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#I know my writing is terrible but this story is HUGE
girlscience · 3 months
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Well, I went from 970 words to 1203 words and the order is better and a lot of editing was done (went up to ~1500 words for a bit and edited back down), but wow I can't focus for shit. This paper is still definitely not the quality it needs to be and for trying to work on it for about 9 hours today and only ending up here, I am honestly super disappointed with myself. I have never been the fastest writer, but this is abysmal. I will not make it through grad school if I can't write papers.
#I apparently have very little ability to make myself write without a lot of external pressure#because even though I have a deadline for this.... if I don't do it nobody but me will really care#I have to be doing it for myself and my life#and apparently that's not sufficient motivation to get past how much I don't like writing#which is DUMB#I write on here all the time. I write huge dissertation type messages about stories I like#I write whole documents on worldbuilding that I'm doing#I also think I'm very much out of practice with writing unfortunately#and my last memory of writing papers is reallllly terrible (senior year end of semester covid and being at home fucked me over)#and I think all of that is compounding on top the fact my attention span is smaller than it used to be#and so it's like trying to herd cats just to type a fucking comprehensible paragraph#I know I spent probably 7 of my 9 hours on the computer today on youtube or tumblr#and I probably spent 1 hour just staring at the document#I just want my brain to WORK#I don't know how to make it WORK#productivity hacks really don't help much... I am think I need to try the boredom one more though#that was definitely what got me to make calls and write emails the past couple weeks#maybe I can make it work for this. I just have to get up the discipline to not get on another website#the hack is basically 'if I won't do this thing I need to do I just have to sit here till the boredom is so strong I'll do anything'#so you can't get on another website or clean or listen to music or anything#just sit until your brain is screaming that it will do ANYTHING to not be bored#and so it forces you to do the thing because at least that's doing SOMETHING#but it does mean I have to be strong enough to not do anything else#which has mixed results. but it has worked a little bit so I guess we'll try that this week more
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Please! I need the part 2 of “Captain Price opens a package, thinking it’s intel, but it’s a sex pollen.“ I'm on my kneesss pleaseee it was so good! 😭♥️
Anyways, I'm your new follower 😍, and some of the stories you write is just so damn good😍 (Sorry for bad grammar's, English isn't really my first language, uwu)
im sorry but idk what a part two even looks like. i know a lot of people have asked for it but its... just some couch sex?? idk i'll try.
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Laswell clicked the door shut behind her, and part of you wished she had locked it. Gaz was sure to tell the rest of the team, but you could do without an audience. What would they even see if they barged in here?
The captain had let his cock loose from the confines of his pants, and they were sliding down his thick, muscular ass with every selfish thrust. He was rubbing himself like a naughty dog against your clothed pussy, begging for entrance with every forward movement. Your shirt was pulled down, revealing your breasts, and now they were covered in pink marks from the roughness of his beard as he moved his mouth across you.
Feeling him take each nipple and suck it so gently into his mouth, pulling it in like delicious nectar through a straw, drinking you although you were dry, tasting you even though you had no flavor. It was too much, but he couldn't stop.
You felt a little wrong to be enjoying your commanding officer so much. His humping was making your body respond even as it waited for your guilty conscience to catch up.
"Cap... oh, my fucking God... No, Captain. We shouldn't..." you tried to protest on his behalf, knowing he was being controlled by the powder.
"Corporal," he spoke with his mouth full of your flesh, "I can stop... now. It'll give you... enough time... to run..."
His bright pink eyes flashed up at you in warning and he used both his arms to pin you on either side of your head, forcing you to look at him, the intensity of which went right to your rapidly-melting core.
Suddenly, in a moment of lucidity, he looked you right in your eyes and finished his sentence,
"But that will not be bloody true for long."
As if warning you, he rubbed his hardness up and over your belly, letting it ruck up your shirt, and you felt its incredible heat. It was like a long, steel brand. His skin was smooth, but it was scalding and swollen with his blood. The huge tip left a wet trail of desire wherever it went.
"It's okay, Captain. You can have me if you --"
There mere suggestion of your consent was all he needed to let the dam burst and the river run free. His need crashed from him with an explosive force. He all but ripped your clothes from you, nearly hurting you in the process, making your ankles ache from the sudden pressure as he shucked your pants and boots away in one go.
Your panties were torn from you, sturdy though they were. The fabric made a whining, popping noise as the elastic split. Air rushed across uncovered skin, and your body doubled down on its plans to produce as much natural lubrication as possible. It seemed to know you'd need it.
He didn't touch you. Not with his hands. There was no preparation of any kind. Price fed himself into you like a hand into a glove, a body part in need of sudden and immediate warmth. He took control of your head again, pinning you in that same furious way, and you had a singular view of his face, twisted in a sort of sublime agony as he sank himself into you for the first time.
The pressure was almost unimaginable. Your body was making a lurid, wet, slicking noise as his cock forced you in half. You tried to allow him in, tried to relax, but there was little you could do. He was immense and heavy. It felt like a fist on a strong arm, like a forge hammer, hot and searing. The only thing more tormenting was his voice purring darkly in your ear.
"Fuck, you're warm..."
He pulled himself out of you inch by inch, leaving a terrible hollow where you were once whole.
"Wet for me. So wet. How?"
Back in. And in. And in. It seemed to go forever in and it made you wonder how deep you were.
"It feels so good to have you 'round me, love..."
When the rosy head of him found the end of your wet hole, it sort of... settled there. Locked in, like a key into a tumbler, and each fold of you a lifted pin, fitting him as if you were crafted for it.
"Thought 'bout how you'd feel. Sometimes... dreamt it."
You felt your body give away your surprise. He was too gone to notice it, but not you. You would have been able to feel the planets shift an inch to the left if they dared. You could feel everything. Each and every pore and hair and breath was awake and alive and living in the rawest possible way. Could he have really been thinking of you like you were thinking of him?
"Bloody fuckin' hell. So tight. Too tight."
He was right. It was too tight. He was squeezing himself in with each of these aching, crazed thrusts, shoving himself inside of you hungrily, all the way up to your pounding heart, it seemed. You felt yourself slipping around him like hot oil, running down his shaft and matting the coarse, dark hair that cradled his root.
"John..."
You used his name in place of his title, and he noticed. Noticed it like a hawk notices a hare. Right in your ear, up against your cheek, he responded, too quickly, too much teeth,
"Yes, love. Yes. Yes? Tell me."
He was grunting now, clearly on the edge of his pleasure. You aimed to take him over it, to plunge him into blinding darkness. You whispered, and each word hit its mark like the straight shaft of an arrow, striking into the target one after the other, tearing through the bullseyes like they were nothing but air.
"You're gonna make me come, John."
Again, that unearthly snarl came from his chest, the one you'd never heard before come from the mouth of a man. It was a cry and a scream and a prayer and a plea and had he not been pinning you down prone with his own prostrated body, he would have been growling it from his knees. He commanded you as he worshiped you,
"Give it to me. Give it to me. Give. It. To. Me."
Your body listened before you could even register his words.
From the bones in your hips, you felt your muscles tighten along his iron rod like a fist, closing in on him knuckle by knuckle, and each closure brought you closer to that brink where the darkness turned to blinding white light. You could feel the sparkle of it, that peppery gunpowder flash and then...
"Holy fuck, love..." He stared at you as if you were the sun lighting up his whole life. Like he'd seen you before, all sherbet pink and blazing orange, in the dawn, in the mornings, cutting over the horizon.
Price had come in you. You felt it. It slid along the cleft of your ass and soaked into the fabric of the couch. He didn't mind it. You couldn't. His body was still thrusting as hard and as heavy as before, fucking up into you as if he hadn't just filled you with his thick, hot cream.
"I can't... " he gasped, wrenching his eyes shut, "I can't stop..."
"It's okay, John..."
"I can't bloody stop, love. I'm... fuck, I'm sorry..."
"I'm okay. It's okay," you whispered to him, trying to soothe him.
You pet the hair back over his brow and he leaned into your touch like a cat, purring for more of it. You laced your fingers through his hair and held him tight at his scalp, turning his head so that you could talk to him right into his ear,
"Fuck me how you need to, Captain."
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Did you enjoy this tale or maybe some other work by me? Consider buying me a coffee, if you have the means. Kudos, likes, reblogs, and feral comments also work as well ^_^ Thanks!
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theliteraryarchitect · 2 months
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A Word of Advice About Critique Groups, Beta Readers, and Other Peer-Based Feedback on Your Writing
In my time as a professional editor, I've had many writers come to me with stories they've been trying to improve based on suggestions from critique groups, beta readers, or other non-professional feedback sources (friends, family, etc.). The writers are often frustrated because they don't agree with the feedback, they can't make sense of the comments they've gotten, or they've tried their best to implement the suggestions but now they've made a big mess of things and don't know where to go from here.
If this happens to you, you're not alone. Here's the deal.
Readers and beginning writers are great at sniffing out problems, but they can be terrible at recommending solutions. For that reason, critique groups can be a disastrous place for beginning writers to get advice.
Here's a good metaphor. Imagine you don’t know the first thing about cars. Someone tells you, “There’s oil leaking onto the driveway. You should cover the car with a giant garbage bag.” Alarmed, you oblige, only to be told the next day that “now the car smells like burning plastic and I can’t see out the windows.”
A mechanic would’ve listened to the critic’s complaint and come up with their own solution to the leaking oil, ignoring the amateur’s ridiculous idea, because they know how to fix cars and can use their skills to investigate symptoms and find the correct solution.
Critique groups actually aren’t bad places for experienced writers, because they can listen to the criticism, interpret it, and come up with their own remedies to the problems readers are complaining about. Beginning writers, on the other hand, can end up digging themselves into a deeper hole.
There's a great Neil Gaiman quote about this very conundrum:
Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
So what to do?
First, try to investigate the reader's complaint and come up with your own solution, instead of taking their solution to the problem. Sometimes, in the end, the reader's solution was exactly right, which is lovely, but don't count on it. Do your own detective work.
Second, take everything you hear with a huge grain of salt, and run the numbers. Are 9 out of 10 readers complaining about your rushed ending? It's probably worth investigating. Does nobody have an issue with your abrasive antagonist except your cozy mystery-loving uncle? Then you might not need to worry about it.
Third, give everything you hear a gut check. Does the criticism, while painful, ring true? Or does it seem really off-base to you? Let the feedback sit for a week or so while you chill out. You might find you're less sensitive and open to what's been said after a little more time has passed.
Lastly, consider getting professional feedback on your writing. Part of my job as an editor is to listen to previous feedback the writer has gotten, figure out whether the readers were tracking the scent of legitimate problems, and offer the writer more coherent solutions. Of course, some professional editors aren't very good at this, just like some non-professional readers are amazing at it, so hiring someone isn't a guarantee. But editors usually have more experience taking a look under the hood and giving writers sound mechanical advice about their work, rather than spouting ideas off the top of their head that only add to the writer's confusion.
Hope this helps!
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genshinluvr · 9 months
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Where I Truly Belong
Pairings: Various Genshin Men x Villain!Isekai'd!Reader
Summary: Your arrival at Teyvat was sudden and you thought you'd be welcome with open arms and new friendship. However, you were terribly wrong. You were ignored, threatened, and chased out of the regions in Teyvat. One day, on the heart island outside of Liyue, a portal opens and an opportunity is given to you. An opportunity where you have power and control over fate. Perhaps this is where you truly belong.
Note: This fic mainly focuses on the reader, so not a lot of Genshin men will be speaking in this overall fic unless it's something huge. I don't know how I feel about this story. I have come to the conclusion that I suck ass at writing the main character as a villain. I thought this fic was going to be longer, but I think it's best to cut it short because I'm not sure where it's going, and leaving it as where it ended is good. This is my first attempt at writing a villain!reader, and I think it's decent-ish for my first time. Again, you guys might think it sucks ass and honestly, understandable if you do think it sucks. Anyway! I don't post anywhere else but on Tumblr (Genshinluvr) and on AO3 (Aaliah_exo).
Warnings: Reader gets impaled, mentions of blood, failed depictions of villainous reader
Word Count: 6.6k
Part 2 of Where I Truly Belong is [HERE].
The day you arrived at Teyvat, you were alone. The familiar faces of the characters you loved were nowhere to be found. You assumed they were going to try to find you and perhaps help you adjust to their world, but you were wrong. No one searched for you; therefore, you searched for them instead. When you found the beloved characters you love before being thrown into Teyvat, they ignored you. Even if they recognized you or had this sense of familiarity when seeing your face among the crowd, they continued on with their day as if you were never there. 
You run toward Aether, grabbing him by the wrist. “Aether! I finally found you! I—”
Aether yanks his wrist from your grasp, gazing at you like you had just grown two heads. Your heart drops to your chest, watching the blond man take a step back while the floating girl beside him gazes at you warily. Aether doesn’t say anything, and neither does Paimon.
“Do you know this person, Traveler?” Paimon asks, floating closer to Aether. 
Aether shakes his head. “I don’t know them, Paimon. I’m sorry, but you have the wrong person,” Aether states firmly, almost glaring at you.
You swallow the lump in your throat after hearing Aether’s response. Before you can say anything, a voice from a distance calls out to Aether and Paimon. You, Aether, and Paimon turn to see Lumine running toward the three of you with a big smile while Dainsleif follows behind.
Lumine stops in her tracks. “There you two are! I can’t believe you two ran off like that! I don’t understand how you and Dainsleif were traveling companions,” Lumine huffs, propping her hands on her hips.
“I was more of his babysitter, making sure he doesn’t get into trouble,” Dainsleif snorts, rolling his eyes when Aether grumbles incoherent words while Lumine and Paimon snicker.
You clear your throat. Lumine and Dainsleif look at you for a brief moment before Lumine loops her arms around Aether’s left arm, pulling him elsewhere with Paimon and Dainsleif following behind, leaving you standing in the middle of the field alone. Dark stormy clouds roll in, and you’re immediately soaked to the bone, watching the four figures get smaller and smaller. The four figures soon became blurry— you’re not sure if it’s because of the pouring rain or if it’s because of your tears. At this point, it’s hard for you to tell the difference between the two. 
You decided to stop by Mondstadt after meeting Aether, Lumine, Dainsleif, and Paimon. Once you reached the City of Freedom, you took shelter and made sure you weren’t entering the city looking like a soaked rat. After the sky clears up and you’re not soaked to the bone, you enter t the vast city. You thought the people of Mondstadt would be nicer when they see you, but you’re wrong. Huffman and Sara from Good Hunter are friendly people. However, people who have visions are the opposite. You tried talking to Albedo, Venti, Diluc, and Kaeya. Still, they all ignored you or acted like you were a crazy person.
“I believe you have one too many dandelion wines,” Kaeya chuckles, leaning against the counter at Angel's Share, nursing wine in his hands. 
Venti is sprawled over the counter at Angel's Share. You can practically see birds flying around his head. The poor Bard is not only drunk, but he’s also mumbling incoherently. Diluc sighs, cleaning the cup before tending to his duties around the tavern.
Diluc mumbles, “They’re not a customer, Kaeya.”
Venti scoots over to the Chief Alchemist, whispering loudly to the man, “Is it just me, or does this strange person look like they were fished out of Cider Lake?”
Albedo looks at you for a brief moment before gazing back at his sketch pad, not saying a word to the Bard. Even though none of them have outwardly shown you they don’t want you in Angel’s Share, you know from the way they look away from you and act around you they don’t want you in the same building as them. So, you gather up your things and leave the tavern. You’re used to being alone in your world, and seeing the people you adore treat you like you didn’t exist hurts. 
“Maybe the next region won’t be so bad,” you tell yourself.
Liyue is interesting. When you step into the beautiful region ruled by the Geo Archon, you are met with a polearm pointing at your throat. Xiao stands before you, glaring daggers at you with such distaste that it nearly made you want to skip Liyue altogether. 
“Outsiders are not welcomed to Liyue,” Xiao spats.
You know the Yaksha before you is doing his job to protect the region once ruled by the Geo Archon, but the way he gazes at you with such… hatred… made you second guess your presence in Liyue. 
You clear your throat. “I thought adventurers are welcomed to Liyue, Xiao,” you whisper, hands shaking at your side.
Xiao glares at you, not saying a word. Oh. When Xiao said that outsiders aren’t welcome in Liyue, he meant you. You’re not welcome to Liyue, not because you’re not an adventurer or a tourist from another region visiting the City of Contracts. It’s because you’re not from Teyvat. But even if you’re not from Teyvat, Aether, Dainsleif, Paimon, and Lumine aren’t even from Teyvat either. However, they’re still welcomed with open arms. 
“I won’t cause any harm, I promise. Is it a crime to walk into a region? I don’t have any weapons on me, nor do I pose a threat,” you say.
You dig into your pockets and hold your hands up to show Xiao you have no weapon on you. Xiao reluctantly points the polearm in the opposite direction of you and stares at you. You sigh in relief and walk past the Conquerer of Demons. In Mondstadt, no one pointed their weapons at you. In Liyue, though? You can’t really get upset with Xiao over it, really. All he’s doing is his duty to protect Liyue from danger.
When you step into Liyue Harbor, you stop in your tracks and look at the beautiful city. The City of Contracts is full of life, and the chatter of the citizens fills the once-silent air. After the encounter with the four outlanders, the men of Mondstadt and Xiao, you can't help but hesitate to continue further into the city. You know the Yaksha is watching your every move like a hawk. You don't necessarily blame him, but the encounter with Xiao made you hesitate.
Should you continue further into the City of Contracts? Or will the not-so-deceased Geo Archon make you face the wrath of the rock for stepping into his beloved city? Your hands shake at your sides, making you swallow the lump in your throat. You take a deep breath and continue into the city, making sure not to bump into a green-haired doctor and the former Geo Archon. You don't have anything against them, but they might have something against you, like how Xiao does when you step foot into the region. You stand in the middle of the city, staring at nothing. Why did you continue to venture into the City of Contracts?
You searched for the familiar faces from a beloved game you loved so much back in your world, only for them not to like you. It was a rude awakening, and you're unsure of why they treat you this way when you have never met them— nor did you plan on meeting the characters you have always loved. Someone bumps into you, causing you to stumble forward and snap out of your thoughts.
“Oh, I'm so sorry,” you say, turning to look at the person that bumped into you before freezing up.
“Why am I the one apologizing when I wasn’t the one that bumped into him?”
The ginger-haired Harbinger glares at you. “Next time, don't stand there and take up space,” Childe hisses, shoving past you and purposefully bumping your shoulders.
You rub your shoulders, watching the ginger Harbinger approach a certain Geo Archon, his demeanor changing almost instantly as he greets the Archon happily. 
You press your lips into a thin line before turning around and walking away. As you walk away, Zhongli looks at Childe quizzically. Childe dusts his clothes and props his hands on his hips, sighing and acting like nothing had happened. Once you're out of view, Zhongli turns to Childe.
“Childe? Is that who I think it is?” Zhongli murmurs, stroking his chin.
Childe scoffs, continuing not to know who you are even though he's very well aware. Childe nudges the Geo Archon to follow him to the restaurant where he, Zhongli, and Doctor Baizhu will be having dinner. Baizhu shakes his head, walking beside the Geo Archon.
“Just to let you know, you're a little bit harsh on them despite you being the one that bumped into them,” Baizhu mutters, shaking his head with disapproval.
Childe rolls his eyes and changes the subject as the two men arrive at the Liuli Pavilion. Meanwhile, you sit outside of the city of Liyue, hugging your knees to your chest. You made a massive mistake of seeking out these people that you adored in your world. You should've started a different life in Teyvat, living among the citizens of Teyvat and living in solitude. But of course, you being you, you decided to seek these people out, only to be disappointed in the end. 
You still have Inazuma and Sumeru to explore and visit. However, you want to avoid stepping foot in the two other regions after what happened with the outlanders, the men of Mondstadt, Xiao, and Childe. You have yet to meet Zhongli and Baizhu, so you can't make a judgment on how they would treat you upon meeting for the first time. But if Xiao reacted in such a way when you entered Liyue, who knows how Zhongli and Baizhu would react?
You nearly forgot how fast time passes in Teyvat. One minute it was the afternoon, and when you blink, the sun is already setting. Technically, time doesn't change in a blink of an eye, but it does feel like it in Teyvat. You close your eyes and rest your head on your knees. Would visiting Inazuma and Sumeru hurt? You're not going to try to meet the beloved characters you know and love. You want to see the architecture and city up close. 
And that is what you did. You went to the two regions, made sure to avoid bumping into any familiar faces, and somewhat succeeded. However, it lasted only a short time when Itto and Scaramouche brought awareness to your presence in Sumeru and Inazuma. So, you left the two regions in a hurry, and now you're on this little heart island far out of Liyue, sitting at the edge of the island.
You bury your feet into the sand, watching the waters crash to shore and wet the sand above your feet. You wiggle your toes and shield your eyes from the sun. A large portal suddenly opens beside you, making you jump and stumble back. A tall Abyss Lector emerges from the portal, arms open and hovering toward you.
“Stay back!” You scream, grabbing the nearest object to use as a weapon.
The Abyss Lector cackles and stops before you, leaving a reasonable distance between you two. The Abyss Lector continues to stare at you in silence as if waiting for you to calm down. You take a step back. The Abyss Lector crosses their arms over their chest, chest rumbling with laughter. 
“What do you want from me?” You whisper.
“Watching you try and fail over and over is pathetic,” says the Abyss Lector.
You stare at the being before you blankly. Oh, so the Abyss Lector has been watching you try to befriend the beloved heroes of each region with mirth. Yeah, you would be doing the same thing if you weren't, well, you. You cross your arms over your chest and sigh as a sense of dread falls over you. You're alone in this heart island with the Abyss Lector, probably their next target aside from Teyvat and the Archons.
“If you're going to insult me, can you do it after you kill me? It'll save me from the embarrassment,” you mutter.
The Abyss Lector howls with laughter, head thrown back, shoulders bouncing. “Kill you? I have a proposition for you, and you are to decide whether you want to do it or not,” says the Abyss Lector.
You can't help but be wary of the Abyss Lector. While the Abyss Lector has yet to harm you, the Abyss has caused catastrophic harm in the past. You decide to listen to the Abyss Lector's proposition. The Abyssal creature went on a ten-minute tangent about the offer and would answer many of your pressing questions. To your surprise, the Abyss Lector was patient with your questions and had no issues with you not understanding certain parts of the proposition. You're grateful the Abyss Lector didn't attack you upon first meeting you— technically, the Abyss Lector created a portal near you on the heart island outside of Liyue.
“So? Do we have a deal or no deal?” asks the Abyss Lector, holding their hands out.
You press your lips into a thin line. Is this really what you want to do? You can’t turn your back on the people you adore. However, with how they treated you…. Does it really matter at this point? 
You furrow your eyebrows, nodding. “I accept your offer,” you say, placing your hand in the Abyss Lector's hand.
The Abyss Lector claps their hands. “Wonderful! Please, step into the portal, and we shall start our journey together,” says the Abyss Lector.
The Abyss Lector lets out a cackle and opens the portal. You and the Abyss Lector step into the portal, sealing your fate. Time flies in the Abyss— three days on Teyvat is three months in the Abyss. You didn't mind the drastic change of time and how fast time flies by in the Abyss. It took some time, but you were able to get used to it. Because you're not from Teyvat or from their universe, you mapped out the areas on Teyvat for the Abyss Order to target. You didn't have to do the attacking and invading like the Abyss Herald, Abyss Lectors, and other Abyssal creatures. All you have to do is sit on the throne and tell them what to do.
You sit on the throne in the Abyss, leaning on your right arm and watching the Abyssal creatures roam around. As the ruler of the Abyss Order, there wasn't much for you to do. Sometimes you would embark on your journey to Teyvat with the Abyss Lector, witnessing the damage being done to Teyvat. Usually, you would feel anger and sadness when the Abyss Order is harming the citizens of Teyvat and wanting to inflict harm on the Archons, but now? You could care less about what is being done to the people of Teyvat and their Archons.
“Your Highness, it's time,” says the Abyss Lector, kneeling at the foot of the throne.
This isn't the first time you'll be visiting Teyvat while the Abyss Order is running amock on Teyvat. But for some reason, you can't help but feel anxious about visiting Teyvat. The Abyss Lector, named Agnarr, holds their hand out for you to take. You take a deep breath and grab Agnarr's hand. Egill levitates forward, nodding. The two Abyss Lectors lead you out of the throne room of the Abyss, opening the portal to Teyvat.
Sumeru is on fire— literally. You and the two Abyss Lectors stand afar, watching the citizens of Sumeru scream and scramble out of the city while it's engulfed in flames. You see familiar faces running to the farthest part of Sumeru, but you pay no attention. Other Abyss Lectors and Heralds open various portals around Sumeru City, floating toward the Great Tree. Abyss Mages emerge out of thin air, cackling and attacking those they see.
“What do you think, Your Highness?” asks Enjou, appearing out of thin air, startling you.
You press your hand against your racing heart and take a deep breath. You turn to Enjou, glaring at the Pyro Abyss Lector, who cackles after seeing your reaction. You huff and glare at Enjou, who is now levitating before you with his arms over his chest. Enjou has the tendency to scare the crap out of you at every chance he gets. On the other hand, Agnarr and Egill aren't fond of the idea of Enjou popping on and out of places to get a reaction out of you.
You take a deep breath. “Enjou, can you please stop doing that?” You ask.
Enjou hums. “Hmmm, I don't think I can do that, Your Highness. It's my job to make sure you're stealthy and always alert! Who knows, someone could attack you while we're not at your side,” Enjou says nonchalantly. 
“They needn't worry about their safety when they're with us,” Agnarr hisses at Enjou.
Egill scoffs, crossing their arms over their chest. “As if we'd let them be in harm's way. Those who try to take the Abyss Order's Ruler shall fall and watch the world around them burn,” Egill hisses.
Enjou raises his hands, shaking his head. You sigh, turning back to the scene of the burning city of Sumeru. The screams and cries fill the chilly night, sending chills down your spine. It has taken you months to get used to hearing the anguished screams of the citizens of Teyvat, but the more you listen to it, the more you have gotten used to it. While you did not want to hurt the citizens of Teyvat and only specific people who have hurt you and turned you away, the Abyss Order spares no one. Not even children and animals.
“Burning down buildings and villages won't do much for the Abyss Order,” you murmur, stroking your chin. “We'll discuss this when we return to the Abyss.”
Agnarr, Enjou, and Egill nod their heads. You yawn as Egill opens a portal to the Abyss. The three Abyss Lectors all levitate toward the portal with you by their side. Before you can step into the portal, an arrow flies by your face, forcing you to come to a stop. Agnarr and Egill step in front of you to shield you from harm, glaring at the perpetrator. You peek from their arms to see what's going on, only to realize Enjou is standing in front of Agnarr and Egill, blocking the perpetrator's view of you.
“Who dares to try to harm their Highness!” Enjou growls, his hands bursting into flames.
You hear a familiar laugh— a bitter laugh that causes goosebumps to appear on your arms. Childe. 
“As if they weren't the ones that cause mass chaos on Teyvat,” Al Haitham hisses.
You peek from behind Agnarr's arms to see Al Haitham standing there, glaring at the three Abyss Lectors. Al Haitham isn't alone. In fact, he's accompanied by twenty-six familiar faces, along with Lumine and Paimon, standing beside her twin brother and Dainsleif. You roll your eyes, crossing your arms over your chest. You yawn dramatically, grabbing everyone's attention.
“If you're all finished with the dramatic entrance, I will be returning to my humble abode now,” you say with a blasé attitude.
Another arrow is shot, flying past your face and slicing your cheek open. You lightly touch the fresh cut on your cheek and gaze at the crimson blood on the tips of your fingers. You scoff, gazing at Gorou, who glares at you and bares his fangs, growling lowly. You wipe the blood on your clothes, shaking your head.
“Oh? So, you want to start something you can't finish?” You smirk bitterly. “Fine, have it your way, pests.”
Itto smirks. “Something we can't finish? I'm pretty sure you're the one that started something that you cannot finish!” Itto proclaims.
You prop your hands on your hips, glaring at the Oni. You cover your face with both hands briefly, sweeping your hands up and back your head, and your appearance changes instantly. Your eyes are bitch black, and the tips of your fingers are pitch black and dark blue with specs of glimmering stars that mimic the galaxy. A long cape similar to Dainsleif's drapes down your back and pools around your feet.
You close your eyes and begin muttering under your breath, your hair illuminating, and the shadows below you come to life, slithering toward your attackers. The first person to be snatched and dragged was Itto because of his annoying egotistical, and overly confident attitude. You hate how obnoxious he is, and he was once your favorite character from Inazuma due to his personality. 
But the longer you stay on Teyvat, the more you can't handle his loud personality. He reminds you too much of a particular person back in your world, and, quite frankly, hurting him will be another way of harming the person you knew in your world without actually harming them. Your patience and sanity have withered away, and you want to make them feel your wrath for how they have treated you since your arrival.
The shadowy tentacles wrap around Itto's ankles, yanking him up into the air before throwing him to the side. Itto lands on the ground with a hard thud, groaning in pain. You snicker and levitate in the air, crossing one leg over the other with your arms over your chest. A portal opens up behind you, and Dainsleif, Lumine, and Aether emerge from the portal, tackling you to the ground. You open the dirt ground, letting it swallow the four of you.
“How dare you attack the Ruler of the Abyss Order!” Enjou howls with anger, throwing balls of flames at your attackers.
Another portal opens beside Agnarr and Egill. You step out of the portal, dusting your clothes off with an infuriated sigh. Agnarr and Egill quickly whisk you away, opening up another portal. Scaramouche growls with anger, pointing at the portal as you, Agnarr, and Egill levitate away.
“They're getting away! Don't let them get away, dammit!” Scaramouche screams.
Xiao growls and appears before you in a blink of an eye and manages to kick you away from the two Abyss Lectors, sending you tumbling to the ground. You groan and kneel, looking up to see Xiao looming over you. Xiao clutches his jade spear so tight that he can snap it in half. The same jade spear you managed to get for him after blowing hundreds of dollars for that weapon on the damn weapon banner. Xiao raises his polearm up, preparing to impale you with his polearm. 
You wince and look away, bracing yourself to get impaled. You hear a loud squelch, a pained gasp, and an anguished scream. You turn to see Enjou's left hand sticking out of Xiao's chest— where his heart should be. You gulp and watch Enjou throw Xiao to the side, letting the Yaksha bleed out on the grass. Agnarr and Egill rush to you, pull you by your arm, and create a portal. The four of you soon fled the scene. 
“How disappointing. I wanted to see them all perish,” you sigh, plopping on your throne while rubbing your temples. “But it looks like I'll have to wait another day to witness the downfall.”
Agnarr comes forward. “Your Highness, are you alright?” asks Agnarr.
“I'm fine, Agnarr. I'm not physically harmed,” you murmur.
Egill gestures to your cheek. You subconsciously touch the wound on your cheek, feeling the stinging thin cut. It's a mere flesh wound, nothing more, nothing less. It's not like it can kill you unless it's laced with poison. If the arrowhead were to be laced with poison, you would've known immediately. It seems like this attack was more improvised than planned, given the fact how messy it turned out for the opposing side. 
You pinch the bridge of your nose. “I'm fine, Egill. It's a mere cut. It won't kill me,” you murmur, brushing away Egill's concern.
The one thing you wish didn't happen was fleeing the scene so quickly. You wanted to watch the opposing side fall. You want to witness the bloodshed in Sumeru. Due to a certain Yaksha almost successfully slaying you, you had to be ushered immediately out of the battlefield and to safety.
“That Adeptus nearly killed you, your Highness. That is inexcusable, and he deserves every ounce of punishment from the Abyss Order,” Agnarr hisses.
You chuckle, shaking your head. It would be funny to see Xiao try and kill you. If he did manage to kill you successfully, the Ruler of the Abyss Order, then who knows how the Abyss Order will react. Watching the downfall of the Archons and the citizens of Teyvat is something you surely do not want to miss out on. 
“I agree with you, Agnarr. Those who intentionally try to harm the ruler of the Abyss Order shall fall and watch the world around them burn and crumble to the ground,” you nod.
After what happened today, you will not be returning to Teyvat until further notice. It's best to remain in the shadows while the Abyss Order does what you say from behind the scenes. In order to take down an entire region, aside from terrorizing the cities and its citizens, you need to take down the beloved Archons of each nation. But the question is: what Archon is going to be your first target? The Anemo Archon? The Geo Archon? The Electro Archon? The Dendro Archon? Heck, maybe the Hydro Archon? You have yet to step foot into the City of Justice, but seeing some familiar faces from her region makes your blood boil.
“What is on your mind, Your Highness?” Enjou asks.
You shrug your shoulders. “Which Archons do you think is the most annoying?” You ask, getting up from your throne. 
The three Abyss Lectors gaze at you quizzically. While their faces are covered, you can tell they’re confused about what you’re implying. You sigh, rubbing your temples. You’re not sure if you can pull it off, but it’s worth a try, right? Is kidnapping an Archon risky? You're the Ruler of the Abyss Order, for fucks sake. So you continued where you left off. 
“Now, I have yet to meet the Geo, Dendro, Hydro, and Electro Archon, so I can’t make a judgment on how annoying they are. However, I did meet the Anemo Archon and….” You trail off, face pinching up with disgust. “What I'm trying to say is let's kidnap an Archon,” you conclude, clapping your hands.
“The question is, who are we going to be kidnapping, your Highness?” Enjou asks.
