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7-wonders · 3 days
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Requiem
Michael Langdon x Reader (Mad Love Act II, Chapter XVI)
Summary: It's all led to this, and now, you have to face off against Michael to get your world back.
Word Count: 6.3k
A note from the author: This chapter is so, so dark. Sorry? Also, this chapter relies a lot on the she/her pronouns this story was first started with btw. (more notes at the end)
I noticed when posting this that it looks like the previous chapter didn't load a lot of tags. If you got tagged in this and are like "wait how did we get to the fight already?" you missed the last chapter! Click on the Mad Love Masterlist to read Chapter 35. :)
Content warnings for this chapter include graphic depictions of injury and death. Reader discretion is advised.
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Mad Love Masterlist
Mallory warned you prior to leaving your room that the residents of Outpost 3 were all dead, murdered at the hands of Ms. Venable and her poisoned apples (you try not to dwell on your own poisoned apple experience). All the preparation in the world doesn’t prepare you for the shock of seeing two dead bodies, those of Coco and Dinah, in the large foyer of the Outpost. Shock turns to revulsion as one of Mallory’s friends and other witches yanks a knife out of Coco’s skull with little more than a wince. When she stands, she points the knife at you.
“She gonna help us?” she asks warily.
“She is.” Mallory turns to you, pointing first to the woman with the knife and next to another woman standing near the stairs. “This is Queenie and Zoe.”
You wave sheepishly. “It’s nice to meet you two.”
Zoe smiles kindly, but Queenie just appraises you with a look that says she doesn’t trust you. You can’t say that you blame her, though you wish she didn’t have a reason for this reaction. Mallory leaves your side to kneel in between the two dead women, and you watch as she takes a deep breath and breathes out onto Coco’s face before repeating her movements with Dinah.
It takes mere seconds for the two to shoot up, gasping for air and trying to get used to once again inhabiting a body.
“Welcome back,” Mallory says.
“What just happened?” Coco asks, her elaborate hairdo impressively staying put after all of that.
“You died. And now, you’re no longer dead.”
“Oh.” She frowns, rubbing at the spot where a knife sat moments ago. “Fuck, that sucked.”
“Are you going to explain why you tore us from our afterlives?” Dinah snaps, standing up.
“It’s time to fix this entire mess. To defeat Michael, we need all the help we can get.” Mallory eyes Dinah specifically. “From both of you.”
“You’re on your own with that shit,” Dinah declares. “I’m not here to defeat anyone.”
Maybe it’s not your place, but you feel like you can help to convince Dinah. You take a step toward here. “Please, I really think that—”
“How can any of you defeat me, when I’ve already won?” A voice, so familiar to you that it could be your own, comes from the stairs.
You almost don’t want to look at him. If you don’t, maybe you can remain in this stasis where you’re simply preparing to undo the apocalypse, instead of being faced with the reality that you’re about to fight your own husband, the man who, despite all of the horrors he’s committed, remains your love. When you do tear your eyes away from Dinah, you see that he’s not even taking notice of your presence. No, he only has hate-filled eyes for the Supreme.
Michael’s changed into a blood-red jacket, which makes it obvious that he was expecting this showdown to happen. Ms. Mead stands off to his left side, ever the small, imposing bodyguard. Mallory steps forward, along with most of the group. You can’t bring your feet to move, so you remain back with Dinah.
“You haven’t won,” Mallory says. 
“Perhaps you haven’t noticed the state of the world.”
Queenie scoffs. “At least the world can be saved. Unlike your bitch ass.”
Michael smirks proudly. “The seventh seal has been broken. Wormwood has fallen from the sky and turned the rivers to blood and fire. The bottomless pit has been opened and my swarms of locusts and scorpions have ravaged humanity. The world has been remade in my father’s image.”
When he speaks like this, of biblical imagery and prophecy, he turns into a person you don’t care to know. He turns into the Antichrist.
“Almost.” Mallory smiles. “Pretty sure he didn’t imagine a world where there were still witches, so you failed there.”
Michael finally takes in the full group, and his haughty demeanor falters when he sees you. Softly, he utters your name. “What are you doing?”
You swallow thickly, willing your voice not to shake. “I think you know.”
“I do. You’re going to betray me?
Mallory tries to grab your arm as you move in front of her, but you can’t be stopped now. “This is not betrayal. I’m doing this because I love you, and I can’t bear to be faced with the monster that you’ve become any longer. Now, we have a chance to save the world, Michael. Help me undo this mess.”
“Michael,” Mallory gets his attention once more. “Your father never commanded you to end the world in this way. Jeff and Mutt, the two that ran Kineros, were the ones who thought a nuclear apocalypse was the solution. They controlled Ms. Mead and gave her the commands to tell you that this was Satan’s plan. Satan was just happy to take credit when he realized that you were going to cause anarchy.”
“That’s ridiculous,” Michael says.
“Is it? They told me so themselves, when I went to Kineros to ensure that Coco would be in this Outpost.”
He rolls his eyes. “This is such an obvious lie, I’m a little offended that you would think I’d fall for it. Right, Ms. Mead?”
Michael looks to his left, expecting to be backed up, only to see Ms. Mead with a look of bewildered shame on her face.
“Ms. Mead?”
“They—I do as I’m programmed,” she stutters. 
You gasp at the revelation. Satan didn’t come up with the plan to end the world like this? All of this could have been avoided?
Instead of being faced with the same reckoning, a look of absolute murder appears on his face. “I’m going to do what I should have done that day in the Murder House and kill you all personally.”
“Mallory,” Dinah calls, walking towards the Supreme. “You raised me from the dead so that you would have the power of voodoo on your side. But if you know anything about who I am, you know that the only choice I’d pick would be the winner.”
She comes to a stop just before the stairs, bowing her head respectfully. Michael raises a hand out to her, ready to welcome another acolyte. You throw Mallory a panicked look, but she’s barely holding back glee.
“You’re half-right, Dinah,” she admits.
“She needed the help of a powerful voodoo queen,” a deep Southern voice says. You turn and watch as a tall woman with long braids struts up to Dinah. “But that ain’t you, sis .”
“The former Voodoo Queen, Marie Laveau,” Mallory whispers into your ear.
“To release me from hell, Mallory promised Papa Legba the darkest and most corrupt voodoo queen’s soul for mine. You’ll serve him well in my place.”
“You’re a fool, Marie Laveau,” Dinah spits. “You would have done no different if you were queen.”
“No!” Marie says, before disappearing in a puff. 
Not even a second later, she reappears behind Dinah wielding a machete. When Dinah turns to face her, Marie brings the machete down in one swing on her throat. Dinah gasps and screams as blood begins to gush out of her neck, falling to the floor and bleeding out in a matter of seconds. Nobody else seems to be affected by this, but you feel a little faint, and you hold onto Mallory’s arm to keep from collapsing.
“Out with the trash!” Marie declares. “Give Papa my regards.”
