying your hardest to find a way to make that your career.
someday, anyway. but you needed to have a plan to fall back into in case anything goes wrong.
you were a realist, after all.
so off to college you went.
you spent long hours studying for tests after tests, sat through hours of lectures, did endless amounts of projects.
in the end, it was all worth the wait and fatigue. you graduated top of your class.
you went off to be an intern, clocked in more hours before you could fully go into the next phase of your life.
and after those long hours, you finally made the decision (with the support of your parents) to take a gap year.
but before anyone panics. your gap year was not all fun in games where you took to rest and lay in bed all day.
you took the gap year to see if the music industry fits you. to see if you even had the chance to succeed.
and if it did, you could finally have your dream job. but even if it didn't you were not going to be upset if you needed to fall back onto your backup plan.
in the duration of the gap year, you took voice lessons, and poetry classes for song writing.
and with whatever you have learnt, you took that into writing songs that you felt really relate to your life experiences.
so you spend at least a couple months writing multiple songs.
after almost 2 years, you finally came out with your first song. and it definitely got recognition. more than you thought you'd get, if you were being completely honest.
and that was what pushed you to sit your ass back on your desk to write more, and go into your makeshift studio and make the words into songs.
your parents were ecstatic to hear that you were finally doing the things you loved. and you knew you'd never get this far if it weren't for your family's support.
and so your music journey began.
it was going well for years. you were finally happy doing the one thing you enjoyed doing.
and you definitely think you were good at it. seeing and hearing the positive feedbacks from your family, friends and listeners. 
you felt good. 
but you lost that feeling when you came out with a new single, called ‘fan of you’. 
you spent a while working hard on that song and you felt relieved when it was finally released. it was like a weight was lifted off your shoulders. 
and you weren’t sure how one thing led to another, if you were being honest. at first, you received good feedback for your new songs. you even gained new listeners and your spotify rank rised. 
but then it didn’t anymore. 
your twitter flooded with mentions and your instagram full of tagged pictures and dms by accounts you’ve never heard of. 
but you noticed a similarity with all of the spam. a guy name george. georgenotfound for short.
you being you, you looked into it. and that was when all of the information hit you. and all you had to look up was your name on twitter, and there it was, the longest thread of tweets you have ever seen in your life. 
you took time to read it all, trying to make sure you didn’t miss anything crucial. 
there must be an understanding. you didn’t know this guy name george. you’ve seen his face on pinterest once a while when you scrolled, yes. but you never looked into him. 
this amazing person took their time to gather every bit of information there was about the scandal, which you were grateful for, or else you’d be scouring the internet for hours. 
to summarise what you read, there was this artist by the name of tia jade who came out with a song a few months prior to yours called ‘just a fan.’ 
it was a good song, some say, and you could agree. it was professionally written and produced. but many fans of george found out that the song was about him. 
not just about him, but about her falling in love with him, when she has never met him. and when his fans started to really listen and analyse the song, it got creepier. 
basically, the song was about a fan falling in love with a celebrity/content creator and that they want to know them beyond their persona online. 
but tia had apologised a little after the song came out, saying that she made that song based on a fan liking a content creator, and not about her falling for george. 
but when you read enough of the issue, it definitely did seem like she was making that song to tell her story about falling for george. but she obviously needed an excuse to cover it up. 
hence the apology. 
and then you read about how they analysed your song, too.
they compared your song to tia’s and found it to have similar stories. stories about how a normal girl is falling in love with the man by the name of george, who had millions of followers on all social medias. 
and if you admitted it to yourself, your song did seem to come out that way. especially if your mentality had been there. clearly your song could have been interpreted in many different ways. 
you scrolled to the very bottom of the thread where there was a video of the man himself, george. he was addressing the issue. 
“i don’t know how this happened twice. i thought once was weird enough, but.” he paused, focusing on building something on his screen. 
“having heard of a song being about me again now makes my skin crawl.” he finished. it was short but enough to make his fans understand where he was coming from. 
you scrolled further to see the replies of the thread. you wanted to know what were people saying about it. 
and you definitely regretted your decision to do that. 
threats everywhere. death threats, threats of beating you up, threats of doxing you. god the negative comments were drowned by the one’s that genuinely thought nothing wrong of your song. 
you called you mom. this was the time you needed her advice. you needed to be told what to do. you didn’t want to accidentally trigger people. 
you and her were on the phone for hours. she listened to you cried to her. she heard the painful sobs that came out of your mouth whenever you reminded yourself of what people were calling you on the internet. 
she heard you cry silently on call when you saw your address and phone number being leaked on twitter. 
but even through all of that, you joked around with your mom. “well, this was a hell of a way to be trending.” 
you did what she told you to do. get a new phone number, stay in a hotel for a couple days while you try to settle the raging crowd of georgenotfound fans down. 
in the span of a couple weeks, you got yourself a new number, a new house and a new car. you weren’t taking any chances. 
you told no one besides your mom of the new changes, just to be safe. 
and no, the threats did not cease. at all. these people did not have a life, constantly up in your dms, telling you to jump off a cliff or them hoping that a robber stabs you and leaves you dying. 
you took your time trying to figure out a way to talk to george. or a way to speak out about this. 
you didn’t want to write a half-assed notes app paragraph apologising when- first of all, you had nothing to apologise for and second, you had too much to say to fit it all in a notes app. 
lucky for you, you didn’t need to start your own channel or make a sit down video on your own. 
your recording label had brought up the idea of a documented series about you and how you became a singer about a year ago, and only started filming and posting the episodes a couple months prior on youtube. 
so you took the series to your advantage. you pitched in the idea to your manager, to which she agreed to immediately, knowing that it was best you talked about it now. 
this was how it played out on the perspective of viewers who watched that episode. 
“bless you.” your producer says after you paused your singing in the mic as you stopped to sneeze. 
you gave him a smile and a thumbs up from inside the booth. 
the camera cuts to another clip. 
the cameraman pans as they captured movers coming in and out of your old house, picking up your heavy furniture and boxes into large trucks to move into the new place.
 it cuts again. this time it shows you scrolling on your phone with a focused face while your manager types something vigorously on her computer. 
the camera tries to focus on your phone, and sees that you were on twitter, reading a lot of tweets under your name. 
you exited the app and slide it away, going into youtube next, reading the comments on your song ‘fan of you’. 
you scrolled far, clicking on some of the comments, trying to read the replies to certain comments you saw. 
the camera cuts into a black screen. which then cuts again into a new scene, where you sat on your new kitchen counter talking to your mother, who sat on the chair in front of you. 
your hair was up in a ponytail. a messy one. you were wearing sweatpants and a hoodie that seemed far too big on you, and your feet covered with fluffy socks.
you were nodding to whatever she was saying to you. it was clear your mind was elsewhere as your eyes were unfocused. 
the scene cuts again. 
you were seen on the couch, your legs were tucked into your arms and your head down, body shaking. it was obvious you were crying. 
you were alone, your mother no where to be seen. 
that was the first time the camera caught you crying. 
the scene cuts as you were going to get up from the couch. 
now, you were in the kitchen again, opening the refrigerator to take a water bottle, then walking to your room upstairs. 
the camera follows behind you slowly into your room. 
it hadn’t been the cleanest. there were a couple shirts on the floor, your bed undone, cups on your side table, your laptop open on your desk. 
you were seen opening a drawer, taking out a small white bottle. you unscrewed the bottle and took out 2 pills, popping them in your mouth, drinking water straight away after that to swallow. 
the scene cuts again. 
this time, you were seated on the couch in the studio, the atmosphere dark and quiet. 
your hair was more kept this time, being help up in a clip. 
you were wearing straight jeans and a slightly oversized sweatshirt. you looked more refreshed this time. but it was obvious you hadn’t slept in a while because of your eyes.
your eyes that usually held a lot of happiness and joy turned dull. 
“it’s been a while since i’ve spoken to a camera.” you offered a small smile. your song ‘just a fan’ was playing in the background of the clip. 
the scene cuts again. 
“when i released that song, i was genuinely proud of the work i had done.” you paused for a while. besides the song playing in the background, it was silent. 
“but i guess the joy didn’t last very long.” the scene cuts there. 
it transitioned to a collage of what people were saying about you. it showed clips of people talking about it on youtube. they even showed george talking about it. 
and it cuts again. 
it showed a different clip this time. a clip of your ex boyfriend and you at the beach on a picnic, that was taken by a close friend of yours. 
this was when you were still in college. 
it showed all the fun memories you two made while you were still together. 
it showed a video of him studying in the library, flipping through his papers and scrolling through his laptop. it was clear he was hard at work, not noticing you filming him. 
but then the scene cuts again. and the music turned somber. 
your ex boyfriend’s grave. 
it was the day you were visiting him. you sat down next to his stone, a blanket under you. 
you were just staring at his stone, not moving. 
and it cuts again. 
“he was one of the most driven person i have ever met.” you told the camera. 
“he knew when to be serious and when to have fun.” you looked down in your hands and played with your rings. 
“all he ever talked about was becoming a surgeon. he worked hard in his intern years and continued being passionate through his residency.” you spoke up. 
“people had only nice things to say about him. the only bad thing they would say about him is that he can be pretty uptight sometimes, especially when he was stressed about something.” you laughed a little. 
“i was a huge fan of him, even when we just saw each other in the hallways. he’s just amazing. i’ve always wanted to be just like him.”
“i wanted to write a song about him but i didn’t the song to be sad.” you said. 
“and that was when the song ‘fan of you’ was created. 
the scene cuts there and goes into another. 
you were in the recording booth again, this time, you were singing into the mic. 
the camera pans to your producer and manager dancing and bobbing their heads to the beat. 
the scene cuts, officially ending it with a black screen with ‘the end’ in a fancy white font. 
you busied yourself with writing new songs as your name got trended again on twitter. 
and george has never felt worse about himself ever in his entire life. 
-
he watched the episode as soon as dream sent it to him. 
“you’re an asshole, george.” dream sends to him, along with the link of the video on youtube. 
as the video ends, he decides to read the comments, wondering what it was like down there. 
it was the worse mistake he had ever made in a while. 
but he knew he deserved it. he did assumed it was about him, just like the last song made with a drawing of his glasses as their cover photo on spotify. 
this time, there was genuinely no reason to think that this song was about him, or anyone with a following whatsoever. he just believed what his chat told him. 
sure, there were some familiarity of the character in your song and him, but the world did have 7.6 billion people living on it. 
“so, here i am apologising.” george says to his camera, live. his tone was very sincere and apologetic. 
“this shouldn’t have gotten this far. they shouldn’t have gotten threats at all, let alone death threats. they shouldn’t have woken up to the world knowing where they live and what their phone number is.” 
“and if you’re watching. i sincerely apologise. i clearly was full of myself.” george finishes. ending the live with a small wave. 
and were you watching? hell yes. 
and that was the day the two of you followed each other on instagram. 
he used your songs as his intros of his live, (with your permission, of course.) you showed in your documentary that you were watching whenever he was live or watching his youtube videos. 
and that was the start to a beautiful relationship. 
you sat on the chair, going live. you waved as people started joining. it went from hundreds, to thousands in seconds. 
as you were talking and clicking on your keyboard and mouse, playing a game, you felt arms around your shoulders. 
you smiled, yet continued playing. 
“why are you live on my account?” he laughs. 
you disconnected the headphones so that he could hear what you were hearing. 
“george, you’re being replaced.” dream said on discord. 
george smiles, giving you a kiss on the top of your head. “that was well deserved.” 
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canary3d-obsessed · 3 years
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Restless Rewatch: The Untamed, Episode 26, part two
(Masterpost) (Other Canary Stuff)
Warning! Spoilers for All 50 Episodes!
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Content note: This episode has a lot of lightning, but this post does not have lightning flashes--I’m using mostly stills for those parts, or I’ve snipped out the unfriendly frames before giffing.
Qing-Jie
Having successfully ruined Jin Guangshan’s party plan to get the Yin Tiger seal, Wei Wuxian dashes off to tell Wen Qing where her brother is. She hops up to hit the road with him, but then sorta-faints because she’s starving. In a rare moment of tenderness between these two, he catches her and gently sits her down again. 
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Normally they’re busy out-toughing each other, both before and after this moment, but right now Wen Qing is openly vulnerable. Wei Wuxian responds to that, predictably, with all of his kindness and with his usual slew of unwise, impossible-to-keep promises.
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As she eats the bread he’s brought her--a parallel to an important piece of bread in his early life--he says they have to believe in Wen Ning’s survival. Cut to: Wen Ning, not surviving. 
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I mean, yes, yes, he’s only mostly dead, but he’s never going to be fully alive again, so.  
24 Hour Party People
Back at the party, Jin Guangyao, deliberately, I think, goes to offer his pops a drink while his pops is still super furious and looking for someone to take it out on. The servant lady is like, better you than me, pal, and helps JGY get his drink ready. Pops, predictably, knocks the drink onto Jin Guangyao.
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(more behind the cut)
Lan Xichen is standing by with a hanky and a face full of worry. Lan Xichen is so Lanny that he thinks JGY needs to go change clothes after getting clear alcohol spilled on him, rather than just letting it evaporate and smelling pleasantly of booze for the rest of the evening like a normal party guest. 
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JGY launches into a criticism of Wei Wuxian, which Lan Wangji listens to very carefully, frowning. Lan Xichen, Nie Huasang and Jiang Cheng listen as well, and don’t speak up. 
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A Clear Conscience
Then Lan Wangji *literally* steps out of his brother’s shadow, and speaks in defense of Wei Wuxian. This right here is Lan Wangji’s turning point, as far as I’m concerned. Xichen is gazing at JGY, totally on board with JGY’s spin of the situation, and his shadow falls away from Lan Wangji’s face as LWJ steps forward.
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Lan Wangji says, isn’t what WWX said true? JGY puts on his customer service smile and says that the truth isn’t something you’re supposed to go around saying out loud. 
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I’d like to say this is what’s wrong with cultivator society but this is really a universal human thing; every society has rules about upsetting the social order, and they are very frequently at odds with basic compassion and morality. 
Nie Huaisang and Jiang Cheng stay silent but Lan Xichen goes and throws Wei Wuxian under the bus carriage, saying his character has changed. 
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Lan Wangji nods decisively at this, and bows to Lan Xichen, silently asking permission to follow Wei Wuxian. Lan Xichen grants permission, telling Lan Wangji to do his best. Lan Xichen probably thinks he and Lan Wangji are in agreement, in this moment, but that nod of Lan Wangji’s was nothing of the kind.
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That nod was Lan Wangji agreeing with himself; he is going to try to bring Wei Wuxian back but he is also going to listen to him.  Meanwhile Lan Xichen is tying himself in knots to appease Jin Guangyao. The divergence between the brothers will just grow, from this point onwards.
Lan Wangji leaves to go follow his boyfriend conscience, while Jiang Cheng continues to silently listen to the commentary of others, and gets so mad he crushes a wine cup.
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It Was A Dark and Stormy Night.
Wen Qing and Wei Wuxian arrive at the prison camp, and the first person they encounter is Granny, with a defaced Wen Banner in her hand and Wen Yuan on her back. 
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Whenever I read a meta or a fic that talks about how the juniors are so sweet partly because they are “untouched by the war” I want to point to this moment. A-Yuan endures an absolute truckload of war trauma by the time he’s four years old, and while Wei Wuxian and Lan Wangji both deserve a lot of credit for saving him at great risk to themselves, Granny and Uncle Four are the first heroes of A-Yuan’s story. His kind, mellow personality has a lot in common with theirs. 
