#Analysis piece

[thottybrucewayne]

I don't think people realize that critiquing the media you enjoy is fun too.

#thotty speaks #I don't wanna turn my brain off I wanna do close readings and analysis and see the seams of this piece and discuss it at length

[aheavenofhell]

Aziraphale raising his wing for Crowley hits so different with the S2 context. I feel like we all looked at it as, here’s this sweet little principality, he’s kind and naive so he’ll shelter even a demon—but it wasn’t really that, was it? It wasn’t just some random act of kindness.

It was a message.

When Crowley slithered up that wall, Aziraphale was nervous. Because he gave his sword to the humans, sure—but also perhaps because he was seeing this angel again for the first time since he had fallen. He learns Crawly’s new name (Crowley never asks him for his name, he knows it already) and they have a brief exchange that was probably a lot like the ones they used to have.

Then when the thunder starts, it’s Crowley who’s first to move to him, to shuffle hopefully to his side.

I think when Aziraphale lifted his wing up, it was almost a way to say I remember who you are, I remember the kindness you gave me. I’m still here.

He wasn’t just playing umbrella. He was letting Crowley know he hadn’t been rejected by all of Heaven.

#Am I just insane at this point #Like i’m looking at their foot movements this can’t be healthy #me when a piece of good storytelling consumes my life #and i live for it #period #good omens #ineffable husbands #crowley #aziraphale #aziracrow #good omens season 2 #analysis

[opbackgrounds]

This idea is so, so important to the series in general, and Brook in particular. There are times in One Piece where people die for noble causes, and others where people act knowing that there's a good chance that they could die, but knowingly choosing death over life is never portrayed in a positive light.

As someone who views One Piece through the lens of Romantic literature, this is really important because historically the Romantics, er, well, romanticized suicide and death and the historic last stand. It's doubly interesting to me as a Japanese story, with Japan having its own long, complicated history with the concept of honorable death.

One Piece directly challenges both of these ideas, with life and living being romanticized instead, even if that means you have to get on your knees and beg for it like Brook does with Ryuma later on.

And it's a tightrope that story has to balance. Nami willingly lived under to boot of the man who killed her mother for years, but there came a time when enough was enough, and both she and the village had to stand up and fight for her freedom. She carried that lesson to her fight with Enel, even though she was hopelessly outmatched and would have been reduced to a greasy smear if Luffy hadn't shown up to save her. Within the context of the story both instances were portrayed positively, with Oda indicating through his writing that she had made the correct decision.

But that's not what's happening here. This is Luffy being willing to run away at Sabaody because he knew the Pacificas were too strong. This is Usopp lambasting the samurai at Wano for rushing toward their deaths rather than living to fight another day.

It's Brook knowing he made a promise to a friend, and doing everything in his power to keep it, even if it meant looking like a sniveling coward groveling at the feet of his own shadow.

#opbackgrounds #one piece #ch456 #themes threads and throughlines #romanticism #brook #I love him so much #character analysis

[zorobae]

Zoro in episode 3:

Zoro in episode 5:

Zoro doesn't dispute being Luffy's first mate — because of course, he doesn't; at this point in the story he is already devoted to following Luffy even if he hasn’t declared it yet — but when it comes to actually acting as the first mate, he needs to be told what to do. So he asks Luffy if he is okay and doesn't actually ask about Garp and that's it. To put it differently, he is the first mate but only in name.

Zoro in episode 7:

The possibly most integral part about Zoro’s character is that he is a man of honor and a man of his word. So after declaring his undying loyalty to Luffy, he is no longer just the first mate in name but also in his actions. This time, he doesn't need to be told to follow Luffy, he does it on his own and without hesitation. He doesn't ask Luffy any empty questions either but simply stands by his side. He gets ready to leave again at one point but that’s the exact moment Luffy takes to open up — because he does need Zoro there with him and of course, Zoro stays. As far as the actual conversation goes, Zoro gently questions if Luffy is doing the reasonable thing but Luffy trusts his own intuition and knowing how well that served him before, the matter ends here for Zoro. He trusts Luffy and his course of action.

Luffy really said "I need you, Zoro" and Zoro in turn vowed to stand by his side forever. And he does; he honors his word.

#one piece #one piece live action #zolu #luzo #analysis #long post #opla 1x03 #opla 1x05 #opla 1x07 #text #my gifs #1k

[soukokvn]

I just want to make a post to point out how Law being a doctor is not anecdotal.

