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#⌦collecting resources
xx-k1tsun3-k1d-xx · 2 days
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the mobile phone museum is a online museum featuring over 2000 types of old and funky phones that’s amazing for seeing old phones and getting info about them for stuff like writing/art or just because they’re so cool and i love them look at them
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behold! some of my favourite silly creatures :3
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engravedlives · 2 months
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green stamps
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cheezitofthevalley · 1 month
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word stamps
[Stamps with quotes]
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hope this helps someone :)
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bluegiragi · 6 days
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Could we have some more Monster AU lore? Literally about anything in the universe, I really love your lore drops.
well if you insist...(jk i love talking about lore and I'm so super happy you guys let me infodump like this!!)
who wants to learn about dragons and hoards?
So a lot of people mistake hoards as the result of a dragon's passing interests but in reality (for the types of dragon that have this hoard instinct) it's an intense and obsessive compulsion.
Dragons pack a lot of firepower into a relatively dense body, and hoards give them an opportunity to put all that energy somewhere by providing for a hoard's 'needs', whatever they are. In the old times, it was most common for dragons to hoard wealth, land or knowledge but as time went on the variety in subject expanded. Now, hoards can range from innocuous/harmless topics like baseball cards to more complex subjects (like literal living beings).
The darker side to hoard instinct is how intense and possessive it is - the desire to monopolise and satisfy the needs of a hoard is all-encompassing, and it's not unheard of for dragons to go too far. Just like dating, dragons typically go through a few hoards in their lifetime (like passing hyper-fixations) before they find the one thing that'll be their hoard until they die. And after they find that one thing, the rest of their life is in some way dedicated to protecting, caring for and 'leaving their mark' on that thing. A big part of maturing for dragons is learning the self restraint required to not let these urges overtake them and turn them senseless.
Of all topics, hoards that center living beings are by far the most complex simply because living beings have agency and can't be entirely controlled. Price's hoard is the 141, and he has learned over time how to respect the lives of his boys. However, right after his and Ghost's final clash with Roba which resulted in life-changing events for both of them, he realised that he'd already subconsciously made Ghost 'hoard' in his mind.
The two of them fell into a co-dependent and borderline toxic relationship during their recovery. For Ghost, it was a combination of trauma-bonding and also a way to deal with his new powers/afflictions as a wraith. For Price, the recent loss of his wing had him falling back on other measures to help cling onto his dragon identity, and he overcompensated by going way too far on what was already a very fresh and concentrated hoard response. Of course there was still sincere affection backing up all of this, but they both ended up spiralling into something together.
It's always tough being THE hoard starter, as whatever it is will get an exorbitant response that lessens the more a hoard grows. It didn't help that Simon was in one of the most vulnerable and complicated moments of his life post-wraith-transformation. The co-dependency and possessiveness got to a point where higher-ups had to re-instate Price earlier than they wanted to and begin sending him out on missions again so that they could have some time apart. On one of those missions, Price met Gaz, and then later on, Soap.
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*tries to organize my thoughts*
*remembers i'm not in school and therefore beholden to neither heaven nor hell nor any man's grading system*
*joyously shredding & tossing all my carefully arranged 3x5 mental notecards into the air like so much beige confetti. raising my arms in victory, cheering raucously until i accidentally inhale bits of homemade confetti*
(*coughing up itty bits of paper like a cat evicting a hairball with a firm understanding of tenants' rights*) wait wat happens next
#i marie kondoed my thoughts and *i* feel great. but now my stream-of-consciousness has escaped containment#so many innocent bystanders at stake#every time i try to organize my thoughts i run out of plastic bins and have to make a trip to the container store where i get even more dis#racted so. you can't just hand me THIS brain and NO catalogue OR library classification system#and expect me to single-handedly sort through all this nonsense? bad form but fucking form not in my job description#aNYways. formal education sure did a FUCKING NUMBER on us huh#(a number i measure not in gpa or dollars of student debt.#but in the number of therapy sessions & medical debt it will take to recover.)#seriously folks. our education systems are...innately traumatizing for a huge number of students. and we NEED to address this.#the fact that it is culturally common for adults to have anxiety nightmares about school/exams...even decades later?#that is not cute. it is Alarming.#no one--much less entire generations--should be spending their developmental years in an environment of chronic stress & pressure & strain#and yet that is the reality for millions and millions of pre-teen and teenage and young adult students#this isn't healthy and it serves and empowers NO ONE#...except of course the many exploitative educational & financial & debt-collecting institutions thriving from the current balance of power#and of course it's a nefarious and powerful way to sabotage/erase the middle class#which billionaires and the wealth-inequality creators they finance couldn't possibly have any noteworthy interest in whatsoever#it's not like there's an elite group of people with huge financial incentives to drain/steal resources from the masses...#anyways sorry for going all Conspiracy Theory on you.#obviously the billionaires who control the vast majority of our resources and news and political campaign funding#are not tied to every single itty bitty social issue and i'm a silly billy to imply it#please tell elon musk to ignore this tweet i am so subservient and acquiescent#mr musky u r so good at inheriting slavery-built mining fortunes & buying other people's companies#& building rocket ships & fancy cars that do NOT explode/catch fire & also NOT running billion dollar companies into the ground#mr musky u r so talented genius billionaire playboy with 10 kids and ex-wives who find you creepy af babe u r basically iron man
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justplaggin · 3 months
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teruko ◈ chuuya ◈ akutagawa ◈ dazai <- 🆕️
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space-writes · 1 month
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Obsidian Resources Masterpost
This is a masterpost of all the useful resources I’ve collected for using Obsidian. Hopefully some of them will also be useful to you, and I’ll try to keep this post updated whenever I find new and exciting stuff!