Michael, apparently having enough of this, nods to Ms. Mead. The android removes her hand to reveal a machine gun hidden underneath it. Though you want to say something along the lines of, “What the actual fuck?” Zoe says a word in what you assume to be Latin before you can.
Instead of shooting, Ms. Mead begins to shake and whir mechanically. Mallory uses Michael’s confusion to usher everybody back towards the open fire, where you watch as Ms. Mead explodes and sends Michael flying over the railing. He lands harshly on the floor below, staring in horror at Ms. Mead’s head next to him.
It’s only a matter of time until his horror turns to rage, and Queenie scrambles forward to grab Ms. Mead’s machine gun hand. When Michael rises, she rises with him, gun trained on his chest.
“Sorry about your little toy,” Queenie says before placing her finger on the trigger.
Michael turns to be met with a firestorm of bullets, more than enough to kill even the Antichrist. You scream in horror at the sight, his blood spattering against the wall as he falls and comes to rest against it, very obviously dead.
“Michael!” You try to stand, wanting to save him even though he probably (definitely) deserves what’s just happened to him. Before you can, Mallory pulls you to her.
“This won’t keep him down,” she assures you. “He’s too powerful to be truly killed. But this will buy us time.”
Though you don’t know if you believe her, you need to in order to keep from emotionally collapsing, so you nod. 
Queenie walks to Michael’s body, kicking his foot as she checks to make sure he’s dead…for now, at least. “Do we need his hair or something for this? Because I’m more than happy to rip off a chunk of it.”
“No. The spell only requires that we have something personal of his.” Mallory smiles at you. “And we have the most important person in his life here with us. As long as you’re still in?”
You force yourself to look away from Michael, closing your eyes and taking a couple of deep breaths to recenter yourself. Finally, you look at her again. “Of course, I’m still in.”
“Good. Have you picked a time that will work to stop him?”
“I think so,” you confirm. After some internal deliberation, you think that the best way to get through to him is going to be when you had the big fight about the poisoned apple, before you stormed out and got yourself kidnapped by the witches. He wasn’t too powerful or too far gone with his father’s plan yet, but you were both in love with each other—albeit, you hadn’t actually realized it at that point.
“Alright. I’ll need you to focus on that, okay? Then I’ll say the spell, and we’ll be able to go back in time. We just need somewhere safe to cast the spell, somewhere with a large tub we can fill with water.”
You definitely found a room like that when you were exploring the Outpost your first couple of days here. “Okay. Follow me.”
Everybody stands, but hesitates when they remember the issue of Michael. If he’s going to come back to life like Mallory says, shouldn’t there be some safety measure in place to buy you more time?
Queenie sighs and rolls her eyes, realizing that she should probably be that safety measure. “Go,” she urges, readjusting her grip on the gun to ensure she’ll be quick to the trigger when Michael rises again.
Mallory darts forward to hug her quickly. “Thank you.”
“Enough with the sappy shit.” Even as she says that, you can see the affection in her eyes when she looks at Mallory. “Go!”
You do as she says and hurry up the stairs. Before you turn the corner, you allow yourself a moment to meet Michael’s open, lifeless gaze.
The hallways are much less of a maze than they were when you first arrived here, but the layout is still unfamiliar to you. After leading your group down what you thought was going to lead to the door you were sure contained the room with the tub, you’re met with a dead end. 
Sheepishly, you look over your shoulder at Coco. “I think I’m a little lost. Isn’t there a room with a really large washtub for laundry around here?”
Her eyes light up, and she lightly pushes you to keep you moving.  “Yes! We’re super close.” It’s going to take a bit to get used to her actually being helpful, you think as you follow her directions. “We’re going to go down this hallway here. Now, the weird little junction up ahead? Take a left and then it’s the third door on the right.”
Now you know where you are. “Thank you! I found it my first time going through the Outpost, but I haven’t lived here for eighteen months like you.”
You’re just about to turn left at the junction when a man appears from the other side of the hallway, jabbing a knife into your abdomen before you can even be surprised at the sight. You cry out, the pain sharp and sudden as he pulls the knife out of you with nothing but malice on his face. When he looks up at you, his scowl is replaced by a horrified shock.
“Oh my god, I thought you were—” He sees Coco, standing just behind you. “She was supposed to be you !”
Your shaking hands try to press down on the wound, but blood rushes out through your fingers, and your knees go weak as you crash into the wall. Down the hall, you can hear Mallory scream your name. She runs for you with Zoe hot on her heels.
“What the fuck did you do?” Mallory yells to the man, landing next to you on the floor and gently pulling your hands away so that she can assess the damage. By the way her lips start to tremble, you assume it’s not good.
The man that stabbed you ignores her, instead focusing on Coco. “You ruin everything!” he yells at her, lifting the knife once more.
Coco pushes him over the railing before he can do any more damage. He screams the whole way down, and Coco peers after him. “Sorry?” she calls with a grimace, no love apparently lost.
“This is…a lot of blood,” you note, watching your black dress becoming even darker from the rapidly expanding bloodstain. You’re also in a lot of pain. Fuck, you didn’t think being stabbed would hurt so much.
“It’s okay! It’s alright!” Mallory soothes; you can’t tell who she’s reassuring, herself or you. “I’m going to fix this. I’m going to—I’ll heal you, and then you’ll be fine.”
Your heart is pounding from a mixture of fear and adrenaline. For the first time since your arrival to this Outpost, you’re truly scared. This is a different fear from when you were worried about Emily and Timothy being executed, or when you realized that Michael wanted to have a child with you. It’s even different from the fear of knowing that you and Michael would be on opposing sides now. This is primal—this is terror.
Mallory’s hands hover over your abdomen as she begins to chant in Latin, eyes screwed shut in concentration. Nothing happens, and as the seconds tick by, your entire body starts to go cold. It’s like somebody’s taken a syringe of ice water and injected it right into your veins. You become more faint than before, and decide that laying flat will probably be the best way to rid yourself of this feeling.
“Why isn’t this working?” Mallory cries in frustration, catching your head and placing it in her lap. Tears begin to build in her eyes as she tries the same breathing technique on you as she did Coco and Dinah to bring them back to life, to no avail. You cough wetly, and when you wipe your mouth, your hand comes away red.
The realization hits you then: you’re dying. The overpowering cold, being unable to sit up anymore, the faintness—your body is beginning to shut down against your will.
“Mallory, I’m scared,” you admit.
“I know. I’m sorry. I promise I’m trying.”
“I know.” You smile at the repetition even as you begin to feel so, so tired. Maybe if you close your eyes and rest for a moment, you’ll be able to get enough strength back to help you fight to stay alive.
Your eyes barely close before Mallory starts shaking you. “No, no, please don’t close your eyes!”
Marie Laveau appears at the far end of the hallway you first ran down and yells something to Mallory, but you can’t quite make out what she says over the rushing in your ears. Mallory takes one of your arms and Zoe takes the other, both working together to pull you down the hallway. You watch dizzily as Coco runs to Marie, your vision warping as the two disappear around the corner.
