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vkeidriptournament · 10 months

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Visual Kei Drip Tournament: Full Ranking - WARNING: EXTREMELY LONG POST

------------------------------------ ★ finals ★

1. kozi (malice mizer) - 61.9%

2. ryonai (blam honey) - 38.1%

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★ runner ups ★

3. hide (x japan) - 60.6%

4. kaya (schwarz stein) - 39.4%

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round 5

5. arisu (missalina rei) - 48.3%

6. shinya (dir en grey) - 42.4%

7. emiru (lareine) - 41%

8. zin-francois angelique (madame edwarda) - 18.5%

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round 4

9. kazuki (raphael) - 47.6%

10. mana (malice mizer) - 47.1%

11. kami (malice mizer) - 47.5%

12. inoran (luna sea) - 47.5%

13. yu~ki (malice mizer) - 40.2%

14. izam (shazna) - 33.3%

15. kyouka (aliene ma'riage) - 25.6%

16. ken (l'arc en ciel) - 17.3%

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round 3

17. lucifer luscious violenoue (gille loves, fiction) - 47.5%

18. jyou (exist trace) - 47.5%

19. tara-chan (kilhi ice) - 47.2%

20. hakuei (penicillin) - 46.9%

21. bou (an cafe) - 45.5%

22. toshiya (dir en grey) - 43.2%

23. kamijo (lariene, versailles) - 40.8%

24. kazushi (rouage) - 38.9%

25. hizaki (jupiter, versailles) - 36%

26. ryutaro (plastic tree) - 31.7%

27. kon (la'mule) - 31.4%

28. hyde (l'arc en ciel) - 30.9%

29. ray (aliene ma'riage) - 28.6%

30. sena (jilkua) - 27.6%

31. yoshiki (x japan) - 17.6%

32. kaoru (dir en grey) - 15.9%

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round 2

33. mikoto (zigzag) - 48.2%

34. kyo (dir en grey) - 47.5%

35. mayu (lareine) - 47.5%

36. issay (der zibet) - 47.3%

37. ken morioka (soft ballet) - 46.7%

38. kiwamu (blood, gpkism) - 46.5%

39. isshi (kagrra) - 44.8%

40. die (dir en grey) - 44.6%

41. boogie (jiluka) - 42.6%

42. atsushi sakurai (buck-tick) - 42.4%

43. jasmine you (versailles) - 42.2%

44. sugizo (luna sea) - 41.7%

45. gackt (malice mizer) - 40.8%

46. ruki (the gazette) - 40.7%

47. wataru (liphlich) - 40.4%

48. kiyoharu (kuroyume) - 38.9%

49. klaha (malice mizer) - 36.8%

50. ayaha (dazzlingbad) - 35.8%

51. daisuke (kagerou) - 34%

52. ryoichi endo (soft ballet) - 33.3%

53. iT (dazzlingbad) - 31.3%

54. kazuma (merry go round) - 30.4%

55. gothique prince ken (gpkism) - 29.8%

56. kyuho (madmans esprit) - 28.9%

57. kei (eliphas levi) - 28.4%

58. hora (schwarz stein) - 27.5%

59. ryuichi (luna sea) - 25%

60. tetsu (malice mizer) - 24.1%

61. hiro (la'cryma christi) - 18.5%

62. yura (psycho le cemu) - 14.3%

63. aisaku (deviloof) - 10.5%

64. reita (the gazette) - 9.6%

--------------------------------------------

round 1

65. yukari (baiser) - 49.4%

66. full (guniw tools) - 49.4%

67. j (luna sea) - 47.6%

68. asagi (D) - 47.2%

69. aoi (the gazette) - 45.8%

70. kujou takemasa (kiryu) - 45.8%

71. dynamite tommy (color) - 44.4%

72. sakura (l'arc en ciel) - 44.3%

73. imai hisashi (buck-tick) - 44.2%

74. juka (moi dix mois) - 44.1%

75. miko (exist trace) - 44.1%

76. ai (gulu gulu) - 44%

77. yoshiatsu (dadaroma) - 43.8%

78. yagami toll (buck-tick) - 42.2%

79. yasu (janne da arc, acid black cherry) - 41.9%

80. teru (versailles) - 41.9%

81. uruha (the gazette) - 41.5%

82. hazuki (lynch) - 41.4%

83. chiaki (dezert) - 41.3%

84. juho (madmans esprit) - 40.7%

85. tsuzuku (mejibray) - 39.9%

86. maya (LM.C) - 39.6%

87. mia (mejibray) - 39.6%

88. lime (kizu) - 38.9%

89. aya (psycho le cemu) - 38.6%

90. miyavi (due le quartz) - 38.5%

91. jojo (the gallo) - 38.2%

92. takashi (dadaroma) - 38.1%

93. machi (lareine) - 37.7%

94. hidehiko hoshino (buck-tick) - 36.6%

95. kyonosuke (kizu) - 36.2%

96. taka (la'cryma christi) - 35.9%

97. tetsu (l'arc en ciel) - 35.7%

98. meto (mejibray) - 35.1%

99. t.m. revolution (luis-mary) - 34.4%

100. maria cross - 34.4%

101. kengo (noir fleurir) - 34.3%

102. dada (velvet eden) - 33.9%

103. morrie (dead end) - 33.3%

104. tsutomu ishizuki (fanatic crisis) - 31.9%

105. aki (laputa) - 30.9%

106. koichi (mejibray) - 30.1%

107. heath (x japan) - 29.5%

108. shou kiryuuin (golden bomber) - 29.5%

109. miko (exist trace) - 28.4%

110. yukihiro (l'arc en ciel) - 26.5%

111. mast (aliene ma'riage) - 25.5%

112. tatsuro (mucc) - 23.6%

113. aki (arlequin) - 22.3%

114. gisho (penicillin) - 21.4%

115. yutaka higuchi (buck-tick) - 21.4%

116. kyohei (das:vasser) - 21.1%

117. seek (psycho le cemu) - 21.1%

118. kirito (pierrot) - 18.9%

119. darvish kenji (golden bomber) - 18.8%

120. kisaki (phantasmagoria, mirage, la:sadies) - 18.6%

121. tsune-hito (D) - 16.1%

122. kai (the gazette) - 15.5%

123. mako (deadman) - 14.9%

124. yune (the gazette) - 14.1%

125. shun (deshabillez) - 13.9%

126. tusk (zi-kill) - 12.7%

127. chill (kane to juusei) - 12.3%

128. yohio (disreign) - 11.3%

#going 2 delete the polls later and just leave this up #sayonara you weeaboo shits

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fuck-yeah-romantica · 1 year

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The love of my l- Sada. Just, Sada.

