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#Galerie May
garadinervi · 1 month
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Isabel Nuño de Buen, Codex 29, (papier maché, wire, glazed ceramic, yarn, transparent paper, paper, graphite, charcoal, watercolor, muslin, hand dyed fabric, hand made cords), 2023 [Mai 36 Galerie, Zürich. © Isabel Nuño de Buen]
Exhibition: Isabel Nuño de Buen: ‘Garden of Time’, Mai 36 Galerie, Zürich, March 21 – May 25, 2024
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slugchild · 1 year
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You Have Beautiful Hands (1929) and Two Women Dancing (1928) - Jeanne Mammen
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velasmagicas · 2 years
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៹   ✦  𝐇𝐚𝐫𝐯𝐞𝐲 𝐇𝐨𝐨𝐤 𝐚𝐜𝐚𝐛𝐨𝐮 𝐝𝐞 𝐫𝐞𝐜𝐞𝐛𝐞𝐫 𝐬𝐞𝐮 𝐩𝐞𝐝𝐢𝐝𝐨!  ✦   ៹
@hcrvey,  assim que você acender essa vela, sentirá a suave mistura de rosas vermelhas & morangos preencher o ambiente, aquecendo seu coração e alegrando tua mente. Guarde com carinho, pois este é o cheiro do seu amor. 
Anne Marie D’orleans   💚  
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corneille-moisie · 11 months
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...
Ok je vais jamais aux galeries parce que c'est juste fucking trop grand pis y a trop de monde, bref j'ai pas d'affaire dans ce mall-là ew
fait que 1. je comprends même pas pourquoi y m'envoient des emails
2. avec des typos ???
3. à propos de quelque chose dont je me contre-calice 🤔
genre congrats, tu viens de vraiment t'assurer que je mettes jamais plus ever les pieds aux galeries de la capitale 👍🏻
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yoan-le-grall · 1 year
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twixnmix · 23 days
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Keith Haring body painting a model for the opening of his exhibition at Galerie Paul Maenz in Cologne on May 3, 1984.
Photos by Wilhelm Schürmann
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roxygen22 · 2 months
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A sickly Wonka and Female reader taking care of him (after the events of the movie.)
Summary: Stand-alone prequel to MLCB series combined with an ask for a sick fic. How the reader met and fell in love with Willy. Instant chemistry! (Longer than intended, but I just couldn't stop)
C/W: Illness, though not graphic
<><><>
BOXES
"ACHOO!" You heard a loud sneeze in the alley followed by a crashing sound on your walk home from work. You peered around the corner of the building and spotted a lanky man with a fuschia coat and dark hair curling around the brim of his brown top hat looking down at the mess of boxes surrounding him on the ground.
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"Are you alright, sir?" you asked.
He swirled around to look at you with a light pink blush spreading across his cheeks. "Oh, uh, yes. Thank you, Miss...?"
"[Y/N]."
"[Y/N]. What a lovely name. I'm [achoo!] Willy."
"I know who you are, Mr. Wonka," you said with a smile.
"Really?" he said in a surprised and equally nasal tone before sneezing again.
"You *are* quite the celebrity around here, sir. Do you need some help?" you asked, pointing to the boxes.
Willy looked around and sheepishly rubbed the back of his neck. Noticing that he didn't seem to be the type to easily ask for or accept help, you pried further. "Where are you trying to take them? I work at a shop nearby. We could borrow the cart."
"Really?"
"You say that a lot, don't you, Mr. Wonka." You giggled.
"Just Willy, please," he said softly. "I just need to get these boxes to my shop at the Galeries Gourmet. I thought I could get them all in one go, but well..." he trailed off as he gestured with his hands to the boxes on the ground.
"Well, Mr. Wonk...Willy. You stay here and gather your boxes, and I'll go grab the cart."
He flashed a big smile your way. "Thank you, miss."
"Just [Y/N], please," you parroted back with a slight blush. "I'll be right back." As you walked away, you heard him sneeze a couple more times before you were out of earshot. Poor thing sounds like he is coming down with a cold.
<><><>
By the time you returned, Willy had restacked the boxes so they were no longer blocking the alley. You both loaded the cart, but he took over pushing it toward his shop. "So why are you helping out a complete stranger, [y/n]? I do hope you aren't missing out on any big plans on my account."