Mallory continues trying to heal you once they have you in the room where you’re meant to go back in time. Her hand, soaked in your blood, runs over your forehead comfortingly as she becomes more frantic in her chanting. Even Zoe tries to help, pressing down on your abdomen in the hopes of slowing the bleeding as she joins Mallory in spellwork. It’s becoming more difficult to hold on as you become weaker, the two taking turns making you open your eyes again.
“Please, please, please,” Mallory begs any and all forces beyond her power that might be listening.
“I’m sorry,” you mumble, the effort to produce sounds near herculean.
“Don’t apologize,” she says sternly through tears, earning the smallest of laughs from you.
“Yes, ma’am.” Your hands shake as you feel around for Mallory’s, and you weakly squeeze when you find them. “I love you, Mal. I’m so happy I got to see you again.”
“Stop saying goodbye. I’m going to bring you back, this isn’t goodbye.”
For now, though, it is, and you both know it. When your eyes close this time, they don’t open again, and you feel yourself being dragged down, down, down, away from consciousness and life itself.
With your last remaining strength, you become introspective. You have so many regrets, so many words that you’re going to leave unsaid. You wish you had gotten the chance to actually complete the spell and go back in time, sure that you would have been able to change Michael’s mind. You want to thank Queenie and Zoe and Coco and Marie for their help, for believing that you can help fix the mess the world has become. You wish you could—
•••
Michael has had enough of witches on this Earth, he thinks as he blows Queenie’s head clean off her shoulders after coming back to life. She had been distracted by a body falling from two floors up—whose body it was remained a mystery that Michael didn’t care to solve—providing Michael the element of surprise. Even if she were still prepared, it wouldn’t have mattered. He’s too powerful for anything to stop him now.
Maybe he was naive to believe that a simple nuclear bomb or two could kill them. No, he was definitely naive. After all, Mallory knew that the world would be ending, and soon. That was more than enough time for her to gather her chosen forces and figure out a way to survive. He knows now that his path, the one that Satan had created before he had even created Michael, was always meant to lead to this. In order to truly inherit this new world and rule Hell on Earth, he must eradicate the remaining witches with his own hands.
But what to do with you? You’ve chosen your side for this battle, and it’s not his. He nervously hopes that you’re simply mad at him after how your last conversation devolved into a fight, that Mallory reached you at a vulnerable time and used that to her advantage to recruit you. Once he defeats the witches, you’ll come back to him and he’ll concede that he was perhaps wrong to bring up the idea of having a child at such an intimate moment. Still, seeing you standing in solidarity with the witches hurt, which is likely what the Supreme was planning.
When Michael makes it up the stairs, the reanimated voodoo queen blocks the hallway that he knows you and the witches have gone down. Grabbing a pouch off of her belt, she pours a powder into her hand and spreads it in a line in front of her with a chant.
“You shall not pass,” Marie declares with a smirk, wiping her hands of the powder. Michael juts his hand forward, prepared to rip her heart out of her chest, but an invisible barrier stops him. “You’re dealing with the HBIC now.”
He smiles ruefully. “Clever,” he admits. “Normally, that would work.”
He’s about to show that voodoo magic is no match for him anymore when his blood runs cold and his heart drops. At that same moment, he becomes aware of sobbing coming from far behind Marie. Though Michael’s never felt anything like this before, he can feel the certainty of what it means down to his very core: something’s happened. Specifically, something’s happened to you.
“Let me through,” he demands. Marie falters, taken aback at the fear in his eyes. “Marie Laveau, if you value your second chance at life you’ll let me through.”
She recovers from her hesitation with a haughty laugh. “Nice try.” 
Michael makes quick work of her with a simple snap of his fingers, snapping her neck and sending her right back to the Underworld. He’s just about to clear the barrier and figure out just what is going on when he feels a presence behind him. Rolling his eyes, he turns around to face this distraction as well and comes face to face with Coco St. Pierre Vanderbilt, who was with you when he was shot. Surely she must know something about what’s going on.
“What’s happened?” Michael asks. The knife that Coco was prepared to stab him with goes limp in her wrist, and she gapes at him. “Where’s Y/n?”
“She was…Brock…” She weakly mimes a stabbing motion.
“No.” He feels sick at the mere implication. “No!”
Coco now the least of his worries, he runs down the hallway, the whole time hoping that it’s a mistake, that Coco misinterpreted what she saw, that the cold emptiness now residing in his chest is simply a fluke. The sobs that become more clear as he nears the entryway, however, don’t do much to reassure him.
“Mallory!” Michael gasps. 
The Supreme is on the floor with you in her lap, and for a moment, Michael can delude himself into thinking that you’re okay. The excessive amount of blood on the floor—your blood—and the unnaturally limp way that your hand is lying force him to face the obvious. Michael’s knees give out, and he falls to the floor harshly.
Mallory looks up at him, forgetting that they’re meant to be enemies right now. “She got stabbed, and—” a sob rips from her chest, “my healing spells aren’t working. And neither is Vitalum Vitalis. It should be working, Michael, I’m the fucking Supreme.”
“Okay. Um, let me…” Michael’s brain is fighting a war between shutting down from the agony of this situation and kicking into overdrive to figure out how to get you back. After a moment, he thinks he might have an idea. He tries to pull you out of Mallory’s arms and into his own, but she refuses to loosen her hold on you. “Mallory, I need to hold her.”
While he does need to be able to touch you for the spell, he’s not really asking for that purpose. He feels that he might soon lose his grasp on sanity if he can’t hold your body. No, he needs you as close to him as possible, to try and capture the warmth of your body so that he might remind himself that you’ve only just left, that he can still get you back. Begrudgingly, Mallory allows him to hold you, but she still keeps one of your hands in hers.
He’d like to say that it looks like you’re sleeping, comforting himself with the platitude most mourners claim upon seeing a body. He’d be lying, though, because he knows what you look like when you’re sleeping. The way that your face scrunches at the smallest sensation, how your eyes move under their lids and your mouth forms silent words when you’re dreaming particularly deeply, the intermittent light snoring that you swear you don’t do. If you were simply sleeping, he’d play the prince to your Sleeping Beauty and wake you with a kiss, revealing your amused smile and your fond gaze.
Now, there’s none of that. You’ve been dead for mere minutes, but already the signs of death are here. Your face is as slack as all of your muscles now are, making your cheekbones more prominent and your mouth hinge slightly open. A sallowness has started to take over your skin, and he finds himself tracing the apples of your cheeks in a futile attempt to coax blood back to the surface. He even swears that he can feel your body growing colder, just like he feared.
It takes Michael some time to remember what he’s meant to be doing. All of this grief and pain will hopefully be for nothing, so long as he can hold himself together for a little bit longer. He takes a deep breath, hesitating for a moment before dropping his forehead against yours. Tears are threatening to fall, and when he closes his eyes to try and hold them back, it only hastens their arrival. They roll, hot and thick, off of his face and onto yours, and he wipes them off with a silent apology.