Your first answer was to kidnap the dear Anemo Archon of Mondstadt. However, thinking back to your encounter with the said Archon, you sure as hell do not want to deal with him again. The first encounter was already enough for you, and the Bard doesn't seem like he would put up much of a fight. You want a challenge, and an Archon who is “deceased” would be the first step to go. Who would notice an Archon disappearing overnight? An Archon who isn't really dead.
That's how you find yourself standing before the Geo Archon in the ruins of Liyue. You could kidnap Zhongli and bring him to the Abyss, but you knew the Abyss would rapidly deteriorate his sanity, and you didn't want that. Yet. The Geo Archon is tied up against a tree in the Chasm, his mouth taped shut to prevent him from calling for a certain Yaksha. The Geo Archon stares at you emotionlessly.
“The citizens of Liyue aren't the brightest. Assuming their God is dead when he's roaming among them, alive and well,” you say, crossing your arms over your chest. “We never met, and I deeply apologize for this being our first meeting.”
Is it really your first time meeting Zhongli? Zhongli was there when you, Agnarr, Egill, and Enjou were in Sumeru, watching the city burn to the ground. Though, he did not attack you like how the others have tried to attack you. You weren't sure if the Geo Archon had something up his sleeves, but you can't help but feel satisfied with how easy it was to kidnap the Geo Archon. It's almost too easy for your liking.
Zhongli glares at you as you approach him. You grab the tape from the corner and peel it off Zhongli’s lips so he can speak. It’s not like Zhongli is going to call out the name of the short Yaksha to save him. A Geo Archon like himself doesn’t need a savior. Zhongli can get himself out of this situation without an issue, and you’re surprised to see Zhongli not fighting back. Would Zhongli stand a chance against three Abyss Lectors in the corner, watching his every move?
“I see you're the new Ruler of the Abyss. Such a shame to see someone not of this universe become something that destroys the world they once loved,” Zhongli says nonchalantly.
You smirk at Zhongli bitterly. “Once loved, Zhongli. What's there to love when all I've been receiving is hate and being treated like I wasn't human? Your little Yaksha nearly killed me when I first stepped into Liyue,” you hiss, clenching your fist so tightly that your nails dig into the palm of your hands.
You didn't want to become those cliche villains who talk the victim's ears off— talking about your tragic background and how you became who you are. But here you are, talking the Geo Archon's ears off about how you were treated when you encountered the people who did you wrong. You wanted to meet the characters— the people— you adored, but you were cast aside. 
Heck, even the hilichurls and mitachurls treated you better than how the Archons and prominent figures of Teyvat treated you. The citizens of Teyvat treat you no differently. They went along with their day and would glance at you every now and then when you visited the cities. They treated you better than those who had visions. And yet here you are, burning down their homes, crops, and businesses all because of a small handful of people making you feel unwelcomed and unsafe when stepping into their nation.
“I'm going to be generous and not kill you. However, I do want something from you, and it's not your gnosis. Your gnosis is useless to me,” You say, standing before the (former) Geo Archon.
Zhongli stares at you, not saying a word. You sigh with disappointment. You don't know how much longer you can take this. Seeing the Geo Archon before you, tied up and defenseless, is fun, but at the same time, it's pathetic. Then again, you would rather be stuck in the same room as Zhongli than the Bard you met in Mondstadt. You squat before Zhongli and grab him by his hair to make him look at you.
“And what is it do you want?” Zhongli asks through clenched jaws. 
Just when you open your mouth to tell him what you want, a polearm pierces you through the chest. You tighten your grip on Zhongli's hair, gasping in pain. You look down to see the blade of Zhongli's vortex vanquisher buried deep in your chest cavity. You release Zhongli and stumble back, hands shaking as you grab the polearm. Zhongli glares down at you, his amber eyes glowing with hate and anger. 
“Did you think you would succeed?” Zhongli hisses, digging the polearm deeper into your chest.
You lie on the ground, blood pooling beneath you while Zhongli stands over you. Zhongli notices the Abyss Lectors have yet to attack him. You, their precious Ruler, are impaled, and yet they're doing nothing to help you. You grab the base of Zhongli's polearm, trying to pull the blade out of your chest, only to fail. You struggled for a few minutes before going limp. Eyes glazed over as your lifeless eyes stared into his soul. Zhongli furrows his eyebrows, questioning why it's so easy to kill you and why the Abyss Lectors didn't attack him for impaling and killing you in front of them.
The tense and quiet air in the Chasm is soon broken by the sound of clapping from a distance. Zhongli looks up to see you leaning against the wall with an amused look on your face. You descended the stairs in all your glory— the very same cape flowing behind you. Zhongli narrows his eyes at you and then at your lifeless body on the ground.
“You put on quite the show, Morax. However, you killed the wrong person,” you giggle.
Your lifeless body soon evaporates into a puff of smoke as the Abyss Lectors stand beside you, forming a barrier between you and the Geo Archon. 
You sigh, running your fingers through your hair. “It's such a shame to see my clone get slaughtered in front of me,” you mutter, shaking your head with disapproval.
“You....” Zhongli trails off.
You tilt your head to the side, pouting at him mockingly. “I what? Did you think you would successfully kill the Ruler of the Abyss? Oh, please! I wouldn't make it easy for you,” you giggle.
You walk toward Zhongli and caress his face. “You're not in your prime time anymore, Morax. You’ll need to do way more than stab me in the chest to get rid of me,” you whisper. “If you'll excuse me, I have a business to tend to. Agnarr and Egill will be keeping you company while Enjou and I are gone.”
Your clone's blood is splattered on Zhongli's face— not going to lie, Zhongli looks attractive with blood on his face. You let your hand fall to your side, smirk at the Funeral Consultant, and turn around, opening a portal for you and Enjou. 
Once you step through the portal with Enjou, the portal closes, leaving Zhongli and the two Abyss Lectors alone. Zhongli clenches his jaws, tightening his grip on his polearm. Zhongli's not going down without a fight, and he will find a way to escape one way or the other. The first thing he needs to do is get rid of the two Abyss Lectors. He could call Xiao for assistance, but Zhongli can handle this on his own.
In the Abyss, you sit on your throne with your legs crossed over the other as you stare at the two Abyss Lectors. You tap your fingers on the armrest, gaze falling upon the kneeling blond before you. Dainsleif is in cuffs, glaring up at you. When you arrived at the Abyss with Enjou, you were informed that the two Hydro and Cryo Abyss Lectors had captured a certain blond. Now, you're unsure of why Dainsleif was popping in and out of the Abyss, but you have an inkling feeling it's to hunt you down.
“Care to explain by the Abyss Lectors found you roaming around the Abyss?” You grumble.
Dainsleif doesn't reply and continues to glare at you. Dainsleif has cuts littering his body, his lip is cut open, and he looks like he was dragged through debris. Nonetheless, you could care less about his condition at the moment. You sit up and rest your elbows on your knees, raising an eyebrow at the blond man. You sit back and close your eyes, pinching the bridge of your nose and letting out a slow exhale.
Dainsleif stumbles up while struggling in his cuffs, only for the Cryo Abyss Lector to grunt with annoyance, hitting the blond man on the back of his head. Dainsleif grunts in pain and collapses to the ground on his knees. You click your tongue and open your eyes, gazing into Dainsleif's blue eyes. Dainsleif continues not to say anything, glaring at the ground.
“Your Highness, are you hungry?” Enjou whispers.
You shake your head and dismiss Enjou's question. You leave your throne and step toward the kneeling blond man. Enjou reaches forward and grabs you by your wrist. You turn to Enjou, who shakes his head. You give Enjou a reassuring smile— Enjou swallows. Ever since you agreed to become the new Ruler of the Abyss, Enjou and the other Abyss Lectors, Heralds, and Abyssal creatures have yet to see you smile or laugh. You always have this deep frown and glare— you glared so much that it's permanent at this point.
You step toward Enjou. “I'll be fine, Enjou,” you whisper.
Enjou reluctantly releases your wrist, watching you turn and walk to Dainsleif. You stop before Dainsleif, grab him by the chin, and tilt his head up. Dainsleif stares at you. You want to laugh after seeing him in this state. This is your first time seeing Dainsleif in such a state. It's pathetic and comical. Someone persistent with searching for the Abyss twin, traversing through many regions and maybe even universes, just to find them and snap them out of it. And now Dainsleif is here, kneeling before you and looking pathetic. 
“Never in my life would I see you in this position, Dainsleif. It's shocking and pathetic,” you say nonchalantly. “Care to tell me why you're here? If you're here to kill me, you're going to have to try harder than that. The Geo Archon tried and failed to do so.”
Dainsleif continues not to speak. You release Dainsleif's chin with an annoyed sigh, crossing your arms over your chest. It seems like Dainsleif is even more stubborn than you thought. You wanted to laugh in Dainsleif's face. Why is he in the Abyss, kneeling before you with handcuffs? You would understand if the Abyss Lectors and Heralds captured him for roaming around the Abyss. However, the lack of response from the blond man is putting you on edge. 
Dainsleif lets out a shaky sigh. "I'm here to get you out of the Abyss. You becoming the Ruler of the Abyss Order was a mistake that was never meant to happen," Dainsleif says.
You cross your arms over your chest. Yeah, and your appearance in Teyvat was never meant to happen either, but here you are. You walk to your throne and sit, gesturing for Dainsleif to continue on. If Dainsleif continues to blabber on about something you don't care about, then you're going to call it a day and retreat to your bedroom, and the Abyss Lectors can toss Dainsleif in his prison cell. How could you not join the Abyss Order? Plus, why is Dainsleif suddenly backtracking when your first meeting was the opposite? 
You chuckle bitterly and shake your head. "Oh. Dainsleif. You're a bit too late for that. This is where I truly belong— with the Abyss Order as their Ruler. None of this would've happened if none of you treated me that way," you hiss.
You stand abruptly and begin walking off.
Dainsleif stands. "Wait! Don't leave!" Dainsleif hollers.
You turn around and glare at Dainsleif. Your eyes turn pitch black. "Goodbye, Dainsleif. If you, or anyone, continue to get in my way, I will make sure there's nothing left behind on Teyvat."
And with that, you turn around and storm off with Enjou following you. Dainsleif watches you disappear into the darkness, shoulders slumping. Your nails dig into the palm of your hands, drawing blood. How dare Dainsleif march into the Abyss, demanding for you to leave the Abyss Order when he and the others are the reason why you turn to the Abyss Order for help. The Abyss Order is the only group that accepts you and does not hurt you like how the others did. If they want you to leave the Abyss Order so badly, then they can fight you to the death because you refuse to leave. The Abyss Order is where you truly belong.
Note: I feel like this fic falls under the same route as any other SAGAU fics where the rejected creator!reader joins the Abyss Order because they treat the reader better than the Genshin characters. I haven't read fanfics for Genshin in a while, so idk what's trending nowadays for Genshin. Anyway, I am now going to close the voting for Burning Desire voting for Route 3! Thank you for your votes, and we shall wait and see what happens in the third route! I might take a break from writing (like a one-week break), but idk if I'll go through with it 💀 [this part is copied and pasted from my previous fanfic regarding the Discord server] For those who want to join my Discord server, here is the temporary link to [Zhongli's Abode]. Please make sure to read the server rules to save yourself from getting in trouble (if you like the server, you can stay, chat, and lurk. If not, you can leave if you don't vibe with it ^^). Anyway, to all my new and returning readers, keep in mind that I ONLY post on my Tumblr (Genshinluvr) and my AO3 (Aaliah_exo)! Nowhere else except Tumblr and AO3!
Taglist for my Isekai'd!Reader one-shot series and my overall taglist: @yoru-trash, @kaoyamamegami, @deartoru, @luminarymoonlight, @ins4nebish, @bokuto-kinnie, @exhaustedcommunist, @jadedist, @chalksdreams, @thelost-in-time, @ventisweetheart, @hispasian-otaku, @samarill, @testsubject0012, @kazuhaprnt, @lunarapple, @heyimkay, @eliciana, @jjvr4yxc, @sovermike-21-blog, @nightlysunn, @thelovebuggs, @urlocalheizousimp, @sunlightstarr, @asoulsreverie (Accounts that I was unable to tag have been removed. Those who don't want to be tagged in certain stories are not tagged in this particular post. Remember to check your settings to see if you're allowing people to mention you/tag you in posts or not)
Read more of my works on my Masterlist / Masterlist 2 | Maybe support me by tipping me on Ko-Fi or by reblogging my fanfics! ^^ I will also be posting exclusive fanfics on Ko-Fi as well very soon! I might post all of my stories on there too, but who knows. You can also tip me on Tumblr if you'd like as a way to show support! ^^
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sareeen · 4 months
Text
Meaningful words
Pairing: Azriel x fem!reader
Summary: A lonely night without Azriel is hard enough for Y/N, but when she gets a terribly sad book in her hands, she feels a thousand times worse. Luckily, Azriel is always there when she needs him and can calm her down like no one else.
Warnings: nothing, just fluff :)… maybe at the end a little dark azriel
Masterlist
A/N: After months of hard times, today I finally had the time and the will to write. With this little story today I would like to wish you all a Merry Christmas in advance :)
English is not my first language so I apologize for any mistake.
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Damn you, Nesta.
Y/N could hardly see the letters because of the tears in her eyes and the bottom of the page was already wet in several places. She felt so miserable that she wanted to throw the book away and lie there for two days, weeping in the depths of the bedclothes.
But the story sucked her in, the heroine's suffering and grief dug into her like sharp claws, and she was unable to put the book down. As Azriel was on a mission all night and she could not sleep for lack of it, she took the book that Nesta had borrowed to her. She told her it was a sad story and surely if Nesta Archeron called something depressing then it must be so.
As she kept turning the pages, the harder it was to restrain herself from reaching for the bond with the spymaster and tugging at it, then begging him to come home. But, with great difficulty, she managed to control herself and behave like an adult. However, in the last few hours, as the sun began to rise, she looked at the clock more and more and sat on pins and needles to hear the front door open.
When she started another chapter and the protagonist was hit with yet another worse blow, as if the poor thing hadn't already had a hard time, she sobbed so much that she missed the opening of the door by just the wrong margin.
Azriel stood frozen, his broad shoulders almost filling the doorframe and panting heavily as if he had run all the way home from the Illyrian camp.
"What's wrong?" he stepped inside immediately after the first shock and rushed straight to their bed.
"Stupid book."
The words were almost unintelligible and Y/N pointed the thick book towards him like some kind of idiot and handed it to him.
Azriel held it in his huge hands, clueless, and it was obvious that he didn't understand the situation at all. He looked so lost, which was so unlike him, that if the situation had been different Y/N would have laughed.
But she felt so lousy she just tried not to cry any harder.
It was almost consuming him, it seemed, to see her like this and not know exactly what was wrong with her and how he could help her. So, he just lay next to her, dressed in his battle clothes as he was, and pulled her onto his chest.
It made Y/N cry even more.
"It's so sad," Y/N poked the hard cover of the book. "Nesta gave it to me and now I feel so awful."
Azriel kissed her hair and mumbled something that sounded too much like I'm going to kill that woman.
"Then why are you reading it, sweetheart?" his warm hand traced soothing circles down her back, making her feel a little better. At least enough to form meaningful and complex sentences, and not like some one and a half year old child.
"Because it's so good by the way," she whispered, pressing her palm against Azriel's chest, right where his heart was beating. A small relief welled up inside her and she stroked the leather.
“But it's so sad because Adja the main heroine is losing her mate. He was wounded during a battle and the healers couldn't save him, and then he died."
A shiver ran through her as Azriel's arm tightened around her, almost pulling her into him.
"I've been thinking about what I would do" Y/N sniffed. "If you died, I don't know what I would do. I'd probably jump off the nearest cliff I could find and go after you."
Azriel took a deep breath at her words and cupped her face in his two scarred hands. Y/N looked at him with teary eyes and the way his partner looked at her, with that devotion and adoration, she was absolutely certain that she would indeed go after him to death.
"My love" he gave her a soft kiss on the lips and then wiped away the tear that trailed down her cheek. "I'm not going to die."
"You can't promise me that" Y/N argued at once. "No one can promise that."
Azriel smiled and gave her another kiss.
His lips were warm and soft on hers, causing Y/N's arm to unconsciously wrap around his neck and pull him closer. Their legs tangled together under the blanket and Azriel's shadows retreated to the corner, as if they didn't want to share this intimate moment.
When they broke apart, Azriel's finger brushed her cheek with a breathless caress. The golden-brown eyes almost glowed and Y/N could have sworn they sparkled slightly. She knew that her mate sometimes still struggled to accept that she really loved him. Every once in a while, her heart sank when she sensed through the bond that Azriel doubted himself and at such times she always made sure to surprise him with something to prove that he deserved it more than anyone.
"Indeed not, but I can promise you that I will do my best to stay alive" he grinned and playfully pinched her bottom. "I'll do my best to come home to this pretty little bottom every night."
To enhance his words, he gently patted the said body part.
Y/N gasped in surprise at the sensation and slapped his shoulder, but her mouth was already up to her ears. She felt much, much better thanks to Azriel.
"Good, because you're never leaving the house again" Y/N raised an eyebrow, then added jokingly. "Besides, it's not nice that your partner tearfully admits what she would do if you were gone and all you could think about was her butt. You know, other men would return the favor in a heartbeat, with words like I'd burn the world for you."
Azriel laughed and rolled over, pushing her body with his huge one almost into the mattress, which made Y/N sigh happily.
"Really?" The spymaster asked, brushing her stray hairs from her forehead.
"Yes," Y/N answered seriously, but there was laughter in her voice.
Azriel slowly leaned in to her ear and Y/N shivered with excitement as he began to whisper.
"Do you want to know what I would do if you died?" the spymaster said, but his grip on the words grew a little steely, as if the very thought of it was driving him mad. "I would cover the whole world in darkness and blood, hunt everyone down and when I had finished with all the sinners and all their loved ones, I would end my life and follow you to the afterlife. Proudly and without thinking, because if you no longer exist then the whole world is meaningless and I wouldn't want to exist in it."
Y/N's fingers tangled in Azriel's dark hair.
"That was better than a I'd burn the world down."
Azriel's dark laughter filled the apartment.
"I would do more for you."
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assumptionprime · 11 days
Text
I need to rant about the Fallout show
Because this is the person I am. Full spoilers, so I’m putting it behind a Keep Reading:
I’m a huge sucker for Fallout (yes even 3&4). And I went into the Fallout show with some… trepidation. Amazon has been a mixed bag on adaptations, we could have been blessed with a Good Omens, or cursed by a Rings of Power. But early buzz and reviews seemed positive, so I slammed the whole thing in one night with my spouse (we were staying at my in-laws house and they have Prime. Time was a factor.)
And y’know? I was really enjoying it! The characters were fun, the plot was engaging enough, and the costumes and visual design were extremely on point. There were some minor lore quibbles to be had: Ghouls needing some kind of medicine to not go feral. Really, more Enclave holdouts? Timeline and date whoopsies. Wait are they in California? Where the hell is the NCR?
I made a face at Shady Sands being bombed and the NCR collapsing. But I wasn’t completely out of the story. Based on what I had seen so far, I thought it was building to a reveal that the Brotherhood had done it. That the more zealous turn they took in Fallout 4, which has clearly carried to how they are portrayed in the show, lead them to bombing the NCR. War never changes, as they say. Maximus even says when asked what happened to Shady Sands: “The same thing that always happens.” Yeah, it leans into Bethesda’s weird desire to keep the Fallout world in a state of perpetual wastelands full of raiders and no civilization, but it wasn’t so terrible that I couldn’t still enjoy the show.
But then.
BUT THEN.
Episode 8, and the reveal of Vault-Tec apparently being the ones who dropped the first bomb in the Great War.
I was surprised to hear that some fans have apparently been debating over who fired first? Some even asked Tim Cain about it?
That’s really odd to me because, in the games, there is already a pretty definitive answer to which side sparked the Great War:
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Who fucking cares?
The world ended. What does it matter who shot first?
There is no China, no United States, no communists or capitalists left to fight about it. 
It's a powerful little bit of lore.
For all the posturing, all the promises from each nation that their way is the true way, all the nationalism, the militarism, and blind loyalty to flags over humanity, they both lost. Everyone lost. All that remains of the ideologies and nations that were so important to the people of 2077 is faint echoes over vast expanses of radioactive ash.
Who started the end?
No one knows. No one cares.
It only matters that their conflict was so bitter, so all-consuming, that one of them dropped their bombs, and the other dropped theirs in return.
The truest legacy of the old world is the devastation left by their final, most horrific war.
Can we do better?
Then the show says "Nah, Vault-Tec did it. It's not a commentary on human nature and the futility of self-destructive conflict, it was actually these guys, these mustache twirling villains huddled in a darkened room literally plotting to end the whole world so they can rule what's left."
And I can see the attempt to make this a critique of capitalism. I actually paused the show to praise a bit of writing when Coop is talking with Charlie before the war, when Charlie tells him that the “cattle ranchers are in charge” to illustrate how capitalism and corporations hold too much sway over the government, it felt very in line with how in New Vegas one of the recurring critiques of the NCR is that all the real power is in the hands of the “brahmin barons.” Nice parallel, spot on!
But “we’ll set off total thermonuclear war so we can rule the ashes and have a True Monopoly” isn’t capitalism. It’s just dumb “we’re the baddies” writing.
And then Shady Sands was also Vault-Tec?! Forget any meaning in the NCR falling to the same corruption and/or factional fighting that consumed the old world, they were literally just bombed by the evil shadow conspiracy that apparently also killed the old world. Hank gives this speech about factions fighting and the futility of it all while we see the Brotherhood fighting Moldaver’s NCR remnant, and like, no! You can’t say that when you’ve made it so neither the old world or the NCR fell to war with another faction! It was you! You and your band of cryogenic supervillains!
I don't care that they changed it. Timelines and dates and little retcons don’t bother me all that much. I care that they changed it to something so much worse.
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rboooks · 10 months
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Can you write a dead on main? Something with a bookstore au please!
Now that I know the ship names, you bet I can! I'll try my best to get through the ones I got requested in the past few days.
Jason liked bookstores.
They were a safe haven for him as a child, even when the fancier ones chased him off when he became a street kid. He adores the various series, the smell of books, and the quiet of stores. Often he thought that they were a small pocket to escape reality.
He had always known he could escape between the pages when everything had been terrible.
Maybe that's what lead him to this store even if it was a bit odd.
It was out of the way by the old docks that Joker used to run, thus making it condemned to the rest of the populace.
An old warehouse turned into a three-story bookstore. The entire first floor was aisles placed in side-way lines with the main counter as its center. The second floor had cozy reading nocks, plush futon couches, pillows, and blankets, complete with a small cafe. The rule was that anyone could take a book off the second-floor walls to read for free.
Employees asked to be informed if any food or damage was done to the second floor since the second book only had one copy of each. The owner would pull one off the bottom floor shelves to replace it.
The final floor had various reading rooms, but Jason loved that each room was based on a book. The room was professionally decorated to the point it left visitors feeling like they actually stepped into the world of the book.
Sculptures, playable settings, phenomenal little details the hard die fans could spot, and even sound systems playing sounds that sounded like the world. Jason could only compare it to Disney World or universal studios. The fact that people could rent the rooms for an hour for only fifteen dollars made them much more popular.
The third-floor rooms- ten in total- would rotate between series after a few months. Hence, the rooms were always different, but inside them were recommended books with the same kind of theme that was always the perfect recommendation, or maybe people just wanted to explore a room of their favorites.
Jason had visited the strange little bookstore with Tim after his brother had gone on a date with Bernard there.
Tim and Barnard had rented the "Hogwarts common rooms" room for three hours. Jason had been amazed by how real the four standard rooms looked, how there were even dragons spitting fire in one corner, moving portraits, a sorting hat ceremony, a small teddy bear decorating corner, and even a wand building second. All for only fifteen dollars. Tim had practically been glowing when he came home with his Ravenclaw bear and his own wand.
And maybe Jason is a huge Harry Potter fan; perhaps it was one of the first things he boned with Tim over, so maybe his brother had taken him to have an experience that he compared to the first time Bruce took him to Universal Studios.
Then he ran into the owner while one of the employees had been helping him pick runes to have burned into his wand.
Jason started to come back for an entirely different reason.
"Hi, Jason!" Elle says when she sees him climbing the stairs toward the third floor. She's the store's co-owner and has gotten to know him on a first-name basis due to how often Jason has visited the store in the past year. If they made a reward points system, Jason knows he be the highest one on the chart.
She's sitting at a table that is decorated like a galaxy. The books for these quarters' room themes are on the table's surface, all with a door key under them and a clipboard for the various hours.
Jason's eyes land on Pride and Prejudice, and his heart leaps.
"Hi, Elle. What's the wait time for door seven?"
She smiles, flipping the clipboard to the time slots. "The Ball at Netherfield Park has a lot of openings today. I got a three, four, six, or seven. When shall I fit thee dance card in milord?"
Jason laughs and checks his phone, ensuring he doesn't need to do anything for a while before saying. "Three will be fine. It's only thirty minutes. I'll go get a coffee while I wait."
She nods, writing his name down for three. She then passes him some disclosure forms he has to sign, forgoes the long-winded explanation of the rules, and sends him on his way, promising to send him a reminder text.
"Just so you know, Ball at Netherfield Park comes with a unique costume option. Five extra dollars to go through our costume section, and you can dress up like Mr. Darcy for a full hour."
Jason shakes his head though it's a very tempting offer. "Thanks, Elle but I'm okay with my street clothes today."
The other shrugs and checks her nails- their asexual theme today, he notes- before nonchalantly commenting. "Too bad. Danny really wanted someone to cosplay with him. Jane Austin's books are less prevalent in Gotham than we thought, and he's been dying to wear his Mr. Bingley outfit. I thought you like to, so I told him to come over when you arrive, but I can text him to cancel-"
"Five dollars, you said? For the full outfit or just like a coat?" Jason ignores her smug expression and quickly places a twenty on the table.
"Full outfit. What do you take us for?"
He glares at her just as the man of the hour himself runs up the stairs. Danny Fenton, founder, and co-owner of Ghost Zone Reads. He's in a light blue Regency period man coat that makes his eyes pop. A pair of white pants that hug his hips and thighs in all the right places, black knee boots, and a black gentle top hat.
Jason's knees go weak at the sight of him.
Danny's face is flush from the run, but his whole face lights up when he sees his sister and her guest. "Jason! I'm so glad you choose the Ball at Netherfield Park experience. I can't wait for our dance."
"Dance?" Jason chocks. Elle chuckles.
"You can't experience a Ball at Netherfield without the ball part dingus." She waves a hand at her brother. "Told him Dick canceled on you, so he offered to step in."
Jason never even mentions Dick to her but he's not about to call her out on her lie. She's doing him such a big favor.
"I always wanted to go to a Jane Austin ball!" He says instead, mentally wincing at how lame he sounds. Thankfully Danny's eyes only light up even more as the other man starts explaining the instructional videos installed in the ballroom mirrors so they can learn the real moves of Contra Dancing.
Jason falls just a tad bit more.
(Elle watches with a fond smile as Jason and Danny get lost in Austin's most significant works. She quickly texts her allies in Wayne Manor under the table. This is a big step in the "Make us in-laws" operation; the Fenton and Wayne children started a few months back. They were all tired of watching Danny and Jason dance around each other. Damian's idea to use Jason's favorite author was working fabulously.)
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mllersjoel · 2 months
Text
you're obsessed
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you're obsessed
Pairing: Jamie Tartt x fem!actress!reader
Warnings: swearing, no use of y/n
Summary: jamie tartt fic where he has a huge crush on an actress and sees her at a richmond event and she flirts w him he’s really shy bc he likes her but they hook up after idk
Wordcount: 1.6k
A/N: didnt manage to write any smut bc this was getting way too long teehee :D general warnings for swearing.
writing comms are open!
“Oi, Tartt! Stop stalking your actress and give me some laps,” Roy yells, shaking Jamie from his reverie. Jamie is not stalking her instagram. He’s just not; because a stalker would have notifications on as they obsessively checked their profile at least four times every minute. Jamie is only checking once every five minutes, and he doesn’t even have her notifications on. So there. Suck it, Roy.
“Fine, don’t give yourself an aneurysm,” he mutters, taking a quick minute to stretch before he’s running around the pitch. He just has a crush. That’s all. A little one. He first saw you in some thriller that came out last month, and something about you had him hooked. Initially he thought it was just the character you played, a regular yet charming civilian, pulled into the crime world. After watching (admittedly, way too many) interviews, he realised it wasn’t the character. It was you.
You with your witty remarks and comments. The way you laughed good naturedly and poked fun at your costars. The way you were clumsy and scatterbrained, in a terribly endearing way.
It didn’t help that you were also gorgeous.
So, yeah. Jamie had a slight crush. It was fine, though, because you were currently based in Los Angeles (you were in a new Marvel movie) and had no plans of coming to the UK anytime soon. 
“She’s right fit, though,” Isaac says, nudging Jamie as he runs past. 
Jamie feels his stomach tighten with jealousy before he catches himself. Why was he jealous? He didn’t know you and you probably didn’t even know he existed. Well, maybe you did, because he was sexy and a hot football player. Did you even watch football? Would you watch it if you knew he was in it?
Jamie remembers hearing something about a parasocial relationship from Keeley and resolves to not think about you.
At least while he was training.
***
He’s spraying on cologne in the locker room when Keeley bursts in, all smiles and pep.
“Oh. My. Fucking. God!”
“Is everything alright?” Ted asks, breaking away from Coach Beard who as far as Jamie could tell, hasn’t said anything but is managing to have a full conversation with Ted.
“You will not believe who I booked for this years’ Gala!”
Roy’s ears perk up at this as he slides into the conversation. “The Muppets?”
“No, Roy,” Keeley says, exasperated, “not the fucking Muppets. Only the hottest new actress on screen right now!”
At this point, all the boys have gathered around Keeley, jostling each other and trying to see the screen of her phone. Jamie fights his way to the front, and when his eyes focus on Keeley’s phone, he’s pretty sure his heart drops into his stomach.
It was you. There. With your smile and your eyes and your name and a headline.
You were coming to their Gala.
You.
He feels his heart drop into his stomach. This couldn’t be real. Maybe it was a mistype, or someone accidentally said they scheduled you but in reality you were on the other side of the globe. It was faked. It had to be.
He broke away from his team, practically running back to the changing rooms. Opening up your instagram, he pulled up your story. There, you had reposted the announcement.
Oh. Oh fuck.
***
On the day of the Gala, Jamie seriously considers hiring a stylist rather than just going with his gut. He needs to look good. Tonight is most probably one of the most important days of his life. His favourite actress, coming to his club’s Gala. Maybe, if he plays his cards right, you’ll bid on him.
Wait. Who was he kidding? He’s Jamie fucking Tartt. Of course you’ll bid on him. He could wear a trash bag and you’d bid on him, because he is just that fucking sexy.
Right?
He shoots a quick text to Keeley, desperate for a second opinion.
Me:
[image0.png]
thoughts? Xx
Keeley:
Ur hot babes!!
Gonna knock em dead xx
Lose the tie u look like a prick <3
He takes one last look in the mirror, running his hands through his hair. Yeah. He’s gonna show up and be so cool. He’s so cool.
***
They’re taking pictures on the carpet, and everyone can tell Jamie is not all there. He barely tells the paparazzi to take pictures of his good side, following it up with “And that’s any side.” His eyes keep darting around, every scream and shout of delight sending his stomach in knots in case you’re the one to step out of the limousine.
Maybe you just won’t show up. Maybe you were already inside.
He can’t decide which option is worse.
When he’s at the end of the carpet, about to head inside, he hears whistles and screams, different from the ones before. These sound a lot more excited, filled with more adrenaline and anticipation. Or maybe he’s just projecting. 
He turns, and sure enough, you’re there.
Stunning. That’s the only thing he can think of. You smile beautifully at the photographers, working the crowd with ease. It was as if you were friends, had a solid rapport with them with the way you were conversing back and forth.
“Close your mouth. You look like a fucking basking shark,” Roy says, elbowing Jamie in the stomach.
He flinches back, giving Roy a shove in return. “Oi, what was that for?”
“You’re not gonna make a good impression with you gawking like a fucking idiot. Go say hi or something. Be fucking normal.”
Jamie sends Roy an affronted look. “I am normal, you old bastard. Just because we don’t act like how you did in the 1800s doesn’t mean I’m being an idiot.”
Roy just growls, shoving past him into the building.
Jamie takes a step forward to follow when a voice catches his attention.
“Hey! You’re Jamie Tartt, right?”
He turns on instinct, a winning smile already plastered on his face. “I’ll do autographs once—you.”
You raise your eyebrows slightly, waiting for him to go on. “Once I what?”
“You’re, um, you’re her.” He says your name, almost reverently.
Your grin widens, almost giddy. “You know who I am?”
“I follow you—” before he could say more, your manager rushes in behind you, ushering you inside. You wince at him, apologetic, before heading inside.
Jamie stands there, dumbfounded. 
I follow you?  That’s what he had to say? Now he really does sound like a stalker. He scrubs his hand over his face, groaning in disappointment.
He’s gonna make it up to you. He has to.
***
Inside, he sees he’s sat with Ted and Roy as well as a few other people and an empty seat next to him. He largely ignores his own table, trying to catch sight of you and not succeeding in the slightest. He huffs a sigh of annoyance, sliding into his seat.
