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#I appreciate this ask though thank you
symptomsofdeceit · 15 days
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Omg I do not use tampons but now every time I get my period I have to think of that post and how mortifying of a situation that would be. Thaumo and Nalis are with me in the bathroom in spirit and nothing can make them leave 😭😭😭
I’m glad the tampon ask is haunting not only me but also those who follow me 😭🤝
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good-beans · 22 days
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this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe
That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…
Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.
Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.
Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad. 
Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.
Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either. 
Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.
Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.
Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…
Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.
Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.
Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.
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cacaocheri · 1 month
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You should in fact infodump about poptropica, also have you considered doing a DCA Poptropica crossover to unite the interests together?
1) I love you so much dude I hope you're doing well 2) poptropica infodump would take AGES this thing has lore so I will spare you a ramble for now 3) I . HAVE NOT. BUT COULD YOU IMAGINE SUN AND MOON WITH THE BIG BOBBLE HEADS
no? because I can
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oh my god they look so much more cursed than I expected I'm laughing my ass off
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alitteraladhdmess · 2 months
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hello sibs competitor, miuky stares
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I think he’s scaring Leo a little-
@tmntaucompetition
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starflungwaddledee · 3 months
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referring to the small guy, big guy reblog post:
STARSTRUCK AND DYNA BLADE THAT’S WHO!!! 🦅🦅(eagle emoji)
you know what anon? sure. why the fuck not. i'm not a coward. here you go.
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vaard · 5 months
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Hey I just wanted to let you know, I've followed you for years in and out of WoW myself, but I've just always loved your art regardless of the game. There's just something about it that I adore. I can't put my finger on it, but I just wanted you to know that you inspire me to be a better artist too, and especially I love your raw sketches. So much love friend!!
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Thank you so much, anon! This was really heartening to read after struggling so much with art the past few years due to very poor health. This is a wonderful pick-me-up, thank you!
I am back to WoW as of a few weeks ago after a very, very long hiatus and do have some sketches in the works. I hope to post them sometime soon in the next few weeks!
Thank you again, I really appreciate the kind words. They mean a lot to me, thank you.
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insertsomthinawesome · 3 months
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I'M BAAAAAAAAAAAAAAAACK!!! Okay so honestly I have been very very inconsistent over the years with just disappearing for periods of time due to various things 😂 So it probably seemed pretty normal to most people.
But it felt different on my side, so I'm excited to be back in business. I took a month long hiatus! 31 days of not drawing digital art. Its not something I talk about on here? But I've been suffering from some serious long term Art Burnout for.... a really really long time. Long enough that I should've taken a break probably years ago. It finally got so bad that I could barely draw. I was scared to do it (cause it always looked "bad" in my eyes [i'll come back to that]) and doing it was exhausting and disheartening.
I talked it over with somebody and realized that the fear and anger and frustration I felt towards my own artwork was uh. Not Normal or Healthy. And I finally committed to taking a real break for once.
I still drew a little bit by hand? Traditional art has always felt like it has lower stakes for me (i don't often share it online, and sometimes I don't even share it with friends) so I did some of that when I felt like it. But Digital art was completely off the table.
I had put such an immense pressure on myself to make my digital art perfect, to make as much of it as quickly as possible to satisfy something. It wasn't fun anymore. I'm proud of what i've made over the years! But for a long time now the stuff I've been making was made while hating every second of making it. With some rare exceptions.
I hated my art! It was a combination of Perfectionism, taking in too many external expectations, and the burnout. If you hate doing something its kinda hard to love it even when you want too lol. It wasn't "Bad" in the sense that the quality was low and it was ugly! It was "Bad" in the sense that it was unhealthy for me to keep doing it at that point in time.