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This is followed by an eternity of Wen Qing running around asking if anyone’s seen her brother. Eventually Wei Wuxian gets tired of this and gathers the guards together, threatening them with Chenqing. 
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He doesn’t need to play it; just holding it up has every Jin dude instantly kneeling and scared. 
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The guards send him and Wen Qing go to a giant field of corpses, where Wen Qing runs around checking to see if any of them is her brother. Wei Wuxian starts off kind of detached and angry, but eventually snaps out of it, tucks away his flute and starts helping her to search. 
Wen Qing finds Wen Ning, mostly-dead with a lure flag speared into his belly. Wei Wuxian grimly takes in the situation from across the field of corpses. 
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When he arrives at Wen Qing’s side he sees this talisman in Wen Ning’s hand. 
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This is the talisman that Wei Wuxian made for Wen Ning back in Gusu summer school, before the war. It’s the one that Wen Ning was wearing at his waist when they met up after the massacre of Lotus Pier. It’s supposed to literally protect Wen Ning from having his spiritual consciousness snatched, as well as being a symbol of Wei Wuxian’s sense of responsibility for, and affection for, Wen Ning. 
Wei Wuxian, understandably, loses his shit at this point. Less understandably, he is about to decide that the best way to express his sorrow and rage is to re-animate the corpse of his friend, right in front of the corpse’s sister. Like, seriously, dude. Dude. 
Ghost General
This super-questionable decision leads to one of the most badass sequences in the show, which is unfortunately chock full of lightning flashes, so not everyone can watch it. Wei Wuxian and his flute and swirls of resentful energy come marching out of the darkness of the corpse field, back to the guards. 
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The guards have decided to slaughter all of the prisoners and then run away, which would be a good plan except they should really have skipped right to the running away part of things. When Wei Wuxian accuses them of killing the prisoner in the corpse field, they claim that the Wens have a habit of falling off of a hill and dying. Wei Wuxian can relate. 
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At this point Wei Wuxian summons up Wen Ning 2.0, ultra badass edition, who comes flying through the air with his odd, straight-armed fighting stance and cool solid-black eyes and rock-and-roll hair. 
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Soundtrack: *Four Sticks*
Wen Ning proceeds to whale on the guards and scare the shit out of his relatives.
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Then Wen Qing shows up and begs Wei Wuxian to stop. She explains that Wen Ning is only mostly dead. Like, if he was fully dead would she be okay with this? 
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Wei Wuxian tries to reel Wen Ning in and realizes that he is not actually in control of Wen Ning. Ok, see, right from the first day of Wen Ning 2.0, WWX is aware that his control is iffy. Why does he think he’s going to be able to control him later? 
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Anyway, this is where we learn Wen Ning’s grown-up name is Wen Qionglin. Wei Wuxian yells this name, and Wen Ning looks up like a cat hearing the “food noise,” and then proceeds to get control of himself. 
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This is such a nice symbolic moment, that will be replayed later in the temple, when Wen Ning saves Jin Ling from Baxia. 
Wen Ning has a remote-code-execution OS vulnerability throughout the story; his soul is at risk of being stolen, and he is magically controlled by Wei Wuxian, Xue Yang, Su She, and Baxia.  Meanwhile Wen Qing, Wei Wuxian, and random kids on the street mostly treat him as a child, despite his clear adult capabilities. Wen Ning’s journey in The Untamed is at least partly about asserting his full adulthood, and his ability to overcome magical control is directly connected to that journey.  
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After getting Wen Ning to chill, Wei Wuxian calls the floating resentful energy back into his own body, which looks about as comfortable as swallowing a burp. 
On the plus side, apparently resentful energy keeps your hair dry even when it’s raining.
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Wei Wuxian should take a page from the guards’ book and slaughter all the Jin witnesses to this situation, but he decides to be the better person and let them live. They go running off down the road, where they encounter Lan Wangji and give him the 411, saying that Wei Wuxian resurrected dead people.
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Meanwhile Wei Wuxian collects Wen Qing--half-fainted, again, in an echo of the start of their journey--and collects the Dafan Mountain Wen group, who are hiding, wisely. When they see Wen Ning, Uncle Four and some others start to freak out, but Wei Wuxian tells them that fierce corpses are cool, and they all grab horses and mount up.
Where Are You Going?
Lan Wangji is waiting for them, nonconfrontationally indulging in some visual poetry while he waits. 
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In a show where every prop is exquisitely, carefully designed to enhance our understanding character, his Gusu-toned umbrella reveals surprising red and yellow threads woven in, right above his eye line as he looks at Wei Wuxian. 
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Wei Wuxian speaks first, saying “you came to stop me?” Lan Wangji doesn’t answer, but asks him where he’s going. Then Lan Wangji warns him that he’s about to abandon orthodoxy forever, if he follows through. 
Wei Wuxian challenges this idea of orthodoxy, asking if Lan Wangji remembers the promise they made together, back in Gusu. It’s worth noting that they both appear to think of it as a co-promise, even though Lan Wangji didn’t speak aloud at the time. 
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The conversation will continue in the next episode, because what’s better than a rainy romantic cliffhanger?
Soundtrack: Four Sticks by Led Zeppelin
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michaels-blackhat · 3 years
Note
thoughts on evil Forrest 😈
We are going to start out by apologizing. This is very very late. I’m sure when you sent this ask, you meant it to be in the same joking tone that I approach all of my other propaganda posts. Sadly, this is actually going to be a deep dive into a few Evil Forrest related things, including the moment I feel they changed directions, the perfect wasted build-up, and the implications of the change/how it then negatively impacted the story. As I’m sure you already know, by being on my blog at all, I don’t think the story was good to begin with, so we are going to focus on the weird hoops they made themselves jump through to make that story still work. Additionally, I am only going to mention once, right now, how much of a waste it was to not have Forrest ‘fall for his mark’ and complete one of my absolute favorite tropes. Honestly, I think “because I want it” is a completely valid reason to like Evil Forrest. But, the question was “Thoughts on Evil Forrest” and these thoughts have been developing for over a year and a half. So, I apologize in advance.
The majority of this is under a cut, with highlights in the abstract. If no one wants to read this, I understand completely. Go ahead, skip it.
Note: it pains me greatly to not actually have full sources for this essay. Just know that in my heart I am using proper APA citations, I just absolutely do not feel like digging through tweets to find sources to properly cite.
Abstract:
Previous research indicates that Roswell New Mexico has a history of repeating excuses to explain mid-season changes to plots. This essay explores how those excuses are not only loads of crap, but how they hinder the show’s ability to tell a coherent story, misuse the multiple-plot structure to enhance the themes being explored, and lead to decisions that mean the show continuously goes over budget. This also means that characters are not used to their full potential and has led to what some fans consider to be “out of character” behaviors. While these behaviors are not universally agreed on, evidence can be shown that these behaviors directly contradict emotionally important character arc/plot points in the show.
The author of this paper acknowledges that the show took some strides to mend this problem. However, once again no consensus could be found on whether Forrest was a low-level member of Deep Sky and thus just allowed to fuck off on a bus, or his job was recruitment because he did a piss poor job of making Alex not join.
The concept of Evil Forrest has been with the fandom as early as New York Comic Con (NYCC) in 2019, when it was revealed that Alex had a new “blue-haired love interest”. Speculation abounded within the fandom, with some people, including the author, going “yeah, he’s evil” while others rejoiced in the concept of Alex having a loving partner. Speculation increased as fans discussed Tyler Blackburn’s seeming disinterest in his new love interest, prompting some once again to scream “EVIL” at the top of their lungs to anyone who would listen. Very little was revealed, beyond the fact that the new character would show up somewhere around episode 3 of the second season.
Episode 2.04 aired with some commenting on how he barely interacted with Alex- prompting more evil speculation- and others excited to see the characters interact more. The character appears again in 2.06, where he invites Alex to dubious spoken word poetry (which Alex attends); 2.08, where they have a paintball date and go to The Wild Pony; 2.10, where the two are seen writing together briefly at the beginning of the episode; and 2.13, where Alex performs his song at open mic night, tells Forrest his relationship with the person in the song was long over, and they kiss. Forrest was not revealed to be evil during season 2.
Amidst the season airing, Word of God via Twitter post announced that yes, Forrest had originally been planned as a villain, though not the main villain, but it was changed as filming progressed.
The Word of God Twitter post revealed that Forrest had originally been planned as a villain, but they decided that they could not make their “blue-haired gay man” a villain. This mirrors a similar situation and excuse used the previous season, where the character of Jenna Cameron was originally planned to work with Jesse Manes against the aliens, before it was changed because they just “loved Riley [the actress] too much”. Both of these examples occurred while already filming and reflect on a larger problem with the show. Though not the topic of this essay, it is important to note that both characters are white, both in the show and by virtue of being played by white actors. The fact that they couldn’t be villains for one reason or another is not a courtesy extended to the male villains who are all the most visibly brown, and thus ‘other’, members of the cast.
This also highlights the fact that, via Twitter, it has been revealed two other times that occurrences that were reported in season 1 also occurred in season 2. During the airing of episode 1.02, it was revealed that the single best build-up of tension in the show- when Alex walks to the Airstream not saying a word to Michael after a dramatic declaration- happened because one actor was sick at the time and they had to go back and film the kisses later. At the point of airing for episode 2.08, it was revealed that one of the actors were sick and unable to film a kissing scene. Allegedly, this caused the writers to retool the entire scene and deviate from the plan to make that subplot about Coming Out. The execution of this subplot will be explored later in this essay.
The last occurrence revealed via Twitter also revealed larger issues within the show: lack of planning and poor budgeting. During the airing of season 1, Tyler Blackburn was needed for an extra episode beyond his contracted 10. A full explanation was never given, but speculation about poor planning and to fill in because Heather Hemmens had to miss one of her 10 episodes due to scheduling conflicts for another project. During the airing of season 2, yet another tweet came out saying they made a mistake and Tyler would once again be in an additional episode. No explanations beyond “a mistake” were given, though once again speculation occurred. It is the opinion of the author that this was due to changing plot points over halfway through writing, while episodes were already in production. It has been speculated by some that these changes occurred during the writing of 2.08, which was being finished/pre-production was occurring roughly around the time of NYCC 2019.
Previous Literature:
A brief look at different theories of plots and subplots
Many people have written on the subject of plotting, for novels and screen alike. The author is more familiar with film writing than tv, but a lot of the concepts carry over. Largely, the B- and C- (and D- and E-… etc) plots should reinforce the theme of the A-plot. This can be through the use of a negative example, where the antithesis of the theme is explored to reinforce the theme presented by the A plot, or through other examples of the theme, generally on a small scale.
A movie example of this would be Hidden Figures (2016), where the A-plot explores how race and gender impact the main character (Katherine Johnson) in her new job. The B-plots explore the other characters navigating the same concepts in different settings and ways- learning a new skill as to not become obsolete and breaking boundaries there (Dorothy Vaugn) and being the first black woman to complete a specific degree program and the fight it took to get there (Mary Jackson). A TV example that utilizes this concept of plot and theme is the 911 shows. Each of the rescues in a given episode will directly relate to the overall theme of the episode and the overall plot for the focus character. This example is extremely blunt. It does not use any tools to hide the connection, to the point you can often guess the outcome for that A-plot fairly quickly.
This is not the only way to explore themes within visual media. Moonlight (2016) looks at three timestamps in the life of Chiron. Each timestamp has a plot even if they feel more like individual scenes or moments rather than plots as some are more used to in films. Each time stamp deals with rejection, isolation, connection, and acceptance in different ways. So while there is no clear A-, B-, or C-Plot, each time stamp works as their own A-Plot to explore the themes in a variety of ways, particularly by starting out in a place of rejection and moving to acceptance or a place of connection to isolation.
Please note that there are many ways to write multiple plots, there are just two examples.
While there are flaws within season 1 of RNM, overall the themes stayed consistent throughout the season, mainly the theme of alienation. The theme threads through the Alien’s isolation/alienation from humanity which is particularly seen through Michael’s unwillingness to participate and Isobel’s over participation. There is Rosa’s isolation from others, how her friendship with “Isobel” ended up compounding her existing alienation from her support system due to her mental illness and coping mechanisms. We see how Max and Liz couldn’t make connections. This theme presented itself over and over in season 1. While this essay is not an exploration of the breakdown of themes in season 2, it should be noted that there were some threads that followed throughout the season. The theme of mothers/motherhood was woven throughout season 2, with some elements more effective than others. Please contact the author for additional thoughts on Helena Ortecho and revenge plots.
One of the largest problems within season 2 was the sheer number of plots jammed into the season. These plot threads often ended up hindering the effectiveness of the themes and made the coherence of the season suffer. Additionally, a lot of them were convoluted and difficult to follow.
Thesis:
Essentially, season 2 was a mess. To look at it holistically is almost an exercise in futility. Either you grow angry about the dropped plots and premises, you hand wave them off, or you fill them in for yourself. Instead, this essay proposes to look at individual elements to explain why Forrest should have stayed evil.
We first meet Forrest in 2.04 when he is introduced on the Long Family Farm, which we later learn was the location where our past alien protagonists had their final standoff. He’s introduced. He’s largely just there. The audience learns he has more of a history with Michael. In 2.06, we meet him again with his dog Buffy (note: poor Buffy has not been seen again and we miss a chunky queen). There’s mild flirting, Alex is invited to an open mic night, which he attends. For the purpose of this essay, the author’s thoughts on the poetry will not be expressed. Readers can take a guess.
It is after this point that the author speculates the Decision was made. This choice to make Forrest not evil- paired with the aforementioned ‘can’t kiss, someone’s sick’- impacted the plot. We have Alex have a scene with his father- which the author believes could have been pushed to a different episode- and then have Alex go on a date and then not kiss Forrest at the end of the night. Here, the audience sees Forrest hit Alex in the leg, allegedly not knowing he had lost his leg despite ‘looking him up’, which parallels the shot to the leg that happens to Charlie. Besides wasting this ABSOLUTELY TEXTBOOK SET UP WTF, it also takes Alex away from the main plot and then forces a new plot for him. Up to this point, Alex’s plot was discovering more about the crash and his family’s involvement. Turning Alex’s date from a setup for evil Forrest to a Coming Out story adds yet another plot thread to a packed season. It is also the author’s thought that this is where the convoluted kidnapping plot comes in. With Forrest already in 2.10 for a moment, a plot where Alex is evil has Forrest attack him for Deep Sky rather than Jesse abduct him for a piece of alien glass Alex was going to give him anyway and then for Flint to abduct Alex from Jesse. It’s messy. In a bad way. Evil Forrest would have been a cleaner set up: no taking back a piece of alien glass Alex gave to Michael in a touching moment. No double abduction. Instead, there is only Forrest, who Alex trusts, breaking that trust to take him as leverage over Michael.
Implications:
Now, Alex has two plots (Tripp & Coming Out). The Coming Out plot is largely ineffective, as they are only relevant to scenes with Forrest and have the undercurrent of there only being a certain acceptable way to be out. This could have been used for Alex to discover his comfort levels, mirroring Isobel’s self discovery, but there was not enough screen time for that. Additionally, Isobel’s coming out story was about her allowing herself the freedom to explore. Alex’s story was about the freedom to… act like this dude wanted him to. Alex’s internalized homophobia played out often in the series but it was also informed by the violence he experienced at Jesse’s hands and the literal hate crime he and his high school boyfriend experienced. With that in mind, the “kissing to piss off bigots” line comes off poorly. This is a character who experienced what a pissed off bigot could do- reluctance to kiss in public is not the same as not being out. There is more to be said on this topic, but as it is not actually the focus of the essay, it will be put on hold. To surmise: Alex’s coming out is attempted to be framed as being himself, but it is actually the conformity to someone else’s ideals. It does not work as an antithetical to Isobel’s story, as the framing indicates that the conformity/right was to be out contradicts Isobel’s theme.
