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#I also have like other alternate ending thought of
flowerandblood · 15 hours
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The Fall from the Heavens (27)
[ dark • Aemond x Strong • niece female ]
[ warnings: fingering, masturbation, sexual tension, smut, angst, dirty talk, kissing without consent, swearing ]
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[ description: A cool distance turns into friendship and more when two children see that they can find refuge and understanding in each other. However, naïve dreams collide with the reality in which every event has consequences and what once could have been love becomes a dark, newly painful obsession. Angst, sexual tension, obsession, violence, madness, very dark Aemond. ]
The story in this series is an alternate reality from the oneshot Stay and love, leave and die, in which Aemond reads the letters his niece has sent to him over the years. They are the same characters and it shows what would have happened between them − I have changed the background story from their childhood slightly for the sake of the plot.
Characters & Series Moodboard Lady Strong Moodboard Aemond & Lady Strong Moodboard Aemond & Lady Strong Childhood
* English is not my first language. Please, do not repost. Enjoy! *
Next chapters: Masterlist
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When her uncle decided that they would spend the night in Dragonstone for a moment she thought she had overheard herself − she was unable to contain her delight and outburst of joy at his words, feeling that he had somehow rewarded her for her efforts.
Or at least she thought he had.
His sudden change of plans was unlike him, and she was aware of that, knowing his nature.
He detested deviating from the plans he had previously made for himself.
However, she recognised that perhaps he wanted to show her and her family his sincere intentions, to prove that she was not just a prisoner in his eyes and that he, as her husband, could also sleep under their roof without being one.
She wasn't sure if she had ever been as happy in her life as she had been the moment she flew through the sky next to Vhagar, Caraxes and Syrax; her heart was filled with heat and hope, her uncle's words echoing in her mind like a sweet whisper.
I am proud of you.
Those words meant more to her than any of his other confessions.
Of course, his confession of love was a wonderful thing, but she had always been waiting for him to appreciate her as a person, not just a woman he saw by his side.
With this, she finally felt equal to him.
Her optimism extinguished as quickly as it had appeared as soon as she crossed the walls of the family fortress. Although her heart screamed with joy at the sight of familiar rooms, smells and sights, the faces of her brothers left her with no illusions.
She swallowed loudly as she saw the hateful look on Jace's face; she knew him and she knew that he was hurt.
He was disappointed and heartbroken, he felt humiliated and, deep down, betrayed by her, even though she never meant it.
Luke clearly didn't know what he felt himself, because he just lowered his head, unable to look into her eyes.
She felt a squeeze in her throat at the sight, a discomfort in her stomach that told her that perhaps this wasn't her home at all anymore.
She was no longer welcome here.
She was snapped out of her reverie by Rhaena − her step-sister was the first to approach her, warmth and longing in her gaze, some kind of understanding from which she felt tears under her eyelids. They hugged each other tightly, though they had never done so before − her words made her feel a tightening in her stomach.
"I'm so happy you're alive." She muttered in a breaking voice, and she smiled involuntarily at her words.
"Me too."
As Baela approached them, also enclosing her in the tight embrace of her arms, she thought with a shrug that even though she hadn't let them into the depths of her heart for so many years, they truly cared and worried about her.
At the very end Joffrey ran up to her, sobbing loudly.
"− why have you been so long in King's Landing? − why did you leave us? − Jace wouldn't read me my favourite book −" He mumbled cuddled into her belly, her hands combing through his dark curls with the calm motion of her fingers.
"− forgive me − I'm here −" She said softly, looking at her older brother and swallowed hard, seeing the murderous glances they exchanged over the table with her husband.
She looked at her mother, who nodded, understanding what she wanted to convey to her.
"You are certainly exhausted. Take up your old quarters, daughter, I will immediately command them to be brought to order and prepared for you." Rheanyra said calmly, and she bowed before her.
"Thank you, my Queen." She said softly, looking into her eyes. Her mother swallowed hard and nodded, allowing them to leave.
As they stepped inside her chamber, she felt a squeeze in her heart and some kind of elation; all her belongings were in their places exactly as she had left them, as if no one had been allowed in here since she had been forcibly held in the Red Keep.
She shuddered, snapped out of her reverie when her uncle moved ahead of her, strolling around the room with his hands folded behind his back, intrigued.
It seemed to her that some part of him wanted to understand what her life had been like and who she had been for the eight years during which they had been separated.
She saw him walk over to her old oak desk and run his fingers over its top, thoughtful.
"− is this here? −" He asked casually.
She felt heat in her lower abdomen at the thought that he meant the place where she had written letters to him.
"− yes −"
She swallowed quietly as he hummed at her words, watching as he sat in the chair where she sat many times leaning over the parchment, scribbling words on it meant only for his eyes. He tapped his finger on the armrest, turning to face her in profile as he gazed out of the window, apparently absorbed in memories.
She thought that although her return home had proved more uncomfortable than she had thought, she was grateful to him.
Whatever decision he had made that morning had led them here and was proof of his intentions.
"− we should rest, husband − if that's what you wish, we'll have supper alone −" She said quietly, smiling at him, wanting him to know she wouldn't force him to sit at the same table with her family.
She thought she would spend the evening with him, give him the feeling that she was not speaking with anyone behind his back, and perhaps in the morning, before they flew away, she would ask him so that she could speak to her mother at last in peace and solitude.
Comforted by this thought and the fact that it looked like all was not lost, she began to tell him about her life in Dragonstone, to show him the books she had written to him about in her letters, the places she had flown to on Larax.
It seemed to her that her husband was only partially listening to her; his gaze was thoughtful, his face expressed weariness and discouragement. She knew that something was making him uncomfortable and she suspected that it was about the place they were in; however, she did not know how to help him, to give him the feeling that neither he nor she was in danger here.
"− uncle − will you tell me what troubles you? −" She finally made an attempt to find out what had been on his mind since the morning. He shuddered at her words and looked at her with a horror as if he was about to faint.
"I'm tired." He replied quickly, without thinking, as if he wanted to answer her anything just to end the subject. She sighed quietly, recognising that she couldn't push him too hard.
Not after what they had managed to accomplish.
"Let's go to bed."
She felt a squeeze in her throat as, already lying on the bedding, she watched as he took out his dagger and tucked it under his pillow; she looked at him and met his calm, impassive gaze.
She decided not to say anything, understanding where his caution came from, not wanting to discourage or frustrate him.
She smiled involuntarily, content as his body clung to hers as soon as he lay at her side. She heard him murmur as she snuggled his face between her breasts, felt his arms embrace her waist and tighten around the material of her nightgown on her back.
She loved it when her mother sang lullabies to her when she was a child; it always calmed and soothed her. She had never dared to sing to him when they were children, fearing that her voice was too squeaky and unpleasant, but now she decided that maybe that was just what he needed.
So she sang, humming softly, once in a while placing a warm, lingering kiss on the top of his head − she felt his embrace slowly growing weaker, his muscles relaxing, his breathing quiet and even.
She sighed quietly feeling him fall asleep.
Someone's jerking and growling roused her from a deep sleep; when she opened her eyes for a moment she didn't know where she was or what was happening.
She recognised her chamber but did not know what her uncle was doing in it, convinced that he still had not answered her letters, as he had not done so for eight years.
After a moment, however, her mind seemed to regain focus and she remembered that she was his wife after all, and that his silhouette lying beside her was not a figment of her imagination.
She raised herself up on her elbow seeing that his body convulsed once in a while, as if he was trying to break free of something, whimpers and grunts came out of his throat, however, his mouth did not open, tears began to fall from the corners of his eyes one by one.
"Uncle! Uncle, please, wake up!" She called out, grabbing his arm, feeling her heart pounding like crazy.
She was frightened and jumped back as his eye opened suddenly, his figure rose to sit up, and he began to pant like a wild animal, quivering all over. She looked at him in disbelief, horrified to hear that he was struggling to catch his breath.
Was he having nightmares again?
Was he dreaming again of the night he lost his eye?
"− easy, my love − breathe −" She whispered tenderly, gently touching his back; he flinched all over and looked at her as if he didn't recognise her − his eye was wide open, his nostrils twitched in accelerated, heavy breaths.
"− Rhaenys − Rhaenys −" He mumbled like a small, terrified child and fell into her arms, bursting into a sob so loud that the voice stuck in her throat.
She embraced him immediately, letting him find protection and comfort in her arms, stroking affectionately his hair and back, placing warm, soft kisses on the top of his head in an attempt to reassure him.
"− I'm here, my love − I'm here −" She mumbled, feeling that the fabric of her nightgown was all wet with his tears, his hot, broken breath enveloping her skin.
She felt like he wanted to melt into one with her, to hide deep inside her from whatever it was that scared him.