I'm glad to report though, that with my hiatus officially over as of Wednesday last week: I am once again. In Love. With doing art, and being an artist :)
I put off taking a break for years cause I was scared that taking a break would mean that I would never achieve all the things I wanted to do with art. I was scared it was a stupid and lazy thing to do that would mean I'd never achieve my dreams. And Also even though I kinda hated drawing, I also loved making art. Its a weird duality that I can't even really explain??? I hated it but I also loved it. I wanted it but I also wanted to run from it. It wasn't until I was more mature and had more clarity and insight (and unfortunately also until the problems got worse) that I was finally able to let go of those fears and just do it.
And I'm really really glad I did. It was everything I needed. And I hope to strike a better balance in the future with art. Taking more breaks when I need them, or just when other things have my attention like reading or Video games (Some star rail got played during this time xD)
From the outside things probably aren't going to be that different?? At this point I don't really have any sure plans to post anything I've been drawing since my Hiatus ended. I might or I might not xD I'm still a hobbyist artist taking things at her own pace, but I hope that it shows how much happier I am :)
Whumptober 2023 is being officially put to rest by this post btw! I was in major burnout when that event started, and I'm ready to just, move on from all the past expectations I'd shoved on my shoulders. If I feel like filling any of the prompts or going back to any of the ideas I'd come up for it I will! But I'm not going to worry about doing it unless the desire sets in. Thanks to everybody who's been so kind to me throughout my time on here as an artist! Ya'lls tags and screaming and kind words, the fanfic, the asks and the responses? Its been fantastic :) You guys have made me laugh, smile, and cry tears of joy. I hope from here that things only get better and sweeter! And if I have bad days again, that's okay too.
Here's to 2024 and whatever it may bring ya'll :D 🎉🎉✨✨🧡💜
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ryuki-draws · 5 months
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I want the trains to look at each other so gently and smooch and cuddle with each other with no care in the world 😭💕💕 everyone loves these trains
What would the Autobots and Decepticons think of it when they get back to Cybertron that an Autobot and a Decepticon are ‘friends’ (they are 100% more than just friends at this point)
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The trains are at it again!
They have a wonderful story about reluctant cooperation to tell to their leaders, of course! I'm sure they'll understand the dire situation Grease and Astro found themselves in - because of the leaders' own negligence nontheless - and everything will return back to normal. Re-joining their ranks, Grease fixing up stuff and Astro hauling Decepticons around... not thinking about each other for a split second. Out of sight, out of mind, am I right? Well...
Let's hope by the time they get back, the war's over. Otherwise, it's pretty much over for them instead (in all meanings of the word, hah)
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azuneekun · 1 year
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Hi! I really love your art! I have a new farmer OC that I've been wanting to show off, but I don't know how to introduce them, do you have any tips? I would draw them but idk how
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i hope you have a good time introducing your farmer!
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harvestmoth · 5 months
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more rejuv things but its. its just this guy again, im sorry shes all i can draw
#everyday im like i wanna draw :] and then i just end up with this thing on the page#i refuse to draw hands holding. because i cannot and im too lazy to figure it out#oh yea a couple of these i havent posted before because theyre lame to me but ill put them here for now#anyways!!#i was gonna say something about a couple of these but i forgot#oh well#pokemon rejuvenation#does she. lose her ribbon in blacksteeple. i forgot#she still has it to me..#to me her c15 hair tie is a torn part of the ribbon#anyways again. yesterday i finally figured out what the rejuvrp is. very cool stuff im so incredibly intrigued by it#i have no idea whats going on! but it looks so cool ill try to read it more later.#oh right again about the rejuvrp thing. the character designs ive seen are so so so cool i want to draw them so bad#i think i have to ask about that first though and there is! no way i am going to do that!!! i do not want to bother them#and i think my heart would explode from the fear of it all before i even typed the message.#that and im very lazy! theres a very good chance i wouldnt even draw it in the first place#anyways unrelated but i think if i get another comment from someone on something i Will Actually Explode.#i see someone said something and it kills me on the daily. what is happening... thank you.. i appreciate it very much...#sorry to whoever read all of that. um. hi youre really cool and i hope you have a good day/night#i think being on twitter has done something to me i have to leave it immediately. anyways back to twitter#wait actually i should go back to playing rejuv. im still in the grove from when i first posted the gym leader melia au. im afraid to leave#also play pokemon rejuvenation no i will not stop saying that everytime i post one of these
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suddenly-stickmin · 13 days
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Dawg your art is like so mad delicious, those screenshot edits and lil piece in the art trade? MWUAH! Chefs kiss, 100/10 I'd slurp your art up a straw like Jell-O ngl man. I'd do an art trade if I wasn't so dang low on energy or braincells, dab me up if you ever do tho it'd be nice to draw again. I'm planning on getting my motivation back OUGH. Srry if your inbox is like overflooded man.