Romantica photoshoot

- Position: guitar / bass

- Birthday: april 3 (no there is no year. Being lucky, only ten years later than Karen)

- Zodiac: aries

- Height: 170cm.

- Weight: 53kg.

- Bloodtype: A

- Previous musical projects: ...

Sada's first look, claims Karen Fox, 2004 (look at him. Look at him. L o o k.)

- Favourite bands (Japan): X japan, Baiser, Kuroyume, Shazna, Velvet eden, Art marju duchain, Luna sea, Malice mizer, Moi dix mois, Raphael, Hizaki grace project, Izam, Lareine, Metis Gretel, Sadist, Parasite, S (visual kei era), Syndrome, Phantasmagoria, Jun solo, hide, Anti feminism, Madeth gray'll, Je*reviens, Dir en grey (visual kei era), La:sadie's, Aliene ma'riage, Noir fleurir, Eliphas levi, Noi'x, Missalina rei, Neil, Celestia le ciel, Eze qul, Luinspear, Marry+an+blood, Misery, Orugo/ru, The piass, Loon eye's millye, Verfe gorl, Schwardix marvally, Due le quartz, Kagrra (visual kei era), Da'vid shito:al, Alc A dia, Kar maria, Allegory pill, Lanus dune, Aikaryu, Kamaitachi, Gargoyle, Kuroahega, Sex Android, Angel heart.. and a looot more....

- Favourite bands (Outside Japan): Sex pistols, Specimen, Siouxsie and the banshees, Cinema strange, London after midnight, Heart Throb Mob, Queeny Blast Pop, The devotchkas, The damned, The adicts, Vice Squad (80's), Misfits, The Ramones, Motley crue, Visage, Dead or alive, Boy george, Mayhem, Dana International, The horrorpops, Dick dale, Dead can dance, Karen Fox, She-ra. (Damn that goth strike)

- Favourite Videoclips: Fade to Grey (Visage), Out of fashion (Boy George), Long Hard Road Out Of Hell (Marilyn Manson), Zero (Smashing pumkins), Sad Mask (Velvet eden), Omocha no miisha (Noir fleurir), Metamorphose (Lareine), Gekka No Yasoukyaku (Malice mizer), Sumire september love (Shazna), Sister (Kuroyume), Koi shite kura kura (Izam), Weekend (X japan), Tsuki ni kasamura kumo hana ni kaze (Omnyouza), To.ki.me.ki. (Missalina rei), Sangeki no yoru (Dir en grey), Michi no sora (Psycho le cemu), Hoy no (Entre Rios), Paris (Romantica).

- Hobby: ...

- Interest: Hollow earth, Nazi esoterism (ufo), not official science, comics, manga.

- Personality: dejado (ditzy, out of touch with the surroundings), dreamer.

- Favourite colour: black, violet.

- Ambition: youth.

- Your first love: myself

- Would you like to be in love again?: here I am.

- Romantica in one word: machos (alpha males)

- Favourite phrase: y.. ya no se puede confiar en naides!! -by: shinjidark- (well... Neinbody is to trust!!)

- Favourite book: ...

- Favourite writer: Pierre Boulle, H.P. lovecraft, Julio Verne, John uri lloyd, H.G. Wells, Ray Bradbury, Ellis St. Joseph, Edward Bulwer Lytton.

- Favourite movie: Hedwig and the angry inch, Star wars (original trilogy), Dagon, Glen or glenda.

- Favourite t.v. series: Lost, The outer limits (60's), The twilight zone (50's).

- Favourite politic: Gral. Juan D. Peron.

- Favourite word: ...

- Type of woman liked: Real doll.

- Type of woman disliked: Real women. (Somebody should tell this guys homosexuality isn't the answer to mysoginy... Or maybe it is?)

- Treasured thing: my body.

- Who is your rival: myself

- Favourite anime: NHK ni youkoso!, Neon genesis evangelion, Arbegas (El rayo custodio!), Mononoke hime, Gunnm, Magic knight rayearth, Petshop of horrors, Robotech, Berserk, Gantz.

- Animated series: The smurfs, South park, The simpsons, Batman the animated series, Transformers, Spiderman and his amazing friends, Dino raiders, G.I. Joe, Thundercats, Birdman.

- What did you wanted to be as a child: pope

- What subjet did you like at school: none, I hate school.

- When did you discover music: 14 years old

- Something you always carry with you: Brain.

- Time of the year: autumn

- Where you would like to go: tokyo, inside of hollow earth.

- Who you would like to meet: ...

- What song defines you: sad mask - velvet eden.

- Message to fans: I don't know who you are, but I don't believe you anything!!!.

#visual kei #vkei icons #vkeistyle #vkeiband #vkei #mana sama #goth stuff #gay story #sissi femboi #i'm the king of tag shitposting.

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presentslointains · 6 days

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L'améthyste de Madagascar

L'améthyste de Madagascar est une gemme précieuse qui captive l'imagination par sa beauté et son mystère. Nichée au cœur de l'île rouge, cette pierre violette émerge des profondeurs de la terre, portant en elle les secrets d'une histoire ancienne et les énergies puissantes de la nature.

Au fil des siècles, Madagascar est devenue une terre emblématique pour l'améthyste, offrant des gisements abondants de cette gemme prisée. Les mines de l'améthyste se trouvent principalement dans la région d'Ilakaka, où des artisans passionnés extraient avec soin ces joyaux de la terre, révélant leur éclat et leur couleur incomparables.