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General Obsidian
Download and install Obsidian
Obsidian Help
Obsidian Glossary
Beginners Guide to Obsidian
How to get started with Obsidian: a guide for Autistics & ADHDers
Youtube
My personal playlist of Obsidian-related videos
Danny Talks Tech
Nicole van der Hoeven
FromSergio
Jonathan Pritchard Obsidian Tutorials
Josh Plunkett Obsidian for TTRPG Videos
Vault Showcases & Use Examples
The best way to get an idea of what you can do in Obsidian is to look at what other people have done. This is a collection of articles, videos, and Obsidian Publish Vaults showing various setups and processes so you can get inspired!
Writing a novel in Markdown - PD Workman
(2024) Obsidian For TTRPG - Template Vault | Campaign Manager
How I Plan and Write Fiction in Obsidian – Vanessa Glau
SlRvb - Obsidian Publish
Obsidian TTRPG Tutorials
SoRobby/ObsidianStarterVault: Organize your Universe
How I structure my Obsidian vault (Obsidian tour 2023) - Nicole va der Hoeven
Obsidian - 2024 Intro for TTRPG and Worldbuilders
Form, Function, & Fun! - My Obsidian Vault Tour [2024] - CyanVoxel
Markdown
Obsidian uses markdown to format text, so these are some resources to help you out with that.
Markdown Syntax - Obsidian Hub
Basic Syntax | Markdown Guide
Markdown Reference
Basic formatting syntax - Obsidian Help
CSS & Styling
You can just use Obsidian as-is, but it’s so much fun to customise it and waste all the time you should be doing work on making it look pretty. These resources cover various plugins and ways of prettifying your vault, as well as some CSS resources, since Obsidian uses CSS for styling.
How to Style Obsidian
Default Obsidian Theme Colors
CSS reference
CSS Tutorial
CSS-Tricks
CSS Gradient — Generator, Maker, and Background
MarkSheet: a free HTML and CSS tutorial
ITS Theme: Image Adjustment Snippets + ITS Theme - SlRvb's Documentation
Banners: add banners to your notes
colored tags: Colorizes tags in different colors.
MySnippets Plugin: adds a status bar menu allowing the user to quickly manage their snippets within the comfort of their workspace
style settings: A dynamic user interface for adjusting theme, plugin, and snippet CSS variables
Plugins
A highly opinionated collection of plugins—all of these are ones I either currently use or have used. Organised loosely from simple to complex. Links go to the github pages, which have install instructions, but the easiest way is to install them directly from the plugins manager inside Obsidian.
smart typography: Converts quotes to curly quotes, dashes to em dashes, and periods to ellipses
url into selection: Paste URLs into selected text
better word count: Counts the words of selected text in the editor.
short links: plugin to display short internal links.
editing toolbar
omnisearch: A search engine that "just works" for Obsidian. Supports OCR and PDF indexing.
outliner: Work with your lists like in Workflowy or RoamResearch
Advanced tables: Improved table navigation, formatting, and manipulation
longform: A plugin that helps you write and edit novels, screenplays, and other long projects.
periodic notes: Create/manage your daily, weekly, and monthly notes in Obsidian
workspaces plus: Quickly switch and manage Obsidian workspaces
hover editor: Transform the Page Preview hover into a working editor instance
advanced uri: Advanced modes for Obsidian URI
dataview: A high-performance data index and query language over Markdown files + Dataview
Commander | Add Commands to every part of Obsidian's user interface
QuickAdd for Obsidian + Getting Started | QuickAdd
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check out my obsidian tag for more posts / got questions? want to say hi?
