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anatomicalmartyr · 11 months
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Isabella and the Pot of Basil
William Holman Hunt, 1868 // Arthur Trevethin Nowell, 1904 // John William Waterhouse, 1907 // George Henry Grenville Manton, 1919
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vulpinae · 8 months
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Lustige Blätter (1901) — Arthur Scheiner
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jasmineandviolet · 6 years
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Reflections, Ethel Porter Bailey (fl.1908-27)
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trashy-mctrash · 3 years
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I know that Rook’s birthday has passed, but I saw a post today asking why Rook speaks French and I did look into this in an Rook Analaysis essay that I wrote for his birthday but didn’t post it here. So that post kinda made me want to post it to explain or hopefully look more into his character. 
Rook Hunt is a mysterious and attractive character. Despite his unusual habits, he’s a true gentleman but is often seen as having strange characteristics. Here I will attempt to look into Rook’s character design to celebrate his birthday!!
Rook so far in the game is the only character we see speaking a language from our world, French. Some have found this confusing or unnecessary but actually, Rook speaking French makes perfect sense. Rook comes from Afterglow Savannah, a land based on the movie, the Lion King just like it’s NRC dorm counterpart. The Lion King is said to take place in Africa, specifically Kenya. Inspiration on the landscapes in the movie was from the animators visiting Kenya (Bake, 2019). French is the official language of 11 countries in Africa and the secondary language in 10, making it the 5th most spoken language in the world (Chutel, 2018). Kenya is one of the countries with french as its main language. Since rook comes from Afterglow Savannah, it’s natural that he would have qualities matching the area just like Ruggie and Leona who also come from the same place. But unlike them, Rook resides in the Pomefiore dorm, therefore he holds qualities for both of these. Therefore, Rook does not come from France or represent France, he is based on Africa and most likely comes from the twst version of it which would be Afterglow Savannah.
Although Rook is not French, many white Africans in Africa, especially South Africa originated from France, Germany and the Netherlands in 1652 (jyu.fi). It's common for some twst characters to be a mix of cultures and themes. Rook is one example of this, he’s a blend of Afterglow Savannah and Pomefiore as he comes from Afterglow and is based on the hunter from Snow White. Snow White is said to be based in Germany, specifically Germany during the Holy Roman Empire (esri). Germany is one of the three main countries previously mentioned, that majority of white Africans came from, which suits Rook’s appearance. Rook’s hats also resemble fashion from this time as well as matching his Snow White counterpart. As seen below:
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Rook’s hair also appeals to both the hunter from Snow White and the matching time period. These hat styles were worn by those of higher class and by Rook wearing it, reflecting his position as deputy dorm leader of Pomefiore. 
The 14th century was a time of vibrant poetry explosion fitting Rook’s personality. An example of a famous poet from this time is Dante, famously known for writing “The Divine Comedy” (Interesting Literature). He chose to write in Italian instead of Latin which was common during these times. French and Italian are both known as “romance” languages that both derived from Latin, which was the language of the Holy Roman Empire during this time (Language TSAR). When it comes to Rook giving out nicknames, these too fit the time period as it was common for people to be named after their place or qualities which is what Rook is seen as doing. An example is Riddle who he calls “Roi de Roses” which means “King of Roses” which fits the style of names of those of the high class (Benicoeur and Gwynek, 2003). 