L'améthyste de Madagascar se distingue par sa teinte profonde et riche, allant du violet clair au violet intense, parfois agrémenté de nuances de rose ou de bleu. Cette variété de couleur lui confère une polyvalence unique, s'adaptant à une multitude de créations artistiques et de bijoux magnifiques.

Outre sa beauté visuelle, l'améthyste est également connue pour ses propriétés métaphysiques et ses vertus spirituelles. Considérée comme une pierre de sagesse et de spiritualité, elle est souvent utilisée dans la méditation pour favoriser la paix intérieure et la clarté mentale. On dit également que l'améthyste a le pouvoir de protéger contre les énergies négatives et de purifier l'esprit, offrant un havre de tranquillité dans un monde souvent agité.

Dans la culture malgache, l'améthyste occupe également une place spéciale. Elle est parfois intégrée dans des pratiques traditionnelles de guérison et de protection, utilisée pour chasser les mauvais esprits et favoriser la santé et le bien-être. De plus, l'améthyste est souvent offerte en cadeau pour marquer des occasions spéciales telles que les mariages, symbolisant l'amour, la loyauté et l'harmonie.

L'améthyste de Madagascar est bien plus qu'une simple pierre précieuse ; elle incarne l'essence même de l'île, avec sa richesse naturelle et sa spiritualité profonde. Que ce soit en tant qu'ornement magnifique, outil de méditation ou talisman protecteur, l'améthyste continue d'enchanter et d'inspirer ceux qui ont la chance de la posséder, révélant toujours de nouveaux aspects de sa beauté et de sa magie.

Composition et échelle de Mohs :

La composition de l'améthyste, comme celle de toutes les variétés de quartz, est principalement du dioxyde de silicium (SiO2). Cependant, la couleur pourpre caractéristique de l'améthyste est due à la présence de traces de fer dans sa structure cristalline.

En ce qui concerne l'échelle de Mohs, qui mesure la dureté des minéraux, l'améthyste se situe à un niveau de 7 sur cette échelle. Cela signifie qu'elle est relativement dure, mais pas aussi dure que des minéraux comme le diamant, qui est le minéral le plus dur et se situe au sommet de l'échelle de Mohs avec une dureté de 10.

La dureté de l'améthyste lui confère une résistance aux égratignures et lui permet de conserver sa brillance et son éclat au fil du temps. Cependant, bien qu'elle soit assez durable pour être utilisée dans la fabrication de bijoux, il est toujours recommandé de prendre des précautions pour éviter les chocs ou les rayures qui pourraient endommager la pierre.

Les vertus de l'améthyste de Madagascar

Calme et sérénité: L'améthyste est réputée pour ses propriétés apaisantes. Elle est souvent utilisée pour favoriser le calme intérieur, réduire le stress et l'anxiété, et promouvoir un sentiment général de paix et de sérénité.

Clarté mentale et concentration: En favorisant un esprit tranquille et dégagé, l'améthyste peut aider à améliorer la concentration, à stimuler la clarté mentale et à renforcer la capacité de prise de décision.

Protection et purification: L'améthyste est considérée comme une pierre protectrice qui peut aider à repousser les énergies négatives et à purifier l'aura. Elle est souvent utilisée pour créer un bouclier énergétique autour de soi et de son environnement.

Spiritualité et intuition: En raison de sa couleur violette profonde et de sa réputation en tant que pierre de sagesse, l'améthyste est souvent associée au développement spirituel et à l'ouverture de l'intuition. Elle est utilisée dans la méditation pour faciliter la connexion avec les plans supérieurs de conscience.

Soutien émotionnel: L'améthyste est également considérée comme une pierre qui peut apporter un soutien émotionnel en période de deuil, de chagrin ou de transition. Elle peut aider à apaiser le cœur blessé et à promouvoir la guérison émotionnelle.

Harmonie relationnelle: En favorisant la clarté et la communication, l'améthyste peut également être bénéfique pour les relations interpersonnelles. Elle peut aider à dissiper les malentendus, à renforcer les liens affectifs et à favoriser l'harmonie dans les relations.

Il convient de noter que les vertus attribuées à l'améthyste relèvent souvent de croyances ancestrales, de traditions culturelles et de pratiques spirituelles. Bien que de nombreuses personnes trouvent un réconfort et un soutien en portant ou en utilisant de l'améthyste, ces effets peuvent varier d'une personne à l'autre. https://presentslointains-madagascar.com/pages/lamethyste-de-madagascar

https://presentslointains-madagascar.com/pages/lamethyste-de-madagascar

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cosmicanger · 6 months

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‘Palestine is not an environment story’

Nafeez Ahmed

INSURGE intelligence

How I was censored by The Guardian for writing about Israel’s war for Gaza’s gas

After writing for The Guardian for over a year, my contract was unilaterally terminated because I wrote a piece on Gaza that was beyond the pale. In doing so, The Guardian breached the very editorial freedom the paper was obligated to protect under my contract. I’m speaking out because I believe it is in the public interest to know how a Pulitizer Prize-winning newspaper which styles itself as the world’s leading liberal voice, casually engaged in an act of censorship to shut down coverage of issues that undermined Israel’s publicised rationale for going to war.

Gaza’s gas

I joined the Guardian as an environment blogger in April 2013. Prior to this, I had been an author, academic and freelance journalist for over a decade, writing for The Independent, Independent on Sunday, Sydney Morning Herald, The Age, The Scotsman, Foreign Policy, The Atlantic, Quartz, Prospect, New Statesman, Le Monde diplomatique, among others.

On 9th July 2014, I posted an article via my Earth Insight blog at The Guardian’s environment website, exposing the role of Palestinian resources, specifically Gaza’s off-shore natural gas reserves, in partly motivating Israel’s invasion of Gaza aka ‘Operation Protective Edge.’ Among the sources I referred to was a policy paper written by incumbent Israeli defence minister Moshe Ya’alon one year before Operation Cast Lead, underscoring that the Palestinians could never be allowed to develop their own energy resources as any revenues would go to supporting Palestinian terrorism.

The article now has 68,000 social media shares, and is by far the single most popular article on the Gaza conflict to date. Contrary to the conventional wisdom, Israel has seen control of Gaza’s gas as a major strategic priority over the last decade for three main reasons.