Like, it’s shown in the anime that it’s his parents profession and he started to learn young and all but the Light Novel made me realize how important being a doctor is to him and how much pride and happiness it brings him.

It’s not just something about him, being a doctor is something that defines him and is very important for his character.

He studies tones when he gets the time, he even worked in a doctor office for multiple years when he was younger after Cora’s death.

He started saving people’s life at a very young age and carried out very complex surgeries very young. He’s literally a genius in this domain and it’s too bad it’s not shown enough in the anime.

The doctor he was working with told him how good he was and how much potential he had at just 13/14yo. He was born for this.

When he saved the lives of the people he loved he was filled with this euphoria that he saw his parents get before him, he understood their joy and felt connected to them and proud of himself.

He founds himself in being a doctor, he loves saving lives and is proud of how capable he is. He is able to make the most of his ope ope no mi thanks to his talent and hard work.

Law may be a pirate but he is also a doctor and he wouldn’t see himself being anything else than that.

#give this man credit !! #one piece #trafalgar law #one piece analysis #law one piece #one piece law #one piece light novel

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 1)

I cannot figure out for the life of me how to make gifs so this will have to be a gif-less essay. If anyone more tech savvy than me wants to reblog with relevant media, please do!

I've seen a lot of people saying how Aziraphale's actions in the final ten minutes come out of left field and are OOC, and when I first watched the episode I felt the same, but now I think I couldn't have been more wrong. And I don't think Aziraphale is being controlled... I think the entire season showed us exactly what was going to happen.

On first watch, what struck me was the number of plot points that seemed disconnected. I couldn't figure out how Job related to the present, or the Victorian era, or the Nazi zombies (still at sea on the zombies part tbh). I didn't know where the Maggie/ Nina subplot was going, or why we were bothering with it. Then I put my "psych hat" on and it was like seeing one of those 3D pictures come into focus. It's a psychological networking rather than a plot-driven one, which is what Neil told us to expect.

Detailed analysis under the cut, with spoilers:

I went back through the season in my head and started asking myself: why is this element there? What does it contribute?

1. Start with scene one. Why include it? Does it matter for the climax that Az knew Crowley as an angel? YES. It's actually huge. Angel Crowley was joyful, he was bursting with delight at creation, he was idealistic. He wanted to be a part of everything rather than run away from it, and that's still how Aziraphale feels. He loves being a part of things. He's a joiner. He's a landlord. He dances at clubs and he makes human friends and he learns magic. Crowley the demon doesn't seem to want any of that, and I think that's hard for Az. He wants Crowley to be free of the cynicism he thinks prevents him from enjoying life now. At some level, I think he senses that Crowley is depressed (empathy's not his strong suit but I'm sure he's aware that Crowley's in a "what's the point of it all" kind of mood; see the eccles cakes scene). He wants to fix it. Aziraphale is a fixer. Metatron offers him a chance to do that.

Another thing is that Aziraphale knows Crowley ended up Falling just for asking questions that seemed innocent. That's not okay with him. He thinks that with the two of them in charge they can actually MAKE the changes that Crowley wanted to see way back at the beginning, starting with a suggestion box.

2. Okay, now Jim. Obviously Gabriel/ Jim is the central mystery, but why does he matter? First and foremost: he's there to show Aziraphale that angels can CHANGE. Gabriel terrorized and threatened Aziraphale. Az has been terrified of him. He ordered Aziraphale's execution. And now here he is, drinking hot chocolate, doing noble self-sacrificing things, with morals that suddenly align with Aziraphale's. What an absolute game-changer that must have been! He thought Heaven was unfixable, but here's Gabriel in his shop for weeks, slowly convincing him otherwise.

Then two other things happen. First, they find out that this all happened to Gabriel essentially because he fell in love. He was fired and his memories were stolen and the only reason he recovered was because Beelzebub happened to give him the one thing that could save him. That must have seemed like incredible luck. Now, how does Aziraphale feel about memories? He lives in a bookshop that is stuffed to bursting with the records of all of human history, essentially. His memories of his time with Crowley are incredibly precious. He sees, there at the end, that everything he is can be taken from him as a punishment for falling in love. Aziraphale doesn't have a magic fly container. He'd be forever robbed of Crowley, his life, himself. It's a very real threat in his mind when Metatron intervenes.

Which brings us to the second thing. Metatron saves Gabriel. Not only that, he prevents him from being punished for loving Beelzebub and lets them both go. What better way to win currency with Aziraphale? HE doesn't want to go off to Alpha Centauri, he never has, but suddenly he sees that Metatron might protect his relationship. And he's probably the only entity with the power to do so.