Also I will CHERISH THAT APRIL FOOLS ART YOU DID IT MEANT THE WORLD TO ME I FUCKIN EXPLODED WHEN I SAW IT. I ASCENDED.
AWRHG THANK YOU SO MUCH AGAIN you always drop in and give such nice asks I always appreciate them n reread them a bunch I must let you know....
I'd for sure be down for an art trade! Whenever you're feelin' the art vibes again and you're ready, we can go for it! [Ain't no rush though, take all the time ya need!]
And I'm happy you like that April Fools gift too! It was a whole lotta fun to edit Brutus in.
Speaking of Brutus, here's another little drawing I did of him enjoying some breakfast :]
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cody-paranatural · 5 months
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Ok, so not like it wasn't already clear why Cody was pissed at Hijack, but I just realised the whole "gaining control over Jeff's body without his consent to hurt somebody as a misguided way to help Jeff but really to fulfill Hijack's plan" must have hit reaaally close to home. You see, there is this psychological phenomenon called projecten-
HELLO ANON I NEED YOU TO KNOW THAT SEEING THIS ASK LITERALLY MADE ME WANT TO START EATING CONCRETE /POS 
THIS RESPONSE IS GOING TO BE ALL OVER THE PLACE AND WAY TOO LONG SO SORRY IN ADVANCE <3
And you are so right!!!!!! Like obviously, Cody would’ve gotten mad about Hijack targeting his best friend no matter what his ability was, but the fact that he literally took control over his body and forced him to do things he never would’ve done on his own definitely hit close to home. I thought there was no way his dad’s ability to literally take away his free will didn’t mess with Cody’s head since I’ve first read his and Davy’s chapter 5 argument, but these last 3 updates really showed the extent of his father’s abuse on his psyche and I personally have been LOVING going back and rereading Cody’s previous appearances with all of this new context in mind. And like even without the fact that Cody literally can’t disobey his father’s commands, Cody is very much someone who has never been allowed to show any kind of individuality. There are so many little ways in which Davy takes away Cody’s autonomy and disregards his personhood.
It drives me crazyyyyy. Davy in general is the kind of person who is far too egotistical and self-absorbed to ever really think about people beyond the role he assigned them to, all he sees is how they relate to him. And no one knows that better than Cody! Because there is no one Davy desires to control more than Cody. Remember chapter 8 page 1? The one thing that finally made Davy’s mask slip, the one thing that actually got to him was Max saying that Cody is nothing like him. Davy was pissed that someone dared to imply that Cody was anything but his miniature copy. Cody is literally not allowed to have any privacy, to have anything beyond what his father wants for him. He can’t even get out of the house on his own (and hearing him say he has guards was soooo vindicating I knew i had a good reason to pay so much attention to “something about strict orders not to mention it to Davy’s son when on protective detail” from chapter 7 page 62), he’s not allowed to carry his own money, he literally owns a copy of Davy’s signature gray pinstripe suit, hell even his hair looks So Much like his dad’s (ESPECIALLY when he was younger) there’s no way that isn’t a dad approved haircut. He doesn’t even have any privacy in his own body because his dad can literally feel his heartbeat (and the fact that’s not something Cody himself can’t do, that this happened when Cody was so young he doesn’t even remember ever feeling it is so. Oh Davy Jones there is a special place in hell with your name on it).