Firstly, Israel faces a near-term gas crisis — largely due to the long lead time needed to bring Israel’s considerable domestic gas resources into production; secondly, Netanyahu’s administration cannot stomach any scenario in which a Hamas-run Palestinian administration accesses and develops their own resources; thirdly, Israel wants to use Palestinian gas as a strategic bridge to cement deals with Arab dictatorships whose domestic populations oppose signing deals with Israel.

Either way, the biggest obstacle to Israel accessing Gaza’s gas is the Hamas-run administration in the strip, which rejects all previous agreements that Israel had pursued to develop the gas with the British Gas Group and the Palestinian Authority.

Censorship in the land of the free

Since 2006, The Guardian has loudly trumpeted its aim to be the world’s leading liberal voice. For years, the paper has sponsored the annual Index on Censorship’s prestigious Freedom of Expression Award. The paper won the Pulitzer Prize for its reporting on the National Security Agency (NSA). Generally, the newspaper goes out of its way to dress itself up as standing at the forefront of fighting censorship, particularly in the media landscape. This is why its approach to my Gaza gas story is so disturbing.

The day after posting it, I received a phone call from James Randerson, assistant national news editor. He sounded riled and rushed. Without beating around the bush, James told me point blank that my Guardian blog was to be immediately discontinued. Not because my article was incorrect, factually flawed, or outrageously defamatory. Not because I’d somehow breached journalistic ethics, or violated my contract. No. The Gaza gas piece, he said, was “not an environment story,” and therefore was an “inappropriate post” for the Guardian’s environment website:

“You’re writing too many non-environment stories, so I’m afraid we just don’t have any other option. This article doesn’t belong on the environment site. It should really be on Cif [i.e. the Guardian’s online opinion section known as ‘Comment Is Free’].”

I was shocked, and more than a little baffled. As you can read on my Guardian profile, my remit was to cover “the geopolitics of environmental, energy and economic crises.” That was what I was commissioned to do — indeed, when I had applied in late 2012 to blog for The Guardian, an earlier piece I’d written on the link between Israeli military operations and Gaza’s gas in Le Monde diplomatique was part of my portfolio.

So I suggested to James that termination was somewhat of an overreaction. Perhaps we could simply have a meeting to discuss the editorial issues and work out together what my remit should be. “I’d be happy to cooperate as much as possible,” I said. I didn’t want to lose my contract. James refused point blank, instead telling me that my “interests are increasingly about issues that we don’t think are a good fit for what we want to see published on the environment site.”

In the end, my polite protestations got nowhere. Within the hour, I received an email from a rights manager at The Guardian informing me that they had terminated my contract.

Under that contract, however, I had editorial control over what I wrote on my blog — obviously within the remit that I had been commissioned for. From May to April, environment bloggers underwent training and supervision to ensure that we would eventually be up to speed to post on the site independently based on our own editorial judgement. The terms and conditions we signed up to under our contract state:

“You shall regularly maintain Your Blog and shall determine its content. You shall launch Your own posts which shall not be sub-edited by GNM. GNM occasionally might raise topics of interest with You suitable for Your Blog but You shall be under no obligation to include or cover such topics.”

The terms also point out that termination of the contract with immediate effect could only occur “if the other party commits a material breach of any of its obligations under this Agreement which is not capable of remedy”; or if “the other party has committed a material breach of any of its obligations under this Agreement which is capable of remedy but which has not been remedied within a period of thirty (30) days following receipt of written notice to do so.”

The problem is that I had committed no breach of any of my contractual obligations. On the contrary, The Guardian had breached its contractual obligation to me regarding my freedom to determine the contents of my blog, simply because it didn’t like what I wrote. This is censorship.

As the Index on Censorship points out, the “absence of direct state-sponsored, highly visible censorship, which prevails in many countries around the world, may contribute to the commonly held view that there is no censorship in this country and that it is not a problem.” However, “contemporary UK censorship, which sits within a liberal democracy” can come “in many different forms, both direct and indirect, some more subtle, some more overt.”

Invisible barriers

Ironically, a few days later, I was contacted by the editor of The Ecologist — one of the world’s premier environment magazines — who wanted to re-print my Gaza gas story. After publishing an updated version of my Guardian piece, The Ecologist also published my in-depth follow up in response to objections printed in The National Interest (ironically authored by a contractor working for a US oil company invested in offshore gas reserves overlapping the Gaza Marine). Obviously, having been expelled by The Guardian, I could not respond via my blog as I would normally have done

That follow-up drew on a range of public record sources including leading business and financial publications, as well as official British Foreign Office (FCO) documents obtained under Freedom of Information. The latter confirmed that despite massive domestic gas discoveries in Israel’s own territorial waters, the inability to kick-start production due to a host of bureaucratic, technological, logistical and regulatory issues — not to mention real uncertainties in quantities of commercially exploitable resources — meant that Israel could face gas supply challenges as early as next year. Israel’s own gas fields would probably not be brought into production until around 2018-2020. Israeli officials, according to the FCO, saw the 1.4 trillion cubic meters of gas in Gaza’s Marine (along with other potential “additional resources” as yet to be discovered according to the US Energy Information Administration) as a cheap “stop-gap” that might sustain both Israel’s domestic energy needs and its export ambitions until the Tamar and Leviathan fields could actually start producing.

By broaching such issues in The Guardian, though, it seems I had crossed some sort of invisible barrier — that this topic was simply off-limits.

Energy is part of the environment, wait, no it isn’t, not in Palestine anyway

To illustrate the sheer absurdity of The Guardian’s pretense that a story about Gaza’s gas resources is “not a legitimate environment story,” consider the fact that just weeks earlier, Adam Vaughan, the editor of the Guardian’s environment website, had personally assented to my posting the following story: ‘Iraq blowback: Isis rise manufactured by insatiable oil addiction — West’s co-optation of Gulf states’ jihadists created the neocon’s best friend: an Islamist Frankenstein.’

Proposed headlines for stories that environment bloggers work on are posted on a shared Google spreadsheet so that editors can keep track of what we’re doing and planning to publish. Adam had seen my proposed headline and requested to see the draft on the 16th June: “… would you mind sending this one by me on preview, please, before publishing? Just conscious it’s very sensitive subject,” he wrote in an email.