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poetrysmackdown · 9 months
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what makes a poem a poem? does it have to be written in a certain way? is this question a poem if i want it to be?
Fun question! This is just my personal sense as an avid reader and less-avid writer of poetry, but for me it’s useful to distinguish (roughly) between poetry as a genre and poetry as an attitude or philosophy through which language and the world can be understood. And of course these two go hand in hand. I see poetry the genre as essentially a type of literature where we as readers are signaled, somehow, to pay closer attention to language, to rhythm, to sound, to syntax, to images, and to meaning. That attentive posture is the “attitude” of broader poetic thinking, and while it’s most commonly applied to appreciate work that’s been written for that purpose, there’s nothing stopping us from applying that attentiveness elsewhere. Everywhere, even! That’s how you eventually end up writing poetry for yourself, after all. There’s a quote from Mary Ruefle floating around on here that a lot of folks have probably already seen, but it immediately comes to mind with this ask:
“And when you think about it, poets always want us to be moved by something, until in the end, you begin to suspect that a poet is someone who is moved by everything, who just stands in front of the world and weeps and laughs and laughs and weeps.”
Similarly, after adopting the attentive posture of poetics, there’s plenty of things that can feel or sound like a poem, even when they perhaps were not written with that purpose in mind. I’ve seen a couple of these “found poems” on here that are quite fun—this one, for example. The meaning and enjoyment you may derive from the language of a found poem isn’t any less real than that derived from a poem written for explicitly poetic purposes, so I don’t see why it shouldn’t be called poetry.
That said, I do think that if you’re going to go out and start looking for poetry everywhere, it’s still important to have a foundation in the actual language work of it all. Now, this doesn’t mean it has to be “written in a certain way” at all! But it does mean that in order to cultivate the attentiveness that’s vital to poetry, one needs to understand what makes language tick, down at its most basic levels. It will make you better at reading poetry, better at writing it, and better at spotting it out in the wild.
Mary Oliver’s A Poetry Handbook is an extraordinary resource to new writers and readers, and a great read for more experienced folks as well. Mary Oliver’s most popular poems are all to my knowledge in free verse, and yet you might be surprised to find her deep appreciation for metrical verse (patterns of stressed/unstressed syllables), as well as for the most minute devices of sound. In discussing the so-called poetry of the past, she writes,
“Acquaintance with the main body of English poetry is absolutely essential—it is the whole cake, while what has been written in the last hundred years or so, without meter, is no more than an icing. And, indeed, I do not really mean an acquaintanceship—I mean an engrossed and able affinity with metrical verse. To be without this felt sensitivity to a poem as a structure of lines and rhythmic energy and repetitive sound is to be forever less equipped, less deft than the poet who dreams of making a new thing can afford to be.”
In another section, after devoting lots of attention to the sounds at work in Robert Frost’s “Stopping by Woods on a Snowy Evening”, she writes,
“Everything transcends from the confines of its initial meaning; it is not only the transcendence in meaning but the sound of the transcendence that enables it to work. With the wrong sounds, it could not have happened.”
I hope all this helps to get across my opinion that what makes a poem a poem is not just about the author's intention, and not just about meaning (intended or attributed), but also about sound and rhythm and language and history, all coalescing into something that rises above the din of a language we would otherwise grow tired of while out in our day-to-day lives.
I'll always have more to say but I'm cutting myself off here! Thanks for the ask
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kagoutiss · 11 months
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“what does sheik actually do in this au” fair question. everything
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bestbizcocho · 6 days
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⊂ ❗❗ ⊃﹒Mesmerizer Stamps﹒ ᶻz
︵‿︵‿︵﹒⪩ ⪨﹒‿︵‿︵‿︵
Made by Me! ﹒ ★☆
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deadpanwalking · 18 days
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The cancellation of the 2024 World Voices festival reminded me that I meant to make a post about this last week, when PEN America announced that it could not hold its annual literary award ceremony because so many authors and translators had withdrawn their submissions.  I don’t doubt that there's another post of this sort making the rounds, but since the ceremony was going to be tomorrow, I wanted to celebrate the literary achievements of every Finalist with a demonstrable backbone.