Finally, Michael slips into a dissociation as he begins to walk between the realms of living and dead. He’s done this more than a few times now for varying reasons, becoming pretty adept at finding a soul and bringing it back to the living plane. The hardest part by far is always calming his mind enough to be able to attempt this in the first place; the fact that he’s been able to achieve it in this circumstance is a small miracle. 
Now that he’s in the so-called in-between, he begins his search. Every single soul has a signature to it, so as long as he knows who he’s looking for, he usually finds the rest of this process to be pretty straightforward. Since your soul is so near and dear to him, he’s expecting this to take a couple of minutes at most.
A minute passes, then another, as he tries to track your soul down. Michael begins to grow concerned; considering you just died, he shouldn’t be having to search this hard. There’s a complete lack of you anywhere, and he begins to shake as he’s faced with the increasingly likely potential that your soul is gone. But how? Why? With a chilling clarity, he knows exactly what’s happened.
His father has become displeased. Whether he’s had enough of your and Michael’s collective disobedience over the years—Satan holds a grudge like no other, after all—or your declaration that you would never bear Michael’s child or be the perfect wife that Satan had planned for you to be. He’s had enough, and now, he’s taken this opportunity to make good on the threats he first warned Michael about during the poison apple saga. He’s made sure that you’re out of the picture for good. If Michael knows Satan, he’s probably already picked out some girl back at the Sanctuary to be wife number two, and this time, she would be the most devout, demure Satanist who would never even think of going against Satan’s will.
But Michael doesn’t want another wife. No, what he wants is to lay here on the floor and die right along with you, following you into whatever afterlife you’ve found yourself in in the hopes that he can continue to love you there. How can he ever be expected to love another person that’s not you? What kind of a life is there for him to live if you’re not here to share in it?
“Is everything okay?” Mallory asks, reminding him that there’s another person in this room, one who’s going to feel her own devastation at this news.
“I can’t find her. My father…” He chokes on his own words, unable to actually say the fate that’s befallen you. Instead, he can only cry.
Mallory picks up on the context clues, and her face drops. “So that’s it? She’s gone?”
The nod Michael gives her is the most painful movement of his life. When Mallory collapses, he also forgets the pretense of enemies and allows her to fall against him. It’s mainly for his own benefit—were he not using Mallory for support, he would be in a heap on top of you.
They remain without words for a while. Distantly, he’s aware of Zoe talking to Coco down that damned hall, the two wondering what to do now. He hopes that they come up with an answer, because he has no clue. In his opinion, there’s nowhere else to go from here. Though he may not have physically died, his life has ended along with yours in this room.
“Were you telling the truth?” Michael asks finally, making Mallory look up. “About Jeff and Mutt?”
He almost doesn’t want to know, but before he can change his mind, she nods. “All they cared about were themselves. They were fed up with minor inconveniences—having to wait for coffee, traffic woes—and wanted to ‘wipe the slate clean.’ They thought that they could reshape the world to how they wanted, and they used a vulnerable Antichrist to do so. Ms. Mead changed her tune from magic to fire and blood because Jeff and Mutt were feeding her the commands.”
He so badly wants her to be lying, but even if he couldn’t sense her truthfulness, he has his own memories to rely on. How suddenly Ms. Mead suggested that world destruction was preferred to world domination (and that the two cokehead idiots would be the guys to talk to about that) had always seemed a little odd to him, but he simply went along with it, believing Ms. Mead to still be his trusted advisor. This revelation simply makes Michael cry harder until he’s almost matching Mallory’s earlier sobs. She puts her free hand on his shoulder in comfort. Though he appreciates the gesture, nothing can bring him comfort.
All of this pain and death and destruction has been for naught. Michael spent years chasing his father’s approval and doing terrible things, things that made him so sick to think about that he forced himself to compartmentalize them in order to not drown in his shame. He’s shirked friends, love, and basic morals, only to find out that his father didn’t even care if the world ended this way. No, all Satan wanted was power and sin, which he got in spades these past eighteen months. 
“How were you going to stop me?” he asks.
Mallory hesitates. “We…we were going to go back in time. There’s a spell that I found when searching through the coven’s grimoires to help with your Cordelia issue. I practiced it a few times before the bombs dropped, trying to figure out the right way to do it. Y/n was going to be both your personal tie and the one convincing you to stop the apocalypse. She had a time in place where she thought that you would be most willing to listen, to change your mind.”
It’s a smart plan, and it probably would have worked. After all, you likely know (knew, he’s reminded harshly) him better than he knows himself. As he thinks about the what-ifs, Michael realizes that this doesn’t have to be something that never happens.
“So, if you and I were to go back in time together, then we could change all of this?” Michael asks.
Mallory gapes at him. “You’re willing to give all this up?”
“What, this empty, decimated kingdom that I don’t even want?” 
In the eighteen months since the apocalypse, Michael had found that he was not suited for being a ruler—he didn’t like the pomp and circumstance, nor did he like people fawning over him. Still, he pretended to be the cold, uncaring king of this “New World,” because he thought that was what Satan wanted, that he was fulfilling the destiny that he was born to.
Now, there’s nothing left to fight for. The world didn’t even need to be ended, let alone in this way. He’s been nothing but a pawn to people his whole life—the Satanists, the warlocks, the stupid fucks that ran Kineros, even Satan himself. He’s done. Done with this stupid, useless path he’s taken, done with hurting everything and everyone, and done with bowing to the whims of anybody.
After all, what has he got to show for any of this? He’s been a good little soldier, doing unspeakably horrific acts and acting like he wasn’t affected, like he wasn’t the Michael that he was before the apocalypse. How did Satan reward him? By ensuring that he would never get back the one person in his life that he has ever truly loved, and who had ever truly loved him. 
“I can’t—I can’t live a life without Y/n. There is nothing without her. What do I need to do to help you?”
“Promise me,” she says. “Promise me that you will not use this second chance to end the world once again.”
“I just found out I ended the world for no reason, Mallory. A world that I was slowly coming to love, before Cordelia informed me that I needed to speed up the apocalypse plans I had been led to believe were created by my father. Before I was upset by people trying to convince me that blowing everything up was a bad idea.” Because of course, Satan would take credit for those plans if it meant that he would be closer to getting the complete chaos it would create. “Why would I try to end it again?”
Mallory searches his face for a moment before nodding. “I believe you.” 
She’s known him for long enough now to know his tells, and she sees none of them. Right now, he’s too much of a wreck to even consider trying to lie, not that he was planning on it.
Mallory slowly stands, but not before kissing the back of your hand and laying it gently on your chest. “Come on.”
“I’m sorry,” Michael whispers to you, kissing your forehead. “I’m so, so sorry. I’m going to make this right.”
It takes strength he didn’t know he possessed to lay you down and let go of your body. Even as he walks away, going against every instinct and leaving you on the floor, he can’t take his eyes off of you.
Mallory climbs into the large washtub in the corner of the room, flicking her wrist and filling it with water. Michael follows her in, ignoring the uncomfortable sensation of sitting in wet clothes.