He was silent for a long moment, trying to calm himself; she hushed him tenderly, whispering that he was safe, that she was by his side, that all was well. She finally heard him swallow hard, his voice trembling and uncertain.
"− there's something − there's something I want to tell you −" He muttered. She blinked, twisting comfortably in her seat, feeling her heart begin to beat faster.
"− I'm listening to you, my love −" She whispered, stroking his hair. She released him from her arms when she felt him wanting to rise.
He sat on the bedding with his side facing her, running his shaking hand over his face, his healthy eye closed as if afraid of what was about to leave his mouth.
"− I − fuck −" He began, swallowing hard − her hand rose to his back, stroking it reassuringly.
"− easy − take your time − start from the beginning −" She encouraged him softly, not wanting him to fall silent again, seeing that he wanted to throw off whatever had been weighing on his shoulders since they had left Harrenhal.
"− you may remember − Lord Strong wanted to speak with me soon after we arrived in Harrenhal −" He said uncertainly, and she nodded, reminding herself that this was indeed what had happened.
"− yes −"
Her uncle swallowed hard, drawing in air loudly.
"− he told me at the time − that my grandfather had no intention of letting your mother and Daemon leave the Eyrie alive if it turned out they wouldn't accept our terms − but now I think they wouldn't have left alive anyway − Larys had his spies there −" He muttered and fell silent, freezing completely as she did, her heart beginning to pound like mad.
My grandfather had no intention of letting them leave the Eyrie alive.
"Will you be by my side even when all is lost? Even if there is nothing left but darkness? Is that what you had in mind then?" She mumbled out in pain, feeling that there was a complete void in her mind. "Will I be there for you even if your grandfather kills my mother?"
"− n-no −" He began quickly. "− will you be there for me even if I fail to prevent it knowing that I didn't tell you −"
She felt a constriction in her throat and lower abdomen, felt tears of disappointment and sadness flowing into her eyelids − now it was her body that trembled in convulsions, his gaze full of shame and horror directed at her.
She sucked his cock, she let him take her, and he knew that the next day her father and her mother could be murdered.
She pressed her lips together, shaking her head and laughed low.
"− you will betray me − you will run away − those are your words, aren't they? − you were always the first to accuse me − was it because you were trying to cover up your own conscience? − you wanted me to let you down so that you wouldn't feel guilty about doing it over and over again? −" She asked with a cold mockery, from which he bowed his head in embarrassment, in a subconscious reflex he had inherited from his mother plucking the cuticles around his fingernails.
He did not answer.
"− what should I do now? − divorce you? − say I won't come back to King's Landing with you? − not speak to you for eight years? − tell me, uncle, what do you think you deserve? −" She asked dispassionately, feeling the tears of rage and grief one by one run down her cheeks.
She saw him tremble at her words and curl into himself, as if he were again the same little boy who had cried in her arms when his mother had reprimanded him for inappropriate behaviour.
She pressed her lips into a thin line as he hid his face in his hands and wept helplessly, as if his whole person, everything he had built around himself was just falling apart in front of her eyes, showing him his insides, what was left of him.
He was vulnerable.
"− fuck − I − I wanted to tell you, but I was afraid you'd change your mind − that if you warned them they'd see it as a betrayal and wouldn't want to pact − that's why I didn't let any of us stay in the Eyrie − I −"
"− because my mother agreed − but what would you have done if things had turned out differently? −" She asked coldly, and he swallowed hard, covering his eyes with his hand, as if he could not bear what he felt or this conversation.
"− I don't know − I don't know how I could have protected both you and my family then − what decision of mine would have saved you from death −" He muttered and she pulled herself up from the bed, recognising that she didn't feel like listening to this, that she had had enough of him and his guilt when it was always him, him, him disappointing her.
From the first night she had returned to him, when he had closed her cheeks in the brutal grip of his fingers she had seen in his eye what had now become clear to her.
He was weak, and when he was afraid, he resorted to violence.
She heard him stand up behind her, panting heavily, wiping his tear-wet face with his hand.
"− no − don't leave − I told you because −"
"− because your conscience didn't give you peace − because you didn't want to carry your guilt alone −" She hissed, turning towards him with furrowed brows.
She felt that fury, not blood, was flowing through her veins now.
He swallowed loudly at her words, looking at her wide-eyed.
"− if you've never hidden anything from me − you've never concealed anything from me for fear that I might react impulsively, leave − but if you did, come back to bed − I won't touch you −"
She pressed her lips together in fury, recognising that he must have been mocking her, but then she felt an unpleasant sting in her heart that proved she had doubts.
She heard again the words of one of her servants in King's Landing whispering in her ear that when the time came, Prince Daemon would help her escape; she heard again the words of Alys speaking of the prophecy she had not shared with him for fear of his reaction.
Had she really never hidden anything from him?
Her whole body screamed for her to leave; she wanted to do it, but felt that if she did, she would be lying to herself and to him, creating an image in which she was without flaw.
She could say that she had the right to do it, that she had good intentions, but didn't her uncle think the same about his decisions?
She glared at him and let out a loud breath, returning to the bed without a word, sinking into the soft sheets, turning her face away from him. She heard him breathe heavily, and after a moment, the bed creaked under the weight of his body settling against her back.
"− tell me −" He whispered.
She sighed heavily and grunted, recognising that her faults were less than his anyway.
So why did she still feel shame and a squeeze in her gut?
"− after I tried to take my life I was told that my father could help me escape − don't ask how − I also didn't tell you about the prophecy I heard from Alys −"
"− that fucking witch is a liar −" He growled, and she let out a loud breath, impatient.
"− it is possible − but I also heard this prophecy from your sister's mouth − both of them spoke of two rivers of blood merging into one, taking the shape of a dragon's crowned head −" She choked out finally, her husband stirring beside her in his place, surprised.
"− what could this mean? −"
"− I don't know − I was afraid that when you heard it, you would want to give up on the negotiations and return to King's Landing − Alys warned me, so she probably knew what your grandfather was planning to do −" She said regretfully, thinking that strange woman was more concerned for her safety and her family than her husband.
She heard him swallow hard, letting the air out loudly.
"− forgive me −"
She lay in silence for some time, feeling anger that he expected her to simply forget everything, understand his reasons and forgive him as always.
No.
"− I will forgive you, but I have my conditions − we will stay here longer − for a week or two, I will decide in the morning −" She said coldly.
"− but − my mother will be convinced that they are holding us by force −" He began, but she would not let him finish.
"− you will write a letter to your brother informing him that my mother has accepted his terms, but is also setting her own − that we will stay here to discuss all the details, show our goodwill − if your mother wishes, she can travel here in her own person − you can leave Dragonstone when you wish, but I will stay here as long as I desire, and you will show no opposition −" She said impatiently, feeling her heart pounding like mad, her hands clenched into fists.
Her husband swallowed loudly at her words, tense.
"− I − very well −" He muttered finally, knowing that any other words would forever cross him out in her eyes.
She hummed under her breath, covering herself tightly with the bedding and closed her eyes, figuring she wouldn't turn towards him for the rest of the night.
"− don't try to take me or embrace me −" She commanded and he sighed quietly.
She swallowed hard when she felt him place his large hand on her head and begin to stroke her hair exactly as he had when they were children.
She felt furious that it was so pleasant, so soothing, that he knew she loved it.
"− my Rheanys −" He whispered tenderly. She pressed her lips together at his words, feeling a single, lonely tear run down her cheek.
The next morning she was awakened by a rustling noise and the sound of a quill scratching on parchment; she lifted her sleepy eyelids and saw his silhouette sitting behind her desk, bent over a letter he had apparently just written.
She felt strange at the thought that he was sitting in the exact place where she had spent years writing him messages that had never received a response.
She knew, however, that she now had the upper hand over him and that her word was an order to him.
She was not going to imitate his cold nature and not speak to him − they had to maintain a semblance of at least a warm relationship so that the image of their marriage, on which the whole agreement between the two parties was supposed to be based, did not begin to crack.
He lifted his gaze to her when she stood up, but they did not exchange a word between each other.
He did not know what to say.
Her maidservant walked in at her summons and bowed before her, bending her head humbly.
"− my Lady, will you have your morning meal before your travel? − your mother would like to speak with you before you leave for King's Landing −"
"− we will have a meal, but convey to my mother that there is no rush − my husband and I have decided to stay here for a few weeks as an expression of our sincere intentions − my husband is in the process of conveying this message to his brother − my uncle is in need of new garments, provide them for him without delay and bring them to my chamber −" She said calmly; her servant blinked, shocked and nodded, immediately disappearing behind the door.
Despite what she had learned and the rage she felt, she was pleased − the roles had been reversed and although her husband was not her prisoner, he was attached to her and was forced to stay in a place that disgusted him.
Good, she thought.