This is a list of writers who acted with integrity by withdrawing their work from the American subset of PEN International, an organization which has served as a bridge between literature and human rights for over a century.  PEN America has largely built its reputation by supporting persecuted writers, and has let down the entire international literary community by failing to take a meaningful public stance against the ongoing genocide of the Palestinian people. 
The following titles have been withdrawn from consideration at the request of the authors and translators:
PEN/Jean Stein Book Award
To a book-length work of any genre for its originality, merit, and impact, which has broken new ground by reshaping the boundaries of its form and signaling strong potential for lasting influence.
Hangman by Maya Binyam 
Biography of X by Catherine Lacey
Poem Bitten by a Man by Brian Teare
Blackouts by Justin Torres
PEN/Robert W. Bingham Prize for Debut Short Story Collection
To an author whose debut collection of short stories represents distinguished literary achievement and suggests great promise for future work.
The Sorrow of Others by Ada Zhang
PEN/Hemingway Award for Debut Novel
To a debut novel of exceptional literary merit.
Promise by Rachel Eliza Griffiths
Natural Beauty by Ling Ling Huang
PEN/Voelcker Award for Poetry Collection
To a poet whose distinguished collection of poetry represents a notable and accomplished literary presence.
Couplets by Maggie Millner
suddenly we by Evie Shockley
PEN Translation Prize
From From by Monica Youn
For a book-length translation of poetry from any language into English.
Owlish by Dorothy Tse translated from the Chinese by Natascha Bruce
Trash by Sylvia Aguilar-Zéleny translated from the Spanish by J.D. Pluecker
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sumirerin · 1 year
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Doodle of how me and the bfs dst playthrough has been going :b
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antlerpunk · 1 year
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youre so right for your ultrakill sound design thoughts, the way heavens structure and hierarchy is set up is such a clean, organized set up, with the design and how they sound doubling down on that
i've never seen anything like ultrakill's world.
the way it sets up its structures and ecosystems. you have husks and you have demons and you have machines and you have angels.
biblical tragedy and political drama.
ultrakill's world is a Character. and i was saying that shit before we knew hell was alive.
ultrakill's world is a character and i'd love to get to know them better
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sagecodex · 2 years
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I know I’m not the only one who struggles to find the right fonts for my projects. So I put together a list of places to find good, free, legal, fonts to use in all of our websites. This list may be short, but it’s curated to help you find the best fonts in the easiest way, and without having to worry about all the legalese.
If there are any free font resources you like to use that I’ve missed, let me know! 
Google Fonts
Google Fonts is a great resource, and the go-to font repository. They make it easy to select and install fonts on your website—just click the font you want and copy the code! There’s over 1,455 font families to choose from, plus some great resources on typography, guides on how to choose the best fonts, and more.
All Google fonts are 100% free for personal and commercial use. The most common license is the SIL Open Font License. Some fonts are under the Apache license or Ubuntu Font License. You can redistribute open source fonts according to those conditions.
Fontshare
Similar to Google Fonts, Fontshare is a free fonts service launched by the Indian Type Foundry (ITF). Their mission is accessibility, so every font they release and promote is open source. There are 100 font families to choose from, as well as curated font pairings to help you pick! Like Google Fonts, they make it easy to install, just pick the font(s) you like and copy the code.
All Fontshare fonts are 100% free for personal and commercial use. They are offered on two licenses: Closed Source, which are are governed by ITF’s Free Font License (FFL) , and Open Source, which  are governed by SIL Open Font License (OFL). You can read more about their licensing here.
The League of Moveable Type
The League is the world’s first open source type foundry. They have some great fonts, as well as a newsletter, a podcast, and some tools to help you learn typography! You’ll need to download and install all of their fonts on your own website, but many of their fonts are also found in the first to foundries as well for easier install.
All the fonts from The League of Moveable Type are free & open source, available to use commercially and subject to the Open Font License.
Indestructible Type*
While its library is small, it has some very unique, iconic fonts. The designer only makes high quality, versatile, modern fonts that are accessible to everyone. If you’re familiar with fonts, you probably already know some of their core styles, but there are a few unique styles we don’t see used enough!
These fonts are licensed under the SIL open font license and are free for commercial use.
Font Squirrel
A great resource with thousands of available fonts for free commercial use. They also have a great font identifier tool, plus a forum to talk about fonts and typography. You do need to download the fonts and upload them into your own site. 