“Think of a time that you believe it will be easiest to completely stop the apocalypse before it goes too far,” she instructs.
There are many times in the past two years that Michael can see as a good time to stop the apocalypse. First, he’s tempted to go back to the beginning of this mess, when the witches killed Ms. Mead. Plans for the end of the world hadn’t even been drawn up yet, and he would have the added benefit of having Ms. Mead back. Plus, you wouldn’t have gone through the trauma of being kidnapped and forced to be the Antichrist’s bride.
It’s incredibly selfish, but the more Michael thinks about that avenue, the less he wants to take it. While it’s unfortunate how you came to know each other, he wouldn’t trade the way that you and he fell in love with each other for anything. But on the practical side, he wouldn’t have the influence that he has over important people and organizations were he to go back that far, and he needs that if he’s going to have enough power to keep the world from ending altogether. That’s off the table, then.
He wishes that you had told Mallory of your idea before being fatally wounded, because he probably would have agreed with your assessment. If it was any time after you moved in with him, he was already so in love with you that he could easily be swayed. What makes the most sense?
Finally, Michael has it. The time where he can be most effective at changing the fate of the world and ensuring there will not be an apocalypse by his hand, can remain powerful enough to not be usurped as Antichrist (for he’s sure that Satan will be very displeased by the change of plans if he finds out about Michael changing fate), and can still have you.
He opens his eyes and nods. “I have it.”
“Okay,” Mallory says with a hopeful smile. “Focus on that as hard as you can, place us both there.”
It’s all he can think about now, but he does as she says and recreates that time in his head. The sights, the sounds, the smells. How your hand felt in his, and the brightness of your smile. The possibilities that, at that time, seemed endless. Mallory holds her hands out and Michael takes them, feeling their magic bouncing off of each other like sparks from two exposed wires.
“Balneum infinitum. Dona salui conductus.” Mallory repeats the chant two more times, the water bubbling around them furiously and turning darker with each word.
Michael knows even without Mallory’s instruction that he’s needed to say the last part of the spell, and what that last part is. Just before they submerge themselves under the water, their voices join together to cast the most important spell of their lives.
“Tempus Infinituum.”
•••
Endnotes: Wow. I thought this would be a particularly tough chapter to write, but as I got going, the story flowed easily. I think because I've had this scene stuck in my head for so long! My FBI agent is definitely concerned by how thoroughly I read those "what happens to a body after a person dies" articles.
ALSO the Jeff and Mutt thing is canon!
Anyways, I'm gonna go watch some cute animal videos to feel better. Take care of yourselves, alright?
@ajokeformur-ray @iamavailablesstuff @narwhal-swimmingintheocean @nsainmoonchild @redroses07
@xo-angel-ox @littleangel4996 @iamlivingforturner @thatonehumanbeing05
@codycrazy @love-on-the-murder-scene
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slime-adventures · 2 years
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Been a while since I've posted here. Started a new save over on the Switch though, and got a bit of a challenge for myself on it.
Basically the challenge is I can only have Hunter largos on the ranch (though Lab will be an exception). So far it's gone pretty decent. Money's been a bit of a pain, but so far I have 3 largos: Honey, Rock, and Phosphor. Got the Overgrowth unlocked for when I get meat only largos, which might be soon.
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Only plans so far outside of Overgrowth are to move the Phosphors into the cave once I unlock it, and maybe have Mosaic and Crystal largos there. Might free-range a few largos, but I'm not too sure on that yet.
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witchinatree · 1 month
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i know the whole "do you think jon ever used his powers to Know what his parents looked like" thing is far more devastating than this but what if he tried using his powers to remember original sasha? jon and sasha always seemed closer than the rest, he picked her (and tim) to work with him and tolerated a lot more nonsense from her than anyone else (using his password to access his computer [161], debating his pronunciation of calliope [25], etc)
and ofc jon and martin became significantly closer as the podcast went on, but in the beginning he was cruel to martin when he gave a statement but accepting of sasha? idk i think their friendship was a lot deeper than we realized (ESPECIALLY since his first murder in season 5 was because NotThem provoked him about sasha) and i think jon wouldve used his powers to Know the original sasha, not sure if it wouldve worked though
so so sorry to distract from the post but can yall read the tags for me because i suffered immensely for this post
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ravinoforre · 1 month
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Michael and Leaf Pokemon but they've suddenly been isekai'd to Sylvarant oops
The template @frayed-symphony, @ciryze and I collectively put together.
...also uh 👉👈
there's this
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waterfallofspace · 4 months
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A Word-Filled Update
that no one's asking forrrr~
Sooooo, hiya~ ^^
Realized I kinda dropped out without much word, and wanted to give a lil update to anyone who may care, (and specifically to all the unfilled requests that have been sat in my inbox for months now T~T)
Dropping it under a cut because it gets quite long~ but I'll also TL;DR it with: been a bit burnt out, trying to get back into this, I apologize for all the unanswered asks, and I will be trying to get to the ones I can, but I'll be focusing more on trying to enjoy the process of making content~ Thank you to anyone who's stuck around <3
(Tw for brief mention of mental health/neurodivergencies~ nothing in depth or dark, but just incase anyone wants to avoid that <3)
Nothing serious has been going on, mostly just burn out and a bit of drama in main friend group, combined with free time just being a lot more limited recently~ (not a bad thing, most of it is because I'm getting to talk more with friends I've gotten closer to this past year~)
That said, I've been trying to get back into content, making it, reblogging it, etc, without letting it become all-consuming. I find, with the way my brain works, mostly to do to some wonderful neurodivergent tendencies, I tend to fall heavily into 'all of nothing' mentality.
This shows up in my day to day life, (ie: can't wash the dishes for weeks until I suddenly do them all in one day) and I've definitely noticed it with content creation. Need to write and finish a story in one go, record a wav as fast as possible, always afraid I'll lose that motivation.
But honestly? I love making content on here! And I'm not a huge blog, nor do I care if I am (at least trying not to, if I'm being painfully honest~) but I genuinely love making content. Whether it's just for me, a request that I am hoping one specific person will enjoy, or a story I write with a community in mind, I just love creating~
So, I'm trying to ease my way back into this! Bit by bit, let it be fun, and enjoyable, with less internal pressure to produce as much as I can, as fast as I can, and make it be perfect.
I won't lie and say 'numbers don't matter to me', if I'm honest, they do. But I'm learning more and more how to let it be about the content, and to just enjoy the process~ (and if people like it, that'll be a wonderful bonus!~)
Wooo this is getting so long, I apologize sincerely! Last thing, something I've mentioned a few times previously but never really let myself get into... requests~
I'm so honoured that people care about my content enough to have asked for things, and getting any ask, request, praise, ask lists, heck even just a 'hi!' is honestly the best part of this blog for me!
Buuuut, I definitely worked myself into burn-out before with a "every request needs to be filled and fast" mentality, that led to just... not filling any.