"You aren't exactly a stranger, Willy. Everyone knows the famous magical chocolatier. But in that moment after you dropped your boxes, you looked just as human as the rest of us. I couldn't very well just pass you by and ignore you. Besides, this is far more exciting than anything I had planned this evening."
"Really?" [achoo]
"There you go again," you grinned. "Yes, really. The only plans I had were dinner and a book."
"Oh, you like to read? I like to read, too," Willy announced proudly. "I just meant...well, a pretty girl...lady...person like you...I mean, no, uh... there's nobody waiting for you at home?" he stammered.
"Are you asking if I am spoken for, Mr. Wonka?" you teased and unintentionally sent him into a coughing fit. "Oh dear, I'm so sorry. I was just joking. Are you okay?" You grabbed his arm in an attempt to stabilize him as he doubled over.
"I'm fine," Willy croaked as he stood back up. He looked down at your hand on his arm and smiled. Feeling suddenly bashful, you let go and clasped your hands behind your back.
"We should keep going, Willy. You need to get out of this cold air."
"Right you are, [y/n]. Your nose is turning the same shade as my coat!" he said with a grin as he booped your nose with his index finger. Warmth spread all over your body like electricity at his touch.
Recognizing that his actions may have been a touch too forward for a girl he just met (who never confirmed her availability), Willy cleared his throat in embarrassment and started to push the cart once more. You walked alongside, still dumbstruck by the effect of his touch.
"You didn't answer my question," he quipped after a few steps, breaking you out of your reverie.
"And what was that?" You knew what he was referring to but wanted to hear him say it again.
"Are you...[clears throat] is there anyone waiting for you at home?"
"Just my parents." If anyone else had asked you that, it may have been creepy. But you could sense his sincerity.
"Oh," he said with relief, though you could swear you saw a brief glint of...sadness? "Great, well I will have your cart freed up quickly so you can get home and not worry them."
"What about you?"
"Me?"
"Yes, is there anyone at home waiting on you? Perhaps a special someone?" You looked up into his eyes, unabashedly flirting. You noticed that underneath those lush dark lashes, his eyes were actually blue with a hint of green around the pupil. Huh. He's even more beautiful up close, you thought.
"No. It's just me and my shop."
"Oh," you mimicked his earlier response, trying to disguise your excitment that the magician/chocolatier was single. The two of you kept walking in companionable silence until you reached his shop.
<><><>
After unloading the cart, Willy swept the hat off his head and half-bowed to you. "Thank you again, [y/n]."
You giggled at the gesture. Not ready to call it a night just yet, you offered, "I could help you unpack those boxes, if you'd like. I know you aren't feeling 100% and really, I have nothing better to do." Besides thinking about him all evening, you said silently in your head.
Willy tried to stifle another cough. "Alright, sure. More hands makes lighter work."
You grabbed a box, sat in the floor, and started shuffling through its contents. You had no clue where anything went, so you started sorting like things together for Willy to put away. At one point your hand grazed his as you reached for the same item. You both blushed.
Clearing his throat - you were unsure whether this time was due to awkwardness or illness - he sat down on the other side of the box from you. He said, "So tell me about this book you are reading." It didn't take much prompting for you to excitedly recount what you had read so far of Treasure Island and your other favorite adventure books. In turn, he regaled you with tales from his time as a sailor.
Time passed very quickly as you swapped stories. Next thing you knew, it was dark out, and the two of you hadn't even fully unpacked the first box.
"Oh dear," you groused and stood up. "I should get going, Willy. My mother is probably pacing the floors."
"Since you stayed out late on my behalf, it's the least I could do to walk you home. If you'd allow me the pleasure." You noticed that all of the talking had made his voice sound hoarse and gravelly.
"You really ought to stay inside where it's warm. The cold will aggravate your cough."
"I wouldn't be able to rest wondering if you made it home safely in the dark," he said softly as he stood and brushed the dust off his pants.
You felt the heat flash across your cheeks as you blushed at his admission that he would be thinking of you after you leave. "Oh, well in THAT case, I would be honored to have you accompany me."
You both bundled back up into your respective coats and hats. As you suspected, Willy's cough worsened with the cold. As much as you would love to draw out this encounter, you don't want him in the cold air longer than he had to be. You quickly led him to your shop to return the cart before heading home.