Unlike the other sites in this list, do be careful when selecting your fonts. While they do mark their fonts with what they think their individual licenses allow, there is no guarantee. So be sure to read their individual licenses and read Font Squirrel’s FAQ before using!
Other Free Font Resources
There are other places you can find good, free, legal fonts to use, but they are less reliable and often offer fewer free versions to promote premium paid fonts. Just be sure to read the individual font licenses before you use them. So check out these sites if you’re willing to dig around and see what you can find: Dribbble, Behance, Pixel Surplus, Graphic Pear, Fontbundles.net, Wild Picks, Sunrise Digital, Fontfabric, Pixelify, Font Shop, FontHaus, FontSpace, and MyFonts.
How to embed webfonts
Some of the linked resources give you easy links to install their fonts—but others require you to download the font and embed it into your website. So here’s the w3 article to show you how!
Remember: always use fonts with an open commercial license, specifically for the web. Using demo fonts or fonts designated for personal use on your website is not only bad practice (and usually not web-optimized), it’s almost always illegal! Personal use means for use on your single desktop (like when typing in a word doc) or for the free invitations you made for your dog’s fourth birthday. Everything else (including embedding a webfont) is almost always commercial.
Note: It is not advised to use sites like Dafont, Fontriver, 1001 Fonts, etc. to find fonts for your projects. While they do have free fonts, they are almost exclusively demo versions of commercial fonts that you need to buy a license to use on the web. Please read the license for every font you download to keep yourself out of trouble.
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disgruntled-lifeform · 2 months
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Anyone able to point me towards resources for choosing fabric to line a Tunisian Crochet coat?
I've never made a lining for anything I've crocheted before and my hope is to prevent as much stretching over time as I can but idk what cloth/fabric would work best.
Any help would be wonderful ^_^
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letteredlettered · 5 days
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congrats on ur final day on the job! Hope ur moving on toward some great rest, or something exciting :)) Anything u think itd be useful for someone unionized or pro union to know?
Actually, before I worked my firing-people-HR-job I worked in Labor Relations. On, you know, the evil side. So I know a lot about unions--at least, unions in the USA. The company I worked for was huge and had at least a dozen union contracts with at least eight different unions, and unions in our state are pretty strong, despite the way that unions have been gutted in this country over the last few decades. If folks have more union questions, hit me.
If you are in a union, here are my useful tips:
Know your contract (aka collective bargaining agreement or CBA). Your reps are supposed to know your contract, and they try, but they have a lot going on and it's easy to feel like you know it and forget a lot of minor details. It's helpful for all employees to know their rights.
The strongest tool that a union employee has is grievance. You can file a grievance when the contract has been violated. As such, you're going to have a hard time using your union tools if certain things aren't in your contract. Things like harassment are covered by US law (though I would recommend getting it in your contract anyway) but things like workplace bullying are not. Advocate to your union to get things into the contract, even if they seem like common sense or your company already does them, so that you can use grievance if there's a problem.
Union reps have a lot going on and may not remember to follow all the steps like filing or advancing your grievance in a timely fashion etc. Don't be afraid to be a squeaky wheel with your union and demand fair treatment. They're trying their best but just like anyone, they need reminders.
Conversely, with management, it's more useful to use the tools and power unions have to their fullest potential than it is to complain or be aggressive. As a human being, you should be able to voice complaints or display some anger, if that's what you're feeling, but I think we all know by now that companies don't really want human beings; they want cogs in a wheel. I'm not trying to advise anyone not to be human, but I am trying to say that just because you're backed by your union (sometimes, especially because you're backed by your union) doesn't mean management won't have a grudge against you if they think you're a pain, and you don't want management to have a grudge because your union can't protect you from everything. In fact, if aggression or vociferous complaint seem like the best ways to win an argument, let your union rep (the one who works for the union--supposing that your union is a larger entity and not just the employees of your company) be the bulldog. They should be the ones that fight nasty for you so that you can maintain a polite relationship with your boss and leadership.
If you are not in a union but are pro-union:
If there are unions at your company but you're not in them, stand in solidarity with them. Go to their rallies, protests, and union actions when you can. You won't have the right to skip work to do this, so don't do that, but see if they are doing anything before or after work or on your days off. Encourage others you know to do the same.
If there are not unions at your work, consider looking into how to unionize. If you think unions don't make sense for your workplace, reconsider; they're not just for police and teachers and coal miners. That said, union busting is a real thing that is happening right now all over the place. It's important to be aware of that and do what you can to protect yourself.
Support legislation that supports unions.
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