So we come to two conclusions: Aziraphale, when he goes off to talk with Metatron, is feeling like maybe it's not intrinsically bad to be an angel. He believed all the angels sucked, and only God was good... but now he sees that even Gabriel can change. He met Muriel, and he likes them. (He also had a huge crush on angel Crowley, which is neither here nor there but he loves Crowley in all his forms.) So if Crowley became an angel again, would that really be so bad? In his mind, it wouldn't change who Crowley is. It would just make them both safer and allow them to be together. (He's wrong! And Crowley doesn't see it that way! But this is a key miscommunication. Aziraphale doesn't really believe that becoming a demon changed Crowley. Back to the first scene, which Aziraphale references during the Job minisode. In his eyes, Crowley is the same person (just more cynical because of what's happened to him)-- so why would it matter if he's an angel again? I truly don't think he was trying to save Crowley, or saying that Crowley would be Better as an angel. To him, it doesn't matter what Crowley is. Which is reductive and harmful, but not the same as thinking Crowley needs rescuing from himself.)

Second conclusion: he sees that an angel and demon can be in love, but they have to run away to be together. Gabe and Beelz couldn't go home again. Earth is Aziraphale's home, but after the attack on the bookshop he learned that without Heaven's protection he can't really keep them safe there. Metatron says: "Come with me, do this thing, and you can have guaranteed safety AND be with the love of your life". Poor Aziraphale wants this with every fiber of his being. All he's ever wanted was for Crowley to be safe. He's never been able to offer it. Over the past four years, he thought they were safe, but he's just learned that he was wrong.

This is getting long. Continued in Part Two!

#good omens #good omens analysis #good omens meta #good omens season 2 #good omens season 2 spoilers #gos2 spoilers #everything is meant #the psychology of it all #forumulating a TV show in my spare time what can I say #crowley #aziraphale #character analysis #putting the pieces together

[somnas-writes]

Another thing that makes the straw hats stand out as a crew is that they have snack time.

From what I’ve seen about other pirate crew, they’re usually tight on food. Whether it be rationing or straight up starving, they always have a limit on how much they eat.

But not the straw hats. They have a huge kitchen and dining area. Their cook has specialized menus for each and every person he meets. It’s seen in the way he adapts to feed zoro, who doesn’t eat overly sweet things and which chopper, who does like sweet things. He does all that while also doing his job and making sure they’re all healthy.

A testament to his skills as a cook is just how much the straw hats grew as he began feeding them. Luffy got taller, Usopp and Zoro got more muscle, Namis body began actually filling out, because they all had likely been underweight before or borderline malnourished before.

As a crew, they’re different. They have snack time, everyone gets something catered to them. Even for how much sanji puts in a facade of only doing it for the girls, he still feeds the boys and modifies each serving for them.

Another thing, each crewmate has an area designed for them. Franky specifically designed the ship with them in mind. People he met like, 46 hours before. He synced up to their wave length right on away.

Zoro has the crows nest, Nami has her own office, Robin has a seat on the deck and the library, Usopp has two separate workshops dedicated to him, and of course, Luffy has his special seat on the the figure head of The Thousand Sunny.

They’re a special crew because they know how the others work, they know each other so well that it’s like they’re operating on a higher frequency.

compared to a lot of other crews we see? They’re special, because they have snacktime

#one piece #somnas.writes #one piece analysis #I love them #my babies #the straw hats #the straw hat pirates #mugiwara crew #mugiwara kaizoku #themmm #monkey d. luffy #roronoa zoro #cat burglar nami #god usopp #black leg sanji #cyborg franky #nico robin #tony tony chopper #post enies lobby #I’m in the filler between enies lobby and thriller bark #I’m just so in love with them #I wrote this instead of writing my essay that’s work 3x my grade lol #one piece post #i’m emotional #about them #THEY HAVE SNACK TIME

[callcorbett]

something about glass onion that makes me go insane is first the movie starts with Bach’s ‘little’ fugue in G minor, then the box miles sends to each of the ‘shitheads’ has it as one of the clues. Don’t exactly remember who says it but someone says that fugues are a complicated layer of music. While they are layered they are not fundamentally complicated, it’s just layers of the same figure played over and over again. The fundamental core melody is all the same. Which is a perfect melody for Miles thinking his plan and puzzles was this complicated system of music, when it’s really just the same story told over and over again, and also a metaphor for the glass onion itself. I dunno I just love when classical music is used in movies that itself tells the story in a deeper way