She wanted him to feel what she had felt during the month she had spent in King's Landing, imprisoned by his mother and grandfather.
"− I wish to spend this afternoon with my mother − if you so desire, I can show you in which chamber the library is located −" She said lightly, without looking at him however, taking a bite of bread spread with confiture. Her husband rolled his eyes, displeased.
"I have no intention of leaving your quarters." He replied indifferently.
She raised her eyebrows in amusement at his words.
"You are not my prisoner, uncle. You can walk and fly wherever you please. Holding someone by force is not in my nature." She murmured softly − her husband gave her one tired look.
She smiled at him in a way from which he swallowed hard and looked away, sighing heavily.
He knew she was enraged and he wasn't going to get in her way.
One of the aspects she enjoyed upon returning home was that she had finally retrieved all her robes; her uncle looked at her from the side, watching as her servants helped her put on a golden gown with long black sleeves that reached the ground.
"− make braids around my head − my husband adores it when I wear this hairstyle, is he not? −" She sneered, glancing at him over her shoulder. She only saw him roll his eyes, running his hand over his face, not saying a word.
He knew he had to endure everything she was throwing at him with humility if he didn't want to make his already bad situation worse.
She had no idea what he could do to regain her favour, her trust, the respect she had for him.
"− have a pleasant day, husband −" She threw over her shoulder, leaving him alone in the chamber, recognising that she did not care what he did.
As she stepped into her mother's quarters, Rhaenyra rose from her seat, putting down the quill she held in her hand, approaching her with surprise and uncertainty written on her face.
"− is it true? − are you planning to stay in Dragonstone? −" She asked in a trembling voice − she smiled and nodded. Her mother sighed in relief and walked over to her, embracing her tightly with her arms, snuggling her head into her neck.
They pulled away from each other after a moment, her hands gripping her cheeks, her thumbs stroking her skin as if she remembered a time when she was still a small child.
"− let's sit down −"
Being in her chamber again was like a dream to her − she couldn't believe she was sitting at the same table again, surrounded by the same furniture and bed with a red curtain, with the windows open to a view of the great sea.
"− does he treat you well? −" She asked suddenly, taking her hand in her own.
Her mother's question surprised her, but it also filled her heart with warmth and emotion.
"− I − yes − despite his harsh, difficult nature −"
"− so how did he let this happen? −" She asked, exposing a part of her wrist with her thumb, where her pale scar was clearly visible. She swallowed loudly, not knowing what to answer her.
She wanted to tell her about the moon tea, but hesitated.
She didn't want her to think that her husband knew about it, that he was a worse person than she assumed.
It devastated her to think that she still had to tell half-truths.
"− I did it as an act of desperation − when he found out he wouldn't leave my side for weeks − he wouldn't let anyone but himself, Helaena and the maester cross the threshold of my quarters − he let me see Luke −" She muttered, looking at her at last. Her mother lowered her gaze, sighing quietly, tired and pale.
"− when Daemon passed on your words to me, I was furious − I didn't understand how you could do this to me −" She began and fell silent, closing her eyelids for a moment.
She felt an all-consuming shame at the thought that she had failed and disappointed her as a daughter.
"− forgive me − I would never question your rights if it were only about you − but you know very well that it is not −" She said cautiously − her mother lifted her gaze to her and nodded.
"− I know −"
They fell silent for a moment.
"− can I trust him? − your husband − and my brother −" Her mother asked coldly; she raised her gaze to her, surprised to feel that her lips involuntarily parted.
I don't know.
"− yes −" She muttered. "− he refused Maris Baratheon to take her as his wife − he himself proposed a form of compromise, and his elder brother supported him − Aegon is not a good man, but he cares about his children − he knows he will not leave them a secure, safe throne − just as you would not leave it to your sons −"
They said no more.
She spent some more time with her, just holding her hand, wordlessly trying to comfort her, thinking with weariness that she had to give up everything that was rightfully hers.
She finally decided to take pity on her husband and return to her chamber, not wanting to leave him alone for so long in a state of anxiety and uncertainty.
She felt her heart stop as she stepped into her quarters and saw no one inside − a cold shiver ran down her spine at the thought of him leaving her.
He had returned to King's Landing without her.
She pressed her lips together, involuntarily feeling her heart begin to pound like mad with pain and sadness, her eyes glazed over with tears that she was ashamed of, thinking it shouldn't hurt so much, and yet it did.
She looked around the room quickly, looking for a letter or anything else that might say he had left her some word, but found nothing of the sort; she shuddered when she heard someone's dim voices in the distance and walked over to the window.
Her father and her uncle stood facing each other on the beach with their hands folded behind their backs, discussing something animatedly, a clear tension between them.
She felt regret towards herself, her body filled with an overwhelming relief that he had not left her, that he had not betrayed her again.
She thought the gods had been cruel, allowing her to love this man so deeply.
She blinked, startled, when she heard the door from her chamber open; she turned and saw the figure of her eldest brother, who only spoke up when they heard a loud clatter of wood behind them.
"− how could you do this? − choose him over us? −" He growled with regret, resentment and disappointment, his big brown eyes filled with anger and pain from which she felt a tightening in her throat. She furrowed her brow and shook her head.
"− we both know what the truth is − you can't rule with lies −" She replied, shrugging her shoulders; Jace moved towards her and she flinched all over, surprised at how pale he was, his lips tightened into a thin line − she had the impression he was trembling all over.
"− this was my inheritance − my throne − my crown − and you chose him, a man who did not write back to your letters for eight years, who humiliated you by calling you a bastard, and you shared a bed with him the first night you saw him, like some... −" He didn't finish and fell silent, the word he wanted to say stuck deep in his throat. She felt her lower lip tremble at his accusation, her eyebrows arching in pain and anger, her eyes red from tears of shame and humiliation.
"− say it − you've already spoken the word in your mind −" She sneered, lifting her chin higher, challenging him.
"− I won't call you an unworthy name −" He muttered lowly, and she laughed involuntarily at his words, shaking her head.
"− you think that makes you a better man? − look at this −" She hissed, lifting her hand up, exposing her wrist tugging impatiently at the material of her black sleeve. "− here is what I have done for you and for your crown − should I do it again? −"
She swallowed loudly, surprised when she noticed that something in her brother's expression had changed − Jace had grabbed her wrist and locked it between his fingers, but there was no aggression in the gesture, his thumb stroking her smooth, bare skin.
They stared at each other for a moment, breathing loudly; she felt that there was a kind of tension between them from which her heart was pounding like mad, but she wasn't sure what it was caused by; something in his gaze, in his brown, misty eyes and parted lips, made her feel hot.
"− do you love him more than our mother? − than Luke, than Joffrey? − than me? −" He asked in a trembling voice and she shook her head, not understanding what he meant.
"− Jace − it's a different kind of love − I −"
"− what kind? −" He hissed. "− the kind where you're constantly betrayed? − in which someone mocks your parentage? − locks you up like some prisoner? −"
Gods.
"− Jace −" She gasped, feeling that something in his questions, in his gaze, in what he wanted to hear from her had broken her down, her whole body began to quiver.
She shuddered as he approached her suddenly, as his free hand cupped her warm cheeks, as his forehead pressed against hers, his voice trembling as the words left his throat like a river.
"− I am your oldest brother − you were born to be mine − I would be good to you − you know I would −"
"− brother, what are you saying? − you had no objections when my mother decided to marry me to Ronnel −" She said disapprovingly, furrowing her brow in anger.
"− it was our mother's decision − how could I oppose her? −" He asked with a frown, as if he really believed what he was saying, a cold shiver ran through her body as his thumb ran over the soft skin of her cheek, hot with emotion.
"− you have never loved me − not in this way, we both know it well − you have always preferred to lie to yourself rather than face the truth − you do not look at me as the woman you desire, but as an inheritance that was taken from you −" She said with pain, feeling that what he was saying was not due to any deep feeling he had for her, but to his anger that she was not waiting for him docilely like his throne and his crown.
Her brother swallowed hard at her words, his hot, ragged breath enveloping the skin of her face.
"− when you were born, our mother told me that you might be my future wife − and I always, always saw you this way −"
"− you mocked me with Aegon −"
"− I craved his attention − he was older and impressed me − didn't you do anything you regretted as a child? −" He muttered wearily; she felt her heart stop at his words, a drop of cold sweat run down the back of her neck.
What was she supposed to answer him?
"− brother − I am married to another man − of my own free will −"
"− you are a traitor −"
"− how dare you −"
"− you are a traitor, but I still am unable to hate you −"
A squeal of terror stuck in her throat, her body froze completely as his lips pressed against hers in a greedy, hot, sticky kiss, his fingers digging into the soft skin of her cheeks, refusing to let her move away.
She cried out and pushed him away − before he could make any move her hand slapped him in the face so hard that he took a few steps back, clutching his red cheek, panting heavily.