Bows were very common and practical in armies from the 12th to 16th centuries despite barely being recorded in history (Towens, 2019). This reflects perfectly onto Rook due to how little we know about him and the little trace he leaves behind which pairs well with his stealthy personality as a hunter but also shows his side as a “soldier” or a “guard” to Vil, his beliefs of beauty and possible other things we aren’t aware about. The main role of professional archers were for defense but were also used as mercenaries during crusades. Rook fits both of these as he plays the role of Vil’s defense and the protector of beauty wanting to cherish it. He can also be seen as a double edged sword as even though he stands by Vil, many have speculated that he may at some point betray Vil or help Neige doing what he believes to be most advantageous. Archery symbolises “aligning with the target” (Girvin, 2013) which means to give support towards something. Rook is seen as taking more supportive roles throughout the game by helping other students like Epel as seen in Leona’s lab coat story, helping him make a potion for his class (Twisted Wonderland Wiki). It can also mean to become the heart of a community, be truthful, in their times of need to be the voice of their minds to help solve their problems. Rook being honest can also be reflected in his arrows as they symbolise the sharp and accurate truths they contain, this can be seen in Vil’s lab coast story as he blatantly calls Vil “fat” with the intention of helping to increase his beauty, which despite his protests, Vil is seen appreciating (Twisted Wonderland Wiki).The archer is linked with the Centaur and Sagittarius (ironically his birth sign) which represents having insight which can be linked to Rook having knowledge of other students and of other things that normal people would not. Rook is known to freely speak his mind with what we see as with intentions of helping them even if his words or actions may be seen as weird or out of place, but in the end they have the effects he was aiming for or benefit the person in some way. Also “that hearts align in embracing the perfection of that targeting” (Girvin, 2013) which is poetic in Rook being a hunter and calling himself the “Hunter of Love.” An archer remains cool and observes from afar, becoming the symbol of honour, precision and patience.
In the Spanish caves of Cova dels Cavalls, they found etched carvings of archers estimated to be from about 7000 years ago (Stanley, 2020). They were believed to be a form or hunting magic ritual to manifest good hunting, this fits well with Rook being a magic user in the game and makes him wielding a bow make sense as well as again representing his Snow White counterpart. Archery and magic connections as referenced when Rook is in battle as he summons his magic attacks with an arrow releasing maneuver, as seen below:
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This can also reference his love for art, arrows bound in one of the first forms of art for centuries and also shows their use and endless help throughout time. A metaphorical and physical weapon just like with Rook, attacking metaphorically with his words and physically with his arrows/magic. Arrows are meant to be simple yet two dimensional (with its pointy and flat ends), Rook too is portrayed as being simple yet ironically he is also not. Two dimensional as in maybe despite all our theorising, he may just be a simple man who loves beauty yet there are still many unanswered questions about him and his past. However this can be said for other characters in the game as well, so perhaps Rook Hunt is just a simple man with weird qualities? That is still to be discovered. “The durability of the arrow metaphor, as with archery in general, looks unlikely to go anywhere soon,” (Stanley, 2020) this is a simple symbol linked with archery which can further be associated with the idea of Rook being simple and not as complicated as we believe. Rook being able to use light and dark magic can reflect this as humans are neither dark or light, they are simple beings with desires and goals that can be either good or bad. Rook too has his desires that some might perceive as odd, his goals are simple to (as seen in the wish upon the stars event) see all the beauty in the world.
In Japan, Zen archery (or Kyudo) where the goal was to “achieve a balance among mind, body, and bow, which gives rise to a unity that links the spirit to the target,” (Encyclopedia.com, 2020). Which again reflects Rook’s ability of using both types of magic, showing his inner peace and balance and ability to use both types of magic. He is a character that we don't see explode or express vivid emotions which could be linked with his hunting too. Bow and arrows have been known as symbols of good luck against evil in Japan since immemorial. We will probably see this in action during Vil’s overblot as that will be the evil to defeat in Chapter 5 alongside the other characters. 
The word “rook” has multiple meanings, like crows. Many have associated this and Rook’s poem about Crowley as them being signs of a possible connection between the two. Although this theory is very interesting and I would love for a twist like this, Disney is honestly too stupid to make a story as wonderful as that, but I could be wrong (please prove me wrong Disney). On the other hand it could symbolise Rook’s knowledge of everyone and how he could be aware of some of Crowley’s secrets or the secrets/mysterious of the school. They tend to be watchful creatures with great insight, which can be said the same for Rook as he observes other students and has knowledge of things that others normally do not have. Crows are also associated with transformation and change (Clifford, 2020)  which could represent Rook helping Vil and Epel, along with others to bring forth their beauty. There is also a well known nursery rhyme about crows, as seen below:
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Although the history behind the rhyme is not that clear, the seventh line does hold some connection to  Rook’s wide range of secrets that he knows and holds himself. Rook is also used for loud and sociable people or animals who love to talk, Rook is known for his loud and expressive persona that fits this description. Rook can also mean cheat, which could link to him sabotaging Vil to save Neige. The name is given to those with dark hair which is clearly not Rook (with his blond locks) but could refer to his hunter counterpart instead.