#glass onion #miles bron #benoit blanc #knives out #glass onion spoilers #this is a really simple analysis but look #i’m a big nerd for music history and reusing old pieces in new and interesting ways #ITS JUST COOL OK #can you tell i’m brainrotting over this

[i-am-minty-fresh]

I love in post-time skip when the Strawhats meet a new pirate foe or a new marine officer with the piss poor task of reining them in and they’re like, “oh so this is the fabled strawhats crew, eh? I am aware of your strength and resilience, and will treat you as the dangerous collection of super soldiers and assassins that you must be-“

Only to see that none of the strawhats have acknowledged their presence at all. Zoro and Sanji are still fighting. Chopper’s still napping in Robin’s lap as she reads. Usopp and Luffy are still finger-painting on the helm. Brook hasn’t stopped playing and Jimbei hasn’t stopped peacefully listening. Franky’s helping Nami design a new desk for map making without as much of a glance in the intruders direction.

The pirate/marine gets to see the ridiculousness of the crew in full view. They’re just a bunch of silly guys. They’re just a bunch of silly guys with power scaling so off the fucking chart that they have embarrassed the world government along with every Emperor of the Sea, most Warlords, and all of the Worst Generation.

Isn’t that thought terrifying? That they weren’t even taking any of that all too seriously? What if they had? What if Luffy wanted his enemies to bleed? To choke on their own blood? Would this group follow him? Slit their throats? Snap their spines? Burn them, beat them, tear them limb from limb?

The strawhat crew could run the ocean red if they wanted but instead they spend their afternoons finger-painting and designing new map making equipment and sunbathing.

Let’s all be thankful for Luffy’s endless mercy.

#one piece #minty musings #monkey d luffy #black leg sanji #roronoa zoro #character analysis #god usopp #cat burglar nami #cyborg franky #nico robin #jinbei #first son of the sea jinbe #jinbe #soul king brook #one piece brook #tony tony chopper #op chopper

[dykealloy]

such a small detail but I cannot stop thinking about law leaving kikoku by luffy's bedside when he went out to talk with hancock and ivankov. idk it stirs up a lot of questions. like does law do this often? does law, like zoro, talk to his well-behaved cursed sword like "kikoku, sit. watch." before he leaves to go have lunch or a well deserved twenty minute post-surgery nap. is this the protective equivalent to leaving a baseball bat by the bedside? doctor's bedside manner emotional support blade? but then I also can't help but notice that it's unsheathed. which... actually, who is that sword protecting really, just sitting there? did luffy wake up more than once in the cradle of that submarine while his body was still recovering? (drugged up to the gills, entirely noncoherent, unable to be reasoned with, going in and out of consciousness, the only thought running through his mind being "ace"). probably would've been a nightmare for the heart crew

#touches the soil. what happened here #thinking about ohmilk's 'i took care of you' piece again #edit: ive been kindly informed that in japan. historically. leaving a sword in the ground was a sign of respect for the fallen. #so law was likely doing this as a sign of respect for ace. specifically since it was placed next to luffy #which is all very nice of law and heartbreaking but i still like to speculate on the layers to this action #CJ's op watch-through #one piece #op #lawlu #monkey d. luffy #straw hat luffy #monkey d luffy #trafalgar law #surgeon of death #op meta #op analysis

[midnight-in-town]

My take on Sir Crocodile's past, including the possibility of the CrocoParent theory

(Because I can't help thinking about it, in the midst of Kuma and Bonney's heart-wrenching flashback...)

Crocodile is one of the few Warlords we still hardly know anything about, but we're bound to know about his past at some point (same for Mihawk with whom he's currently working, as well as Moria who stole like half (?) of the Rocks Pirates' corpses), starting with the panel that launched all the theories, back in Impel Down :

Thanks to Kuma's flashback, we know Ivankov used to be a slave to the Celestial Dragons up until God's Valley. As for what happened at God's Valley, we don't know the full story yet but what we know is that...

...the Rocks Pirates were defeated and disbanded by the alliance between Garp and Roger. Some (?) of them were cloned by MADS (like Stussy for a still unknown reason) and Roger then became the next biggest threat of piracy.

Their leader's name was Xebec and other people have already explained that it possibly is related to Sebek/Sobek, an ancient Egyptian deity represented either in its form or as a human with a crocodile head. And, as we all know thanks to the Alabasta arc, Sir Crocodile is strongly associated with Sobek/Sebek too.