"− get out −" She muttered, placing her hand over her heart, feeling as if it was about to burst out of her chest. "− get out of my chamber, brother − I'll forget this...conversation ever took place −"
Jace swallowed hard, horrified and ashamed, as if it had only now occurred to him what he had actually done.
What would Baela say if she saw this?
It seemed to him that they both couldn't believe he had done it − Jace had turned and walked out, leaving behind an open door and a complete blank in her mind.
She thought he wanted to take it out on their uncle, to take away something that belonged to him.
That she was just an object for him on which he had decided to vent.
She thought with pain that he, unlike her husband, had never tried to truly understand her.
When her uncle returned to her chamber they did not exchange a word − he seemed distracted and frustrated to her. He took one of the books from the bookshelf and sat by the fireplace, pretending to read. She lowered her gaze, playing with her fingers, thinking only of the fact that if she hid it from him, she would be just like him.
She didn't know for a long time how she should put it into words, but she figured he'd be furious either way.
"− Jace kissed me − on the lips −" She muttered, glancing at him fearfully − his eye opened wide, looking at her in disbelief, his jaw clenched in such a way that a shudder went through her.
He was silent for a moment, as if he had run out of words, which frightened her even more.
"− he did WHAT? −" He growled, closing the book with a loud slam, pulling himself up from his seat like an enraged bear.
"− he kissed me − grief and humiliation took his mind away − I − wait − gods −" She muttered, standing up as soon as he headed towards the door, which he opened with a loud clatter, running out into the corridor after him.
"− Aemond − no, no, no − stop! −" She hissed, grabbing his arm, but he pulled away from her, opening door after door until he found himself in the right room − Jace and Beala were sitting together at a table, apparently discussing something.
Her older brother rose from his seat and turned pale at the sight of them, horrified.
Her husband walked into his quarters with a wide, menacing smile, exactly the same one he bestowed on him and Luke when they saw him duelling with Criston Cole in King's Landing. He put his hands behind his back, shifting his body weight to one leg, cocking his head.
"− haven't you learned yet not to take what's not yours? − hm? −"
"− Aemond −" She said warningly, but her uncle didn't listen to her, his healthy eye wide open, as if he was just waiting for this.
An opportunity for confrontation.
"− your sister when we were children told me that she never desired you as a man − she knew even then that you were a cunt −" He sneered amused, revealing his teeth in a wide grin full of feigned recognition.
"− Aemond, that's enough −"
"− how dare you? − you are a guest under our roof − get out −" Baela thundered.
She felt a squeeze in her heart at the thought that she knew nothing.
She moved ahead and stood in front of her husband, looking at him with furrowed brows.
"− we are leaving −"
"− no − I'm speaking with my nephew −"
"− we are leaving, uncle, or I swear I will never return with you to King's Landing −"
"− so I'll stay here with you − Jace as ruler of Dragonstone will surely be delighted to host us, won't he? − he seems to have a weakness for you, sweet wife −" He murmured in a voice filled with poison, from which a strong shiver ran along her back.
"− Jace, say something at last! −" Baela hissed, furious that her betrothed simply looked at their uncle and remained silent, unable to get a word out.
"− I made a mistake − I shouldn't have done it, forgive me − I −" He directed his words to her, to his sister, sadness and regret in his gaze, from which she involuntarily felt sympathy.
"− you made a mistake? − I seem to be able to understand the feeling − I have made a similar one many times, as well as others, even worse ones −" Her husband hissed, gripping her cheeks in his hand − her voice stuck in her throat as his fleshy lips clung to hers in an aggressive, loud kiss, his tongue forced its way deep into her throat.
She sighed as he turned her back to him, pressing her brutally against his chest and grabbed her neck − she grasped his wrist as his free hand slid down her lower abdomen, his fingers dug into the material of her gown beneath which her womanhood lay, she could feel his hot breath on her cheek.
"− so beautiful, isn't she, nephew? − I couldn't help myself either − I can't count how many times I took her − how many times I have filled her with my seed − right here −" He breathed out into her ear and she closed her eyes, feeling with horror and disbelief that her nipples had hardened, that her walls had clenched around nothing at his embarrassing words, feeling his finger tease what lay between her thighs despite her resistance.
"− u-uncle − stop −" She muttered, a moan stuck in her throat as she felt his erection behind her throb hard at her words, pushing against her buttocks, his fingertips dug deep into her folds hidden beneath the fabric.
Gods, he wanted her brother to watch this.
Baela looked at Jace as if she suddenly understood everything, her eyebrows arched in pain and disbelief.
"− what did you do? −" She asked quietly, her older brother shook his head, all red, turning his face away, unable to look at it.
"− I −" He didn't finish; her uncle let her go immediately, panting loudly as she did when Daemon walked into the chamber, looking at them, then at Jace and his daughter.
He grinned.
"− what is the meaning of this...commotion? − hm? −" He asked, raising his eyebrows in amusement and mockery; she looked away and glanced at her uncle, shaking her head with furrowed brows, letting him know that he was to remain silent.
Her husband pressed his lips into a thin line, but did not utter a word.
They stood in awkward silence, with only the quiet fizzle of the blazing fire in the fireplace around them.
"Mmm." Her husband hummed and turned away, heading for the door. Not knowing what to do, she simply moved after him, casting only one apologetic glance at Baela.
When they finally returned to her chamber she let out a loud breath.
"− what was that supposed to mean? −" She asked in frustration, wondering what had possessed him.
She tried not to think about how embarrassingly wet she was now.
"− I don't know what you're referring to, wife − I've merely shown my nephew the depth of my understanding as to his desire −" He grinned, grabbing a jug full of wine, pouring himself a full cup of it.
She licked her lower lip in impatience, standing still and watching him − their gazes met as he raised the goblet to his lips and took a deep sip from it.
"− what − are you wet now? −" He sneered and she felt a hot wave of shame surge through her body − she felt like her cheeks had turned scarlet.
"− don't mock me − this was humiliating −" She growled, furrowing her brow, a smirk on his face that she didn't like.
"− if you say so, wife −" He muttered, approaching her lazily, playing with his cup in his hand, raising it to his lips again "− I, however, think you'd rather I did something else −"
He said and took another sip of wine, swallowing it loudly, towering over her with a look from which a pleasant shiver ran through her core.
"− I think you'd rather I fucked you good in front of him − for me to slip my fingers under your skirt and sink them into your leaking cunt −" He murmured, leaning over her so that the tips of their noses were almost touching, her walls swelling all over at his words − she felt a drop of her own wetness run down her thigh.
"− am I wrong? −" He asked, cocking his head curiously, taking another sip of wine from his goblet without taking his eyes off her.
She drew in a loud breath as he set his cup down on the table standing beside them with a loud clang of steel, taking a step towards her, his lips parted in desire.
Gods, no.
"− don't touch me −"
She saw him squint his eyes as he hesitated, his nostrils flaring in accelerated breath.
She knew he was hard.
She knew he wanted to soften her up.
"Mmm."
She immediately summoned her servant wishing that she would help her pull off her gown and let her hair down. After this, she lay down in bed, covering herself with thick furs, not looking at him or speaking a word to him. She swallowed hard when she heard him lie down right next to her and closed her eyelids when she felt his hot breath on her neck.
She thought he would try to touch her, embrace her and give her a reason to push him away, but he just lay behind her back, driving her crazy.
She waited for some time, listening to his quiet breathing, and decided that he was surely asleep by now; her hand slipped silently into the material of her nightgown, lifting it up. She swallowed quietly, tightening her lips as her fingers sank into her leaking, soft, hot womanhood begging to be fulfilled, teasing and squeezing the bud between its fleshy folds.
She felt herself grow hot, her heart began to pound like mad at the indecent idea that these was his hand touching her in front of Jace, making him watch, wanting him to see what her fulfilment looked like.
She felt her walls clench greedily around nothing at the thought, her fingers teasing the spot between her puffy folds with circular, intense strokes.
Involuntarily, her hips began to rock softly to the rhythm of the flicks of her own fingers, she felt that she was wonderfully close to fulfilment.
"− what are you doing? −" She heard his low, cool voice and froze completely. She swallowed hard, sliding her hand, sticky with her own moisture from between her thighs, and remained silent, unwilling to give him the satisfaction.
"− go on −" He said in a hoarse, deep voice from which a shiver went down her spine. She heard a rustling behind her and then the sticky sound of skin slapping against skin − his hot breathing quickened, heavy and ragged. "− come on −"
She couldn't help herself; his fingers dug into her swollen folds again causing a wave of heat to pass through her body − she felt pleasant tickling sensations in her lips, fingertips and nipples. She moaned quietly when she felt his nose pressed against her hair, her hips involuntarily began to rock when she heard him begin to pant, the splats behind her getting louder, louder and louder.