 His room doesn’t even have a window. And I know this is the vampire house, but the fact that we learned this information in the same sentence where his room was described as having “no single such escape route” and now with the added context that he wants to run away from home is making this information very upsetting to me. So yeah, Hijack’s power is definitely a sore spot for Cody and it’s why I’m so happy we finally got to see these two (or well. three) interact!!!! And it’s everything I ever wanted and so much more. And I looooove that despise this mostly friendly demeanor Cody made it very clear that he’s still mad about what happened with Jeff and that he very much does not consider Hijack to be his friend (“So thanks for not being one, I guess!”). And that the one time Cody came off as genuinely threatening and malicious was when Right Hijack refused to leave (the right side of) his body (I have soooo many thoughts about that scene btw. And about Cody’s overall opinion of himself and his morality I have thought about this often and elaborately).
But even then, Cody did seem to be more outwardly angry about Hijack doing this to Jeff then him. Cody is on some level used to this. He doesn’t accept it, he’s not resigned to his fate as evidenced by him wanting to run away from home but this has been his life for the past 12 years, but it probably hurt so much to see someone he loves going through something he’s so familiar with. Especially when you consider that Cody, much like Davy (though obviously not to such an unhealthy degree), is very protective of the people he cares about and seems to have a strong desire to be in control (possibly stemming from the complete lack of control he has over his own life?). Sorry, I know I’ve been rambling but I love talking about pnat and especially Cody <3
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rabbitinthemeadow · 7 months
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Where does "And I remember days where the sun tasted like nectar, where all burden of grief was swallowed in aster and gold" and the other captions to your photo posts come from if it's alright to ask? I'm curious is all!
Hello! Regret to inform they come from my brain.
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canisalbus · 7 months
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just a quick ask to tell u it makes me super happy seeing the detail u go into when pointing out stuff u like about other people's art of ur ocs :3 it's so rare to see but it's so so motivating!! <3
Thank you! I don't take any interest for my art for granted, and if someone goes through the trouble of drawing my characters for me, I feel like trying to write a proper response is the least I can do. For a visually oriented person, receiving gift/fan art is a huge deal, it means someone considered my goobers worth their time and effort, they've probably been thinking about them more than a little and found them inspiring in a way or another, and I find that terribly flattering. It's extremely fun and interesting to see other people's takes on them. And I've drawn stuff for people as well, I know how nice and rewarding it feels to receive a response that is longer than a word or two. Positive comments like that can linger in people's minds for a long time, at least for me they do.
#this comes with a big serious disadvantage though#it often takes me a long time to write that response#my social batteries are extremely small and a lot of the time by the time I go online I feel too worn out to engage with people properly#I'm autistic anxious and severely depressed my spoons are in short supply at the best of times#I've always had really hard time putting my thoughts into words in a way that I find satisfactory#so I keep putting off reblogging gift art#because most of the time my brain is too smushed to formulate that meaningful comment I want to give#maybe that sounds dumb and fake#but this is something I've struggled with for years and I feel extremely guilty for keeping people waiting like that#often weeks sometimes months even#and potentially making them feel underappreciated and unnoticed#I'm also genuinely very scatterbrained and unorganized and I miss and forget things I'm supposed to do all the time#not to mention that I tend to have trouble keeping track of my mentions and dms and asks I'm only one person#so if you've ever drawn something for me and I didn't/haven't responded yet#please know it's not personal it's entirely my fault I'm kind of a mess#and chances are I'm still very much attempting to get back to you#feel free to remind me if you feel like I might have not noticed your post I really don't mind at all it often helps me a lot#and please if you can don't delete the post even if it seems like I didn't see it#because again sometimes it takes me a long time to respond#thank you to everyone who has stayed endlessly patient with me though I appreciate it#sorry this spiraled into a list of apologies and excuses this is actually something that bothers me a lot#because it's largely a mental health thing but easily comes off as ungratefulness#I'm trying to work on that#answered#anonymous
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carefulfears · 9 months
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top ten mulder moments <3
DREAM ASSIGNMENT, UNHINGING MY JAW, ETC. buckle up babes!