From there, it's not a stretch to imagine that Sir Crocodile is Rocks D. Xebec's child and was also present on God's Valley, which is how Crocodile and Ivankov possibly first "met". Ivankov witnessed Rocks' defeat as well as his child's survival...

...probably thanks to Whitebeard. Because, considering how the government tracked Ace and Luffy because of their dads, it's clear that any child of Xebec would be hunted by the government just as much and, like he did for Ace, Whitebeard probably saved and offered shelter to Xebec's kid for a while.

Whitebeard saving Croc as a child on God's Valley could be the reason why Croc seemingly hated Whitebeard so much : Whitebeard saving him instead of avenging Rocks, his captain, on God's Valley and then later probably defeated Crocodile, when Croc decided to become a pirate and went after the One Piece, could explain the animosity that we saw during Marineford.

Anyway, because of God's Valley, this could be the secret Iva knows about Croc: he's the surviving child of Rocks D. Xebec, thanks to Whitebeard.

Whitebeard choosing to save him rather than his Captain and then later defeating him could also explain why Croc has strong issues when it comes to trusting others :

Another hint that Croc is related to Rocks is Blackbeard. A popular theory/understanding in the fandom is that, while Luffy inherited Roger's Will, Blackbeard inherited Rocks' (leading to the idea that Rocks vs Garp & Roger will be paralleled with Blackbeard vs Luffy & Koby). This is especially interesting, considering that Blackbeard replaced Croc as a Warlord after he was defeated and sent to Impel Down, which is when they met :

Crocodile also has a lot of "mannerisms" hinting he's a D. He's strongly interested in the Void Century, poneglyphs and the ancient weapons.

Additionally, upon learning during Marineford about Ace's and Luffy's being hunted by the Government because of their fathers, he intervened to protect them...

These acts, outside of the CrocoParent theory (see below), can be explained by Croc's own experience of being hunted because of who his father was, but also by what Ivankov said to Law, who's also a D :

To conclude, I'm a strong advocate that Sir Crocodile is actually Rocks D. Crocodile and he obviously couldn't keep his father's name, in order to avoid being hunted during his entire life by the Government.

But what about the CrocoParent theory?

Well, as much as I'm an immense and dedicated fan of this theory (full explanation here), a part of me doesn't trust Oda to be brave enough to go down that road, even if I'm also eagerly waiting for him to. :D

Whether Croc was afab or amab though, the theory that he's Rocks' kid still applies. The only difference is that, if Croc was afab, then on top of knowing about who his father was, Iva also helped Croc with transitioning, thanks to their devil fruit.

Of course, it's probably through meeting Iva that Croc then came to meet some members of the Revolutionary Army, like Dragon. He gave birth to Luffy, transitioned afterwards with Iva's help and his actions at Marineford (protecting both Ace and Luffy) are not only because he used to be hunted as Rocks' kid, but also because he just learnt that Luffy is Dragon's son and thus his own child. :))

After all, to quote Dragon in the latest chapter of Kuma's flashback...

... "a child is their parents' weak spot" seems to ring to the same bell as Croc's "if you want to protect something, do it right" (like giving up on raising Luffy and leaving him in a remote village of East Blue, to avoid him being hunted by the World Government).

Anyway, long post, sorry about it! I hope we'll know soon about Croc's past. Let me know if I missed some hints ! :D

#one piece #sir crocodile #rocks d. xebec #monkey d. luffy #emporio ivankov #crocomom #dadodile #monkey d. dragon #portgas d. ace #whitebeard #blackbeard #impel down #marineford #god's valley #op theory #op1101 #my analysis #<- also lmao Dragon being like 'plz don't talk about my kid it's like a threat to me' despite knowing very well who Kuma's kid is #it was immensely funny to me

[beaulesbian]

Every once in a while I think again about the end of Thriller Bark and feel completely insane and ill about Zoro's sacrifice, FOR LUFFY, specifically (you know, the character Kuma's threat was directed at). It wasn't even that long into traveling together, a few months maybe, yet Zoro was ready to give up everything in that moment - in the chapter with Kuma appearing being titled The End of the Dream ! - to protect his crew and Luffy, so he could continue in his journey.

Since Luffy and Zoro met, they always understand how words and promises were imporant to them - with Luffy punching Helmeppo in ch. 3 for lying to Zoro. Zoro learnt how serious Luffy was about his dream, and soon he realized he backed up his words with actions as well - untiying Zoro and giving him his swords back - his biggest treasures. It meant that Zoro could be honest and honor-bound in the same way to Luffy, to gain this mutual respect and trust between them since day 1. To wield his swords to protect both Luffy and later their whole crew, and to step in a way between Luffy and danger.