Ted notices his glum aura, nodding sagely. “It’s the oysters, isn’t it? Because I know they have to try to make the flavour appeal to everyone but adding this much lemon is just downright insultin’.”
“It’s not the oysters, coach.”
Ted frowns. “The placemats? I was never really an eggshell white person myself but—”
“Jamie’s pining over an actress he thinks I don’t see him stalk on insta when he’s supposed to be running drills,” Roy cuts in, tired of Ted’s guessing.
“I’m not pining,” Jamie pouts, crossing his arms in a decidedly not childish way.
Before Roy could get another rebuttal out, the seat next to him is being filled, and once again he sees you, smiling at him. “Actresses are overrated,” you say, placing your napkin over your lap, “trust me.”
Jamie’s blood runs cold, convinced the universe is playing a cruel trick on him. Running into you is an absolute dream, he’d never deny that, but running into you with both Ted and Roy there? He may as well be taken out back and shot.
He must’ve been sitting there agape for too long, because before he knows it, Ted is reaching a hand over and giving yours a shake.
“Ted Lasso, it’s a pleasure to meet ya’. I absolutely loved you in that thriller that came out last June. Had me on the edge of my couch! And I know Jamie here liked it as well, he was bawling a right mess by the end of it.”
You turn to look at Jamie, and having the full force of your attention on him made him nearly choke on air. “Were you really?”
Jamie licks his lips, trying to gain some composure. “Bawling is sayin’ a lot, really. More like a reasonable cry.”
You nod along, clearly not buying it. 
“I’ve been keeping up with your games this season. The goal you scored against West Ham the other day was seriously impressive. You were practically miles away from the net.”
Immediately, Jamie perked up. “You like football?”
“Well, I’m no expert, but I definitely try to watch all your games if I can.”
Jamie leans in, feeling bold and taking your hand in his. “Richmonds games? Or my games?”
You shrug. “Depends on the hair.”
He laughs, leaning back in his chair, body turned towards you. Maybe tonight won’t be so bad after all.
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bitterkarella · 30 days
Text
Midnight Pals: More Usher
Mike Flanagan: so the important thing about the Usher family Flanagan: is that they are all huge perverts Poe: oh yes yes absolutely Poe: see, this guy gets it! Barker: do the Usher twins fuck Poe: of course- Flanagan: of course not! Poe:
Poe: wait wait wait Poe: mike, are you serious? Poe: of course roderick and madeleine usher fuck! Flanagan: i don't remember that Poe: the insinuation is right there in the story! Barker: ah Barker: the insinuation Barker: see, that right there, edgar Barker: that is your problem
Barker: that's why i never insinuate Barker: in my stories, if someone fucks Barker: you're gonna know Poe: i'm not splatterpunk like you, clive! Poe: i write gothic subtlety! Barker: phhhtt "subtlety" Barker: that's for losers!
Poe: come on, i think i made it pretty clear Flanagan: i really did not get that out of the story Poe: didn't you see how broken up roderick was about madeleine's death? Flanagan: i thought they were just really good platonic siblings
Poe: this sucks Poe: nobody appreciates my work! Poe: [sulking] future archeologists are probably gonna dig up the usher twins and be all "wow, look at these two really close platonic siblings"
Poe: you gotta have the incest! Poe: that's why the house fell! Flanagan: i thought you said the house fell because of faulty construction Poe: no not the literal house falling Flanagan: oh NOW we're talking metaphorically! Flanagan: I just can't win!
Flanagan: come on Flanagan: you all can't tell me that you WANTED more incest in this story! Poe: Barker: King: Koontz: Lovecraft: VC Andrews: i wanted more incest in this story
Flanagan: ok i'm sorry about forgetting the incest Flanagan: but there's plenty of other terrible perversions in my adaptation! Flanagan: like this one usher, she has a threesome Flanagan: and another is a cuckold fetishist Barker: oh mike haha Barker: oh mike you are like a little baby to me
151 notes · View notes
joshym · 2 months
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Le Morte d'Arthur: Chapter 4
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Pairing: Jake Kiszka x f!Reader
Summary: It all began with a passion for literature. What was once a dream to walk the halls of the University of Michigan is now a reality.
You thought you were prepared for everything.
A new town, a new school, a new way of life,
but what you were not prepared for…
was meeting the enigma that is Jake Kiszka.
Word Count: 32.3k+ (dear lord)
Warnings: (for this chapter) please proceed with caution if you find any of the following to be triggering. MDNI 18+ ONLY struggles with body dysmorphia/eating (including food restriction & calorie counting), strong feelings of inadequacy, heavy emotions/ talks of an absent parent, *extremely* sick & terminally-ill parent, a parent in the hospital, mentions of sexually explicit scene being shot on film, anxiety/stress/depression, jealousy
SMUT-18+ ONLY: fingering & oral (f receiving), nipple stimulation, heavy petting (m receiving), possessiveness, a lot of hickeys(lol), a little praise (please let me know if i’ve missed anything)
a/n: thank you all for being so patient with me. this story is personal to me for so many reasons, & parts of it have been a little hard to write. but, they’ve begged to be written. i hope you all love it. 🤍
also, huge thank you to @jakeyt for being the best editor & my right hand in helping create this. i seriously couldn't have done it without you. love you SO much. you're the best sister i could ever ask for.
Le Morte d'Arthur Masterlist, Series Playlist
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Christmas Eve: Cherry Tree, OK
The ground was buried under mounds of snow. A fluffy, warm blanket of the softest white, yet it froze your little fingers when you buried your hands into its inviting, bright allure. 
You were bundled so tightly in your winter ensemble that you could hardly move. Your arms were stiff as boards, impossible to lay at your sides. You begged your mom to not make you wear it outside, but she and your dad wouldn’t budge. 
“You’ll get sick.” They warned you. But you didn’t heed them. 
As soon as you were outside and safely out of their sight, you shed your pink puffer and matching mittens, throwing them in a deep bank covering the once vibrant flower beds on the side of your house and freeing yourself of their restrictions.
You’d spent what felt like hours outside in the below freezing temperatures. Intricately rounding out perfect snowballs, building the tallest snowman your six year old body could manage, creating the most heavenly snow angels. 
You hadn’t even noticed the sudden pain and tightness that had developed in your small chest, or the dry cough that accompanied it. You were too busy warding off evil snow monsters from your fort made of icey wonder.
Until you heard your first, middle and last name erupting from the opened back door. 
Your mom and dad were there, their faces as white as the snow your body plummeted towards when your small lungs became too tired to allow for another breath of air. 
You spent Christmas in the hospital that year. The whole week, actually. A collapsed lung due to pneumonia, you were told. It was the most painful thing you had yet to experience in your young life. 
But to this very day, you consider it the best Christmas you’ve ever celebrated.
Nurses and doctors showered you with all the toys your heart could ever long for. You opened gifts from your bed and enjoyed the most wonderfully terrible Christmas dinner the hospital cafeteria could offer. 
You ate more ice cream than what was truly necessary. But no one denied your incessant requests for the frozen treat.
You watched Oliver and Company countless times that week, a favorite of yours and your dads. He hated Disney movies, but he loved this one, only because of Billy Joel’s character and the classic song he featured in the film.
He loved Billy Joel. Loved him enough to sit through hours upon hours of the animated film with you. 
Neither him or your mom left your side that whole week. They didn’t even go home to sleep. They just stayed with you. 
There were no fights between your mom and dad that week. Not even one. It was the closest your little family had ever been, and would ever be again. The love you felt from your parents that week has yet to find a comparison.
Crazy as it sounds, you miss that week. You began missing it as soon as you were cleared to go home. 
Their bickering resumed almost as soon as they put you in your special, tiny wheelchair to take you to the car. Whatever magic that hospital held that forced your family to love each other in a way that was brand new to you, was lost altogether once you were wheeled out of the automatic glass doors. 
You knew, once they situated you in the back of your dads double cab, that you’d never see them love each other that way ever again. 
As the Winter thawed to a bright Spring that year, when the snow melted and ran away to the Deer in Water creek that your home stood proudly beside, so did your hopes of ever seeing your parents love you and each other the same as they had that Christmas. 
That was a time in your life when you viewed your mom and dad in the same light. A time when you didn’t hate your dad, a time when he made you believe a man could love you.
When it wasn’t just your dad that caused problems, and it wasn’t just your mom that showed you love. They both did those things.
It’s strange to think back on it all now, to think about how he’s the one that left, and she’s the one dying. (Or already dead.)
You can’t bring yourself to understand why, but that Christmas you spent in the hospital all those years ago is all that's playing in your mind as Jake is speeding to the hospital. 
He’s asked you a few times how you’re holding up, but you can’t begin to try and answer him. 
You’re unable to communicate more than a quiet nod of your head as you're staring through the tinted passengers window. 
There aren’t any tears. No lump in your throat. 
You want to cry, but you can’t. 
Your mind pleads with you to acknowledge the emotions swirling about, desperate to manifest outwardly. But despite the inner turmoil, your body refuses to show it.
You just can’t.
Everything feels numb. 
You’re not even sure if you’re breathing properly.
⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎
You hadn’t even realized how tightly you’d been clutching the necklace your dad gifted you  all those years  ago. It’s somehow serving as a comfort for you as you’re being driven to the hospital, even after everything he’s put you through. You find yourself running your thumb over the engraved initial, just  as you always had before he left.
As much as you’ve grown to hate him over the last year, you can’t help but wish he were here. Not being able to rely on anyone right now is…it’s fucking terrible.
Well, aside from Jake. 
He’s the last person you’d expect to be leaning on.
But it was purely an accident. Him driving you to the hospital is just a happenstance. He wouldn’t have if your stupid car hadn’t broken down (thanks, dad) and if it weren’t for that, you wouldn’t have had to get a ride from Jake in the first place.
But, you’re grateful to him right now. Grateful that he stuck around at your apartment long enough to know he needed to take you to her. 
If it weren’t for him, you’d still be stuck there desperately searching for someone to take you.
Finally, the brakes come to a screeching halt at the emergency room entrance. You absently thank him as you practically jump out of the car. 
You don’t look back, but you hear the thrumming motor of his range rover become more distant as he drives away.
You can’t bring yourself to care at this point as you’re sprinting to the front desk in search of where they’ve taken your mom. 
The young, redheaded man behind the counter with bright green eyes shielded by thick eyeglass frames looks rather shocked at your frenzied state. He’s watching you with his mouth agape, hands frozen on the keyboard of his desktop as he prepares for your inevitable arrival.
“I–I need to f– find my mom. She was just broug–” You take a second to catch your breath, still clutching your necklace for some sort of grounding. “...she was brought here by ambulance and I—” He stops you with a hand held high, asking you to slow down because he can’t comprehend your rushed words.
You can hardly even understand yourself, your voice breathy and stuttering as you’re gasping for air. But there’s no time to wait to catch it in your heaving lungs. 
“I need my mom and you need to tell me where the hell they’ve taken her. Her name is–”
“Miss,” he interupts, standing up as if to intimidate you with his much taller stature in comparison to yours. “If you can’t calm down I’ll have to ask you to leave.” His voice (that he’s clearly manipulated to sound much more threatening) echoes throughout the entire lobby as he’s looking at you as if you’re the crazy one.
This man has started copping an attitude with you that you’re in no place to put up with. You’ve backed down to people you’re entire fucking life, but right now isn’t the goddamn time.
You’ve decided to challenge him. If he wants to be loud, you can be loud right back.
Your fist pounds the counter with a force that causes everyone in the lobby of the emergency room to gasp and silence their voices. The metal container holding pens is jolted over the edge, the clipboard holding the blank paperwork for patients to fill out tumbles to the floor from the sheer amount of power behind your hand. 
There’s a stinging pain running rapidly up your arm, all the way to your shoulder, ringing through your teeth and  vibrating in your skull. 
You don’t even so much as wince from the pain.
A potential broken hand is the very least of your troubles right now.  
“She may be dying,” you scream, your first still held firm atop the white marble. “And if you don’t tell me where the fuck she is, you may have ruined the last time I’ll ever see her.”
The tears you’ve held in thus far begin flooding your face, falling like a heavy rain shower on the granite where your sore hand lies. 
Before the receptionist can start the process of having you escorted out, a tall woman dressed in a light blue set of scrubs stops him before he can make a single move. 
“Tell me her name, sweetie.” Her voice is quiet and her demeanor is calm, her wavy brown locks tied in a sleek ponytail at the bottom of her neck reminds you so much of the way your mom used to wear her hair before she got sick. 
You tell her your moms name through a shaky voice, attempting to make yourself sound more composed so you don’t get yourself kicked out of here. 
She gently moves the receptionist aside (Eric, according to the name badge clipped to the pocket of his shirt) and begins clicking the mouse around, scrunching her eyebrows in focus. 
“Here she is,” she confirms, the printer behind her humming with the physical version of what she can see on the screen. “She doesn’t have a room just yet, hun.” 
You feel defeated and useless. You’re her primary caregiver, and you can’t do your job from behind this stiff counter— not knowing where she is, how she is, what happened. So many unknowns, so much that’s completely out of your control.
You suddenly feel the intense pain radiating from your fist and you instinctively pull it close to you, clutching it tightly against your chest in hopes that pressure will alleviate just how bad it hurts.
“I’ll let you know when she gets a room. Until then, you’re welcome to wait in the lobby.” The tall nurse tells you. 
You nod your head in agreement, knowing there’s nothing you can say or do to make them move quicker. Still clutching your fist, you slowly walk away towards the stained lobby chairs and plant yourself in the one that’s closest to the counter.
You pull your phone out of your jacket pocket in search of something to distract you, but you're mortified to be met with the dead battery symbol upon trying to unlock it.
Great. Nothing to divert you from your thoughts (or the searing pain) for god knows how long. You feel the tears start to well in your sleepy eyes again, and you just decide to let them fucking fall. There’s no sense in trying to keep them in, you need to feel right now so you don’t explode again with your pent up aggression. 
Crying feels like the safest thing to do right now, and the best way to relieve some of the mental (and physical) pain. 
You let your chin fall down towards your chest, watching as the tears land on your sheer tights. You can’t help but giggle a little at how much thought you put into this outfit, only for the night to end like this. You had no way of knowing. No signs that she was doing so poorly on the night you decided to fucking leave her.
But before you have the chance to become too deep in your pity party, you hear the unmistakable sound of shuffling feet walking in your direction. You don’t bother looking up; you figure if you ignore whoever it is, they’ll also ignore you, which is exactly what you want right now. 
But ignoring them isn’t quite doing the trick. You see a pair of black sweats out of your peripheral standing near you, and as you lift your eyes a little more, you see a hand offering you a tissue. 
When you shift your watering eyes up a bit more, you realize it’s Jake.
“Wha-what are you still doing here?” You ask, the crying making your voice meak and raspy. You clear your throat as you thank him and accept his small (but rather meaningful) token. A sweet gesture that you can’t ignore. 
“I just wanted to make sure you found her okay,” he says while settling down in the seat on your left. “And I couldn’t leave knowing you don’t have a way home tonight. This hospital won’t let people stay overnight anymore since the pandemic. Didn’t want to leave you stranded.”
You hadn’t even thought of any of that. Aside from getting to your mom, you had no plan of action. Anything to come after that just hadn’t crossed your mind yet. You're glad someone thought of all those things, because your mind clearly isn’t capable of considering much at the moment. 
“Well, thank you. But I can just call Nat so you don’t have to stay with me.” Your voice sounds a little colder than you’d like it to. But with the way your emotions are surfacing, it can’t be helped right now. 
“Your phone’s dead,” he challenges, pointing to the quiet device sitting in your lap . “So, I’m staying.” 
You snap your head towards him, wide eyes and scrunched brows in question. “How do you know that?” 
“Been trying to call you for the last twenty minutes,” he explains, taking his phone out of his pocket and scrolling through his call log to prove it to you. “It was going straight to voicemail. I knew there was a chance you could’ve been ignoring me, but I had a feeling your battery had just died.”
You can’t deny the grin that’s threatening to consume your tired features. You’re flattered, to say the least. While you didn’t fully expect him to stay to be sure you were okay, you’re not entirely surprised. (It crossed your mind briefly that he could just let you use his phone to call Nat, be he hasn’t offered. And you’re not going to ask. You kind of like that he’s here.)
“She doesn’t have a room yet. They told me they’d let me know when she does.” You adjust yourself in the stiff, plastic chair to face him while he nods his head.
His eyes are heavier than usual. His drooping lids tell you he’s just as tired. Though he’s probably had a much happier evening than you have had. 
Before you let your mind wander too deeply into the fact that he most likely slept with Stacy tonight, you search for anything to talk about with him.
“So, that spookhouse tonight was–” you begin, but he interrupts your thought before you can continue. 
“Shitty.” He states, putting his phone back in the pocket of his hoodie and letting both hands rest inside the fabric.  “Shitty and not scary in the least.” 
“Yeah.” You huff through a chuckle, grateful for the tiny smile it forced out of you. “Stacy was pretty scared, though.”
The look Jake gives you is one you can’t quite place. He looks…uncomfortable? 
You half expected him to giggle along with you, but he didn’t. Not even close. His eyes shift away from you, gazing across the waiting room. 
Fuck. Why did you have to bring her up?
You pull your eyes away from him as you awkwardly set your sights back on your lap. You’re not sure how, but it’s clear you’ve struck some kind of nerve with him.
It’s probably for the best that you keep your mouth shut. And that’s exactly what you do for the next several minutes. 
Without as much as a single word uttered between the two of you, you’re suddenly longing for the moments prior to his arrival in the lobby. The ones you spent pathetically crying in defeat and helplessness. Alone.
But just as it seems that all hope of having a normal conversation with him is lost, he breaks the silence. 
“Is that what they’re called, where you’re from?” 
As you lift your head, you’re met with his drowsy eyes once again set on you, his right eyebrow cocked slightly as he awaits your response. 
“Is what called…?” you absently ask. Your mind became so filled with the painful lull in conversation that you’d all but forgotten what you were talking about before you mentioned her name. 
“The haunted house,” he says. “You called it a spook house. I was just wondering if that’s because you’re not from here.”
It’s funny, because you hadn’t even noticed that you called it that. Didn’t even think twice about it. 
The memory of Sam pointing out the very same thing pops in your mind. You’re then reminded of how you left him tonight. The guilt is weighing horribly on you, but, sadly, it’s a welcome distraction against the worry (and far greater guilt) you’re feeling  for your mom. 
“Oh, yeah.” You fix your posture a bit, facing him once again as he clearly wants to keep some sort of conversation going. “That’s what we call them back home. It’s so funny how we have different names for things just based on what part of the country we’re from.” 
“It’s pretty interesting,” he mutters, a tiny grin peaking through his sleepy exterior.
You just hum in response, not really sure what to say next. The silence was awkward, but this sad attempt at a casual exchange is almost worse. 
You look over to the counter to see if the nurse who helped calm you down is standing there, but all you’re met with is Eric’s creeping eyes on you from behind the marble that may have broken your hand. 
Your hand suddenly begins to ache once more at the thought, and you instinctively bring it up to your chest again to dull the pain. 
“Is your hand okay?” Jake asks, taking note of your wincing expression after moving your sore extremity. 
You’re not sure you want to tell him about your little meltdown from earlier, so you come up with a quick excuse that sounds slightly better than the full truth.
“I knocked it against the counter when I got here, just by accident.” It’s not a complete lie. The accident addition is a bit of a stretch, but it kind of was an accident that your fist met the granite in a fit of rage. (However justified it may be, it’s still a tad embarrassing.) 
He leans closer to you, attempting to look at your hand that you’re still holding against your chest. With a tender touch, he attempts to pry it away from you. You’re so stunned by this that out of instinct, you hold it even tighter.
“Let me see,” he softly demands. 
After some hesitation on your part, (why does he care so much?) you pull it away from your chest, holding it out in front of you and Jake to get a clearer look.
The outer blade of your palm is swollen and already beginning to bruise. It hurts like hell. (And you’re wondering where on earth that physical strength came from.) 
Jake runs his index finger so gently over the inflammation. Amidst everything happening, your body can’t deny the fire that’s blooming under your skin from his feather light touch. 
Your tired eyes flit up to his face, his features wearing stark concern. When his eyes meet yours, you can’t look away. And he doesn’t, either, his finger still tracing a light pattern around the impact point on your fist. 
…and then he stops. He looks away and jumps up out of his seat without as much as a single word. 
He rounds the corner of the hallway and is out of your sight within seconds. Gone. Leaving you sitting here alone and feeling like you’ve suddenly done something wrong. 
Before you have the chance to worry about that for much longer, you notice the tall nurse out of your peripheral walking in your direction.
Your mom.
You stand up to meet the nurse halfway, ready to finally be taken back to see your mom. 
“Hold on,” she says, stopping you before you take a step. “You can’t go back right now, hun.”
Why won’t they let you go back? What don’t they want you to see?
Is it because she’s dead?
The nurse grabs your arm to keep you stable, your legs almost giving out as your body feels a thousand pounds heavier. The blood from your head rushes down through your chest. The dizzying feeling present throughout your weakened limbs.  
Your legs threaten to give out as your body feels a thousand pounds heavier. The blood from your head rushes  down  through your chest. The dizzy feeling present throughout your weakened limbs.
Your body begins swaying back and forth, threatening to collapse from shock, exhaustion…
She grabs your arm to help stabilize you.
“Hey, hey.” She puts her other hand on your shoulder to hold you still. “Everything’s okay. Just sit down for me, sweetheart.” 
She leads you back down to the chair, helping you lower yourself to sit back down. 
“I need you to know that she’s fine, sweetie. She’s asleep, but she’s stable.” 
The tension leaves your body instantly, like a two ton weight has been lifted off your tight chest. 
She’s alive. 
“Can I go back? Can I see her?” You’re nearly begging. 
“Not right now, honey. I tried to bend the visiting hour rules for you, but the big wigs won’t budge. I just wanted you to know that she’s okay, but she’ll need to stay overnight for some extra testing.”
“Everything okay?” Jake sits back down next to you, taking your hand and gently placing ice wrapped in a paper towel on your swollen fist. The cold nearly shocks your system, but it feels so good against the pain.
That’s where he went. He cared enough to get you ice for your ridiculously obtained injury. 
You turn your head to face him, his sweet eyes locked with yours while he holds the ice steady on your hand. 
This isn’t the Jake you’ve grown accustomed to over the months of knowing him. But this is the Jake you’ve wanted.
“She’s okay,” you say, looking down the makeshift pack of ice he brought you. “She’ll just have to stay overnight.”
“I’m glad to hear it,” he responds, dabbing the frozen compress delicately across the bruise.  
“We’re still not certain what happened to her. She fainted; that’s all we know for sure. We’ll run some tests to get to the root of it.” The nurse draws your attention from Jake back to your mom. You distractedly nod, your mind still consumed with Jake holding your hand the way he is. “You’re welcome to come back first thing in the morning, okay? We’ll take good care of her tonight.” 
A small breath of relief washes over you. At least she’s alive. And she’s stable. But fuck…you just wish you could be back there with her. The immense guilt of not being there when it happened is eating away at you. You want to apologize to her, tell her you’ll never fucking leave her again. But, that’ll have to wait until tomorrow. You’ll just be stuck sitting in your guilt until then. 
The nurse begins wishing you a good night, but before she leaves, she glances at your hand that Jake is still holding in his grip. 
“Is your hand okay, sweetie? Do you need someone to take a look at it?” She asks you, concerned. 
“I think I’m okay,” you tell her, looking to Jake who probably has a better idea about your condition than you do. It’s the least of your worries at the moment, you just don’t really care about it in comparison to everything else. This feels insignificant, you feel insignificant. It just doesn’t matter. 
Jake nods, looking at you and then averting his gaze to the nurse. “A little swollen and beginning to bruise, but it’s not broken.” He lifts the ice to inspect it a little further, running his finger over the swelling. “It’s already gone down some. I suppose just keeping ice on it will do the trick.”
You give him a look that says a silent ‘thank you’ for taking care of this for you. If he wasn’t here, you wouldn’t think twice about it.
The nurse smiles in response, then looks to you again. “I’d say you’re in good hands, then. Better not let that one get away.” 
She once again bids you a good night, reminding you that you can come back first thing in the morning. 
Neither one of you seems to react to what she just said. Not aloud, at least. You both just ignore it as you walk through the automatic doors. 
“I’ll go get the car,” Jake tells you, fishing his keys out of the pocket of his hoodie. “Had to park kind of far away. Be right back.” 
As you watch him walk away, you can’t stop replaying what the nurse said over and over in your mind.
“Better not let that one get away.”
If only she knew.
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The ice is melting all over you and Jake’s floorboard. You’re desperately trying to catch every drop in your lap, but it’s proving difficult. You were freezing when you first got into the car, so Jake cranked the heat all the way up for you, but it’s causing you to make a huge mess. 
“I’m so sorry, Jake,” you utter, fighting back a few tears brimming your eyes. It’s not the dripping water that’s threatening to make you cry, it’s the fact that you feel like such a burden. And here you are, being even more of one by dripping water all over his nice car. 
“What are you sorry for?” He asks, peering over to you. You sniff the tears away, not wanting him to see you crying over something so fucking ridiculous. 
“The ice,” you answer through a cracking voice. “It’s melting all over.”
His brows crinkle, looking over at you to assess the situation. His eyes lock on your soaking wet lap for a spell, taking a deep breath before his eyes are back on the road.
“It’s just water, y/n. I’m not worried about it.” He takes the final left turn onto your street that’s now much more quiet than it was the last time he turned here. He pulls into the parking lot, parking in what would normally be your spot if your car wasn’t sitting worthlessly at his place. 
He keeps the car on drive, just letting his foot rest on the brake as he unlocks the door for you. 
“Just keep ice on it intermittently throughout the night,” he reminds you. “The swelling should be mostly gone by the morning.” 
Staring at the darkened apartment building, you slowly nod your head as you’re suddenly hesitant to leave his car for some reason. Your seatbelt is still buckled, your body feeling almost too numb to even manage that.
The thought of going into the empty apartment isn’t by any means a pleasant one. You hadn’t even thought of the fact that you’ll be all alone tonight. No one to take care of besides yourself. (And that’s not something you're well versed in.)
You’ve gotten so used taking care of her since it’s just been the two of you. Being in the apartment without her just feels…wrong. On every level. And being alone in your guilt feels even worse. 
At this moment, you’re not sure you can do it. But you haven’t a choice. 
“Y/n?” Jake’s calm voice pulls you back to reality, to the fact that you’re still sitting in his car, quietly contemplating. He’s probably ready to get you out of here so he can go home. “Are you okay?” 
“I’m fine,” you lie, not wanting to delve into the turning wheels of your brain. 
Then, he puts the car in park, leaning back in his seat as he looks at you with inquisitive eyes. “Are you sure?” He questions. “Because you’ve hardly said a word since we left the hospital, and you’re not exactly in any hurry to get inside.”
Embarrassed, you force yourself to remove your seatbelt. “I’m fine, just a little tired is all. Thank you for taking me tonight, I really appreciate it.” You begin opening the door to let him leave, gathering the mental strength to prepare yourself to walk into an eerie, empty apartment.
“You know, it’s pretty late,” he says as you're one foot out of the door. “And it’s a long drive back to my place. I could stay here, sleep on the couch. That way you’d have someone to take you tomorrow morning.” 
It’s almost like he could hear the thoughts in your head. He knows, somehow, that you can’t handle being alone tonight. Like there’s something within him that understands. 
“Jake I–I can’t ask you to—” 
But before you can finish, he shuts off the ignition.
“You’re not asking if I’m offering,” he protests. And he’s right. You didn’t ask, but you still feel bad. Because you would love to have him stay. “It’s actually easier for me if I do. Saves on gas.” 
Instantly, the thought of having his company makes you feel worlds better. Even if he’ll just be on the couch. Just knowing he’s there will make things a little more bearable for you.
“Are you sure?” You ask, timidly. 
“If you don’t feel comfortable with it, I can just—” he starts.
“No, no. I’d love it if you did. Thank you, seriously.” 
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You’ve been lying wide awake in your bed for what’s felt like hours. Flipping and tossing about in search of a comfortable spot that you just can‘t seem to find. 
It’s not really the bed that’s the problem. It’s your unabating mind that won’t turn off its wandering thoughts. You’ve tried scrolling on your phone, using every app you can think of to distract you. But the thoughts are domineering your every attempt to silence them. 
Did they give her the right medications? Are they keeping her oxygen on her? Is someone staying with her all night to make sure she doesn’t stop breathing? Who called 911? 
Or, the worst one…the loudest one.
Is she dead and they just haven’t called me yet?
You’re so accustomed to her being here, hearing the humming of her oxygen machine, being able to check on her to be sure she’s okay. At least when she’s here, you know. With her gone, it leaves the floor open for your mind to wander to every terrible scenario that you can’t do anything about. You just don’t know what’s going on. And the unknowing is the worst part.
Your grumbling tummy is just about as loud as your mind, reminding you that you’ve not eaten anything in almost twenty four hours. 
There’s nothing else to do, so you pull yourself out of your unwelcoming bed t o go find a midnight (actually, closer to two in the morning) snack. 
Eating is a little terrifying to you right now, but you figure some popcorn won’t do much harm. 
You slowly open the creaking door of your room, holding your breath as it seems to be louder than normal in the dead quiet apartment. The last thing you want to do is wake Jake up, so it’s vital that you’re as silent as possible as you make the journey to the kitchen.
You tiptoe as gracefully as your tired body will allow across the living room, avoiding coming too close to the couch where Jake sleeps as you walk as far away from him as you can, not even looking in his direction.
A sigh of relief passes your lips as you reach the kitchen successfully.
You know that there’s one more bag of Pop Secret sitting on the second shelf of the cabinet right next to the microwave. Relying only on the soft light above the stove, you shuffle through the various items in search of it until you at last feel the familiar plastic cover. 
Instantly upon finding it, you start looking for the nutrition facts to know just how much you’re putting in your body. An old trait of yours that you’ve not done in years, yet suddenly, as if it’s purely muscle memory you flip the bag over to the side to note the amount of calories you’ll be taking. 
I’m not reverting back. I’m just curious about what popcorn is made of, that’s all, you try telling yourself. (Although, you know yourself in situations like these. When you’re stressed, you seek comfort in old habits. One old habit of choice just happens to be food restriction and calorie counting.)
It won‘t last long. I won’t let it. I just need something familiar.
130 calories, 6 g fat, 14 g carbs, 2 g protein per 4 cups is printed on the back in dark blue ink.
Could be worse. And there’s nothing saying you have to eat the whole thing. Maybe you can split the bag in half, that way you’re only getting half the fat and carbs. That’ll still be enough to quiet your empty tummy. 
You toss the bag in the microwave and set the timer to three minutes, pressing start and cringing at the loud humming from the appliance. You’ve also forgotten just how noisy preparing this little snack can be. 
Each pop of the buttered kernels echoes throughout the open kitchen and you’re praying to every star that this won’t wake him up. 
With two seconds left on the timer, you quickly open the door to avoid the unpleasant ding that’s sure to wake him up if you didn’t catch it in time.
You pour the contents of  the bag into your favorite blue bowl, designated long ago as the official “popcorn bowl.” You can’t go without a little extra salt, so you dump a good amount over top and sift it around so it’s all coated. 
You’ve realized that you instinctively poured the entire bag, even though you decided to only eat half. You’re not happy about the extra temptation, but you’re mentally telling yourself that there’s no need to eat this whole bowl. 
Shutting the door to the microwave as quietly as you can, you begin to tip toe back to your room to safety.
Only now, you’re met with a slightly horrifying discovery.
He’s laying on his back, sans hoodie that's draped over the arm of the couch and the blanket you gave him sitting just below chest. (God he looks good.) The light from his phone illuminates his face as he’s holding it sideways, seemingly watching a video of some kind. But his drowsy eyes flick to you as you begin the walk back to your room.
As you awkwardly stand in the middle of the room, blue popcorn bowl in hand, he pulls out an earbud and sets his phone down. “Trouble sleeping?” His groggy voice asks. 
“Yeah,” you answer, a little embarrassed that he’s caught you in such a state. “I just can’t seem to relax…but what are you still doing awake? I hope I wasn’t being too loud.”
“I’m a bit of an insomniac, I suppose,” he answers. “Popcorn, huh?” 
He swings his legs over the side and sits himself up on the end of the couch, a silent request to have you come sit next to him. You take the hint. The company would do you a little good right now, anyway. 
“Is it okay if I sit here?” You still can’t help yourself from asking if it’s okay, given your less than welcomed history with him. 
“Under one condition,” he remarks, full smirk across his lips. 
You stop before you take a seat, slightly terrified of what his ‘condition’ could possibly be.
“And what is that?” you timidly ask. 
He flashes you a warm grin that looks all the more inviting under the very dimly lit living room, chuckling lazily under his breath. 
“You have to share your snack.” 
You nervously laugh as you situate yourself on the opposite side of the couch, taking a few pieces of your snack of choice and passing the bowl over towards his direction. 
You catch a glimpse of his phone that’s still unlocked and sitting upright, paused on what looks like some professional chef working away on some fancy meal.
Perfect opportunity for an ice breaker. 
“You like cooking?” you ask while tossing a piece of popcorn in your mouth. (You’re really hoping you just got a bad piece, because it tastes burnt to hell and way too salty.)
“I dabble here and there,” he answers through loud crunches.
