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paperlignes · 8 months

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GUILLERMO AND NANDOR WHAT WE DO IN THE SHADOWS (2019-) SEASON 5, EPISODE 8: THE ROAST

#nandermo #nandor x guillermo #wwdits #guillermo de la cruz #harvey guillen #nandor the relentless #kayvan novak #wwdits spoilers #what we do in the shadows #wwdits season 5 #--fandom: what we do in the shadows #--ship: nandermo #--type: gif #--mine #--theme: scenes

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weedle-testaburger · 5 months

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RTD SAID TRANS RIGHTS AND THE DOCTOR IS TRANS ALL IN ONE FUCKING MADLAD

#personal crap #doctor who #dw spoilers #dw specials #fourteenth doctor #donna noble #rose noble #transgender #nonbinary #this has to be my new favourite trans-themed scene in any piece of media #ok maybe tied with 'i've always been me' from su lol

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thedreadvampy · 1 year

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people seriously pretending EEAAO is overrated suddenly bc it swept awards? it swept awards largely because it is very very very good. I cried like someone who's just had a religious revelation BOTH times I watched it bc it touched something raw and real and beautiful but it was also just very, very funny. everyone's performance kills and the concept is creative and interesting and doesn't distract from the emotional core. you guys are just contrarian.

#red said #also there are posts and tweets like THIS IS JUST FOR MCU FANS #like please go on demonstrating how you've adopted 'mcu fan' as a shorthand for 'person who likes films i don't'#or 'person who likes films that are popular'#because the defining features of mcu films are that they're high budget irony poisoned derivative works #targeted at a broad audience so aiming to be accessible and inoffensive #and it really seems. like 'accessible' is the part of that you object to #bc EEAAO is a highly original A24 indie film with a 14.5m budget which is NOTHING #it's made mostly with practical effects and sets #and most importantly it's beautifully painfully earnest. it's never trying to shy away or go Hey Look How Silly This Is 😏#everything is driven by its earnest desire to talk about specific themes #i think the people comparing it negatively to mcu films are stuck on the fact that it's about a multiverse and it's got jokes #and colourful action scenes #but they miss that the referential jokes (like racacoonie) and setpieces aren't the point of the film

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loveexpelrevolt · 1 month

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How about the winner get a kiss from the loser? Do you wanna end up in a coma? You can drain my energy any time, chère. Gambit has plenty.

GAMBIT & ROGUE | X-Men '97 1.03 "Fire Made Flesh"

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marisatomay · 1 year

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thought about this again. kind of amazing how we’re all just chasing ways to duplicate how this scene makes us feel, either in life or in art.

#binary sunset the scene the theme that you are #messers lucas and williams tapped into something primal #the star wars trilogy are the first movies i have actual definitive memories of seeing #take that as you will

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anteomnia · 5 months

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just endlessly thinking about blue eye samurai.

thinking about how akemi, taigen, and mizu are if a coin had three sides or maybe just the two and mizu is the bridge of metal between them.

akemi being the ideal image for women, for the life they endure. she was simultaneously a princess, a prostitute, and a prisoner. her entire life was men making decisions for her, even the ones that had good intentions, and she believed her deepest desire was freedom. it still is, but she has been revealed to this heinous predicament of her gender, and she’s realized that to reach true freedom as a woman is to be the bird in the cage, to play nice and to earn the love of a man until he buys her a bigger cage and a bigger cage until he trusts her not to fly away. and it'll never be true freedom, but it will come with power. it'll come with the freedom of only one master rather than many.

taigen being the ideal image of a man. not all powerful, but not weak. he had a taste of what it'd be to succeed, and when it was taken from him, that easy success, he mistook it for his honor. he hunted mizu down to kill him, and instead he saved him. he saved him and saved him and he came closer to killing mizu when they were on the cliff's edge, and just when he gets to the point where he may actually fight mizu, he's tortured for information on him. he is tortured. Literally tortured within an inch of his life, enduring such a heinous violence, and he refuses to break. this man was a fight, was the torturer, and the victim of his torturing could've been his salvation from pain but he refused. mizu gave back taigen's honor but not by fighting him.

akemi wanted freedom and learned she would need power to have it.