Once you arrived, you both lingered at the front door. You stopped breathing as he took your hand and kissed it. "I'm glad I dropped those boxes, [y/n]," he said softly as he looked into your eyes.
It was your turn to stammer. "Me, too. I mean...I'm glad...I'm glad our paths crossed."
"Perhaps they can cross again soon?"
"I'd love that. I..." you were interrupted by Willy's sneeze. You couldn't help but laugh at his timing. "You, sir, need to go home, get warm, and take care of that cold." You smiled up at him.
"Yes, ma'am." He grinned.
You unlocked the front door and slipped inside. You leaned against the door and slowly released the breath you didn't realize you had been holding. You stared at the hand that he kissed, biting your lip to contain a squeal of excitement.
"Mom," you called out. "I'm home, and you're never going to believe the evening I've had!"
<><><>
You were off work the next day, so you decided to swing by Willy's shop in the morning to see how he was doing. You walked in and browsed the store, but he was nowhere to be seen. You started second guessing yourself, wondering if you were being too forward by dropping in the very next day, when you heard, "[y/n]?"
You spun around with excitement, but your face fell when you took in his unnatural pallor. "Oh Willy, you poor dear."
He started to speak, but was overcome by a hacking cough that sounded far worse than the night before.
"You should be at home resting."
"I can't. My store..."
"....seems to be running just fine at the moment. Besides, your customers may be wary of you coughing all over the chocolate." You crossed your arms and raised your eyebrow.
He smirked. "Touché." His voice was still raspy from the night before.
"Let me walk you home this time."
"I am quite capable..." [achoo]
"Oh, I know you're capable of getting there. I'm not convinced you're capable of leaving the shop without being dragged out."
"You know me so well in less than 24 hours," he said with a smile that reached his glassy eyes. "I suppose you are right [sniffle]. You have a knack for appearing at a time of need. One can't pour from an empty cup, I suppose. Let me get my things."
You waited out front has he gave instructions to the cashier and stocker. Once he joined you, he offered you his arm and you began walking toward his place. The trek was interrupted by multiple coughing fits, one of which left him breathless and needing a break on a bench.
"Is it okay if I feel your forehead?" you asked. Once he nodded, you gingerly rested your fingers against his head. "You are burning up, Willy. Let me know when you feel like you can stand again so we can get you home."
After a few moments, Willy rose from the bench. He offered you his arm again, but you suspected this time it was to balance himself more than a gentlemanly gesture.
Willy looked even more pale and clammy by the time you arrived at his home. He handed you his keys to unlock the door as he leaned against the frame for support. You opened the door and gently led him inside. You wouldn't normally enter the abode of a relative stranger, but he was all alone and you felt oddly safe with him.
He collapsed on his sofa as you set to work to make him comfortable. You dampened a cloth to set on his forehead, removed his boots, and covered him with a blanket. "Would you like me to make you some tea for your throat?" He nodded and pointed to the cabinet where he kept the tea leaves.
You got the kettle going and looked back to observe the man. Was he asleep already? You tiptoed over to check. Sure enough, he had dozed off. Feeling that sleep was probably more necessary than tea, you turned off the stove.
Unsure of what to do, but having no desire to leave him in this state, you sat in the armchair next to Willy and passed the time by reading a book from his small collection. After about two hours, he started to stir. He looked around confused before he saw you and smiled.
"[Y/N], you stayed."
"Of course. Could you imagine the uproar if I let something happen to our town's infamous chocolatier? I would be cast out." You grinned. "How are you feeling?"
"A little better." His voice sounded a little less strained than earlier. That was a good sign.
"Good. I'll make you that tea now." But before you could make your way to the kitchen, Willy grabbed your hand.
"Thank you for staying and taking care of me, both yesterday and today. You hardly even know me."
"We can fix that."
"Really?"
You smiled, rolled your eyes, and went back to making tea.
<><><>
Masterlist
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Frau Gauden
In the German region of the Prignitz, Frau Gauden (Mrs. Gauden) is the leader of the Wild Hunt. She leads this army of supernatural hunters together with her 24 dog-shaped daughters.