“I’m the one who needs to watch those videos,” you say, wincing at the second piece you’ve now eaten that tastes just as bad as the last one. “I’m probably the worst cook I know.” 
“I’d say so,” he acknowledges through a soft giggle, wincing as he tries more of your snack. “You’ve burnt the shit out of this popcorn and you didn’t need to add so much salt.” 
Of course, he noticed. 
You’re thankful for the mostly dark room as you can feel the blood rushing to your face over ruining something as simple as popcorn. 
But, it’s making him laugh. And you’ve come to really appreciate the moments that you do get to hear him laugh, because it isn’t often. Even though it’s at your own expense, you’ll take it. 
It’s surely been a great way to combat any awkward silence between the two of you. 
You chuckle to yourself as you set the popcorn bowl on the couch, centering it so you and Jake can both grab some as you please. 
“So,” he begins as he brings his feet up to rest on the coffee table in front of you. “I know you’re from somewhere where haunted houses are called spook houses. Where might that be? If you don’t mind me asking.”
“Oklahoma,” you answer, a little embarrassed. You’ve learned that your home state isn’t much of a popular one amongst people. Although you do understand why, you can’t help but find yourself missing it every now and again. It has its charm, however hard it may be to find. You know it’s there. Parts of it still remain lovingly in your heart. “A very, very small town in Oklahoma called Cherry Tree.”k,
With a soft nod of his head, his hair falls around his face and even in the dark, you can see how shiny it is. You can even see the soft smile over his lips. “I hear it in your voice,” he softly says. You look to him with question, silently asking him to elaborate. With a snicker, he continues. “Your little southern drawl. It’s not very strong, but it definitely stands out around here. A far cry from a Michigan accent.” 
Your whole life, you’d tried to mask your naturally derived, southern accent. You hated it. And you hated when people told you that you had one. It just made you want to unlearn it even more. 
Especially when you knew you would move to Michigan. The last thing you wanted was to stand out as if you’re not from here. 
Clearly, your efforts were useless. And as much as you’ve cringed when people have brought up the way you talk in the past, there’s something about hearing Jake point it out that actually makes you a little fond of it. 
Maybe it truly isn’t something to feel any shame over. It makes you unique, sets you apart, and perhaps that doesn’t have to be a bad thing. 
⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎
Time feels mute, like it doesn’t exist in this realm you and Jake are together in. 
The early dawn is creeping through the window blinds, and when you glance at your phone, you come to realize that you’ve been talking with him for nearly three hours, and that’s shocking  to you—it’s shocking because it doesn’t feel like it’s been that long. 
The conversations have been flowing so naturally, so authentically. He’s easy to talk to. So easy. You would've never guessed how seamless keeping a conversation going with him could be. 
And, to your astonishment, he’s done most of the talking. You’re witnessing a brand new side of him, one that you could’ve sworn wasn’t there. It seems as though he’s finally comfortable with you. Which is a really good thing, considering he’s spending the night in your place. 
He’s been the best distraction for you amidst everything. If he weren’t here, you’d be lying in your bed, probably crying your eyes out and dealing with the anxiety all alone. 
He’s the very last person you’d suspect would be here for you in a time like this. But, fuck, if you aren’t so happy that it is him.
And as time has gone on, you’ve both moved closer and closer to each other. His legs are spread out on the expanse of his cushion and yours, while your legs are slowly coming to rest on top of his, your body facing him. 
Every so often, his hand will find your calf as if he’s done it a thousand times before. An innate gesture that he hardly seems to notice he’s doing.
But you certainly notice, every single time it happens. Each brush of his hand against your skin causes your heart to flutter. It’s innocent, of course. But it’s the fact that he’s finally revealing himself to you, that he’s trusting you. 
It feels good. It feels really good. 
You’re listening intently as he’s telling you more about the music that has shaped his life up until now. You’ve never noticed all of his little mannerisms, like the way he brushes the tip of his nose after he laughs, or how his hands struggle to stay still when he talks. 
And his eyes, the way they beautifully catch the early light. Their color like a glass of honeyed whiskey over ice, glowing against the rays of the young sun. 
“...and that’s when I discovered the versatility of the SG. My dad searched the entire midwest until he finally found one for me.” The palm of his hand comes to rest on your leg again, only this time, it’s a little higher. His fingertips dare to brush the inside of your upper thigh, his thumb tracing delicate circles across your now trembling skin. The fire within you is growing, felt from the pit of your stomach to your swimming head. “That guitar taught me how to challenge myself. My dad encouraged me every day to keep playing and I’ll never be able to thank–” 
Something changes in his eyes, his expression faltering as he falls silent. There’s a sudden difference in him, one you can’t quite grasp.
And then he looks down at his hand still placed upon you, and with a thousand silent words, he removes it. Quickly. Like he didn’t realize it was there in the first place. Or, worse; like he was suddenly repulsed by the fact that he was touching you. 
The room changes abruptly, the air feels heavier, denser. You notice he avoids meeting your gaze, his thought left unfinished.
What have I done wrong?
“Jake?” 
He moves so he’s now sitting upright, as close to the other end of the couch as he can be. Furthest away from you.
“I should…I should probably get some sleep,” he says, the words sounding ever unsure. “And you should, too. We’ve only got…” He takes his phone to look at the time, breathing deeply from his lungs when he sees that it’s nearly six in the morning. “Jesus.” He runs a hand over his face in…frustration? Exhaustion? You can’t be sure. “We’ve only got about two hours until they allow visitors, and I’ve got to go to work right after.” 
You take the hint that he wants you away from him. 
But for what reason? Well, you’ll be left to wonder that for the next few hours, alone. 
You don’t say anything as you stand up, only nodding your head and shielding your face the best you can.
You don’t want him to see the new tears that have begun to surface. 
“Sorry,” is all you can muster as you open the door to your room. He doesn't respond, only pure silence comes from the living room. 
Whatever you did, it was enough to force him to realize he doesn't want to be close to you, emotionally or physically.
It was going so well. But, you ruined it. Just like you ruin everything else in your life. 
You’ve no doubt that you won’t be getting any sleep for the next few hours. Your thoughts are too loud, screaming everything you’ve ever done wrong in your ear. 
And you can’t get the look in his eyes out of your head, how they appeared uncomfortable being in your presence. How he suddenly decided he didn’t want to be around you. 
But, then again, you can’t blame him. Because who in their right mind would want to be around you?
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The alarm on your phone is blaring. You’ve been  counting down the minutes until it was set to go off, laying in complete silence and watching nothing but the clock. Every second felt like twenty minutes in your brain.
When you walk out into the living room, you’re met with an empty space. No Jake. 
Did he leave…? 
The couch is back to normal, the blankets you gave him folded and sitting on the cushion under the pillow you let him use. (Your favorite pillow, but you’ll never tell him that you sacrificed it for him.)
Great. He’s gone. 
And you have no way of getting to the hospital without him. 
Natalia.
You’ll call her, see if she can take you. 
Which you shouldn’t have to do. He said he would take you, and he just fucking left. 
It’s safe to assume that whatever relationship you were building with him last night, has all but left the apartment with him. 
Deciding it’s not worth your time at this point, you grab your phone, unlocking it and tapping on Nat’s contact to call her. 
It’s ringing. And ringing. And ringing. 
Fuck. If she doesn’t answer, you don’t know what you’ll–
“What are you calling me so early on a Saturday for?” She finally answers, her raspy voice a clear indication that she’s just woken up.
“I need your help, Nat. Can you come get me and take me to the hospital?” 
You hear her gasp on the other end of the phone. 
“What? Are you okay? What’s going on?” she asks, her questions coming in quick succession. 
“To make a long story short, my car broke down at the Kiszka’s last night, so Jake had to bring me home. There was an ambulance when we got here, and it were here for my mom. They took her to the hospital, but I had to come separately. So, since I didn’t have my car, Jake took me. I couldn’t stay the night with her and when he brought me back home, he stayed the night to be here in the morning to take me back to her, but he left a while ago and I was hoping you could come get me.”
Even you can’t believe the words out of your mouth. A convoluted mess that you hope she’s comprehending at such an early hour. 
“Holy shit, y/n. Yeah, of course. Is your mom okay?” she questions after a brief moment of silence, probably in an attempt to understand the shit show you’re currently dealing with. “And where the hell did Jake go?”
“Wish I knew,” you say with a cynical tone. “And I don’t really know. They told me she was stable last night but they still needed to keep her. Since I was gone, I have next to no idea of what happened.”
Just as she begins to respond to you, you feel your phone vibrate against your cheek. 
“One sec, Nat. I think I just got a text.”
Jake: I’m outside in the car. Ready whenever you are.
“What the fuck, Jake,” you mutter softly, but loud enough that Nat heard you on the other end of the phone call you’re still on. He couldn’t have communicated this to you? 
No. Instead, he just made you believe he left. 
Either way, you’re glad he’s still here. He’s not that cold towards you. (Although you’re not exactly shocked at the fact that you didn’t question it when you thought he left.)
“What did he do?” You hear her say at a low volume. 
Bringing the phone back up to your ear, you say, “He’s still here, apparently. Just in the car waiting for me. I’ve got to go, I’ll keep you updated.”
With that, you hang up the phone and quickly begin to get ready. 
You take the first pair of leggings you see sitting in your dresser, then decide to throw on your vintage, oversized Billy Joel sweatshirt that you'd completely forgoton you owned. 
The state of your hair is one that you can’t do much with at the moment, you figure a messy claw-clip bun will have to suffice. You put a little moisturizer on your face, grab your belt bag and keys, and run out the door. As much as Jake has upset you in the last few hours, you still don’t want to keep him waiting any longer than he already has. 
He’s sitting in his car, just like he said. Wearing the infamous John Lennon frames that remind you of when you first encountered him. You had no idea at that moment, when he brushed up against you in the hall, when he tried to make you look like an idiot in class, that you’d be here with him. And if you’re honest, given the way he reacted to your closeness last night, you’re not sure this is much better. 
It’s like he wants to be closer to you, but when the time actually comes, he realizes it’s you he’s getting closer to, and backs off. And that effectively makes you feel about a hundred times worse than you did a few months ago. 
“Sorry, I didn’t realize you were out here already,” you tell him as you open the passenger door and take a seat. 
“No problem.” He waits until you’re buckled and settled before he starts backing out of the spot, his right hand grabbing the head rest of your seat while he turns his body to have a better view of the back window. 
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The drive has been quiet, (shocker) save for his music. Something you can’t deny him is his impeccable taste, his taste that is so similar to yours. 
He must’ve taken notice of your Billy Joel sweatshirt, because, ironically, Vienna begins playing over the speakers. One of your favorites. And one that, without fail, makes you cry every single time. He probably queued it up because of your shirt, but little does he know of the deep, deep history you have with this song. 
He doesn’t know that your dad used to play this song while you were getting ready for school in the mornings, how he told you one time that he wanted to name you the title of this track, but your mom wouldn’t agree to it. But, that didn’t stop him from associating the tune with you. 
He called you his little Vienna for a good chunk of your childhood, up until you got to high school and asked him to stop out of embarrassment. You didn’t want everyone privy to your dads nickname for you. Just a normal, teenage thing. 
Then you remember…This was your dad’s sweatshirt that he gave to you a long, long time ago when he left for a work trip. You were devastated that he was going to be gone. He gave it to you for comfort, to keep a piece of him with you while he was away. 
And you chose to wear it today, of all days. When you need the extra comfort. When you know, deep down, that you need him. Your subconscious knew it. That’s why you gravitated towards this shirt without even realizing that you were. 
You’ve not heard this song since he left. Not even so much as thought about Billy Joel’s music, let alone this sweatshirt that somehow made the move to Michigan when you thought you got rid of everything from your dad. 
A single tear falls from your eye, landing on the top of your lip. You taste its salty presence before you wipe it away with the cuff of your (his) shirt. 
The lyrics feel heavier than they ever have. 
Why don’t you realize…Vienna waits for you?
When will you realize…
As the song comes to an end, as Billy plays the final note on his piano, you arrive at the hospital. (Something about it feels poetic.)
He stops at the main entrance of the hospital this time, instead of the emergency room one.
“I have to go into work,” he says while you’re unbuckling your belt. “So just text me and let me know when you’re ready to leave and I’ll come get you.”
“If it’s too much trouble for you, I can just ask Natalia.” You say as you get out of his car. “ I’m sure she wouldn’t mind. She doesn’t work today, so it’d be easier for her.” 
Your tone is awfully cold. Distant. 
You feel like you’ve bothered him enough. So, you want to give him an out. He probably regrets ever helping you in the first place. 
His eyebrows become wrinkled underneath his sunglasses as he’s looking at you. Before you go to close the door, you hear him speak up.
“Well, that–that’s up to you, I suppose. But I don’t mind, y/n.” 
“I’ll let you know,” you say, staring down at your feet as you’re finding it difficult to make eye contact with him right now. “Thank you again.” 
And after that, you shut the door and walk towards the front door, hearing him drive away behind you.
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“She’s in room 430. Just take the elevator to the fourth floor and follow the signs. You’ll come up to locked doors, so you’ll have to buzz in with the phone on the wall. Just tell them your name and who you’re here to see, and they’ll let you in.” This receptionist is worlds kinder than the one you encountered last night. She’s got kindness inscribed in her dark eyes, and a smile that tells you she truly cares about her job. Her long curly locks are beautiful and charming, the color a lovely shade of auburn. Perhaps not natural, as her roots are nearly black. But this shade suits her skin tone perfectly. 
“Are there stairs I could take instead?” You ask the curly headed receptionist. Elevators are not your thing. You’ve had a lifelong fear of becoming trapped in one, and with your anxiety levels higher than usual today, it’s probably best if you avoid them altogether. 
She shows you a warm smile as she guides your sight in the direction of the staircase. Thanking her, you quickly head that way.
The climb up the stairs is grueling and as you finally reach the last step, you’re struggling to catch your breath. It seems you didn’t realize just how many steps there are in four flights. It’s a lot of steps. But, still much better than the chance of becoming trapped in a tiny ass elevator. 
After catching your breath, you take heed of the receptionist's directions and follow the signs that lead you in the direction of her room. And just like she said, there’s a set of locked doors with a phone hanging on the wall. 
As soon as you lift it from the receiver, someone answers instantly. You tell them your name and your moms. They verify her birthday with you and once you tell them the correct date, you hear the doors unlock. You thank them before hanging up the phone and heading down the long, somewhat eerie hallway. 
You’ve always wondered why hospitals look like this. The cold, stark white walls and matching laminate flooring, the harsh fluorescents that are painful to look at. Nothing about it is inviting or comforting in the least, and you’ve always thought they should be. Especially for long term patients that are stuck here for god knows how long. 
It just doesn’t make sense to you. In your mind, hospitals should strive to have a warmer environment, for nothing else other than to make people feel more at ease when they’re in hard situations. 
As you’re nearing the end of the hallway, you see room 428 on your left, 429 a little ways further on your right, meaning 430 is the very last one on the end to your left.
The door is open, and just as you’re approaching it, a nurse is leaving the room with her rolling cart that’s carrying a slew of things to check, what you’re assuming, are vitals. 
She smiles as she walks past you, her squealing cart still audible as she rounds the corner to the unit secretary desk. 
You’re still for a moment, standing just a mere feet from her. Out of her sight, of course. And she out of yours as you’re not standing in the view of the doorway. 
There’s a rush of hesitancy forcing you to stay where you are. You’re not sure where it’s derived from, perhaps it’s from the fear of seeing her in such a state. 
Perhaps it’s something else. But you don’t know what.
Finally deciding that just standing here isn’t doing you or her any bit of good, you put one shaky foot in front of the other and walk towards the open door. 
And then, you see her.
Looking the smallest she’s ever looked in your eyes. She looks too small for all of the devices she’s hooked up to. 
Tangled wires. A mess of tangled wires and tubes and IV bags…
As you walk in a little further, she hears you. Her eyes, ever slow in their movement, blink open and shift to you. 
They’re heavy, almost drooping down her pale cheeks. They look tired. So, so tired.
“Hi, honey.” Her words come through in a sad attempt of vocalization. You hardly understood her, more so relying on reading the movement of her lips than anything. Her hand, complete with an IV needle, raises to motion a weak wave at you. 
I wasn’t there. I wasn’t fucking there when she needed me. I can’t leave her…I can’t leave ever again. It’s all my fault.
“Mom I’m–I’m so sorr–”
“You must be y/n!” You hear a booming voice from behind you, interrupting entirely. When you turn around, you see an incredibly tall man wearing a set of blue scrubs with a white lab coat on top. “Your mom has told us a lot about you. I feel like I know you already.” 
As he reaches out his hand for you to shake, he smiles widely when you take it in yours. “I’m Doctor Roth. It’s nice to meet you.” 
He seems positive. The smile he’s wearing makes you believe that everything just might be okay. “It’s really nice to meet you, too,” you say, a little timid. 
You look back to your mom, who seems to have fallen back to sleep. Rest is probably the best thing for her right now, so you don’t want to wake her. Even though all you want is to talk to her, tell her how terrible you feel that you  weren’t there. But it can wait. As long as she’s resting. 
“Hey, y/n.” Doctor Roth pulls your attention away from her with his James Earl Jones-esque voice. “Would you mind coming to speak with me for a moment?” 
While his bearings have changed a bit, he’s still smiling. But, something is a little off in his tone with the question he asked you. 
“Um, yeah. Of course.” You tell him, although you’re not sure you want to have this conversation. 
Will he tell you that she’s progressed much further than you initially thought? That she’ll never leave this hospital again? She’s dying and will be dead soon? 
As he leads you down the hall, stopping at a little room near the restroom, your heart is thumping rampantly in your tightening chest. 
“Before we begin,” he says while pulling a wooden chair out for you to have a seat. “Is there anything I can get you? Water? Coffee? I believe we have herbal tea, if you’d prefer.” 
Herbal tea always sounds wonderful to you, but you’re not sure you could even stomach a simple cup of water right now, so you politely decline his kind offer. 
“I would just like to ask you a few questions about your mom, if that’s okay.” He takes a seat directly across from you at the round table centered in the middle of the conference room. 
You nod your head, letting him know you’re okay with it. 
“I understand she is prescribed a series of medications for her pulmonary fibrosis. If my memory serves me correctly, she’s on Ofev, Pirfenidone and an anti-inflammatory. Is that everything?” He asks you, taking his rectangle frames off and placing them on top of his head.
“Yes, that’s correct.” You give her those pills every single night. You know their strange names by heart at this point.  “She also uses a few different inhalers to help airflow from her lungs. And she wears her oxygen about eighty percent of the time, of course.” 
“Right,” he says, blowing out a long sigh as he sits back in his chair. “Well, let me ask you this. When was the last time she took those medications? That you know of, of course.” 
“She took them last night before I left.” You answer, confidently. 
“Are you sure she did, y/n?” 
“Yes, of course I’m sure,” you say with a little offense. “I watched her take them before I left—” 
Then, you suddenly remember that you didn’t actually see her take them. You left them out for her and reminded her to take them before bed, but you didn’t see her take them. 
“I guess…I guess she didn’t take them before I left. But, I’m sure she took them before bed. She always does.” There’s a terrible feeling present within you, making your already turning tummy feel a lot worse. “Doctor Roth, why are you asking me this?” 
“There wasn’t any indication of them in her system when she came in. Usually, those drugs can be detected for a few days after they’ve been taken, but there was no sign of them in her bloodstream. Meaning, she hasn’t taken them in at least two to three days.” 
No. He’s wrong.
“That’s not possible. I give them to her every night. With the exception of last night, I always watch her take them. I make sure she takes them. I’m sorry, but you’ve got to be mistaken.” Your offense has now shifted to full on defense. 
He’s questioning your ability to take care of her, and that is not something you will take lying down. There’s a whole list of things you’re terrible at, but taking care of your mom is not part of that list. You know that for a damn fact. 
You’re not going to sit here and take this, so you decide enough is enough and stand up from your chair to leave. 
“Y/n, please. I need you to listen to me. The progression of her disease, it’s…” That word. Progression. It stops you dead in your tracks. You hate that word. “...it’s the quickest I’ve ever seen in my fifteen years of practicing. If she were taking her medication as she’s supposed to, her lungs wouldn’t look as bad as they do. They would still look bad, but those medications help to slow the stiffening of her lungs. But with the state they’re in, it’s clear that she’s taken very little to no medications.”  
You’re not sure what to make of this…what is he saying? 
Well, clearly he’s saying that she’s not taking her medications…but how? 
You give them to her, you see her take them…right?
“Is—is there a chance her disease is just progressing more rapidly than what’s normally expected?” You hate saying those words. They feel like poison coming out of your mouth. But they sound better than “she’s not taking her medication.”  
He stands up from his chair to stand closer to you, taking his glasses off his head and placing an end piece on his bottom lip. “That is a possibility, although that doesn’t explain why we saw no signs of her medications in her bloodstream.” 
“Is she on them now? Is that why she’s so groggy?” You ask him, remembering how she was hardly able to speak or move when you saw her just moments ago. 
“Yes, she is. And that is another sign that she’s not been taking them as prescribed. Her body should be adjusted to the severe lethargy that these are known to cause, and it’s clear she’s not.” 
While you know Doctor Roth has no reason to lie to you, you still can’t bring yourself to believe him entirely. It’s not like your mom to do this, to not take care of herself. 
But there’s no sense in arguing with him anymore. It’s not worth it. Doesn’t change the fact that she’s here. 
And as that terrible thought resurfaces, you’re reminded of a question you need to ask him. 
“How much longer will she need to stay here?”
“I can’t be certain,” he answers. “But we’ll need to monitor her a bit longer, run a few more tests. At least another three days or so, but we’ll let you know when we believe she’s ready.” 
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She’s still fast asleep, having been for a few hours while you sit quietly on the stiff couch in the corner of her room. The room is small, stuffy. Her only source of entertainment is a tiny television mounted high on the wall. 
You know she hates it here. You hate it for her. 
But the one redeeming thing about this room is her giant window that offers a beautiful view of the city skyline. Detroit is always busy, always bustling. 
But it’s lovely, especially from this fourth story view. 
And it's a nice distraction from the beeping monitors and noisy machines. 
Nurses have been in and out every hour to check her vitals, making small talk with you while they record every result. They’ve all been so friendly, each one of them asking if they can bring you anything to eat. You’ve turned them down each time. 
Food hasn’t been your concern today. Wasn’t your concern yesterday, either. 
You’re hungry, that much you can tell. But you can think of a million things you’d rather do right now than eat. Eating would only increase your anxious thoughts, and that wouldn’t do you a bit of good at the moment.
You can just eat when you get home. You’ll last until then. (You’ve lasted a hell of a lot longer than this before.)
You suddenly feel the vibration of your phone still tucked away in the waistband of your leggings. 
To your astonishment, it's a text from Jake. 
You didn’t expect to hear from him, but seeing his name on the screen of your phone does feel nice. It feels really nice, actually. 
Jake: I meant to ask but it slipped my mind. How's your hand?
You’d completely forgotten about your hand. But Jake didn’t.
And it warms your heart that he thought to ask about something so meaningless to you. 
You look down to examine your fist to give him a proper answer. Aside from a slight purple tint on the skin, you wouldn’t be able to guess it was injured at all.
You: It’s much better. Some bruising but no more swelling and I can hardly feel it. The ice really helped!
He responds almost instantly, meaning he probably still had your messages still pulled up on his end. 
Jake: Good. : )
Jake, although he has his moments, is great at forcing a smile out of you when it feels impossible to do so. 
His message is reassuring, especially with how last night (early this morning, actually) ended. 
Before you can type out a response, you notice she’s beginning to stir just a bit. She’s done this periodically throughout the day, but this is the first time you’ve seen her open her eyes since this morning when you first arrived.
She turns her head a bit towards you, so you get up and move closer to her. 
“Hi, mom.” You say softly.
She smiles at you, the best she can despite every obstruction on her face. 
Just then, a nurse walks in for her hourly check. “She’s awake!” He excitedly exclaims. 
He’s young, probably a fresh graduate. You’ve seen him in here once before a few hours ago. He’s very sweet, the kindness you’d expect every nurse to have. 
He runs through her vitals quickly, telling you he wants to give you two plenty of alone time. 
You thank him as he leaves, and he flashes a sincere smile while he turns the corner of the hallway. 
Her eyes are suddenly glued to you, but not just you. Your sweatshirt. 
“Where’d you find that, honey?” She questions. 
“Oh, I don’t know I just— I’m not worried about it. I am worried about you. What happened last night, mom?”
You’re sure she recognizes that it’s your dads…and you feel terrible for wearing it around her right now for that very reason. You just didn’t consider it. So, it’s probably best to change the subject. 
She sits up a bit and you reach out to help her. You place her pillows in a way that keeps her upright without her needing to use much strength to do so. Once she’s comfortable, you sit down in the recliner next to her bed. 
“They’re telling me all kinds of crazy things,” she says. “I’m just fine, I know I am.” 
They’ve more than likely asked her about her medications, how they didn’t find any in her system. You want so badly to ask her about that. But, it’s not the time. Not yet. 
“I feel so bad, mom. I shouldn't have been out that late. I should’ve been there, I could’ve done something, I…” Your throat becomes tight with a lump, your eyes brimming with a hundred unshed tears. It’s just all too much. And you feel like you’re to blame. You just can’t shake that feeling. 
“Don’t be sorry, sweet girl.” Her weak hand reaches out for yours. As you take it, you notice just how clammy she feels. “It would’ve happened whether or not you were there. I think it was bound to happen sooner or later.” 
She’s probably right. But, had you been there, maybe the ambulance would’ve been called sooner.
The ambulance. How did they…? “Mom, I have to know who to thank for saving your life.” The tears are streaming down your hot cheeks at this point. “Do you know who called?”
“Mrs. Sweeney,” she answers right away, as if it didn’t require any thought. “Bless her soul. She’s the sweetest lady. She heard me cry out just as I fainted, and called 911 for me.”
Mrs. Sweeney is your next door neighbor in your complex. She’s been the most wonderful neighbor to your and your mom since you moved in. It makes perfect sense that she’d be the one to call. 
“I’ll have to thank her,” you say, wiping away the tears. “She did what I should’ve been there to do.”
Her eyes suddenly widen, a stark contrast in how they’ve looked all day. “There’s…there’s no need, honey. I already thanked her. Called her last night, she’s been thanked plenty.” 
She could call Mrs. Sweeney…but not me?
“Oh. Well, okay," you say, confused. “I guess it would be beating a dead horse at this point to thank her again.” And with that, her eyes go back to their groggy state, closing slowly as she falls back to sleep.
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“How is she?” Jake asks as you climb in the passenger's seat. He insisted on coming to get you as soon as visitings hours ended. Wouldn’t take no for an answer. He told you he was already on that side of town anyways, so he didn’t see the point in you asking Natalia to make the trip. 
“She’s…I don’t really know, to be honest.” It’s true. You don’t know how she is. You’re leaving the hospital with more questions than you had coming in.
His question…there’s just no easy way to answer it. “She’s okay, for now. But she…she may not be much longer. It’s…complicated.” 
“You don’t have to tell me more if you don’t want to. I’m glad she’s okay at the moment.” He tells you.
You smile at him, then relish in the silence the rest of the way home. 
You’re grateful that he’s not prying. It’s too much to talk about right now, and it seems he’s picked up on that. 
You breathe a deep sigh of relief when you arrive at your apartment, ready to climb in bed and try to get some much needed sleep. 
You thank Jake before he leaves, fishing for your keys out of your belt bag as you head up the stairs to the third floor. 
Once you make it to your door, you see Mrs. Sweeney leaving as you’re about to walk into your place. Your mom told you not to thank her again, but you can’t help it. You still haven’t thanked her, and it’s just not in your character to ignore a good deed from someone.
“Mrs. Sweeney?” You say as she’s locking her door. 
“Hi, dear! How's your mom today? I’m sure you two have had quite the night.”  
“She’s okay,” you say, the words feeling like a lie. “All thanks to you. I can’t thank you enough for calling the ambulance last night. Seriously, you saved her life when I wasn’t here–”
You stop talking once you see her expression change. She looks befuddled, almost disoriented. “Oh honey, I’m not the one who called last night. I thought you did, dear.” 
…she didn’t call? 
“But my mom said— you didn’t hear her call out for help?”
With a contemplative look, she puts her keys in her purse and faces you. “I didn’t hear anything. And I was home all night. This is the first I’ve left since yesterday morning. I’m sorry I didn’t hear her, dear. Were you not home?” 
As if it were even possible, there are more questions filling your head. 
“I wasn’t, but I’m sure one of the other neighbors called. Sorry to bother you, Mrs. Sweeney. I hope you have a good day!”
“Not a bother at all, love.” 
You walk into your empty apartment, in a near state of shock. 
Why did your mom lie to you? And so blatantly, at that? It’s not something you want to let yourself believe. Maybe it was because of her state, she was just confused after everything. But…she didn’t look confused. 
And she told you she talked to Mrs. Sweeney herself, which clearly didn’t happen. 
As much as you want to figure all of this out, you’re far too exhausted to give it much more thought. You need sleep. Sleep first, then you can get to the bottom of it. But for now, the only thing you’re craving is your bed. 
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A pounding on the door  wakes you from the depths of your slumber, nearly startling you off the bed in the process. The post nap disorientation is in full effect. The sun was still up when you laid down, and now your room is in almost complete darkness. 
The pounding on the door persists, forcing you to wake up all the way. Who in the world…?
Hesitant to answer with it being so late and being all by yourself, you reach for your phone in case you need to call someone.
And right as you go to grab, you realize you have four text messages from Nat. 
Nat: Are you home yet??
Nat: If you are, be ready to come outside in about 20.
Nat: Hello?
Nat: COME OUTSIDE! We have a surprise for you. 
Based on the messages, you’re realizing that Nat is the persistent knocker. You love this girl so much, and you’re hoping that whatever her surprise is was worth waking you up for. 
Also, you’re not sure what she meant  by “we,” though you’ve got a hunch it could be her new suitor. 
You: Sorry, just woke up. On my way
Summoning what little strength you have left, you force yourself to get out of bed and head towards the front door. Your feet are literally dragging as you walk across the dark apartment. Turning on the outside light, you swing open the door to Nat’s beaming, beautiful face adorned with a full toothed smile. 
“Hey there, sleepy head!” 
Bringing your hand up, you rub what’s left of your (very little) sleep from your eyes. 
“What’s your surprise?” You ask with a tired voice. 
“Hold out your hand,” she says, an enormous grin still across her face. “And close your eyes.”
With as heavy as your eyes still are, closing them isn’t an issue. (You just wish you were still in bed while doing it.)
You do as she says, and as soon as your eyelids are shut and your hands are outreached, she places something peculiar in your flattened palms. 
“What is thi–'' you begin to ask, interrupted by her as she practically yells for you to open your eyes. 
And when you do, you see a single key. 
But, not just any key. It’s the key to your shitty ass Firebird.
“What the hell? Natalia Delores, what did you do?” You ask her, having a good idea of what this is all about.
And then you hear a honking coming from the parking lot. As you look over the edge of the stairs, you see Danny’s curly brown locks hanging out of the driver's side window of your car. 
“Surprise!” She exclaims. “Dan the handyman fixed your car!” 
Cringing at the ridiculous nickname, you give her a huge hug before sprinting down the stairs to do the same to handyman Dan. 
“Did you realize you were missing your key?” He asks as he wraps you in a long embrace. 
“I had no idea,” you say, still held tightly in Danny’s muscular arms. “How did you guys manage to get it without me noticing?” 
“Jake,” Nat tells you. “He took it off your keyring this morning.” 
You’ve a good feeling that happened before you got up this morning, probably before he went out to wait in his car. 
Danny is the first to break the hug, leaving you on your own against the chilly night air. 
“Can I pay you for this?” You ask him, crossing your arms over your chest to act as a barrier from the cold. 
“Absolutely not. I won’t accept a single dime from you.” He insists, brushing a curl out of his face. 
“Danny, I know this was probably really expens–”
“Nope.” He interrupts. “Not a dime.”
With a fake grunt of irritation, you give in. (Partly so you can get inside and out of the cold.)
“Thank you. Thank you both, seriously. This is such a huge burden lifted.” 
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Despite how things transpired with you and Sam, he’s still treated you the very same. You were terrified that there would be some awkward air with you two after the way you left him the other night, but it’s as if he’s all but forgotten about it. He still fawned over you when you arrived for filming tonight, him and Josh referring to you as “the queen” when you walked in, as usual. 
You haven’t told him about your mom. In fact, the only people who know are Jake and Natalia. You asked them both to not say anything. It’s not because you don’t trust everyone—they’ve all become some of the best friends you’ve ever had in your life, better than any friend you had back in Oklahoma. You just don’t want the attention that would inevitably bring. You don’t need them feeling sorry for you, and you don’t need them asking questions that you don’t want to answer, to questions you can’t answer. And you know it would lead to the fact that your dad doesn’t have shit to do with you. 
It’s just not something that needs to be advertised, not yet. You don’t want it to be the only thing everyone associates you with. You want them to still like you for you. Everything else can be addressed later. 
Of course, that did raise some other questions. Mostly about why Jake didn’t come home that night when your car broke down. His response to his brothers was simple; he just didn’t feel like driving back home that late, so he crashed on your couch. That wasn’t too far from the truth.
They didn’t even bat an eye at it. Just accepted it as fact and moved right on, not giving it a second thought. Jake is a bit distant from his brothers at times, so it’s probably not entirely out of the norm for him to not come home some nights. 