taigen wanted power and learned that the violence that came with it was infinite and dishonorable.

and then there's mizu. mizu who wants revenge, wants acceptance. arguably the same things as them both. mizu wants acceptance, the freedom of living and the freedom to love and be loved. mizu wants revenge, which follows after violence and power, to get said acceptance. she thinks she must do both, have both, to live peacefully, and she's blatant about how she will not live without either.

she's given acceptance with the blacksmith, her "mother," her husband, but she sees the flecks of avoidance in it.

the blacksmith will not hear of her true gender. her "mother" will not acknowledge the crime of her birth. her husband can't find tolerance for the violence within her, the man of her.

and so she has to balance the woman and man of her, the ronin and the bride. taigen and akemi. and it's meeting mizu that they start to unravel their own identities.

mizu, who is both, and akemi and taigen who thought themselves one but turned out to be neither.

god.

#complexities #and comparisons #i think they are so much more than what i’ve said but just #the cinematography #and the metaphors #the underlying theme of birds #blue eye samurai #the poetry that you are #it feels like every scene was specifically crafted #like they did not make one undeliberate mark #like it all has meaning #i’m insane #mizu #taigen #akemi #mizu x akemi x taigen #the ronin and the bride

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elfcollector · 3 days

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I think I need to go to camp for a while. Be alone. Scream at the sky.

#gamingnetwork #vgedit #videogameedit #gamingedit #dailygaming #gameplaydaily #mybg3 #bg3edit #bgedit #baldur's gate 3 #baldur's gate #bg3 #karlach #karlach cliffgate #the recurring theme that actually revenge rarely feels as liberatory as you want it to......agh #anyway this scene made me nauseous in the best way i had to take a break and pace around my living room #i dont care how u tag this but karlach in this set IS saying it to a purely platonic tav #she and delight are best friends forever...platonic soulmates forreal

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dekariosclan · 4 months

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Imagine Gale as a talented and impressive young man, able to compose the Weave at will, skilled in a way that few can match, and favored by the Goddess of Magic herself. Imagine that because of these accomplishments, he’s caught the eye of a few up-and-coming magic adepts, and he falls in love with one of them—his first real love. Gale isn’t one to toss the ‘L’ word around lightly, so when he tells them he loves them, he means it; he gives himself over to them completely.

And in return, they love him for his potential. For his status. For the magic he can command. They love the wizard they see on the surface, but not the man underneath. They are attracted to his power, but not to him.

So of course the relationship fails, after the thrill of his magic wears off. But because Gale is a resilient young man and he’s caught the eye of so many, he soon falls in love with another.

And then it happens again. And again.

And each time Gale’s heart is ravaged, his ambition to become a better wizard grows, because he’s being shown time and time again that his magic ability is all that matters.

So much so that, by the time Mystra decides to elevate him from Favored to Chosen to Lover, he welcomes her with eager, desperate arms. Because if all his worth is in his magic, and that’s all he has to offer, and that’s all anyone wants from him, who better to love him than the Goddess of Magic herself?

Except…there’s a nagging voice in the back of his head that whispers she doesn’t really love him. There’s anxiety in his heart as time passes, and he reaches both the limit of what his talents can do and what Mystra will allow him to do. And most troubling of all: a growing panic that, just like his other lovers, she will soon grow tired of him and discard him if he can’t improve his magic any further.

He tries pouting, and pleading, and begging her to let him take more power, to let him be more for her, but she refuses. Smiles patronizingly. Tells him to be patient. But Gale can’t be patient when his power is tied so closely to his self-worth; he can’t be patient when doing so in the past has only ever lead to heartache.

So he does what he believes will be a Grand Romantic Gesture, one that will finally put him on equal footing with the woman he loves. Instead, it turns out to be a folly that dooms him and destroys his talents. And just as he’d always feared, Mystra tosses him aside the moment his magical gifts are gone—because what’s left of him holds no value for her.

————

Imagine Gale in his tower, alone, afraid, the ever-hungry orb in his chest, with only his tressym there to help him. No other friends to speak of. His colleagues forced to keep away for their own safety. His magical talents utterly stripped down, so that even when he does try and distract himself with illusions, he’s bitterly reminded of what he used to be capable of. Waking every morning wondering if it will be his last, ending every day full of loneliness and disappointment.