1/ oubliette
all of oubliette really but there’s this one moment where he’s in the police station and he’s watching the video of lucy when she was 13 after escaping her kidnapper and she’s writhing around on the floor screaming and she can barely speak full sentences and she’s afraid of the light. and in the present day, she’s an addict living in a halfway house with convictions for drug possession and prostitution.
and he’s watching this tape and scully comes in and he says “it’s amazing she’s gotten anywhere in life” and scully says “by most yardsticks, she hasn’t.”
she has, though. she’s alive and she’s trying and she’s clean and passing her drug tests and she has a job. and that’s how he sees her, and that’s how he treats her throughout the episode. he tells her that she’s “the strong one” and he asks for her help and her opinion, he tells her that he just wants to know what she’s going through. he defends her to law enforcement and believes her when everyone else thinks she’s an accomplice. he weeps over her body when she dies, grieves the loss of her life.
it would be easy for him, as someone whose sister was kidnapped at the same age lucy was, to see her as a nightmare. she’s struggling and she’s traumatized and she’s an addict and a felon. but he doesn’t, he views her as hopeful, and you can tell that he respects her. he views her as having gotten somewhere in life, just because she’s still alive. and that more than anything really means a lot to me.
2/ paper hearts
in paper hearts when they find the 15th victim’s body and they think it’s samantha. and he’s standing there over it, shaking, looking down at what might be his baby sister’s corpse. what might be the end of the road.
and it might all be over, in this moment. he might not be able to search anymore, to hope anymore, to do the only thing he’s ever done every day for 24 years anymore.
and you just feel the crushing weight of it all, and then scully comes in with the lab results and says that it isn’t her. and he just buckles for a moment and takes a breath.
before standing up and saying, “it’s somebody though.”
it’s such a testament to his character to me, that he can’t sit in that relief for even a minute. it might not be his baby sister, but it’s somebody, and he grieves for them.
(not “somebody’s sister/daughter,” but somebody)
3/ one breath
the shot of him crying on the floor of his ransacked apartment.
he was offered a choice between staying there, waiting to see the bad guys, finding the only thing he’s ever wanted, the answers…and going to sit by scully’s hospital bed, when it might be the end.
and he left that apartment and held her hand.
as moving as that scene is, it’s the aftermath that always gets me. it’s the consequences. it’s the price that you pay for choosing to stay soft, the way that mr. x looks at him in this same episode and tells him that he’ll never win, he doesn’t have the heart.
so he walks away from the battle and comes back to the wreckage, and all he can do is sit down on the floor and weep.
(also if i think even a little about him giving scully the superstars of the super bowl tape, i’ll literally make myself ill crying)
4/ sein und zeit
when, after spending the entire episode obsessively insisting to everyone who will listen that the missing little girl is “not dead,” he says that they should just go home.
that they are not going to find those people’s daughter alive, that he is too close to this case to make a sound judgement, and that he wants to take some time away from work.
seven years after scully chased him into the street and yelled for him to “stop running after” samantha, and a day after she followed him into a hallway to tell him to not go looking for something he doesn’t want to find, the person whose “relentlessness” has kept him searching for nearly 30 years, just wants to go home.
he’s depended for so many years on the delusion, on the hope, on the belief that every child to go missing from their home is “not dead.” and now he stares at the ground in front of two people who love him, and admits to being wrong. to needing a break.
it’s one of the saddest moments of the series to me, but there is such an acceptance in admitting defeat, and it’s a subtle precursor to his decision in the following episode that he’s ready to know the truth about what happened to samantha. the delusion isn’t helping anyone. not him, not samantha, not this missing little girl. and it’s devastating and freeing at the same time.