"− fuck − you know I'd lick you good there − hm? −" He sighed and she felt her whole body quiver, her fingers teasing her puffy pearl all sticky from her own wetness.
"− mhgm −" She whined, tilting her head back, feeling his hot, uneven breath on her ear, his swollen, wet lips run down her neck.
"− are you leaking? − are you leaking at the thought of how good I would make you feel? − at the thought of your brother watching me fuck his little sister? −" He breathed out, and she moaned loudly as she felt a wonderful, relieved sensation at his words, her fulfilment shaking her like a hot, tickling wave.
Her slit pulsed all under her fingers as her own moisture leaked out of her, she shuddered when she felt his warm, rough tongue run across the bare skin of her neck, leaving a slick, wet mark on it.
"− fuck, Rheanys −" He muttered and after a moment he gasped − she felt something sticky and warm spurt out onto the back of her nightgown.
His seed.
Gods.
She closed her eyelids, trying to calm her breathing, furious at herself and her weakness.
"− let me embrace you −"
"− no −"
She heard him huff, sighing heavily, his face still sunk into her neck.
"− move away, uncle −"
"− I inhale the wonderful scent of vanilla after having experienced fulfilment with my wife −"
"− your wife does not wish for this −"
"− sleep −"
She pressed her lips together and swallowed hard, thinking with frustration that she hated him with all her heart.
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rainba · 2 days
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Hii I love love love ur yan ocs I wanna just kiss them and pat them on the head!!!! My little skrunklies!!! I have a few questions about them
What turns them on? Like if I do this we are doing it immediately even if we’re in a plane or sum 😭😭
How jealous are they on like a scale of 1-10?
How whore knee are they? How often do they masturbate or have fantasies?
What music do they like?
You don’t need to respond to this btw 😭😭 I just love ur ocs and your work! Tysm!
The scrunklies!!! :3c and also, TYSM!! Sorry I responded to this pretty late!
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For kairos:
Honestly? His darling saying anything naughty will turn him on instantly– oh, and receiving kisses on his neck! Or honestly… If you lower your hand and start massaging his thighs, that’ll make him grow weak too. If you start doing any of these things, he’ll feel all hot and will beg you to keep going. (っ˘ω˘ς )
How jealous is he? Hmmm…. Probably somewhere around an 8. He gets jealous pretty easily… When jealous, he’ll usually start being extra clingy and emotional. ^^;;;;;;
How horny are they? Before Kairos could get with his darling, he… Definitely had a (lowkey) masturbation addiction. Like, he would touch himself about twice a day, all while thinking about his darling. And he fantasizes… A lot. Almost constantly. It’s hard for him to sleep at night because all of his thoughts are racing and all he can think about is you in so many different lewd scenarios. But when he finally starts dating his beloved, he’ll definitely stop masturbating so often… And the fantasies won’t be as rampant. (* ̄▽ ̄)b
What music does he like? He definitely likes some darker stuff. He’d listen to stuff like gothic/doom metal, alternative metal, symphonic metal, etc. When asked what his favorite band is, he’d probably respond with Deftones or Type O Negative. ( ´ ꒳ ` )
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For Luka:
When in public, Luka can keep himself composed for the most part… But as said before, saying really naughty things to him will turn him on. (=`ω´=) However, there is another secret thing that Luka never admits will get him extremely worked up. By worked up, I mean, ‘we need to fuck. Now. I don’t care that we’re not only on a plane, but the plane is also actively crashing as we speak.’ …And that’s if you lean in close to him while kissing his ears and stroking his tail.
Run your fingers through the soft pink fur as you massage around the base of his tail... Oh, and throw in some flirting too. He’ll be gripping your wrists and dragging you somewhere private. ^^;;;;;;;;
How jealous is Luka? Somewhere around a 6.5. He doesn’t get jealous nearly as often as Kairos does, but when he does get jealous, it’s pretty intense. (↼_↼)
How horny is Luka, and how often does he masturbate/fantasize? Luka doesn’t masturbate very often– he never really has. Probably would masturbate about the same amount as any other guy. >_< Although, the fantasies he has are another story.. Before Luka gets with his darling, he’ll end up fantasizing about them quite a bit. The fantasies mostly pop up when he has nothing to do, or right before he goes to bed. They never fail to get him all hot and bothered, but he's still able to function. ( ´ ꒳ ` )
However, he does get plagued by wet dreams a few times a week. ^^;;;; Wakes up with cum staining his thighs, blankets all over the floor and sweat running his face... Which always makes him embarrassed. ( ´ ▽ ` ;;)
When he does get with his darling, though, expect him to be fucking you once or twice a day. And when he’s in heat, expect it to be more like three or four times a day, if not more. (-_-;)・・・ It’s a bit… Overwhelming at times, to put it lightly. If you can’t handle him fucking you that much, he’ll at least ask that you give him a hand job or let him use your thighs or something. ^^;;; (And luckily for him, the wet dreams stop!)
What music does Luka like? He LOVES a lot of heavier music. While his ears might be very sensitive to how loud the music is, he gets over it pretty fast. Loves black metal, doom metal, industrial metal, etc. Luka is involved in his local alt. music scene and goes to see bands live every now and then. Luka even has a battle jacket.
(=^ ◡ ^=)
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anthurak · 2 days
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So I’ve been thinking more about one of the more subtle but striking questions brought up by Ruby’s tree vision:
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Namely; to where or rather to who were Raven and Summer portaling to? After all, it’s been established that Raven’s semblance, Kindred Link, allows her to create portals specifically to people she has established a certain bond and connection with.
And this is particularly interesting, because of the people we thus far know have Raven’s ‘Link’, only ONE was otherwise not present in the flashback; Qrow.
And wouldn’t you know it; Qrow also happens to be one of the people we can definitively say DOESN’T know what happened to Summer, going off his talk with Ruby in Volume 7 where he mentions having no idea where Summer went or what she was doing on her mysterious last mission.
Now, as I’m sure some people will bring up, it IS possible that Qrow was actually present and is simply keeping quiet about it to Ruby. However, personally I seriously doubt that. As I simply don’t see the writers cheapening such a personal and important scene between Ruby and Qrow by later revealing that Qrow was actually outright lying to Ruby at the time.
So that seemingly leaves us with seemingly only one other option: That Summer and Raven portaled to someone else.
As to who that someone might be? Well personally, I think it would have to be someone we likely haven’t met yet. I know some people have suggested it could have been Ozpin, but frankly I don’t buy that one bit. Whatever happened to Summer is clearly meant to have MASSIVE implications, impact and general status-quo shattering revelations, all things it would make much more sense that Oz has NO idea to. Not to mention it’s kind of hard to imagine Raven forming a link, clearly a very close connection, with someone she seems to have always distrusted like Ozpin. Meaning that we’re left with a character that we simply haven’t be introduced to yet.
However, after giving it some more thought, I think there may be a THIRD option:
Raven and Summer DIDN’T actually portal to a person.
Remember just how we learned the mechanics of Raven’s semblance?
It was via Yang explaining it, via information she was told by TAI.
Here’s the thing though; Tai certainly knew how Raven’s semblance worked back when they were a team with Summer and Qrow. But it’s also been a LONG time since then. And wouldn’t you know it, these last couple volumes have ALSO introduced us to the concept of SEMBLANCE EVOLUTION.
So what if in the near-twenty-odd years since leaving her team, Raven’s semblance ALSO ‘evolved’? To the point where she can form her ‘Links’ with more than JUST people?
Perhaps now Raven can form a link with objects that have particular significance to her? Or, and this one I find the most compelling, LOCATIONS that are particularly important to her?
It’s funny that we’ve never actually known for sure where or to who Raven has been portalling to all the times we’ve seen her. Sure, in hindsight I think we’ve all been assuming it was Vernal in Volumes 2, 3, and 4, and to Taiyang at the end of Volume 5. But the funny thing is, we DON’T actually hear the characteristic sound of Raven’s portal opening in the V5 post-credits scene with Tai, only the flapping of wings. Implying that Raven may not have actually portalled to Tai directly…
Meaning that throughout the show, perhaps Raven wasn’t actually portalling to Vernal, but rather to the camp, the home which now has great significance and meaning to her. And at the end of Volume 5, she portalled not to Tai, but rather to the home she once had on Patch. Or, for the REAL spicy alternative, to Summer’s grave.
So what if at the start of their world-most-homoerotic-suicide-mission together, Raven and Summer portalled not to a person, but rather to a LOCATION that Raven was able to set up a link to?
(shoutout to @mikey-polo420 for the ask that got me thinking about this :D)
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boysborntodie · 2 days
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While Johnny and Dally often go together as characters and you can’t analyse one without the other, I don’t think they’re mirrors of each other. I’ve seen the idea that Johnny might’ve reminded Dally of him when he was younger (even though Dally and Johnny have barely a year difference), but tbh, I just don’t think Dally was ever a Johnny or that Johnny could become a Dally.