Rook is famous for his golden bob that is quite the debate. However bobs have a deep history. In the 20th century, bobs used to symbolise independent, progessive people encouraging a more daring personality during those times. Movies have been the main reason for the spread and back in style of the bob. Rook embodies a free personality with his odd attire in the dorm that symbolises beauty (hunting boots and hats) showing his more bold side that can also be seen by his freely open speech. Joan of Arc is the main inspiration of the bob that was brought back by Antoine, a celebrity hairdresser, which he showed in his salon in 1909 (V is for Vintage, 2012). Although she wore it for more practical meanings, she still stands for representing the people and doing what she believed in. It’s likely though that the bob was more inspired by the hunter’s hair style for Rook yet it still represents daring and progressive people which Rook is commonly known for with his views and actions. 
In conclusion, Rook Hunt is an odd yet interesting character. He is neither complex or simple. We still have much to learn about him which we hopefully will in the coming chapters and his birthday event. Although his character design may seem strange, in the end they make perfect sense when looking at the connections they all have towards the game and it’s details. I hope that this managed to clear up Rook’s character and explain more about him. However, there are a few attributes that are still questionable which if Disney has any concept of storytelling, they will explain...I hope for Rook’s sake. His stalking and obsession could be linked to how he sees himself as nothing much and viewing others as better or more beautiful, in that case he’s got some emotional package. Still does not excuse his actions. These tendencies might also be them expanding on a hunter stalking and keeping track of their prey, in this case for Rook it would be people he finds interesting. In the end he’s one of the many wonderful boys we have to learn more about and love.
References:
Baker, Craig. 2019. 25 Surprising Facts about the Lion King. Mental Floss.
https://www.mentalfloss.com/article/57386/30-facts-about-lion-king
Benicoeur, Arval and Gwynek, Talan. 2003. Fourteenth Century Venetian Personal Names. S-gabriel.org.
https://www.s-gabriel.org/names/arval/venice14/
Chutel, Lynsey. 2018. French is now the fifth most spoken world language and growing—thanks to Africans. QuartzAfrica.
https://qz.com/africa/1428637/french-is-worlds-fifth-spoken-language-thanks-to-africans/#:~:text=French%20remains%20the%20sole%20official,second%20official%20language%20in%2010.
Clifford, C Garth. 2020. Crow Symbolism & Meaning (+Totem, Spirit & Omens). World Birds.
https://www.worldbirds.org/crow-symbolism/
Encyclopedia.com. 2020. Sport and Religion. Encyclopedia.com.
https://www.encyclopedia.com/environment/encyclopedias-almanacs-transcripts-and-maps/sports-and-religion#:~:text=Throughout%20human%20history%2C%20sports%20and,their%20primary%20means%20of%20communication.
Girvin, Tim. 2013. The Symbolism Of Archery. Girvin.
https://www.girvin.com/the-symbolism-of-archery/
Interesting Literature. The Best Fourteenth-Century Poems Everyone Should Read. Interesting  Literature.
https://interestingliterature.com/2019/11/the-best-fourteenth-century-poems-everyone-should-read/#:~:text=The%20fourteenth%20century%20was%2C%20in,vibrant%20language%20for%20vernacular%20poetry.
Jyu.fi. Ethinic Groups. Jyu.fi.
https://www.jyu.fi/viesti/verkkotuotanto/kp/sa/peop_ethnicgrps.shtml
Stanley, John. 2020. Archery HIstory: Arrows of the Imagination, Art and Culture Symbolism. World Archery.
https://worldarchery.org/news/178453/archery-history-arrows-imagination-art-and-cultural-symbolism
Twisted Wonderland Wiki. Leona Kingscholar/Personal Story/SR Lab Coat. Twisted Wonderland Fandom.
https://twisted-wonderland.fandom.com/wiki/Leona_Kingscholar/Personal_Story/SR_Lab_Coat
Twisted Wonderland Wiki. Vil Schoenheit/Personal Story/SR Lab Coat. Twisted Wonderland Fandom. 
https://twisted-wonderland.fandom.com/wiki/Vil_Schoenheit/Personal_Story/SR_Lab_Coat
Towens. 2019. Arrows in the Middle Ages. Bow International.
https://www.bow-international.com/features/arrows-in-the-middle-ages/
V is for Vintage. 2012. The Bob: History of a Hairstyle. V is for Vintage. 
https://visforvintage.net/2012/04/03/history-of-bob-hairstyle/
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chocolateheal · 5 years
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16 Thoughts You Have As Abstract Artists 16th Century List Approaches | abstract artists 16th century list
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ibestfurniture-blog · 6 years
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What Are Mid-Century Modern Furniture?