So! I'm going back through my inbox, and deleting some older ones that I don't have a clear vision/motivation for. I apologize to anyone who requested them, though by now it's possible they're long gone~ But I think this will help me not only start enjoying the creation process without feeling so overwhelmed, but also start actually getting more content made~
There are definitely a bunch that I still adore, and am thrilled to get to test out, but if there's one you remember sending, and you really want to see it completed, please feel free to send another ask saying what it is you want done, and I'll see if I can get that going <3
And if you've stuck it out to the end here- uh hi! ^^ I'm sorry this is so long, I'm such a words person, but I appreciate you so much, not just for any support you've offered, but just bothering to read this <3 I genuinely didn't expect most to make it this far, so thank you so deeply <3 and I hope to see you guys around as I start reblogging stuff more!~
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opikiquu · 1 day
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aventurine pl. Plea s e . PLLEEEEEEASE
#★ arin rambles#‘here we go again’ you think everytime you see my ramble tag. I dont blame you#AVENTURINE AVENTURINE PLEASE SAVE ME WHITE BOY#OH MY LORD#OH MY GOODNESS GRACIOUS OH MY GOODNESS.#MY JSOE IS RUNNING HES RUINNING MY LIFE I CANT DO THIS ANYMORE IM SO ILL PLEASE I#AVENTURINE. im so serious i can talk about this man all day. and more specifically this video#‘it was just posted 30 minutes ago arin youre scaring the kids’ SILENCE. I NEED SPACE#I NEED A. A MOMENT. EVERYBODY PLEAS GETA WAY FROM ME IM GOING TO GET SO SCARY#Please. Im so sorry. Im begging you . I love this man oh my gish please hes so cute#HES SO CUTE. HES SO CUTE IM SO SICK OF HIM WHY???????? WHY IS HE SO PRETTY HES SO PRETTY HES GOREGOUS HES SO STUNNING. HELLO. HELLO.#Im going to. Slam my head against the wall im overwhelmed with joy and happiness hes everything ive ever wanted ever#any minute not spent talking about him is a moment wasted i promise you MY PRINCESS IM COMING TO SAVE YOU#IM HIS KNIGHT IN SHINING ARMOUR EXCEPT ITS NOT SHINY#IM COVERED IN DIRT#IM STILL COMING FOR YOU AVENTURINE RUN#oh goodness me oh my#im so happy hes so prettu im so happy i cant do rhis im sweating geniumnly i feel so sick#Im cant . Do this anymore. I CANT TAKE IT. I HAVE TO… AAUGH… AAAHH… I HAVE TO…. DANCE!#guys…. he my favorriet…#my slinky….. my krimpet… my teacup i think. My doc mc stuffins doctor playset. My dishwasher. My italian coldsteel cinquedea . atp anything#hes my EVERYTHING. MY EVERYTHING…!!!!!!!! *MY TELEKENISIS THROWS EVERYTTHING ACROSS THE ROOM*#yall i dont think ive had a hyperfixation this horribly bad since. Since the. Since. MAN I DONT KNOW#IM COOKED. HE WOMT LEAVE ME ALONE. I LITERALLY DREAMT OF HIM LAST NIGHT LIKE IM SO DOOMED? ACTUALLY?#oh to be medicated and focus on . Things like cooking. Or idk. Getting a job. No i just think about some messed up blonde all day im absolut#ly DOOMED#yes im still yapping i got 30 tags u gon stick through them all. Every single one of them. Dont leave me please i want to talk about him ton#TO SOMEONE. I WANT TO TALK ABOUT HIM TO SOMEONE ALL DAY. ALL MY FRIENDS ARE TESTING. IM LEFT ALONE ALL DAY I JUST WANT TO TALK ABOUT MY WIFE#i womder how crazy i look right now#Sighs lovingly at him..
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mechanichuntsman · 2 months
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Finally I can drop these
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moongothic · 4 months
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I need to make a confession
I genuinely do not understand Buggy simps
Like I thought y'all were joking with the whole rooting for Buggy-thing but. No. People are actually seriously rooting for him. And I just don't get it.
Like. I can't tell if I'm missing something or if people are somehow completely misinterpreting his actual character. Like clearly it's meant to be one or the other and I can't tell which and I feel like I'm losing my mind because of it
'Cause the thing is that. Like. Until now, Buggy has been a pure gag character. He's no different from characters like Ceasar Clown and Spandam in that sense, he's just nowhere near as vile a human being as those other gag characters so he's marginally more lovable in what a pathetic fuck he is. But in the end, Buggy's just been there to be a punching bag (quite literally), because it's funny as hell to watch him eat shit And the reason it's funny IS because Buggy is a piece of shit. Again, not nearly as bad as Spamdam and co, but he's still a lying, cowardly, spineless douchebag who uses others for his own benefit and is willing to ditch anyone to save his own skin. Like Buggy was going to ditch his entire crew and flee by himself when the Shichibukai System was taken down and the Marines came for his head. He was going to leave his crew to die by themselves, without participating in the fight at all. Buggy was the one telling them to do the hard lifting while he'd escape, while the crew had no idea their beloved Chairman was going to abandon them. Literally the only reason Buggy failed to do that was because he was too slow and Crocodile got there before he managed to skedaddle.
He is essentially Usopp if Usopp wasn't willing to get beaten to death to protect his friends and their honor. Even fucking Luffy thinks Buggy is a pathetic idiot, and Luffy is the biggest indicator in the whole series on how to tell whether or not the readers should like a character or not. Not to mention, all the in-universe Buggy simps have been portrayed as (precious) idiots who can't see through Buggy's bullshit. Like every step of the story Oda has been trying to tell us that Buggy is an absolute loser.
So when people are like "Mihawk and Crocodile are going to see Buggy's ambition and become full Buggy supporters themselves!" I just
Are we reading the same comic???? HELLO????
Like I'll give you this, it would be objectively the funniest fucking outcome imaginable, which would be on-brand for Buggy and his trend of falling upwards.
But between Mihawk respecting people who are willing to abandon their honor to protect someone dear to them, and Crocodile's deep trust issues (possibly rooted in being betrayed in the past), I can not fucking fathom the two ever genuinely siding with Buggy the "I will leave you to die by yourself to save myself" Clown. Not when the two (and most other characters, including fucking Galdino and Daz) have been able to judge Buggy's character accurately (like how Crocodile was like "I thought you'd have ran away by now" when he arrived at Emptee Bluffs, and Buggy was like "yeah no shit")
Not unless Buggy grows enough of a spine that he'd be willing to sacrifice himself for someone (or at least get hurt on someone else's behalf to protect them), more specifically Mihawk and Crocodile. And let's be real, right now, Buggy probably wants nothing more than to run away from the two before they do actually kill him.
I just
Buggy simps. I do not understand you. I don't understand how you've reached your reading of the character.
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utilitycaster · 5 months
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I know very little about radiation so it's probably easier for me to suspend disbelief for that element in Burrow's end than you are and I haven't been bothered by it. I wonder if you'd be willing to expand on how you think the radiation plot takes away from the good elements of the show (family/political) beyond the suspension of disbelief issue, or would you rather go into it after the season ends?