Even though Johnny isn’t hardened like Dally, he’s not innocent or has an inherent goodness that the world has yet to snuff out. He knows the cruelty of the world, and starts off the novel as this very jaded person who no longer sees hope or point in the life he’s living due to his dire circumstances. And yet, over the course of the novel, he chooses to be good even though it’s something he knows will hurt him, and even understands and decides that it’s better than the alternative even if you do get hurt.
Dally’s mirror is Ponyboy. Ponyboy could become hateful and angry like Dally and decided to harden himself against the world in order to not get hurt. We even see a glimpse of this Ponyboy; a Ponyboy who threatened people and could hurt them before they hurt him, who thought it was better to get tough rather than get hurt. Ponyboy decides the only reason to fight is for self-defence, but Dally’s been brought up believing that violence is self-defence at its core and he constantly fights because it’s all he knows, because fighting makes you tough and once you get tough you don’t get hurt. Soda even says this at one point:
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If Pony ended up hardening himself to everything including love and beauty, and decided to keep on fight, he could have ended up as Dally. Maybe not to a T, but someone similar in those core ways.
And yet Ponyboy is also Johnny’s mirror. And that’s who he chooses to embody. Rejecting violence, keeping himself open to the world and loving it despite its cruelty and harm. Seeing beauty in everything and understanding the world isn’t black and white.
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midnightsslut · 2 days
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the whole cardigan/Peter parallels are messing my head can u explain
okay so peter is actually one of my favorite songs on the album for this reason! I think it has parallels to a lot of other songs, not just cardigan. the first thing to get out of the way is the cardigan lyric about peter and wendy: ‘tried to change the ending, peter losing wendy.’ now, that line doesn’t make a ton of sense because peter losing wendy is the ending of peter pan (idk I’ve never seen it and never thought I’d spend this long thinking about them), but I think what she’s saying is that he tried to change the ending of *their* story to peter losing wendy. peter loses her because she outgrows him, while he remains a ‘lost boy’ forever. the cardigan demo has an alternate lyric where peter actually *leaves* wendy. this does not happen in the original story, and to me, it reads like betty (eh, I don’t think those characters existed when she wrote that song, but bear with me) is accusing him of trying to change their fate by leaving her. peter is meant to always come back to wendy. *she* is the one who eventually leaves him. either way, cardigan ends with them together. yay for betty and/or taylor.
now, peter was written 3-4 years later, and it is the conclusion of a story about outgrowing someone despite truly wanting them back. the ending was not, in fact, changed. she did outgrow him. very sad. I actually want to go lyric by lyric, but I’ll put a cut just in case.
Forgive me Peter
My lost fearless leader
In closets like cedar
Preserved from when we were just kids
Is it something I did
the song starts with taylor trying to figure out what went wrong. did she do something wrong to crush these dreams of theirs? she kept him in a closet of cedar (where unmarried women kept their belongings that they would want to take with them after getting married) in her mind, but things didn’t work out anyway. the first line being ‘forgive me, peter’ indicates that she is the one who pulled the plug, and she’s apologizing for it. again, she isn’t entirely sure what went wrong, which, to me, is a clear parallel to how did it end.
The goddess of timing
Once found us beguiling
She said she was trying
Peter was she lying
My ribs get the feeling she did
when they first met, the timing seemed to be perfect for their relationship (‘the goddess of timing *once* found us beguiling’), but that didn’t last. the goddess of timing claimed that she tried, but nothing could save them. taylor even wonders if she lied, which suggests a lack of faith in higher powers like fate or deities. this verse introduces timing as a major conflict in the story. ‘are you really gonna talk about timing in times like these?’
Said you were gonna grow up
Then you were gonna come find me
Words from the mouths of babes
Promises, oceans deep
But never to keep
peter went away, but he promised to come down once he was ready for a relationship. yes, this kind of applies to both of the main storylines on the album. you could take this to mean that they actually broke up a decade ago but promised to get back together, or you could assume there was some sort of break to their relationship, which she and joe did have. i kind of took it to mean that he wasn’t fully committed to the relationship, but he promised to be eventually. again, the renegade lyric, but also ‘i’m a fire, and i’ll keep your brittle heart warm if your cascade ocean wave blues come’ and ‘I’d hold you as the water rushes in,’ both of which are grand promises that neither party could keep.
Are you still a mind reader?
A natural scene stealer
I've heard great things Peter
But life was always easier on you
Than it was on me
he is charismatic. his magnetic field is a little too strong. he can read people. but he’s also fragile and inexperienced (‘he was a hothouse flower to my outdoorsman’). he may be able to read people, but things have been way too easy for him to ever understand a truly hurt person fully.
And sometimes it gets me
When crossing your jet stream
We both did the best we could do underneath the same moon
In different galaxies
And I didn't want to hang around
We said it was just goodbye for now
this is the thesis statement of their relationship to me. obviously, there’s the call it what you want parallel, but more importantly, it shows that the two people really wanted this to work. they just came from completely different places in their lives and perhaps the entire universe. this verse seems to reference the epilogue (‘resentment rotting away galaxies we created’ / ‘some stars never align’). they learned the right steps to different dances, if you will. she knew he needed time, so she left temporarily.
And I won't confess that I waited
But I let the lamp burn
As the men masqueraded
I hoped you'd return
With your feet on the ground
Tell me all that you'd learned
Cause love's never lost when perspective is earned
she does get with other men, but she keeps longing for him. she wishes that he would return with a grasp on reality and be the man she needs. if anything, the time away would give him the perspective he needs to ground himself. interesting parallel to ‘I said I don’t mind / it takes time’ in loml.
And you said you'd come and get me but you were 25
And the shelf life of those fantasies has expired
Lost to the lost boys chapter of your life
Forgive me Peter, please know that I tried
To hold onto the days when you were mine
But the woman who sits by the window has turned out the light
this is just devastating to me. well, first of all, both matty and joe were 25 when they first met her, which, lol. the dreams they had together have expired now. it’s been too long. she cannot keep holding onto a love from almost a decade ago. he took too long to return. he lost his lifelong dreams to what was only supposed to be a chapter of his life. she tried to hold onto the days when he was hers, and everything was right, but she had to turn out the light at some point. this is the moment when she gives up on their relationship. she apologizes for abandoning the ship, but she must do it.
overall, I think peter is a story about two people who genuinely did everything they could to be together, but their needs and their growth no longer aligned. there’s a sense of acceptance and lingering fondness here. she did everything she could not to bolt, but the ending was the same.
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crossbackpoke-check · 9 months
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Substance, Shadow, and Spirit [remixed, abridged] by Tao Yuanming
#liv in the replies#patrice bergeron#boston bruins#brad marchand#do you ever think about how brad marchand said that when bergy retired he would retire or are you capable of normal thought i'm not at all#please say a gratitude for both my sanity& y'all that this poem (which has been saved in my camera roll with the vague idea of using it for#??? ​long) & not one of the poems i had saved for carey for a really long time & remixed & everything with another poem until i found a poem#that absolutely murdered me in cold blood but there is an alternate universe where i did& then had to explain my unhinged thoughts to you.#anyway how are we feeling about bergy retirement. pspspspsp sara & luna are y'all doing okay like. the doc title for this one was#patrice the hockey player means a lot to me but patrice the person means so much more#which is why the end line of the other poem was so *%"@^)! (you love / what you are) because patrice does. like he is a whole ass good huma#& now since no one asked i need to tell you all the details about everything also y'all please clap i made an edit with NO baby pictures#although i did find one & save it & minimal genres of photo i always use in edits because they're my taste & aesthetic but anyway.#when i saved the first photo and marked it as one i wanted i accidentally wrote “how will he know they love him” which is not the line but#makes me feel feral about patrice & the rest of them all had hurtful names too but also. the third picture is literally a CELLY like brad#just scored a goal & he is clinging to bergy for dear life with that shit i saved that as “oh the agony on his face for unendurable”#& yes it is one of my cliches to have a draft day picture but in my defense the lifelong bond that patrice has/d with boston deserved to be#there even if i put in the love story & YES that picture is from the 2011 playoff right below it shared joy & pain & i couldn't tell you#when the brad marchy photo for together forever is except for the fact that i saw it & just the gut punch of oh my god the way he looks at#things men will praise you for is the stanley cup. duh. but i love the contrast of “some deed” being the stanley cup but then#bergy's choice to do noble deeds (ends up still earning praise &that's my note to his efforts outside of hockey we love a supportive captai#should also mention the first two i came up with & had the photos i knew i wanted for were the first and last one alskaldk but i KNEW i#wanted chara somewhere in the paragraph about leaving & then while i was looking found the one of bergy playing tuukka on accident & yes#i do have to make goalie jokes every time. no reprieve . no dice/no deal/no goal goalies have no rest/reprieve etc etc the one that killed#me though was looking for a patrice award pic & i wanted basically the one that i got for “how will you know any will praise you” & instead#also got the picture of patrice winning the some community hero award for charity work that he does & i love him mama & of COURSE that puck#is from bergy's 1000 game who do you think I am (if you guessed sleepy and emotional about patrice you'd be right) and ALSO please be ready#for all the patrice posts/bruins posts that have been sitting in my drafts to be released on this occasion of patrice retirement#I FORGOT TO MENTION THAT TUUKKA ALSO RETIRED THAT’S WHY HE WAS ON WISE OR SIMPLE NO REPRIEVE AND THAT LATE OR SOON WAS ALWAYS GOING TO BE#CHARA BECAUSE CHARA LEFT FIRST TO GO TO THE CAPS AND THEN LEFT IN RETIRMENT HE LEFT SOON BUT NOT FOR REAL THEN LATER LEFT FOR REAL (RETIRED)
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phantomchick · 11 months
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Looking back on Batman (2022)
Enough time has passed now that my initial adrenaline rush )and then later afterglow) over Batman 2022 has resolved itself at least enough that I can look back on the film a bit more critically.