Further Research:
MAKE FORREST EVIL YOU COWARDS
Author Acknowledgements:
The author of this paper acknowledges that the show took some strides to mend this problem. However, once again no consensus could be found on whether Forrest was a low-level member of Deep Sky and thus just allowed to fuck off on a bus, or his job was recruitement because he did a piss poor job of making Alex not join.
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scotianostra · 3 years
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On 21st July 1796 Robert Burns died in Dumfries.
Rather than write up an account from several sources and my own knowledge as I normally do I will leave it to the poet and neighbour of the Ploughman Poet, Alan Cunninham, to describe the fateful day……
“It was soon spread through Dumfries that Burns had returned from the *Brow much worse than when he went away, and it was added that he was dying. The anxiety of the people, high and low, was very great. I was present and saw it. Wherever two or three were together their talk was of Burns, and of him alone. They spoke of his history, of his person, and of his works - of his witty sayings and sarcastic replies, and of his too early fate with much enthusiasm, and sometimes with deep feeling. All that he had done, and all that he had hoped he would accomplish, were talked of: half-a-dozen of them stopped Dr. Maxwell in the street, and said, "How is Burns sir?” He shook his head, saying, “he cannot be worse, ” and passed on to be subjected to similar inquiries farther up the way. I heard one of a group inquire, with much simplicity, “Who do you think will be our poet now?”
Though Burns now knew he was dying, his good humour was unruffled, and his wit never forsook him. When he looked up and saw Dr. Maxwell at his bed-side, - “Alas!” he said, “what has brought you here? I am but a poor crow and not worth plucking.” He pointed to his pistols, those already mentioned the gift of their maker, Blair of Birmingham, and desired that Maxwell would accept of them, saying they could not be in worthier keeping, and he should have no more need of them. This relieved his proud heart from a sense of obligation. Soon afterwards he saw Gibson, one of his brother-volunteers by the bed-side with tears in his eyes. He smiled and said, - “John, don’t let the awkward squad fire over me!”
His household presented a melancholy spectacle: the Poet dying; his wife in hourly expectation of being confined: four helpless children wandering from room to room, gazing on their miserable parents and but too little of food or cordial kind to pacify the whole or soothe the sick. To Jessie Lewars, all who are charmed with the poet’s works are much indebted: she acted with the prudence of a sister and the tenderness of a daughter, and kept desolation away, though she could not keep disease. - “A tremor,” says Maxwell, “pervaded his frame; his tongue, though often refreshed, became parched; and his mind, when not roused by conversation, sunk into delirium. On the second and third day after his return from the Brow, the fever increased and his strength diminished. On the fourth day, when his attendant, James Maclure held a cordial to his lips, he swallowed it eagerly - rose almost wholly up - spread out his hands - sprang forward nigh the whole length of the bed - fell on his face and expired. He was thirty seven years and seven months old, and of a form and strength which promised long life; but the great and inspired are often cut down in youth while "Villains ripen gray with time”.
I can’t really add to what Cunningham has written, what I will add is the remarkable story about the  night almost 40 years after his death the poet’s skull was taken on  a wee walk  by a group of Dumfries locals with a strange interest.
The men, led by newspaper editor John McDiarmid, were keen advocates of phrenology - a now discredited pseudo-science that believed you could read deep truths about someone's personality from plotting the bumps on their head.
McDiarmid and others were keen to study the skull of the ploughman poet - a man who was thought of as a natural genius and whose personality was well-known throughout the world.
The phrenologists were interested in Burns because he was such an important character in the public imagination and therefore they wanted to see if the bumps on his skull would match up to his public persona.
However, the Bard's widow Jean Armour was not thought to be keen to allow the phrenologists to disturb her husband's resting place because his remains had already been moved once before.
When Burns died in Dumfries  he was not buried in the imposing mausoleum that currently stands in the town's St Michael's kirkyard. The bright, white, rock star tomb, with its pillars and domes and its marble figure of Burns at the plough, was erected 19 years after his death, following a long fundraising effort. His widow was disgusted by the gruesome exhumation of the poet's body, and the remains of two of his sons, to the relocate them to the new monument.
Dumfries Courier editor McDiarmid wrote an account of removing Burns from his original resting place.
He told how when the workmen tried to lift the original wooden coffin "the head separated from the trunk, and the whole body, with the exception of the bones, crumbled into dust".
The newspaper editor may have been accurately describing the scene but he was not there at the time, he arrived in town two years after the event and must have cursed his luck at missing out on getting his hands on Burns' skull for a phrenological study.
It was not until Jean Armour died in 1834 that another opportunity arose to get a plaster of Paris cast of the skull. McDiarmid realised the crypt of the mausoleum was going to be opened and he appears to have obtained permission from Jean's brother to take a cast of the skull.  The group carrying out the plan comprised of six men plus their assistants, and by the end of the night the Provost, the Dean of Guild and rector of Dumfries academy as well.
They don't want to be seen and they didn't want a mob to assemble and say 'here they are violating the poet's grave, we are going to stop them. They make their first attempt at 7pm but there are too many people about. At 10pm in come our boys again over the walls, sneak up to the mausoleum with the keys, they go down into the vault with a ladder and a muffled lantern so people didn't see the light. 
According to Burns' experts who reconstructed the process, McDiarmid had thought he would be able to take a plaster cast of the skull in the vault but he realised he couldn't. So he popped it into a linen bag and walked it up the high street to Queensberry Street where the plasterer James Fraser worked. They made a mould and from that they took a cast of the skull.
There are several persons involved, one of which is the surgeon Archibald Blacklock and according to the published accounts he, very scientifically, handles this skull.
He also apparently tried his hat on it out of awe, because the skull is so large he wants to know if his hat can fit on it or not. The workmen around him then all apparently try their hats on the skull as well. The freshly-cast skull was rushed to Edinburgh, to George Combe, the master of phrenology, who prepared a report on Burns' personality.
Phrenologists believed the brain was made up of 27 individual "organs" that determined personality and these could be measured by studying the shape of the skull. Combe's report rated Burns for a number of character traits based on the size of the "organs".
One of Burns' organs that was very large was his organ of “philoprogenitiveness,”  his ability to produce and care for children!   Along with a high score for benevolence, the phrenologists said this explained his love for weak and helpless creatures displayed in poems such as To a Mouse and On Seeing a Wounded Hare.   A lot of it was just talking about the poetry and the life and trying to make sense of this scientific analysis in relation to Burns' well-known public character and his written work. 
This was a "risky" strategy,  because Burns was so well-known that if their findings had been at odds with his public persona it would have made phrenology look like a fraud. So they worked very hard to make sense of these materials.  Instead of the scientific philosophy of trying to prove your hypothesis wrong, the phrenologists wanted to confirm their prior beliefs. 
The anatomical museum of the University of Edinburgh has a cast of Burns' skull which is likely to be one of the original copies made that night in 1834, there is also a copy in The Burns Museum at Alloway. 
Pics include a drawing of the poets “death room” and the skull in the museum.
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nashibirne · 3 years
Text
Against All Odds - 19
Today we have to say goodbye to Anna and Henry, this is the last chapter of "Against All Odds".
I'm really a little sad and melancholic. This was my first story here on Tumblr and it has been quite a ride. But it's time to let go and give them the happy ending they deserve. I initially planned to leave it to pure fluff and exclude smut but somehow my hand slipped...it just came over me...and them. So lots of fluff and some smut ahead. Enjoy!
Pairing: Henry Cavill x OFC (Anna) Warnings: Lots of fluff, some smut, NSFW, 18 +, sex, dry humping, masturbation, thigh riding, slight daddy kink / male dom, choking, public sex, unprotected sex. Unbeta'ed! English is not my first language, so consider yourself warned, there might be bad grammar and wrong spelling ahead.
All previous parts can be found here: Masterlist
Likes, reblogs and comments are very welcome.
Tags: @lunedelorient @hell1129-blog @willkatfanfromasia @inlovewithhisblueeyes @mis-lil-red @agniavateira @omgkatinka @legendarywizarddetective
So here we go...let the grand finale begin...
~~~~~~~
When Henry looked out of the window after his morning routine almost three month after the encounter with Lestat he cursed internally. The weather was really shitty. It was raining lightly and fog was swirling above the woods and meadows that surrounded his farm. He could only hope that the forecast was right and the sun would show soon. He needed this day to be perfect and sunny weather was only a little part of a bigger plan.
It turned out he was lucky. When Anna and Henry walked the dogs together in the afternoon the sun was shining bright from a cloudless blue sky. It was warm for this time of the year and there was a light breeze that rustled through the trees.
"Why don't we take another route today, princess?" Henry looked at Anna with a smile. 
"Sure, where do you want to go?"
"This way." Henry pointed to the left and Anna seemed to be not too enthusiastic about his idea.
"Is that even a regular path? It looks quite overgrown. The dogs will be full of ticks again and we're going to rip our clothes. I'm wearing a brand new jacket." She looked at him with a frown.
Shit.
This was so typical for Anna. She was a practical person, always reasonable, and he loved it that she was so down to earth but today he needed her to take this god damn path. Otherwise his surprise wouldn't work. 
"I just want to discover new places, Baby. Expand our horizons. It's going to be fun." Henry said before he brought up the big guns. It was time for poetry.
"Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference." 
Henry recited with a grin.
"Wow...Robert Frost… I'm impressed." Anna laughed. "Don't be. You made me watch 'Dead Poets Society' three times. I know every single poem that was quoted in that very good movie."  Henry pulled her into a hug and kissed her on the forehead tenderly. "Come on." "Fine. I'm willing to follow you anywhere. Oh Captain, my Captain." Smiling, she gave him a peck on the cheek.  "Captain. I like the sound of that." Henry smirked and took her by the hand.
They followed the path for a while and it turned out that Anna was right. It was overgrown, almost jungle-like in some areas, so they had to climb over some trunks and bushes and squeeze through a thorny bramble hedge but Anna didn't complain. On the contrary. She loved the picturesque atmosphere and took dozens of pictures with her mobile. 
"This is really lovely, Henry. I'm glad we chose this path. It was a good idea to try something new." She beamed and kissed him happily. He chuckled. "Are you saying I was right?" "I wouldn't go that far." Anna grinned before she took another series of photos.
After half an hour and a lot of stumbling through the undergrowth they reached the regular path, that led to a large meadow, that was surrounded by hedges and a low stonewall. Anna took a look around with a frown. "I know this place…" "Yeah, you should." Henry winked and it dawned on her. "This is the place where we first met. Oh my god, Henry. I crouched over a fly agaric over there when Kal knocked me over." "Yes. And I came to your rescue and fell for you almost instantly." He took her in his arms and pulled her close. "That was exactly one year ago." His voice was soft and full of love. "Really? I totally forgot about the date. I'm so unromantic...sorry, Baby." "Don't worry, princess. You have other qualities." Henry smirked before kissing her. He let his hands slide to her ass, giving it a squezze which made Anna moan. "Behave, Cavill." She gave him a sexy smile. "No way." He kissed her again, passionately this time and she returned the kiss with the same vigour. When he finally pulled away he left her panting for breath. "Wow...this keeps getting better and better." "Oh...just wait for it." Henry walked over to a large lime tree and reached behind the trunk. When he turned around again he held a basket in his hands. "Picnic!" Anna cheered. "Oh Darling...this is such a great surprise. And you know I hate surprises...normally." "But not today."  "No, today I love it."
Henry smiled and started flattening a checkered blanket right under the lime. He sat down and patted on the free spot beside him. "Come on, princess. Sit down and let me show you what I've got for you." "There's nothing I'd rather do." Anna plopped down on the blanket, watching Henry unpack the basket. He placed two plates, cutlery, two glasses and a bottle of rosemary water on the blanket. To Anna's big surprise he even raked out the little Bluetooth speaker that normally stood in his kitchen. He connected it to his mobile and started his 80s rock playlist.
"Wow, you've thought of everything. But what about food?" "Mylady wishes for food, mylady shall have food." Henry grinned and got various boxes out of the basket, opening them he started to explain what he had prepared for them. "We have different kinds of cheese, grapes, olives, cherry tomatoes, nuts and raisins, Belgian filled Chocolates plus...and I can proudly say in advance that this is homemade by me...a loaf of delicious freshly baked bread." Anna clapped her hands, beaming all over her face. "Henry...this looks heavenly." "Let's eat then, my love."
Anna was right, the food was delicious and they enjoyed their little picnic very much, taking their time to taste all the things Henry had prepared, chatting and laughing, watching the dogs play and just savouring this carefree time of togetherness. When they were done with eating they cleared the blanket and stuffed everything except the speaker back into the basket. 
Anna cuddled up in Henry's arms. He was sitting under the lime tree now, his back leaning against the trunk. 
"Thank you so much, Baby. This was such a perfect surprise and such a lovely picnic." "Oh we're not done yet...I have another surprise for you." Henry cleared his throat and was about to get up but Anna was faster. She straddled his lap before Henry realized what she was up to.
"Really, Mr. Cavill? Another surprise?" She whispered in his ear. "Is it big?" She looked at him with a smirk before she kissed him. Henry grabbed her by the waist, pulling her closer to deepen the kiss. It got hot and erotic very fast. Anna started to rub her pussy against the bulge in his jeans slowly, she felt his hard on through the woolen fabric of the leggings she wore under her denim skirt.
"Oohh...it is big. Huge even." she said, still riding him. "That's not what I meant when I said I had another surprise, babe." Henry moaned. His hands were under her shirt now, stroking her full breasts through her bra. "Do you want to stop?" Anna moved her body away from his lap, straddling one of his thick thighs now. She let her hands slide over his crotch, massaging his dick through his trousers, looking at him innocently.  "Princess…." he growled, grabbing her hips, making her move on his thigh. Anna let out a muffled moan. The friction between his massive leg and her sensitive pussy was pure pleasure even though there were three layers of fabric between his skin and hers. "Henry…" Anna started riding his thigh looking at him. She sighed and licked her lips. "...we have to be quiet and very discreet."  "Don't worry, baby girl. This is private property. Nobody's here except us." "I know...just in case…" Anna was already out of breath because she had picked up speed, rubbing against Henry in a faster rhythm now. Her moans were getting louder. "Do you like it, baby? Riding my thigh like a cheap little slut?" Henry hissed through clenched teeth. His hard-on was throbbing in his jeans painfully. "Rubbing your tight little pussy over me?" Anna just sighed and leaned in to kiss him but Henry stopped her. "Answer me, princess." "Yes...yes, Daddy. I love it." She groaned, feeling her orgasm coming closer and closer. "Good girl. I'm going to reward you." Henry slapped her ass before he started fumbling with the buttons of his jeans. Anna stopped moving, watching him agape with big eyes. "Keep moving, baby."  Henry ordered and Anna obeyed but her eyes never left his hands that were now getting out his rock hard dick. He started stroking himself, letting out a long moan. "Yeah...that's it." He said, locking eyes with Anna. "That's it, princess. Watch me, watch me touching my big cock. Look at me and come for me." "Oh, god...I love your dick, Daddy. It's so thick…" Anna whispered in a sweet voice, panting and moaning while she rode his thigh harder. "No talking, princess." Henry slapped her ass again with his free hand, the other hand pumping his dick that was glistening with pre cum. "But Daddy…" Anna shrieked when she felt the hand that had just slapped her ass on her throat. "No talking…." Henry growled. "Just come for me." The way he squeezed her throat with well measured pressure, giving her the feeling of being completely at his mercy, combined with the sight of his big hand jerking himself off was enough to send her over the edge. Her orgasm was long and intense and she rode it out devouring the sensation. "Good girl." Henry sighed and it took him just another few thrusts into his hand to cum too. Anna leaned forward, resting her forehead on his. "Wow...Baby….that was something. I've never had sex fully dressed before." She grinned at him and gave him a tender kiss. "Yeah, it was great…even though it wasn't part of my plan." Henry smirked, grabbing a napkin to clean up the mess his cum had left on his jeans and Anna's jacket. Anna laughed and got up, straightening her clothes. "So what was your plan? What's the other surprise you have for me?"