I'm holding off until the season ends because there were some developments in the most recent episode that made me wonder if the Blue/Light isn't radiation after all and if this is a red herring (which is its own problem; there's been far too many red herrings here for very little central mystery), but ultimately, I stand by my assertion that if you are strong on literary analysis, you don't need the addition of science literacy, though obviously that is what initially signaled to me that this was a mess.
The question really is "what does setting this in a nuclear power plant vs. some other human structure achieve, narratively and thematically?" The following are some discussion questions to consider that I don't think require any particular scientific knowledge.
What does the bear being controlled by chipmunks and full of the Blue achieve? What does this tell us about the world?
Do you think the stoats having magic powers requires an in-world explanation? Why or why not?
What do you think the stoats using radiation represents as a metaphor? Does this change with the reveal that the stoats were the ones to cause the radiation disaster?
The blue is stated to be behind the very different revenant statuses of both Tula and Ava, who died under very different circumstances. Does this feel consistent? Why or why not?
How is the Blue used in Last Bast? Is the Blue necessary to create the high control societies of Last Bast? Is the Blue-based cult run by Thorn Vale a high control society? Explain your reasoning.
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stardestroyer81 · 1 year
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Pizza Tower features a wide variety of foes for Peppino to plow his way through, though if I had to chose my ultimate favorite enemy in the entire game, I'd have to go with the Bad Rat. I love literally everything about their animations and I always get super excited whenever I come across one!
It was when I first attempted to draw a Bad Rat that I realized the potential of taking one and making it into my very own Pizza Tower OC... enter Brat the Rat, the punkish and portly rival to Gustavo's right-hand rodent, Brick the Rat!
(Check under the cut for some insight on Brat's character as well as concept art!)
We all know that Peppino Spaghetti has his fair share of rivals, and while it's unanimously agreed upon that his ultimate foe is the villainous Pizzaface, I've always thought that the Noise made for a better fit as the Italian's evil double. I mean, they do hate each other with a passion.
But how cool would it be if Brick the Rat had his own rival (Gustavo doesn't need a rival, he's too precious to have one)? There's a distinct difference between Brick and the Bad Rats (I.E. tail color, ear length, messier whiskers, etc.), and I thought it would serve as a neat basis for a Pizza Tower OC!
Brat the Rat is the commander of the Bat Rat brigade in the Pizza Tower, and sent Brick out to dispose of the intruders of their domain. However, after Gustavo and Brick's eventual friendship, Brat takes it upon himself to disregard the incompetence of his inferiors and go after the true threat to the tower, Peppino, personally.
He is best described as a conniving though lazy figure of authority, and spends most of his time snooping about The Pig City or at home in the fittingly named sewer level. In spite of his mean demeanor and meaner intentions, Brat also has a seldom-seen (At least to anyone besides the Bad Rats) gentler side, and can be a complete and total cuddle bug if he trusts you enough.
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I find that Pizza Tower sprites are easiest to draw if you sketch them out beforehand, and that's just what I did with Brat! I wanted Brat to be larger than the standard Bad Rat by a longshot, and that he'd tower over Peppino when sitting upright, so I made conceptual sketches of the such before going into spriting.
Honestly, it took me a little while to figure out Brat's body shape when he isn't laying on his front, but I've since perfected it and can safely say he is easily one of the easiest and most fun of my OCS to draw! Seeing how big of a hit he was to some of my mutuals outside of tumblr, I figured I'd show him off to y'all on tumblr as well! 🍕✨
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notmoreflippingelves · 2 months
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Obsessed with the dynamic (not romantic, not platonic, but a secret third thing--both and yet neither) between two characters who knew and cared about each deeply years ago when they were both younger and life was much less complicated.
But then, tragic, transformative circumstances separated them. Assuming that this separation was certainly permanent, because how could it not be?
And yet, somehow finding each other again years later, and sometimes they aren't sure whether the reunion that they once longed for with every fiber of their beings is a blessing, a curse, a joke, or a punishment.
Because they've both changed in the intervening years--largely because of the hellish circumstances that caused their separation. They've both changed completely and irrevocably, even if one of them has changed much more noticeably and dramatically than the other to the point of seeming a complete stranger. It is about leaning to see and appreciate all the things that have changed about the other and all the things that have not changed. It's about learning to reconcile beloved, often rose-tinted memories with the complex, yet-equally-compelling reality of the person those memories are about.
#it's the very particular sensation of loving someone who is both recognizably your beloved childhood partner-in-mischief#while also being someone so different (physically; mentally; and/or emotionally) that you can scarcely see their past self in them#and knowing the feeling is mutual#and also knowing that the only person who can truly understand the full extent of the change in you is each other#because their transformation is linked to your own#forged in and through the unique experiences that you shared and the way you were separated#it's the idealized adoration of youthful playmates/pseudo-siblings#transforming into a very different but no less powerful connection in adulthood#that's what really gets me#it's just#*chefs kiss*#estabalena#nahyupollo#jaydick#anyway this post is specifically about estabalena and jaydick#and to a lesser extent apollo/nahyuta#but it doesn't really matter if people tag and respond with other ships#even the narumitsus provided they recognize that not every post was made for them#it goes double for jaydick and estabalena tho since they each have two (2) shared formative and transformative experiences#that few (if any) others can possibly understand#for estabalena; it's the 41 years of suffering in the dark times and the crystal well magic flowing through ones veins#for jaydick; it's the experience of being "Robin' and feeling that the role and all it means was ripped from you too soon#and then it's the experience of dying and your family failing to welcome you back with open arms#because you didn't come back 'right' or quick enough#and that you 'chose' to stay away rather than circumstances forcing the issue#apollo/nahyuta also has the jaydick parallels in terms of bruce and dhurke#it's recognizing that your very human shared father figure failed you in many ways#even as he simultaneously saved you in others#he made you both the best version of yourself while also creating or enabling all of your worst tendencies#just
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loveofastarvingdog · 11 months
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okay say what you will about "comphet" and "settling," and maybe this is my arospec-ness showing, but i don't feel any attraction to women (romantic or sexual) and would still be 100% down with being in a relationship with one and even marrying a woman. i am pretty much entirely gay when it comes to actual attraction, but mostly consider myself bi or pan when it comes to my approach to relationships, and i just? think that maybe it'd be cool if more people recognized that however other queer people approach relationships and sex when it comes to gender, it doesn't negate their identities. it doesn't mean it's comphet. it doesn't mean it's secretly harming them. sometimes people just choose to have sex, or be in a relationship, or whatever, and it might not "align" with what you think their label ought to be, but it sincerely does not matter at all. it's not your sexuality, or your romantic orientation, or your own personal understanding of yourself, it's theirs. and it doesn't make them bad at being queer, it just means that they're human and get to 1. make their own choices and 2. not conform to other people's ideas about themselves
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autistic-daydreamer · 21 days
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"Listen, I'm a feminist but [insert something about romance]"
No one cares. For FUCKS sake, no one cares. Let him save you, let him pay the check, let him buy you flowers, WHO CARES.