5/ je souhaite
his genie wish. i have the softest spot in my heart for je souhaite mulder okay!! this is the mulder that called the jersey devil “beautiful” and ran through the woods to try to save it. the mulder that couldn’t bear to add to the soul eater monster’s suffering, even when it would’ve saved his own life.
i love that the first thing he does is ask the genie what she would wish for, just because he wants to know. and you can see how much 500 years of being a slave to people’s selfish desires has weighed on her, in the way she tells him that she would just want her days to be her own. to sit and have a cup of coffee.
i love that he tries to win at the genie wish, to save the world. tries to construct the perfect wording and all-encompassing fool-proof plan. throws around words like ending “tyranny.” and in the end, just deletes it all, and wishes for the genie to be free. that ending shot of her, finally her own person for the first time in 500 years, sitting having a cup of coffee, is one of my favorite moments of the series.
i love the lesson in this episode too, for someone who spends his whole life trying to make up for the fact that he lived when his sister didn’t, that he doesn’t have to figure out how to save the entire world. he can call his best friend and sit on his couch and watch caddyshack. but he asks the genie what she would wish for, because he genuinely cares, and he chooses to use his wish to give it to her, because he can do that.
6/ pilot
these tags: “this man is overflowing with reverent tenderness.”
the Moment™️ in his motel room…this is when you can see it. this is when both scully and the audience understand something. this is when it’s all over.
they’ve both been kind of concealing so much, behind sarcasm or professionalism. they really like each other. they want to trust each other. but she was sent to spy on him, to debunk him, and neither of them have any reason to believe it’ll be more than that.
when the power goes out and scully feels the marks on her back, she is just so scared. she is so young, and this is her first job, and she’s becoming exposed to things that she had never considered. when she walks into mulder’s motel room in only her robe, and then drops it, she’s afraid, and also acutely aware of her own vulnerability.
the way the camera hangs on his face (he’s the focus, not her exposure, what is he seeing?), in the candlelight, as she exposes her body to him and he just checks to make sure she’s okay.
what he’s seeing is her vulnerability, and he responds by both sheltering and matching it; he wraps her up and gives her the bed, sits below her on the floor. he tells her about sam. he tells her about what “matters” to him. and it isn’t something that he tells people, but anxiously walking mostly-naked into the room of your new assignment isn’t something that she does either, and he understands that.
it’s 2 episodes later in squeeze when scully makes her decision, she’s “on the side of the victim,” on the side of the vulnerable. but it’s a motel room in bellefleur where she learns what that side is, where that work is being done.
(related, conduit: the way that he shuts scully's concerns about him down, then validates them quietly, when they're alone. tells her what his life actually is. that it's "walking into that room," every day, feeling like maybe one day he'll open his eyes and his sister would be there. you really get the sense that he's never told anyone that before, but that it's something he turns over in his mind, something he's always aware of. he's saying: you're right, this is what i do, but i don't know how to do anything different. how am i meant to do anything different? it has always been this way. and it's the only thing that you need to hear him say to really get it. it's the only thing that scully needed to hear him say. this is the most vulnerable revelation that he ever makes, a month into their partnership. she never forgets it.)
7/ anasazi
just a little moment that i think about a lot is the way that after mulder sees his dad in colony and tries to hug him, and gets cut off with a handshake, the next time that he sees bill, in anasazi, he reaches out to shake his hand.
he notices everything, he internalizes everything, he only wants to give what he understands as wanted from him.
he knows that his dad does not want to hug him, and he still reaches to him first, offers that connection that bill is comfortable with.
(it always makes me think of the first time he met jackson. the way that the first thing he did after “my name is mulder, i’m your father. i know it must seem strange to you.” was hug him… “became a father while i was still a son,” or whatever the national said.)