…and then he meets Tav.

At the lowest point in his life, at his most vulnerable, when he knows he’s going to be considered a burden, he meets this stranger and their group. So he does what he can to be useful—assigning himself to be camp cook, offering up his (now meager) magic skills, turning the charm up to 11—as he desperately hopes this will somehow work out. He’s pleasantly surprised when, after providing only minor details of his condition, Tav agrees to help him. He’s even more surprised when they actually follow through.

Imagine how Gale feels as Tav treats him kindly. As he grows to trust Tav, and then grows to like them. Imagine his surprise as he opens up and shows them more and more of himself, and they don’t turn him away.

But then his condition worsens. And he has to reveal everything: the foolish mistakes he’s made, and how dangerous he is as a result. He clings to Tav’s hand as he shows them his folly. He’s at their mercy now, and he knows this might be the last time he’ll ever feel the touch of another being, if they decide—and Gods, why wouldn’t they decide?—to cast him out.

…but they don’t. They don’t. Instead, they tell him to stay.

Imagine the relief Gale feels. The gratitude. And perhaps…just a hint of something more. Something that he dare not name, but that flares to life every time he thinks of how warm their hand was in his. Something that feels dangerously close to jealousy, when he’s had too much to drink and sees Tav smiling at another…

But he knows these are all foolish thoughts, because he has nothing to offer Tav. They are wonderful just as they are, but he…he is an empty shell of a man, a discarded husk of a wizard, and while they might tolerate him, he could never believe they might actually want him.

And besides, he still thinks of Mystra. He still longs for Mystra. She who cast him out, but to whom he still feels tethered. Sometimes he needs to cocoon himself in the weave, just to try and calm his fears and bring some joy back to his life, because magic is his life. And sometimes he just needs to see her face, even though that hurts as much as it heals.

One night he’s lost in thought, having conjured Mysta’s image after settling down at camp. Thinking that even if she hadn’t ‘loved’ him—certainly not in the way he’d loved her—she’d given him enough otherwise, hadn’t she? She’d amused him and been amused by him, they’d shared countless pleasures, why hadn’t he been satisfied with that?

Gale is so lost in thought he doesn’t realize Tav has come up behind him. Until they ask a question, startling him out of his trance. He’s a bit shaken, so he tries to turn the conversation from Mystra to the weave itself. And then a wonderful idea occurs to him, something that he’d been toying with already: what if they were to conjure the weave together?

He can show Tav how important magic is to him, let them experience what he does, perhaps even impress them a bit. But most importantly, share a moment with them. As friends would do…

He’s elated when Tav agrees. He leads them through the steps effortlessly, and they’re a surprisingly good student, following his instructions correctly (if a bit clumsily). He’s as excited as they are—perhaps even more so!—when they succeed in channeling the weave.

It’s such a pleasant, familiar feeling for him, like coming home to his tower in Waterdeep. Even as the weave connects him with Tav and makes them one, he’s easily able to hide his innermost thoughts, because he’s done it so many times before.

…but he’s forgotten that Tav has not.

————

Imagine Gale knowing every romantic partner he ever had only wanted him because of how he could raise their status, or how he could amuse them, or how he could command magic for them. And, each time, he was happy to oblige them, even desperate to oblige them, because if that was the price of their love, then he was sure it would be worth it.

But it still all came to nothing.

Now imagine Gale connected in an intimate way with someone he likes very, very much—while being what he considers his lowest, most worthless, and most humbled self. As far from the powerful, impressive wizard he once was as he could ever be. And suddenly a vision enters his mind from the lovely creature standing next to him. Only, to his complete and utter shock, it isn’t one where he is providing them with a service, or wowing them with his magical ability, or granting them some kind of power from one of the spells he commands.

Instead, when he sees their desire laid bare before him, it’s a vision of kissing him. Of holding his hand. The two most basic forms of affection and physical connection. The two things that he would still be able to offer them even if every last ounce of his remaining magical abilities were stripped from him. The two things he could share with them even if he was no longer Gale of Waterdeep, and just plain old Gale Dekarios instead.