You’re glad that things have been pretty much normal for you and your filming crew.
While you’re not acting tonight, you decided to come over to the Kiszka place anyway, just to get away from your own mess for a little while. The apartment feels much bigger when it’s just you living in it. You love to have your alone time, but it’s been so much lately that your mind is going to some dark places, places that you’re forced to revisit when there’s no one else around to distract you.
So, suffice to say, you jumped at the opportunity when Josh asked you to come over tonight. He often invites you over on filming nights when your scenes aren’t being shot, says he enjoys your company and input on accuracies pertaining to the lore. You normally turn him down on those instances, feeling far too guilty for leaving your mom when you are filming. But with her still being in the hospital, you didn’t see the harm in taking him up on it this time.
Tonight's scene is between Arthur and Camille. Between Jake and Stacy. The first time you’ll see Jake as Arthur, and you’ll finally get to see for yourself what their on-camera chemistry is like. You’ve been told more than once that they’re great together, but now you have the chance to see it instead of just being told about it.
Although, you’re not exactly excited  to see them interact this way. And a huge part of you is hoping that they’ll royally suck together. You’ve been so busy that you haven’t had time to come watch their scenes, not that you’ve really tried that hard to do so. You could’ve if you actually wanted to.
But, you figured you’d rather see it in person than wait until the film is finished. And your imagination has run rampant with what they’re like together and the ‘not knowing’ has been painful. At least after tonight, you’ll know. You won’t have to wonder anymore, and it won’t be a surprise when you get to see the film in its entirety. 
Something you’re a little (more than a little, honestly) happy about is the fact that Stacy doesn’t have her “own” dressing room like you do. Granted, it’s Jake's room that has been designated as your changing space. But, still. She’s stuck using the guest bathroom to change in, and you can’t help the curling of your lips when you see her struggle to carry her costumes in there. 
Nat nudges your shoulder with hers when she catches your grin, letting you know that she saw that. You can tell by her features that she’s thinking the exact same thing.
“You know I need more details.” She says, hushed. 
You know exactly what she’s talking about, but you’ll play dumb anyway.
“Details?” You question with a look of false confusion. “Details about what?”
“Don’t play dumb with me, y/n. Tell me more about Jake spending the night with you.”
You shush her as you lead her over to the dining table for a little more seclusion, both sitting in the chairs furthest away from the commotion in the living room where Josh and Malachi are busy adding the final touches to tonight's set.
“Nothing happened, if that’s what you’re wondering. Neither one of us could sleep very well, so we sat on the couch and talked for a bit, but that’s all.” You stare down at your thumbs as you twiddle them. You don’t really feel like mentioning him physically brushing you off when you both got a little too close for his comfort. You don’t even like thinking about it, let alone talking about it. 
Attempting to come up with something to change the subject, you feel terrible when you realize you’ve not even asked Nat anything about her and Danny. You perk up when at the opportunity to talk about something that isn’t the awkwardness between you and Jake.
“Speaking of details,” you say, sitting both your elbows on the table and resting your face in your hands, giving her your full attention. “I need you to tell me everything about you and Daniel this very minute. And don’t you dare leave out a single thing.”
A beautifully shy smile stretches her plump lips as she tucks a loose curl behind her ear. 
“Well, what would you like to talk about first?” She asks, her eyes lighting up. “The fact that we’ve seen each other everyday since our first date, or the fact that he’s the best I’ve ever had in bed?”
Your hands drop to the table, a stupidly massive smile plastered to your face. 
“Natalia!” You exclaim, scooting closer to her. “I can’t believe it, dude! So, are you, like, official? Or just fucking?” 
“Official,” she says, your mouth dropping from pure excitement for them. You can’t get over it. They make such a stunning couple. And she’s clearly so damn happy. That’s the most important thing. “And fucking,” she continues as you throw a hand over your mouth to muffle the laughter. “ A lot of it, too.”
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She looks breathtaking. Gorgeous. The pale shade of purple they have her in accentuates the emerald tones in her round eyes, the matching flowers in her braided hair look like a halo casted over her shiny, sunshine-yellow locks. 
Stacy’s appearance serves as a stark contrast to Guinevere’s. Her look embodies sweetness, innocence. While your character exudes sensuality as an adulteress with her black and red color palette, Stacy’s is meant to radiate charm and a sense of purity. Purity in the sense that, while she’s cheating with Arthur, she isn’t cheating on Arthur. 
Josh did this on purpose, to make Camille look innocent and unassuming, but in reality, she will be a catalyst in King Arthur's inevitable downfall. The fact that she’s an evil enchantress is hidden beneath her flowery looks. With everyone believing Guinevere to be the horrid seductress, no one would suspect that the true horror lies in the guise of Camille, who’s ever cunning under her false veil. 
Though you’re not surprised, she looks the epitome of sheer beauty. Walking perfection. And it’s a bit painful to see. She’s everything you wish you could be. 
You’re suddenly not sure you’re ready to see her interact with Jake in this scene. But, better now than later. Get it over with so you won’t have to wonder. You can sulk about it later when you have time to really feel your insecurities.
And now, here comes Jake. As if it weren’t hard enough to witness the utter beauty that Stacy carries, it’s an entirely different feeling with Jake’s. 
He looks…just so damn good. 
Tonight, instead of just the usual chainmail top and black trousers, he’s added a touch of regality with black velvet cloak over top, the very same one Josh promised him months ago. He looks like true royalty, exuding an aura of majesty, complete with a sword sheathed at his side. 
They both get settled in their respective places on set, and as soon as Josh yells “action,” a surge of unease radiates within you as you feel your whole body tense up.
As soon as they slip effortlessly into their characters, their obvious chemistry is instantly ignited before the camera. Every touch, every glance they share is loaded with an undeniable intensity. 
The way Jake's hand lingers on Stacy's waist, the way they lock eyes with such intensity…you can’t deny the fact that they’re wonderful together. Aesthetically, they just fit. Much better than you and Jake would, you’ve no doubt. 
When Jake speaks his first line, you’re shocked to hear him use a British accent. A horrible one, at that. 
You have to cover your face to hide the fact that you’re trying not to burst at the seams. But you’re not the only one. Nat has turned her head entirely in the direction opposite of you, which is probably a good thing. One glance at each other and you’d both break with boisterous laughter. 
Sam, however, makes no attempt to hide his true feelings. Standing right behind you, he loudly chuckles his classic, Sam laugh that makes it even harder for you to maintain composure.
Then, you hear a very audible groan from Josh, followed by yelling “CUT!” at the top of his lungs.
“Why did you stop us?” Jake blurts out, his arms flailing in obvious frustration. 
“I told you to use whatever creative liberty you deemed necessary for the character,” Josh confirms, both hands resting on his hips. “But I’ve asked, more than once, mind you, to not use that ridiculous fucking accent.”
Here we go. It just wouldn’t be a normal night of filming without at least several fights from the twins.
“It’s essential to the character, Josh. He is the legendary King of Britain, is he not?” His question is more like a statement, adding extra emphasis on the word “Britain” to secure his point.
“I told you, Sir Jacob.” 
Sir Jacob…?
“It doesn’t make sense if no one else is following suit with your shitty accent.” Josh continues. Jake flips a rather dramatic middle finger towards his twin, with Josh generously showing him the very same affection. 
“Alright. Take two of scene number 67,” Josh pauses a moment, waiting until they’re ready. “And…action.”
Thanks to Jake's “creative liberty,” you have to sit through the scene again, watching them and their perfect chemistry—again. 
And then…
…they kiss. The very moment you were not waiting for.
With the way his lips so passionately intertwine with hers, it’s clear they’ve done this more than a couple of times. And not only for the sake of the film. This kind of intimacy transcends the limits of film.
You and Sam had natural chemistry, but their chemistry goes miles beyond what you instinctively had with Sam. Theirs feels experienced. Experienced with each other. 
If there was any doubt lingering that they slept together that night after the haunted house, it’s all but confirmed for you now. 
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“When will your mom be ready to come home?” Nat asks you as the two of you are packing up the set.  
You quickly look around to be sure no one’s close enough to hear, the hesitancy to let everyone know is still hanging onto you tightly.
“Actually, she’ll get to come home tomorrow," you share with her. “She was good as new when I visited her today, and the doctor said she’s making huge strides.”
Your words carry a little unsureness. It’s not that you’re not happy to have her home, the apartment has been terribly lonely and you’re ready to get things somewhat back to normal. But, you can’t get rid of this feeling that something’s just not right with the whole situation. 
From the Doctor telling you there were no medications in her system to her telling you that she personally spoke with Mrs. Sweeney, thanking her for calling the ambulance, despite Mrs. Sweeney having no recollection of it and having not made the call to 911…There’s a web of uncertainty weaving in your brain. You know Nat can sense your apprehension based on the look she’s giving you as she places all the silk flowers neatly in their box. 
“You don’t sound too excited,” she observes. “Are you still thinking about what the doctor told you?” 
“I just can’t force myself to believe it. I know the evidence is there,” you remark, brows furrowed in confusion as you help her shove the ivy vines in the box with the flowers. “But it just…it doesn’t feel right, you know? Why would she do something like that?” 
Her eyes mirror the same questions plaguing your mind, the empathy ever present in them. You know she understands your confusion, her support has been a comfort during these last few maddening  days. (Though you still haven’t told her about your conversation with Mrs. Sweeney. You suppose that can wait until you’ve had enough time to process it.)
“But, I am happy that she’ll be home. It’s been so weird not having her there.” Once you get the last of the silk plants packed up, Nat takes the packing tape and adds a few pieces along the center to secure it for safekeeping. 
“I’m just worried about getting her up the three flights of stairs to our place,” you continue. “The elevator went out again and she can’t really climb them on her own. And I’m not strong enough to get her up myself.” You look to her with pleading eyes, hoping she’ll pick up on your silent request for help. 
“You know I would help if I could, y/n. But I’ll be out of town all day tomorrow with Danny visiting his family.” She tells you. You can tell by her tone that she feels bad, but it’s not her fault. 
“Well,” she says, contemplating her options. “Maybe I could just drive myself, so that way I could leave and come help you with your mom and then go back when she’s all settled.” Her offer is undeniably kind, but you can’t bring yourself to allow her to do that. You don’t want to be the reason her whole day is disrupted. 
“No, no. It’s totally okay, babe,” you acknowledge, grateful that she’d even consider such a thing. “We’ll manage. Thank you, though. I appreciate you a lot.” 
Just as you’re finishing up, you hear someone shuffling around in the kitchen. Looking in that direction, you see Jake gathering a few things to prepare dinner. 
“I can help you tomorrow, y/n.” He says, back turned to you and Nat. “Just let me know when.” 
You and Nat share a knowing glance that says what you’re both collectively thinking. 
You shouldn’t be surprised that he’s offering, given how much he helped you that night and the next day. But, you still can’t help feeling shocked at his proposition.  
“S-sure, Jake.” You say. “I’ll text you the time.” 
But as you accept his offer, gratitude mixed with trepidation floods your thoughts. You’re suddenly mortified at what he may have heard you and Nat talking about, surrounding your unease with your mom’s situation. 
How long had he been standing there?
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“So this is the famous Jake,” she remarks as you wheel her through the automatic doors to Jake, who’s standing outside his Range Rover ready to help her into the passenger’s seat. Embarrassment flushes your cheeks as she makes it obvious that you’ve talked about him to her before. 
Meanwhile, Jake’s lips curl in a playful grin at her statement. “Nice to finally meet you,” he says, extending a helping hand as you begin helping her out of the wheelchair and onto her feet. You try to avoid making eye contact with him as you and he position yourselves on either side of her, helping to stabilize her as she walks towards the car. But he isn’t trying to avoid it. Each accidental glance his way is met with his mischievous eyes fixed on you, his grin remaining ever present. Together, combined with what little strength she has, the three of you successfully settle her into the car without any issues. 
Taking the middle seat in the second row, you buckle up as Jake starts the engine and begins the drive to your place.
You didn’t consider the fact that she would probably bombard him with personal questions, and that’s just what she does the entire way home. She asks him all the basics, probing into his background and interests with relentless questions. His answers are pretty short for the most part, not getting very personal with her curiosity. (Sounds familiar.) But it’s her next question that has you wishing you were anywhere but here.
“Are you single?” She inquires innocently. (Although it’s perhaps not very innocent, given what you’ve told her about him.)
In the reflection of the rearview mirror, you see Jake’s eyes widen, mirroring pure shock. You bring your palm up to rest against your forehead, silently wishing to teleport to your apartment and end this agonizing drive once and for all.
But when he answers, you feel your heart sink to the pit of your stomach. 
“I, uh, guess you could say I’m single. I’ve been dating casually, nothing serious though.”
At his mention of “casual dating,” your mind instantly begins reeling and going straight to Stacy and the possibility (likelihood) that he’s been dating her. It shouldn’t bother you as much as it does—you’re nothing to him, after all—but the sting of his words still linger in the air, leaving you feeling so small. Perhaps if you looked like Stacy, he’d be just as interested in “casually” dating you. 
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“Would you like to stay for dinner?” She offers once the three of you make it up to the third floor of your complex. “I’m sure y/n could whip up something quick for us.” A bit of annoyance washes over you with her offering for you to make dinner for everyone. She obviously can’t, but the fact that she just decided you didn’t have anything else to do besides making dinner for three people? Maybe you’re overthinking it, but it’s not sitting right with you at the moment. 
Maybe it’s the sleep deprivation finally catching up with you. Or it’s your mind swirling with a million things at once. The doctor's words, Jake dating Stacy, the burgeoning voice insisting that you don’t eat. (And eating around other people right now is just far too much.)
“Thanks for asking, but I have to get back to work,” he tells her as he’s helping her in the door.
“What do you do for work, Jake?” She asks. But before he gives himself the chance to answer, he’s telling you both goodbye as he quickly heads out the door.
…okay? It’s such a simple question, why couldn’t he answer it?
While you’re standing here, confused and baffled by his actions, your mom seems to have not even noticed it as she’s now seated on the couch, mindlessly flipping through the channels to find one of her shows. 
“When will you be ready for dinner?” She asks you, not even looking your way as you're standing dumbfounded in the middle of the living room. Trying to shove down your frustration, you take her hint that she’s ready to eat and head into the kitchen to prepare tonight's meal. 
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You greet Jake with a sincere smile as you take your seat in Movacks class, only to be met with a simple nod as he looks away from you. 
“Mornin, Jake!” You chirp, summoning your best “Oklahoma” intonation like he brought up the other night, hoping to coax a smile from him. But you're left feeling utterly humiliated as he doesn't even acknowledge you, opting instead to focus on his phone. It's as if you didn't say a single word, leaving you feeling like an actual imbecile for the obnoxious display you've just made. It’s rather clear he wants nothing to do with you today, his pissy mood a good indication that you should probably just keep to yourself. No need in furthering his frustrations with the annoyance that is you.
You’ve tried to ignore the fact that he’s become considerably more distant with you since he helped you bring your mom home the other day. You’ve not even heard from him since then, and given how invested he seemed to be with the whole thing, it’s almost like he’s completely left in the past at this point. 
“I trust you all read the poems you were assigned with your project partner last time we met,” proclaims Dr. Movack as he walks into the room just as class is set to begin.
You and Jake were assigned Sir Lancelot and Guinevere by Alfred Tennyson, a poem that delves deeply into the forbidden affair. A bit of an unwitting irony when considering the depths of your project. He seemed out of sorts about it when you were given the poem to analyze last class period, acting as though it was a chore to have to read it. But you were excited about it, for very obvious reasons as it’s yet another layer added to your research on the character you’ve been playing. 
"Alright, everyone," Dr. Movack announces, starting the timer on his phone. "For the first twenty minutes of class, I want you to pair up with your partners and discuss your individual analyses of the piece you were assigned."
With a hefty sigh, Jake pivots his upper body towards you. “Thoughts?” He asks as his hands gesture for you to begin the conversation, clearly annoyed at this whole thing. (As if it’s your fucking fault you’re his partner.)
“Well,” you start, still taken aback but his brash behavior towards you for, as far as you can tell, no logical reason. “It compares their love to that of nature, while also equating Guin’s beauty to the same thing, making it seem as tho–”
“Kay.” He abruptly cuts you off, turning himself around so he’s no longer facing you, arms crossed and a vexed look about his pretty face. Clad with his John Lennon glasses, reminding you way too much of your initial interactions with him.
“I…I wasn’t done, Jake,” you state, sternly. 
“What else do you need to say?” He implores, his tone making sound more like a harsh statement than a question.
“I also need to say that its theme is a balance of pain and joy, of knowing that they can never truly have each other the way they desire, but celebrating the profound joy they do experience in their shared moments,” 
“The poem constructs the idea of Lancelot tending to the needs of Guin much more tenderly and passionately than Arthur could have ever done for her,” you suggest, pushing him to give you more than what he’s been giving you thus far. (Which has been absolutely nothing.)
But… it didn’t work. You lost him. It was as if the last word out of your mouth shut him completely down. You see through the wire earpiece of his staple Ray-Bans as his eyes close. A hand slowly goes up to rub his temple. 
One more shot. 
“What do you think about—?”
“What the fuck did they teach you in Oklahoma?” He fumes, suddenly and unexpectedly, his head snapping in your direction.
“What?” You blink a few times, surely hearing him wrong. 
“This stupid ass shit you’re spewing,” he growls, turning away from you once again. “Just shut the fuck up.”
“Excuse me?” Okay, you were nearly certain you had heard him correctly. And the way his mouth was set in a straight, unchanging line of ire told you as much.
“I’m so tired of this back and forth game where you think your little hick town brain can get you anywhere in a place like this,” he mumbles angrily, ripping open his journal and book to take his own notes. “It’s not cute to use what little knowledge you came here with as a point of intellect. It doesn’t work to prove anything. We all know the backwoods girl who is hiding underneath this fucking charade you’re displaying for everyone.” 
Your throat constricts, growing tighter and tighter as tears wet your eyes, threatening to fall. He rakes his fingers haphazardly through his shoulder-length, waving locks. With fists clenched, nails pinching your skin where they dig into your palms, you want to grab him by his hair and force him to fully face you again. 
He needs to not be a coward when he says shit that makes your heart quite actually break, crookedly down the middle. Your heart that can only take so fucking much.
He turns, just slightly. His jaw is tight, flexing beneath his frustratingly beautiful skin. How could one man encapsulate so much? One second, he’s driving you here, there, and everywhere—making you feel at ease in a time of desolation. And the next, he’s mocking you for your heritage—calling you out and chiding you for something you can’t help or control. 
A state that, in this moment, you realize you’re proud to represent in some way (you grew up there, the place raised you). You’re feeling some strange, burning need to defend it. 
His body is swiveled back around to fully face you when he rips his glasses off of his face. You fear momentarily of him breaking the delicate metal, but you soon forget the thought when you notice his expression. 
His eyes are flaming, indignant — pure fire in the sweet honeyed bourbon hue of his irises. A fire that infiltrates something so sweet and almost pure… almost. It’s Jake, for God’s sake; he can only get so pure. The word doesn’t even come close to fitting his demeanor at this moment.
The way he looks at you, making you want to crawl completely out of your skin.
“I don’t want you to insert an opinion on this material that is founded on the bullshit they teach you in tiny towns like Cherry-fucking-Tree,” he spit. “It’s a waste of my time and energy to even entertain the ideas that circulate in your mind full of, at best, average thought processes.”
Average. Just an average, hick girl. From the shitass town of Cherry-fucking-Tree. 
Average—Worthless. Just like the town you come from. How could you ever be anything coming from a place like that?
The tears begin cascading down your cheeks before you can even think to challenge them. There is no point in stopping the pools that are leaving your eyes in steady tracks down your hot cheeks. You’re shaking—shivering with equal parts twinging sadness and unkempt rage.
You let them fall momentarily, in shock as his eyes stay locked on yours, unwavering and loathsome of you. In his eyes, you watch every negative emotion he feels for you pass through them. 
“Fuck you, Jake.” Your words are stern, louder than you expected. Yet, you don’t care–because your voice conveys all of the hurt you’re encompassed with. 
And as you utter the cold words, you notice that the rest of the classroom is dead silent. A quick glance out of your peripheral vision confirms that all their heads are turned towards you and Jake.
But the eye contact with him doesn’t break. As much as you hate when people see you cry, you need him to see the hurt he’s caused you. 
“I have heard quite enough out of the two of  you!” Shouts Dr. Movack from his place at the podium. Still yet, neither one of you looks away from the other. “You both need to leave my classroom, immediately!”
“Gladly,” you shout, tossing your things in your bag with such a force that causes Jake to wince with each thing you throw in. 
He begins doing the same, matching your frustration with heavy hands. 
You don’t want to walk out with him, so before he can finish, you begin stomping through the classroom, brushing past Dr. Movack once you make it to the door. 
“Expect zeros for today's participation!” He proclaims, but you’re already halfway down the hall. 
Heavy streams of tears drench your face as you pick up the pace to get the fuck out of this godforsaken building before Jake can catch up to you. 
You can’t stand the sight of him right now, you can’t even fathom ever speaking to him again. His words cut deeper than any knife ever could, of that you’re certain. 
It hurts, it really fucking hurts. 
“Y/n, please wait, I–I’m sorry,” you hear in the distance as you’re crossing the street to the parking lot where your car sits. “I didn’t mean—fuck.”
The sound of the voice is unmistakable.
It’s Jake’s. You can discern it from the one he wielded like a weapon, his tool of choice to dismantle and destroy you, word by hateful word.
He calls for you again, but you choose to ignore his pathetic attempt at an “apology,” jumping in your car and starting the engine, wiping the excess tears away that are constricting your vision.
You briefly look up as you shift the gear into drive, catching sight of Jake’s defeated form standing on the last concrete step of the stairway leading to the doors of Angell Hall. 
And as you’re backing out of your spot, he rips his glasses off, tossing them to the ground with a force that very obviously shatters them. 
You know he was probably just speaking out of pure anger, but where that anger is derived from is what you don’t understand. You’ve not done anything so bad to him to deserve any of what he just threw at you.
But no matter where it came from, he had no fucking right to speak to you the way he did. 
Not finding the strength within you to turn back and go to him to hear his apology, you drive away and leave him there to deal with what he’s done alone. 
While there’s a part of you that wants to hear his explanation, you don’t owe it to him to give him the chance. It’s not worth your time at this point. He’s made it known that you’re nothing but a massive pill in his life, that he would probably be much happier without you in it, ruining it with every backwoods word you speak.
He watches you as you drive away, his features as cold as if they were carved in the very stone he’s standing on, unreadable even from a distance.
Tears begin brimming in your ducts yet again as you turn onto the street to head home, him now fully out of your sight. 
It's unfathomable how someone could harbor such hatred towards you, and yet, despite it all, you can't shake the intense desire you still feel for him. 
It just doesn’t make sense. He doesn’t make sense.
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The squeaky wheels of the wooden library cart echo throughout the entire building with each push. The screeching metal wheels send a chill up your spine each time you move, and you’re silently apologizing to everyone in here for the obtrusive noise. With midterms officially over as of last week, everyone has been dropping their books off in piles the past few days. After sorting through them all, making sure to note who returned their books on their account, it’s finally time to put them back on the shelf. 
As much as you hate the squeaky cart, this is your favorite part of the job. It gives you the chance to conduct a very detailed tour of the library on your own terms, truly allowing you to see it all. There’s no lack of discovering something new each time. You love this old building, and you love the smell of the books. The scent was the first thing you noticed when you walked in here for the first time all those months ago, and it still remains your favorite smell in the world.
As you look towards the end of the long Political Science aisle you’re standing in, you suddenly catch Nat peeking her head around the corner, waving at you while her clunky brown boots click as she walks your direction. 
“Need any help? It’s dead as a doornail up there and I’m bored as hell.”
“Sure, Mr. Dickens,” you joke at her nod to a literary classic. “I’ll gladly accept your help.”
She begins helping with your task, finding a certain peace in her company amidst the quiet library.
“I can’t find where this goes, any clue?” You ask, holding up the book on the tools of presenting a good argument. She takes it from you and examines it a bit, reading the faded numbers on the spine. 
“Well, I see why you’re having trouble,” she says, full smirk across her blush pink, glossy lips. “It’s marked wrong. This goes in General Law.”
With a playful wink, she gestures toward the correct section to guide you to its proper place on the shelf.
“How’s your momma?” She asks. “Is she feeling better?”
“She’s okay. She’s home, and she’s alive…it’s all just so strange.” You shelve the last of the political science books stacked on your cart, wheeling it around the corner to the General Law section as Nat follows close behind. “There’s still so many unanswered questions. I just can’t figure out who called the ambulance.”
“Wasn’t it your neighbor?” She asks, helping you maneuver the heavy cart around the tight corner. 
“That’s what I thought,” you answer, eyebrows furrowed in confusion as you remember the strange conversation you had just days ago with Mrs. Sweeney. “But she told me she didn’t make the call. She said the ambulance just showed up. I asked her if she heard my mom calling out for help, or anything from our apartment that sounded concerning, something that would prompt an emergency call…and she said no.”
Nat matches your confused state, stopping to take in everything you’d just told her. “That just doesn’t make any sense,” she says. “Is it possible that she called for the ambulance?”
“My mom?” You hadn’t even considered the possibility. And, she would’ve told you…right? You don’t know why you’re so desperate to know, why it’s keeping you up at night that Mrs. Sweeney told you she didn’t call, that your mom had basically lied to you about the whole thing. “I–I don’t think so, Nat. She was completely unresponsive when they found her.” 
Now the wheels are turning. Maybe it was her, and perhaps she just…didn’t tell you? Is she trying to hide something? It just doesn’t feel likely but…possible, you guess. It wouldn’t hurt to ask her. Putting this whole thing to rest would make it so you can finally rest.
“Well, like you said,” Nat utters, breaking you free of your relentless, turning mind. “She’s alive. And that’s all that really matters, right?”
Of course that’s all that matters. But, you can’t help the feeling that there’s more to this than what you’re able to see, more that’s being hidden beneath the seemingly cracked surface. It could just be your anxious tendencies, telling you to worry when there’s truly nothing to be worried about.
Or, your gut feeling is correct. There’s something you’re not aware of that feels big.
You begin wheeling the now empty cart back to the circulation counter to grab another lot of books, Nat leading the way ahead of the obnoxious wheels. 
“Right,” you answer, deciding to push aside that worry for the time being.
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“Do you have any idea why Jake despises me? Like, has he ever said anything to you or Josh? Or Malachi?” You ask as you fill the cart with the next bundle of books to be put up.
“He doesn’t despise you, y/n. I know his exterior is rough, but there’s not an ounce of hate in that boy's heart. Just give him more time. You’ve seen it, you know he’s a good one.” 
You know deep down that he is, that he’s got a good heart with good intentions. But, there’s something about when he starts to become close to you that forces him to back away, to treat you like you’re a nuisance. He can shove his hatred for you down long enough, until he can’t and it comes out of him like he was accidentally hiding it.
“He does hate me, Nat. You can’t deny the way he acts when I’m around, like I’m the biggest burden that could’ve possibly been placed upon him.” You roughly toss the final book on the cart, wincing at the loud noise it made that you didn’t quite mean to happen. “You didn’t hear the way he spoke to me the other day, Nat. He belittled me in class. I have never been so humiliated and disrespected before in my life. Pretty sure I’m nothing more than walking garbage to him.”
“I hate to interrupt your little drama fest, but you are not the biggest burden in his life. There’s a lot you don’t know about him.” She says, frustration in her tone as she intervenes, slamming a book down on the cart just like you did. “I will stick up for you, y/n. But I also know things about him that you don’t.”
“That’s the problem. I know nothing about him. He doesn’t want me to know him. He’s built this wall around himself and refuses to let me in. He almost did the other night at my apartment, but when he realized he was getting a smidge too close to me, he shut down again. He’s the never ending enigma, one that just so happens to hate my guts.” Your words hang heavy in the air, a tense silence grappling them as you’re left with the realization of just how complex your relationship with Jake is, and it’s not by your choice. 
“I know he can be closed off, and I know he can be an asshole sometimes. Trust me. But you need to know a few things. He’s been through the ringer, multiple times.” She places a comforting hand on your shoulder, stopping you as you begin to walk away to put the books up, silently urging you to consider another perspective. 
“He and his brothers were adopted by their grandparents after their mom and dad were killed in a car accident. Drunk driver. It left all of Frankenmuth completely devastated.”  
His parents.
You’d never even once thought about where they were, or who they were. Being so caught up in your own shit, you hadn’t even considered…
Fuck.
“Their dad was in a local band,” she continues, taking a seat in the rolling chair behind the counter. “They never made it big beyond the area, but god, everyone in town loved them. And when Jake was about ten, he started playing with them. Playing the guitar his dad bought him, the one sitting in his room. He worked his ass off to buy that for Jake. They were killed only a few months after the first time he joined them on stage.”
When she mentioned his guitar, it all of a sudden reminded you of the night at your apartment. The night he became so disgusted by you right before he could finish talking about…
…about his dad. And the guitar he bought him, the very same one Nat is telling you about right now. You know this because you instantly took note of the SG sitting in his room the first night you stepped foot in there, and that’s the exact model he was talking about that night…the one he said defined him as a player, the one his dad searched high and low for. 
Oh my god.
“When they died, they moved in with their grandparents. But they owned an apartment complex in Detroit, so they had to move here with them. That’s when I met them, when they started school at Central High.”
You just nod in response, needing a second to fully absorb her words that are beginning to paint a much clearer picture of Jake. 
“Then, their grandma suddenly died. They were devastated, didn't come to school for weeks.” Her voice softens, her expression reflecting the weight of all the loss they had endured at such young ages. “They had to help their grandpa with the complex, learn how to run the business. Which turned out to be a good thing, because he got sick a few years later. Pancreatic cancer. The boys ended up dropping out of college for a bit to take care of him, to essentially take over acting landlords.” 
“Nat I can’t…I can’t believe it. I had no idea…” Your brain is struggling to process it all. And if it’s that hard for you to imagine, it must have been hell for Jake and his brothers to live it. It was their reality. But to you, it’s utterly heartbreaking. Unfathomable. 
 “They never left his side, especially Jake. He was with him twenty four seven, and when he died, Jake kind of became a recluse.”
The compassion you’re feeling for Jake and his family swells your heart as you’re realizing the depths of his burdens. His guarded nature suddenly makes a lot more sense as everything she’s telling you is fully sinking in. The old saying is true; you truly never know what someone is going through, what someone has been through. 
Regardless of how he’s acted towards you, you’re feeling a lot of guilt for being so quick to judge him. 
“Jake was the only one with him when he died. Matter of fact, he died in the exact same hospital your mom stayed in. I bet it was kind of hard for him to be there, but he stayed for you, y/n. That is the real Jake.”
Jake was committed to you that night. Stayed with you in the hospital that holds so much weight for him. Even in the midst of his own pain, he stayed with you. It explains so much.
“What happened to the complex? After their grandpa died?” 
“They live in it,” she answers with a grin. “They’re landlords. It was their inheritance. And as hard as it was for them to take over ownership as college students, they made it work. The three of them make one hell of a team.” 
You didn’t know what Jake did for work, but owning an apartment complex with his brothers was not on your list of possibilities. An extremely nice complex, at that. 
“Why didn’t any of them mention this to me? I get Jake but, Sam? Josh?” You can’t help the mix of surprise and confusion, wondering why they hadn’t shared such a big part of themselves with you. It’s their job. And you’ve never known anyone to keep something like that from you. 
Although it does make sense if they didn’t want it to lead to a deeper conversation about their losses. Maybe they’re the same as Jake in that aspect. They just don’t like to talk about hard things.  
Then, you remember how you’ve kept your life a secret from them, too. The only reason Jake knows about your mom is because he just happened to be there. But he knows nothing else. Your dad… he hasn’t and will probably never be mentioned with him. With any of them. And it’s not because you’re ashamed; it’s just not something you want broadcasted. 
“They don’t care for the attention it garners,” she explains. “And they probably didn’t want you to treat them any different. The only reason I know about it is because of my brother, and he’s the one that told me everything else about what they’ve been through. They really don’t like to talk about any of this stuff,” she adds, her voice heavy with sympathy. “They don’t want it to define them.”
“I can definitely understand that.” You say with deeply rooted empathy. Your heart aches, for all of them. But, you can deny the extra twinge of softness you feel for Jake. For him to have shoved all of this down the way he has, it’s no wonder he acts the way he does. It doesn’t completely excuse it, but it sure as hell makes a lot of fucking sense. 
The amount of pain they’ve experienced in their lives, losing practically everyone important in their lives. They’re not only bonded by brotherhood, they’re bonded even tighter because of everyone they’ve lost. All of them being so close to them, raising them. They’ve lost almost everyone who was ever important to them, being left with just each other to lean on. It all makes sense, and as much as he’s hurt you, you just can’t bring yourself to keep holding it against him. 
He’s hurting, too. 
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Carrying the third laundry basket up the stairs from the in-building laundry, you’re wondering just how two people have managed to collect so much clothing. You try to designate time each week specifically for laundry, but you’ve gotten so far behind on it that it’s become a little overwhelming. Each basket of clothes you’ve washed and brought back up to the apartment has been overflowing. You’re sure you’ll discover a missing sock or a pair of underwear or two that fell during the journey back to your place, but you’re not about to go back and find out.