Henry looked at her with a frown, getting up too. "You really want to know?" 
"Of course."
"Okay. Then...let's dance." He winked at her with a sly smile and grabbed his phone. He started searching through the playlist and stopped it before playing a certain song.
"May I ask for this dance?" He held out his hand to her and Anna gladly took it.
"Sure." She said and Henry pulled her close and they started to sway their bodies to the music. It was "Forever" by Kiss that was playing. A beautiful ballad Anna and Henry liked a lot. They had made slow, sensual love to this song countless times.
I see my future when I look in your eyes
It took your love to make my heart come alive
'Cause I lived my life believing all love is blind
But everything about you is telling me this time...
Anna looked at Henry and he kissed her. It was a tender kiss, full of love and devotion.
...it's forever, this time I know
And there's no doubt in my mind
Forever, until my life is through
Girl I'll be loving you forever.
When the song was over Henry took a step back, reaching into his pocket, getting out a little box. He had planned this for so long, had played it through in his head again and again but now he was a nervous wreck all of the sudden. He took a deep breath before getting down on one knee opening the box, presenting her a beautiful engagement ring. 
Anna gasped when she realized what was happening. She bit her lip, holding her breath.
"Anna, my love. I know it's only been a year since we met and 9 months that we're together but though this is quite a short span of time it has been the most wonderful and happy time in all my life. You complete me, Darling. You make me whole, you are my home, my heart, my soul, my everything. I love you more than I could ever say and therefore I'm kneeling here, asking you if you want to spend the rest of your life with me. Anna Wagner...do you want to marry me?"
Anna let out a deep breath, beaming with joy.
"Yes...oh my god...yes, Henry. Of course I want to marry you." She took his hands, dragged him up and pulled him into a tight embrace before kissing him tenderly.
"I love you, Cavill."
"I love you, princess."
******
Three years later
When Anna came back from her appointment in town to Old Johnson's Farm in the  afternoon she found Henry sleeping on the couch peacefully. Their little boy Peter -they had named him after Anna's late father- was sleeping on Henry's broad chest, snoring softly, Kal was lying at Henry's feet, snoring not quite so softly.
Anna couldn't help but smile like a love-struck fool. This was all she'd ever wanted. A loyal man, who truly loved and respected her, a home, a family. And now that she had it, it was even better than she could have ever imagined. Henry was a perfect husband and a fantastic father - loving, caring, patient and still the dorky nerd, she had fallen for four years ago. 
After Peter had been born Henry had stepped back from work for a year to spend as much time as possible with them and to have Anna's back who had started to work again part-time after three months. Henry had done a lot of audio books over the last sixth month -it was work he could easily do at home- and he really liked it. Of course it had been a huge success. Henry didn't really get why but Anna knew every time she heard his deep, dark voice that felt like velvet in her ears.
Pete was 14 months old now and from next week on Henry would be away for a while to shoot the next Witcher season. She was a little scared of the times that were awaiting her. It would be the first time for them to be apart for so long and the first time for Anna to face the fact that her husband was going to shoot sex scenes with attractive young women like Anya Chalotra. But she knew she would be able to deal with it. It was already decided that she and Peter would visit Henry on set to meet his co-stars and to get a feeling for his work and the process of acting.
Her thoughts were interrupted by Peter's babbling. She took him from Henry's chest into her arms and hugged him gently. "Shush...little pea...we don't want to wake daddy." She whispered in his ear before kissing his soft, chubby cheeks several times. 
Henry seemed to realize that Peter's weight on his chest was missing and he mumbled something incomprehensible before he turned around, but he didn't wake up. Anna knew he was exhausted. He had been up all night to calm down Pete who was teething. Anna wanted to take turns but Henry wouldn't let her because she had to get up early for work.
"Come on, pumpkin. Let's go feed the horses and let daddy and Kal get some sleep. You wore them out last night."
She smiled when she took another look at the man she loved. "It's really good that your dad has such a broad chest." She said softly to her son with a happy smile on her face. "With a little luck there will be two little pumpkins sleeping on it in seven months' time."
THE END
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Of Course He Said Yes.
Read on AO3
Summary: Nicky finds the perfect rings and decides it's high time he proposes to his husband again.
No warnings apply.
*The poetry I used is not mine I combined some different lines I found on the internet*
"Oh." Nicky said aloud then quickly looked around to be sure no one else had heard him. He was in the clear. Joe had ran next door to get them iced tea while Nicky looked around the antique store, and no one else was around.
He looked back at the box with two of the most beautiful rings he'd seen in a long time. One was silver with a light sea blue winding around it and the other was the same color of blue with silver winding around it. He picked one up and realized there was half of a tiny sun carved into it and he was excited to see that it fit perfectly with the other tiny half of a sun, and it made the blue and silver align to look like one larger ring.
The rings might as well have been made for them, they were even the perfect size, except Nicky didn't think he could ever think that far into a ring. It reminded him of their visits to Malta and he was sure Joe would make the connection because the blue matched the blue of the sea perfectly.
Nicky didn't even check the price tag he just looked around to make sure Joe was no where in sight and walked up to the counter. "I'll take these, please." He smiled at the tired looking cashier.
The cashier picked up the box to scan the tag. "We've had these here for so long I wasn't sure anyone was going to buy them. I don't know why though, they're very pretty rings." He commented as he rung up his purchase.
Nicky smiled. "They were waiting for the right home."
The cashier only nodded absently at Nicky's comment, as Nicky handed over the money.
He slipped the box into his pocket and then went back to looking around the store. 
Except now he wasn't actually looking at anything. His mind was going in a million different directions as he pondered the best way to give them to Joe. 
When Joe walked in with their drinks looking like he belonged on the cover of a magazine (at least that was Nicky's humble opinion), with his shorts, t-shirt, and sunglasses. He gave Nicky the same bright smile he always gave him, and even though Nicky couldn't see his eyes he knew they were shining, and he knew exactly how he wanted to present these rings to his beloved. He was going to propose to him. Again. 
****
The rings he carefully stashed in his sniper case, hopefully a place Joe wouldn't look, while Nicky ironed out all the details for his big night. The only downside to sharing everything with Joe was it did make surprise gifts a little more work. Not that he would ever actually complain.
Clothes and storage space weren't the only things they shared. He was so used to telling Joe everything that he had been struggling to keep the cat in the bag, since all he could think about was how good the rings were going to look on Joe's fingers. 
But he managed to keep quiet and he didn't think Joe suspected a thing when Nicky asked him to go out Friday night. 
"Of course I'll go out Friday. Anywhere in particular you want to go?" Joe asked. 
Nicky brushed a loose curl off Joe's forehead. "I've got all the details planned out. It's a surprise." 
Joe raised an eyebrow. "Oh?" 
"Just something small I think you'll enjoy." Nicky said, trying to seem nonchalant. 
Joe grinned. "I'll enjoy any surprise if it's from you." 
**** 
Nicky led Joe to a secluded part of the beach where he had already set up a blanket, dishes, silverware, drinks, and a radio. He carried a cooler for the food in one hand and Joe's hand in his other. 
He smiled at Joe's excitement at having dinner on the beach. It wasn't Malta but the beach held a special place in their hearts no matter where they were. It wasn't as warm as Nicky had hoped but neither of them were really bothered by that. 
They settled on the blanket, side by side so that their shoulders and legs still touched. 
Nicky began pulling out the food he had prepared. He had asked Joe to stay out of the kitchen all afternoon so that dinner would also be a surprise, and now proudly presented the kabsa, tabbouleh, falafel, and date cookies he'd worked so hard on.
Joe grinned ear to ear at Nicky's choice of food. "You know just what I like." He nuzzled Nicky's neck in gratitude. 
"You would say the same thing if I'd brought lunch meat sandwiches." Nicky teased.
"That's because it's a gift from the heart, so it's all special." Joe says. "But you know these dishes are favorites of mine, and I know how much work you put in, so you should know how much I appreciate you." Joe kissed Nicky's cheek.
Nicky pointed the spoon he was dishing out the food with at Joe, his eyes full of amusement."Keep saying things like that and I'll have no choice but to make sure you eat extra date cookies."
"I'll have to keep that in mind." 
Joe took his first bite and nearly kissed Nicky then and there. He would have if he wasn't so hungry and unable to get enough of the delicious food. 
"Babe, I haven't had food this good since the last time you made it." He said blissfully, pausing only after he'd taken several bites of everything, tilting back his head.
"If you're not careful all these compliments are going to go to my head." He laughed, thrilled by Joe's reaction. 
"That's right where they should go, you have every right to be full of pride when you cook food this good." 
Nicky laughed again. "It's only because I had an eager taste tester to feed for all these years, that I practiced at all." 
"Ha!" Joe barked out. "I didn't trust you with my family's secret tabbouleh recipe for months after we started traveling together." 
"But I won you over." 
Joe couldn't stand it anymore and leaned in to give Nicky a proper kiss on the mouth.
"Boy, did you ever." Joe said after they parted.
They finished their meal and enjoyed desert, talking about everything and nothing at the same time, sharing long, sweet, kisses, and listening to the quiet music that played on the radio.
"Will you come with me? I have something I'd like to show you." Nicky asked, after their food had settled.
Joe looked surprised that there could be more to this already magical evening, but stood up without asking questions. 
Nicky took his hand and led him over to a cave in the rocks, he pulled out his phone's flashlight, motioning for Joe to do the same, and then led them inside. 
They kept walking, Nicky leading the way never doubting which way to go, until he led them to where it opened up, reveling an underground lake. 
It was beautiful and Joe could only stop and stare at how the water rippled, how the water and rocks caught the light, and how large the cavern they were in was. 
"Incredible." Joe whispered. 
Nicky squeezed his hand. "Thought you'd want to see it." 
Joe nodded still taking in the scene before him. 
"Now one more thing, if I could direct your attention over to this particular wall?" Nicky shined his flashlight to where he would like Joe to look.
Joe walked over to the wall, trying to figure out why it was important. "Oh, there's writing here." 
"I carved it into the wall so that it would last for a long time as a reminder of my love for you." Nicky explained. "Would you do me the honor of reading it out loud all the way through?" Nicky asked. 
"How long did that take you?" Joe murmured running his hand along the writing. "Of course I'll read it aloud." Joe cleared his throat and began. 
"I named the stars, one by one, after every favorite memory of you. I have late conversations with the moon; he tells me about the sun, and I tell him about you. my soul burns bright and it burns true but it burns only for you. You. Until the end of my days, you." 
Joe turned around, his heart melting and overcome with the love he felt, to find Nicky on one knee holding open a box with two rings in it. 
"Yusuf, will you marry me?" 
Joe couldn't speak. It didn't matter that they were already married, that they are more than that, but he wasn't sure if there was a word for what they are. It didn't matter that they had done this to each other more than a few times over the centuries. It didn't matter that he had already pledged himself to Nicky more times than he could count in more ways than he could name. 
Seeing the effort Nicky had put into this night to woo him, to sweep him off his feet, left Joe feeling more emotions than he knew what to do with. 
After a few moments of him trying and failing to speak, which he could tell just by his face Nicky was glowing at his ability to steal Joe's voice from him, he managed to squeak out. "Yes. Of course my answer is yes, I will always choose you Niccolò." 
Then they were kissing and hugging, trying to find air and space to kiss and talk at the same time to tell each other how much they love each other, how they would never have anyone else, how much they mean to each other. 
The world outside faded away and left them with nothing but this space and each other. 
"The rings! I want you to see the rings, Joe." Nicky said once they had stopped kissing each other like their life depended on it. 
"Yes, please, I need to see them." 
They still held onto each other as Nicky turned just enough to grab the box that lay forgotten on the ground. 
Nicky slid them onto Joe's fingers, gently and carefully replacing the old with the new. 
Joe held up his hand to admire them and get a better look with the flashlight. 
His breath caught in his throat and all he managed to breath out was "Malta." Before he was kissing Nicky again. 
"My love, my life, my everything, they are perfect the most beautiful rings a man could ask for." He said in between showering Nicky with kisses. 
"Knew you'd think of that as soon as I spotted them and thought of it myself." Nicky answered in between kisses. 
Nicky felt like he was on top of the world, and the luckiest man alive. This night was a perfect night.
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anika-ann · 4 years
Text
Attached: Hurtful Words Pt.2
Type: (mini)-series,  Modern-college-professor AU… aka the wrong attachment AU ;)
Pairing: Steve Rogers x reader   Word count: 3530
Summary:  Steve’s been hit hard with the events involving bad poetry on campus too. He thinks he knows what needs to be done; but sometimes, what people truly need is a really good friend who knocks some sense into them. 
Enter Bucky Barnes and Penny Cooper.
A/N: Attached: Hurtful Words is an addition that loosely followes the Attached series. You don’t necessarily need to read the mini-series as a whole, but you will understand much better.
Warnings: mentions of name calling and humiliation, brief violence, swearing, some angst and lots of talking
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Story masterlist
⊱-◦-◦-◦-◦-◦-◦ ✉ ◦-◦-◦-◦-◦-◦-⊰
The friendship between Bucky and Steve had begun with a beautiful chain reaction.
On a cold November day many years ago, a six-year-old Steve Rogers witnessed a pair of stupid boys stealing a girl’s hat and tossing it around and he stepped in; a seven-year-old Bucky Barnes saw two jerks hitting a younger and obviously weaker kid and decided to take it personally.
That day, Bucky Barnes met Steve Rogers and instantly became a protective older brother, for he recognized that Steve had a brave and kind heart. That day, they became easy friends, because Steve recognized the same qualities in Bucky.
Even if they grew as people, they had their ups and downs, they never grew apart completely and stayed best friends for life – and the protectiveness over each other never disappeared. Which was only one of the reasons why Bucky felt an unbearable urge to punch someone – preferably the idiots who got his OTP into this mess.
Fairly enough, he wanted to punch you a little bit as well for keeping Steve in the dark and hurting him too, but hey – you were entitled at least, you were the target of the jest that the three antichrists came up with.
Hell, Bucky even considered reaching out to you himself since you kept ignoring Steve; not necessarily to scold you, god forbid actually punch you, but just to beg you to talk to his friend.
In the end, he decided against it, because it wasn’t quite his business and you probably knew better than him when you were ready to talk. God knew that seeing you broken and in tears would hurt Steve too and it would only feed his doubts and as Bucky suspected, misplaced guilt.
No one wanted to see that right? Bucky surely didn’t.
He truly just wanted his friend happy and the thing was, you made him the happiest Bucky had ever seen him, even with the complications and ‘controversy’ surrounding your relationship.
So when after days of silence on your end Bucky entered the office and saw a sombre expression on Steve’s face, somewhat more pensive than his recent usual, and a phone in his hand, he froze in the doorway, heart stopping in his chest.
Oh. Oh no, please don’t let that be it.
His heart kicked back in when he focused on Steve’s eyes – they were downcast, but visibly not teary and Bucky breathed a sigh of relief. Manly men and all that, but fuck, Steve would shed a tear or two if you two were completely definitely over. Oh, and he would probably devastate the office in a burst of frustration.