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  IF you think of what modern furniture is, you would probably think that it is the latest in trend and design.  In truth, when we speak of furniture, modern design is not something that has reference to dates  No particular year makes a piece of furniture modern.  There are particular traits of furniture that would fit under the category modern furniture.  Modern furniture traits include their being sleek, they use curves with low profile frames, and minimal to no ornate applications.  Mid-century modern furniture pieces are usually low profile with sweeping lines.  Modern furniture has a particular look and has no reference to a time period.
 When we speak of mid-century modern furniture, then we have a time line added. You now call these mid-century modern furniture pieces, classics.  It is called mid-century modern Midinmod furniture since they were designed in the mid 20t century.  There are three factors why most of the designs claimed fame. The first is given to a particular piece because of its designer.  It is furniture is designed by a famous designer, then it will definitely get public recognition and become a classic.  Otherwise, it will not get any recognition at all.
 How it was designed, how it appears is another factor to consider.  A furniture piece can become famous if it is well designed and compliments with other pieces within the genre.  The practical purpose of the chair or its functionality is the third factors that leads to its fame.  You need to consider comfort, service form, and function.  When it comes to comfort, the pieces have to be comfortable even in every day use.  It should fill a specific service in your home and not just a decorative piece.  A good example is a side table which functions as a holder of a breakfast tray; this function means that it does not only sit in the corner of your room.  So, this table with functionality and good visual design became a classic especially if the designer is famous. Get some more facts about furniture at https://www.huffingtonpost.com/entry/furniture-thats-easy-to-move_us_59e78b69e4b0d0e4fe6cae81.
 IN the field of art, this is also true.  An artist's work improves in value after the passing of the artist.  When a work of art is ahead of time, it is not fully appreciated by the people dring its time.  Many times these types of art pieces becomes famous many years later when the creator is no longer ere to promote it.  So, mid-century modern classic furniture are residential and commercial classic pieces that were designed in the mid-century or between 1930 to 1960 in the genre of contemporary or modern design.  If you have modern design that was created during the mid-century and still fit today, then you have mid-century modern furniture. If mid-century modern furniture is you type of furniture, then you can find these types of furniture in furniture stores and online stores. Discover more here!
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courtneyann44-blog1 · 7 years
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New upload of ballet essay
Ballet was a style of dance that originated in Italy during the renaissance of the 15th century. The Italian renaissance started in the 1330s and finished in the 1550s. the Italian renaissance generally covers the periods from the beginning of the fourteenth century to the end of the sixteenth century. the renaissance marked a great cultural change throughout the whole of Europe and is viewed as a bridge between the medieval and modern ages. The renaissance started in Italy because there were small break in the Christendom atmosphere and environment that had previous shaped Italy which led to freedom and independence. the newfound freedom and independence along with the presence of the ruins of Roman civilisation led to the renaissance. Ballet spread from Italy to France this happened because of Catherine de Medici, she was born in the early fourteenth century into a very rich family. Ballet had a central theme that a story, sets, costumes, music and dialogue. after its success De Medici had Beaujoyoux write down the libretto and music. She had artists draw pictures of the events and set them to the courts of Europe. the world was impressed that they tried to emulate similar ballets. They also replaced their ballet masters with those from France this is how the language of ballet became French. The first ever formal ballet was called the Ballet Comique De La Reine this was staged October 15th 1581 to the court of Catherine de Medici it was created for the wedding celebration of queen Louisa’s sister. The usual people to watch ballet performances were the rich and wealthy families because tickets were very expensive and the poor struggled to buy them because of being lower class so the rich and famous were the only ones who watched the performance. The Academie royal de musique was then named the paris opera its the primary opera company in France. it was founded in 1669 by Louis XIV. Louis XIV was a monarch of the house of bourbon who ruled as king in France from 1643 until his death. each year the opera presented about 380 performances including opera performances and ballet to the total audience of about 800,000. 