You’re finally done washing everything. Now, the worst part: putting it all up. You decide to put that part off for a little while to get caught up on the rest of the chores that need to be done tonight. 
The dishes are next on the list. You usually don’t mind doing them, but your dishwasher decided to quit on you and the landlord is in no hurry to come and fix it. So, you’re stuck hand washing the pile that has somehow accumulated significantly over the last few days. 
With a resigned sigh, you roll up your sleeves and begin scrubbing away at the stack of plates and utensils. The warm water soothes your hands, and you find a sense of rhythm in the repetitive task. 
Your mind starts to drift to the other tasks that still need to be taken care of. The vacuuming, tidying up the living room, perhaps taking out the trash if you can muster up the energy.
But for now, you decide to focus on the task at hand, finding a strange sort of comfort in the motion of washing and rinsing each dish.
Despite the annoyance of hand washing dishes, there's a strange comfort in the routine of it all. With each plate cleaned and set aside to dry, you feel a small sense of accomplishment. 
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You peek around the door frame to see her lying in the same spot she has been for the last few hours, still grazing her plate of food you gave her and watching something mindless on the television. She hasn’t noticed you standing there yet, and just as you’re about to say something, you notice she’s not wearing her oxygen. 
“Mom,” you assert as you storm inside of her room, the frustration in your voice apparent. You grab her nasal cannula sitting on her nightstand and help her put it on. “How long have you not been wearing it?” 
She takes a deep breath as she further adjusts the tube to her face, letting out a dry cough from deep in her chest. “I’m fine, sweetie. I won’t keel over  if I go without it for a little bit. It’s just so invasive, I hate wearing that damn thing.”
“That is not what the doctor said.” You check her tank to be sure she’s getting enough to compensate for however long she’s kept it off. “And based on how horrible your cough sounds, you need it right now. Please, mom. You have to follow their orders. You don’t want a repeat of the other night, do you?”
She sits herself up a bit, as well as she can. Smiling at you and nodding, she says, “I know, I know. Your momma is just a little stubborn sometimes. What would I do without my sweet daughter to take care of me?” You smile back at her, but it quickly fades as you're reminded yet again of the other night and the questionable events that transpired. 
She picks up on your sudden change in expression. “Are you okay, sweetie?” She asks with wary concern. 
You decide that right now is as good a time as any to ask her your burning question. With a heavy breath, you take a seat on the edge of her bed beside her. Clearing your dry throat, you say “I have to ask you something.” 
“Of course, honey. What’s on your mind?” Her eyes watch you with a gentle kindness about them that you’ve always loved about her, but right now, along with the kindness there are a thousand secrets as dark as her pupils. It casts an unease in your spirit that is brand new to you, yet feels oddly familiar all at once. Has it always been there and you’ve just never noticed? Have you just denied it?
You can’t decipher why you’re so nervous to ask her. You shouldn’t be; it’s a simple question. But you feel this heaviness deep within your body that you can’t explain. An intuition that something is awry, perhaps? 
You’ve never once doubted your mom. You’ve always trusted her with everything for the simple fact that she’s never given you cause not to. But you can’t deny that something feels…off. And as she’s looking at you right now, you’re suddenly not sure you recognize the woman sitting before you anymore. Something is different. Everything is different. 
And you don’t know why you feel this way. But you do. And denying it further will only cause you to descend into a maddening cycle of endless wandering.
Her eyes are flicking back and forth between yours, her eyebrows are scrunched and her thin lips are slightly agape. With a curious nod of her head, she quietly signals you to just ask your damn question. 
“Did…” Your tight voice cracks and as she grabs your hand to try and comfort you, you find your voice to continue. “Did you call 911 that night?” The words flow out of your mouth like a river with no end, a strong current that knocks you into the depths of the raging waters. 
Her eyes widen and her mouth falls the rest of the way open. Her hand slowly moves away from yours as her eyes stay steady on you. A look of pure shock washes over her face as she’s quiet for an uncomfortable amount of time. 
“I thought we agreed on Mrs. Sweeney calling.” She finally asserts, her voice suddenly much more strong and clear than it has been in a long time, startling you. “I’m not sure why you’re still on this, y/n.” Her tone is sharp as a blade, penetrating you each time she utters a word. She’s almost defensive, angry. Her eyes are narrowed on yours, unblinking and stilled. 
“I just…you’re right. I’m sorry, I must've forgotten.” You manipulate your tone to sound more sure, more accepting than you truly feel. You decided against telling her about your conversation with Mrs. Sweeney. You’ve a solid feeling it may not go over well if you tell her what was said. There’s a queasy feeling in the pit of your belly telling you to just shut up. A feeling you’ve never felt with your mom before. You’ve always known you could go to her for anything. Right now, you feel like shutting down completely. 
Her gruff features soften back to the way you’re most used to them, her smile taking over her thin scowl. However, the kindness in her eyes that was mixed with secrets earlier, has shifted to the secrets taking command. You don’t know who she is right now. And you’re wondering if you’ve ever truly known.
“It’s okay, honey. I know you’re awfully busy these days. I’m so proud of you.” Her tone has gone back to its weak, hushed quality. What was once a comfort to you, now feels quite the opposite. And something about her compliment felt…forced. Like she only said it as a distraction. And her voice changing on command, like that was forced, too. As if you weren’t feeling off about this whole thing enough, this has made it ten times worse.
Before you can figure out what to say, you catch the time from her nightstand clock out of the corner of your eye. Realizing it’s well after ten o’clock, you immediately step back in your caregiver shoes. It’s over an hour past time for her to take her evening medications. You grab the three bottles sitting next to the clock, dumping one pill out of each in your hand and setting them back down, taking the half-full glass of water in your hand next.
“Take these really quick.” You say as you hand her the pills and the glass. “I’ll get you more water once you’re done.” 
She nods, tossing all three pills in her mouth and downing the rest of her water before handing the glass back to you. 
Standing from the edge of her bed to head to the kitchen, you tell her you’ll be right back with her water. Without a word, she just smiles your way as you walk through the door.
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It’s nearly three in the morning and you’ve still not gone to bed. With as much time as you’ve had to dedicate to your mom, the apartment upkeep, work, and filming all while attempting to maintain a rather poor excuse for a social life, school and homework have been on the very bottom of your priority list. And that is very much not like you. Your grades have suffered the last few weeks. You’re falling behind, nearing the point of no return. So, sleep isn’t much of an option right now. Hasn’t been for several nights. It’s the only time you’ve got to do something for yourself. Even something as grueling as English homework. 
Tonight's task is to complete your paper on Carmilla for your Classic Horror course, but the words aren’t flowing as seamlessly as they should. As much as you want to be able to focus, you just can’t. You can only manage to get out a few sentences at a time before you have to stop and regather your train of thought. You keep checking your phone, scrolling through mindless social media, getting up to get a drink, anything that might keep you from this rather daunting task.
Your frustration with yourself is growing by the minute. You have to get this done by Monday, and you’re nowhere near finished. There’s hardly a conceivable thought typed on your word document and you don’t see yourself being able to form one anytime soon.
The ever burdening worry is all the more present after your talk with your mom. The way she acted when you asked your question, how her entire demeanor changed to one that made her unrecognizable to you…The questions are persistent, their relevance feeling more palpable than before.
As you start typing out your second paragraph, you’ve suddenly come to a realization that keeps you from continuing…
If she’s hiding that she did call for the ambulance, she would’ve had to use her cell phone. That call would still show up in her log, and although you don’t believe in invading someone's personal space, you just need to know. Odds are, she’s right. She didn’t call, and you’ll probably find absolutely nothing in her phone to indicate that she did. But at least you’ll know. And you can check it off your list of possibilities. You’ll be able to confirm that she wasn’t lying to you. (Because she wouldn’t do that…right?)
You’ve decided that checking her phone is the only way you’ll be able to put this whole thing to rest. Is it the right thing to do? Absolutely not. But you can’t focus until you know. 
Her door is always left open just in case something happens, you can hear her easier. So, with a light step, you walk inside her mostly dark room. Her television is quietly playing some old Western film you know you’ve seen a dozen times, but you can’t decipher which one it is. Some desert battle with horses and weapons flashes on the screen, the light illuminating the room in eerie beams. 
She’s fast asleep. Her oxygen tank is a steady hum against the low volume of the film, her breathing heavy but not labored.
Her phone rests on the nightstand closest to the wall, plugged into the charging cord. As you lift and touch the screen, you’re reminded of the fact that she keeps a six digit code to keep it locked. A code that you don’t know.
Although, you’ve got a hunch. With shaky thumbs, you type out the month, day and year of your birthday.
It worked. You’re in. 
Your eyes quickly shift to her sleeping form to be sure that she is still asleep. She’s situated on her back, her head rolled over on the pillow facing you. Her eyes aren’t open, and she’s not moved since you’ve been in here. You make haste in locating her call log and scrolling all the way to the date she landed herself in the emergency room. 
…and she was right. 
There are no 911 calls anywhere on her log. Not even a call made to the hospital…nothing. But as you take a closer look, there is something amiss. 
It was just after 1:30 in the morning when you and Jake arrived at your apartment to the chaotic scene. There’s an outgoing call that was made at 1:16…just minutes before the ambulance must have arrived. She was completely unresponsive when they found her, so how did she…? And why didn’t she call you?
The contact name is only adding to your questions. It’s a name you can’t place, and it’s an odd one.
Dodger.
Who the fuck is Dodger?
You don’t know a single person with that name…not that you can think of right away, at least. 
Whoever this Dodger is, might be the person responsible for the ambulance call. If not them, then who else? And the fact that she was on the phone with them right before…
Finding out the area code might give you some clue as to who this is. If nothing else, you’ll at least have an idea of where they live. After tapping the information icon to the right, you’re shocked when you see the three digits that tell you this is an Oklahoma number. 
There’s no one back home that she’s kept in touch with since the move. At least, not that you know of. She didn’t have many friends. None, actually. She spent all of her either time at home or, when your dad left, with you. Your mind is empty at trying to conjure up a single person she’d need to call from back home. You stare at the screen for a moment, trying your best to make sense of what you see before you. But you just can’t.
You need to call this number. But not with her phone, so you text yourself the contact information and delete the text from her phone so she won’t know. 
And as you’re in her text messages, you decide to see if she and Dodger ever text each other. But, there’s nothing. You’re quite literally the only person she texts, making this whole thing all the more strange. 
You place her phone back on the nightstand, checking on her once more before you quietly walk away. But before you do, something catches your eye. Her glass of water. It’s empty. You may as well fill it for her so she has it in case she wakes up thirsty. As you pick it up, something else catches your eye. Something far more alarming than an empty glass. 
You see the pills you gave her earlier, the ones you saw her swallow down. Or, at least you thought she did. But she didn’t. The three pills you gave her are sitting behind the glass, hidden from plain out of plain view. Had you not moved the glass, you wouldn’t have seen them. 
Suddenly, you’re remembering how the doctor was convinced that she hadn’t been taking them, asking you suspiciously if she had been. 
And you told him yes. Of course she’d been taking them, why wouldn’t she? 
You give them to her every night. You watch her take them every night. But if you thought she took them tonight when she actually didn’t, does that mean…that she never takes them? 
You can't bring yourself to believe that. You don’t even want to believe it. There’s an explanation. Has to be. 
She wouldn’t do that to herself, to you as her number one caregiver. She’s told you time and time again that she wants you to live your life for you, not for her. She’s said that she hates relying on you, but loves that she can. 
No, she wouldn’t do that. She would know to take her medications, because they make her better. And she wants to get better. For her and for you, like she’s said since she got sick in the first place. 
But it doesn’t explain…
…she really hasn’t been taking her pills.
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The cold, wet hair hitting your back makes you shiver before you wrap it up in a towel, taking the matching one to wrap up your soaking wet body. You decided to take an ‘everything’ shower before filming tonight, completing all of your deep conditions and skin scrubs. This is the most refreshed you’ve felt in weeks.
Tonight will be your last intimate scene with Sam, black lace dress included. And also your first with Jake. This will be the first time you’ll share the screen with him as your fictional ‘husband and wife’ characters. But there will be no loving sentiment between them on the screen. 
No. Tonight, Arthur will catch Guinevere in the middle of the act with her beloved Lancelot, his closest companion and best comrade. It’s going to be one of the most intense scenes within the entire project. 
According to what Josh has written in the script, Arthur will walk in on Guinevere and Lancelot making love, thus beginning the downfall of his reign due to his all consuming desires to get rid of Lancelot. 
Something else Josh wrote into the script is that Arthur and Lancelot have quite the heated argument over who is more deserving of their precious Guin. All the while, she is laid out on Lancelot's bed, clad in her most scandalous attire in front of both men whose need for her will end their relationship in one of the worst ways imaginable. Arthur will take one look at his wife, her body nearly on full display before them both, the most intimate gift that she’s offered his once closest confidant. He will then immediately order the death of Sir Lancelot for treason as he has committed one of the most heinous crimes against the king. 
Lancelot won’t argue, as he believes his time with Guinevere, however short, is enough to sustain him, even in death. She was worth it, she is worth it. And he will force Arthur to look upon her and realize the treasure in her that he has taken for granted. He will beg the king to at last show her the love she deserves once he is gone and no longer can. 
Suffice to say, tonight's scene is a big one. It serves as a catalyst for a lot of significant plot points. And you’re hoping that everything you’ve learned about acting thus far will suffice for the heaviness expected from you and your fellow actors. The hard part about this scene for you is the lack of dialogue. Once Arthur becomes privy to the affair between the two, Guinevere stays silent for the most part save for a few lines. Meaning you’ll be relying heavily on your body to convey her every emotion and thought, which you’ve found to be far more challenging than speaking a few lines with a manipulated voice.
Manipulating your body without a single word is a different thing altogether. To be able to convey emotions without speaking is something you’re not the most confident in, on and off  the screen.
But something happens to you once you put your costume on. You become someone else, someone you’ve always wished you could be. And with Jake being present, you’re sure you’ll have a little added inspiration. But that means you’ll be trying a little harder to look nice for tonight's filming session. Hence the ‘everything’ shower that felt like it took literal ages to complete, but felt so incredibly wonderful. (And also felt rather necessary.)
With your body now only a little damp, you remove your towel to start lathering yourself up in your favorite body lotion, fragrant with notes of wild lavender and chamomile, then taking your frenshe body oil in vanilla cashmere and massaging it all over your skin, focusing a little more on your neck and chest, even adding a little to inner thighs. These scents make for the perfect, seductive aroma, and your skin feels so soft, so alluring. Perfect for tonight.
Normally, you’d shy away from looking at yourself in the mirror, especially your nude form. Yet here you are, scrutinizing your reflection, noting each and every tiny thing that you wish you could alter. The years that you’ve spent hiding…years. 
It’s hard to look at your body when it’s not covered by the sweaters that are two sizes too big. You’re forced to accept your body, to accept the things you hate that you’ve felt the need to cover with a security blanket ever since you were a child. 
You stand to the side to see just how much your tummy is pooched from the apple cinnamon oatmeal you ate this morning. It could all be in your head, but you’re almost sure you can see the bloat from your tiny meal. You turn around completely, looking back for the crinkles of cellulite that you know are present in your ass. 
They’re there. Just as you suspected. You’re sure no model. No perfect ‘beauty queen’... 
…no Stacy. 
Fuck. How could anyone find you attractive when you’re so mortified by your own reflection? 
The voice in your head is loud and overpowering. It’s screaming louder than the voice that talked to you through recovery. 
You’re in such a strange place.
While your confidence in yourself has arguably never been higher, the urge to relapse has grown right along with it. Maybe it’s because you’ve suddenly found a version of yourself that you can appreciate. A version of yourself that you’ve always longed for. But she can’t be found in your real life. 
No. She only makes her appearance when you’re pretending to be someone else. She isn’t you.
She lives within you, but she isn’t you. 
You grab the towel and quickly cover yourself back up with it, not wanting to spiral even deeper into your insecurities when you’re supposed to be playing a confident, beautiful queen in a few hours. 
You’ll be fine once you put the dress on, you tell yourself. Please, please don’t do this. Not right now. 
You know shoving down the thoughts, ignoring them with a temporary fix, isn’t the answer. But you can’t deal with it right now. You don’t have time. You don’t have the mental space for it. 
You’ll deal with it later. It can wait. 
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Josh’s room is the set tonight, and it looks incredible. The bed is adorned with a white satin duvet, with red and white rose petals scattered all over. This is your throne for the night, where you’ll be lying for the entire duration of the scene. 
Josh’s walls are painted white, but he and Malachi have worked pure magic with the lighting that has given them a dark red hue. You thought they had actually painted them when you walked in, but Josh showed you the lights, the “wonders of cinematic sorcery,” as he called it. It looks like a brand new room, it looks so good. 
Jake was right when he told you his brother is one hell of a director. Everything he does feels professional. You just know you’ll see Josh’s name alongside the likes of Tarantino and Scorsese someday. His talent and eye for putting together the best scenes will get him far. And Malachi will be right alongside him, designing the perfect costumes for Josh’s films. A dynamic duo, those two. 
But if you’re honest with yourself, the beauty and eroticism of the set has you even more nervous for this scene. You just hope that you can do this set justice and not fuck it all up. It deserves some of the best acting you can offer Josh. You don’t want to let him down with your insecurities that have been weighing so heavily all day. 
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“I still can’t believe it,” Nat says as you’ve just finished applying the final layer of Ben Nye to your secret ink. (You still can’t get over the fact that Sam now knows about it. Not what you wanted, but there’s nothing you can do now. It’s done. It just feels strange that something so personal is now not as personal as you intended for it to be.)
As you dab a little finishing powder over the foundation, you turn your head over your shoulder to Natalia, who’s sitting crisscrossed in the center of Jake’s bed. “Believe what?” you ask her, snorting a chuckle. 
“Your sexy little tattoo, that’s what.” Her beautiful face wears that contagious smile of hers, her right eye throwing you a sly wink. “I would’ve never suspected it when I met you. You’re just full of secrets, aren’t you?” 
You have no idea. 
“Guess you could say that.” You huff a giggle while you secure all of Josh’s makeup back in his bag. Still to this day, he’s yet to ask you what it’s for. Odds are, he thinks you just need a little extra coverage for your face. It doesn’t seem he suspects a thing. (You’re just hoping Sam keeps his mouth shut about this unrevealed aspect of yourself.) 
“Do you think you’ll ever get anymore?” She questions as she’s handing you your gown. 
“Thank you, babe,” you tell her, taking the garment bag from her. “And I don’t know, I’ve not really put too much thought into it.” She helps you secure the hook and eye in the back of the dress, holding your hair over your shoulder so it’s not in her way. “I was pretty drunk when I got this one. But I do love it. So, maybe. It makes me feel mysterious, you know?” 
With the dress fastened, you stand in front of the mirror and adjust a few things. The thing you’re always the most concerned about with this costume is the chest area, naturally. If you situate the lace just right over your breasts, there’s not quite a full view of your intimate area. But there’s still enough to add a little sensuality to it. 
“Damn, y/n.” Nat says, her eyes trailing your chest as you get yourself adjusted just the way you like. 
“What?” You say through a giggle. 
“Oh, nothing,” she says. You can see her devious grin in her reflection of the mirror in front of you as she’s pulling your hair off your shoulder, smoothing out the kinks. “Just that Danny’s lucky he snatched me up when did.” Her golden eyes lock with your reflection as she winks and chuckles. “You’re just too gorgeous, girl.” 
You playfully roll your eyes as you both break out in a fit of giggles. (You wish everyone saw you that way. Jake, mostly.) With a final onceover of your liquid lipstick, blotting your lips and cleaning up the edges, you feel you’re about as ready as you can be for tonight's scene. 
“Well, he better watch his back,” you say, opening Jake’s door and walking through the threshold, Nat following close behind. “I could still steal you away.” More laughter sounds from you two as you head down the hallway, walking past the living room and up the staircase to the loft.
Danny is waiting at the top of the stairs, and when Nat makes it up to him, his toned arms wrap her in a full hug. “What are you two laughing about?” He asks, planting a sweet kiss to her temple.
Neither one of you says a word as you throw a silent wink towards Nat, letting the laughter bubbling within you both burst through yet again. 
“What?” He insists. 
Without an explanation, the two of you lock arms and proceed to the film set, leaving him still asking what the commotion is all about, but letting him sit in his wonder while you walk away together.
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“You ready for this?” Sam whispers to you, his face mere inches from yours. With you splayed out on your back, and he perched on his side right next to you, arm draped across your body, you’re positioned just the way Josh had in mind for the beginning of the shoot.
His smile, infectious and beautiful as always, warms your soul (and your body) and has you feeling very much at ease as you mentally prepare for this scene. You haven’t filmed with him in a while, and you’ve been so busy with the utter shitshow your life has been lately that you’ve just not been able to see him much. Feeling him this close to you again after all this time, you’d hate to admit just how nice it feels. 
It feels really fucking nice. You hadn’t realized how bad you missed it, how bad you missed him.
“I think so,” you mutter, smiling at him while he looks at you with heavy, lust filled eyes. “But, are you ready?”
He brushes a stray strand of hair from your face, tucking it lovingly behind your ear with a peculiar smirk across his lips. You can’t see Jake, but you can hear the prolonged sigh from his lips as he’s positioned just outside the bedroom door, awaiting his cue to barge in on the two of you. 
“I think you already know the answer to that,” he confirms, sending off his words with a wink before he shifts his attention to your director.. “I think we’re good to go, Josh!”
Josh confirms with a nod of his head, gesturing a thumbs up to Malachi to dim the overhead lighting and giving Danny the “okay” to shine a little spotlight on the bed you’re on. 
“Scene 73, take one.” He doesn’t yet have a cue card, so with (a rather loud) clap of his hands, he yells, “ACTION!”
As soon as the scene begins, you’re fully encompassed by your alter, the ever sought after Queen Quiniverre. Every insecurity, every doubt, all but washes away once Josh says the word. You’re not you anymore; you feel as though everything you hate about yourself doesn’t exist within this realm. You’re not you, and Guinevere would never be insecure about the things that you are. 
And that’s exactly what inspires you to be the best Guinevere that you can be. You wish, more than anything, that you had her confidence. But even if you don’t have it, she does. And at least you can know what it’s like, even if the moments are short. 
Once Sam says his few words of dialogue, he leans in to envelop you in a passionate kiss full of burning desire. Bodies tangled, hands searching one another; a moment of pure ecstasy shared between two secret lovers, bound together by a love so deceitful to the King. 
And then, you hear him. He walks through the threshold with heavy feet, his breathing stern and labored. 
“I thought I knew better than to heed Mordred's vile words of my first in command. And yet, I find that I needn’t worry of his lies, only those of my beloved and her dearest, both of whom betray their King.” 
He unsheathes his sword, a motion to take Lancelot for himself. To battle to the death for their prize who lie in the bed before them. 
…his voice. 
It echoes throughout the entire room, the entire apartment. The anger he’s displaying is being pulled from somewhere deep within him, exhibiting itself through the King as he’s finally privy to his wife's infidelity. The volume nearly startles you from your position on the bed. You didn’t expect such vibrancy from him, such passion to be exuded through him. He’s speaking his dialogue perfectly, acting through it as though he’s done it a hundred times over. He’s still using his accent, but it’s believable this time. It’s coming through much more powerful than the last time you heard it. 
“My once most trusted comrade, you must die at my hands for treason. The highest crime against your king, to lay with his precious Guinevere, deserves no less than a death of the highest order.” 
His accent, where it was once convincing and accurate, has now begun to falter under the pressure of the scene. He’s beginning to sound less like the betrayed king, and more like an pissed off Jake.  
He continues to hold his sword out firm, glaring at Lancelot with a fiery anger from the depths of his soul, until he shifts them to you. The same anger geared towards you, only it doesn’t feel as though it’s Arthur looking at Guinevere, it’s more like Jake looking at you. And the extent of it is making you more uncomfortable as the seconds (that feel more like hours) are passing without a word from either of them. 
It’s supposed to be Sam’s turn to speak, but it’s likely that he’s caught on to the tension pouring from Jake, and the tensions that lie in the space between you and him. 
“Sam!” Jake screams, causing you to jolt from the sheer volume. “Say your fucking line so we can get this over with and I can get the fuck away from all of you!”
“Woah, woah,” Josh interjects, motioning for Malachi to turn the lights back on as he cuts the camera. “What the fuck, Jake? What’s your problem?”
Jake tosses his sword to the floor, taking off his cloak and throwing it towards Josh who hardly has enough warning to catch it. “This, Josh. This is my fucking problem!” Jake fumes, gesturing his flexed arms towards you and Sam as you’re both struck silent by his sudden outburst. “I can’t perform with this, I won’t.” 
You look to Sam as he blinks a few times, as if suddenly being pulled out of his state of utter shock at his brother's actions. “What the fuck is that supposed to mean?” Sam challenges, getting up from his position and leaving you there by yourself. 
Danny grabs Nat’s arm to take her out of the room, and she’s waving for you to join her. But you don’t want to leave, not yet. You don’t normally stick around for a full blown, Kiszka fight. But you have to hear what Jake is going to say for yourself. 
“It means, Sam, that I can’t stand working with you,” he looks to you, still on the bed but now in an upright position as you watch the scene unfold before you. “Or her.” 
What the fuck–?
Josh is pleading with him to calm down, but he won’t have it. He brushes him off when his twin offers a comforting hand to his arm. 
“Fuck this goddamn film and fuck every single one of you that has anything to do with it! It’s fucking bullshit. I’m sorry, Josh. I’m fucking done.”
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You can’t take it any longer. You storm out after him, heedless of everyone else, ignoring their presence and pushing your way through to reach him. 
He slams his door but you waste no time in opening it immediately after, refusing to let him shut you or anyone else out after such a blow-up.
There’s not much light in his room, save for the lamp in the corner shining a warm hue on the space. The calming aura of his room means nothing in comparison to the tensions between you two— the ever growing tensions that now feel sharper than any blade.
He stands facing his bed, his back turned to you. As soon as you enter the room and shut the door behind you, he quickly turns on his heel to face you. And he does not look pleased, his features etched with irritation. But you continue to stand your ground, not willing to budge anytime soon.
“What the fuck are you doing in here?” He growls, deep enough for your bones to feel it. His cheeks are flushed and there’s sweat accumulated between his knitted brows. That familiar flare of his nostrils makes an appearance and his lips are pursed in a tight scowl.
Normally, you’d cower down to anyone who’d find it in themselves to speak to you this way. You’d hide yourself, hide your feelings, stay quiet and out of the way. Give into them to keep the peace. But right now, fuck keeping the goddamn peace. You’ve kept it for far too long at this point and you’re done allowing yourself to be invisible any longer.
“My clothes are in here and I need to change since you selfishly decided that filming is over for the night,” you simper back, your volume challenging his. “And I’m also here to figure out what the fuck your problem with me is!”
His furious stare is penetrating your very soul, his eyes the darkest you’ve yet to see them. His fists are clenched and his biceps are bulging so much you’re just waiting for the chainmail sleeves to give way. 
But you’ve never seen him look better. 
“Problem?” He begins closing the short distance between you, practically stomping across the carpeted floor, flailing his arms about as he speaks. “What the fuck are you talking about?” The heat behind his tone grows stronger and stronger, his gaze on you darkening by the second. 
You refuse to break eye contact while you snicker and shake your head at him playing stupid with you. He knows exactly what you’re talking about. But he’s clearly choosing to play dumb with you, acting like he hasn’t put you on a fucking roller coaster with him since the day he was shoved into your already messy life. If he wants to keep playing games with you, then you have no problem playing your own against him. 
You’re still in your revealing attire, your breasts nearly on full display, the entirety of your form leaving next to nothing to the imagination— to Jake's imagination. You’re privy to his numerous glances at your breasts. You won’t pretend you’re not, and you can’t hold back the satisfied, devious curl of your lips each time you catch his gaze. You should find the urge to cover up, to hide yourself or wait until you can change to confront him.
But that’s not what you intend to do. Wearing this dress brings out a part of you that you’ve come to cherish— it cloaks you in a confident aura that you’ve lacked all your life. And as much as he tries to pretend it means nothing to him, you know the effect this dress has on him. You’ve seen it firsthand for yourself. He can try to hide it all he wants, but you and him both know what it did to him the first time he saw you wearing it in this very room. You may as well use that to your advantage right now. 
You feel powerful, in control. Those doubtful thoughts you were having earlier tonight about yourself have lowered their volume nearly to a full mute. If he can’t handle talking to you like this, then he can’t handle you.
“You’re fine with me one minute,” you huff a snarky giggle, standing firm and refusing to bring your arms up to cover yourself, even with his continuous gazing.“Then you act like you can’t stand my very existence the next. I’m just fucking confused, Jake. If you hate me so goddamn much, why don’t you ask me to leave? You don’t need me to do this fucking film. Why don’t you find some other unsuspecting girl and rid yourself of me once and for all?”
With as much of yourself as you’ve invested in this film, and the new found sense of self-assurance being in front of Josh’s camera has given you, you don’t want to quit this project. If walking away was truly what you wanted, you would have done so a long time ago. And deep down, you want to believe that if Jake truly wanted you to leave, he would’ve demanded it already. But right now, all you can think about is that conversation you overheard weeks ago. 
“I only asked her because I had to…I was not about to work on something alone with her.” 
It’s something you’ve not let yourself forget. Even after everything he’s done for you— helping you with your mom, staying the night with you when it felt like your world was crumbling— none of it seems to matter because of  his words that linger in your mind like a never ending echo. He wouldn’t have said them if he didn’t feel them. That much, you’re certain of.
And after what he said to you in class…it was a harsh reality that you weren’t ready to face. He validated your deepest fears of not belonging, of not being accepted. Every hurtful thing he’s ever said about you, each cutting remark he’s said to you are repeating relentlessly in your head. 
“I don’t hate you, y/n!” He shouts through gritted teeth. He takes a few steps towards you, leaving only inches of space between your bodies. His eyes are still fixed in their vexed glare, yet there’s something different behind their darkened gaze. “I don’t hate you.”
“Then…” Your voice is shaky as you try to raise it. You have to look up at him to see his face, he is so close to you. Your trembling body begins fighting against your accusatory words. “Then why did you say you only asked me because you had to? That you didn’t want to work on something alone with me?” Of everything he’s ever done to you, those words hurt the most.
“Because I can’t…” He throws his arms up in frustration, shaking his head as he looks away from you. “...I can’t trust myself to be alone with you. And I can’t fucking stand it when—” He stops himself before he can continue, his index and thumb tightly gripping his chin, almost and if to physically stop himself. 
“You can’t stand what, Jake?” Your anger surges, overpowering everything else. Your vision blurs and your limbs are tingling with pure rage. “What the fuck do I do that you can’t stand so badly?” 
He snaps his head towards you, his loose waves, making a luscious display around his handsome face. “I can’t stand seeing you with him.” He points to the photo on his dresser, the one of him and his brothers. The one with Sam. “You think it’s fucking easy for me to see you with him like that? Especially knowing what happened between you two the night we all went to the stupid fucking haunted house.” 
Now you’re pissed. Not only is his reasoning ridiculous, he’s also accusing you of something that didn’t happen. This isn’t your fault. None of this is. And for him to treat you like shit because of that?
“You don’t know shit, Jake!” Your voice rises to a near scream, letting go of any pretense of holding back. “Nothing happened that night, and even if it had, why the hell do you care? What makes you think you have any right to be pissed about anything that I do? I wouldn’t be here if it weren’t for you; this is your fault! So your reasoning is, frankly, complete bullshit. And I’m not buying any of it.” You’re yelling so loudly your voice is cracking and breaking, your words reverberating with raw, pissed off emotion. No one has ever provoked you to this level of anger. No one except your dad, when he decided out of the fucking blue to leave you. You hate that he’s brought out this side of you. “You act like that because you can’t stand the very thought of me,” you continue. “Just tell me you want nothing more to do with me and I’ll walk right out that door. You’ll never have to see me again.”
He stands still for a while, silently staring at the floor. He brings his hand up to rub his chin, something you’ve seen him do a hundred times, when his mind is racing about something. Josh almost always points it out. He does it a lot during filming, during your scenes with Sam. Especially during the ones when you’re wearing the very outfit you’re standing before him in right now. 
Then, he takes two more steps, until he’s close enough to you that you can feel his heaving breaths against your already heated skin. His demeanor has changed. He doesn’t seem angry anymore. The way he’s looking down at you…he now seems desperate. 
“I can’t stand the way he looks at you…the way you look at him,” he whispers, his eyes traveling the curve of your breasts as his lungs deflate letting out a deep sigh. His eyelids have become heavy over his whiskey colored eyes that flick back to yours. “I can’t stand it…because I wish it were me.” His voice, once harsh and furious, is now a deep, hushed whisper. It’s low, gravelly in pitch. 
It’s fucking sexy. But you’re still not convinced. You need more. You’re sick of thinking he likes you for a split second, then pulling himself away when he feels you’re getting too close. 
No. Not this time. If he pulls away again, you’re done. Out the door. Gone from his life and free to live yours without him and this film. You’ll take a failing grade if it means you don’t have to go through this anymore.
“I don’t believe you, Jake.” Your words are stern, but your body language begins deceiving your cold statement. You’re trembling, vibrating through to your very core. No matter how pissed you are, you can’t fight this incessant attraction you’ve felt for him for a long time now. You fought fiercely in the beginning, had completely convinced yourself that he was nothing more than a handsome jerk who harbored feelings of distaste towards you. 