He was being actually more upset that Sanji got up from the previous Kuma's attack and interrupted their fight - Zoro was trying to keep the whole crew safe by this exchange for Luffy's head - if Sanji was offering his life for Luffy half dead and without much strength left to fight for himself (he started the offering of his own life already believing he woudn't survive, with a "you should find a new cook"), then this very specific sacrifice would be meaningless to the crew (- if this arc was taking place post WCI, then it would turn out very differently, with the strength of Sanji believing in Luffy, but it wasn't his moment during this scene) - it would hurt them more than help them, because as much as Zoro was prepared to die as well, he was prepared to keep fighting until the last breath.

Zoro was thinking he might die - Kuma's words were pretty certain he WOULD die - but he still had the willingness and strength to take on the deal for Luffy, for his captain and his crew. ("if i die here, it just means I wasn't worth much to begin with" this line he says times and times again during the overall story, like in Rogue Town throwing Kitetsu and waiting if it would cut off his arm, up until standing against King in Wano "it's my power that was lacking", and all the other times he was questioning his worth - it's something he tempts the fates he doesn't believe in, to actually harm him, to take his strength away if he doesn't deserve to survive. and it's him saying he knows and accepts his own weaknesses - of not being strong enough (in comparison to Sanji in this example), and always fights through them.)

He threw away his swords, including Wado Ichimonji - literally throwing aside his and Kuina's dream, to compell Kuma into a duel (with the anime playing 'The Very Very Very Strongest' when Zoro bowed down and pleaded Kuma, offering him his head instead of Luffy's) so Kuma wouldn't go after the crew and specifically Luffy later - no matter the outcome if Zoro would surive or not.

And then, he was actually strong enough to survive taking his captain's fatigue, agony and pain! Possibly being the only one who could survive taking Luffy's pain.

Zoro could have back out when Kuma offered him the 'taste' of the pain, with the realization of the scale of the hurt with the very possibility of dying from it. But that wouldn't be Zoro now, would it? He accepted and took all of Luffy's pain so his captain wouldn't have to suffer or die, and when they found him afterwards, he still kept standing, tense with the fatigue but alive! (again, with anime adding the music of 'Luffy's Fierce Attack' to underline the importance between these two).

He was training for this since the beginning - to become stronger to shoulder the pain of his crew if necessary. (And not only that - he was preparing for that so another Kuina incident didn't have to happen). He was the first one to fight one of the Warlords before anything really began: his fight with Mihawk at Baratie really set the tone and his own goals to overcome - a glimpse to see on how much different levels the Warlords actually were in comparison to Zoro, Luffy and the others, and if they were supposed to beat them so Luffy could become the Pirate King, that always meant to be ready and to get even stronger than them.

(small spoiler for egghead, ch. 1102: seeing Kuma (a Warlord at that time) remembering this Thriller Bark event later, during Egghead arc, and thinking that even he might have passed out from the pain, makes it all the more meaningful that it was Zoro who took the pain and withstood it - establishing how high was the strength of his willpower, already before timeskip.)

There could be so many other nuances and details from these last few chapters of this arc, and even what this deal meant for the following arcs! Zoro was still in pain on Sabaody, and because of that the crew wasn't as strong as it could have been (not to say they would have a chance anyway, knowing what all was in the motion).

The next is the tragedy and beauty of LUFFY never finding out about this. Half of the crew knew: Sanji, Brook and Robin knew the details, but would never tell Luffy - and that shows their loyalty to both Luffy and Zoro (and Zoro's decision). Luffy woke up and first thing he did was to jump up and down, excited not to be weighted down by his injuries, and only seeing his swordsman being down with injuries so severe he was out more days afterwards, knowing that something else attacked them (him = Zoro), after he was passed out from the fight against Moria, brought down his mood (even if it's not much noticable, but the change into subtle worry is there in the few next chapters).