“Hey Steve,” Bucky hummed nonchalantly, closing the door behind him and making his way to his desk. “Who was that?”
He purposely didn’t look at Steve so the punk wasn’t shy about talking about whatever conversation he had. It happened on occasion, Steve keeping stuff to himself, when he was thinking he was annoying Buck – but joke was on him. Yes, Steve could be annoying as fuck, but Bucky could stand a few emotional talks when his friend was on the verge of losing what seemed to be the love of his life.
“Uhm… nobody,” Steve responded simply, putting the device away. He started going through the papers on his desk as if searching for something in attempt to look busy.
Bucky rolled his eyes. As if that would work on him.
“Right. Try again.”
The rustling stopped, a resigned sigh falling from Steve’s lips before he admitted the truth. “Penny Cooper.”
Bucky’s head snapped to Steve, eyebrows jumping for a second.
He did not expect that answer, but he couldn’t say he found it an unpleasant surprise. When Bucky had thought about contacting you, he considered getting in touch with your best friend too.
And yes, he knew Penn Cooper’s name; hell, he had met her on a sort-of friendly hang-out night where you and Steve tried and very much failed at not being a disgustingly-in-love couple when having a night out with friends. Bucky hadn’t complained nearly as much as he could have, mostly because he was delighted to see Steve so lovestruck for a girl who was evidently just as lovestruck for him.
Anyway.
“Ah, Penny. You finally decided to call her. Good. How did it go?”
Steve didn’t appear to share Bucky’s hopeful sentiment, running a hand down his face and turning his gaze to the ceiling.
Bucky narrowed his eyes; while his heart sank at what seemed to be no good news, he could tell that this was not a mourning Steve. In fact, looking closer at Steve as he approached his desk, it was dawning to him that this was Steve overthinking something he heard from Penny.
Great. That’s probably even worse.
In attempt to prevent a catastrophe in making, Bucky did the only thing that came to his mind. He probed.
“That bad, huh?” he stated more than asked, crossing his arms on his chest. “She told you to leave her bestie alone?”
Steve grimaced, his eyebrows furrowing; a clear sign that he was digging deeper into a hole he was creating for himself in his head. The pit of misery and gloom. The pit of despair.
“Not exactly… I think.”
That was the problem with Steve really – sometimes, he thought. Steve Rogers was in fact known for occasional and epical impulsiveness, but so the gods above help if he sank into a well of overthinking. Because that usually led to a stupid decision, which was practically irreversible due to Steve’s infamous determination and stubbornness. It was next to impossible to talk him out of something once he made up his mind.
“Stop that, punk,” Bucky warned him silently, uncrossing his arms and giving Steve a glare.
“Stop what?” Steve asked with a sigh, as if he didn’t know.
“Overthinking. Get out of your head. It just produces loads of bullshit right now.”
“Bucky-“ was all that Steve said, sending his friend an imploring gaze, but Bucky was not fooled. The wheels of doom were still turning in Steve’s head, inevitably leading to the aforementioned bullshit.
And as Bucky had learned the hard way, once the final stage of decision-making was reached, there was no going back. Not with Steve. Which meant he had to stop that disastrous thought before Steve’s stubborn ass grew it into an apocalypse plant.
Then, Steve’s expression shifted; a minor change, yet all too visible to a man who knew him since he was a kid.
Bucky recognized what just happened… and he panicked.
When Bucky Barnes was panicking, he did things he wasn’t necessarily proud of later, but of which he was certain would work.
Plus, the quickly set-up plan was bound to kill two birds in one stone, giving Bucky’s unbearable urge lasting for the past few days an outlet. Win-win, crisis averted, right?
“Get up off your ass,” Bucky ordered, earning a half-heartedly invested surprised and confused raise of eyebrows from his friend.
However, Steve did not stand up.
“Get up, Steven.”
Slightly annoyed but resigned, Steve rose to his feet, the movement a testimony of how exhausted he was. How much energy the past few days had stolen from him… how much of energy he had spent on navigating through the maze of confusing and self-doubting thoughts.
But that was ending now; Bucky was going to make sure of that.
“What?” Steve sighed, clearly expecting more of the pep-talk, possibly more intense since he was asked to stand upright.
He was wrong.
Sorry, Steve.
Like a lightning, Bucky’s fist shot up to Steve’s nose and connected with it with a snap.
Steve stumbled back into the chair, barely catching himself and his nose, staring on Bucky wide-eyed and hurt.
To be fair, Bucky was hurting too – fuck, he forgot how punching people without boxing gloves felt.
“The fhuck-“
“-is wrong with you?!” Bucky finished as he was wondering the same, shaking his hand in hopes to distract himself from the pain.
For a brief second, satisfaction flashed in Steve’s eyes; but Bucky could tell that his get-out-of-your-head technique worked, so he was pretty satisfied himself. Not to mention that Steve probably felt that punch in the back of his skull, having literally rocked his world.
“I wah jugh godda hask!” Steve mumbled, checking the fingers hovering around his nose for blood, frowning as they indeed stained in some crimson – but nothing terrible, Bucky thought.
Then again, he wasn’t the one with cracked nose.
“Outta your head now?” he asked, unable to hide all of his smugness.
Steve frowned at him, clenching his jaw, but didn’t try to punch him back as he probably realized which purpose the unexpected and unusual violence served.
“Bhacky, wah ta hell-?”
“Right before I punched you – you decided to give up on her, didn’t you?” Bucky questioned, being 95% sure about it. Steve’s face told him it should have been 100%. Idiot. Sad and having the right, but still an idiot. “The Steve Rogers I know wouldn’t give up.”
“How did you even-?” Steve asked incredulously, not trying to deny it, not even with his words.
As if Bucky still needed words with him. He knew him almost better than himself.
Also, it was funny how quickly Steve’s punch-induced mumble disappeared.
“You kidding? You’re acting like I didn’t know you since you were six. And during all that time, I didn’t see you give up, not fucking once!”
The slight raise in volume of Bucky’s voice stirred something in Steve – or perhaps it was the accusatory tone by which Bucky was shamelessly trying to provoke a reaction. Because really, Steve desperately needed to leave his overactive brain behind and experience some new emotion besides pure misery and guilt. Anger was okay, Bucky supposed – not great, but okay.
“Jesus, Buck! You know this isn’t it! Look at the mess we already made!” Steve exploded, throwing his hand in the air. “What about in the future? She was planning doing her master’s here! And what about in her future job? It was on the Internet – it never goes away! It will stay with her like a fucking plague, a bomb loaded with C4 ready to be set off! They’ll do a background check and come across it and decide that it would send a bad message to people. Or they’ll humiliate her again, mock her that she’s gonna start an affair on the workplace too. She won’t get the job just because of being with me and they’ll call her a whore on top of that--she doesn’t deserve that!”
The name you had been called stood out even in the long passionate monologue – Steve spited it out with so much venom and hatred towards anyone who would dare to call you that that Bucky nearly had to take a step back from the intense crackling in the air.
He watched Steve take a deep breath in silence, frustrated and sorrowful blue orbits watching with a silent plea to understand.
And Bucky did; he really did. To a point.
“She doesn’t deserve that, Buck,” Steve echoed in a whisper.
A whisper of a broken man, torn between seeking his own happiness on expense of someone else’s and doing what was right in his mind.
Bucky reciprocated the stare, simultaneously impressed and unimpressed as his mind had already put together what Steve had been thinking before saying it out loud. Steve’s speech only confirmed his fears of how Steve would twist what was happening into something he was to be blamed for completely... and would come up with doomsday scenarios.
Except there were always two people (well, sometimes more), when it came to this sort of thing, weren’t there? Two people who were equally participating in this relationship, both very much willingly.
“…you done?”
The plea in Steve’s eyes seemed to deepen before he averted Bucky’s gaze in shame.
Like Steve should be ashamed for the crimes against human decency others committed. Crimes like writing bad poetry and putting in on walls.
“No. You know what else is there. I know you know.”
Yes, Bucky knew.
“You bet your perfect dramatic ass I do, Rogers. I figured they weren’t exactly love letters, because you have zero poker face. How many times? What did they call you? A perv? A molester?” Bucky grinded his teeth, the urge to hit someone returning instantly, hungry and thirsty for blood – and Steve’s nose wouldn’t do this time. He needed a real asshole so he could feel like he made a difference.
Bucky was aware that Steve had started receiving the hate letters almost as soon as the whispers about the relationship started. He had never said a word about them to Bucky and at first, Bucky had been thinking they might have been love letters from someone else, causing him to frown, because in which universe wanted Steve someone unhappy, let alone because of him?
But it soon dawned to him; precisely because Steve hadn’t shared them. Not with Buck and not with you, he suspected. He couldn’t decide which was worse.
“…among other things,” Steve sighed and shook his head. “It would be tiring, it is, but… you’re right. I don’t give up easily. That kind of hate letters… those I can handle. But they said I’ll ruin her future too… and they’re right, it’s already started. I can’t-- not her, Buck. I can’t watch her deal with that bullshit. This can never happen again. I—I have to let her go.”
Weren’t they just over it? That Steve’s head was in no state to make reasonable choices?
“You cannot unring a bell, Steve. It’s done. You said so, it’s on the internet. Tony’s done his best to delete the trail, so the digital print is practically non-existent, but it’s done,” Bucky remarked matter-of-factly. “The things you’re saying, they might be true to some extent, not as tragic as you paint them though. The question is – are you gonna fight for the two of you, so the good stays too… or are you gonna leave like that, on that real fucked-up note and regret it in few years’ time when you look back at this?”
Bucky could pinpoint the exact moment all fight left Steve’s body – his shoulders slumped and his expression turned resigned, almost desperate as he looked up into Bucky’s eyes, his gaze speaking thousands of words.
“It doesn’t matter,” Steve whispered, averting Bucky’s gaze then, focusing on his desk instead, staring blindly ahead. “She wouldn’t talk to me, Buck. I tried, you know that. She’s done with me.“
Bucky sighed and leaned his palms onto the desk, easing the pressure on Steve’s poor tormented soul by softening his demeanour. In the end, all he was trying to do was to help – no matter how frustrated he was getting.
“Of course she wouldn’t talk you, Steve. She’s probably just as caught up in her head as you are in yours. I just hope that Cooper is working on getting her out. What did she tell you?”
Steve gulped and bit on the inside of his cheek. Bucky would swear he saw a hint of a blush on his friend’s cheek and an unpleasant hunch crept up on him.
Oh no, he didn’t.
“…that I shouldn’t come over so I don’t push her too much. That she might not be responding, but she’s listening to all of my voicemails and reads all the texts and e-mails, so until she explicitly asks me to lose her number, I should keep trying,” Steve mumbled, traces of both hope and shame lacing his voice.
Bucky pushed off of the desk and huffed loudly, looking up to the ceiling and pleading God for strength.
A dumbass. His friend was a complete and utter dumbass.
When Bucky spared him a glare that told the blond what he was thinking, Steve sunk further into his chair.
And Bucky was honestly so so done.
Hadn’t he been delighted at the turn of events and Penny, the best friend, giving them hope, he might have punched Steve again for being a dramatic fool. And for being an idiot.
“Sometimes I think you like getting punched, Steven, I have no other explanation,” Bucky deadpanned and then closed his eyes and went to massage the bridge of his nose to ease the headache that was starting to build up in reaction to stress. He loved Steve to bits, honest to God, but he really could be an idiot sometimes. “So you talk to the friend, who probably knows her through and through, she tells you this and still you go: nah, let’s leave her alone, let’s break things off, let’s give up. Jesus, Steve.”
Steve held up his hands palms up, apparently lost and clueless.
Okay, Bucky felt for him. But still.
“I don’t know what else to do, Buck. I- I love her. She’s everything I could ever want, I cannot imagine losing her. It’s… it’s making me sick to just think-- but I don’t want to ruin her life either, Buck, I don’t want to-“
“Be happy?” Bucky interrupted, earning a deadly glare from his friend. “Don’t give me that look. I told you. Now, she’s probably still processing, just like you. Her head is probably a mess… just like yours. I know it’s hard, fuck, I know. But try and do what Cooper is telling you and stay patient. Oh, and I don’t know, maybe just-- don’t. Give. Up.”
Bucky had to gather his next thoughts, not at all happy about what he was about to say next, feeling like he was undermining the message he was trying to get through. But he believed that Steve needed to hear that too – his righteous side would love it, in fact.  
“And then, let her make the choice. It will hurt like a bitch if she decides to break up, but at least you won’t be making her choice for her. I think there’s a fair chance that she’ll come around. She likes you a lot too, you know.”
“She said anything to you?” Steve’s head snapped up automatically, his face lighting up with a hint of an eager smile.
Hadn’t he been so cute, Bucky would have rolled his eyes at him. Instead, he shared his observation that took zero effort to gain. Everyone who had at least one functioning eye would notice… which included Fury. Anyway-
“She didn’t have to. It’s written all over her face, in her body language. Shit Steve, you practically live together, how can you even doubt her feelings for you? I thought you were like… soulmates almost. Shared everything and stuff…” Which lead him to another thought, a brief surge of fear that there was one thing that might complicate this matter further if possible. “But she doesn’t know about those ‘love’ letters, does she?”
“God, of course not!”
“Good, then she can make a decision to overcome this on her own, just like you decided to deal with your problem alone,” Bucky offered and a smile slowly spread on his lips. “Just… share it with her once things are a bit calmer, will ya’? You don’t want her to find out on her own.”
Steve mirrored his expression, the tension in his body visibly easing. Bucky could kiss Penny Cooper at that moment. Hell, maybe he would the next time he saw her, just because.
“…you really think I should keep trying?” Steve asked, genuinely curious, but obviously knowing the answer already, seeing as his bashful smile widened.
Really?!
“Steven, my hand hurts, don’t make me punch you again.”
“…point taken,” Steve chuckled, turning his palms to Bucky in a show of meaning no harm. And not wanting to get hit again, probably. “I can’t believe you hit me.”
Bucky had to admit that it wasn’t his brightest moment – but hey, it worked, so guess it was sort of a genius move after all.
His eyebrows jumped suggestively, teasing. “Didn’t think I’d see the day you’ll be on the receiving end of the infamous Barnes’ super-jab.”
“Oh, quit bragging.”
“Blah blah blah, you’re just mad because my fists are like made of iron,” Bucky exclaimed, clenching them and showing them off, causing another chuckle bubble in Steve’s chest.
Bucky’s heart jumped in joy – it was like gift from heavens to see Steve like this after the days of gloom.
“Jerk.”
“Punk.”
“Thank you,” Steve retorted in the same manner, but Bucky read honest gratitude in the two simple words.
“You’re welcome,” he replied with the similar simplicity and depth they both understood. “Drinks?”
“God, yes.”
“No hard liquor tho, we need you in good shape when your girl calls you back,” Bucky pointed out, satisfied when Steve’s smile widened a fraction more.
“You got yourself a deal, Buck.”
⊱-◦-◦-◦-◦-◦-◦ ✉ ◦-◦-◦-◦-◦-◦-⊰
The night before graduation ceremony, Steve forwarded one of the strangest texts he had ever received to Bucky: Come. Incognito. Blend with the crowd till you get a signal.
Steve apparently wasn’t sure what was your best friend trying to say – or he rather had no clue why would she ask him to do that, why come to the graduation (which made him hopeful) and why in secret (which confused the heck out of him).
He and Bucky agreed that Steve should listen to the advice though; what did he have to lose anyway?
Few minutes before midnight, Steve sent a simple answer: OK.
Several moments later, somewhere in the campus, another phone beeped on a young woman’s nightstand.
Operation: Morons is on.
