for the first kiss prompts: "you kissed me first" "I definitely didn't" 😊
"You kissed me first."
"I definitely didn't."
They've had this debate more times than either of them can remember. It comes up about every few decades or so. The way Joe tells it, Nicky had kissed him first, in the kitchen of their tiny apartment in Cairo, after he'd finally decided loving him in silence was more than he could bear and told Nicolò everything, not looking him in the eye even once. There had been silence for a while, and then Nicolò had stepped forward to close the distance between them in one stride, lifted Yusuf's chin, and kissed him.
The way Nicky tells it is only slightly different: he maintains, and has for over nine hundred years, that even if he was the one to step forward first, Yusuf was the one who kissed him, his hand on the back of Nicolò's neck to hold him in place, fingers tangling into his hair.
The truth, and they both know it, even if they pretend to disagree, is that neither of them know for sure exactly who moved first anymore. They may be immortal, but their minds are still the same as anyone else's: they forget things, after a while.
(What really happened, though and the reason they can't agree on what exactly happened, was this: neither one of them leaned in. They moved at the same time, drawn together as if it were inevitable that things would happen, like this. Nicolò might call it destiny. Yusuf, a long while later, might call it something like magnetism.)
"It was definitely you," Joe responds. Nicky can hear the smile in Joe's voice before he sees it, looking down to where his head is resting against Nicky's shoulder. "I remember it like it were yesterday."
"No, you don't," Nicky says, fond. It would have bothered him, a few centuries ago, that he couldn't clearly remember what he considered then to be the most important moment of his life. He's made his peace with it, though.
Besides, there's no worth in being lost in the past. He knows that well enough.
Joe hums, tilts his head inwards to kiss the curve Nicky's shoulder. "We got here in the end, anyway."
"We did," Nicky echoes, and then kisses him properly.
(first kiss prompts)
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omg, so re: a sad sweet anon in my box who was worried that i divorced the boys forever; they're FINE, baby!!!! i promise </3333 it was just a really bad, fucked up month and they're Fine after that (unless i create some other problems, but for now i will spare you)
BUT THEY ARE FINE, MY LOVE!!! SWEARSIES!!!!
i promise you that that on the night jerseykyle gets in that nasty bar fight defending ravenstan's honor (in his absence) against a band of idiot incel transphobes and shows up on their old apartment door step all broken and bloodied before he gets reluctantly tended to and patched up by punk rock nurse ravenstan via several hello kitty bandids...at the end of that exchange, they get back together. c':
kyle also says i love you. <3333
it's kind of a lot for me to speed run entire scenes because they take so long, but just for you, petal, i'm gonna try and get you the sparknotes on the ravesey reunion asap. and please know that as emotional compensation, in lieu of the jersey can't say i love you ask that i was never able to finish/threw into other answers...
i will instead be writing you...
the jersey CAN say i love you ask!!!!! eeee!!!
it's very cute; i'm excited about it.
tldr; ravesey is fine, i'm sorry for scaring you. :'c i promise!!!! i am a hurt comfort writer even though no one believes me!!!! i'm just so much better at the hurt part than the comfort, but i'll comfort you!!
so please hold darlings, and rest easy knowing that.
-mean nasty evil sea witch neen
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oooooo please tell me (who knows nothing on the subject) about orv swap au
hehehe. hehehehehehe. hehehehehehehhehehehhheheheh <- guy who is so normal
the premise of orv swap au (name has yet to be finalized) is this: what if kdj and yjh swapped narrative positions (reader <-> character) but very little else? what if a video game player enters a time loop to save his favorite character from dying over and over again and also to end the apocalypse?
admittedly it's not super fleshed out yet (a lot of the changes this premise would introduce are still not hammered out yet) but here are some points under the cut (novel spoilers ahead!)
orv swap au starts with pro gamer yjh who feels :/ abt his job, but hey, it pays the bills. despite (or maybe because of) his relative popularity as a pro gamer and networking with the agency/sponsors/people to impress, he's kind of isolated in a way that's detrimental, a facade of someone he's not whenever he's on camera
something to play around with is the idea of agency? maybe this yjh doesn't feel like he has any and has his hands tied between the lifestyle and being under public scrutiny and not having enough of a support system to leave everything behind. maybe he doesn't know what else he would even do. maybe he's aimless and drifting with nothing to hold on to.
his favorite video game is what i've been thinking of as World's Hardest To Play Indie Game (not based on difficulty but just on the experience of consuming it) a boring, exposition heavy, player-hostile, poorly designed, slightly buggy mess of a barely-playable game: twsa, a game that was not finished upon release and experiences with sporadic updates every now and then.
the ending tree to this game is so convoluted its insane. also theres no save states so if you die (very likely) u restart babeyyy.