I sent him the full article with a summary of what it was about. Later in the day, I pinged him again to find out what he thought, and he replied: “thanks, sorry, yes — I think it’s fine.”

So an article about ISIS and oil addiction is “fine,” but a piece about Israel, Gaza and conflict over gas resources is not. Really? Are offshore gas resources not part of the environment? Apparently, for The Guardian, not in Palestine, where Gaza’s environment has been bombed to smithereens by the IDF.

The Blair factor

Meanwhile, the Israel-Gaza gas saga continues. Just over a week ago, Ha’aretz carried some insightful updates on the strategic value of the whole thing. Quoting Ariel Ezrahi, energy adviser to Quartet Middle East envoy Tony Blair (the Quartet representing the US, UN, EU and Russia), Ha’aretz noted that there was a reason why Jordan — which had recently signed an agreement with Israel to purchase gas from its Leviathan field — had simultaneously announced that it intended to purchase gas from Gaza. As Israel attempts to reposition itself as a major gas exporter to regional regimes like Egypt and Turkey, the biggest challenge is that “it’s very hard for them to sign a gas contract with Israel despite their desperate need,” due to how unpopular such a move would be with their domestic populations.

“If I were Israel’s prime minister,” Blair’s energy adviser said, “I’d think how I could help the neighboring countries extricate themselves from the jam, and if Israel closes the Palestinian gas market, that’s not a smart thing.” So Israel has to find a way to open the Palestinian gas market and integrate it into the emerging complex of Israeli export deals: “… it would be wise for Israel to at least consider the contribution of the Palestinian dimension to these deals,” said Ezrahi. “I think it’s a mistake for Israel to rush into regional agreements without at least considering the Palestinian dimension and how it can contribute to Israeli interests.”

Israel, backed by its allies in the west, wants to use the Palestinians “as an asset as they strive to join the regional power grid, and as a bridge to the Arab world,” by selling Palestinian “gas to various markets,” or promoting a deal with the corporations developing Israel’s “Tamar and Leviathan [fields] that will allow for the sale of cheap gas to the [Palestinian] Authority.”

But there is a further challenge when considering the Palestinian dimension, namely Hamas: “I can’t meet with people linked to Hamas,” said Blair’s energy adviser. “It’s a very firm ban dictated by the Quartet. [emphasis added] The Americans don’t enter Gaza either.” So it is not just Israel that has ruled out any gas deal with the Palestinians involving Hamas. So have the US, EU, UN and Russia.

But Israel has no mechanism to eliminate Hamas from the Gaza strip — except, as far as Moshe Ya’alon is concerned, military action to change facts on the ground.

Over the 70 odd articles I’d written for The Guardian, not a single piece falls outside the subject matter I had been commissioned to write on: the geopolitics of interconnected environment, energy and economic crises. The conclusion is unavoidable: The Guardian had simply decided that resource conflicts over the Occupied Territories should not receive coverage. It should be noted that before my post, the paper had never before acknowledged a link between IDF military action and Gaza’s gas. Now that I’m gone, I doubt it will ever be covered again.

Well, at least Ya’alon, and his boss Netanyahu, will be happy.

Not to mention Tony Blair.

Liberal gatekeeping

When I began speaking in confidence to a number of other journalists inside and outside The Guardian about what had happened to me, they all consistently told me that my experience — although particularly outrageous — was not entirely unprecedented.

A senior editor of a national British publication who has written frequently for The Guardian’s opinion section, told me that he was aware that all coverage of the Israel-Palestine issue was “tightly controlled” by Jonathan Freedland, the Guardian’s executive editor for opinion.

Another journalist told me that a Guardian editor commissioned a story from him discussing the suppression of criticism of Israel in public discourse and media, but that Freedland rejected the story without even reviewing a draft.

Several other journalists I spoke to inside and outside The Guardian went so far as to describe Freedland as the newspaper’s unofficial ‘gatekeeper’ on the Middle east conflict, and that he invariably leaned toward a pro-Israel slant.

These anecdotes have been publicly corroborated by Jonathan Cook, a former Middle East staff reporter, foreign editor and columnist for The Guardian, who is currently based in Nazareth where he has won several awards for his reporting. A profile of Cook at the progressive Jewish news site Mondoweiss points out that a key turning point in Cook’s career occurred in 2001 when he had just returned from Israel, having conducted an investigation into the murder of 13 non-violent Arab protestors by Israeli police during the second intifada the year before.

The police, Cook found, had executed a “shoot-to-kill policy” against unarmed victims — as was eventually confirmed by a government inquiry. But The Guardian suppressed his investigation, and chose not to run it at all. Cook says that while the paper does contain some exemplary reporting and insights, and even goes out of its way to condemn the occupation, there are certain lines that simply cannot be crossed, such as questioning Israel’s capacity to define itself as simultaneously an exclusively Jewish and democratic state, or critiquing aspects of its security doctrine.

Cook’s scathing criticism of his former paper in a 2011 Counterpunch article is highly revealing, and relevant, for understanding what happened to me:

“The Guardian, like other mainstream media, is heavily invested — both financially and ideologically — in supporting the current global order. It was once able to exclude and now, in the internet age, must vilify those elements of the left whose ideas risk questioning a system of corporate power and control of which the Guardian is a key institution.

The paper’s role, like that of its rightwing cousins, is to limit the imaginative horizons of readers. While there is just enough leftwing debate to make readers believe their paper is pluralistic, the kind of radical perspectives needed to question the very foundations on which the system of Western dominance rests is either unavailable or is ridiculed.”

Last month, Cook highlighted ongoing subtle but powerful insensitivities of language employed by The Guardian coverage’s of the Gaza crisis which, in effect, served to “disappear” the Palestinians. He specifically identified Freedland as a major player in this phenomenon. “The Guardian’s pride” in having helped create Israel is “still palpable at the paper (as I know from my years there),” especially among certain senior editors there “who influence much of the conflict’s coverage — yes, that is a reference to Jonathan Freedland, among others.”