I enjoyed this movie, I enjoyed this Batman, but and this is a big but, this movie did not like Batman.
The thing about Batman is that he's a grim dark fantasy where a hero who's in pain can use that pain as a motivation to help people, to change things, to strive for a better Gotham because he just can't fucking accept the Gotham that allowed his parents to get killed while coming home from the movies, that kills so many other parents and children and sucks the people that remain into a mire of corruption and austerity. This is not that Batman, this is a Batman that's utterly oblivious to the problems with wealth inequality until the movie rubs in his face and even then has his inaction in his role of Bruce Wayne while letting his Batman role monopolise his every waking thought presented as his main problem. This is not a Batman that announces to a dinner party, “Ladies. Gentlemen. You have eaten well. You've eaten Gotham's wealth. Its spirit. Your feast is nearly over. From this moment on...none of you are safe.”. That attacks violent crime on two fronts by giving legitimate jobs to ex cons by day and solving kidnapping or murder cases by night.
And most crucially this isn't a Batman that ... succeeds. By that I mean yes he solves the grand mystery, yes he saves people in the flood, but the classic Batman would have saved that man he interrupts the bomb disposal squad to answer Riddler's phone call for. The classic Batman would have saved Falcone, evil doer that he is, not because he deserved to live but because Batman is a hyper competent hero who's comic gimmick was that he was quick witted enough to stay ahead of the crooks and always save the person in front of him as a result, perhaps it's only natural for that to be subverted with the Riddler as his enemy (a character invented with the intent of putting the detective hero to the test when it came to his cerebral limits) but because this is a stand alone film, which as the name says has this Batman stand alone with the contents as the only basis to judge him with it has the effect of making his presence as a hero less warranted. After all, does Batman's presence in this film really save anyone besides the flood victims and Selina?
Yes the only victims who really get killed are all bad people but... that's not the point of Batman, the point is that he saves everyone he can.
The film also does the whole 'batman creates his own villains and actively makes the city worse because he espouses vengeance and violence' thing which egh, slightly more palatable with the transition from vengeance to hope, but I really don't fucking like it all the same. And besides that I dislike the idea that vengeance can't be hopeful, that a man who lost everything in one terrifying night, who got no justice, whose loved ones and personal loss and whose innocence remain unavenged saying to himself "I am justice, I am vengeance, I am the night!" as a way of reclaiming everything that's happened to him and everything he wants to be for the people of Gotham whose cries go unanswered by corrupt law enforcement and an even more corrupt bureaucracy, is presented as invalid, as somehow immature. When Batman was always crafted as a mature hero in the mold of the Scarlet Pimpernel and Zorro and James Bond, of Sherlock Holmes! That was part of his central appeal! He's the cool mature down to earth, detective hero.
Here he is reduced to a naive rich boy who's so ignorant his main approach to crime is to inefficiently beat the shit out of whatever hoodlums he encounters and who literally doesn't have the idea of using his money to fix the poverty or corruption fuelling the crime until Riddler highlights what his parents wanted to do for the city by denigrating it + the politician lady who repeatedly points it out. It's a movie that loves Batman but also passionately declares the stupidity of Batman. Perhaps that's also inevitable because solving crime by beating it up while dressed as a Bat is well, silly, when you approach it with real world cynicism instead of the wish fulfillment, the fantasy of being rich and powerful and smart enough to actually do something about an entire city that's drowning in crime, that has been drowning, suffocating, for decades, and have a hope of succeeding. There is no fun of acting like an airhead so the other rich people and crooks will underestimate and look down on you like they look down on everyone in the city as you use your access to learn things people outside that circle of rich opportunists can't and then use it to reveal their crimes as a vigilante whose identity no one suspects. Instead we have a traumatised Bruce Wayne openly beg Don Falcone for information who indulges him because he owes his father that favour and Bruce Wayne isn't a threat, is it interesting pathos? Definitely! Is it dramatic and fun! Also yes! Is it traditional Batman/Bruce Wayne secret identity shenanigans? Well kind of in that it gets him the extra information but genuinely not so much because it's not really an act. Does it have to be traditional Batman? I really don't know. We can't ever create something refreshing like this movie was if we don't try to deviate from the norm and in that regard I think it deserves respect. And yet. There's a but.
This movie doesn't let Batman succeed at anything but the bare minimum as a vigilante but it does let him try his best, always and it lets him care, deeply. Which is enough that it pulls through as a good batman film. However for all the budget and clever characterisation I don't think it's a great Batman film. After all Batman is a superhero fantasy and in those, the good guys are allowed to save the day.
#and yet#batman 2022#bruce wayne#meta#thoughts#personal#batman 2022 meta#batman#something about how he doesn't prevent the flood but does save some people in it could be a great metaphor#for how batman in the comics can't ever fix gotham (because then the comic would end) but he can save people who live there#but i don't actually think that's what they meant to do here#my main problem is the movie clearly doesn't approve of vigilantism and like that's fine but it's a movie about a superhero#and it never lets us really suspend our disbelief because it's too busy being cynical about the whole concept#and like maybe that too is refreshing in its way? the whole this is a stupid way to deal with crimes thing is true#but it also fails to acknowledge that#what other recourse is there? with a police force that's literally in the pocket of the mob#when you look at it like that batman becomes a much more understandable alternative course of action#and a vehicle of narrative catharsis for people who know the law isn't protecting them but still desire justice#desire that the criminals be they the rich defrauding them of what little money they have or the mob bosses actually will see consequences#the whole concept of vengeance is too readily dismissed as toxic and as diametric to hope imo#like yeah i'm all in on a redemptive justice system that actually helps people reform but the idea#that bad powerful people shouldnt be made to face consequences by batman if no one else (because cops and lawyers and politicians won't)#is dismissed soooooo readily to the point where bruce's initial stance on justice as vengeance is presented as two dimensional#something about that bothers me#and i think also gets to the core of batman as a character and to the core of why I can't fully vibe with this presentation of him#for all its many boons
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redrew some of these nerds, these are there most current/updated designs rn? so improvement i GUESS?
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lupizora · 1 year
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They gave us the London arc and for what?? Another 400+ episodes where there is barely any development on the ShinRan front??
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mothheart · 1 year
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Through all my shifts in interst in music the big three that never have changed are linkin park, bmth and mcr
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djuvlipen · 2 years
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really i don't understand how people can feel okay, neutral, or even positive, about their homosexuality, it sounds like a fiction to me. I don't know if you can get mental illness out of your own homophobia? but there are periods when I am okay and then suddenly I get triggered by hearing or seeing something homophobic and then for whole weeks I repeat homophobic rhetoric in my head, I feel physically sick and I just want to kill myself every single day lol I am just so tired. And saying "dw it will get better" doesn't help bc that's a lie it's literally worse now than it was a few years ago. and then I log on here and the TRAs are all throwing around slurs and homophobic rhetoric. And even radfems can be so homophobic, either towards lesbians or towards gay men bc some of them think homophobia is okay towards gay men? Lol anyway now is one of those periods so I'm leaving this platform for the next months I'm sick with everything
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hamletthedane · 3 months
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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praisethelamps · 8 months
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Hmmmm I'm thinking about writing essentially a retelling of another story that's done as a direct criticism of the author and how they handled their subject matter, but I can't decide if it would be better as a story that's upfront about being based on another, but is still it's own thing, or just make it a straight-up fanfiction
A parody would work well, as that's kind of what it is, but people wouldn't typically expect a parody to have a more serious tone, which I'd not just like it to have, but which I think it needs, at least in a lot of parts of it, given the criticisms I'm making.