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The Wild Hunt, also known as the Wild Army or the Wild Ride, is the German name for a folk tale widespread in many parts of Europe, particularly in the north, which usually refers to a group of supernatural hunters who hunt across the sky. The sighting of the Wild Hunt has different consequences depending on the region. On the one hand, it is considered a harbinger of disasters such as wars, droughts or illnesses, but it may also refer to the death of anyone who witnesses it. There are also versions in which witnesses become part of the hunt or the souls of sleeping people are dragged along to take part in the hunt. The term “Wild Hunt” was coined based on Jacob Grimm’s German Mythology (1835).
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The phenomenon, which has significantly different regional manifestations, is known in Scandinavia as Odensjakt (“Odin's Hunt”), Oskorei, Aaskereia or Åsgårdsrei (“the Asgardian Train”, “Journey to Asgard”) and is closely linked to the Yule season here. The reference to Wotin/Odin in the name Wüetisheer (with numerous variations) is also clear in the Alemannic and Swabian dialects; In the Alps, people also speak of the Ridge Train. In England the train is called the Wild Hunt, in France it is called Mesnie Hellequin, Fantastic Hunt, Hunt in the Air, or Wild Hunt. Even in the French-speaking part of Canada, the Wild Hunt is known under the term Chasse-galerie. In Italian, the phenomenon is referred to as caccia selvaggia or caccia morta.
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The Wild Army or the Wild Hunt takes to the skies particularly in the period between Christmas and Epiphany (the Rough Nights), but Carnival, Corporal Lent and even Good Friday also appear as dates.
Christian dates have superseded the pagan dates, which see the Wild Hunt moving, especially during the Rough Nights. This period of time is assumed to be originally between the winter solstice, i.e. December 21st and, twelve nights later, January 2nd. In European customs, however, since Roman antiquity, people have usually counted from December 25th (Christmas) to January 6th (High New Year).
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The ghostly procession races through the air with a terrible clatter of screams, hoots, howls, wails, groans and moans. But sometimes a lovely music can be heard, which is usually taken as a good omen; otherwise the Wild Hunt announces bad times.
Men, women and children take part in the procession, mostly those who have met a premature, violent or unfortunate death. The train consists of the souls of people who died “before their time”, that is, caused by circumstances that occurred before natural death in old age. Legend has it that people who look at the train are pulled along and then have to move along for years until they are freed. Animals, especially horses and dogs, also come along.
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In general, the Wild Hunt is not hostile to humans, but it is advisable to prostrate yourself or lock yourself in the house and pray. Whoever provokes or mocks the army will inevitably suffer harm, and whoever deliberately looks out of the window, gaping at the army will have his head swell so much that he cannot pull it back into the house.
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The first written records of the Wild Hunt come from early medieval times, when pagan traditions were still alive. In 1091, a Normannic priest named Gauchelin wrote about the phenomenon, describing a giant man with a club leading warriors, priests, women and dwarfs, among them deseased acquaintances. Later references appear throughout the High and Late Middle Ages.
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andthesunrisesagain · 3 months
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Camilla Forchhammer Christensen
(merciii pour ta commande, ses photos sont si douces, j'ai du m'arrêter à 8 avatars car j'aurais pu continuer encore aha mais je garde sa galerie sous le coude hihi ! J'espère que cela correspondra à ton superbe personnage 🥰)
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themuseparadox · 2 months
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PARTAGE DE GALERIES.
bonsoir !
vous trouverez dans le lien ci-dessous mon google doc avec toutes les galeries que j'ai pu faire, certaines sont assez chargées, d'autres pas encore et la qualité des photos peu varier, j’essayerai de remplir les plus vides d’ici peu.
si il y a quoi que ce soit qui ne vous paraît pas correct, n'hésitez pas à m'envoyer un dm ! j’aime bien faire des galeries donc si vous avez la flemme d’en faire mais que vous en avez besoin, n’hésitez pas à m’envoyer un dm aussi, je vous en ferai une avec plaisir.
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garadinervi · 1 month
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Isabel Nuño de Buen: 'Garden of Time', Mai 36 Galerie, Zürich, March 21 – May 25, 2024 [Artwork: © Isabel Nuño de Buen]
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blueiskewl · 3 months
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Gustav Klimt Portrait Found After Vanishing Nearly 100 Years Ago
It is one of the last works the artist painted before his death in 1918.
One of the last paintings by the renowned Austrian artist Gustav Klimt has miraculously been found after vanishing nearly 100 years ago.