⊱-◦-◦-◦-◦-◦-◦ ✉ ◦-◦-◦-◦-◦-◦-⊰
Part 3 (final for Attached: Hurtful Words)
⊱-◦-◦-◦-◦-◦-◦ ✉ ◦-◦-◦-◦-◦-◦-⊰
Thank you for reading! 
It got a bit out of hand... I really had planned this to be a two-shot for the series, but my usual longwinded writing got in the way. I hope that’s okay and that you liked the Steve-Bucky bro moment at least a bit :)
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shorkbrian · 4 years
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You were going to be his
Prelude - 
Pairing - Shouto Todoroki X Reader.
Warnings - uhhhh stalking? otherwise sfw.
Prompt - “There was only one thing in the world that made him feel, and that was you.”
https://youtu.be/Ep6nGsQjWGk This is the vibe of Shouto’s internal process.
I feel the need to explain? Shouto thinks he doesn’t “love” and all that cause yanno, lil emo boy. But in reality, he does love reader, just in an extremely dark, obsessive, terrifying way. His view of love was so skewed by his parents and he absolutely refuses to be like them. In his mind, he can’t make the same mistakes because in Rei and Enji’s relationship, they both had autonomy (at the beginning lol). 
This is so slow to start I’m so sorry.
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Todoroki Shouto never planned on falling so deeply in love. He actually never planned on falling in love in the first place. He had seen what love looked like, and wanted no part of it. The effects of his fathers love towards his mother had left her scarred emotionally; which resulted in Shouto becoming physically scarred. Love was too painful for the young man to have in his life. There were other, more important things for him to focus on, mainly his work as a pro hero.  As soon as he had graduated from UA, Shouto had gone to work immediately. His father had envisioned his son becoming number one, but Shouto never deigned to progress into the popular hero rankings, not even breaking into the top two hundred. Many called him a  “wash-out” or a “waste of a good quirk” but the comments never bothered him. Years of dealing with his fathers abuse had taught the man to harden his skin and ignore the hurtful words directed at him.
Instead, Shouto was content with a more laid-back hero career. One that allowed him to have long weekends and restful nights. His favorite perk of his slow-paced-work as a hero, was the fact that he had time to visit local shops and browse bookstores and chase after anything that caught his eye. Growing up under the stern rules of his father, the young man had never been allowed to have interests of his own.
With freedom, Shouto found that he enjoyed cat cafes, and turmeric tea, and he gained a hefty appreciation for reading. The man loved any subject he came across, from fiction to horror and all the way to (surprisingly) romance. He voraciously tore through every book he could get his hands on, which is how he discovered his favorite subject.
You.
It had been his favorite type of day, a rainy one, when he first took notice of you. Rainy days were preferred because they warranted a warm drink while he read, listening to the soft plitter of rain against the large library windows. He had gotten immersed in a book about the intricacies and relation of nature and art, when some uncoordinated person bumped into the table he was seated at while they rushed past. His coffee had spilled over the book and into his lap, causing him to hiss in surprise as he dealt with the fact that not only was the book probably ruined, so was his chance of having kids. Worst of all, the person had run off, leaving Shouto to internally seethe as he was forced to try and clean the mess by himself. It was hopeless to try and dry the book, and he feared ripping it, so he went in search of a staff member.
You were organizing books on a high shelf, perched upon a little stepladder as you sorted through the titles. Shouto had to simply clear his throat to catch your attention, your eyes immediately falling on the coffee-soaked book in his hand. You quickly climbed off the stepladder as you assessed the situation, and Todoroki realized once your feet hit the ground that you were nearly the same height as him. Unusual, but not extraordinary.  He followed you closely as you led him through the library, assuring him gently that “this sort of thing happened all the time”.  That was admittedly a pleasant surprise. Shouto had expected to be made to pay damages immediately, scolded, and kicked out. Instead you were gentle, and kind, and your hands were so, so soft as they brushed against his when you gingerly took the soaking wet book from his grasp.
He didn’t know it at the time, but that’s when his obsession began to take root.
He started seeing you everywhere around the library. Always stacking books or organizing the titles, keeping your gentle hands busy.  He had begun to subconsciously look for you, feeling unsatisfied and irritable if he left without seeing you through the aisles. Shouto always blamed it on something that disagreed with his stomach, or the weather being too warm. It never crossed his mind that he was beginning to develop feelings for the quiet little librarian. His quiet little librarian.
The day the realization dawned upon him had already been eventful for the hero. He was unwinding by picking up a short book of poetry, sitting in one of the many deep armchairs the library had scattered in a designated “quiet space”.  It was merely coincidence that you were working on the other side of the space. Shouto hardly even realized you were there, but his subconscious mind felt safer while he was near you, and sitting anywhere else filled the pro-hero with a slight itch that something was not right.  Shouto’s attention had been pulled from his book when a Patron began talking to you, asking in a loud stage whisper where the “smutty romance books were” You had blushed such a pretty pink, stammering out a reply as you directed the woman to the right aisle. Cute.
It was less cute when a male patron approached you a while later, Shouto unable to keep himself from frequently glancing at you and your still-pink cheeks. At this point, his book was simply a cover to keep the man inconspicuous as he slyly watched you. The other patron had been a much better whisperer, and despite Shouto’s keen hearing, he wasn’t able to make out anything other than the soft lilt of your voice contrasting with the rough hoarseness coming from the patron.  Something was said that had you smiling bashfully, pointing the patron towards a shelf which they immediately wandered towards.
Shouto had to stop himself from ripping the book he held in half.
He had left shortly after, unable to sort out the myriad of feelings rushing and surging inside him. The man rushed home, unable to get your innocent blush and sweet smile from replaying over and over in his mind. Shouto wanted that to be caused by him; for him to be the one that flustered you and made you squeak in embarrassment, to watch your face scrunch up as you cried. He wanted those reactions to be because of something he did, not anyone else. He wanted you.
He needed you.
It was easy, really. Almost frighteningly so. Finding out your home address was as simple as following you back to your small apartment. Then it was a matter of coming back while you were working and picking the lock to get inside. This was elementary work for the pro-hero, and the man felt a surge of possessiveness as he thought about how accessible you were to others. What if he was someone who was breaking in with bad intentions? You didn’t have the capability to protect yourself.  
He went through your mail, gleaning your name and other tidbits of information as he worked, the entire time thinking of how vulnerable you were. It had been effortless for him to get to this point. But then again, you were so naive and trusting you would probably let anyone in your apartment, like a lamb opening the gate for a wolf.
 Shouto began following you. His weekends were no longer spent chasing after multiple interests. Now he only chased one. The hours he didn’t spend working, he spent watching you from a distance, taking care to stay out of sight so as to not scare his librarian. Shouto made sure that any man who did cause your heart to beat faster (whether out of fear or arousal) was taken care of quickly and silently. You didn’t deserve to have other men causing you trouble.
Over the months the young man learned so much about you. Every new fact or tidbit he gleaned cemented the reality that you were perfect for him. Shouto was still of the mindset that love wasn’t for him; love meant pain and absence and hurt. All he felt when he looked at you, when he was around you, was a deep warmth in his heart, and and need in his mind. He wouldn’t mess up like his parents, like his father did. 
No, love wasn’t for him; he didn’t need to love you. Shouto was going to own you, possess you in every sense of the word. 
You were his, and changes would have to be made in order to make you realize that.
Shouto began preparing
There was only one thing in the world that made him feel, and that was you.
If you were the only person in his life, he needed to be the only person in yours.
You were going to be his
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realisaonum · 3 years
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book meme
thank you, jen @det395​ !! i feel like this meme got away from me a bit, but no shame! i love talking about books and writing so onward ~under the cut~
1- how many books are too many books in a series? 
mhmmmmm i guess it depends on the objective of the series, right? is the plan to have x number of books in the series and if so, when we finally get to the end will it be satisfying considering all the books we’ve read leading up to it? OR is the objective of the premise / characters just to exist doing whatever? both can be done well. i would say a lot rides on how much i trust the author.
2- what do you think about cliffhangers?
so this is meant for cliffhangers in a series like between books? i don’t really care if there’s a cliffhanger as long as i have the next book sitting right next to me. otherwise uh, only if the wait between books is tolerable, because at that point you need to know that the author can clear this mess up, right? there’s this other thing, like you know how if the entire series was already written, then they might release the books a month apart or a quarter apart - that could be alright too. but years in between? not especially a fan. is anyone a fan?
3- hardback or paperback?
jen, you and me are complete opposites here. paperbacks stress me out. i will go out of my way to buy a used hardcover if given the choice. of course, there are some publications i don’t mind in paperback —thinking poetry and super indie books that don’t have a hardcover release OR books where the spines are thin enough they won’t break and i won’t be holding them long enough for them to wear. hardcovers are sturdy and i don’t have to worry i’ll accidentally bend the cover in some damaging way. I am invested in keeping my books nice to the point that i create covers for my books out of kraft paper or brown grocery bags while i am reading them. this is something i started when i was in college and didn’t want these books i was hoping to probably resell get thrashed coming in and out of my bag for all these classes. My home library is probs more half and half paperback/hardcover but if given a choice usually it’s hardcover.
4- least favourite book?
i think it’s good to at least attempt to meet a book on its level. there are lots of books i didn’t like, but i wasn’t meeting them on their level and i know that so we’re ignoring those. i do however have a shelf on my goodreads dedicated to books that i have beef with so i’ll just go off on two of them.....
tana french’s the likeness for being plagiaristic shit. it is essentially poorly concealed alternate universe OC insert fic of the secret history. you’ve got french’s dublin murder squad folks and then this group they are investigating who bear a STRIKING resemblance to the greek students in tsh 🤔. this would be one thing. it is pretty well acknowledged that nothing is original and there are enough changes to The Likeness that MAYBE i could let it slide if not for this other thing: french’s book, the likeness, has lines that are just basically reworded quotes from the secret history and french positions these lines so they are said by the counterpart (essentially same!) character that gave them original life in tsh. i cannot stress this enough: you can HEAR how similar the sentences are and their core intent is always the same. it’s thinly veiled theft! it astounds me that French hasn’t been sued frankly. it is one thing to want to capture some of the genius that tartt’s debut novel holds, but it is completely lazy and disgusting theft to go about it in the way French did with this book. and YES the secret history was published before french’s book. if i could stomach how fucking goddamn boring the likeness was to read it a second time and cite every one of these offenses i would, but that’s yet a third strike against it—it’s too boring to be worth it. 
T. Kingfisher’s second book of the Clocktuar War duology : The Wonder Engine. this is a book that i feel violated the contract between writer and reader. the first book feels almost like a YA book. the stakes while described as very high are treated, as actions unfold, as very low. nothing truly irreparable happens until the climax of the second book and the fallout of that action is so off-tone of everything that came before i felt deeply betrayed. no, like, completely betrayed as in it ruined the rest of my afternoon, i am still viscerally angry eight months later, and i will never trust this author again. sure, maybe none of those actions that led to the climax were out-of-character, but there was nothing NOTHING in the proceeding action that even came close to that level of consequence. it’s a pity because right up till that point i was having a really good time. the entire vibe of the rising action to the climax of book one all the way through the rising action of book two was just a quippy fun version of roadtrip/quest - it felt like a comfort read. the abrupt tone shift had all the subtlety of dropping a graphically, brutal murder into Blue’s Clues. you don’t do that - this is a basic tenet of a writer / reader relationship. i’m not touching this bitch’s shit again.
5- Love Triangle, yes or no?
not so much. i like jen before me will scream ‘just be poly.’ love triangles that lead into poly relationships? yes, awesome will be glad i read. but i am at a stage in my life where your standard will-they-won’t-they-love-triangle is just fucking pointlessly frustrating to me. an example: i read a Nic Stone’s book Odd One Out a couple years ago and something about the synopsis or the hype made me think that it would resolve the love triangle that way, so when that did not happen i was incredibly frustrated and immediately wanted to resell the book. it’s the potential of the thing. stone’s book could have been the perfect vehicle for opening up the concept of polyamory to a ya audience but instead just really squandered that potential with weak floundering — in my opinion!
6- the most recent book you just couldn’t finish
uhhhhh i’ve got two and i’m not sure i’ve entirely given up quite yet buuuuuuuut 
fucking dune. i got really pissed off with this book. So just…setting aside the whole vaguing at a pedophilically inclined queer coded villain - it’s done so poorly, that it's almost funny? like it doesn’t (as of half way through) actually have any consequence on…anything at all and is tacked on like an afterthought to the end of his scenes. honestly it all could just be cut out entirely with no recourse to the larger story. So my actual beef with this book is the pacing is ATROCIOUS. like yo, not only do you expect me to give a shit about these Atreides cunts, when we just met them and we spend the same amount of time with them IF NOT MORE with the antagonist? but you also expect me to believe Paul was able to just convince the leader of the Arrakis people —the leader of an entire planet!!— with a single fucking sentence??? yeah, not so much. it was not set up for me to believe that Paul could do that! maybe if Kynes hadn’t died immediately after—or at least not died at that moment? baring the fact I thought he was by far the most interesting character, IF he had been convinced by Paul in that scene, it would have been great to see some actual work done around that - with a transfer or a liaise of power between Kynes and Paul and the Fremen. By not having any substantive scene that does it - it begs the question of what the fuck was the point of the character in the first place? unplumbed potential!!! over all there seem to be some key scenes missing to get the reader to where the narrative expects us to be? but the choices made of the characters we spend time with and the moments we see with them, the benefit to the larger story…is not always there. hey herbert, these words you have written aren’t doing what you want them to?? i feel like i should finish it but i reaaaaallly don’t want to :) the only thing i can say is it looks like from the trailer, villeneueve is giving space to these moments so that the viewer can foster a genuine connection with the characters? radical concept.
our lady of perpetual hunger - i started this one optimistically bc i like chef memoirs, but i am at the point where she has just given birth to her son and honestly DON’T CARE. i still haven’t officially given up on it yet since i actually fucking bought it like a dope. i certainly would not have if i knew how much NOT about working the line this was gonna be
7- book you are currently reading
Aside from the failures mentioned above, I am working on the second book in B. Catling’s Vorrh trilogy, The Erstwhile. Also very close to finally finishing Iain Sinclair’s The Last London - there’s a review of his work from the LA Times that goes “One of Sinclair’s greatest skills has always been his ability to take diverse if not chaotic source material and refashion it in a way that sometimes seems downright alchemical” which captures some of the wonder I experience when reading his work. His style and how he creates atmosphere and setting is just unique and astounding.
8- last book you recommended to someone
The Secret History by Donna Tartt. Before that I told my brother to read Eat a Peach, as we both love Anthony Bourdain and David Chang talks about him a bit here, plus it’s just a fucking great book. any book that gives insight into Chang’s methodology and paradigm is worth a shot.
9- oldest book you read
I think it might have to be Shakespeare’s Twelfth Night (which apparently according to wiki premiered on the stage a whole four months before Hamlet so that’s what we’re going with) and if plays don’t count, I don’t care. I think they count and that’s what we’re going with.
10- the most recent book you read ?
Given the previous question, the most recently published book, right? It’s gotta be the one I just finished: The First Collection of Criticism by a Living Female Rock Critic - Revised and Expanded edt., which like just came out this summer. I watched Jessica Hopper’s promo zoom, curtesy of my local indie bookstore, and went ahead and bought it. This was a great decision! It was just what I needed to read these last couple of weeks. i love there’s lots of short pieces that made the read quick and the fact that it’s non-fiction so there was no pressure of a plot or the emotional weight of character investment when I had a lot of big stressors dragging me down irl -it was such a relief. Hopper’s criticism is fun to read and there’s some real art in her appreciation of music here.