UPDATE 4th Dec 2014 (10.13AM): Jonathan Freedland has offered a response this morning via TwitLonger, as follows:

“Your piece for Medium implies I was involved in the end of your arrangement with the Guardian. I don’t wish to be rude, but I had literally not heard of you or your work till seeing that Medium piece, via Twitter, a few hours ago. (The Guardian environment website, where you wrote, is edited separately from the Guardian’s Comment is Free site, which I now oversee.) I had no idea you wrote for the Guardian, no idea that arrangement had been terminated and not the slightest knowledge of your piece on Gaza’s gas until a few hours ago. What’s more, I was abroad — on vacation — on the days in July you describe. To put it starkly, my involvement in your case was precisely zero. I hope that as a matter of your own journalistic integrity, you’ll want to alter the Medium piece to reflect these facts. Perhaps you’ll also share this on Twitter as widely as you shared the Medium piece yesterday.”

However, Freedland’s reading of this piece is incorrect. I am not implying that Freedland was “involved” in the end of my Guardian tenure. I have no clue about that, and to be sure, I did not make any such claim above.

My simple point is that my experience of egregious Guardian censorship over the Gaza gas story — which Freedland does not address beyond denying his involvement — has a long and little-known context, suggesting that rather than my experience being a mere bizarre and accidental aberration, it is part of an entrenched, wider culture across the paper of which Freedland himself has allegedly played a key role in fostering.

It is not my fault that the range of journalists I spoke to all described Freedland as the Guardian’s resident unofficial “gatekeeper” on Israel-Palestine coverage. Notably, Freedland fails to address their allegations that he has previously quashed stories which are critical of Israel on ideological grounds rather than reasons of ‘journalistic integrity.’

END

===

This is perhaps not entirely surprising. A book commissioned by The Guardian, Disenchantment: The Guardian and Israel, by Daphna Baram, documents clearly the connection between the newspaper and Zionism, noting for instance that Guardian editor CP Scott had been central to the negotiations with the British government resulting in the Balfour Declaration and the very conception of the state of Israel. Her conclusion is that despite becoming increasingly critical of the occupation after 1967, The Guardian remains staunchly pro-Zionist, its staff devoting “inordinate time and effort” to ensure “fairness to Israel.”

Toward a media revolution

The Guardian, quite rightly, has a reputation for breaking some of the most important news stories of the decade — among them, of course, playing a lead role in releasing Edward Snowden’s revelations about mass surveillance and related violations of civil liberties. Yet hidden in the cracks of this coverage is the fact that while disclosing critical facts, The Guardian has been unable to raise the most fundamental and probing questions about the purpose and direction of mass surveillance, why it has accelerated, what motivates it, and who benefits from it.

Questions must therefore be asked as to why a newspaper that sees itself as the global media’s bastion of liberalism, has engaged in such grievous censorship by shutting down coverage of environmental geopolitics — a phenomenon which is increasingly at the heart not just of conflict over the Occupied Territories, but of the chaos of world affairs in the 21st century.

If this is the state of The Guardian, undoubtedly one of the better newspapers, then clearly we have a serious problem with the media. Ultimately, mainstream media remains under the undue influence of powerful special interests, whether financial, corporate or ideological.

Given the scale of the converging crises we face in terms of climate change, energy volatility, financial crisis, rampant inequality, proliferating species extinctions, insane ocean acidification, food crisis, foreign policy militarism, and the rise of the police-state — and given the bankruptcy of much of the media in illuminating the real causes of these crises and their potential solutions, we need new reliable and accountable sources of news and information.

We need new media, and we need it now.

As print newspapers go increasingly into decline, the opportunity for new people-powered models of independent digital media is rising exponentially. That’s why I’ve launched a crowdfunder to help support my journalism, and to move toward creating a new investigative journalism collective that operates in the public interest, precisely because it is funded not by corporations or ideologues, but by people. If we can create new journalism platforms that are dependent for their survival on citizens themselves, then it is in the interests of citizens that those platforms will function. Until then, fearless, adversarial investigative journalism will always be in danger of being shut down or compromised.

I believe that together, we can create a new people-powered model of journalism that will make the old, hierarchical media conglomerates dominated by special interests and parochial paternalistic visions of the world obsolete. So, if you like, pop along to my Patreon.com crowdfunder for INSURGE INTELLIGENCE, a truly independent people-powered investigative journalism collective that will remain dedicated to breaking the big stories that matter, no matter what. Pledge as little or as much as you like, and join the coming media revolution☺

Dr Nafeez Ahmed is an investigative journalist, bestselling author and international security scholar. Formerly of The Guardian, he writes the ‘System Shift’ column for VICE’s Motherboard, and is the winner of a 2015 Project Censored Award for Outstanding Investigative Journalism for his Guardian work. He is the author of A User’s Guide to the Crisis of Civilization: And How to Save It (2010), and the scifi thriller novel ZERO POINT, among other books.

#theory #article #long reads

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regalfairytaleacademy · 1 year

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Technical Information

Name: Celine Stellareinette

Japanese: セリーヌ•ステラレイネット (Serīnu Suterareinetto)

Quote: "Do your efforts and make your dreams come true."

Age: 18 y.o

Birthday: May 20th

Star Sign: Taurus

Height: 166 cm

Race: Human

Species: None

Homeland: Crystal City (the first country of Quartz Kingdom)

Family:

Cyrus Anlon Stellareinette (Father)

Veronica Skye (Mother)

Richard Stellareinette (Half-brother)

Penelope Skye (Maternal Grandmother)

Ariel Mirabel Stellareinette (Cousin)

Senara Evelyn Stellareinette (Aunt)

Evangelos Selene Stellareinette (Uncle)

Cassander Conte (Uncle)

Nicknames / Aliases:

• Celi / Lune (by her friends)

• Mademoiselle de Angelica (from Rozebelle Adoria ; Angelica is Wild Celery's plant genre)

• Princesse de Bijoux (from Rook Hunt ; Meaning: Princess of Jewelry)

• Starfish (from Floyd Leech ; because she always have a brand new inspirations everyday like starfish, even guides to people with her good advices)