The painting, titled Portrait of Fräulein Lieser, was found in Vienna after last being seen by the public in 1925. Until now, the only known photograph of the painting had been held in the archives of the Austrian National Library. The picture was likely taken in 1925 in connection with the Klimt exhibition by Otto Kallir-Nirenstein in the Neue Galerie, Vienna.
Since then, its location had been a mystery.
"The rediscovery of this portrait, one of the most beautiful of Klimt's last creative period, is a sensation," said the im Kinsky auction house in a statement announcing the discovery. "As a key figure of Viennese Art Nouveau, Gustav Klimt epitomizes fin de siècle Austrian Modernism more than any other artist. His work, particularly his portraits of successful women from the upper middle class at the turn of the century, enjoy the highest recognition worldwide."
The work of art will go up for auction at the im Kinsky auction house in Vienna on April 24 and is expected to fetch millions on the market.
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"Klimt's paintings rank in the top echelons of the international art market. His portraits of women are seldom offered at auctions. A painting of such rarity, artistic significance, and value has not been available on the art market in Central Europe for decades," im Kinsky auction house said. "This also applies to Austria, where no work of art of even approximate importance has been available."
The painting will now travel worldwide on short exhibitions until it is auctioned and is set to be presented at various locations internationally, including stops in Switzerland, Germany, Great Britain and Hong Kong.
The model for the painting is labeled as Fräulein Lieser, also known as Margarethe Constance Lieser (1899-1965), daughter of the Austrian industrial magnate Adolf Lieser. But new research by the im Kinsky auction house into the history and provenance of the masterpiece has opened up the possibility that Klimt's model could have been another member of the Lieser family -- either Helene Lieser (1898-1962), the first-born of Henriette Amalie Lieser-Landau and Justus Lieser, or their younger daughter, Annie Lieser (1901-1972), according to officials.
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"In April and May 1917, the sitter visited Klimt's studio in Hietzing nine times to pose for him," im Kinsky said. "Klimt probably began the painting in May 1917. The painter chose a three-quarter portrait for his depiction and shows the young woman in a strictly frontal pose, close to the foreground, against a red, undefined background. A cape richly decorated with flowers is draped around her shoulders."
The portrait is thought to be one of Klimt's last paintings and was done shortly before he died of a stroke on Feb. 6, 1918. The painting was left, with several small portions of it unfinished, in his studio and it is thought that the painting was given to the family who had commissioned it after his death.
The painting, however, would soon vanish and the exact fate of the painting after 1925 is unclear.
"What is known is that it was acquired by a legal predecessor of the consignor in the 1960s and went to the current owner through three successive inheritances," im Kinsky auction house said.
ByJon Haworth.
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awonaa · 8 months
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Older faceclaim (directory & resources)
STATUT : ouvert, pour plus d'info, c'est par ici.
Dès que l'on souhaite jouer un personnage plus âgé·e, le choix se réduit drastiquement en terme de faceclaims. On voit toujours passer les mêmes têtes, qui sont très souvent des hommes cis ou des personnes blanches et les ressources se font rares, en général.
À notre échelle, @angemorose et moi voudrions contribuer à lutter contre ce constat !
En créant ce directory, on aimerait offrir de la visibilité à des célébrités plus âgées que ce que l'on voit généralement et en profiter pour rassembler des ressources pour les graphistes et leur permettre de créer sur ces faceclaims.
Ce directory est en cours de construction, on réfléchit, on le met en place, on rassemble des noms, des ressources... Sont inclus pour le moment les infos sur chaque faceclaim ainsi que des liens directs vers des avatars, gifs et galeries de photos.
On espère vous le partager au plus vite, mais pour ça, on a besoin de vous !
Vous voulez nous aider ?
On a commencé le gros du travail, mais il nous manque encore beaucoup de contenu et nos deux cerveaux ne suffiront jamais à offrir un aussi large choix qu'en mettant en commun nos trouvailles !
Envoyez-nous des noms de célébrités nées avant 1980. On aimerait aussi prioriser les faceclaims racisé·es, trans, non-binaire et féminins !
Partagez-nous vos galeries, ce qui nous permettra de mettre à disposition des images pour les graphistes et créer plus de ressources sur ces faceclaims.
Que ce soit en mp, en ask ou en commentaires de ce poste, on notera consciencieusement vos contributions !