But fuck. That made you want him more. His mystery, his demeanor. The kindness that seeped through every now and again. Nat was right; you’d always known it was there. His genuine heart is sometimes too strong to stay masked behind this rough act he's tried to uphold. It's broken before you enough times to know that it’s there. And maybe it’s because of you that it's breaking more and more. His guard is falling. That’s why you’re so fucking pissed that he’s fighting every second to keep it up. And what you just said…it's not that you don’t believe him. A big part of you does. You’ve seen the way he looks at you, the way he was completely dumbfounded the first time he saw you in this lace dress. The way he seethes when you’re with Sam. On camera or not. 
But right now, you need to fucking see it. To see that side of him that you know is buried within. It’s not enough to simply hear his words; you need him to prove it to you. You’re tired of the back and forth with him. This is his opportunity to show you what ever the fuck it is that he wants from you.
There’s a look of confliction as his hand reaches out to you tentatively, his fingers playing with the lace on your shoulder. They move, hovering just inches over your collar bone before his fingertips delicately skate over the skin with such a gentle, intentional touch. Your breath catches in your throat, your heart pounding as you feel the warmth of his touch.
“I’ve wanted to touch you…” His fingers follow the curve of your neck, passing over your pulse point, tracing a path along the curve of your jawline. “...just like this since the day I fucking laid eyes on you. And seeing my brother get to do it…” Your bottom lip is lightly tugged by the pad of his thumb, smearing the dark lipstick. “...it eats me up inside, y/n. I don’t think I can watch him kiss these lips one more time.” His focus is now entirely fixed on your lips, as his tongue gracefully glides over his own. Your craving for him intensifies with every passing moment. Each second fuels the fiery need within you.
“Then…why don’t you just do it?” The words fall straight from your mouth before you can even think twice about saying them, hanging in the air that’s slowly shifting from an angry tension to a much different kind. Your eyes lock yet again, each of you silently pleading with the other to bridge this divide between you once and for all.
With one hand still caressing your face and finding the small of your back, he pulls you flush against him, holding you tight against his warm body. He leans in, his lips brushing over yours, a feather-light caress that steals your breath. 
And as if you’re pulled together by an invisible tether, your lips finally meet. 
It starts slow, almost hesitant. But the intensity begins growing as your emotions are spilling over, fueling the kiss with a passion that is closer to desperation. His hand finds your hair, tangling your soft locks as he pulls you even closer, deepening your embrace with a hunger born of a longing that’s finally being set free.
You can feel his walls crumbling before you, letting break through his barrier. The insurmountable distance that was created between you, not only physically but emotionally, has at last been closed. 
His tongue glides across your teeth, drawing your bottom lip firmly between his. He serenades your mouth with the most beautiful melody, eliciting a yearning that forces your thighs to come together in an attempt to soothe the desire pulsing between them.
He tastes like the sweetest honey infused bourbon. His lips are soft, putting the most sumptuous velvet to shame. 
The hand resting on your back glides upward along your torso, stopping just before he reaches your heaving breast. His lips break from yours before he tugs on the hair at the nape of your neck, fully exposing the expanse to him. 
“Jake…” You start, but he’s already so attuned to your desires that you don’t have to say another word before his mouth meets your taut skin. His tongue traces along your neck, stopping to suckle the skin. A strained moan sounds from deep within you, eliciting a sensual snicker, reveling in the response he’s drawing from you.
“You smell so good,” he mumbles against you, sealing his compliment with a kiss. As if you’re not falling apart enough, you nearly melt into him when his hand finally caresses over your full breast. “This okay? Can I touch you here?” He whispers softly in the shell of your ear, his words both a question and a promise of his respect for you.
“Please, Jake, more” you whimper through heaving breaths. 
He groans deeply against your ear, his hot breath sending shivers down your spine as he teases your hardened nipple through the flimsy lace. You practically cry out for him, your body squirming with anticipation, begging him for more. He shushes you gently. “I’ve only just begun,” he whispers, his index finger tracing slow circles over your sensitive bud. “Let me take my time with you.”
He pinches your nipple, playful smirk gracing his lips as he chases the sounds escaping your parted mouth. 
You clutch his biceps tight, anchoring him to you to keep him from slipping away. He hisses as your nails dig into his skin, only igniting his desire for you.
“Do you believe me yet?” He whispers, his lips grazing your jawline.
While there’s not an ounce of lingering suspicion within you, you dare to toy with him a little further.
“Nuh uh, not yet.” You respond quietly, your body betraying you as your desire is displayed physically. He can sense it, and the mischievous grin curved on his lips assures you he’s privy to your little game.
“Feel how much I want you.” And with that, his hand takes yours, guiding it to his pulsing cock that’s straining against his black pants, imploring you to feel the undeniable need he has for you.
He throbs beneath your touch as you palm him through the satin fabric that still conceals him, keeping in time with your own racing heart. His breath hitches, he whimpers beautifully in your ear as you continue to feel him, and if it were even possible, he’s becoming even harder against your touch, desperate to remove the confines of his pants.
“Holy fuck, Jake…” 
Your legs press together once more at the feeling of him, his sheer size and thickness that is obvious even through the barrier between you. All you can think about is how he’d feel nestled away deep inside of you, filling you with every inch. He’s massive, that much you can tell, even through the barrier.
“Yeah?” He hums through heavy breaths. “That’s all for you, love.”
His words have your arousal nearly dripping down your thighs, your body growing more impatient by the second.
“Lay down for me,” he mutters in your ear. “Just like you were for the scene. Only this time, for me.” 
His words, almost possessive in their wake, leave you speechless and craving him even more. He lightly motions you in the direction of his bed, keeping his eyes locked with yours. 
Once you lie down, just as you did just moments ago, he positions himself at the end of the bed while he looks at you, taking in the vision before him. 
Normally, you wouldn’t have half the confidence for a moment such as this, and it’s for that very reason you’re glad  you’re in this very dress. It’s been the source of most confident moments as of late; it only makes sense that you’re wearing it in real life with Jake. 
As he begins to remove his chainmail top, you tremble at seeing him so bare. You’d seen it before, but not like this. This time, he’s taking it off for you, removing yet another barrier that exists between the two of you. 
You’re breathless at the sight of him. His pecs, sculpted and chiseled, rising and falling with his deep breaths. The smooth expanse of his unflawed skin, begging to be touched and explored. And his broad, sturdy shoulders that beckon you to sink your nails into, to keep a tight grip against while he’s on top of you. 
“Look at you,” he mutters, his eyes tracing every curve  of your body as he climbs onto the bed, hovering over you as though he’s not done looking at you just yet. “You’re a fucking queen,” he whispers, his voice husky and filled with desire. Finally, he leans in, his lips meeting yours with a tender gentleness, leaving you yearning for more as he lifts away again just slightly. “A beautiful queen.” 
He kisses you once again, this time hungrier than the last. His hands roam your body with a newfound intensity, each touch igniting a fire within you that leaves your body arching towards him, begging for more. More of him.
His lips trail down your neck, leaving a path of kisses along your skin as his body slowly lowers down yours. You suck in a deep gasp as his warm, wet tongue follows a slow trail from your belly button, gliding all the way up to your chest, tracing along the curve of your breast. 
His lips suck a mark right where his tongue stops, leaving a bruise right where the fabric ends along your chest.
“So pretty,” he mumbles against the bruise his lips left on your taut skin, marveling at his work. “All marked up from me. Want to mark you up everywhere…”
His focus seems deliberate, as if he’s determined to leave his mark where it will be most visible during your scenes, his attention fixed solely on the skin peeking out amidst the black lace. 
“This…will be hard to cover up for filming, Jake…” you utter, breathless from your purely aroused state. 
“No,” he whispers between leaving his mark right in the middle of your breasts. “Don’t cover them. Let them see.”
Before you can continue your weak protest, he carefully pushes back the lace over your left breast, fully unveiling it before him. He shushes you as his lips instantly attach to your perked nipple, sucking it deep within his mouth, softly nibbling at it all while his hand removes the lace from your right breast, kneading the flesh between his fingers.
But as he does so, you feel your body begin to tense when you discover his fingers are all over the area covered with makeup. The area with your tattoo. It feels too fucking good to make him stop, but that same feeling that overcame you when Sam unsuspectingly saw it is blazing within you. 
Once you shift your eyes to his hand, you notice the makeup smeared almost completely, the red ink bleeding through to present itself, even if you aren’t ready for it to.
“Jake I…” 
But it’s too late. As he lifts to switch his attention to your right breast, he sees it. His eyes are fixed on your etched secret, mouth lazily agape at this small piece of you he’s discovering for the first time. 
“H…holy fuck,” he stammers, leaning in to peck his lips against the word along the tender spot. “This is so sexy I just…” he brings up his finger, tracing the “R”, then the “E”, the “D”
“Do you like it?” you ask him, feeling a rush of confidence wash over you.
Your initial hesitation has all but vanished. It's so different with Jake…something about the way he makes you feel, the way he brings out this part of you that no one else does. Not even Sam.
“I love this, y/n,” his lips meet the ink once more, decorating it with wet kisses. 
“I…I’ve always been so scared for people to see…” Your words would hardly be legible if he wasn’t so close to you. Your mumbled tone is evidence of how he’s affecting you, what he’s doing to you. “... and it’s not exactly accurate for the film,” you mutter through a weak chuckle.  
“Does anyone else know?” he quietly implores. “Does Sam know?” 
“No.” 
The word flies out of you before you can even take a second to think about it. It’s a lie. Sam does know. But that doesn’t matter to you right now. And Jake doesn’t need to know of what you almost did with his brother in a shitty attempt to get to him. 
“Only Natalia knows.”
“Good,” he mumbles between leaving more kisses along your breast, slowly creeping closer towards your erect nipple.“Let’s keep it that way.”
His tongue lightly flicks the sensitive bud, drawing languid circles around it while his fingers follow the same motion of the other breast.
With the way his body is positioned between your legs, you can’t close your thighs together to ease the ache between them. It doesn’t stop you from trying, though, and when he notices, he grins against your supple flesh, looking up at you to see your completely fucked out state. He understands what you need without a word, and he begins to shift his body even further down your own, keeping your legs spread and his mouth trailing down your flesh, until his face is nearly level with your throbbing core. 
The slit in your dress proves to be quite convenient at the moment, enabling your legs to spread easily while the only coverage you have is from the thong that perfectly matches your skin tone.
As his lips brush against your inner thigh, his warm breath leaving a trail of goosebumps in its wake, you find yourself instinctively arching your hips closer to him, craving whatever pleasure he can offer.
“You smell so fucking good, love,” he mutters. 
You’re silently praising yourself for thinking to add your body oil to your thighs, not realizing you were doing it for Jake. 
He’s not done marking you up just yet, as he sucks long and deep on the flesh of your inner thigh, eliciting a high pitched moan from deep within your being, your hand quickly flying up to stifle your sounds. 
“This one is just for me,” he mumbles against the bruise, tracing it delicately with the tip of  his finger. “And only for me.”
“Jake, please…I need more,” you cry out, your voice trembling with desperation as he stares deeply into your heavy, longing eyes. 
“What do you need, beautiful?” He probes, peppering your thigh with gentle kisses, following a slow path towards where you crave his lips the most.
“Jake…”  
“Tell me what you need,” he says in a hushed voice, his lips trailing a delicate kiss just above your throbbing clit. “Just tell me and I’ll do everything in my power. It’s the least I can do for you…please, let me make everything up to you.”
“Jake I don’t care anymore I just—” you reach down to brush a loose strand out of his face, fingers grazing over his sharp jawline as he leans in, leaving a sweet kiss in the middle of your palm. “I just need you.”
A devious, sinful smirk graces lips as his attention diverts to your aching heat. 
With his index finger, he traces the wetness you’ve left on the fabric of your panties, drawing slow and lazy circles over your clothed clit. 
“Can I take these off?” He asks, his blown pupils dark with need as his question almost sounds as though he’s begging. “Want to see you, all pretty and wet for me.” 
“It’s all for you, Jake.” 
“Fuck, baby,” he groans. His hands, strong and firm, reach up to your hips, tugging at the sides of your thong as you lift yourself to help him pull it down your thighs. “That’s what I like to hear.”
He helps you lift your right leg out, then your left leg, placing your panties on the edge of the bed once they’re finally off of you. 
Out of everyone you’ve ever been with, no one has ever taken this much time with you. Not once has anyone asked what you need, what you want. It's a side of Jake you never expected to see. In a thousand years, you wouldn't have imagined him being this attentive, this caring toward you. 
“You’re so fucking beautiful,” he hums, his eyes longing fixed on your dripping core. “Every single part of you, just perfect.”
You instinctively jolt once his lips attach to your already sensitive clit, sucking it gently, his warm tongue swirling around it. With a tender touch, he holds your hips down in place, keeping you still for him as he explores you.
“Jake, oh my god, plea–”
He cuts off your words with a long glide of his tongue from you leaking entrance to your aching clit, sealing with a deep kiss to your throbbing bud, drawing a sharp gasp from you.
With his middle finger, he prods your entrance before slowly pushing it all the way in, finally filling you as you clench hard around his long digit. His grip on your hips does little to restrain you; you find yourself grinding against him, yearning for more of his touch. His tongue dances over your clit while his finger delves deeper into you, setting an delicious rhythm that has you craving more.
Then, he adds a second finger, filling and stretching you around him even more. His thrusts quicken, driving you closer to the edge with each brush of his fingers inside of you. 
Your hands instinctively find his soft locks, fingers entwining in the strands and tugging. A low moan escapes him, sending vibrations against your core.
“Just like that, Jake, just like tha–” 
But just as you're nearing your peak, there’s a sudden knock at the door that causes Jake’s fingers to still their movement, keeping them inside of you as he lifts his face that’s now glistening from your dripping arousal. 
“Jake? Are you and y/n okay?” It’s Josh. He sounds concerned, distressed. It’s sweet, although his timing is…awful. “You’ve been in there for a while…we’re just worried about you guys.”
Shit.
⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎
a/n: oof. that was a lot. thank you for sticking with me, lol.
who do we think the mysterious Dodger could be?
i'd love to hear your thoughts! don't be afraid to reach out; hearing from you all keeps me going.
if you'd like to be tagged in future chapters, follow this link or let me know & i'll be sure to add you. ☺️ (let me know if i've missed you)
sending all my love!
taglist:
@jakeyt @alwaysonthemend @sacredjake @jakesgrapejuice @misshunnybee @reesetrippingthelight @way-to-go-lad @sinarainbows @ohgodthefeeling-gvf @klarxtr @watchingover-hypegirl @brinlygvf @stardustjake @gretavanbear @gvfmelbourne @sinsofstardust @literal-dead-leaf @gvf-ficreads @jaaakeeey @capturethechaos @neptune2324 @jaketlove @thetroublegetssoloud71 @myleftsock @sanguinebats @jakekiszkapunchmeintheface @joshskittytickler @violet-hayes @aflameforgoinghome @heckingfrick @fitalich @starshine-gvf @audgeppp @jakekiszkasbuttsweat @nina-23-45 @torniturntomyarrow @beautifulcrayola @writingcold @welllauragvf @loveisonaroll @itsafullmoon @gretasfallingsky @i-love-gvf @kiszkas-canvas @mackalah @gvfmarge @sarafrusciante2 @jordie-gvf @gretavansara @highway-tuna @vikingsisthenewsexy @louiseecraigg @hippievanfleet @citylight-delight @blacksoul-27
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ayashitetsuko · 6 months
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An open letter to David Jenkins
Some fans believe that we should not vent our anger and frustration to show creators. I don’t believe that. The thing about being a professional is that receiving criticism is part of your job—especially if you have done a terrible job.
OFMD went from groundbreaking to disappointing overnight.
There was a momentum to create a queer media that is smart, fun, sexy, and most importantly, respectful. In the way they are writing these queer characters. Especially older and disabled queer characters, a reflection of a generation of marginalised communities that have gone through so much. To give audience a glimpse of hope in their escapism.
But sir, you choose to Remus Lupin him instead.
This is not just about killing off a character. Hell, I might be willing to accept it. After all, I have read and even written fics with MCD in it—involving my favourite character.
But I want you to know that this is a special case. It is not just another popular character being killed off to drive plots.
I have issue with how you kill off a queer character that represents many marginalised communities in his arc.
Izzy is an abuse survivor who becomes disabled as a result of it. Izzy is a queer elder. Izzy is suicidal but manages to overcome it with the healing power of love and community.
Having him killed off just like that is a huge slap for fans who have gone through what he has gone through. Turns out, even in fiction, in our escapism, there is no joy. Only despair.
Also. Father figure? Where does that come from? Ed has never been shown to have any level of respect for Izzy. So let me ask you again. Where does “father figure” come from?
You have an opportunity to make a difference with OFMD; to be remembered in history for the right reasons. Yet somehow you choose not too. You choose to turn this into cheap, sensationalist entertainment where death and torture are thrown around for shock value.
It is like you have no idea how much power you have by being a professional storyteller.
Let me break it down to you. For you as a writer, perhaps killing off Izzy is nothing but an artistic choice. A plot point to figure out. But for audiences in marginalised groups, stories are mirrors. They see themselves in stories. That is how stories give them hope. This is why OFMD has never been “just a pirate story”. Perhaps this is hard to understand if you have never been part of an underrepresented community in the mainstream media, but this is how many are feeling about your work now. Your legacy.
OFMD has truly become an overnight failure. I don’t know how this happened. I would like to blame budget cuts, but your Vanity Fair interview makes me realise this is all deliberate choice.
So, what is next for us Canyonites?
If anything, this convinced me that queer and disabled people should write. And continue to write.
We can no longer trust major media to speak for us. We definitely can never trust David Jenkins again. Any form of progressiveness that he showed earlier was just coincidence, apparently. Even worse, it was fake.
As my friend Sam beautifully puts it, Izzy belongs to us now. We reclaim that character and give him all the happy endings he deserves in our fic, our art. We transform the works. We write about queer, disabled, suicidal characters the way the deserve to be written. If being a published writer is the path you choose, make sure you make wiser decisions than David Jenkins.
Thank you, sir. It was good while it lasts.
But this is a terrible job that you’re doing.
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ladyluscinia · 6 months
Text
What Exactly Did David Jenkins Say?
Look, I'm still staunchly of the opinion that Word of God statements and creator interviews are overvalued in fandom, especially when they get pulled out mostly as gotchas without then continuing to analyze whether or not the show canon is successful at getting across that same message. Death of the Author is good, actually, and we should remember that. But they are worth looking at in the context of evaluating intent vs execution, and for future speculation - just, like, please with less of the whole mile high pedestal idolizing and backlash cycles.
But if overvalued "Word of God" is annoying, then overvalued "supposed creator statements that have gone through three rounds of telephone and any given blogger has only heard about a quarter of them, which they'll use confidently anyway" is worse. So, since I'd already looked up interviews for various reasons...
Here is a fairly comprehensive list of interviews David Jenkins has given and statements he's made during them, presented without commentary (save curating which statements get highlighted). All provided with links. I definitely missed some, so if you have any that you want to add, please do - though if you could trim off any commentary and save it for tags / your own post with a link that would be cool.
Also, again, just because he said it doesn't make it incontrovertible canon that only a blind person wouldn't understand. Some of these even arguably contradict each other. The creator's intent doesn't always translate to what the show is doing, nor do you even have to think it was a good idea.
(Listed in chronological order from oldest to newest - post contains spoilers below the cut)
Pre-S1
Gizmodo - Feb 22, 2022 - with Cheryl Eddy (io9) - Link
Why this story - Really, it was the enigma of Stede that drew him in. "I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly. But hearing about this guy and reading about him and seeing that, you know, he left his family, then he met Blackbeard, they hit it off, and we don't know any of the details in between. So filling those blanks in, and having a very human story, and then being able to do it with the pirate genre, that was like, 'Oh, this would be cool.'"
Post 1x01 - 1x03
Polygon - March 5, 2022 - with Tasha Robinson - Link
David Jenkins, Taika Waititi, and Rhys Darby interview
About Stede running off to sea - "Stede thought he could outrun his baggage, and you can't outrun your baggage."
About S1 - "I don't think there was enough improv on set! We had an insane schedule, with a huge amount of plot. We were budgeted and designed as a one-hour show, but with a half-hour production schedule, which means we really had to chase these episodes to get them shot. And then there are certain emotional beats that we really needed. So trying to find places to find the fun was hard."
Mashable - Mar 5, 2022 - with Belen Edwards - Link
About the show concept - "It was Jenkins' wife who first told him about Stede's adventures; she thought it would make a good TV show."
On casting Rhys Darby - "Stede did a terrible thing to his family. If you cast it wrong, he's a very hard character to get behind," Jenkins said. "Very quickly, the only person I thought of for this was Rhys [Darby]. He has this childlike quality that's endearing."
About the story - "Seeing them discover a need for each other that neither anticipated and charting how that relationship goes is the meat of the story." + "If you're on this ship, you're running from something, and you're running to something that you can't be on land"
Mentions of matelotage - "In fact, one of Jenkins's favorite pirate facts that he learned while working on Our Flag Means Death was the term matelotage, which was a civil union between same-sex pirates. "The more you look at it," he explained, "the more you write to the fact that this is a queer-positive world.""
Discussing piracy careers - "Something else that astounded Jenkins about pirates was "just how fast it all moved — their lives were quite short," he said. "Your career [in piracy] wasn't very long.""
Post 1x09 - 1x10
Decider - Mar 24, 2022 - with Kayla Cobb - Link
David Jenkins, Taika Waititi, and Rhys Darby interview
Pitch for the show - "That was in the pitch," series creator David Jenkins told Decider. "That was the reason, to make them fall in love with each other."
About the romance - "The main thing to me was to side-step coming out," Jenkins continued. "I just want a romance. I want a Titanic romance between these two people. We don't have to do the coming out story and then the non-binary story for Jim [Vico Ortiz]."
About S2 and the show - "The show is the relationship," Jenkins said. "So, we end in a place where there is this breakup. What happens after a breakup between these two people who, one’s realized he's in love and the other one is hurt in a way that he's never been hurt before? What does that do to each of them in an action, pirate world with them trying to find each other again? So again, I really love those rom-com beats."
Collider - Mar 24, 2022 - with Carly Lane - Link
On making it a romcom - "It's the only reason to make the show. If you didn't do that, it would just be weird. I mean, you're using the rom-com beats. You're using these like they're together. And it's funny because so we're so habituated to be like bromance, bromance, bromance, and it's such a simple move to put them together."
Discusses focusing on romance - "I guess I really... I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do. So if you're going to do a workplace story, I mean, you're essentially having this... You'd have this same amount of relationships in Grey's Anatomy in the ER. So it's standard. It's the most standard. We're making a soap opera on a pirate ship, and to use those soap opera beats... I like it, and I like the flavor in a comedy when you have something that's played genuinely up against very ridiculous things."
Discusses history and kissing scene
Discusses importance of going home to Mary - "Yeah, that was the problem for me in the story. I knew that I wanted to have the end where he goes home, because you need to give Mary her day in court. I just wanted to know from Mary's perspective what happened and then to see that, yeah, they're friends."
Is Lucius dead? - "You got to wait."
EW.com - Mar 25, 2022 - with Devan Coggan - Link
David Jenkins, Taika Waititi, and Rhys Darby interview
Pitch for the show - "To me, [Stede and Blackbeard's relationship] is the reason to make the show," Jenkins explains. "When Taika and I were first talking about it, he was like, 'Oh yeah, that's the show.' I first started reading about Stede and how he befriended Blackbeard and we don't know why. Very quickly, it was like, 'Oh, it's a romance.'"
Polygon - Mar 25, 2022 - with Tasha Robinson - Link
Discusses 3-season intent - "I think three seasons is good. I think we could do it in three."
Discusses acts within S1 - "To me, when you see him get stabbed, and the blood runs through his fingers, it’s like 'Oh, no, the clown got stabbed! And not comedy-stabbed, he got stabbed stabbed!' That to me is cool. And then having Blackbeard find him as the end of what would be the first act of our story felt good to me."
Discusses kiss scene filming and the national moment around gay rights
What to focus on a rewatch - "I think Con O'Neill does such a great job. He's such a complex character, and it's such a tortured relationship. And that's a love story too, between him and Blackbeard. It's a very dysfunctional story, but it's fun to watch. Watch that maybe, on a rewatch, looking where their relationship ultimately goes."
TV Insider - Mar 25, 2022 - with Meaghan Darwish - Link
Discusses show pitch - "When I was pitching [the show] to people, I'd be like, 'Okay, so it's about Stede and Blackbeard, and then they hit it off and then they fall in love.' And then people are like, 'Okay, cool,' Jenkins shares. "And then they really fall in love, and become intimately involved."
Discusses historical inspiration
Discusses S2 direction - "But when [Stede] goes to find [Blackbeard], he's gone and his crew's been abandoned. And so watching them try to negotiate that, that's a good rom-com beat," he adds.
The Verge - Apr 15, 2022 - with Charles Pulliam-Moore - Link
Discusses being surprised by queerbaiting legacy - "...part of me knew that, yes, Stede and Ed's romance was going to be real. But one part of me felt like, 'We're going to do this story, and they're going to kiss, and maybe that's not even going to be that big a deal. Maybe it'll just be a blip.'"
Discusses writing romance - "I'd never written a romance before this one, but I think with Ed and Stede, the question's always 'what's the need for each other?'"
Discusses falling in love and Stede's accidental seduction - "It made sense to have that love be almost like a teenage version of falling in love — one with all these intense and conflicting feelings. They're middle-aged, but Stede's young. Ed's young. Emotionally, they're like 16, and they've both got a lot to learn."
Discusses Con O'Neill as Izzy - "He plays an exhausted quality that's really lovely because this character could just be generically evil, and the way Con plays, it is like, he's credible. I believe that he can do some damage if he wanted to. My favorite thing I've seen about the show is somebody saying that Con's playing the only human with a bunch of Muppets. It does feel like that a bit where he's like Charles Grodin in The Great Muppet Caper."
On Izzy being in love with Blackbeard - "I think Izzy's deeply in love with Blackbeard, and it's a very dysfunctional kind of love, and he's like the jilted spouse who's losing his man to fucking Stede Bonnet, and he can't believe this is happening."
Discusses masculinity and piracy as an escape from that
Discusses diversity and trauma based stories - "And the consensus in that very diverse room was that we wanted to show that isn't just wallowing in trauma. We don't have to do a coming out scene or focusing on the trauma of it — not to say that those stories aren’t valid."
Gizmodo - Jun 20, 2022 - with Linda Codega (io9) - Link
Musing on fandom response to the show - "I'm wondering if the fact that because the queerness of this show isn't gaslighting the audience, and isn't a function of wanting to do something, but not being able to produce the results because of network standards. I think we just happened to be in this lucky spot where the show is actually queer… and I do think that people are responding to that."
Comparing fanfiction to writing - "And Con O'Neill's audition was one of those things I would go back to. I would watch that and be like… Oh, right, that's the show. And in a way, you're writing fanfiction for a certain actor and character because you want them to do something, and you're like–" at this point, it must be said, Jenkins let out a maniacal little giggle. He’s just as thrilled to show off Con O'Neill's ability to seem both deeply exhausted and menacing as the rest of the fandom. "And you [as the writer] you're like… And then Izzy does this now."
EW.com - Dec 13, 2022 - with Devan Coggan - Link
Discusses The Chain sequence - "I had initially wanted that end sequence to be like the FBI raid in a mob movie, where the feds come in, and they've got boxes of stuff, and everyone's running, and someone makes a dash for it," Jenkins explains. "So, it's like a mob movie or FBI raid story, and then it's also a story of Stede's lover coming back."
Pre-S2
Collider - Oct 2, 2023 - with Carly Lane - Link
Discusses fan reaction to S1 - "I thought that they'd kiss, and people would be like, 'Oh, cool, cool!' I kind of thought people would know a little bit more [about] where we were going, but then in hindsight, no, people have been hurt and burned on so many other shows and then made to feel silly."
Discusses starting S2 dark - "One of these characters is very, very damaged and has never made himself vulnerable in this way before, and I don't think [he] would react very well to having his heart broken in this way. I don't think it would be cute, and I don't think it would be funny. I think it would be scary as hell to watch a very damaged guy that we've established in Ed, who killed his dad and thinks he's not capable of being loved, deal with rejection and see that Stede really hurt him."
Discusses adding more female characters
Discusses S2 needle drops including "This Woman's Work"
Discusses 3-season arc
Post 2x01 - 2x03
Mashable - Oct 5, 2023 - with Belen Edwards - Link
Discusses fandom response to S1
About the canon gay relationship - "To watch the explosion of enthusiasm around [the kiss] was disorienting, almost," Jenkins said. "I thought people would react to it, but I didn't think the reaction would be that big. And then it was moving, because I didn't realize that this audience felt so unserved in general, as far as storylines go."
Insider - Oct 5, 2023 - with Ayomikun Adekaiyero - Link
Tease on leaning into the Stede / Ed / Izzy love triangle - "I think Izzy, in a certain way, got the worst deal in the first season," the showrunner tells Insider. "He gets jilted and then he still is in spurned spouse territory at the beginning of the second season."
Discusses Izzy's arc - "What is that relationship about? And I think by the end of the season it kind of becomes a little unexpected of who they are to each other and what they mean to each other," he teases
Discusses addition of Zheng - "He likens Zheng's way of pirating to a successful tech startup, compared with the garage sale vibe Stede had going on the Revenge."
Discusses introducing Hornigold - "I thought Hornigold was the most obvious because he was the person who made Blackbeard what he is. And Blackbeard has a father complex, so it's natural that he's going to bring his former captain back," the show creator said. "It's a struggle with him because he and dad figures don't historically do well."
Discusses importance of the mermaid scene
Inverse - Oct 5, 2023 - with Hoai-Tran Bui - Link
Reveals he didn't commit to the romance until shooting 1x06 - "Jenkins always intended his pirate comedy to end with a romance, but he'd envisioned it as an unrequited love. "It was going to be about Stede learning what love is, and Ed making himself vulnerable and getting burned," Jenkins says of his original pitch. But Darby and Waititi's choices in the scene, which they played without diffusing the tenderness with a joke, made him wonder if they could take the show in a new direction."
Discusses mermaid Stede idea from S1 - "We talked about Stede as a mermaid very early on in the writers' room," Jenkins says. "At some point, yeah, I want to see Rhys Darby as a merman." + "They wanted us to come up with a Season 2 pitch during Season 1. And that was one of the ideas we hit on, and I can't quite remember how we got there, but it was us asking, what is a pirate world? Are there mermaids? Is there magic in this show? With pirate stuff, I don’t know that I want there to be magic, but there was a way where it was something really beautiful about a mer-person, and I like the idea that their coming together would have a mythic size to it."
Discusses historical divergence
Discusses matelotage and pirates as weird outsiders
TV Guide - Oct 5, 2023 - with Allison Piccuro - Link
About the shipping culture - "It's the meat of the show, so it's great to have people bought into the central romance. If it were a bromance that we were trying to make look like a romance, that would suck."
Discusses playlists he makes
Discusses opening dream sequence - "I just like that it started with something badass. Stede, Blackbeard, and Izzy are on an arc together. Whether they're in stories together or not, their ultimate arc is together. I think, by the end of this season, the last episode, that first scene will be gratifying. I won't say why, but their fates are tied together."
Discusses Kraken arc - "But I think the thing that's good about this show is that it can go to really sweet comedy land, but I want there to be, like, if someone loses a body part, for instance, they lose a body part. To do justice to the fact that this guy is a killer and a monster, and dealing with heartache that he doesn't know how to deal with, I think you really need to go there."
Discusses Izzy in S2 - "I mean, he's jilted. He had a partnership with Blackbeard, and he knows he can't live up to this person that Blackbeard fell in love with... Who is that guy? What are his hobbies? What does it look like when he's not totally subsumed with his boss's love affair with somebody, and heartbroken?"
On S2 reunion - "The second season is them being a little bit more mature... It's the thing where you're in your 20s or 30s and you're like, "Well, should we move in together?" They have to make up some time because neither of them have been in a functional relationship before."
About genre of pirate stories - "...is a show about multiple relationships. That's what I want to see when I see this show. I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world."
Discusses the A Star is Born aspect of seeking fame / retiring
Mashable - Oct 7, 2023 - with Belen Edwards - Link
About the mermaid scene - "You need something expressive for when they come back together," Jenkins said. "Their reunion moment has to feel big and mythical. This is not a world where mermaids actually exist, but their love for each other has that size that you can get [a mermaid] in there somewhere."
About Kate Bush - "I love Kate Bush, and I love that song, and I know Taika loves that song," Jenkins explained of the choice. "So I wanted to find a place for that song somewhere in the second season."
Polygon - Oct 9, 2023 - with Tasha Robinson & more - Link
Compares S2 and "Golden Age of Piracy" stuff to Westerns, lists 5 he was thinking of - "Every Western that’s good is that story," Jenkins says. "'This way of life we made is coming to an end. It can't last. It's a blip in time. We created this thing because we need it to exist. We're outlaws, and we need a culture that suits us, but it's running out of time.'"
Gizmodo - Oct 9, 2023 - with Linda Codega (io9) - Link
Short tease on leaning into the love triangle
About Stede, Edward, and Izzy - "I think the three of them are on an arc together that's pretty inseparable," Jenkins said in an interview with io9. "And to watch Izzy try to process what's happened [in season one]… to watch him kind of grow and figure out what's his own story, if he can separate himself from this kind of toxic relationship, is interesting to me and I think gives him a lot of room for growth."