• Sleeping lion cub / kitty (from the students in RFA ; due to her nap time in 2 hours)

School Facts and Fun Facts

Dorm: Vougefleur

Occupations: Student | Dorm Leader (Housewarden) | Manager of Scintillare le stelle Boutique

Best Subject: Needle and Dressmaking | Simulation Training

Worst Subject: Potion Making

Club: Dressmaking Club

Dominant Hand: Right

Favourite Colors: Royal Blue, Violet and Forest Green

Favourite Food: Scallion pancakes | Fish n' Chip

Least Favourite: Anything with a weird taste (such as bitter melon stuffed banana)

Likes: Her family, fashion, cats, studying, chatting with her besties, sweet dreams, magic, kind people, jewelries, manga comics, drama, daydreaming

Dislikes: Horror, ghost, prank, April Fools, Harsh, call her a shorty, worst clothing disasters, rats, narcissists, oceans, her friends being bullied, queen bees, ruined her dress, stealing, cold jokes

Hobbies: Sewing, hairstyling, fashion designing, reading manga, viewing, cosplay, role-play, napping

Idol Stats

Performance: Her voice is high-pitched and mature, but due to the practice of vocal music, she can use different tones of vocal music to suit the personality of different characters. She also performs throughout the song, whether or not she carries the character's story.

Choreography: A combination of ballet and ballroom dancing. However, she often gets dizzy when she spins too much. And, before the music starts, she also makes various charming gestures in different scenes.

Shimmering Wings: Classical • Gothic

Idol Brand

Celestial Sparks (天体の火花)

This brand represents to the outer and inner beauty of the Fairy Queen of Sun Palace. The costumes are derived from French, British and other ethnic groups, while the rest are medieval-style Lolita. Its clothing fabrics are galactic themed and color gradients. It has some charming accessories and decorations such as crystals, jewelry, etc. This is an idol brand created by Celine himself.

Shimmering Wings: Classical • Gothic • Cute

Etymology

• "Celine" means "heavenly" in French, but it can also mean "moon," referring to Stella's power and her mother's name, Luna.

• Her surname, "Stellareinette", is a combination of the words "Stella" (the name of Stella) and "Reinette" (the French word for the little queen, the name of many apple varieties). This referring to Stella who had already become the Queen of Solaria (in Season 6).

Characters Inspired

Celine was inspired by

Stella (Winx Club)

Cinderella (Disney)

#twst #twisted wonderland #regal fairytale academy #rfa #twst oc #twisted wonderland oc #celine stellareinette #voguefleur

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valgue · 1 year

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this definitely has the same guitar riff as luna sea slave at 1:31. unless im insane. someone get the Suspicious: Inspiration and Plagiarism in Visual Kei guy over here

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allthebrazilianpolitics · 2 years

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French authorities return seized fossils to Brazil

Nearly 10 years after their confiscation at the French port of Le Havre, 998 Cretaceous fossils have been returned to Brazil. French customs authorities returned the priceless pieces to Brazil’s Deputy Attorney General Hindemburgo Chateaubriand Filho in a ceremony held on Tuesday.

The fossils were found by French customs officers in a quartz shipment in 2013. The pieces, which are between 145 million and 65 million years old, were illegally removed from the Araripe Basin in Brazil’s Northeast. Due to its paleontological significance, the Araripe Geopark was designated the Americas’ first geopark by Unesco in 2006.

#brazil #politics #france #science #biology #paleontology #brazilian politics #french politics #international politics #mod nise da silveira #image description in alt #good now give back haiti's money

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rhymer · 1 month

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me: ugh ,, my music taste is so advanced. i know dmmd characters so well I can make playlists in a way that is much more enlightened and autistic than everyone else...... tch. 874009089 hours of due le quartz forever

akso me: Would Desire Throw It Back To Pussy Music? - the greatest thread in the history of forums, locked by a moderator after 12,239 pages of heated debate

#origin #in my defense im allowed to do this becuase i have a problem in my brain that makes me know him personally #also pussy music can mean so many things............ is it hyperpop? or is it 90s miyavi? the answer is yes. you dont know what im thinking

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vkeidriptournament · 11 months

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#7 - pitting two bad bitches against each other 😔

#visual kei

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fuck-yeah-romantica · 1 year

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The original "I'm not gay mum I'm glam rock", Karen Fox.

First romantica photoshoot, 2004

- Position: Voice, Lyrics.

- Birthday: 1977/march/5 (our man is fucking old)

- Zodiac: piscis

- Height: 190 cm

- Previous musical projects: Afrodita, Bestias negras, Karen fox.

First look, 1996

- Favourite bands: X-japan, Lareine, Malice mizer, Me/dousa, Hizaki grace project, Celestia le ciel, Moi dix mois [Juka era], Luna sea, Kuroyume, Je*reviens, D, Schwarz stein, Velvet eden, Pride of mind, Syndrome, Phantasmagoria, Kisaki Project, Vidoll, Dir en grey [Visual kei era], Psycho le cemu, Shazna, Parasite, Sadist, Neil, Hide, Seikima ll, Dead end, Angel heart, Due le quartz, Madeth gray'll, Eliphas levi, Missalina rei, L'arc en ciel, Baiser, Noir fleurir, Shiver, Silver ash, Loudness, Ziggy, Kamaitachi, Klaha, Izam, Jun, Guitar Wolf, Sex pistols, The damned, Judas priest, Ingwie j. malmsteen, Pretty boy floyd, Tigertailz, Whrathchild u.k., Helter skelter, Foxy roxx, Crashdiet, Heart throb mob, Queeny blast pop, Peppermint creeps, prom queen star, The guttersluts, Alleycat skracht, blitz lipstick, Murderdolls, Spiral fetish, Motley crue,Vixen, Ratt,W.a.s.p., Twisted sister, Whitesnake, Bon jovi, Europe, Stryper, david bowie/ziggy stardust, King cobra, Mark free, Signal, Him, The rasmus, The 69 eyes, The horror pops, Tiger army, Boy george, Dead or alive, Visage, Sigue sigue sputnick , Adam ant ,Talk talk, berlin, Billy idol, Duran duran, Depeche mode, Pat benatar, Cetu javu, The human league, New order, The cure, Lords of the new church, Soft cell, The ramones, Baltimora, Pulp, The beatles/Jhon lennon, Enuf z'nuff , Lacrimosa, Velvet Revolver, Dana international, Alaska, y dinarama, Fangoria, Alta tencion, Gothic sex, V8, Hermetica, Logos, Friccion, Virus, Abuelos de la nada, Nervios, Acacia, Americana, Moderatto, Juana la loca, She-ra, Venus desnuda, Nino bravo, Raphael, Camilo sesto. (Our man really couldn't choose)