11- favourite author?
These are the top in a kind of order but not really: Donna Tartt, Jeff VanderMeer, Megan Whalen Turner, Flannery O’Conner, Chuck Palahniuk, Anthony Bourdain
Other faves very much worth mentioning: Emily O’Neill, Richard Siken, Brandon Sanderson, Warren Ellis, Nathan Englander, Stephen King, Eddie Huang, Carl Hiaassen, Anne Carson, and Iain Sinclair.
12- buying books or borrowing books?
Depends on if my library has it, of course! I nearly always see if my library has a copy first if i have never read it or the author before. If i’ve read the book before or trust the author, I’ll buy it. Like I’ll straight out buy new stuff from Jeff VanderMeer even though with him it’s either this-hits-exactly-and-is-my-new-fave or i-really-disliked-this-but-admire-the-boundaries-you’re-pushing-my-dude - so it’s always a gamble but a worthy one.
12- a book you dislike that everyone else seems to love
a little life (just bc it's torture porn elevated to art doesn’t negate the fact that it’s torture porn. Yanagihara’s project here is repugnant and the fact that this book is lauded as moving lgbt fiction makes my skin crawl)
sharp objects (good writing, compelling story, BUT typographical scarification doesn't work like that - i am not going to get into it but i know from first hand experience how Flynn described it is not accurate)
nesbø’s the snowman (what kinda dumbass detective would think THAT when a woman finds her missing father’s corpse? absolute idiocy - so obviously reverse engineered with that end in mind)
the raven cycle (fuck ronan lynch to start and then fuck him to end as well - there’s some other stuff but mostly he’s a total CUNT and if i don’t say that once a day i have probably died)
14 - bookmarks or dogears?
Bookmarks and sticky notes. Then I can place it pointing directly to the paragraph I last stopped on.
15- The book you can always reread?
This is my question because I reread all the time. ALL THE TIME. Books I reread often: The Secret History, Medium Raw (especially chapter 17 The Fury), Crooked Kingdom, The Violent Bear It Away, and The Goldfinch. Every year like clockwork (since it came out apparently) I will reread Stephen King’s The Outsider.
Other books I feel the urge to reread: VanderMeer’s Acceptance, Englander’s Dinner at the Center of the Earth, Frazier’s Nightwoods, Fresh Off the Boat, the Mr. Mercedes trilogy, the Peter Grant Series (which is queued up for another go here soon I think), any of the stories from A Good Man is Hard to Find, Sanderson’s Wax and Wayne Mistborn books, simon vs the homosapiens’ agenda, and there are two of Alan Morinis’ books on Mussar that I am technically always revisiting—when i need a reminder, i’ll jump around and read specific sections to get centered again.
16- can you read while listening to music?
Yes, but only ambient or near ambient (only usually one track on repeat) or a soundtrack I am extremely familiar with. No new music. I do usually need some audio stimulation or my mind will wander terribly.
17- one POV or multi POV?
Multi pov can certainly be done well (looking at the soc duaology and VanderMeer’s Acceptance) but working a multi-pov means there are more plates spinning, it’s more of a challenge, and some authors pull it off better than others.
18- do you read book in one sitting or in multiple days?
I don’t really do this anymore. that might have something to do with me picking up thicker books? but also i have a full time job now and let’s be real the book has to be hella good if i don’t want to put it down. the last book i attempted to shotgun was the final installment of my favorite series and it still took me two days so....i can get through a lot of books but none of them are ever in one sitting anymore.
19- who to tag:
@sybilius​ @mouth-rainboy​ @iwonderifthatisart​ @phereinnike​ @magnificentmoose​ @wambsgangs​ @moriarteaparty​ and anyone else if you feel so inclined!
Bonus Question: What’s on your to-read shelf? 
As for me, I am excited about one i just picked up, Danforth’s Plain Bad Heroines, which i might start tomorrow and I will be taking Paul Madonna’s Come to Light on my trip to see my brother this coming weekend. 
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curious-menace · 3 years
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Arkham Scarecrow SFW Alphabet
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im really enjoying writing arkham scarecrow. maybe ill do something similar to my random riddler headcanons posts with some scarecrows
long post under the cut
 A = Affection (How affectionate are they? How do they show affection?)
Uhhh, the short answer is no. Jonathan is almost wholly incapable of what most people would term “affection”. His idea of loving is not using you for his experiments, only giving you small doses to build up your immunity( not that that will stop him from enjoying watching you panic). Jonathan leans heavily on gifts and words of affirmation as his language of love ( assuming he can even feel that emotion). He calls you  “my dear”  and “my darling” or once “my pumpkin” if he had too much to drink. 
B = Best friend (What would they be like as a best friend? How would the friendship start?)
Jonathan would make a good friend if he could ever be wrangled into admitting it. He’s a complete bastard, but he's a loyal bastard. He always goes above and beyond for his friends but it's always in a “aw shit. My favorite idiot needs help AGAIN?!” begrudging , kind of way. You probably met in university/college and if you've stuck with him this long he’d be hard to get rid of.
C = Cuddles (Do they like to cuddle? How would they cuddle?)
He never asks for cuddles and is pretty touch adversed as a rule. Sometimes though, He simply plonks himself in your space and expects you to know what he wants. Usually it's gentle backrubs/strokes like you would with a child. Sometimes he just wants your warmth to sooth his aching body. He’s heavier than he was in Arkham asylum but still very underweight so you shouldn't have too much trouble moving him into a comfortable position.
D = Domestic (Do they want to settle down? How are they at cooking and cleaning?)
Absolutely not. I'm not convinced this man owns more than his books and the burlap sack on his back ,never mind a home. He has plans to take the cloudburst on tour, to go cross country and then across the world spreading fear. That would be a little difficult if he had gotham mortgage sending him nasty emails every other day about missed payments. While he can cook and clean, I doubt you'd want to eat anything he made. Ignoring his filthy hands, he's probably laced it with fear toxin or a lethal amount of hot sauce.
His homemade cleaning chemicals are pretty stellar mind you. They can get blood, piss or tears out of anything. 
E = Ending (If they had to break up with their partner, how would they do it?)
Scarecrow really is a ride or die kinda guy. If you've wormed your way into his life then he’s going to do literally everything and anything to keep you in it. He’s not above making you dependent on him for safety just to keep you around longer. He’s not a total monster to the people he cares about mind you. If you really didn't want to be with him, he’d let you go….eventually.
I'm not sure he fully understands the concept of a “breakup”on his end. He gets that you don't see eachother anymore but I don't think he quite grasps that it's not because one party is dead. There's a 99% chance he’ll use you for his fear toxin experiments as a way of kicking you to the kerb. If you wake up in a ditch with a text that says “we’re through” you should consider yourself lucky. 
F = Fiance(e) (How do they feel about commitment? How quick would they want to get married?)
I canon arkham scarecrow as having been engaged at one point in his life, possibly around the time of origins. I can imagine his partner gave him a “me or the fear toxin” ultimatum which has led to the man you know now. Despite how he looks, how he speaks and acts, he’s still open to the idea of a partner. He’s a loyal man who can't stand backstabbers, he’d appreciate someone like a spouse/husband/wife to have his back. If he decided he wanted to get married he’d propose almost immediately. It might be more of a business or thesis type proposal with lots of talking rather than flowers and wine and you're likely to be married as soon as you said yes. 
He has a tiny pumpkin ring saved for the occasion. Something like this (image credit https://www.banggood.
G = Gentle (How gentle are they, both physically and emotionally?)
He’s gentle, in a creepy way unsurprisingly. He was a little stronger than the average man before the incident with croc, all that cardio and fighting with batman made him a skinny legend amongst the rogues for how well he could fight. Now? He couldn't fight his way out of a paper bag. Mostly he's calm and soft, especially when you wouldn't expect him to be.  He can still be an emotionally manipulative person but chances are good you're smart enough to see right through him. Calling him on his bs is actually a good way to endear yourself to him. He likes a challenge and he loves it when people think they can outsmart him.
H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)
Hmm. yes and no. Scarecrow is severely touch adversed, but...It's not like with Riddler; Edward is on the autism spectrum and genuinely gets overstimulated by a lot of physical contact, he doesn't usually enjoy it unless under specific circumstances. Scarecrow WANTS to be hugged and held on occasion, but the mere thought of someone in his personal bubble sends his hackles up. 
When he first woke up after the asylum, he clung to you like a lampent. Scarecrow gives and recieves hugs like someone who needs them to breath.Your warmth soothes the aching pain when even drugs couldn't . By the time of Arkham Knight he’s grown cold and distant. His hugs are few and far between and unusually half hearted even when he initiates them. Maybe he’s just preoccupied with batman.
I = I love you (How fast do they say the L-word?)
I doubt he’d ever say the words ``i love you” but he’s absolutely going to quote love poetry at you, recite lines from his favorite literature  “shall i compare you to a summer's day” and all that. That’s far better than a simple “i love you” right?
J = Jealousy (How jealous do they get? What do they do when they’re jealous?)
Jonathan is sort of one note when it comes to expressing frustration. Coffee machine not working? Melt it down into fear toxin vials. Line at the grocery store? Gas everyone out of his way. He doesnt get mad, he gets even. He’s not a super jealous person, he’s probably the most secure in himself out of all the rogues in Gotham bar Selina and ivy. But when something does hit his jealousy bone just right? LORD HE IS TERRIBLE. 
Unless you were the instigator, you are 100% safe but the poor soul who made the mistake of flirting with you will never see the light of day again.
K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)
He can't really kiss to be honest. He lacks a lot of lip tissue and tongue dexterity for deep smooching. He’s quite happy to give you little pecks on the cheek but anywhere else will get sloppy and he's not a fan of that. Jonathan has actually started to bump you with his head like a cat in lieu of kisses. Rare as it is, when he wants kisses he has a tendency to nuzzle into the crook of your neck or rest his head on your shoulder. He likes to be kissed on the cheek , forehead and top of his head. Most other places are covered in scars and lack the sensitivity to enjoy it.
L = Little ones (How are they around children?)
He likes to scare kids. It's not as malicious as it is with adults, he just likes to yell boo at them, smiling as they scream and giggle and run away. It's probably the most innocent he’ll act around other people. He still doesnt like them per say but he’ll tolerate them in small doses. 
M = Morning (How are mornings spent with them?)
Scarecrow , like most rogues, is not a morning person. He doesn't sleep well and he is hella grumpy when he first wakes up. Expect to watch him shuffle around his hideout like a zombie, still wearing a quilt and his dressing gown as he complains about everything from the weather to the loud creaking of the floorboards. You should present him with food and coffee and then retreat to a safe distance until he’s fully awake, otherwise he’s liable to turn on his grumpy old man routine on you. If he's feeling particularly sore or needy, he’ll ask you to help change his bandages and dressings .
N = Night (How are nights spent with them?)
It really depends on what he feels like in the moment. Sometimes he’ll leave you at home while he goes out to cause general mischief, sometimes he’ll bring you along as a look out. Sometimes it's a low-key night at the hideout reading and sometimes it's a caffeine fueled frenzie of experimentation and lab work with you as his trusty lab assistant.  He doesn't sleep well at night, the aches keep him up. If he were ever to actually go to bed he might find that you make a great pillow.
O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)
As much as he resents people having the upperhand with information, it's hard not for people to see his past. His scars are so easily visible, inside and out. He doesn't talk about his past unless prompted. But if you do he’ll quite happily answer all your questions; he’s not afraid of discussing it. 
P = Patience (How easily angered are they?)
Jonathan is a very patient man, not just when it comes to revenge.It takes quite a lot to make him fly off the handle and he cools off again quickly. That's not to say he doesn't hold a grudge like he’s being paid for it, only that it's more of a simmering anger rather than a boiling one.
Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)
He remembers most things about you, he has an excellent memory. But that being said he never lets on that he knows these things. He likes to hear you talk about the things that interest you, even if you've told him about it before. Watching you wax lyrical about your chosen subject makes him feel close to you. 
R = Remember (What is their favorite moment in your relationship?)
I don't know if it's a favorite or even a positive memory but when he first woke up from surgery after croc you were lying beside him. He was understandably confused, maybe even afraid, but seeing you there brought him great comfort. He didn't know what was happening because of all the meds, but as long as you were with him he was confident things would work out for him.
S = Security (How protective are they? How would they protect you? How would they like to be protected?)
He means well, you should always keep that in mind  before you snap at him. He brought you to the arkham knights HQ to protect you from his plans, he’s given you micro doses of fear toxin to build your resistance and by the time of arkham knight you can hardly move for the amount of guards he has following you around. He’s overbearing bordering on controlling but I think it's because he simply can't admit the thought of losing you scares him, even just a little. You aren't a rogue, you don't know Batman like they do. He just needs to keep you safe from batman, from the police and from the ugly world outside.
Given how weak he’s been viewed practically all his life, I believe he’d resent the accusation he needed protecting. deep in his mind he knows no one man is an island. He appreciates little helps even if he won't say it. He doesn't need protection per say but If nothing else, after being injected with his new toxin, he's going to need someone who’s corpus mentis in his corner for court and medical proceedings.  
T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)
His idea of a perfect date is you two working on your respective projects in comfortable silence, maybe a trip to the museum if he feels like the exercise. Obviously that suits some people down to the ground, myself included, but he gets that it's not for everyone. He’s probably ok with you planning the activities provided you warn him beforehand. 
Given everything he’s been planning for batman, things like important dates and even everyday tasks have a tendency to get lost in the fray. He's not doing it on purpose, He’s glad to celebrate these things with you if you remind him, He's just got his priorities in a funny order.
U = Ugly (What would be some bad habits of theirs?)
He shuffles his feet when he walks and is one of those people who always has conversations in doorways. You can never be sure he isn't aware of these habits and is doing them on purpose. He also used to smoke quite heavily but has since given it up due to his throat and lung issues.
V = Vanity (How concerned are they with their looks?)
It's sort of a mixed bag with him. On the one hand he knows he’s ugly, that's the point. You're MEANT to be scared looking at him, he’s leaning into it. But on the other hand his “look” is a carefully maintained visage; if it slips it might lose the intended effect. He might not be as scary to look at or worse, people might look at him in pity. It's not ordinary vanity or narcissism but yes, he is concerned with maintaining the way he looks 
W = Whole (Would they feel incomplete without you?)
The concept of feeling whole is somewhat lost on him; He’s clearly missing a few screws even in his most lucid moments. That said even in the depths of madness brought on by his toxin, he still notices your absence. Still incredibly distressed In his cell in blackgate, he can often be heard crying out to you for comfort  but is lacking the wherewithal to understand why you're not there. 
X = Xtra (A random headcanon for them.)
Given that he has pretty extensive facial injuries, eating is pretty difficult for him. He used to really enjoy bagels and cubanos from gothams many deli’s. His favorite was a kosher deli in The Cauldron, before Joker ruined it. They’ve since rebuilt and while he can't eat many solids anymore , he still enjoys their matzo soup and smoothies. 
Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)
Like most of the rogues, he absolutely can't stand bullies.He also can't stand physically aggressive people; if you're going to even TRY and intimidate him maybe you could use your words like someone with more than 2 brain cells to rub together, rare as that is in gotham. Back when he was a psychiatrist he hated people who were chronically late. Not his patients, most of the time it wasn't their fault  due to executive dysfunction or traffic, but people who kept HIM back and made HIM late were the bane of his existence. 
Z = Zzz (What are their sleep habits?)