"I can't explain it either!" - meaning he was thinking about it too, possibly how weird it was for him to move normally after such long fight. We don't really ever hear/see Luffy thinking about something, except when it's mentioned how he came up with a solution or idea, telling us there's more to Luffy than just being straightforward in his goals and speech. With Luffy being sometimes very emotionally intelligent when he wants to be, he could have figured it out from all these other people in the room asking similar questions and deducing. Even Usopp was putting two and two togehter. We might never find out if Luffy actuallly knows or not. Luffy probably wouldn't ask Zoro directly, especially if Zoro wouldn't tell first and didn't want to talk about it

- because for Zoro, nothing happened! Nothing, that would compromise his and Luffy's first promise. For Zoro to become the Strongest he couldn't back down from the duel with Kuma (just like before with his duel with Mihawk at Baratie. When he's faced with something he swore to overcome, he can't back down or evade. Even back then Luffy understood that as he held back Johnny and Yosaku, but Sanji was perplexed how far Zoro (and Luffy) would go to reach their dreams). When Sanji was asking him in front of Kuma "What about your dream?" Zoro was still thinking about his dream- it was just that the context has changed, it changed into a journey. His dream is the most important thing, but it wouldn't mean much, if, when on his way to accomplish that, he would betray his other words and promises.

#I will never get over how this very important “nothing” happened! #the first draft of this was just a shitpost with one block of text. but it seems im incapable of not adding more and more on top of it #one piece #roronoa zoro #gif:op meta #monkey d luffy #monkey d. luffy #thriller bark #zolu #luzo #kuma #bartholomew kuma #mine #gif:op manga #one piece meta #gif:zolu #one piece analysis #everytime i go into the thiller bark tag and see posts blocked bc of the other ship. i take 10points of damage :// #can we talk about how this was zoro's deal for luffy? can we? i know theres posts about it. i made few too. but theres still not enough.... #for how this moment was big. for how kuma had a memory of it even in egghead. and zoro was the only present one there (after the ursa shock #insane and ill about it yeahh never gonna shut up about zolu thriller bark #luffy one piece #zoro one piece #long post

[sailing-ever-west]

I'm obsessed with Nami in the realm of female character writing, because on the surface her arc is to be saved by a guy/group of guys, and generally with female characters that's used to take away their agency or power and/or support a romance. But with Nami...it does none of that. Her story is about learning to depend on others, but rather than reducing her power in any way, it increases it. The isolation she experienced before wasn't independence, but part of her oppression, so having a family to support her gives her infinitely more freedom.

Luffy is her captain, but the way Luffy does that is never to lord over people, it's to raise them up with him. And, importantly, he waits for it to be her choice. He stays supportively in reach until she asks for his help. The only time he intervenes without permission is to stop her from actively harming herself. And when he does intervene, it's not to whisk her away and keep her somewhere else safe where she's dependent on his security and protection, it's to literally beat the crap out of her oppressor so he's never a problem again and she's free to live her life either way. And although Sanji acts romantically toward her and the rescue follows his grand ideals of fighting for a beautiful lady, there's no expectation that she now owes him anything or has to give him a chance just because he helped her out of an abusive situation. He did it because he cared, not in exchange for anything. They were all willing to fight and bleed for her with next to nothing in return, and that's so vital.

Nami being a woman is definitely relevant to her story (using her beauty and pretend helplessness to steal without suspicion, the fact that she takes after her mom who was tough as nails in the male-dominated marines, the very real isolation and fear of being female surrounded by [fish]men with power over her), but it's important to note that she doesn't need saving because she's a woman, or due to any weakness on her part. She is shown as incredibly strong, brave, and clever, right from the beginning, but she was trapped in a situation with Arlong that would've been impossible for anyone to get out of alone. Now with a crew by her side, she no longer has to.

#one piece #cat burglar nami #one piece nami #arlong park #arlong park arc #one piece arlong #monkey d luffy #female characters #eichiro oda #female character writing #one piece analysis #one piece meta #op meta

[opbackgrounds]

I love Brook for many reasons. For my entire adult life I've worked with old people, and when interacting with that demographic it's really easy to take Sanji's point of view. I have cared for so many elderly burdened with a lifetime's worth of pain, suffering, and death. Like Brook spending fifty years alone on a boat, their misery and isolation can become banal and everyday. It's easy to slip into the fog of despair

Brook is the person I aspire to be when I'm 90. His life is objectively terrible, and while he doesn't sugarcoat his own suffering, he's able to take simple joy in being alive, in meeting new people and finding new friends. It's a very different take on loneliness compared to characters like Robin and Chopper, but is much appreciated nonetheless.