On espère que ce projet vous plaira, on a hâte de le publier pour de bon ! Et si vous avez la moindre remarque ou question, n'hésitez pas, on est dispo pour en discuter. 🔥
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perdicinae-observer · 29 days
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Title.
Urgh, how do people normally start this... Fancy greetings? Right, right. Hm...
Afternoon. (That was not fancy at all.)
This is Marshal Louis-Nicolas Davout writing. Or...well, typing.
I've decided to finally excuse myself from my moping session solitude and venture into unknown territory that is this strange platform. (Which I have been...observing from a distance.)
Seeing as my late colleagues have been up to some...shenanigans on this platform, I might as well find something to amuse myself with the ample time I'm given and do some...[*grimaces*]...socialising.
[*sigh*] I'm going to regret this...
So, to whoever may see this and care; you are free to send me your questions, letters, and queries regarding whichever subject you wish. I will be reading through and answering them accordingly when I am not busy tending to domestic matters around the painfully quiet estate.
However, do be mindful of the things you send. Respect goes both ways and I do not like to squabble. Unless it's against certain bastards.
Unsavoury comments regarding my hair will swiftly be ignored and used as fuel for the fireplace.
...Don't expect me to initiate interactions much. Sorry.
Regards,
L Davout.
!! This is a joke RP account run by @mbenguin, a guy who is in no way shape or form a bona fide historian-- just really enthusiastic about balding dead nerds and French history! This is in no way meant to be accurate, analytical, or faithful 100% to reality despite being based on actual historical facts to a certain degree. This is a fictionalised parody that is meant to be in-character as possible to my interpretation of the man himself and I'm doing it for shits and giggles !!
Handy list of folks participating in this madness (whose exchanges will be tagged separately!)
Events (chronological...technically) ──
Birth of "Lenoir", Hell's cutest ink demon chick
Local old man turned into the cutest owl ever, more on page 2
Princess of Eckmühl(?)
⇲ Swedish home invasion
⇲ Catgirl madness (ft. The Ass Boys)
Tags ──
#correspondance de Savigny-sur-Orge -- The marshal's replies to his letters- sent straight from his humble, lonely manor. Could both be written and spoken answers.
#dépêches personnelles -- General responses/exchanges
#proclamations du Prince d'Eckmühl -- Important announcements/event messages
#représentations par la mystérieuse étranger -- Drawn visual representation by the marshal's mysterious companion...
#galerie d'oiseaux -- Collection of bird images that 'tickled his feathers.'
Be careful when asking questions regarding Aimée or his family!
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9-alex-9 · 6 months
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"Je vais t'expliquer un truc.
Nous, les filles un peu fofolles, on peut donner cette image parfaite de nanas toujours heureuses.
Parce qu'on sourit tout le temps.
Ouais on rigole. On a de l'humour sur tout les sujets et la dérision ça nous connaît.
On déconne souvent et on ne craint pas d'amuser la galerie.
Le ridicule ne tue pas et quand il s'agit de s'éclater, on est les premières à se lancer.
On aime rire, danser, chanter, bouger, se déguiser, faire la fête...
On tire la langue sur les photos et on grimace pour les selfies entre copines.
On se moque du regard des autres tant que ça nous amuse et on profite à fond de chaque moment qui nous est donné.
Alors ouais, on a quelques plis sur le sweat, quelques mèches qui dépassent du chignon parce qu'on avait pas le goût de se lisser les cheveux. On ne se maquille pas tout les jours et les talons peuvent bien rester dans le dressing pour aujourd'hui.
Ouais on a du caractère, et quel caractère selon certain. On dit ce qu'on pense alors on est des "grandes gueules".
On est juste franches.
Ouais on donne l'impression d'être forte.
D'avoir du tempérament, du courage.
Mais en fait, on vit l'instant. On fait ce qui nous semble bien. On rit car c'est mieux que faire la gueule. On s'amuse car c'est mieux que de broger.
On est fidèle à nous même sans avoir à porter de masque, sans avoir à faire semblant.
La seule chose que l'on cache, c'est la raison pour laquelle on est devenue comme ça..."
Emmanuelle Girin
©L' éprise des mots - Textes & poèmes
***Tout droits réservés***
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jonna-thure-agnes · 6 months
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Thomas Ruff, press 30.47 (2016), From Mai 36 Galerie
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