Post 2x04 - 2x05
IndieWire - Oct 12, 2023 - with Sarah Shachat - Link
Discusses directing and show creation
"The limitations of the show also naturally push it back towards moments with the ensemble and plot problems that it would frankly be irresponsible to tackle if you had a giant budget and a fully working ship-of-the-line to sail and then blow to bits. "That's the fun of the show to us, I think. If you open this up and you're like, unlimited budget, that would be terrible because I think you can get seduced," Jenkins said. "[It could be like,] 'Oh man, it's all leading up to a climatic battle on the sea.' And those things are great. But that’s not this show.""
"The nice thing about that, though, is you get to be the lo-fi show that’s like, 'Hey, we’re making The Muppets.'"
PopSugar - Oct 12, 2023 - with Victoria Edel - Link
About S2 Stede - "I like the idea that he learns and grows and he doesn't just stay a bumbling captain. He might be ridiculous, but he is getting better at it."
Discusses genre challenges - "How do you have a show that's a romance show but it's also a workplace show and they're criminals?"
Discusses Edward's redemption - "But Blackbeard still has to come back and apologize and be part of the community again, and give his little press conference. It was fun for us to look at that in the context of piracy, where they all do terrible things to each other. But even by their standards, what Blackbeard did was a bit much."
Discusses Izzy in S2 - "When Izzy shoots Blackbeard and they all mutiny on him, that's Izzy breaking up with Blackbeard. And they're both having their own journey in the wake of it, and Izzy's having his own redemption arc. He's trying to figure out, "Who am I if I'm not Blackbeard's first mate? Who am I outside of this relationship?"" + "If Stede's Spongebob, he's Squidward. I don't know what that makes Blackbeard. But there's a real pathos to Squidward."
Discusses trauma-based narratives - "As a diverse room in terms of sexuality, socio-economic background, and race, we thought, "Wouldn't it be nice to have a non-trauma-based story for these characters who don't get that historically?""
Variety - Oct 13, 2023 - with Hunter Ingram - Link
Discusses three act structure and making Stede work for a relationship - "The way I like to look at a season is in threes. The end of the first act is when they find each other, and this is the beginning of the second act. They've found each other, but they are pissed. Stede thought it was going to be [Kate Bush's] “This Woman's Work,” but, in reality, it is this headbutt –– literally."
Discusses the central romance - "It was always part of the pitch... that is the reason to make the show. The pirate genre is fun, but I wasn’t dying to make a pirate show. Taika wasn’t dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard."
Discusses 2x04 plot - "This episode is based on a very, very thumbnail sketch of "Who's Afraid of Virginia Woolf?." Anne and Mary are Martha and George, and they are Elizabeth Taylor and Richard Burton."
Discusses adding historical pirates
Discusses Buttons exit - "I just love the idea of him turning into a bird: I love the idea of Buttons somehow being the one character that is able to figure that out."
Discusses Izzy and the crew's trauma plot - "We liked the idea that there is something about trauma and getting past that trauma, even on a pirate ship. They have been through two very different ways of living and they have to get used to each other again. But it's also a family that was separated, and becoming one family again is painful."
Discusses bringing characters back - "We could bring Calico Jack back, who, if you remember, was hit by a cannonball last season. Anyone who is that fun to play with and wants to keep playing, you always find a way to bring them back."
Polygon - Oct 14, 2023 - with Tasha Robinson - Link
Discusses 3-season arc and how keeping them apart with some plot device was never in the cards - "at the end of the first season, they're 14-year-olds, emotionally. In this season, it's more like they’re in their late 20s."
Discussing New Zealand production and ensemble cast writing - "It's pretty organic, because as we're going through and tracking everybody's journey for the season, we're watching the thing that holds us together — what stage of Stede and Blackbeard's relationship are we in? Because the overarching arc is, are these guys going to learn how to settle into a relationship?"
"The second season is more overtly about romance, and more a relationship story."
Energizing aspect of fan reaction
S3 is about "love is work"
Gizmodo - Oct 16, 2023 - with Linda Codega (io9) - Link
About the story - "I want to see them become a functional couple or fail to become a functional couple," Jenkins said. "Those are the most interesting parts of the show."
Discusses fandom engagement - "...ultimately the writers are also "the fans in the room." He goes on to say that, "We're fans of the world. We're writing fanfic about our own characters, our own worlds… It's paid fanfic, but it's fanfic." He gives another example: "If you're writing a season of Succession, you're writing fanfic Succession. You're just getting paid to do it. We, as writers–" it's clear that he's not just talking about the writers in the writers room, "become fans of the world and we all have things we want to see these characters do. What we do is not that different."
Discusses the A Star is Born aspect of seeking fame / retiring
Discusses Zheng Yi Sao
Villains of the series - There are a lot of new villains this season, but, Jenkins says, ultimately, "the antagonist on this show is normalcy… These pirates have a way of life that they're not finding in normal life. They've found a way to live and support each other and be there for each other. And that's always threatened by these larger, tyrannical forces that want to shut them down."
Post 2x06 - 2x07
Mashable - Oct 19, 2023 - with Belen Edwards - Link
Discussing drag performance in 2x06
"It is nice to see with Izzy's arc, where he finally breaks through whatever he's been doing to himself. He lets himself have that moment, which I just love. It resonates for Izzy, and I think it resonates for Con. Just personally, it made me feel good to see how it turned out."
Consequence - Oct 19, 2023 - with Liz Shannon Miller - Link
Discusses intent for romance - "...telling a love story in a serialized medium like television has its perils, largely because it's tough to know how much you can draw out any unresolved tension. "I think we take it episode by episode and we try to not piss people off in taking too long and doing double beats and triple beats," Jenkins says. "You can only do Will They or Won’t They for so long. Then you have to deepen it.""
Discusses pirate setting - "The emphasis on relationships also fits into the show's high-seas setting, which Jenkins finds similar to post-apocalyptic narratives. "It is a little bit like you're doing Mad Max, except there's relationships," he says. "Stuff's shitty, so you gotta try to find some joy. Of course, people are going to have a need for each other in these extreme circumstances, and I like the idea of these characters finding some level of a healthy relationship in these extreme circumstances.""
Discusses Jim x Archie
Discusses 3-season arc
Polygon - Oct 21, 2023 - with Tasha Robinson - Link
Discussing gender and power dynamics in Jackie x Swede / Zheng x Oluwande / Blackbeard x Stede + A Star is Born aspect
Jim not being jealous of Oluwande - "I think that relationship was always seen in the room as a friend relationship that got romantic."
About adding a villain - "I think a lot of the internal forces in Our Flag are the villains." + "I think this is a story about the age of piracy coming to an end. This way of life is coming to an end. And every Western that's good is that story: This way of life we made is coming to an end, and it can't last. […] I think every story about outlaws is about trying to preserve a way of life against normative forces that are kind of fascistic."
Historical accuracy - "The balance of the show is 90% ignoring history, and then 10%, bring it in, whenever we're like, Ah, gotta move the story forward! Remember, the English are out there, and they're really bad!"
Post 2x08
AV Club - Oct 26, 2023 - with Saloni Gajjar - Link
Killing Izzy was always the plan - "We wanted to show the depth of that character. Izzy is one of my favorites. He's like middle management who is in a sort of love triangle [in season one]."
Discusses how they really wanted the happy ending for S2 - "I think with season one's end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn't want us to make more, I just didn't want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished."
Discusses S2 progressing the 3-season romance - "They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one." + "It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What's wonderful about a mature romance, and what I'd want to see more of in season three, is Ed and Stede making these tough decisions." + progressing past the getting together point
Discusses parallels, Republic of Pirates, and Zheng Yi Sao
Short bit about fan response
Collider - Oct 26, 2023 - with Carly Lane - Link
Discusses Ed leaving fishing - "I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he's a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, "At your heart, you're a pirate. You have to go back and do it," he doesn't want that to be true, but it was true."
Discusses Izzy's speech to Ricky - "I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it."
Discusses Izzy's death scene - "In a way, it's very much for Ed, that speech. The "we were Blackbeard" is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, "You can give it up." There can never be a Blackbeard again as far as Izzy's concerned because he's dying, and they did that together."
Discusses Republic of Pirates / music parallels from premier to finale
Discusses finale wedding - "We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other."
Discusses retirement ending - "That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, "Can they make the relationship, and can they do better than Anne and Mary?""
"Frenchie's in charge of the Revenge" + teases Stede struggling to give it up
EW.com - Oct 26, 2023 - with Devan Coggan - Link
Discusses Izzy's death and telling Con - "It feels like the logical end of Izzy's arc. It's heartbreaking to me because he's my favorite." + "I told him in the middle of shooting because I didn't want him to find out at the table read, obviously. I also didn't want it to leak. He was lovely about it."
Discusses Izzy's final arc - "You know, I didn't expect him to become kind of a father figure to Ed. I think we hit on that while we were breaking the [final] episode. He's in such a weird position: He's like a jilted lover, and then he's a middle manager who has to work for a terrible boss. He gets thrown away, and then he comes back. He really develops, and he becomes a part of this family. I think the biggest surprise was the extent that he was a mentor to Ed. They were both Blackbeard. They both made Blackbeard happen."
Discusses the happy ending intent - "With this season starting so dark, I kind of wanted to reward them for the work that they've done and the character growth that they've had. I wanted to leave them in a place where they're really going to try and make this work. I don't think it's going to be easy for them, necessarily. They're both still immature."
Discusses the wedding - "We knew we wanted a matelotage in the second season, and pretty quickly we landed on Lucius and Black Pete. It seems like they were ready for that. We made up a ceremony and everything, where they call each other mateys, and it was just fun to make our own version of a pirate wedding ceremony."
Discusses potential S3 and Frenchie's Revenge - "But it felt like a good place to end the second season. It felt like a contrast to the first season. If it turns out we don't make any more, I'm comfortable with that being a resting place."
Variety - Oct 26, 2023 - with Hunter Ingram - Link
S3 endpoint - "I love things in threes," he says. "That first act, second act, third act structure is so satisfying when it is done well, and you don't overstay your welcome. I think this world of the show is a big world, and if the third season is successful, we could go on in a different way. But I think for the story of Stede and Ed, that is a three-season story."
Discusses the draw of a "Golden Age" and it's ending
Talks about father figure Izzy and wanting a real sense of loss - "There is a nice parallel to have Ed treat him so badly at the beginning of the season and then come all the way around to where Izzy is this sort of father figure he doesn’t want to lose — because Ed usually kills his father figures."
Gizmodo - Oct 26, 2023 - with Linda Codega (io9) - Link
Teasing future Izzy - "Jenkins looked slightly sad himself, saying that "Ghosts exist in this world." I told him not to make promises he couldn't keep."
"Jenkins said that he doesn't see Izzy as a pure antagonist in season one because on some level… Izzy was right in his hesitations about Stede."
Discussing Con O'Neill & Rhys Darby acting
Jenkins confirms the season was always 8 episodes due to budget cuts
About S2 finale vs S3 - "The first season ends on such a downer, so it made sense to end the second season in a kinder spot." + "I think there's plenty of story left for season three, but I think that it was important to end this as if it was the end of the show, and on upbeat note and avoid the kind of "kill your gays" trope. I don't want to see Stede and Ed punished for giving it a go. I want to see them really say, 'yeah, we’re going to we're going to try to have a relationship'."
Teases S3 revenge against Ricky and going to the Americas
Vanity Fair - Oct 26, 2023 - with Sarah Catherall - Link
About the ending - "It's bittersweet. There's death and there's the rebirth of Stede and Blackbeard's relationship; there's a funeral, there's a wedding, and the idea that this family is going to keep fighting even as they lose members. And then it's about belonging to something." + "A lot of times, with this narrative of characters, same-sex relationships end on a dour, downbeat note, where one of them dies and it's unrequited or it's unrealized; something horrible happens and they're punished in a way. So it was important to leave it open and a lot more show to go, but also leave it in a place where it's happy."
Discusses Izzy as a mentor / father figure - "We felt like Izzy's story had reached its conclusion, where we put him through enough. And then there was the realization that he is kind of a mentor to Blackbeard and that he is kind of a father figure to Blackbeard." + "And it's also a pirate show, so he's got to die."
Discusses filming challenges - "It's a big show; it's basically a one-hour show that we're doing on a half-hour budget."
Discusses adding Zheng Yi Sao
Is the show a queer romance? - "For this show, it's important to me just to write a really bold-bodied romantic show that happens to be between two characters of the same sex. I think that the story beats don't matter, because if you've been in love and you've been hurt and you met someone you love—hopefully we all know what those feelings are."
Blackbeard's arc in S2 - "...the second season is about Blackbeard's midlife crisis. And then when they both have their midlife crises, they can open a B&B together." + "I don't think Stede and Blackbeard are ready to be married. They're emotionally saying: 'Let's give this a go.'"
Discusses historical piracy as "counterculture" that's been straightwashed and whitewashed
Did he feel responsibility to the fan community? - "As opposed to responsibility, it feels more like relief—that people feel seen and they feel good about it and they liked what we did. And so it feels like, Okay, somebody's out there and wants the show. The makeup of the writers room looks a lot like the makeup of the fan base. So as long as we're true to our stories in the writers room, I think we just feel excited that there's somebody waiting on the other end to enjoy it."
Paste Magazine - Oct 26, 2023 - with Tara Bennett - Link
Discusses whether fandom expectations felt weighty - "I think particularly for this season, that "bury your gays" thing… I didn't want to end on a downbeat for Ed and Stede. We did that in the first season. I like that there's a lot of different flavors. It's even a little melancholy because the Republic of Pirates got blown up. But there's still more good things."
Discusses production and plotting - "I wanted to start at the Republic of Pirates this season and end at the Republic of Pirates. And I knew I wanted the Republic of Pirates to be destroyed, ultimately. Within that, we are making a one-hour show on a half hour budget, on a half hour schedule."
Discusses planning the ending - "In terms of ending this season, it all felt right just in talking through it when we were in the room. It felt pretty intuitive. When you get to the third act of the story, things kind of settle in. There's gonna be a funeral. We always knew we wanted a wedding at the end of the second season. And I knew that I wanted Stede and Ed to start an inn together. So once you have those beats, it's kind of locked in."
Discusses Izzy's arc - "It's kind of a strange arc in that I knew we were going to put him through all these things, and I knew he would ultimately die. But I think him becoming a father figure to Ed in the last episode didn't really dawn on us until we were breaking the last episode. Asking what would this man say to Ed at the end because they've been together through everything? He went from a troubled and downtrodden employee to a jilted lover to a discarded employee, to someone that is just trying to find his footing again—no pun intended—to actually becoming this guy's parental figure on some level. And he's one person who kind of raised Ed right, because Blackbeard usually kills his parental figures. So, it felt right and it felt like that's how the mentor dies. The mentor in a story usually dies in the second act and then our hero has to go on and try to do it without them. It felt like the right journey for Izzy and a gratifying one for Con."
On leaving open for S3 - "I don't think it was a very hard thing to do. I think it was more that I felt a responsibility to leave Ed and Stede in a good place, at least for now. It's not gonna go well. They're not going to run a business well. Ed's too much of a talker. Stede can't focus. It's gonna be challenging."
Vulture - Oct 28, 2023 - with Sophie Brookover - Link
Discussing Izzy as a "father figure" and his S2 send-off being a priority
Meaning of piracy - "...what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy."
Re: Con O'Neill & Izzy's death - "I had to tell him about halfway through the season"
Third season about the work of a relationship between still damaged main characters
Discusses middles as about change and transitions, and wanting characters to change instead of reset, have them experience permanent consequences
About the final scene - "...Ed and Stede as the parents kind of watching the kids take the ship. Frenchie's the captain now..."
Objective of the crew - "...have had terrible things happen to them at the hands of colonial forces, so they want some payback. Party, plunder, and payback — the three P's."
Metro Weekly - Nov 1, 2023 - with Randy Shulman - Link
Discusses historical premise of S1 and easing into the romance
Discusses S2 genre - "In the second season, it was great because we know it's a romance and we can lead with that. It's a workplace show essentially. I wanted it to be more in the vein of early episodes of Grey's Anatomy or something where there are all these relationships on those shows. That's what you’re following — relationships and friendships that are taking place in a hospital, procedural. That's Grey's Anatomy. This is less procedural for the pirate stuff — and you need the pirate stuff."
Discusses not being into pirates - "But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge" + "Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff."
Discusses adapting historical piracy - "You don't want to see them punch down. You don't want to see them do terrible things to people who don't deserve it, which is not what they really did. So, in the show's world, I think piracy is like a stand-in for something. I think it's a stand-in for being an iconoclast and an outsider and queer in some ways and just different." + "Yeah, I mean, the British are there to be Stormtroopers, or Nazis in an Indiana Jones movie. I mean, they're in there to die essentially."
Discusses diversity staffing
Discusses performative masculinity
Discusses Izzy's death, happy endings, and openness to S3
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kneelingshadowsalome · 4 months
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As a history and Mythological lover, I love your works, they are so addictive, and you write so well, and the Minotaur konig fic was such a pleasure to read. I remember when you first uploaded the Roman konig story and I was so ecstatic about it, I remember checking on my break at work, If you’d uploaded another part haha, I mean I still check tumblr on my breaks to see who had uploaded so I know what I can read after I get home lol.
I think you’ve found your niche!
Also if you don’t mind answering what other time periods you’d think konig would fit in? Victorian era?
Nasty, oily and covered in coal, konig is walking home through the streets and bumped into a clean wealthy beautiful young woman, ooh do I love forbidden romances, just like your nun fic lol.
Ahh thank you! Mythology, fairytales and historical au’s are a passion of mine 😭
And puh-leeze, a forbidden romance between a dirty worker and a rich uptown girl? Filthy coal miner König who bumps into this fancy lady dressed in white? How can he ever make up for his clumsiness?? Please don’t have him beaten like the poor bastard he is, he already fucked up today by accidentally destroying boss’s new machinery by showing off his strength...
Tries to steal a peek at her ankles, and under her dress while dusting off her skirts with some napkin that’s hardly much cleaner than his hands. And she’s just giggling at him – great, now he’s hard... How is he going to explain this when he rises from here?? (Rich lady also being protected at all costs from dirty dogs like him! He's soon panting at her door!)
As for other historical au’s and fairytales... >:)
CW: Fear of SA (historical au), wife stealing (yandere fairytale imagine)
Obviously I see König as this dark knight of the Teutonic Order, punishing pagans with his sword somewhere in the wild woods of old Europe. How about another forbidden romance between a cold-hearted crusader & a cute pagan girl who lives in the woods and worships the old gods?
She gets captured during some awful raid, and is pulled into the camp by her hair, angry tears streaming down her face. The soldiers tie her to a thick wooden cross and leave her in the rain, probably to have their way with her later, taking turns with her after they've gambled and had a drink. Then this dark, giant knight happens to walk by, not a regular foot soldier but an actual knight with armor as black as night. She remembers him from the battlefield, wielding a fat morningstar, splitting people’s skulls from atop the huge black destrier he rode...
A terrible beast, dark and silent and big, the rain batters his helmet as he takes one look at the shivering maiden on the cross, her white linen dress glued to her skin in the downpour, and stops.
The soldiers have a crude sense of humour and what’s arousing, but he has seen worse… The knights of the Holy Order are even more perverted when it comes to having “fun” with women. But something pierces his defense when seeing the frightened stare of this pagan girl, her weak body trembling on the cross, the wide dark nipples perked up from cold. He’s seen so much death, his soul is drenched in blood by this point, but somehow, this woman who hasn’t even been broken in is the last straw.
Ends up taking her down, and she attaches herself to him like he’s her saviour, even the cold black armor apparently warmer to her skin than the cold rain. The cruelest of knights feels a moment of pity for this girl and sets her free, pushes her to the woods and waves his hand in a gesture of Get the hell out of here while you still can. (=gtfo before I get hard enough to take you in the mud...)
Months later, she finds him bleeding to death under a tree after a battle. All the other soldiers are screaming and crying for their mothers, but this one is silent, eyes darkening when he recognizes her. He says something, already delusional, and she can’t help but kneel and offer him water…
(and from this point on it would go somewhere in @wordstome s Kosovo maiden territory, perhaps slightly darker? But you get the point!)
And then there’s this old Inuit story that always reminds me of König, it has many variations but it’s basically about this lonely hunter who gets a little too resentful for not having a wife yet. Goes to paddle his boat in these moonlit waters and sees a bunch of maidens dancing in the moonlight on a small little island, notices their seal skins on the ground, and because he’s lonely and in despair, he steals one of them.
One by one, the maidens put their seal skins on and rush back into the water, but one woman can’t find her seal skin no matter how hard she looks for it. The hunter emerges, holding her beautiful skin, saying he’ll give it back to her if she comes to live as his wife for 7 years. She has no other choice but to say yes, and for a while they live happily, they even have a son, but then the seal woman starts to miss her seal skin and the sea...
It’s a tragic tale and the hunter won’t let her leave even if she cries so this would make a wonderful yandere scenario, you could always make a twist and write the woman as some other animal, a deer perhaps, and König as this lonely brooding hunter of the Austrian mountains :)
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verxsyon · 1 year
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·:*¨༺ ❝ 𝐅𝐋𝐎𝐖 (𝐈) ❞
with your auto workshop at risk of closing down, your best friend offers to introduce you to people who are definitely in need of your high quality services: underground street racers of blue lock, whose obsessions are winning the races. however, your arrival at the track makes them think otherwise.
✧ 𝐩𝐚𝐢𝐫𝐢𝐧𝐠. kira ryosuke, isagi yoichi, bachira meguru, chigiri hyoma, kunigami rensuke, barou shouei, niko ikki, mikage reo, & nagi seishiro x gn!reader
✧ 𝐟𝐨𝐫𝐦𝐚𝐭. headcanon (written) ; 1.1k
✧ 𝐠𝐞𝐧𝐫𝐞. e2l au, f2l au, street racer au ; fluff
✧ 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬. slight possessive behavior (barou)
✧ 𝐯𝐞𝐫𝐚. so my streamer au hcs popped off… ngl, i wasn’t expecting much, but thanks for that! here’s another one with more characters into the mix. i’ve been waiting to write this au, ugh. this was originally a huge post with 18 characters, but i thought it was too much so i’m splitting this into two parts. hm, a week or two for the second part?
[ 𝐅𝐋𝐎𝐖 (𝐈𝐈) ] 
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𝐤𝐢𝐫𝐚 𝐫𝐲𝐨𝐬𝐮𝐤𝐞. the jewel. he has been your best friend since diapers, as well as your soulmate, partner-in-crime, ride or die, and a lot of other things referring to him as your other half. as your best friend, he hates to see you unhappy. for instance, recently, he tells you that he knows people who will gladly pay you a generous amount to fix their cars, risking your safety because it’s blue lock of all things. it’s not easy to turn him down, so you agree to meet your new potential customers at the track underground despite the consequences. the likes of you rarely come to blue lock so it’s natural to have everyone wary of your arrival, which he warns you to stay close to him.
𝐢𝐬𝐚𝐠𝐢 𝐲𝐨𝐢𝐜𝐡𝐢. the heart. he’s relatively new to blue lock, but is already very popular among the audience for the freshness he brings to the atmosphere, which most of the older racers lack. ryosuke’s his first friend, so at least there’s someone other than your partner who you can trust. you’re in his care while ryosuke checks in with the rest of his team, and he decides to give you a tour of blue lock to keep you entertained. he’s sweet and kind, asking you if you want water and if you feel alright because racers have been staring at you since you arrived. before he can say more, an uproar booms, caused by a racer standing proudly on his car with paint all over his body.
𝐛𝐚𝐜𝐡𝐢𝐫𝐚 𝐦𝐞𝐠𝐮𝐫𝐮. the monster. he loves decorating, especially his car which explains the spray paint, but is terrible at being an artist. on the surface, he seems playful and cheerful, performing some sort of gymnastics routine through the crowd to isagi and greets him with pinches and stretches on his cheeks. however, his gaze tells a whole other story. he’s dangerous, with the possibility that he can beat up the entire venue with his spray paint bottles. jokes aside, he’s made a strong first impression, and it seems like he feels the same when he’s up at your face, studying you intensely. that earns him a flick on the forehead from a red-haired boy who’s too pretty to be true.
𝐜𝐡𝐢𝐠𝐢𝐫𝐢 𝐡𝐲𝐨𝐦𝐚. the surge. he’s the fastest racer in blue lock, securing every victory at the speed of light. also known as its “princess”, but he doesn’t seem too fond of that moniker. as he approaches bachira to scold him for always scaring newcomers, his beauty is so unreal that you don’t even realize you’ve been staring at him until he tells you to stop and that you’re turning into bachira. in all seriousness, he apologizes for teammate’s antics, justifying that he acts like that before a highly anticipated race. he’s out due to a leg injury and has a teammate helping him to stay in shape: a bulky racer with orange spiky hair who you first see at the team garage.
𝐤𝐮𝐧𝐢𝐠𝐚𝐦𝐢 𝐫𝐞𝐧𝐬𝐮𝐤𝐞. the hero. he’s the strongest racer in blue lock in terms of endurance, outlasting everyone in those types of races. the de facto leader of team z, he acts as an older brother to them as he’s very protective and solves issues in a civil manner, which balances out his hot-blooded personality. he’s more than thrilled to have you as blue lock’s business partner, but first things first, as ryosuke has matters to take care of, he’s asked on his behalf to take you home. you thank him for the ride and being nice to you. embarrassed, he says he’ll see you at the race before zooming away.
𝐛𝐚𝐫𝐨𝐮 𝐬𝐡𝐨𝐮𝐞𝐢. the king. he’s the leader of team y, the racer ryosuke’s been complaining about ever since he came back to your shop the day after your first time to blue lock. based on his description, he’s selfish and arrogant, claiming that the venue is his throne, and also that he’ll be one of the competitors in the upcoming race. ryosuke advises you to refuse him if he visits. after all, you have that right; but out of goodwill, you won’t. sometimes you wish you don’t mean the things that you’ve said because you disliked him upon the first verbal exchange. he had the audacity to tell you you’re his when he wins. you’ll follow ryosuke’s advice for sure when this guy comes.
𝐧𝐢𝐤𝐨 𝐢𝐤𝐤𝐢. the sentry. he’s the youngest member of blue lock and the only non-racer. instead, he has sharp eyesight for alerting everyone when the police are near. he’s seen your little exchange with barou, so he decides to talk to you about him. not only is his ability useful for avoiding trouble with the law, he can analyze hand movements and facial expressions, whether they’re genuine or not. barou rarely says that to anyone, meaning he’s not an exception to be captivated by you. this boy admits you’re one of the people he admires due to your mechanical expertise. as he had said, him and barou aren’t the only ones; a fan favorite’s waiting to be graced by your presence.
𝐦𝐢𝐤𝐚𝐠𝐞 𝐫𝐞𝐨. the heir. he’s the leader as well as the second-best racer of team v. he considers ryosuke to be one of the best racers in blue lock, besides his best friend nagi of course, which is what he’ll use during his negotiations with you. a master at that developed by his upbringing, they worked on the majority of his teammates, earning their respect, so he hopes that you’ll find his terms reasonable and work for him. but what he doesn’t expect is you playing hard to get. you think a pretty rich boy like him deserves a wild goose chase for shits and giggles, but in fact, it makes his pursuit very exhilarating like his races. nagi thinks that what he’s doing is a waste of time.
𝐧𝐚𝐠𝐢 𝐬𝐞𝐢𝐬𝐡𝐢𝐫𝐨. the genius. he’s the best racer of team v and is ranked sixth of the top six racers of blue lock. most people would be happy about their achievements, but he doesn’t care as they’re essentially reo’s efforts. all he cares about are his video games and his cactus, until you arrived. he’s interested in attempting to impress you, with “attempt” being the keyword. but reo does all his work once again by introducing him to you as his most prized possession. you may not believe it because of his lazy disposition, but reo promises that you’ll see his full potential in the upcoming race. someone else who he doesn’t find to be a bother, he hopes to see you more often.
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✧ 𝐭𝐚𝐠𝐬. if your url is in bold, that means i can’t tag you!
@2018-01-20 ; @astranne ; @kamiiyaka​ ; @keqism ; @lilikags ; @wanderersbell ; @venexus
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badaziraphaletakes · 2 months
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Hi! Please Forgive this terribly long lead-up to my question. I’m finally joining the conversation here instead of just sneaking around reading everything, and I wanted to say a huge thank you for the visibility you bring to the relationship between common criticisms that we see aimed at Aziraphale and aspects of his character that are autistic-coded. In my marriage, one of us is autistic and the other is adhd and some of the posts i’ve seen about how beings are ‘supposed’ to show love and care, and about how concern, kindness, consideration ‘should be’ communicated, have just baffled me. Do people really not know that not everyone processes the immense complexities within feeling in the same way? With the terribly stressful events precipitating the final 15, it never even occurred to me to be mad, frustrated, or angry at either one of the ineffables, or to think that either one of them should shoulder the burden of their conflict more than the other, if even at all. I’m upset FOR them. It seems so obvious that events and pressures were stacked to make it impossible for them to find their way to each other in that moment. And it was quite transparent in the transitions that critical narrative details were excluded. Neil made this happen in a very mastermindedly way and I both love and hate it, lol.
SO to the point - when I came to tumblr looking for similarly heart-wrenched souls and I found some truly mean & cruel things written directly about our angel and tangentially about our demon and it made me very upset, and if i’m being honest it also made me worry quite a bit about the limited capacity for sympathy that some folks seem to have. Now that I’ve calmed down (a little) i’m curious for your take: In your opinion, why are so many bad takes hyper-focused on proving that C & A aren’t equally sympathetic characters? And more jokingly: Do people not know about us v the problem?
Thank you so much for writing this! It's absolutely beautiful and so insightful. I'm so glad this blog has been helpful to you; it warms my heart to hear that! As for your question, I'm going to think about it a bit more; my initial response is to say that it's because a. Aziraphale rubs people the wrong way (because autism, as discussed above! :), and b. People always want to paint ab*se victims as the villains, but I suspect there's other factors at play as well.
Maybe the angel-demon dichotomy makes people think one of them has to be bad since they're nominally on opposite sides. For example, I've seen a lot of takes that say hell and the demons are the good guys, which is demonstrably false. My impression is that some people think the way the story is trying to be subversive/iconoclastic is by saying "demons are the good guys for rebelling against heaven &c &c". When in reality, of course, it's being subversive by saying "there are no 'good guys' and bad guys'; nobody's 100% good or 100% evil, so we shouldn't set up these false us-vs-them dichotomies".
I'd welcome your two cents and the thoughts of anybody else who wants to chime in!
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trigunbookclub · 7 months
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TrigunBookclub Afterparty!
Hello there! As bookclub winds down to a close, there a few things to announce:
Bookclub Afterparty!
Bookclub may officially be over, but the Trimax brainrot continues! There are some bonus comics, the Multiple Bullets anthology (with all its great and terrible stories), and some folks have fallen behind, have essays left to write, or have things they wanted to create or share and haven't had a chance. I myself fell behind since life has been a bit hellish on my end, I'm two volumes behind--and I don't seem to bethe only one in that position!
So, I want to invite people to keep using and watching the tag until the end of October! Discuss, share theories, thoughts, art, shout-out posts and ideas that you love, just have fun! You can discuss the entire series and all related materials--hell, you can even do a read/reread it if you want to. Whatever goes, so long as it follows the guidelines.
Bookclub 2.0!
I've been talking with the @trigun-manga-overhaul team, who we all know has the best Trigun manga translation out there--but it's about to get better with Overhaul 2.0! When it drops probably next year, it will be at the pace of a chapter a week, and I plan to run the bookclub during that time to celebrate! This gives much more time for discussion, comparing, analyzing, and keeping up with posts. Since it will be a longer reading time and it's round two, spoilers will be allowed, though I will ask that they be tagged.
I also highly encourage everyone to feel free to use the tag when the hardcovers from Dark Horse are released to celebrate and discuss!
Bookclub Archive!
Since social media has a tendency to be ephemeral at best, the lovely @versaphile has taken it upon themselves to archive the bookclub posts of everyone who gives permission for them to do so! This way you can binge meta and posts and find everything much more easily. You can find the archive here, and see an example of archived posts here. If you're interested in or okay with being included in the project, please contact @trigunreferencelibrary!
Bookclub Stickers!
Multiple people have talked about wanting a badge of honor for participating in/keeping up with bookclub, and I think that might be a bit tricky... but how about some stickers? I figure that this way, the shipping is affordable even for international folks since I've seen a good amount of people around the world participating and lurking! I'm going to try and find printing for as affordably as I can (if anyone out there knows any good distributors for smaller batch sticker orders, please shoot me a DM!), and it won't be something to profit off of--just in memory of a great time! The only thing is I have two options, and I don't know if either of them are even what folks want. So...
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And that's all that I can think of for now! I'm a bit exhausted and run ragged at the moment, so feel free to ask for any clarification on anything. When I started this project, I honestly didn't think I'd get many if any people following through--I know people lose their focus easily (myself included). But instead it turned into a huge celebration of a beautiful manga that is finally getting the attention it deserves after kind of getting buried by time. I've met some absolutely amazing and brilliant people throughout this event, and I just want to say thank you to every single person who made a post, supported others, and/or just lurked. You guys are fantastic and made this an amazing experience.
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