The only reason you believe you can't do those things as a feminist is because you were taught feminism wrong. Feminism is about equality and loving yourself and not judging people for harmless things. You can wear long skirts and bows in your hair and be a feminist. You can wear tank tops and crocs and be a feminist. You can wear suit pants and a button up and be a damn feminist. You can be a florist and be a feminist. You can be a scare actor and be a feminist. You can be a weightlifter and be a feminist. You can be a feminist and not pay the check. You can be a feminist and sleep around.
For fucks sake, feminism is about empowering EVERYONE, so believing that you can't do certain things "as a feminist" is so backwards.
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rovermcfly · 2 years
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when pleck found out C-53 is only the cube and not the frame, when Pleck realised that after Dar ripped C-53's frame apart they can save him if they find a new frame for the cube, when Pleck didn't know how to properly carry or store the cube but just knew it was important to keep it safe, when Pleck told C-53 he's beautiful in every frame, when Pleck implicitly gained a unique perspective and love for C-53 after handling the cube, when Pleck understood without even knowing the full story that C-53 loves being a boat, when Pleck asked C-53 every time he got a new frame how he feels in it, when Pleck... when the cube... when.. he...
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stuffedsand · 7 months
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There's something interesting to be said about the opinions of different fanbases based on culture and how it affects the votes but it's late and I can't write it out too much so only one example for today: amane
Down under the cut so if it gets too long it won't affect anyone's scrollin
Also warning the tags are long on this one
- <- this indicates a new talking point
Basically I think the jp/more asian parts of the fandom tend to lean towards greater good (amane guilty to protect shidou/mahiru/fuuta because if shidous incapacitated in any way someone's dying, mahiru is prone to dying any moment, fuuta is prone to cult mindset rn). Despite my non japanese speaking ass not being able to gather direct evidence for this, I use those surrounding me (asian in asian country) as evidence; namely, how they're mostly amane guilty voters
-Now I'm not saying my personal take but the reason given for guilting her is well. As much as it will cause her more woe it's one way of guaranteeing the safety of the prison. Shidou is the only medical professional after all, and she's "completely hostile" towards him, acc to jackalope. And she doesn't need to overpower him; shes smart, and could sabotage his equipment or just like. Go for his hands to incapacitate him. I doubt he'd fight back.
-Alternatively, it's because it would cause her to fall back on believing she's right. Telling her she's forgiven with how she's acting would cause her to believe her persistance and dedication to this (harmful) mindset is what got her forgiven in the first place
-Meanwhile more western? English fanbase ig I'm not too sure of demographic, but the English speaking side tends to focus on how it affects her. Because of the belief that another guilty verdict will cause more harm to her, an innocent verdict is the obvious solution. What I've seen is the greater focus on what caused the murder over the murder itself and the effects of an innocent verdict on others and then her beliefs. A focus on the past over what she's promised to do in the present and future perhaps. Idk.
-Another reason for the difference could. Possibly be how punishment is viewed? Western countries have much more stigma over any form of punishment but in Asian countries it's normal. Now while I'd say physical punishment isn't the way to go, the refusal of punishment shouldn't be rewarded (imo) but that's all I'll say on it.
-The English fanbase also focuses a lot on how young amane is and how her circumstances were terrible and all that. Those around me tend to focus more on her thoughts around the crime, what she believes the crime was for and how in the right she thinks she is. This may also be the cause of the moral grandstanding I see so often (ie. If you vote amane guilty you're a baaad person) (I don't agree with this btw. That's stupid this is fiction don't insult others over an opinion)
What I will say is the English speaking side is more sympathetic towards amane. They (y'all?) Take her situation into a lot of consideration, and focus on her age as a large factor. Whereas those around me and I assume might be close to the views of the japanese fanbase are more objective, looking at what harm she could cause and what's the greater of the two evils, as well as what she's going to do with the verdict (ie. Use the inno verdict as her doctrines are correct and very right).
There's slight thought given to her age and circumstance of course, by it that's not the main concern rn. Given the current situation, most of my milgram voting friends stay certain that an innocent verdict will not end well, hence the guilty vote. I mean I have a couple friends that feel bad for guiltying her because of her circumstance, but do it anyway cuz it's for the better. My opinion is that she should've been innocent trial one, since we wouldn't have known the concequences, but it's too late now and an innocent will cause more harm overall
tldr asian fanbase from experience focus on the crime itself + what they're gonna do with that experience whereas eng speaking fanbase focus on the circumstances surrounding the crime and on judging only the crime
In myyy opinion. Judging only the crime based on your interpretation isn't how the system should be working, it should take into consideration the prisoners' attitudes and how the prisoner perceives the crime as well.
I hope this was coherent I typed it out at 11pm and went to bed immediately after and I've barely edited anything cuz awake me is less coherent than half asleep me
Also hope this was an interesting post? This topic is interesting to me but I explain better in speaking over typing so it's probably hard to read but I hope this topic scritches y'all's brains like it does mine :)
#milgram#amane momose#inder the cut to save space kekw#sorry if this post feels like im calling yall lab rats cuz i kinda am#treating the milgram tag like a giant social studies exam (i have not passed social studies this year)#ive done my beat to compare bur i lost half my thoughts while typing this out last night whoops#ive also done my best to be comprehensible but i have too many thoughts at the same time for that#alsp for the record im an amane neutral voter (i dont vote)#j have another point on the age thing about how while eng side takes young age into consideration#it also overstates the maturity of our older prisoners (shidou namely#as ive seen people say that medical guilt theory doesnt work cuz of how extreme his guilt is#of which belongs to a different post but basically dude hes only 29 thats not that old. also to lose everything at any age is devastating#moral grandstanding point may be more indicative of internet culture overall btw but i cant get data on that for jp fans#sorry for being incomrpehensible i jusy talk like this#also very important no insulting anyone in rbs. even if its not me. thats rude#long post#i have a great disdain for people who claim amane guilty voters are evil btw. respect others online ffs#anyways next post will be about shidou and theories around him#specifically my hatred for the organ harvesting theory and my proposed alternate theories#but rhat will be the next time im tired and insane#im also posting this relatively unedited so i dont chicken out 💥 im trusting yall
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spectraltouch · 4 months
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Alright, I finally thought of a poll idea
To clarify, this is the eyes of a subject or person under some form of mental domination, NOT the person doing the hypnosis or mind control. Some examples under the cut in case you're not sure what any of them mean. Feel free to add your own examples, if you're trying to convince people to vote for fave. But please don't slap down a hypnotic script to sway your audience. It's not that serious and this post is already long enough.
Spiral eyes:
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Heart Eyes:
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Blank/Dull/Empty Eyes:
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Kaa Eyes:
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Eye Color Change:
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Glowing eyes:
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Irregular Pupil Shape:
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