#opbackgrounds #one piece #ch443 #brook #I love him so much #character analysis

[zorobae]

I think what I like the most about this wonderful parallel is the fact that, the second time around, Zoro doesn’t say or ask anything. Luffy explicitly told Zoro that he needs him, and Zoro’s answer to that was that he will always be with him. “Until the end”. And true to that vow, Zoro is with Luffy here, didn't even hesitate for a moment before he followed him. And he does nothing to feign interest or to push Luffy to talk when he doesn’t want to. Instead he simply waits to see if he is needed in this particular instance or not, getting ready to leave when he thinks it’s the latter but that moment being the exact one Luffy chooses to talk. To be fair, that first issue is something that bothered neither Zoro nor Luffy. But they still made it a point to draw a parallel between these two moments to show the growth of their bond. With one moment, being awkward and almost unnecessary and the other one, emphasizing how poignant their dynamic has gotten. To the point that there are barely any words needed. Just being there is enough.

#oplaedit #one piece #one piece live action #one piece netflix #zolu #luzo #roronoa zoro #monkey d luffy #analysis #opla 1x05 #opla 1x07 #eat at baratie #the girl with the sawfish tattoo #my gifs

[badly-drawn-doflamingo]

The Brutality (and some censoring) Of The Rumbar Deaths.

Similar to my piece on Yorki and his lil sickness, this is again just something that haunts me constantly and is honestly something I don’t see anyone else talking about. Maybe this is because I have Rumbar Pirates autism. The deaths of the Rumbar Pirates are often thought to just be the snippet we see during their final moments, however Oda paints a much darker picture, with such dark hues the anime had to censor some of this. To begin, I am going to introduce you all to a certain Rumbar Pirate. Pirates.

This is Madaisuki! He has a twin brother named Madawadasuki Mizuta!

These Mizuta boys are named this because they are the japanese pun of “I love DOTS!” and “Dots ain’t half bad!” We know they were young, and that they wanted to be just like Brook. (I will go over these statements a bit later.) They wore matching clothing, mirroring one another as some twins do, having a tight bond. We already know their candles were snuffed out too short, but do you know how this happened to each? Madawadasuki is shown in the Bink’s Sake flashback, blood pooling on his temple and matting some of his hair. He looks tired, but with a smile, plays on with the other remaining crew. That is the key word here, remaining. There were hundreds of men on this ship yet THIS is what we see surrounding Brook on the deck? Where are the rest. THAT is where Madaisuki comes in. 

Madaisuki does not die on screen, but his body, just the body, is gruesome enough that the anime had to censor it. When we find the young man, he is in one of the off rooms, looks to be the dining area, thrown onto the floor with his arms outstretched, with his hair still attached to the skull.

This is not the reason behind the censoring, no, the reason is the cause of death.

Plunged into his skull and back, pinning his body to the floor with his jaw still open, are his own weapons. His own swords pin his body to the floor, so even if he somehow survived the attack, he could not get up, however with your own blade through your brain case and into the blood spattered floor below you, that is not much of an option.

This leaves a few things open for the reader to take in. Why is he tucked away in an off room like this? Well, it means the battle either continued into these rooms, not just on deck, which is more than likely shown by the shattered mirrors and doors in the bedrooms and hallways we see, or poor Madaisuki was cornered, and slain.

In any case, this means his brother either also saw this and continued to smile and sing for Laboon, or held a hope that somehow, his twin was just somewhere else, tucked away to die in peace. 

This is just one body, one upon hundreds, we know this because of a line Franky states so casually I am unsure if the anime added it; “We could not carry them all, we buried them here. The weight was too much for the Sunny to take.”

The weight was too much for the Sunny to take.

How many men died, because those multiple upon multiple coffins were not filled with bodies, but skulls. Only skulls.

If the ship cannot carry it, how do we expect BROOK?? He must hold grief for he was acting Captian, these things on his head alone, and knowing he failed his partner, my god, that must ache. To know you created widows, fatherless children, families who will never know if their little boys or men or partners or fathers would come home. No closure, only Brook, and the poison that caused the remaining light-hearted musicians to bleed out in their little heap.

When Brook picks up the skull of Madaisuki, a memory comes to mind. Perhaps not a recent one, for he knew them for many years, but one that stood out to him. One Oda chose for us to see as a representation of Brook’s thoughts;

“You’re awesome, Brook! Can you teach me to swordfight like you?”

We see the body, with his own weapons used against him, holding his corpse in place with a hole blasted through his brain. His polka dots he adored are spattered as well, torn where his ribcage was cut open. Brook failed him. He failed them all, in his eyes, not the viewer or actuality. And this breaks my heart.

#these men had no idea the brutality of pirates #there was no one piece #we are the Rumbar pirates #here to put a smile on every child’s face #they were just sweethearts #and they were GUTTED #one piece #rumbar pirates #brook #calico Yorki #mizuta twins #character analysis #the Rumbar pirates #anime #their Motto was LITERALLY #character death