8/ emily
you guys. you guys 🥺. this whole episode just really gets me so bad. the way emily is “shy” and doesn’t speak or really look at anyone, and the only time we see her smile is when mulder makes her laugh, as soon as she met him. him yelling at the doctor (i love that the show, through mulder, actually says the term “medical rapists.” like yes let’s call it what it fucking is!) and saying he wants everything that could help her. when emily's sick, and mulder instantly picks her up to hold her.
but the moment to me, the one that stays with me, is the very end. it's the funeral. it's when all is said and done. and scully asks...who could do this? who could bring a life into this world whose only purpose is to die? and mulder answers, "i don't know. but that you found her, and had a chance to love her...maybe she was meant for that too."
he looks at a person who was created to be used for other's gain, literally manufactured intentionally to suffer and then die, and he believes...maybe that's not all that she was meant for. maybe she was still meant to be known, to be found, to be loved. and they did love her.
(the way he shows up late to the funeral, but scully knows he's coming to get her, tells her mom she's going to ride back with him. the way he turns away from the casket, never able to look loss in the eye, but turns back so scully isn't in it alone. the way he brings flowers, like he brought flowers to the hospital when scully was diagnosed, like he stopped to bring flowers to missy's grave.)
9/ beyond the sea + lazarus
my father is dead (long live my father!)
y’all ever think about how sparingly and intentionally mulder says “dana”? y’all ever think about how she’d only ever been “scully,” to him, until “how are you, dana?” the day of her father’s funeral? the way she looked up at him, as he gently touched her cheek.
the first thing that scully does after her father dies, is tell mulder that she believes in a psychic. (“i thought that you would be pleased that i opened myself to extreme possibilities”).
the first thing that mulder does is sit down, lower himself beneath her, (he has done this since the motel room in bellefleur, the day they met), and look up to her to ask: “does this have to do with your father? you said that he didn't approve of you becoming an FBI agent. now, if being on the job now makes you feel guilty or uncomfortable or uneasy, i think you should back away. because if it’s clouding your judgment, you’re putting yourself in danger.”
(he is always listening, he is always more aware than people think. he perceives her attempts to “please” him as dangerous, or uncomfortable for her. encourages her to step back.)
when she starts to cry and walks across the room, she’s dana again. she’s not her father’s “starbuck,” she’s not mulder’s “scully.”
“dana…open yourself up to extreme possibilities, only when they’re the truth.”
in lazarus, it’s only 2 episodes later (2 episodes after “i’m afraid to believe”) when jack willis dies. (“along the way, there are other fathers.”)
mulder spent that whole fucking episode doing his lil tricks and tips and pulling out his lil experts trying to convince her that jack had been body-swapped, including the story about watches stopping at time of death. when jack dies, and all that’s left is the watch she had given him, stopped at the same time as his heart, she looks up to mulder for answers so softly.
and his response: “it means…it means whatever you want it to mean. goodnight.”
he spends his life begging for belief, but never at the cost of her integrity, her peace. he cannot be “pleased” by a forgoing of self, a forgoing of what she’s ready for.
(looking at this now, it also reminds me of irresistible, and the way that he told her that it’s understandable to be upset, to be affected. “i’ve seen agents with 20 years fall apart on cases like this.” it’s not because she’s young, it’s not because she’s inexperienced, it’s not because she’s traumatized. it’s because she’s human. and it’s good, it’s right.)
10/ redux ii
my favorite moment of this episode is when scully sees mulder through the window of her hospital room for the first time, and he plasters that smile on his face, comes in to sit on the bed and hold her hand and kiss her cheek. and she keeps trying to ask him about the conspiracy, about what happened at the pentagon, about who the inside man at the FBI is, and he just keeps quietly telling her that he's not there to talk about that. and she keeps pushing questions until he leans in to her and smiles and says... "hey, scully, how 'bout those yankees?"
hey, scully, it's not about that. for as many years as he's gone doing nothing but obsessing over conspiracies to anyone who will listen, he isn't there to talk about conspiracies. he's there to hold her hand, to keep that smile on his face so maybe she won't worry, to break down by her bedside as soon as she's asleep. he just wants to spend time with her. in reduxes, they aren't ahab and starbuck. they aren't charging forward or dutifully shepherding on. they're buckling in hallways. they're clinging to a hand through tears.
there is just no room: for their roles, for their pretenses, in the end. in this moment, he isn't the "mad captain" who cares about nothing more than the quest. he's the man who walked away from the fight so that he could sit next to her, who gave up all of his answers so that she could see her sister one last time. he's the man who "refused to believe" that she was dying, but still celebrated her birthday that year for the first time ever, just so that she would have it. and in that hospital room, at the end, through teary eyes and shaky smiles, it just isn't about anything bigger. she doesn't have to die as dutiful to the cause, for him to be there with her.