twsa (video game) does have multiple endings, all of which happen when kdj, your main character, dies. some are farther into the apocolypse than others, some paths require meta knowledge of future events or character actions or items or whatever. the "true ending" is either analogous to the original 1863: kdj makes it to the end at the cost of everyone he loves, or hsy's modified 1863: kdj makes himself enemy of the scenario to secure a way out for the kimcom remnants.
there's branches on the choices tree where everyone dies and everything sucks and is bad forever and theres choices to make where kdj gets to make a family and they don't really get to settle down but they can get pretty close to it among the ruins of the apocalypse. through all his testing, yjh finds that these endings are nice but peter out - to get to the end of the apocalypse yjh has to claw his way there inch by painful inch, through betrayal and sacrifice, and he still cant fully get past it
i originally wanted to finagle a yoohankim 3 way swap but i couldn't figure it out. swap aus are a lot easier to work with when they're even numbers, at least to me, so this au features a ysa who is a video game company employee by day and by night she really has become god this time (and also a terrible indie dev). and this is how jungdoksang can still win !!!!
also yjh's coworker from Real Life hsy :) i haven't decided if she's like an employee for the same agency, or if she's someone else in the gaming circles that yjh interacts with sometimes (in my heart theyre in like some sort of discord server together), or something like that but she's around. whatever she does she is twitter cancelled for something. to me.
the only other character swaps are lsk and yma. yma is yjh's estranged sister (in broad strokes there's a vague bad parent situation going on here) (they used to be close until they drifted apart and slowly started hating each other [there is an abyss between them that neither of them can bridge]) (he feels that she betrayed him and threw him under the bus so he left [maybe he gets kicked out]) (she feels that he abandoned her to whatever situation they have going on [he didn't even try to take her with him]) and he has to find her when the apocalypse starts. yjh older sibling to yma gives us a whole different little dynamic to explore from kdj ysk (there's different levels of responsibility and guilt and blame when you're talking siblings that are soooooo interesting to me. sorry that i see any set of siblings and immediately try to figure out how to make them worse)
lsk is kdj's mom who appeared into existence at some point with kdj and they were both just adults. that's weird isn't it. oh well. i guess she can become a transcendent later too for funsies
everyone else stays in the same configuration of Real Person vs Character to me this is a very important aspect
this point has no precedent with the swap, nothing particular that would change to cause this, but it would be so funny if lgy was a little gamer boy who is an avid yjh hater. hates that guy. shows up to competitions to boo him. tunes into yjh's silent no-mic speedrunning streams to mald in chat but yjh +mods don't ban him bc its kinda funny.
anyways the apocalypse starts when yjh and his coworker/fellow gamer hsy are on a train to twitchcon and lgy is also there (also headed to twitchcon) and he brings bugs because he likes them but also to sabotage yjh specifically. its just funny if this happened. you understand
instead of having reader-related skills and abilities, yjh's skills are video game player based! he gets flavor text insight on people, location, and items, things like that. notably, he has the ability to reset, to bring himself back to the beginning of the apocalypse
orv swap proper follows yjh as the Player of the Game (Consumer of the Narrative) who lives hundred of lifetimes in this ruined-world-become-reality "replaying" [read: time looping through] the game to reshape it to save his fave character from self implosion (kdj with no dissociation is very prone to dying. all the time.). to revisit the idea of playing with yjh and the idea of agency, of creation, the only way to get past the apocalypse is to go off the beaten path, to choose options that weren't even there in the game. when in space, at his darkest point, yjh becomes a writer. in this story, at his darkest point, he has to become a creator too
please do not ask me how the epilogues go i dont know how the epilogues go (i don't want to throw yjh back into a train for milennia after he Just went through a thousand resets so i'm sending kdj for that but i havent fully planned how or why)
anyways, hope that helps!!! :)
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[image description: an ask by @arbrehoux that says “Hi! I’m just getting into spinning, and I wanted to ask how to finish off the yarn once you’ve spun all you want. I’ve tried googling it, but every website I look at skips straight from the actual spinning to soaking. I’m using a drop spindle, if that’s relevant.” end image description]
soaking usually IS the way to finish yarn ! i'll give you the best step by step i can though (and for future reference, this applies to pretty much every single spinning method, so you can do this with yarns spun on a spinning wheel, a supported spindle, a drop spindle, a navajo spindle, a charkha wheel, or whatever else you might encounter. it's all yarn, so it can all be finished the same way.)
step 0: if you plan on plying your yarn, do it before finishing. you don't need to finish singles if you plan to ply them. finishing relaxes the yarn, so if you finish a singles and then ply it, it will end up being somewhat limp unless you overply it (which makes yarn less elastic and more rough) but if you spun a singles and want it to remain a singles, never to be plied, then you can certainly finish it as a singles.
step 1: remove the yarn from your spindle (or bobbin, or whatever it is on) and wrap it around something as it comes off. a niddy noddy is great for this, but not necessary. you can wrap your yarn around a big hardcover book or the back of a chair, or whatever. when taking yarn off a drop spindle, i usually just toss the spindle on the ground and let it roll around as I wind the yarn off. if you’re worried about it catching on something, put the drop spindle in a box or mixing bowl instead and let it roll around in there.