Imagine the embarrassment and trepidation he feels at first, because surely he is mistaken?…and then the elation when he realizes that he is not. So much elation that his concentration is broken, the weave dissipating as he forgets about channeling it, as he forgets about Mystra. Because all that matters to him now is the image before him—the most pleasant and welcome image he’s seen in a very, very long time.

Imagine how that would feel…and how besotted, enamored and completely devoted he’d be to Tav afterwards. To know that someone finally—finally—just wants him.

Just imagine.

#Please enjoy this huge dissertation about Gale #(which was unintentional)#I originally wanted to talk briefly—BRIEFLY—about why the weave scene is so important to him #And then I….kept writing lol #Please also note that while this focuses on successfully channeling the weave I also LOVE the talk you have with him if you ‘failed’ it!#The same themes apply there because when you tell Gale you still think about being alone together he replies that he hopes to embrace you #It’s all about Gale finally finding someone who appreciates him just as he is and being able to connect with them #gale of waterdeep #gale dekarios #baldur's gate 3 #gale x tav #bg3

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0fps · 4 months

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SOUSOU NO FRIEREN ❖ fern vs lügner

Damn you, Frieren. How did you train this girl?

#sousou no frieren #frieren #frieren: beyond journey's end #fern #animegifs #fyanimegifs #dailyanime #m:gifs #m:*#ep 8 #ep 9 #flashing tw #finally started watching this after seeing it everywhere and HELLOO???????????????? definitely exceeded expectations #this scene was soooooooooooooo FERN YOU'RE SO FUCKING COOL AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH #also the art style and animation in this show is sooooooooooo good god and the overall theme and melancholy of it all UGHHH #m:1k

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patrick-stewart · 8 months

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Sebastian Stan as Bucky Barnes/The Winter Soldier CAPTAIN AMERICA: THE WINTER SOLDIER (2014)

#bucky barnes #tws #marveledit #twsedit #mcuedit #marveladdicts #marvelgifs #buckybarnesedit #usertammy #usersvenja #userelio #noalook #usernani #userashe #usersavana #*#tis the season to make this scene fall themed

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carrotkicks · 4 months

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this place feels familiar...

#the text in the drawing is a quote from professor N btw.#ignoring the fact that i suck at rendering. i'm super happy abt this #there was some vague color symbolism happening in my mind while coloring this. chuuya red. the world is blue. yeah.. themes. motifs.#and that's the part where cloneboy's hand slams against the tank next to chuuya's hand... that scene lives rent free in my head #<- merged with the scene where he sees verlaine's memory of rescuing him.#bsd #bungo stray dogs #stormbringer #chuuya #verlaine #rimbaud #actually i'm really growing on this coloring style.. grainy low contrast type. and textures #OHYEAH the first chuuya nakahara stormbringer angst brainrot art of 2024!!!!#.png

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paperlignes · 8 months

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guillermo and nandor / hands

#wwdits #what we do in the shadows #nandermo #nandor x guillermo #wwdits spoilers #guillermo de la cruz #harvey guillen #nandor the relentless #kayvan novak #wwdits season 5 #--fandom: what we do in the shadows #--ship: nandermo #--type: gif #--mine #--theme: scenes #--theme: hands

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thevegetablewhichnoonedaresname · 15 days

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I really like that scene in mob psycho 100 where those random guys try to bully mob, but then, before mob can even do anything, dimple makes the guy disrobe and ritsu tries to kill him and the body improvement club just kinda circles up and squishes him between their pecs until the guys beg for mercy and leave. because it's a very stupid scene. kinda the epitome of the show's goofy weird slapstick humor. and so when you're watching it the first time you assume that's the purpose of the scene--to be dumb slapstick humor. because it succeeds at that, so it would be perfectly functional if that's all it was.

but THEN it turns out that it's actually setup for two episodes later when mogami traps him in a mind dimension to try and turn him evil and he's standing in the SAME PLACE and he sees ritsu on the bridge but ritsu doesn't acknowledge him. and he gets bullied. and not only is he powerless to defend himself, he has no one who cares. the scene plays out an evil mirrored version of itself where it's straightforward. it's harsh. it's empty. mob gets beaten up, and he is alone.

and that would've been a good scene on its own, too. but to me the fact that you see the silly ridiculous version of it FIRST (the one that culminates in the body improvement club suffocating a guy with their man boobs) is really important to me. because then, later, you feel how much more it hurts for mob to be alone when you've already seen what it could be, what it is. and then on a rewatch when you see the goofy version of the scene you can't help but feel an undercurrent of dread and a sense of how dangerously close the absurd is to tipping over into something way too real and visceral. which is a feeling that runs throughout the entire show.

anyway.