Also, I know this would be 1000% less confusing if I would just say what it's a parody of or what I was criticizing, but I have to be vague for the time being lmao
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iamthepulta · 1 year
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When I finish the AU, I thought of writing up a "first draft" comparison with the "current/final draft" version for some of my favorite lines/scenes. I feel like writers in particular don't show their art process because it's a bit long, and odd-form to display. But I also feel like there's a myth that the words Come Onto The Page Fully Realized and that's definitely not true.
Would anyone be interested in that though? Maybe particular chapters or paragraphs?
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tgirlwithreverb · 5 months
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I saw that post about what to do if you're homeless again (the one that starts by telling you to spend all of your money on motel rooms lmao) anyway, here's a few thoughts, specifically for trans girls, cuz I don't really care otherwise tbh:
1) plan ahead, most trans girls are in precarious housing situations, you will have a much easier time when it falls apart if you already have a pack with most of the gear you need in it. Also, if you find yourself in a situation where you cant make rent, dont pay part of it, spend that money on gear, pocket the rest and leave, youll have a much nicer time. Look up your local eviction laws, you have plenty of time. (Gear list at the end)
2) travel! If you're in Arizona in May, leave. it's about to be hot as hell. If you're in Michigan in October, leave. It's about to be cold as hell. If you're in a big city, leave. It's way easier to be homeless pretty much anywhere else. Amtrak is cheaper and more comfortable than greyhound, hitchhiking is free and easy, if you're alone it's not that much slower than the previous two, and it's more fun, and sometimes people buy you food or whatever or give you money. I promise it's not scary and you're entirely capable of doing it, no matter who you are. 95+% of people who will pick you up are very nice. All you have to do is take the bus out of town, as far down the highway you can, to an exit with a truck stop if possible, then just stand on the side of the road with your thumb out until someone picks you up. You can stand at the bottom of the ramp(on the highway) near where the merge lane ends or at the top of the ramp(where there's usually a traffic light), the former is more likely to lead to cop interactions but will maybe get you a ride faster, check on hitchwiki for how the cops are in the area. don't be afraid to take a commuter bus or Amtrak to get out of a shitty cop area
3) skip shelters if you can (they are very occasionally a decent place to get stuff from) and encampments, good places to sleep include the trees near railroad tracks or highways, wooded areas behind shopping centers, sections of parks without paths, overgrown empty lots. Hang a tarp above you if there's an appreciable chance of rain, there's tons of YouTube tutorials on how to do this, maybe I'll make a post about what I usually do some day. There are many habits more fun than motel rooms, save your money for them lmao.
4) get on food stamps. This is easier in some places than others, but it makes the whole thing a lot easier. Just tell them you're homeless, if they don't give you a card the same day, you can probably ask to pick it up from that office, alternatively some drop in centers/day shelters can receive mail for you, or you can have it sent to general delivery(USPS service, look it up)
7) libraries are great for charging your phone and using wifi, but also keep an eye out, plenty of random outlets on the outsides of buildings are also powered
5) dumpster. sidewalk trash cans, Aldi, Einstein's, trader Joe's, pizza places, etc. You need to develop a bit of a sense for it but it's an easy way to get cooked food or travelling food or expensive food without spending resources. Also it's fun.
6) water is free, go into the bathroom of any gas station or grocery store in America(offer not valid in most big cities or on the west coast, but in that case just go to the library) and fill up your water bottle
8) hygiene notes: truckers get free showers from chain truck stops(loves, pilot/flying j) go there and ask them. convenient if you're hitchhiking, also you don't need to shower 3 times a day, really, you'll survive. Ditto with deodorant. Take care of your teeth though. Take your socks off every. day. Change them consistently. Safety razors give a good shave, work well without adequate water pressure, and the replacement blades are very stealable, they're kind of heavy though. Walmart makes these electric razors for women that take AA batteries and are pretty light but give a worse shave, also they kinda go through batteries, pick whatever works for you(cartridge razors suck)
9) traveling food notes: peanut butter is great, tortillas and bagels travel pretty well, tuna packets are pretty good protein for traveling(the ones with rice and beans or whatever are nice since theyre often the same price as the regular), condiment packets are free, hot sauce makes everything better, and mayo goes well with tuna and has a bunch of calories in it, salad dressing packets are free from truck stops and work well turning the Walmart shredded vegetable packages (labeled for making into slaw, next to the bagged salads) into a salad with real vegetables(not iceberg lettuce) in it or mixing in with tuna packets for even more calories than mayo
Gear world:
Necessary items(in order of importance): a gallon of water carrying capacity(an Arizona jug or other twist top jug is conventional, but a bladder+arizona bottles also works), a tarp(larger than 6'x9', not brightly colored), a hank of parachord, a sleeping bag (20° rated, synthetic insulation), a backpack with a padded hip belt(at least 50L, no more than 75), rain gear(a rain poncho might cover your pack too, a rain jacket can help with wind when its cold, a trash bag inside or outside your pack can keep it dry, a plan to watch the weather and not get caught also works), a z-fold foam sleeping pad, three pairs of socks, two pairs of underwear (at least one pair of boxer breifs strongly recommended if you arent incredibly skinny), a decent pair of shoes with good arch support, a functional jacket(skip if you got a rain jacket before), a base layer(wool or poly, absolutely no cotton)
Convenient items: a sleeping bag liner(cotton free, keeps you warm in winter and cool in summer), gallon zip locks to pack your stuff in(helps keep it dry and organized), no more than one change of clothes(as light as possible), a multi-tool(can opener, pliers, wire cutter), lighter(burning rope ends etc), spoon, floss and needles for patching
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tossawary · 4 months
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I think it would be fun to do a "character swaps with older version of themselves" fic with Moshang. A post-canon Mobei-Jun who has been happily married for a while (probably at least 50 years old) accidentally touches some plot device artifact and time travels, swapping places with his 20ish-year-old self. Older MBJ wakes up in head disciple Shang Qinghua's bed where his younger self had been napping.
Younger MBJ lands in his own palace, where he is quickly found and fawned over by Older SQH, who can't help but think this MBJ is so cute. The System quickly confirms for Shang Qinghua that this situation has been sorted into a "multiple timelines" thing, so SQH doesn't have to worry about "protecting the timeline" by doing anything like hiding the fact that he's MBJ's husband. (So, there's an alternate timeline younger version of Airplane Bro now? He's just going to... ignore having an existential crisis about it. Yeah.)
Which is great because Older MBJ would not have thought about this at all as a potential issue. Older MBJ also thinks Younger SQH (Younger Airplane Bro) is incredibly cute and has no problem informing him that they're married in the future. Younger Airplane Bro is trying to figure what the fuck is happening, but he's having trouble thinking over the sound of how MBJ only became hotter: MBJ didn't get much taller, but he did get wider, heavier, more muscular, and hairier. Holy shit. Older MBJ doesn't even have any problems passionately kissing Younger SQH just to prove that they're married. And he smiles! He's so gentle and communicative! Comparatively!
("Luo Binghe is the Demon Emperor in my time," Older MBJ says. "Ah? Who's Luo Binghe?" Younger Airplane Bro lies very badly. "Hmmm, so you did know," Older MBJ says, and then makes some comment about LBH's husband that makes Younger SQH go, "HIS WHAT NOW?!")
Younger MBJ is trying to be cool, not really confused or scared, and Older SQH spoils him rotten by showing off the home that they're made together and how well the palace works to serve and defend MBJ. Linguang-Jun can't show up here because SQH will light him on fire if he shows his face. Younger MBJ doesn't even really like his SQH yet and is also struggling with how good Older SQH looks: a little taller, broader, relaxed and easygoing, answering all of his questions and explaining important things to him, dressed like a beloved demon lord's spouse, efficiently ordering everyone around. "Call me Gege," Older Shang Qinghua said with a wink, and it went straight to Younger MBJ's defenseless heart; he is developing new kinks immediately. Help him.
In the end, after a few days at most, they manage to switch Older and Younger MBJ back without too much issue. Older SQH is a little annoyed that his husband kissed an alternate timeline version of himself, but mostly because he sure would have liked that experience when he was only a disciple! Okay, SQH may have pet Younger MBJ's head and pinched his cheeks and hugged him and brushed his hair a little and shamelessly lavished him with good examples of human affection, but it's not the same!!!
Younger MBJ and Younger SQH in the alternate timeline are left in SQH's tiny head disciple house, completely flustered, sitting next to each other and barely able to look at each other. What. The. Fuck. Eventually, Shang Qinghua manages to say, "Uh, do you want to make out?" at the same time that Mobei-Jun says, "We should get married as soon as possible. Tomorrow."
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