Crane is a back sleeper who snores because of his damaged septum.He knows he makes a noise akin to a flip flop in a lawn mower but there is literally nothing he can do about it besides sleep on his stomach. He squirms around a lot in his sleep so even if he starts on his stomach, he’ll be on his back snoring like a dead horse in no time. The only thing that could keep him frontwise is if he were to sleep on you and have you hold him in place. 
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gayregis · 3 years
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what's a witcher headcanon you have but has literally nothing to back it up?
like i know eskel would be scary good at estimating times for a microwave and milva would be a god at jenga. why/how do i know this? who's to say
i can actually somewhat explain both of those headcanons. eskel either can cook (correct, wholesome headcanon) or can’t (wrong, stereotypical canon) and both of these possibilities mean he has to know how to use a microwave really really well. as for milva, butches love construction, jenga is practically the science of building houses but as a game.
as for my own... hm kind of difficult because a lot of my headcanons are based in canon so... some of these are more connected to canon than others, but they’re closer to my own uniqueness rather than sapkowski’s work:
dandelion
dandelion’s family (the de lettenhoves) paid for his college education in exchange that he would never use his true name and titles when he published his works, because they are a family largely involved in governmental appointments, and did not want any horrible saucy love poetry (most of what he wrote when he was nineteen) being linked back to them. to this day they’ve disowned him, he lost his lands, and he is forbidden from coming back to any of their estates if not undercover. it’s all very hush-hush. they tricked him into thinking that it was for his own good, telling him that his real name was far too famous, even more famous that he would be soon...
dandelion’s father died when he was young, which led his mother to guide his childhood (basically instructing the servants to raise him) in a strict and masculine direction... this obviously did not work out as planned. but it’s largely why dandelion is regarded as a disappointment by his family, because he was expected to follow in his father’s footsteps to stay at the estates (ha!) and marry (ha!) to create an alliance with another noble family.
dandelion and essi’s entire backstory that i’ve planned out: essi enrolled as a student at oxenfurt and as a first year she was appointed by the department to be under dandelion’s guidance. they hit it off on the wrong foot at first (essi thought dandelion was lazy and slovenly, dandelion thought she was prissy and stuckup). but dandelion quickly recognized that essi was extremely talented and had a gift for music, so he asked her why in hell was she directed for further guidance? she admitted that she had stage fright... horrible stage fright. he laughed, thinking she was joking. she wasn’t. the story that follows then is that essi’s stage fright was symbolized by her iconic hair which fell over one eye, which was mocked by her peers - dandelion advised her to own it instead and turn it into a persona - much like what he did when he was her age, his peers called him dandelion (buttercup) on account of his blonde hair that has a tendancy to fan out like petals, and he adopted it as his persona.
on a similar note, what dandelion’s office at oxenfurt looks like: it’s basically treated as a walk-in closet for outfits he’s purchased but doesn’t have a permanent space elsewhere for. other valuables that can’t be kept on his person or in his saddlebags are kept here too. it’s much less of an office to do work and way more of a storage room. the desk has many finished bottles of alcoholic drinks and a lot of manuscripts stored inside (his own, because of the works he admires, he can recall from memory precisely what was written in them)
milva (sorry all of them are about her being a lesbian)
the dryads of brokilon adore milva more than they would ever let on. they find her very interesting because she’s a human, but she’s also one of them, but she also works with the scoia’tel. when milva comes back to brokilon after a journey, she finds herself crowded by dryads asking her how she is doing and what happened on her trip. because of this, milva’s quite good at storytelling, in her own colloquialisms and manners of speech. the dryads are captured by her stories of the world beyond brokilon, and very much enjoy her company, though milva was unaware of exactly how much they enjoyed it (if you get what i’m saying). 
milva realizes she’s a lesbian in toussaint because of her encounter with the baron de trastamara, in which she rebuked his marriage proposal and cried at the kitchen table and in the stables. she appreciated the baron’s friendship more than his romantic advances, and she was crying because she was upset that she couldn’t find true romance in her heart for him. angouleme states at the kitchen table that the hunting trip was overnight, suggesting that the baron asked milva for sex. i headcanon that he did, and milva couldn’t find it in herself to say yes. when the baron became upset at this and pestered her a little to find out why she refused his advances, she had an emotional outburst at him and left at once, for she herself didn’t really know.
additionally, many of the women shopkeepers in toussaint flirted with milva but she didn’t understand their advances. particularly a fishmonger and a fletcher, both of which are OCs... it wasn’t until angouleme (not giving milva an option on whether to accept her company or not) followed milva around on errands one day that she witnessed their interactions and then (in a very annoying little sister manner) bugged milva about how cute of a couple they would be, to which milva took shock and offense. but this got milva thinking about the subject.
regis
regis took on a variety of ridiculous titles when he was younger. “the prince of darkness” and things like this. it added to his already quite-long name. it sounded as stupid as it does with me explaining it.
regis has never paid rent or taxes. he acquired the house and shop in dilingen because he came to the city after he had rehabilitated himself, and found it in a state of disrepair and abandonment. he fixed it up very nicely (perhaps much like as he did with himself... symbolism!) and grew flowers in the windowsills. when city officials came to investigate, accusing him of taking up residence illegally, he simply placed them under a vampire’s spell and told them: “nonsense, i’ve always lived here!” to which they replied, “oh, of course you have, master barber-surgeon! apologies for bothering you!”
in his house and shop in dilingen, the layout is like this: the first floor is the shop, which carries a variety of medicaments, herbal remedies, and also has a setup for surgery. behind a hidden door is the stash of mandrake brew that only select customers know to request (regis only tells them about it if he has vetted them beforehand - i.e., known them well and known them well enough that he knows he will not start an addiction for them, i.e., he doesn’t sell to the young and stupid, or horribly depressed and afraid, but just those looking to enjoy life). the second floor is his house, which is decorated sparsely much like his cottage nearby fen carn. it’s nicer, with furnishings sourced from around the city, but is still humble. the attic is the setup for barber-surgery, but for birds - mostly corvids but other urban birds as well, that have injured themselves or are having other troubles. he welcomes them to roost and come to him with any problems they may be having.
angouleme
angouleme’s biological mother was young(ish) when she had her, which also pressured her into giving her up to relatives - she was an unmarried maiden, and being a noble, that is significant for making political alliances with other noble families. they pretended she was a virgin so she could remarry and bear children in marriage; however, because she and the other nobility of cintra were slaughtered, caught right in the crossfire of the nilfgaardian massacre of cintra, she didn’t survive into her first pregnancy, so angouleme has no bioligical half-siblings.
angouleme is trans and likes dressing femininely, but on account of her situation was never able to on the road, until she got to toussaint and had not only the safety but the finances to do so. somewhat based on canon that she was happy to get out of riding pants in lady of the lake, the narration calls her a “pretty girl”... it’s just nice to imagine her happy and with gender euphoria instead of dysphoria
regis is a good mentor and guardian to her in toussaint. it started as them both being up late in the kitchen and regis (as he does) giving advice, without suggesting any shame or judgement. after a while, angouleme trusted him enough to ask him for help when she got into trouble with local banditry. thens he invited him to help her on heists. he was hesitant at first but agreed, citing that she needed supervision for such activities. he brings a book to read while she does whatever she needs to do, but perhaps is more involved than he would admit - pointing out hidden safes and such in the darkness with his vision.
i didn’t do any for cahir or geralt because i feel like canon’s already gotten them enough? 
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lesdemonium · 4 years
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romtober day 13: kiss in the rain
Rating: T Ship: Geraskier Word Count: 1599 Summary: For Jaskier's birthday, Geralt wants to be romantic. Nothing goes according to plan.
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Jaskier liked romantic.
For Jaskier, things seemed to just fall into place. A flower the exact color of Geralt’s eyes, which Jaskier slid behind his ear with a fond smile. A song that he wrote and played, just for Geralt, just when the night was dark and everything around them was quiet, still, and just for them. He knew exactly what to do, exactly what to say, exactly how to move and gesture and touch to make Geralt feel swept off his feet and more than a little flustered under the attention. And warm. And wanted.
Geralt, however, was no good at romance.
He blustered his words, no matter how hard he tried to soften them. The flowers he gave Jaskier always seemed to get crushed or wilted by the time Geralt offered them. He could not sing Jaskier songs or write him poetry; he could hardly string together the words possible to convey the depths of his feelings for Jaskier. And still, every time Geralt tried, Jaskier smiled brightly and his eyes shone as if whatever Geralt had fumbled his way through was the greatest gift he could have received.
Geralt knew it wasn’t enough, though, not really. He had to do better. It was for Jaskier, after all. 
When Geralt returned to the inn, a small bundle of wildflowers in his hands, he stopped short. Jaskier was talking to the innkeeper’s wife. There was a large vase with all manner of flowers in there, some Geralt didn’t think were even growing now. Jaskier laughed with the innkeeper, then noticed Geralt at the door and waved him over with a broad smile.
“Geralt, look! Lena heard it was my birthday and surprised me with this bouquet! Apparently, she’s a florist! Isn’t it beautiful?” Jaskier sounded so pleased.
Lena flushed under his praise. “Only but a moment of work. I have a garden in the back, but I so rarely get to use my flowers for anything, and Jaskier played so beautifully for us last night…” she smiled at them both. “I thought since you said you were staying a day or two, they could freshen up your room.”
“They will do wonderfully, Lena,” Jaskier answered, and patted her hand appreciatively. “Thank you, you really are far too kind. I think you have a business in the making!”
Lena's blush turned a deeper red and she squirmed under the attention. She made her excuses to leave and Jaskier accepted them with more parting expressions of gratitude. Then he turned to Geralt and, smile never dimming, nodded to the flowers in Geralt’s hand.
“Are those for me?” Jaskier asked.
Geralt grimaced--he had almost forgotten them and now they hung limply at his hand. He lifted the bouquet and, avoiding Jaskier’s eye, held them out. In his distraction, they had gotten crushed, and now half of them look wilted. Of course.
Jaskier did not seem phased. “Oh, Geralt!” Jaskier said, taking the flowers from his hand and leaning in to kiss Geralt’s cheek. “I love them, thank you.”
“Happy birthday,” Geralt mumbled.
Jaskier refused to let Geralt carry either of the bouquets, and to Geralt’s embarrassment, displayed the sorry bunch of flowers right beside the opulent vase. He spent such a long time setting them up, making them look nice, and Geralt was sure he was largely doing it for Geralt’s benefit. So he didn’t feel embarrassed that his attempt at a gift had fallen so short. Geralt would have much preferred they just moved on.
“Jaskier, come on,” Geralt said after Jaskier turned the vase for probably the hundredth time. “It looks good. We should go, though.”
“Go? Where are we going?” Jaskier asked, turning to Geralt. Geralt shrugged his shoulders, then nodded his head in the direction of the door. Jaskier’s face split into a smile. “Geralt, do you have plans for us?”
“Only if we leave the room.”
Jaskier looked delighted, and even Geralt couldn’t hide his smile as Jaskier took his hand and followed him.
The smile was promptly wiped off his face when they got to their destination, though.
“Geralt? Why’ve we stopped?” Jaskier asked, his eyebrows furrowed.
Geralt just sighed and looked at the shop they were in front of. Geralt had chosen this town specifically for this shop, the luthier shop that Jaskier had raved about for months the last time they had stopped here. But now, there was a sign on the door. They were closed. For a family emergency. Geralt scrubbed a hand over his face in his frustration.
“Oh is this that--it is! Geralt! You were going to take me to that luthier?” Jaskier’s voice was filled with unrestrained glee. “That’s marvelous!”
“It’s not marvelous,” Geralt argued. Deadpanned, really. “They’re closed.”
“Oh, pish,” Jaskier answered, waving a dismissive hand at him. “How were you to predict their family emergency? It’s the thought that counts, and all that.”
Defeated, Geralt led them to his next plan. It was a little early to have lunch, but Jaskier liked slow, lazy days. He wouldn’t bemoan taking a pleasant walk around the lake Geralt had planned for them to picnic at.
As Geralt anticipated, Jaskier was thrilled at his plan for a peaceful day together. At least, until he stepped on a rock that was just a bit too muddy, and slipped off it onto the ground. Geralt knew he was hurt before Jaskier’s face scrunched up in pain. He only twisted it, but that very promptly crossed off any plans for a walk around the lake. Instead, Geralt carried him to a shady spot under a tree and, with another sigh, set about pulling out their meal.
It wasn’t anything fancy, but Jaskier looked at it as if it was gold. Geralt tried not to look at him too closely. This wasn’t good enough, he knew, and everything had gone so poorly. But maybe Jaskier really meant it when he said it was the thought that counted.
They had barely finished their meal when the sky opened and a downpour began. Geralt hadn’t even noticed the clouds moving in.
With a groan, Geralt tried to stand, only to be stopped by a hand on his forearm.
“Where are you going?” Jaskier asked, his eyebrows knitting together.
“To take you back to the inn?” Geralt asked, and gave him a curious look. Where else would he be going?
“But we were having such a nice time.” Now Jaskier pouted and tugged insistently on Geralt’s arm. He didn’t even seem phased by the fact that his hair was now dripping with water. “We’re already wet, why rush back?”
Geralt landed back on the ground with a huff. He glared at the rain and was glad, at least, for the small mercy of them being under the tree. Instead of being dumped on, it was falling in far smoother trickles, the leaves above them filtering out the worst of it. It was still wet, though. Wet and uncomfortable and not at all what he had planned for today.
“Darling, what’s the matter?” Jaskier asked, scooting closer to Geralt. When Geralt didn’t answer, Jaskier pressed a finger to his jaw, forcing Geralt to turn and look at him. “What’s got you so cross?”
“This day,” Geralt groaned, pulling his head away and crossing his arms.
“I hope you don’t mean that how it sounds,” Jaskier said with a soft laugh. “Not exactly what most people would like to hear on their birthday.”
“That’s not what I--everything’s gone wrong,” Geralt said. He huffed again. “I wanted today to be special. Romantic, for you. Because you--like that.” The words sounded lame on his tongue and he shook his head. “It doesn’t matter. Let’s go back to the inn; the rain’s ruined this.”
“Nothing is ruined!” Jaskier insisted, sounding almost frantic. “Geralt, today has been perfect. You brought me flowers, you took me to a shop you knew I’d love. I got to go on a nice walk with you, and you prepared this picnic. I don’t think I’ve ever felt more special in my life. This is the most romantic birthday I’ve ever had.”
Geralt scoffed. “Lena’s bouquet was bigger--”
“--but you went out and got those for me yourself--”
“--shop was closed--”
“--you still took me there!”
“You twisted your ankle!”
“And you so kindly carried me to safety! And you’ll get to carry me back to the inn! Really, I am far less put upon than my injury would make me seem--some people would say indignity, I would say swoon-worthy.”
“Now it’s raining.”
“I am of the opinion,” Jaskier started, crossing his arms and staring at Geralt with a hard expression, one that made no room for argument, “that rain makes things particularly romantic.” He pressed a thumb into the lines on Geralt’s forehead, trying to smooth out the tension. “Geralt, please. I’ve had a wonderful day. All because of you and your planning. Even if things didn’t go perfectly, you still did all this, just for me. And that matters. It matters that it's you.”
Geralt rolled his eyes at his bard, but allowed Jaskier to soothe him anyway. If Jaskier really felt like Geralt had done well, then maybe Geralt could just accept that. He uncrossed his arms and slipped a hand around Jaskier, pulling him in by his hip. Jaskier beamed at him, and settled against Geralt’s side.
“You know how I think we can solve this problem of weather?” Jaskier asked some time later. Geralt hummed and Jaskier sat up, just a bit. “I need you to kiss me. Right now. While it’s pouring.”
Geralt snorted, but how could he deny Jaskier? It was his birthday, after all.
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