[image description: a somewhat blurry closeup of a tattooed man’s hands. in his right hand he’s holding a hardcover book. in his left he’s wrapping yarn around the book lengthwise. a red line has been drawn in to show the path of the yarn as he winds. end image description]
step 2: tie your yarn off. you can use the messy looking ends of the yarn if you wish, or another piece of yarn or string. just tie a simple knot around the hank. you want at least two knots, but if you're really worried about it tangling, you can do more. the purpose of tying your yarn off is to stop it from tangling in the next steps, to make it easier to work with when you wind it into a ball or cake later, and to keep it looking tidy.
[image description: a closeup of the yarn on the book from the previous image. a knot has been tied around all the strands of yarn on that side. there is a red arrow pointing to the knot. end image description]
step 2.5: if you want to know your yardage or meterage, this is the time to do so. first, count how many strands you have. second, measure how many inches or centimeters it takes to span the entire length of the book (so, front, back, and the width of both the top and bottom). In this case I think it was 8 strands and 24 inches for the whole book. that means the whole yarn is 192 inches (8x24=192) and the yardage is 5.3 (192/36=5.3). same steps if it’s centimeters and meters, of course. also, if you’re thinking “wow, I have to measure whatever i’m winding my yarn on every time ? that sounds annoying”, then you’re seeing why niddy noddys are so helpful and you should get or make one. my niddy noddy takes 2 yards to span it, meaning whenever i wind yarn on, after counting it i can just multiply my result by 2 and know how many yards i have (if i have 100 strands and i know each strand spans 2 yards, that means my whole skein is 200 yards. so much simpler.)
step 3: soak your yarn. or just get it wet. i usually run my yarn under the tap for a few seconds to make sure it is fully wet, but you can also put it in a bowl with some water and make sure it's fully submerged. leave it there for a few minutes.
step 3.5: if your yarn isn't very soft and you want it to be softer, you can add conditioner (just like, the normal stuff you use for your hair) to the bowl before you put the yarn in to soak. if you're softening it this way, leave it in the bowl of water for at least an hour, or even overnight. when you take it out, rinse it briefly. this step is only necessary if you want your yarn softer.
step 4 (optional): go outside and snap your yarn like a whip a few times. this evens out twist and flicks a lot of the water off, so it will dry faster too. if your yarn has some spots that are really undertwisted or overtwisted or both, this is a good way to help reduce that and make more evenly plied.
step 5: let your yarn dry completely. in the summer i hang my yarn over the clothesline, and in the winter i usually put it over a heating vent. doesn't matter how you do it. remember that wool in particular can feel dry even when it has a fair amount of water in it, so don't grab it the second it feels dry--give it a while longer to actually dry.
you should notice that your yarn looks different now that it's dry. if it's wool, it's likely puffed up some (to varying degrees depending on the breed of animal it came from, as well as whether it was roving or a batt or a rolag or whatever else, and also depending on how you spun it. it's a cool thing to pay attention to.)
step 6: skein your yarn. pick up the hank and drape it over your thumb or hand or whatever. the vast majority of yarns will twist a little in one direction when you do this, from residual twist. some yarns will twist a lot, others only barely. note the direction that it twists in--to the left or to the right. put your other thumb at the other end of the hank, and start twisting one thumb in the opposite direction that your hank twisted in. i usually twist with one thumb until i can't easily twist it anymore, and then twist with the other thumb. your nice loop should now look kind of like a piece of rope, with your thumbs still hooked into each end.
[image description: the first image shows the yarn hooked over each thumb, with two twists in the middle. the second image shows that same yarn, which now has so much twist it looks like rope. his thumbs are still hooked into each end. end image description]
you now want to find the center point of your ‘rope’ and fold it there. your ‘rope’ should kind of snap into place, looking like a much larger version of a 2 ply yarn. it’s nice and stable like this, and can be transported or stored easily (plus it’s pretty !). the last step is to take one of the loops you had your thumb in and push it through the other loop. this stops it from unraveling.
btw: the reason we twist it the opposite direction that it wants to turn is the same reason we ply in the opposite direction that we spin. if you spin Z and ply Z your yarn isn’t going to be structurally sound, and it’ll look pretty bad, too. when it comes to skeining you’re not adding any structural stability to the actual yarn, but the looks still matter--if your Z plied yarn is twisted Z while skeining, your skein will be limp and lifeless and not very pretty. if it’s twisted S, it’ll be nice and balanced and neat looking. it’s purely an aesthetics thing, but it also only takes half a second to figure out, so why not do it ?
and you’re done ! your yarn is now finished and skeined, and you know the yardage/meterage. you can label it with all relevant info if you want (for example: 4 ounces shetland roving, 2 ply, 350 yards, light worsted weight, finished august 2022, spun on a wheel)
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