1661- founding of the academie royal de danse by Louis XIV with the purpose of training dancers and formalising choreographic art. 1669- founding of the academie de musique, the institute brought together a group of singers, the first professional orchestra in France 1681- the ballet of the opera opened it doors to women dancers for the first time. Ballet evolved from social court dancers in Italy and France, rich and wealthy people would try to outdo each other by having the most elaborate courts. There social dancers soon evolved into a choreographic form, ballet de court dancers moved to the stage brining a change In choreography as the dancers were seen from only one direction, this was performed in the 15th and 16th century. In 1725 Pierre Rameau created the codification of these five foot positions to choreographer Pierre Beauchamp, the evolution of ballet technique dated back to Louis XVI. The first ballet de cour to be performed was the “cirlcle ou le balet comique de la royne” performed in 1581 at the courts of Catherine de Medici from then on ballet cours had been performed at festivals, wedding, christenings. In the 18th century ballet advanced technically and also ballet became a very serious and dramatic form of art. Also ballet divided into three formal techniques, “serieux, Demi caractèr and comiqúe” also in the 18th century ballerinas began to tell stories of lives of ordinary people. Dancers started to follow fashion they thought Grecian dresses emphasised the body, they wore flat slippers which allowed greater flexibility in the feet. Men wore jackets and fitted breaches, these costumes meant men and women could dance freely together, in the 19th century ballet developed when Marius petipa was ballet master in St. Petersburg, also 2 of the most famous ballets of all time where choreographed “nutcracker” and “swan lake” The American revolution happened between 1765 and 1783 this happened because of a political event. The French Revolution was an event which happened in 1789 until 1799 and this happened because a far-reaching social and political upheaval in France. I’m the early 18th century not many people went to church, most people went on a Sunday however there was lack of energy and enjoyment. Augustus Bourneville was a danish ballet master who had trained with his father for many years as well as training with his father he studied under the Italian choreographer “Vincenzo galeatti” as a famous choreographer he created a number of ballets with settings that ranged from Denmark to Italy, and from Russia to South America. His style was very unique and he made it his own, his work didn’t become known until after the Second World War. After this he became a dancer at the royal ballet. Enricco cecchetti- enricco was an Italian ballet master, and he was the founder of the Cecchetti method- this is a ballet technique and rigorous training made by him, it is specifically concerned with Hiltons law of atonomy. He was praised for his ability and strength in performances and because of this in 1888 he always accepted as the greatest ballet virtuoso in the world. In 1902 he left the imperial ballet to accept the directorship of the imperial ballet school in Poland. Marius ivanovoch Petipa- was a French and Russian ballet master, in 1825 he started ballet lessons and made it in one of his fathers productions 2 years later, he was most known for the ballets he created, “the sleeping beauty” and “nutcracker” in his early years he started travelling Europe with his father (ballet master) and his mother (actress). He is knows to be the most influential ballet master in the history of ballet Carlos is an Italian ballet teacher and write on the technique history and theory of dance, he was the first to codify and publish an analysis of the classical ballet technique. He was born November 4th 1803 in the kingdom of Naples in Italy and he unfortunately died January 15th 1878. Blasis danced briefly at the “Paris opera” he also performed and choreographed at the “kings theatre” in London and then he was appointed director at La Scala. I researched some of his most famous pieces of his work and I came across, The Code Of Terpsichore made in London this was published in 1828,An Elementary Treatise upon the theory of practice of art and made in Million this was published in 1820, Notes upon dancing this was made in London and published in 1847, National dancers this was made in Moscow and published in 1864 and Intalettuale e moral made in Millan and published in 1857. The romantic period began in the early nineteenth century and reflected the romantic ideas of art and literature of that time. The romantic era was a time of fantasy, supernaturalist and exoticism. The stories of the time dealt with issues of good vs evil, woman became the superstars of ballet with pointe work which gave the illusion of floating. Marie Taglioni