- Favourite disc: Blue blood (X), The last of romance (Lareine), Merveilles (Malice mizer), Requiem [Phantasmagoria], Dignity of crest [Hizaki grace project], Systems of romance [Pride of mind], Nevermind the bollocks (sex pistols), Hit list (Hearth throb mob), Leather boys (Pretty boy floyd), Young and crazy (tigertails), Stack atack (wratchlid u.k.), Whatever happened to fun? (Spiral fetish), Shake the fundation (Foxy roxx), Creep show (Peppermint creeps), Vixen (Vixen).

- Favourite videoclips: Weekend (X japan) - Beast of Blood (Malice mizer) - Fuyu Tokyo (Lareine) - Sakura Hanazaki Somenikeri [D], Guardian angel [Celestia le ciel], Philosopher [Hizaki grace project], Zuihyoku ~Emerald~ (Je reviens) - Sad Mask (Velvet Eden) - Cage (Dir en Grey) - For dear (Kuroyume) - Iris (Izam) - Melty Love (Shazna) - Michi no sora (Psycho le Cemu) - Nostalgia (Syndrome) - Fairy times memory (Phantasmagoria) - Occult Proposal (Vidooru) - Blurry Eyes (L'arc en ciel) - With Transparent wings (Klaha) - Jisatsu Ganbou (Due le Quartz) - Eyes love you (hide) - Shadow of love (The Damned) - Breaking the Law (Judas Priest) - On and on (Raven) - Rock n roll (Pretty boy floyd) - Lesvian (Peppermint Creeps) - White Weding (Murderdolls) - Live wire (Motley crue) - Blin in texas (W.a.s.p.) - We are not gonna take it (Twister sister) - She don't know me (Bon jovi) - Life on mars? (Ziggy stardust) - Iron Eegle (King cobra) - Join me (him) - In the shadow (The rasmus) - Lost boys (the 69 eyes) - Incorporeal (Tiger army) - Karma chamaleon (Culture club) - Out of fashion (boy george) - Spin me round 80's (Dead or alive) - Fade to Grey (Visage) - Prince charmin (Adam ant) - Rebel yell (Billy idol) - Don't you want me (The human league) - The metro (Berlin) - Boys don't cry (The cure) - Rock n roll highschool (The Ramones) - Take on me (a-ha) - Like a prayer (Madonna) - Tarzan boy (Baltimora) - Disco 2000 (Pulp) - Imagine (Jhon lennon) - Fly high michelle (Enuff z'nuff) - Fall to pieces (Velvet revolver) - Diva (Dana international) - Hoy no (Entre rios) - Sueño sensual 2 (Karen fox) - Lady Oscar (Romantica).

- Hobby: watching rock videos

- Interest: Hollow earth, Reptile connexion, Flat earth, Necronomicon (Lovecraft), Nazi esoterism, Comics ,Horror movies, Romantic movies, Sci fi movies, mangas.

- Personality: strong

- Favourite Colour: violet

- Ambition: nothing

- First love: at 19 years old

- would you like to be in love again?: I don't have time!!!!

- Romantica in one word: putos (faggots)

- Favourite phrase: "You are a horrible public and i hate all of you" by: Zorak (Space Ghost)

- Favourite book: The Picture of Dorian Gray

-Favourite writers: H.P. lovecraft, Oscar Wilde, Julio Verne, H.G. Wells, David Icke, Lord Byron.

- Favourite movie: Hedwing and the angry inch

- Favourite t.v. serie: Lost.

- Favourite politician: Gral. Juan D. Peron.

- Favourite word: Rock

- Type of woman liked: like Arcueid (Lunar legend tsukihime), Lady oscar (Lady oscar), Aya toujo (ichigo 100%), Satsuki (ichigo 100%). Sakurouka sei (Gantz), Kotomi (DNA2) (our man likes heterosexual lesbians)

- Type of woman disliked: all i met in my life. (Our man is also an incel)

- Treasured thing: cd's, videos and comics.

- Favourite anime: Lady Oscar, Saint seiya, Pet shop of horrors, Gravitation, Robotech, Astroboy, Mazinger Z, Mazingkaiser, Great mazinger, Ufo robo grendizer, Getter robo G, Voltron, Lunar legend tsukihime, Gantz, Dna 2, N.H.K. ni Youkoso?, Neon genesis evangelion, Get backers, Full metal alchemist, Oh!my goddes!!, Mikami, Ranma 1/2, Yamazaki, Captain harlock,Cosmo warrior zero,Gun frontier, Sailor moon, Galaxy express 999, Crayon shin shan, Elf, New angel, Ikitousen, ichigo 100%, Cyborg 009, Speed racer (2000).

- Animated series: South park, Dr. katz, The simpsons, Futurama, G.I.joe, Transformers, Thundercats, Spiderman and his amazing friends, Mask, Jem and the holograms, Batman the animated series, Batman of the future, Justice league unlimited, X men, Fantastic four, Hulk.

- What did you wanted to be as a child: super hero

- What was your favourite subject at school: none, I hate school.

- Something you always carry with you: my photo book

- Time of the year: winter

- How do you recover from depression: I don't recover, i live depressed.

- What places would you like to go: Tokyo, London

- Who you would like to meet: Yoshiki hayashi

- A song that defines yourself: Weekend - X japan.

- Message to fans: I don't have fans, I don't want to have them, I hate 99% of human race. Die!!! FUCK OFF!!!!!! (Our man was almost 30 when he wrote this)

#visual kei #glam metal #glam rock #goth #yaoi recommendation

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