(the final shot of this episode is one of my favorites too. when scully is cured, she is going to live, her family is in her room celebrating with her, and mulder is crying alone in the hall.
these tags: "all his open love and loneliness and numbness and fear of loss. he's such a gentle man. he kills but he is gentle in his heart. he takes so many beatings and he listens quietly and has no shame. it's hard for him to play the games men play. this ending. he just found out scully is going to live. and everyone else is in there with her. and he has to sit outside. and it all hits him in one go. his sister. his parents. scully. his wasted years. his stupidity and arrogance. how many times has this happened to one of us. you grit your teeth and get through unimaginable difficulty. and then when it's all over you can't celebrate. it hits you on your own in a terrible way."
i always think of that. i always think of superstars of the superbowl. i always think of how ill-equipped and in-adequate we are, when it comes down to it, to deal with grief and trauma and loss. how "we bury our dead alive." and in the end it's "the best news" he ever could've heard, and that steady smile is reduced to sobs.)
honorable mention from paper hearts: i fear that i simply have to talk about him shooting roche in the head...did everybody see him shoot roche in the head? i thought him shooting roche in the head was lovely. you can watch it tear him apart, leading up to the moment. roche sitting in front of him, taunting him. how sure are you? you'll never know without me. but ultimately, he looks over at caitlyn, and he can't risk it. he had told caitlyn, "my name is fox, i'm gonna take you home." and then he did, even when ensuring she was found safe and well, meant sacrificing everything he'd been looking for.
the transition from that moment on the bus (roche's blood on the windows, caitlyn's screams, mulder's gun) to the walls of the basement office...the way the camera slowly pans over the UFO articles. the "i want to believe." the mysteries. all of that wishful thinking (as roche had said earlier: "it's like you think your world will be okay as long as you can believe in like...flying saucers") contrasted to the flesh and blood of the evil he's trying to escape. and, in the end, all there is left is one heart in front of him. one last victim that he'll never know the truth about, because he wasn't willing to risk the price paid for answers.
(and then scully says...but we will find her. how? "i don't know. but i do know you.")
honorable mention from oubliette: my top 2 episodes do be my top 2 episodes but there are few moments in this series that just make my heart sink to my stomach more than the image of mulder crying over lucy's body...that triptych line: "mulder who still grimaced at cadavers and cried over the bodies of dead women where most men she knew couldn't muster the wherewithal to appear disturbed."
lightning round appreciation for my favorite little tiny moments we don't talk about enough: casually giving his hotel key to the unhoused man in the jersey devil; holding kevin and telling him he knows he just wants his sister back in conduit; helping roland pick out a shirt to wear ("i think this one would look stylin' today, what do you think?") in roland; going back in for the kids even though he's afraid/had failed before, in fire; marty saying she "just knew" he would be at her sentencing, even though she couldn't see him, in mind's eye; taking scully to the liberty bell, after she complained about wanting a life outside of work, in shadows; when cassandra told him that reading news stories about him saved her life, because no one would ever believe her, until she found out about him, in patient x; telling skinner to get marita off the stand, "no. let her go," even though her testimony was the only thing that could save him, in the truth; telling off the sheriff in conduit who said it was "only a matter of time" before "something bad" happened to ruby because she "was no prom queen"; telling scully that he doesn't care if she comes with him or not, but he's not giving up on ruby "until they find a body."
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picture of the physical tbhk manga rather than an ss but yeah
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