was a ballet dancer from the romantic era, she’s from Paris and she was born 23rd of April 1804 and died 24th of April 1884. Marie was the first woman to dance on pointes, she created the style of floating leaps, balance and posses. In the nineteenth century she was important for perfecting technique with slippers in her long white romantic tutu and pointes she became the new image of the romantic era. The common costume worm for romantic ballet was close fitting bodices, floral crowns, corsages, white floating tutus, and pearls on everything. Through research I have found various ballets of this era including, La Somnambule, La Sylphide, La Gipsy, Giselle I really like gisselle because I really think the romantic tutus had an effect of the theme of romance, I also liked the effect on the man lifting the woman it shown the theme love, I also thought the elegance of the woman on pointe shoes shown floating and this shown romance I didn’t really like how the man hardly did anything he only lifted and followed the woman around the stage I also disliked the lack of emotion and the speed of the music because romance should show happiness but the accompaniment shown sadness. Britain took ballet to a wider audience by Ninettes company during the Second World War, Ninette was an English ballet dancer, choreographer and company director in the 20th century. In her early years she trained at the “Lila field academy” she created the company Sadler wells in the 20th century, then later on to be called “the royal ballet” in his time the school was open she employed Robert Helpmann and Fredrick Ashton. Robert Helpmann was an Australian dancer From the 20th century, he became an International ballet star and choreographer as well as an actor and director. Robert first appeared on the stage in 1923 he joined Anna Pavlova’s company and toured New Zealand and Australia. In 1933 he went to study in London and then later joined “Sadler wells” he danced opposite Alicia Markova, he became the regular partner and they were becoming more famous during the Second World War. As well as being a ballet dancer he was a choreographer, he liked to create ballets that were very theatrical and often contained elements of violence. Fredrick Ashton Fredrick was a British ballet dancer and choreographer in the 20th century he was also a director in opera and film. He stared dancing late due to 3 years in boarding school, he lacked in technique and strength but he had private lessons every week with Leonid Massine and his technique and strength improve massively. He was astonished by Anna Pavalos performance and he has wanted to dance ever since, after he finished at Rambert Company he then became the principal choreographer of Sadler wells in 1935. Then in 1952 he was made associate director of the royal ballet and continued to choreograph. Marie was a Polish-born dance in the 19th and 20th century, she exerted great influence on British ballet. Her company “the rambert company” opened in 1914 it’s one of Britains oldest dance companies. The company was made during the outbreak of the First World War when Marie arrived in London, when she arrived in London she supported herself by teaching dance. Her dance company first performed in 1926 performing a ballet. Ballet flourished in denmark in the late 18th century (1771) when the “royal danish ballet school” was created in 1775 the Italian ballet dancer Vincenzo Galeotti attracted local dancers and the national identity began to flourish. Vincenzo Galeotti was an Italian dancer, choreographer and teacher in the 18th and 19th century, he was the director of “the royal danish ballet school” and he studied in Italy with Gaspero Anglioni, he choreographs opera ballets and divertissements. 1769-1771 he danced at the “Londons king theatre” after his career of dancing he decided to dance until the age of 77 and in his time he was responsible for creating a repertoire of 30 ballets. Russia- ballet flourished in Russia in the romantic era 1830-1850 there was many people who helped flourish ballet all over the world for example, Vaslav Nijnisky - he was a Russian choreographer and ballet master in the 19th and 20th century, he became a soloist at “marlinsky theatre” in 1909 he joined “serge diaghileves” and choreographed “la spectra de la rose” also Rudolf Nureyev- soviet ballet dancer and choreographer in the 20th century, in 1989 he returned to Russia and danced la Sylphide and in 1990 he performed in the musical “the king and I” Another person who helped was Marius Petipa she was a French and Russian ballet dancer and choreographer. Research more in to Petipa and find out about his work and what’s he most famous for, and the ballets he recreated. Marius Petipa produced over 60 ballets and directed many of the greatest artists in Russian ballets and developed ballets that retain an important position in Russian dance repertoire His work consists of - The Nutcracker - The Sleeping Beauty - Swanlake - And many more… 3. Micheal Fokine had great influence of taking ballet from Paris, to Sweden and the USA. How did he make ballets different? How did he believe ballets should be performed and what did he think about costumes? Micheal Fokine made ballets different by adding elements of religious style dancing such as Ancient, Greek and roman. The vocabulary of classical ballet has been enormously extended since Fokines day. Subsequent audiences feel that his choreography is dates. He believed ballets of his time used costuming that did not reflect the themes conveyed in the ballets, therefore he studied Greek and Egyptian art and he used outdated costumes. 