#pickle pontificates #mp100 #mob psycho 100 #for the record i haven't watched mob in a minute and i haven't really been thinking about it more than usual recently #but it's so stuck in my heart that sometimes a scene or a theme will just pop up as I'm like. brushing my teeth or whatever #and i get all emotional again #the way mp100 mixes absurdism and pathos is just really special to me okay. no one is out here doing it like that but mp100

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roach-works · 13 days

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ok im waffling on about fallout instead of having breakfast but i saw a criticism of how the prisoners were treated that's stuck with me.

spoilers!

so i think the criticism wasn't incorrect, per se: it condemned the way the show portrayed the vault dweller's naive intention to rehabilitate their murderous captives. it found fault with a common, and horrible, message that tv shows like to say, which is that carcerial violence and even the death penalty is the only effective way to deal with criminals, who are a fundamentally Bad category of human. im sick of that message too! but i think that wasn't what was going on here, actually.

so like, the vault dwellers had only ever experienced violent loss the once, and didn't really know how to cope other than denial and repression of the ordeal. but they were all hopeful and enthusiastic that their prisoners, the invaders that came to kill them all and take their stuff, could be eventually welcomed into the community as their comrades. the champions of this cause were nebbishy dorks and painfully out of touch academics. this is pretty normal for how prison reformers are portrayed, if extremely fucking annoying for those of us who ARE in favor of prison reform.

but so of course when the son of the former overseer, Norm, speaks up and suggests killing the prisoners, because why should they share resources with invaders who explicitly wanted to keep hurting them? why should they show mercy to their attackers? everyone is appalled by this suggestion. because they had to reinvent the whole concept of vengeance right then and there, because grudges and cycles of violence are anathema to a bottle society like theirs. they have been raised all their lives to forgive and forget and now, put to the test, they're recommitting to this ethos: get along, let the past go, look towards the future, believe the best of everyone.

but the prisoners die, anyway. the prisoners are killed with rat poison. and the thing is that Norm who suggested it didn't do it himself. and the prison guard who's blamed for it, even though she privately agreed with Norm that the prisoners are dangerous and unforgiveable, she didn't do it either. it's not a moment of triumphant, cathartic vengeance and it doesn't prove that there's no way to negotiate with terrorists and invaders but kill them like vermin because that's not what the message is meant to be.

the message is that norm stands there in the middle of these inconvenient prisoners, these corpses dressed in his own people's uniforms, and he looks at the new overseer. and he knows that she killed them, and she knows that he knows. she wanted him to know. this is her message and he's reading her loud and clear. and he doesn't look like a guy who's just been backed up by authority, who's just been validated in his desire for the ultimate control over those who have wronged him.

he's scared and pale and the music is ominous as fuck. and he's inside the cell, he's directly in the middle of it.

because what just happened is that he realized his entire society is being held prisoner, and the overseer is the one with the rat poison. and that he doesn't know, anymore, what freedom and safety and justice actually mean, just that he doesn't have them and he doesn't know where to find them.

that's what that scene meant. not that rehabilitative justice is a pathetic delusion of people who have no idea how to make hard choices.

but that before you advocate for killing prisoners, you might want to see how big that prison is, first.

and which side of the bars you're standing on.

#fallout #look i went NUTS over the prison scene #it's gonna live in my brain for a good long while #RATS ARE A BIG THEME IN THIS SHOW #the rats that are vermin and the rats that are lab subject #both disposable #both struggling so hard to survive #both in pain and wondering what's going on and why is life so hard #both disposed of when they go where they shouldn't

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sollucets · 2 months

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