4. George Balanchine is a huge influence into ballet in the USA, find out how he adapted ballet in to a more modern way and what classical pieces did he create? George Balanchine was a choreographer, farther of the American ballet and co- founder of “ the New York City ballet” he choreographed many musical comedies for broadway and Hollywood, he made more than 500 pieces of performances and they have been performed by every ballet companies in the world. He created ballets and he believed the performance should outshine an individual. Modern ballet is an element of classical ballet and modern dance incorporated into one. During the 1900s European dancers started to rebel against the classical ballet rules, they changed the structure, techniques, costumes and shoes of ballet, this then made the dancers feel more relaxed, in the early 20th century modern ballet was a dance style that focuses on a dancers own interpretation. Modern ballet and classical ballet are very different, modern dancers dance in hate feel and revealing costumes, modern dance. It all comes around from Martha graham, classical ballerinas dance in ballet shoes and leotards, modern dancers have their own interpretations in dance technique and classical ballet dancers follow a technique and certain rules. Modern ballerinas use the emotions and moods to design their own movement and routines whereas classical ballet dancers strive to be light in their feet, a classical ballerina is upright and they have an erect body. Martha graham was a big influence on modern dance she created a style/technique familiar to classical ballet, she focused heavily on human movement and contract and release. Contemporary ballet is a style that incorporates many element such as modern, classical ballet and contemporary. Ballet dancers are expected to have great technique they have to be versatile, they must maintain an excellent fitness and work on each performance with emotion. Bussell believes that modern dance should include “surprising things” such as “gymnastic elements” and “roller skates” Dancers have to be more diverse, they have to try every genre Darcy says “try every genre you have to be much more diverse now as a dancer” William Fersythe is an American dancer and choreographer born 30th December 1949. His body of which, which displayed both abstraction and forceful theatricality, deconstructs the classical ballet repitore by adding spoken word music and art installations. 1978 he began to move beyond traditional ballet and present his own dynamic and unconventional vision. Ager watching a clip of his repertoire Artifact, I noticed in the choreography the acompliment has talking over the top of classical music, the choreography contains mirroring and unison and contains element of jazz and contemporary. The movement is fast and isolated and the dancers are in a plain costume running off and on stage. I also noticed that in the performance Sleeping Beauty the costumes are glamorous and sparkly, the music is very classical and the dancers are dancing together including lifts and body. The Cecchetti method is a ballet training math of devised by the ballet master Enrico Cecchetti, he was an Italian ballet dancer and founder of the Cecchetti method. Enrico developed a good technique and was noted for his pirouettes, this method is strict and it enforced routines for each day carefully considering the laws of anatomy the skills learnt from this are flexibility in both legs, focus of quick feet, crisp lines and seem less transitions. August was a danish dancer and choreographer in the 19th century he directed the royal danish ballet for 50 years and established the danish style on bravuva and expressive mime. Augusts methods of training include the traditional French method, his technique features very basic use of arms, enpaulments, pirouettes with low developpe in second and preparatory posting. Www.danceinfo.com Www.dance.about.com Www.dancemagazine.com Www.williamforsythe.de Www.abcballetschool.org Www.britancca.com Vam.ac.uk Www.theballegblog.com Www.oxfordrefrence.com Www.factsanddetails.com Wwwbritannca.com Www.nureyev.org/rudolf-hureyev Www.roh.org.uk Www.woodlandscivicballet.com Www.nycballet.com Sites.google.com Californiaballet.wordpress.com Https://www.britancca.com Www.newworldencyclopedia.org Www.dance.enthuast.com Www.tutuetoile.com Www.roh.org.uk Www.nytimes.com Www.britancca.com Www.fredrickashton.org.uk Www.brb.org.uk Www.rambert.org.uk
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